40235 lines
1.9 MiB
40235 lines
1.9 MiB
The Project Gutenberg eBook, Bleak House, by Charles Dickens
|
|
|
|
|
|
This eBook is for the use of anyone anywhere at no cost and with
|
|
almost no restrictions whatsoever. You may copy it, give it away or
|
|
re-use it under the terms of the Project Gutenberg License included
|
|
with this eBook or online at www.gutenberg.org
|
|
|
|
|
|
|
|
|
|
|
|
Title: Bleak House
|
|
|
|
|
|
Author: Charles Dickens
|
|
|
|
|
|
Release Date: August 1, 1997 [eBook #1023]
|
|
Most recently updated: February 21, 2012
|
|
|
|
Language: English
|
|
|
|
Character set encoding: ISO-646-US (US-ASCII)
|
|
|
|
|
|
***START OF THE PROJECT GUTENBERG EBOOK BLEAK HOUSE***
|
|
|
|
|
|
E-text prepared by Donald Lainson, Toronto, Canada,
|
|
and revised by Thomas Berger and Joseph E. Loewenstein, M.D.
|
|
|
|
|
|
|
|
BLEAK HOUSE
|
|
|
|
by
|
|
|
|
CHARLES DICKENS
|
|
|
|
|
|
|
|
|
|
|
|
CONTENTS
|
|
|
|
Preface
|
|
I. In Chancery
|
|
II. In Fashion
|
|
III. A Progress
|
|
IV. Telescopic Philanthropy
|
|
V. A Morning Adventure
|
|
VI. Quite at Home
|
|
VII. The Ghost's Walk
|
|
VIII. Covering a Multitude of Sins
|
|
IX. Signs and Tokens
|
|
X. The Law-Writer
|
|
XI. Our Dear Brother
|
|
XII. On the Watch
|
|
XIII. Esther's Narrative
|
|
XIV. Deportment
|
|
XV. Bell Yard
|
|
XVI. Tom-all-Alone's
|
|
XVII. Esther's Narrative
|
|
XVIII. Lady Dedlock
|
|
XIX. Moving On
|
|
XX. A New Lodger
|
|
XXI. The Smallweed Family
|
|
XXII. Mr. Bucket
|
|
XXIII. Esther's Narrative
|
|
XXIV. An Appeal Case
|
|
XXV. Mrs. Snagsby Sees It All
|
|
XXVI. Sharpshooters
|
|
XXVII. More Old Soldiers Than One
|
|
XXVIII. The Ironmaster
|
|
XXIX. The Young Man
|
|
XXX. Esther's Narrative
|
|
XXXI. Nurse and Patient
|
|
XXXII. The Appointed Time
|
|
XXXIII. Interlopers
|
|
XXXIV. A Turn of the Screw
|
|
XXXV. Esther's Narrative
|
|
XXXVI. Chesney Wold
|
|
XXXVII. Jarndyce and Jarndyce
|
|
XXXVIII. A Struggle
|
|
XXXIX. Attorney and Client
|
|
XL. National and Domestic
|
|
XLI. In Mr. Tulkinghorn's Room
|
|
XLII. In Mr. Tulkinghorn's Chambers
|
|
XLIII. Esther's Narrative
|
|
XLIV. The Letter and the Answer
|
|
XLV. In Trust
|
|
XLVI. Stop Him!
|
|
XLVII. Jo's Will
|
|
XLVIII. Closing In
|
|
XLIX. Dutiful Friendship
|
|
L. Esther's Narrative
|
|
LI. Enlightened
|
|
LII. Obstinacy
|
|
LIII. The Track
|
|
LIV. Springing a Mine
|
|
LV. Flight
|
|
LVI. Pursuit
|
|
LVII. Esther's Narrative
|
|
LVIII. A Wintry Day and Night
|
|
LIX. Esther's Narrative
|
|
LX. Perspective
|
|
LXI. A Discovery
|
|
LXII. Another Discovery
|
|
LXIII. Steel and Iron
|
|
LXIV. Esther's Narrative
|
|
LXV. Beginning the World
|
|
LXVI. Down in Lincolnshire
|
|
LXVII. The Close of Esther's Narrative
|
|
|
|
|
|
|
|
|
|
PREFACE
|
|
|
|
|
|
A Chancery judge once had the kindness to inform me, as one of a
|
|
company of some hundred and fifty men and women not labouring under
|
|
any suspicions of lunacy, that the Court of Chancery, though the
|
|
shining subject of much popular prejudice (at which point I thought
|
|
the judge's eye had a cast in my direction), was almost immaculate.
|
|
There had been, he admitted, a trivial blemish or so in its rate of
|
|
progress, but this was exaggerated and had been entirely owing to the
|
|
"parsimony of the public," which guilty public, it appeared, had been
|
|
until lately bent in the most determined manner on by no means
|
|
enlarging the number of Chancery judges appointed--I believe by
|
|
Richard the Second, but any other king will do as well.
|
|
|
|
This seemed to me too profound a joke to be inserted in the body of
|
|
this book or I should have restored it to Conversation Kenge or to
|
|
Mr. Vholes, with one or other of whom I think it must have
|
|
originated. In such mouths I might have coupled it with an apt
|
|
quotation from one of Shakespeare's sonnets:
|
|
|
|
"My nature is subdued
|
|
To what it works in, like the dyer's hand:
|
|
Pity me, then, and wish I were renewed!"
|
|
|
|
But as it is wholesome that the parsimonious public should know what
|
|
has been doing, and still is doing, in this connexion, I mention here
|
|
that everything set forth in these pages concerning the Court of
|
|
Chancery is substantially true, and within the truth. The case of
|
|
Gridley is in no essential altered from one of actual occurrence,
|
|
made public by a disinterested person who was professionally
|
|
acquainted with the whole of the monstrous wrong from beginning to
|
|
end. At the present moment (August, 1853) there is a suit before the
|
|
court which was commenced nearly twenty years ago, in which from
|
|
thirty to forty counsel have been known to appear at one time, in
|
|
which costs have been incurred to the amount of seventy thousand
|
|
pounds, which is A FRIENDLY SUIT, and which is (I am assured) no
|
|
nearer to its termination now than when it was begun. There is
|
|
another well-known suit in Chancery, not yet decided, which was
|
|
commenced before the close of the last century and in which more than
|
|
double the amount of seventy thousand pounds has been swallowed up in
|
|
costs. If I wanted other authorities for Jarndyce and Jarndyce, I
|
|
could rain them on these pages, to the shame of--a parsimonious
|
|
public.
|
|
|
|
There is only one other point on which I offer a word of remark. The
|
|
possibility of what is called spontaneous combustion has been denied
|
|
since the death of Mr. Krook; and my good friend Mr. Lewes (quite
|
|
mistaken, as he soon found, in supposing the thing to have been
|
|
abandoned by all authorities) published some ingenious letters to me
|
|
at the time when that event was chronicled, arguing that spontaneous
|
|
combustion could not possibly be. I have no need to observe that I do
|
|
not wilfully or negligently mislead my readers and that before I
|
|
wrote that description I took pains to investigate the subject. There
|
|
are about thirty cases on record, of which the most famous, that of
|
|
the Countess Cornelia de Baudi Cesenate, was minutely investigated
|
|
and described by Giuseppe Bianchini, a prebendary of Verona,
|
|
otherwise distinguished in letters, who published an account of it at
|
|
Verona in 1731, which he afterwards republished at Rome. The
|
|
appearances, beyond all rational doubt, observed in that case are the
|
|
appearances observed in Mr. Krook's case. The next most famous
|
|
instance happened at Rheims six years earlier, and the historian in
|
|
that case is Le Cat, one of the most renowned surgeons produced by
|
|
France. The subject was a woman, whose husband was ignorantly
|
|
convicted of having murdered her; but on solemn appeal to a higher
|
|
court, he was acquitted because it was shown upon the evidence that
|
|
she had died the death of which this name of spontaneous combustion
|
|
is given. I do not think it necessary to add to these notable facts,
|
|
and that general reference to the authorities which will be found at
|
|
page 30, vol. ii.,* the recorded opinions and experiences of
|
|
distinguished medical professors, French, English, and Scotch, in
|
|
more modern days, contenting myself with observing that I shall not
|
|
abandon the facts until there shall have been a considerable
|
|
spontaneous combustion of the testimony on which human occurrences
|
|
are usually received.**
|
|
|
|
In Bleak House I have purposely dwelt upon the romantic side of
|
|
familiar things.
|
|
|
|
|
|
1853
|
|
|
|
|
|
*Transcriber's note. This referred to a specific page in
|
|
the printed book. In this Project Gutenberg edition the
|
|
pertinent information is in Chapter XXX, paragraph 90.
|
|
|
|
** Another case, very clearly described by a dentist,
|
|
occurred at the town of Columbus, in the United States
|
|
of America, quite recently. The subject was a German who
|
|
kept a liquor-shop and was an inveterate drunkard.
|
|
|
|
|
|
|
|
|
|
CHAPTER I
|
|
|
|
In Chancery
|
|
|
|
|
|
London. Michaelmas term lately over, and the Lord Chancellor sitting
|
|
in Lincoln's Inn Hall. Implacable November weather. As much mud in
|
|
the streets as if the waters had but newly retired from the face of
|
|
the earth, and it would not be wonderful to meet a Megalosaurus,
|
|
forty feet long or so, waddling like an elephantine lizard up Holborn
|
|
Hill. Smoke lowering down from chimney-pots, making a soft black
|
|
drizzle, with flakes of soot in it as big as full-grown
|
|
snowflakes--gone into mourning, one might imagine, for the death of
|
|
the sun. Dogs, undistinguishable in mire. Horses, scarcely better;
|
|
splashed to their very blinkers. Foot passengers, jostling one
|
|
another's umbrellas in a general infection of ill temper, and losing
|
|
their foot-hold at street-corners, where tens of thousands of other
|
|
foot passengers have been slipping and sliding since the day broke
|
|
(if this day ever broke), adding new deposits to the crust upon crust
|
|
of mud, sticking at those points tenaciously to the pavement, and
|
|
accumulating at compound interest.
|
|
|
|
Fog everywhere. Fog up the river, where it flows among green aits and
|
|
meadows; fog down the river, where it rolls defiled among the tiers
|
|
of shipping and the waterside pollutions of a great (and dirty) city.
|
|
Fog on the Essex marshes, fog on the Kentish heights. Fog creeping
|
|
into the cabooses of collier-brigs; fog lying out on the yards and
|
|
hovering in the rigging of great ships; fog drooping on the gunwales
|
|
of barges and small boats. Fog in the eyes and throats of ancient
|
|
Greenwich pensioners, wheezing by the firesides of their wards; fog
|
|
in the stem and bowl of the afternoon pipe of the wrathful skipper,
|
|
down in his close cabin; fog cruelly pinching the toes and fingers of
|
|
his shivering little 'prentice boy on deck. Chance people on the
|
|
bridges peeping over the parapets into a nether sky of fog, with fog
|
|
all round them, as if they were up in a balloon and hanging in the
|
|
misty clouds.
|
|
|
|
Gas looming through the fog in divers places in the streets, much as
|
|
the sun may, from the spongey fields, be seen to loom by husbandman
|
|
and ploughboy. Most of the shops lighted two hours before their
|
|
time--as the gas seems to know, for it has a haggard and unwilling
|
|
look.
|
|
|
|
The raw afternoon is rawest, and the dense fog is densest, and the
|
|
muddy streets are muddiest near that leaden-headed old obstruction,
|
|
appropriate ornament for the threshold of a leaden-headed old
|
|
corporation, Temple Bar. And hard by Temple Bar, in Lincoln's Inn
|
|
Hall, at the very heart of the fog, sits the Lord High Chancellor in
|
|
his High Court of Chancery.
|
|
|
|
Never can there come fog too thick, never can there come mud and mire
|
|
too deep, to assort with the groping and floundering condition which
|
|
this High Court of Chancery, most pestilent of hoary sinners, holds
|
|
this day in the sight of heaven and earth.
|
|
|
|
On such an afternoon, if ever, the Lord High Chancellor ought to be
|
|
sitting here--as here he is--with a foggy glory round his head,
|
|
softly fenced in with crimson cloth and curtains, addressed by a
|
|
large advocate with great whiskers, a little voice, and an
|
|
interminable brief, and outwardly directing his contemplation to the
|
|
lantern in the roof, where he can see nothing but fog. On such an
|
|
afternoon some score of members of the High Court of Chancery bar
|
|
ought to be--as here they are--mistily engaged in one of the ten
|
|
thousand stages of an endless cause, tripping one another up on
|
|
slippery precedents, groping knee-deep in technicalities, running
|
|
their goat-hair and horsehair warded heads against walls of words and
|
|
making a pretence of equity with serious faces, as players might. On
|
|
such an afternoon the various solicitors in the cause, some two or
|
|
three of whom have inherited it from their fathers, who made a
|
|
fortune by it, ought to be--as are they not?--ranged in a line, in a
|
|
long matted well (but you might look in vain for truth at the bottom
|
|
of it) between the registrar's red table and the silk gowns, with
|
|
bills, cross-bills, answers, rejoinders, injunctions, affidavits,
|
|
issues, references to masters, masters' reports, mountains of costly
|
|
nonsense, piled before them. Well may the court be dim, with wasting
|
|
candles here and there; well may the fog hang heavy in it, as if it
|
|
would never get out; well may the stained-glass windows lose their
|
|
colour and admit no light of day into the place; well may the
|
|
uninitiated from the streets, who peep in through the glass panes in
|
|
the door, be deterred from entrance by its owlish aspect and by the
|
|
drawl, languidly echoing to the roof from the padded dais where the
|
|
Lord High Chancellor looks into the lantern that has no light in it
|
|
and where the attendant wigs are all stuck in a fog-bank! This is the
|
|
Court of Chancery, which has its decaying houses and its blighted
|
|
lands in every shire, which has its worn-out lunatic in every
|
|
madhouse and its dead in every churchyard, which has its ruined
|
|
suitor with his slipshod heels and threadbare dress borrowing and
|
|
begging through the round of every man's acquaintance, which gives to
|
|
monied might the means abundantly of wearying out the right, which so
|
|
exhausts finances, patience, courage, hope, so overthrows the brain
|
|
and breaks the heart, that there is not an honourable man among its
|
|
practitioners who would not give--who does not often give--the
|
|
warning, "Suffer any wrong that can be done you rather than come
|
|
here!"
|
|
|
|
Who happen to be in the Lord Chancellor's court this murky afternoon
|
|
besides the Lord Chancellor, the counsel in the cause, two or three
|
|
counsel who are never in any cause, and the well of solicitors before
|
|
mentioned? There is the registrar below the judge, in wig and gown;
|
|
and there are two or three maces, or petty-bags, or privy purses, or
|
|
whatever they may be, in legal court suits. These are all yawning,
|
|
for no crumb of amusement ever falls from Jarndyce and Jarndyce (the
|
|
cause in hand), which was squeezed dry years upon years ago. The
|
|
short-hand writers, the reporters of the court, and the reporters of
|
|
the newspapers invariably decamp with the rest of the regulars when
|
|
Jarndyce and Jarndyce comes on. Their places are a blank. Standing on
|
|
a seat at the side of the hall, the better to peer into the curtained
|
|
sanctuary, is a little mad old woman in a squeezed bonnet who is
|
|
always in court, from its sitting to its rising, and always expecting
|
|
some incomprehensible judgment to be given in her favour. Some say
|
|
she really is, or was, a party to a suit, but no one knows for
|
|
certain because no one cares. She carries some small litter in a
|
|
reticule which she calls her documents, principally consisting of
|
|
paper matches and dry lavender. A sallow prisoner has come up, in
|
|
custody, for the half-dozenth time to make a personal application "to
|
|
purge himself of his contempt," which, being a solitary surviving
|
|
executor who has fallen into a state of conglomeration about accounts
|
|
of which it is not pretended that he had ever any knowledge, he is
|
|
not at all likely ever to do. In the meantime his prospects in life
|
|
are ended. Another ruined suitor, who periodically appears from
|
|
Shropshire and breaks out into efforts to address the Chancellor at
|
|
the close of the day's business and who can by no means be made to
|
|
understand that the Chancellor is legally ignorant of his existence
|
|
after making it desolate for a quarter of a century, plants himself
|
|
in a good place and keeps an eye on the judge, ready to call out "My
|
|
Lord!" in a voice of sonorous complaint on the instant of his rising.
|
|
A few lawyers' clerks and others who know this suitor by sight linger
|
|
on the chance of his furnishing some fun and enlivening the dismal
|
|
weather a little.
|
|
|
|
Jarndyce and Jarndyce drones on. This scarecrow of a suit has, in
|
|
course of time, become so complicated that no man alive knows what it
|
|
means. The parties to it understand it least, but it has been
|
|
observed that no two Chancery lawyers can talk about it for five
|
|
minutes without coming to a total disagreement as to all the
|
|
premises. Innumerable children have been born into the cause;
|
|
innumerable young people have married into it; innumerable old people
|
|
have died out of it. Scores of persons have deliriously found
|
|
themselves made parties in Jarndyce and Jarndyce without knowing how
|
|
or why; whole families have inherited legendary hatreds with the
|
|
suit. The little plaintiff or defendant who was promised a new
|
|
rocking-horse when Jarndyce and Jarndyce should be settled has grown
|
|
up, possessed himself of a real horse, and trotted away into the
|
|
other world. Fair wards of court have faded into mothers and
|
|
grandmothers; a long procession of Chancellors has come in and gone
|
|
out; the legion of bills in the suit have been transformed into mere
|
|
bills of mortality; there are not three Jarndyces left upon the earth
|
|
perhaps since old Tom Jarndyce in despair blew his brains out at a
|
|
coffee-house in Chancery Lane; but Jarndyce and Jarndyce still drags
|
|
its dreary length before the court, perennially hopeless.
|
|
|
|
Jarndyce and Jarndyce has passed into a joke. That is the only good
|
|
that has ever come of it. It has been death to many, but it is a joke
|
|
in the profession. Every master in Chancery has had a reference out
|
|
of it. Every Chancellor was "in it," for somebody or other, when he
|
|
was counsel at the bar. Good things have been said about it by
|
|
blue-nosed, bulbous-shoed old benchers in select port-wine committee
|
|
after dinner in hall. Articled clerks have been in the habit of
|
|
fleshing their legal wit upon it. The last Lord Chancellor handled it
|
|
neatly, when, correcting Mr. Blowers, the eminent silk gown who said
|
|
that such a thing might happen when the sky rained potatoes, he
|
|
observed, "or when we get through Jarndyce and Jarndyce, Mr.
|
|
Blowers"--a pleasantry that particularly tickled the maces, bags, and
|
|
purses.
|
|
|
|
How many people out of the suit Jarndyce and Jarndyce has stretched
|
|
forth its unwholesome hand to spoil and corrupt would be a very wide
|
|
question. From the master upon whose impaling files reams of dusty
|
|
warrants in Jarndyce and Jarndyce have grimly writhed into many
|
|
shapes, down to the copying-clerk in the Six Clerks' Office who has
|
|
copied his tens of thousands of Chancery folio-pages under that
|
|
eternal heading, no man's nature has been made better by it. In
|
|
trickery, evasion, procrastination, spoliation, botheration, under
|
|
false pretences of all sorts, there are influences that can never
|
|
come to good. The very solicitors' boys who have kept the wretched
|
|
suitors at bay, by protesting time out of mind that Mr. Chizzle,
|
|
Mizzle, or otherwise was particularly engaged and had appointments
|
|
until dinner, may have got an extra moral twist and shuffle into
|
|
themselves out of Jarndyce and Jarndyce. The receiver in the cause
|
|
has acquired a goodly sum of money by it but has acquired too a
|
|
distrust of his own mother and a contempt for his own kind. Chizzle,
|
|
Mizzle, and otherwise have lapsed into a habit of vaguely promising
|
|
themselves that they will look into that outstanding little matter
|
|
and see what can be done for Drizzle--who was not well used--when
|
|
Jarndyce and Jarndyce shall be got out of the office. Shirking and
|
|
sharking in all their many varieties have been sown broadcast by the
|
|
ill-fated cause; and even those who have contemplated its history
|
|
from the outermost circle of such evil have been insensibly tempted
|
|
into a loose way of letting bad things alone to take their own bad
|
|
course, and a loose belief that if the world go wrong it was in some
|
|
off-hand manner never meant to go right.
|
|
|
|
Thus, in the midst of the mud and at the heart of the fog, sits the
|
|
Lord High Chancellor in his High Court of Chancery.
|
|
|
|
"Mr. Tangle," says the Lord High Chancellor, latterly something
|
|
restless under the eloquence of that learned gentleman.
|
|
|
|
"Mlud," says Mr. Tangle. Mr. Tangle knows more of Jarndyce and
|
|
Jarndyce than anybody. He is famous for it--supposed never to have
|
|
read anything else since he left school.
|
|
|
|
"Have you nearly concluded your argument?"
|
|
|
|
"Mlud, no--variety of points--feel it my duty tsubmit--ludship," is
|
|
the reply that slides out of Mr. Tangle.
|
|
|
|
"Several members of the bar are still to be heard, I believe?" says
|
|
the Chancellor with a slight smile.
|
|
|
|
Eighteen of Mr. Tangle's learned friends, each armed with a little
|
|
summary of eighteen hundred sheets, bob up like eighteen hammers in a
|
|
pianoforte, make eighteen bows, and drop into their eighteen places
|
|
of obscurity.
|
|
|
|
"We will proceed with the hearing on Wednesday fortnight," says the
|
|
Chancellor. For the question at issue is only a question of costs, a
|
|
mere bud on the forest tree of the parent suit, and really will come
|
|
to a settlement one of these days.
|
|
|
|
The Chancellor rises; the bar rises; the prisoner is brought forward
|
|
in a hurry; the man from Shropshire cries, "My lord!" Maces, bags,
|
|
and purses indignantly proclaim silence and frown at the man from
|
|
Shropshire.
|
|
|
|
"In reference," proceeds the Chancellor, still on Jarndyce and
|
|
Jarndyce, "to the young girl--"
|
|
|
|
"Begludship's pardon--boy," says Mr. Tangle prematurely. "In
|
|
reference," proceeds the Chancellor with extra distinctness, "to the
|
|
young girl and boy, the two young people"--Mr. Tangle crushed--"whom
|
|
I directed to be in attendance to-day and who are now in my private
|
|
room, I will see them and satisfy myself as to the expediency of
|
|
making the order for their residing with their uncle."
|
|
|
|
Mr. Tangle on his legs again. "Begludship's pardon--dead."
|
|
|
|
"With their"--Chancellor looking through his double eye-glass at the
|
|
papers on his desk--"grandfather."
|
|
|
|
"Begludship's pardon--victim of rash action--brains."
|
|
|
|
Suddenly a very little counsel with a terrific bass voice arises,
|
|
fully inflated, in the back settlements of the fog, and says, "Will
|
|
your lordship allow me? I appear for him. He is a cousin, several
|
|
times removed. I am not at the moment prepared to inform the court in
|
|
what exact remove he is a cousin, but he IS a cousin."
|
|
|
|
Leaving this address (delivered like a sepulchral message) ringing in
|
|
the rafters of the roof, the very little counsel drops, and the fog
|
|
knows him no more. Everybody looks for him. Nobody can see him.
|
|
|
|
"I will speak with both the young people," says the Chancellor anew,
|
|
"and satisfy myself on the subject of their residing with their
|
|
cousin. I will mention the matter to-morrow morning when I take my
|
|
seat."
|
|
|
|
The Chancellor is about to bow to the bar when the prisoner is
|
|
presented. Nothing can possibly come of the prisoner's conglomeration
|
|
but his being sent back to prison, which is soon done. The man from
|
|
Shropshire ventures another remonstrative "My lord!" but the
|
|
Chancellor, being aware of him, has dexterously vanished. Everybody
|
|
else quickly vanishes too. A battery of blue bags is loaded with
|
|
heavy charges of papers and carried off by clerks; the little mad old
|
|
woman marches off with her documents; the empty court is locked up.
|
|
If all the injustice it has committed and all the misery it has
|
|
caused could only be locked up with it, and the whole burnt away in a
|
|
great funeral pyre--why so much the better for other parties than the
|
|
parties in Jarndyce and Jarndyce!
|
|
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
In Fashion
|
|
|
|
|
|
It is but a glimpse of the world of fashion that we want on this same
|
|
miry afternoon. It is not so unlike the Court of Chancery but that we
|
|
may pass from the one scene to the other, as the crow flies. Both the
|
|
world of fashion and the Court of Chancery are things of precedent
|
|
and usage: oversleeping Rip Van Winkles who have played at strange
|
|
games through a deal of thundery weather; sleeping beauties whom the
|
|
knight will wake one day, when all the stopped spits in the kitchen
|
|
shall begin to turn prodigiously!
|
|
|
|
It is not a large world. Relatively even to this world of ours, which
|
|
has its limits too (as your Highness shall find when you have made
|
|
the tour of it and are come to the brink of the void beyond), it is a
|
|
very little speck. There is much good in it; there are many good and
|
|
true people in it; it has its appointed place. But the evil of it is
|
|
that it is a world wrapped up in too much jeweller's cotton and fine
|
|
wool, and cannot hear the rushing of the larger worlds, and cannot
|
|
see them as they circle round the sun. It is a deadened world, and
|
|
its growth is sometimes unhealthy for want of air.
|
|
|
|
My Lady Dedlock has returned to her house in town for a few days
|
|
previous to her departure for Paris, where her ladyship intends to
|
|
stay some weeks, after which her movements are uncertain. The
|
|
fashionable intelligence says so for the comfort of the Parisians,
|
|
and it knows all fashionable things. To know things otherwise were to
|
|
be unfashionable. My Lady Dedlock has been down at what she calls, in
|
|
familiar conversation, her "place" in Lincolnshire. The waters are
|
|
out in Lincolnshire. An arch of the bridge in the park has been
|
|
sapped and sopped away. The adjacent low-lying ground for half a mile
|
|
in breadth is a stagnant river with melancholy trees for islands in
|
|
it and a surface punctured all over, all day long, with falling rain.
|
|
My Lady Dedlock's place has been extremely dreary. The weather for
|
|
many a day and night has been so wet that the trees seem wet through,
|
|
and the soft loppings and prunings of the woodman's axe can make no
|
|
crash or crackle as they fall. The deer, looking soaked, leave
|
|
quagmires where they pass. The shot of a rifle loses its sharpness in
|
|
the moist air, and its smoke moves in a tardy little cloud towards
|
|
the green rise, coppice-topped, that makes a background for the
|
|
falling rain. The view from my Lady Dedlock's own windows is
|
|
alternately a lead-coloured view and a view in Indian ink. The vases
|
|
on the stone terrace in the foreground catch the rain all day; and
|
|
the heavy drops fall--drip, drip, drip--upon the broad flagged
|
|
pavement, called from old time the Ghost's Walk, all night. On
|
|
Sundays the little church in the park is mouldy; the oaken pulpit
|
|
breaks out into a cold sweat; and there is a general smell and taste
|
|
as of the ancient Dedlocks in their graves. My Lady Dedlock (who is
|
|
childless), looking out in the early twilight from her boudoir at a
|
|
keeper's lodge and seeing the light of a fire upon the latticed
|
|
panes, and smoke rising from the chimney, and a child, chased by a
|
|
woman, running out into the rain to meet the shining figure of a
|
|
wrapped-up man coming through the gate, has been put quite out of
|
|
temper. My Lady Dedlock says she has been "bored to death."
|
|
|
|
Therefore my Lady Dedlock has come away from the place in
|
|
Lincolnshire and has left it to the rain, and the crows, and the
|
|
rabbits, and the deer, and the partridges and pheasants. The pictures
|
|
of the Dedlocks past and gone have seemed to vanish into the damp
|
|
walls in mere lowness of spirits, as the housekeeper has passed along
|
|
the old rooms shutting up the shutters. And when they will next come
|
|
forth again, the fashionable intelligence--which, like the fiend, is
|
|
omniscient of the past and present, but not the future--cannot yet
|
|
undertake to say.
|
|
|
|
Sir Leicester Dedlock is only a baronet, but there is no mightier
|
|
baronet than he. His family is as old as the hills, and infinitely
|
|
more respectable. He has a general opinion that the world might get
|
|
on without hills but would be done up without Dedlocks. He would on
|
|
the whole admit nature to be a good idea (a little low, perhaps, when
|
|
not enclosed with a park-fence), but an idea dependent for its
|
|
execution on your great county families. He is a gentleman of strict
|
|
conscience, disdainful of all littleness and meanness and ready on
|
|
the shortest notice to die any death you may please to mention rather
|
|
than give occasion for the least impeachment of his integrity. He is
|
|
an honourable, obstinate, truthful, high-spirited, intensely
|
|
prejudiced, perfectly unreasonable man.
|
|
|
|
Sir Leicester is twenty years, full measure, older than my Lady. He
|
|
will never see sixty-five again, nor perhaps sixty-six, nor yet
|
|
sixty-seven. He has a twist of the gout now and then and walks a
|
|
little stiffly. He is of a worthy presence, with his light-grey hair
|
|
and whiskers, his fine shirt-frill, his pure-white waistcoat, and his
|
|
blue coat with bright buttons always buttoned. He is ceremonious,
|
|
stately, most polite on every occasion to my Lady, and holds her
|
|
personal attractions in the highest estimation. His gallantry to my
|
|
Lady, which has never changed since he courted her, is the one little
|
|
touch of romantic fancy in him.
|
|
|
|
Indeed, he married her for love. A whisper still goes about that she
|
|
had not even family; howbeit, Sir Leicester had so much family that
|
|
perhaps he had enough and could dispense with any more. But she had
|
|
beauty, pride, ambition, insolent resolve, and sense enough to
|
|
portion out a legion of fine ladies. Wealth and station, added to
|
|
these, soon floated her upward, and for years now my Lady Dedlock has
|
|
been at the centre of the fashionable intelligence and at the top of
|
|
the fashionable tree.
|
|
|
|
How Alexander wept when he had no more worlds to conquer, everybody
|
|
knows--or has some reason to know by this time, the matter having
|
|
been rather frequently mentioned. My Lady Dedlock, having conquered
|
|
HER world, fell not into the melting, but rather into the freezing,
|
|
mood. An exhausted composure, a worn-out placidity, an equanimity of
|
|
fatigue not to be ruffled by interest or satisfaction, are the
|
|
trophies of her victory. She is perfectly well-bred. If she could be
|
|
translated to heaven to-morrow, she might be expected to ascend
|
|
without any rapture.
|
|
|
|
She has beauty still, and if it be not in its heyday, it is not yet
|
|
in its autumn. She has a fine face--originally of a character that
|
|
would be rather called very pretty than handsome, but improved into
|
|
classicality by the acquired expression of her fashionable state. Her
|
|
figure is elegant and has the effect of being tall. Not that she is
|
|
so, but that "the most is made," as the Honourable Bob Stables has
|
|
frequently asserted upon oath, "of all her points." The same
|
|
authority observes that she is perfectly got up and remarks in
|
|
commendation of her hair especially that she is the best-groomed
|
|
woman in the whole stud.
|
|
|
|
With all her perfections on her head, my Lady Dedlock has come up
|
|
from her place in Lincolnshire (hotly pursued by the fashionable
|
|
intelligence) to pass a few days at her house in town previous to her
|
|
departure for Paris, where her ladyship intends to stay some weeks,
|
|
after which her movements are uncertain. And at her house in town,
|
|
upon this muddy, murky afternoon, presents himself an old-fashioned
|
|
old gentleman, attorney-at-law and eke solicitor of the High Court of
|
|
Chancery, who has the honour of acting as legal adviser of the
|
|
Dedlocks and has as many cast-iron boxes in his office with that name
|
|
outside as if the present baronet were the coin of the conjuror's
|
|
trick and were constantly being juggled through the whole set. Across
|
|
the hall, and up the stairs, and along the passages, and through the
|
|
rooms, which are very brilliant in the season and very dismal out of
|
|
it--fairy-land to visit, but a desert to live in--the old gentleman
|
|
is conducted by a Mercury in powder to my Lady's presence.
|
|
|
|
The old gentleman is rusty to look at, but is reputed to have made
|
|
good thrift out of aristocratic marriage settlements and aristocratic
|
|
wills, and to be very rich. He is surrounded by a mysterious halo of
|
|
family confidences, of which he is known to be the silent depository.
|
|
There are noble mausoleums rooted for centuries in retired glades of
|
|
parks among the growing timber and the fern, which perhaps hold fewer
|
|
noble secrets than walk abroad among men, shut up in the breast of
|
|
Mr. Tulkinghorn. He is of what is called the old school--a phrase
|
|
generally meaning any school that seems never to have been young--and
|
|
wears knee-breeches tied with ribbons, and gaiters or stockings. One
|
|
peculiarity of his black clothes and of his black stockings, be they
|
|
silk or worsted, is that they never shine. Mute, close, irresponsive
|
|
to any glancing light, his dress is like himself. He never converses
|
|
when not professionally consulted. He is found sometimes, speechless
|
|
but quite at home, at corners of dinner-tables in great country
|
|
houses and near doors of drawing-rooms, concerning which the
|
|
fashionable intelligence is eloquent, where everybody knows him and
|
|
where half the Peerage stops to say "How do you do, Mr. Tulkinghorn?"
|
|
He receives these salutations with gravity and buries them along with
|
|
the rest of his knowledge.
|
|
|
|
Sir Leicester Dedlock is with my Lady and is happy to see Mr.
|
|
Tulkinghorn. There is an air of prescription about him which is
|
|
always agreeable to Sir Leicester; he receives it as a kind of
|
|
tribute. He likes Mr. Tulkinghorn's dress; there is a kind of tribute
|
|
in that too. It is eminently respectable, and likewise, in a general
|
|
way, retainer-like. It expresses, as it were, the steward of the
|
|
legal mysteries, the butler of the legal cellar, of the Dedlocks.
|
|
|
|
Has Mr. Tulkinghorn any idea of this himself? It may be so, or it may
|
|
not, but there is this remarkable circumstance to be noted in
|
|
everything associated with my Lady Dedlock as one of a class--as one
|
|
of the leaders and representatives of her little world. She supposes
|
|
herself to be an inscrutable Being, quite out of the reach and ken of
|
|
ordinary mortals--seeing herself in her glass, where indeed she looks
|
|
so. Yet every dim little star revolving about her, from her maid to
|
|
the manager of the Italian Opera, knows her weaknesses, prejudices,
|
|
follies, haughtinesses, and caprices and lives upon as accurate a
|
|
calculation and as nice a measure of her moral nature as her
|
|
dressmaker takes of her physical proportions. Is a new dress, a new
|
|
custom, a new singer, a new dancer, a new form of jewellery, a new
|
|
dwarf or giant, a new chapel, a new anything, to be set up? There are
|
|
deferential people in a dozen callings whom my Lady Dedlock suspects
|
|
of nothing but prostration before her, who can tell you how to manage
|
|
her as if she were a baby, who do nothing but nurse her all their
|
|
lives, who, humbly affecting to follow with profound subservience,
|
|
lead her and her whole troop after them; who, in hooking one, hook
|
|
all and bear them off as Lemuel Gulliver bore away the stately fleet
|
|
of the majestic Lilliput. "If you want to address our people, sir,"
|
|
say Blaze and Sparkle, the jewellers--meaning by our people Lady
|
|
Dedlock and the rest--"you must remember that you are not dealing
|
|
with the general public; you must hit our people in their weakest
|
|
place, and their weakest place is such a place." "To make this
|
|
article go down, gentlemen," say Sheen and Gloss, the mercers, to
|
|
their friends the manufacturers, "you must come to us, because we
|
|
know where to have the fashionable people, and we can make it
|
|
fashionable." "If you want to get this print upon the tables of my
|
|
high connexion, sir," says Mr. Sladdery, the librarian, "or if you
|
|
want to get this dwarf or giant into the houses of my high connexion,
|
|
sir, or if you want to secure to this entertainment the patronage of
|
|
my high connexion, sir, you must leave it, if you please, to me, for
|
|
I have been accustomed to study the leaders of my high connexion,
|
|
sir, and I may tell you without vanity that I can turn them round my
|
|
finger"--in which Mr. Sladdery, who is an honest man, does not
|
|
exaggerate at all.
|
|
|
|
Therefore, while Mr. Tulkinghorn may not know what is passing in the
|
|
Dedlock mind at present, it is very possible that he may.
|
|
|
|
"My Lady's cause has been again before the Chancellor, has it, Mr.
|
|
Tulkinghorn?" says Sir Leicester, giving him his hand.
|
|
|
|
"Yes. It has been on again to-day," Mr. Tulkinghorn replies, making
|
|
one of his quiet bows to my Lady, who is on a sofa near the fire,
|
|
shading her face with a hand-screen.
|
|
|
|
"It would be useless to ask," says my Lady with the dreariness of the
|
|
place in Lincolnshire still upon her, "whether anything has been
|
|
done."
|
|
|
|
"Nothing that YOU would call anything has been done to-day," replies
|
|
Mr. Tulkinghorn.
|
|
|
|
"Nor ever will be," says my Lady.
|
|
|
|
Sir Leicester has no objection to an interminable Chancery suit. It
|
|
is a slow, expensive, British, constitutional kind of thing. To be
|
|
sure, he has not a vital interest in the suit in question, her part
|
|
in which was the only property my Lady brought him; and he has a
|
|
shadowy impression that for his name--the name of Dedlock--to be in a
|
|
cause, and not in the title of that cause, is a most ridiculous
|
|
accident. But he regards the Court of Chancery, even if it should
|
|
involve an occasional delay of justice and a trifling amount of
|
|
confusion, as a something devised in conjunction with a variety of
|
|
other somethings by the perfection of human wisdom for the eternal
|
|
settlement (humanly speaking) of everything. And he is upon the whole
|
|
of a fixed opinion that to give the sanction of his countenance to
|
|
any complaints respecting it would be to encourage some person in the
|
|
lower classes to rise up somewhere--like Wat Tyler.
|
|
|
|
"As a few fresh affidavits have been put upon the file," says Mr.
|
|
Tulkinghorn, "and as they are short, and as I proceed upon the
|
|
troublesome principle of begging leave to possess my clients with any
|
|
new proceedings in a cause"--cautious man Mr. Tulkinghorn, taking no
|
|
more responsibility than necessary--"and further, as I see you are
|
|
going to Paris, I have brought them in my pocket."
|
|
|
|
(Sir Leicester was going to Paris too, by the by, but the delight of
|
|
the fashionable intelligence was in his Lady.)
|
|
|
|
Mr. Tulkinghorn takes out his papers, asks permission to place them
|
|
on a golden talisman of a table at my Lady's elbow, puts on his
|
|
spectacles, and begins to read by the light of a shaded lamp.
|
|
|
|
"'In Chancery. Between John Jarndyce--'"
|
|
|
|
My Lady interrupts, requesting him to miss as many of the formal
|
|
horrors as he can.
|
|
|
|
Mr. Tulkinghorn glances over his spectacles and begins again lower
|
|
down. My Lady carelessly and scornfully abstracts her attention. Sir
|
|
Leicester in a great chair looks at the file and appears to have a
|
|
stately liking for the legal repetitions and prolixities as ranging
|
|
among the national bulwarks. It happens that the fire is hot where my
|
|
Lady sits and that the hand-screen is more beautiful than useful,
|
|
being priceless but small. My Lady, changing her position, sees the
|
|
papers on the table--looks at them nearer--looks at them nearer
|
|
still--asks impulsively, "Who copied that?"
|
|
|
|
Mr. Tulkinghorn stops short, surprised by my Lady's animation and her
|
|
unusual tone.
|
|
|
|
"Is it what you people call law-hand?" she asks, looking full at him
|
|
in her careless way again and toying with her screen.
|
|
|
|
"Not quite. Probably"--Mr. Tulkinghorn examines it as he speaks--"the
|
|
legal character which it has was acquired after the original hand was
|
|
formed. Why do you ask?"
|
|
|
|
"Anything to vary this detestable monotony. Oh, go on, do!"
|
|
|
|
Mr. Tulkinghorn reads again. The heat is greater; my Lady screens her
|
|
face. Sir Leicester dozes, starts up suddenly, and cries, "Eh? What
|
|
do you say?"
|
|
|
|
"I say I am afraid," says Mr. Tulkinghorn, who had risen hastily,
|
|
"that Lady Dedlock is ill."
|
|
|
|
"Faint," my Lady murmurs with white lips, "only that; but it is like
|
|
the faintness of death. Don't speak to me. Ring, and take me to my
|
|
room!"
|
|
|
|
Mr. Tulkinghorn retires into another chamber; bells ring, feet
|
|
shuffle and patter, silence ensues. Mercury at last begs Mr.
|
|
Tulkinghorn to return.
|
|
|
|
"Better now," quoth Sir Leicester, motioning the lawyer to sit down
|
|
and read to him alone. "I have been quite alarmed. I never knew my
|
|
Lady swoon before. But the weather is extremely trying, and she
|
|
really has been bored to death down at our place in Lincolnshire."
|
|
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
A Progress
|
|
|
|
|
|
I have a great deal of difficulty in beginning to write my portion of
|
|
these pages, for I know I am not clever. I always knew that. I can
|
|
remember, when I was a very little girl indeed, I used to say to my
|
|
doll when we were alone together, "Now, Dolly, I am not clever, you
|
|
know very well, and you must be patient with me, like a dear!" And so
|
|
she used to sit propped up in a great arm-chair, with her beautiful
|
|
complexion and rosy lips, staring at me--or not so much at me, I
|
|
think, as at nothing--while I busily stitched away and told her every
|
|
one of my secrets.
|
|
|
|
My dear old doll! I was such a shy little thing that I seldom dared
|
|
to open my lips, and never dared to open my heart, to anybody else.
|
|
It almost makes me cry to think what a relief it used to be to me
|
|
when I came home from school of a day to run upstairs to my room and
|
|
say, "Oh, you dear faithful Dolly, I knew you would be expecting me!"
|
|
and then to sit down on the floor, leaning on the elbow of her great
|
|
chair, and tell her all I had noticed since we parted. I had always
|
|
rather a noticing way--not a quick way, oh, no!--a silent way of
|
|
noticing what passed before me and thinking I should like to
|
|
understand it better. I have not by any means a quick understanding.
|
|
When I love a person very tenderly indeed, it seems to brighten. But
|
|
even that may be my vanity.
|
|
|
|
I was brought up, from my earliest remembrance--like some of the
|
|
princesses in the fairy stories, only I was not charming--by my
|
|
godmother. At least, I only knew her as such. She was a good, good
|
|
woman! She went to church three times every Sunday, and to morning
|
|
prayers on Wednesdays and Fridays, and to lectures whenever there
|
|
were lectures; and never missed. She was handsome; and if she had
|
|
ever smiled, would have been (I used to think) like an angel--but she
|
|
never smiled. She was always grave and strict. She was so very good
|
|
herself, I thought, that the badness of other people made her frown
|
|
all her life. I felt so different from her, even making every
|
|
allowance for the differences between a child and a woman; I felt so
|
|
poor, so trifling, and so far off that I never could be unrestrained
|
|
with her--no, could never even love her as I wished. It made me very
|
|
sorry to consider how good she was and how unworthy of her I was, and
|
|
I used ardently to hope that I might have a better heart; and I
|
|
talked it over very often with the dear old doll, but I never loved
|
|
my godmother as I ought to have loved her and as I felt I must have
|
|
loved her if I had been a better girl.
|
|
|
|
This made me, I dare say, more timid and retiring than I naturally
|
|
was and cast me upon Dolly as the only friend with whom I felt at
|
|
ease. But something happened when I was still quite a little thing
|
|
that helped it very much.
|
|
|
|
I had never heard my mama spoken of. I had never heard of my papa
|
|
either, but I felt more interested about my mama. I had never worn a
|
|
black frock, that I could recollect. I had never been shown my mama's
|
|
grave. I had never been told where it was. Yet I had never been
|
|
taught to pray for any relation but my godmother. I had more than
|
|
once approached this subject of my thoughts with Mrs. Rachael, our
|
|
only servant, who took my light away when I was in bed (another very
|
|
good woman, but austere to me), and she had only said, "Esther, good
|
|
night!" and gone away and left me.
|
|
|
|
Although there were seven girls at the neighbouring school where I
|
|
was a day boarder, and although they called me little Esther
|
|
Summerson, I knew none of them at home. All of them were older than
|
|
I, to be sure (I was the youngest there by a good deal), but there
|
|
seemed to be some other separation between us besides that, and
|
|
besides their being far more clever than I was and knowing much more
|
|
than I did. One of them in the first week of my going to the school
|
|
(I remember it very well) invited me home to a little party, to my
|
|
great joy. But my godmother wrote a stiff letter declining for me,
|
|
and I never went. I never went out at all.
|
|
|
|
It was my birthday. There were holidays at school on other
|
|
birthdays--none on mine. There were rejoicings at home on other
|
|
birthdays, as I knew from what I heard the girls relate to one
|
|
another--there were none on mine. My birthday was the most melancholy
|
|
day at home in the whole year.
|
|
|
|
I have mentioned that unless my vanity should deceive me (as I know
|
|
it may, for I may be very vain without suspecting it, though indeed I
|
|
don't), my comprehension is quickened when my affection is. My
|
|
disposition is very affectionate, and perhaps I might still feel such
|
|
a wound if such a wound could be received more than once with the
|
|
quickness of that birthday.
|
|
|
|
Dinner was over, and my godmother and I were sitting at the table
|
|
before the fire. The clock ticked, the fire clicked; not another
|
|
sound had been heard in the room or in the house for I don't know how
|
|
long. I happened to look timidly up from my stitching, across the
|
|
table at my godmother, and I saw in her face, looking gloomily at me,
|
|
"It would have been far better, little Esther, that you had had no
|
|
birthday, that you had never been born!"
|
|
|
|
I broke out crying and sobbing, and I said, "Oh, dear godmother, tell
|
|
me, pray do tell me, did Mama die on my birthday?"
|
|
|
|
"No," she returned. "Ask me no more, child!"
|
|
|
|
"Oh, do pray tell me something of her. Do now, at last, dear
|
|
godmother, if you please! What did I do to her? How did I lose her?
|
|
Why am I so different from other children, and why is it my fault,
|
|
dear godmother? No, no, no, don't go away. Oh, speak to me!"
|
|
|
|
I was in a kind of fright beyond my grief, and I caught hold of her
|
|
dress and was kneeling to her. She had been saying all the while,
|
|
"Let me go!" But now she stood still.
|
|
|
|
Her darkened face had such power over me that it stopped me in the
|
|
midst of my vehemence. I put up my trembling little hand to clasp
|
|
hers or to beg her pardon with what earnestness I might, but withdrew
|
|
it as she looked at me, and laid it on my fluttering heart. She
|
|
raised me, sat in her chair, and standing me before her, said slowly
|
|
in a cold, low voice--I see her knitted brow and pointed
|
|
finger--"Your mother, Esther, is your disgrace, and you were hers.
|
|
The time will come--and soon enough--when you will understand this
|
|
better and will feel it too, as no one save a woman can. I have
|
|
forgiven her"--but her face did not relent--"the wrong she did to me,
|
|
and I say no more of it, though it was greater than you will ever
|
|
know--than any one will ever know but I, the sufferer. For yourself,
|
|
unfortunate girl, orphaned and degraded from the first of these evil
|
|
anniversaries, pray daily that the sins of others be not visited upon
|
|
your head, according to what is written. Forget your mother and leave
|
|
all other people to forget her who will do her unhappy child that
|
|
greatest kindness. Now, go!"
|
|
|
|
She checked me, however, as I was about to depart from her--so frozen
|
|
as I was!--and added this, "Submission, self-denial, diligent work,
|
|
are the preparations for a life begun with such a shadow on it. You
|
|
are different from other children, Esther, because you were not born,
|
|
like them, in common sinfulness and wrath. You are set apart."
|
|
|
|
I went up to my room, and crept to bed, and laid my doll's cheek
|
|
against mine wet with tears, and holding that solitary friend upon my
|
|
bosom, cried myself to sleep. Imperfect as my understanding of my
|
|
sorrow was, I knew that I had brought no joy at any time to anybody's
|
|
heart and that I was to no one upon earth what Dolly was to me.
|
|
|
|
Dear, dear, to think how much time we passed alone together
|
|
afterwards, and how often I repeated to the doll the story of my
|
|
birthday and confided to her that I would try as hard as ever I could
|
|
to repair the fault I had been born with (of which I confessedly felt
|
|
guilty and yet innocent) and would strive as I grew up to be
|
|
industrious, contented, and kind-hearted and to do some good to some
|
|
one, and win some love to myself if I could. I hope it is not
|
|
self-indulgent to shed these tears as I think of it. I am very
|
|
thankful, I am very cheerful, but I cannot quite help their coming to
|
|
my eyes.
|
|
|
|
There! I have wiped them away now and can go on again properly.
|
|
|
|
I felt the distance between my godmother and myself so much more
|
|
after the birthday, and felt so sensible of filling a place in her
|
|
house which ought to have been empty, that I found her more difficult
|
|
of approach, though I was fervently grateful to her in my heart, than
|
|
ever. I felt in the same way towards my school companions; I felt in
|
|
the same way towards Mrs. Rachael, who was a widow; and oh, towards
|
|
her daughter, of whom she was proud, who came to see her once a
|
|
fortnight! I was very retired and quiet, and tried to be very
|
|
diligent.
|
|
|
|
One sunny afternoon when I had come home from school with my books
|
|
and portfolio, watching my long shadow at my side, and as I was
|
|
gliding upstairs to my room as usual, my godmother looked out of the
|
|
parlour-door and called me back. Sitting with her, I found--which was
|
|
very unusual indeed--a stranger. A portly, important-looking
|
|
gentleman, dressed all in black, with a white cravat, large gold
|
|
watch seals, a pair of gold eye-glasses, and a large seal-ring upon
|
|
his little finger.
|
|
|
|
"This," said my godmother in an undertone, "is the child." Then she
|
|
said in her naturally stern way of speaking, "This is Esther, sir."
|
|
|
|
The gentleman put up his eye-glasses to look at me and said, "Come
|
|
here, my dear!" He shook hands with me and asked me to take off my
|
|
bonnet, looking at me all the while. When I had complied, he said,
|
|
"Ah!" and afterwards "Yes!" And then, taking off his eye-glasses and
|
|
folding them in a red case, and leaning back in his arm-chair,
|
|
turning the case about in his two hands, he gave my godmother a nod.
|
|
Upon that, my godmother said, "You may go upstairs, Esther!" And I
|
|
made him my curtsy and left him.
|
|
|
|
It must have been two years afterwards, and I was almost fourteen,
|
|
when one dreadful night my godmother and I sat at the fireside. I was
|
|
reading aloud, and she was listening. I had come down at nine o'clock
|
|
as I always did to read the Bible to her, and was reading from St.
|
|
John how our Saviour stooped down, writing with his finger in the
|
|
dust, when they brought the sinful woman to him.
|
|
|
|
"So when they continued asking him, he lifted up himself and said
|
|
unto them, 'He that is without sin among you, let him first cast a
|
|
stone at her!'"
|
|
|
|
I was stopped by my godmother's rising, putting her hand to her head,
|
|
and crying out in an awful voice from quite another part of the book,
|
|
"'Watch ye, therefore, lest coming suddenly he find you sleeping. And
|
|
what I say unto you, I say unto all, Watch!'"
|
|
|
|
In an instant, while she stood before me repeating these words, she
|
|
fell down on the floor. I had no need to cry out; her voice had
|
|
sounded through the house and been heard in the street.
|
|
|
|
She was laid upon her bed. For more than a week she lay there, little
|
|
altered outwardly, with her old handsome resolute frown that I so
|
|
well knew carved upon her face. Many and many a time, in the day and
|
|
in the night, with my head upon the pillow by her that my whispers
|
|
might be plainer to her, I kissed her, thanked her, prayed for her,
|
|
asked her for her blessing and forgiveness, entreated her to give me
|
|
the least sign that she knew or heard me. No, no, no. Her face was
|
|
immovable. To the very last, and even afterwards, her frown remained
|
|
unsoftened.
|
|
|
|
On the day after my poor good godmother was buried, the gentleman in
|
|
black with the white neckcloth reappeared. I was sent for by Mrs.
|
|
Rachael, and found him in the same place, as if he had never gone
|
|
away.
|
|
|
|
"My name is Kenge," he said; "you may remember it, my child; Kenge
|
|
and Carboy, Lincoln's Inn."
|
|
|
|
I replied that I remembered to have seen him once before.
|
|
|
|
"Pray be seated--here near me. Don't distress yourself; it's of no
|
|
use. Mrs. Rachael, I needn't inform you who were acquainted with the
|
|
late Miss Barbary's affairs, that her means die with her and that
|
|
this young lady, now her aunt is dead--"
|
|
|
|
"My aunt, sir!"
|
|
|
|
"It is really of no use carrying on a deception when no object is to
|
|
be gained by it," said Mr. Kenge smoothly, "Aunt in fact, though not
|
|
in law. Don't distress yourself! Don't weep! Don't tremble! Mrs.
|
|
Rachael, our young friend has no doubt heard of--the--a--Jarndyce and
|
|
Jarndyce."
|
|
|
|
"Never," said Mrs. Rachael.
|
|
|
|
"Is it possible," pursued Mr. Kenge, putting up his eye-glasses,
|
|
"that our young friend--I BEG you won't distress yourself!--never
|
|
heard of Jarndyce and Jarndyce!"
|
|
|
|
I shook my head, wondering even what it was.
|
|
|
|
"Not of Jarndyce and Jarndyce?" said Mr. Kenge, looking over his
|
|
glasses at me and softly turning the case about and about as if he
|
|
were petting something. "Not of one of the greatest Chancery suits
|
|
known? Not of Jarndyce and Jarndyce--the--a--in itself a monument of
|
|
Chancery practice. In which (I would say) every difficulty, every
|
|
contingency, every masterly fiction, every form of procedure known
|
|
in that court, is represented over and over again? It is a cause
|
|
that could not exist out of this free and great country. I should
|
|
say that the aggregate of costs in Jarndyce and Jarndyce, Mrs.
|
|
Rachael"--I was afraid he addressed himself to her because I appeared
|
|
inattentive"--amounts at the present hour to from SIX-ty to SEVEN-ty
|
|
THOUSAND POUNDS!" said Mr. Kenge, leaning back in his chair.
|
|
|
|
I felt very ignorant, but what could I do? I was so entirely
|
|
unacquainted with the subject that I understood nothing about it even
|
|
then.
|
|
|
|
"And she really never heard of the cause!" said Mr. Kenge.
|
|
"Surprising!"
|
|
|
|
"Miss Barbary, sir," returned Mrs. Rachael, "who is now among the
|
|
Seraphim--"
|
|
|
|
"I hope so, I am sure," said Mr. Kenge politely.
|
|
|
|
"--Wished Esther only to know what would be serviceable to her. And
|
|
she knows, from any teaching she has had here, nothing more."
|
|
|
|
"Well!" said Mr. Kenge. "Upon the whole, very proper. Now to the
|
|
point," addressing me. "Miss Barbary, your sole relation (in fact
|
|
that is, for I am bound to observe that in law you had none) being
|
|
deceased and it naturally not being to be expected that Mrs.
|
|
Rachael--"
|
|
|
|
"Oh, dear no!" said Mrs. Rachael quickly.
|
|
|
|
"Quite so," assented Mr. Kenge; "--that Mrs. Rachael should charge
|
|
herself with your maintenance and support (I beg you won't distress
|
|
yourself), you are in a position to receive the renewal of an offer
|
|
which I was instructed to make to Miss Barbary some two years ago and
|
|
which, though rejected then, was understood to be renewable under the
|
|
lamentable circumstances that have since occurred. Now, if I avow
|
|
that I represent, in Jarndyce and Jarndyce and otherwise, a highly
|
|
humane, but at the same time singular, man, shall I compromise myself
|
|
by any stretch of my professional caution?" said Mr. Kenge, leaning
|
|
back in his chair again and looking calmly at us both.
|
|
|
|
He appeared to enjoy beyond everything the sound of his own voice. I
|
|
couldn't wonder at that, for it was mellow and full and gave great
|
|
importance to every word he uttered. He listened to himself with
|
|
obvious satisfaction and sometimes gently beat time to his own music
|
|
with his head or rounded a sentence with his hand. I was very much
|
|
impressed by him--even then, before I knew that he formed himself on
|
|
the model of a great lord who was his client and that he was
|
|
generally called Conversation Kenge.
|
|
|
|
"Mr. Jarndyce," he pursued, "being aware of the--I would say,
|
|
desolate--position of our young friend, offers to place her at a
|
|
first-rate establishment where her education shall be completed,
|
|
where her comfort shall be secured, where her reasonable wants shall
|
|
be anticipated, where she shall be eminently qualified to discharge
|
|
her duty in that station of life unto which it has pleased--shall I
|
|
say Providence?--to call her."
|
|
|
|
My heart was filled so full, both by what he said and by his
|
|
affecting manner of saying it, that I was not able to speak, though I
|
|
tried.
|
|
|
|
"Mr. Jarndyce," he went on, "makes no condition beyond expressing his
|
|
expectation that our young friend will not at any time remove herself
|
|
from the establishment in question without his knowledge and
|
|
concurrence. That she will faithfully apply herself to the
|
|
acquisition of those accomplishments, upon the exercise of which she
|
|
will be ultimately dependent. That she will tread in the paths of
|
|
virtue and honour, and--the--a--so forth."
|
|
|
|
I was still less able to speak than before.
|
|
|
|
"Now, what does our young friend say?" proceeded Mr. Kenge. "Take
|
|
time, take time! I pause for her reply. But take time!"
|
|
|
|
What the destitute subject of such an offer tried to say, I need not
|
|
repeat. What she did say, I could more easily tell, if it were worth
|
|
the telling. What she felt, and will feel to her dying hour, I could
|
|
never relate.
|
|
|
|
This interview took place at Windsor, where I had passed (as far as I
|
|
knew) my whole life. On that day week, amply provided with all
|
|
necessaries, I left it, inside the stagecoach, for Reading.
|
|
|
|
Mrs. Rachael was too good to feel any emotion at parting, but I was
|
|
not so good, and wept bitterly. I thought that I ought to have known
|
|
her better after so many years and ought to have made myself enough
|
|
of a favourite with her to make her sorry then. When she gave me one
|
|
cold parting kiss upon my forehead, like a thaw-drop from the stone
|
|
porch--it was a very frosty day--I felt so miserable and
|
|
self-reproachful that I clung to her and told her it was my fault, I
|
|
knew, that she could say good-bye so easily!
|
|
|
|
"No, Esther!" she returned. "It is your misfortune!"
|
|
|
|
The coach was at the little lawn-gate--we had not come out until we
|
|
heard the wheels--and thus I left her, with a sorrowful heart. She
|
|
went in before my boxes were lifted to the coach-roof and shut the
|
|
door. As long as I could see the house, I looked back at it from the
|
|
window through my tears. My godmother had left Mrs. Rachael all the
|
|
little property she possessed; and there was to be a sale; and an old
|
|
hearth-rug with roses on it, which always seemed to me the first
|
|
thing in the world I had ever seen, was hanging outside in the frost
|
|
and snow. A day or two before, I had wrapped the dear old doll in her
|
|
own shawl and quietly laid her--I am half ashamed to tell it--in the
|
|
garden-earth under the tree that shaded my old window. I had no
|
|
companion left but my bird, and him I carried with me in his cage.
|
|
|
|
When the house was out of sight, I sat, with my bird-cage in the
|
|
straw at my feet, forward on the low seat to look out of the high
|
|
window, watching the frosty trees, that were like beautiful pieces of
|
|
spar, and the fields all smooth and white with last night's snow, and
|
|
the sun, so red but yielding so little heat, and the ice, dark like
|
|
metal where the skaters and sliders had brushed the snow away. There
|
|
was a gentleman in the coach who sat on the opposite seat and looked
|
|
very large in a quantity of wrappings, but he sat gazing out of the
|
|
other window and took no notice of me.
|
|
|
|
I thought of my dead godmother, of the night when I read to her, of
|
|
her frowning so fixedly and sternly in her bed, of the strange place
|
|
I was going to, of the people I should find there, and what they
|
|
would be like, and what they would say to me, when a voice in the
|
|
coach gave me a terrible start.
|
|
|
|
It said, "What the de-vil are you crying for?"
|
|
|
|
I was so frightened that I lost my voice and could only answer in a
|
|
whisper, "Me, sir?" For of course I knew it must have been the
|
|
gentleman in the quantity of wrappings, though he was still looking
|
|
out of his window.
|
|
|
|
"Yes, you," he said, turning round.
|
|
|
|
"I didn't know I was crying, sir," I faltered.
|
|
|
|
"But you are!" said the gentleman. "Look here!" He came quite
|
|
opposite to me from the other corner of the coach, brushed one of his
|
|
large furry cuffs across my eyes (but without hurting me), and showed
|
|
me that it was wet.
|
|
|
|
"There! Now you know you are," he said. "Don't you?"
|
|
|
|
"Yes, sir," I said.
|
|
|
|
"And what are you crying for?" said the gentleman, "Don't you want to
|
|
go there?"
|
|
|
|
"Where, sir?"
|
|
|
|
"Where? Why, wherever you are going," said the gentleman.
|
|
|
|
"I am very glad to go there, sir," I answered.
|
|
|
|
"Well, then! Look glad!" said the gentleman.
|
|
|
|
I thought he was very strange, or at least that what I could see of
|
|
him was very strange, for he was wrapped up to the chin, and his face
|
|
was almost hidden in a fur cap with broad fur straps at the side of
|
|
his head fastened under his chin; but I was composed again, and not
|
|
afraid of him. So I told him that I thought I must have been crying
|
|
because of my godmother's death and because of Mrs. Rachael's not
|
|
being sorry to part with me.
|
|
|
|
"Confound Mrs. Rachael!" said the gentleman. "Let her fly away in a
|
|
high wind on a broomstick!"
|
|
|
|
I began to be really afraid of him now and looked at him with the
|
|
greatest astonishment. But I thought that he had pleasant eyes,
|
|
although he kept on muttering to himself in an angry manner and
|
|
calling Mrs. Rachael names.
|
|
|
|
After a little while he opened his outer wrapper, which appeared to
|
|
me large enough to wrap up the whole coach, and put his arm down into
|
|
a deep pocket in the side.
|
|
|
|
"Now, look here!" he said. "In this paper," which was nicely folded,
|
|
"is a piece of the best plum-cake that can be got for money--sugar on
|
|
the outside an inch thick, like fat on mutton chops. Here's a little
|
|
pie (a gem this is, both for size and quality), made in France. And
|
|
what do you suppose it's made of? Livers of fat geese. There's a pie!
|
|
Now let's see you eat 'em."
|
|
|
|
"Thank you, sir," I replied; "thank you very much indeed, but I hope
|
|
you won't be offended--they are too rich for me."
|
|
|
|
"Floored again!" said the gentleman, which I didn't at all
|
|
understand, and threw them both out of window.
|
|
|
|
He did not speak to me any more until he got out of the coach a
|
|
little way short of Reading, when he advised me to be a good girl and
|
|
to be studious, and shook hands with me. I must say I was relieved by
|
|
his departure. We left him at a milestone. I often walked past it
|
|
afterwards, and never for a long time without thinking of him and
|
|
half expecting to meet him. But I never did; and so, as time went on,
|
|
he passed out of my mind.
|
|
|
|
When the coach stopped, a very neat lady looked up at the window and
|
|
said, "Miss Donny."
|
|
|
|
"No, ma'am, Esther Summerson."
|
|
|
|
"That is quite right," said the lady, "Miss Donny."
|
|
|
|
I now understood that she introduced herself by that name, and begged
|
|
Miss Donny's pardon for my mistake, and pointed out my boxes at her
|
|
request. Under the direction of a very neat maid, they were put
|
|
outside a very small green carriage; and then Miss Donny, the maid,
|
|
and I got inside and were driven away.
|
|
|
|
"Everything is ready for you, Esther," said Miss Donny, "and the
|
|
scheme of your pursuits has been arranged in exact accordance with
|
|
the wishes of your guardian, Mr. Jarndyce."
|
|
|
|
"Of--did you say, ma'am?"
|
|
|
|
"Of your guardian, Mr. Jarndyce," said Miss Donny.
|
|
|
|
I was so bewildered that Miss Donny thought the cold had been too
|
|
severe for me and lent me her smelling-bottle.
|
|
|
|
"Do you know my--guardian, Mr. Jarndyce, ma'am?" I asked after a good
|
|
deal of hesitation.
|
|
|
|
"Not personally, Esther," said Miss Donny; "merely through his
|
|
solicitors, Messrs. Kenge and Carboy, of London. A very superior
|
|
gentleman, Mr. Kenge. Truly eloquent indeed. Some of his periods
|
|
quite majestic!"
|
|
|
|
I felt this to be very true but was too confused to attend to it. Our
|
|
speedy arrival at our destination, before I had time to recover
|
|
myself, increased my confusion, and I never shall forget the
|
|
uncertain and the unreal air of everything at Greenleaf (Miss Donny's
|
|
house) that afternoon!
|
|
|
|
But I soon became used to it. I was so adapted to the routine of
|
|
Greenleaf before long that I seemed to have been there a great while
|
|
and almost to have dreamed rather than really lived my old life at my
|
|
godmother's. Nothing could be more precise, exact, and orderly than
|
|
Greenleaf. There was a time for everything all round the dial of the
|
|
clock, and everything was done at its appointed moment.
|
|
|
|
We were twelve boarders, and there were two Miss Donnys, twins. It
|
|
was understood that I would have to depend, by and by, on my
|
|
qualifications as a governess, and I was not only instructed in
|
|
everything that was taught at Greenleaf, but was very soon engaged in
|
|
helping to instruct others. Although I was treated in every other
|
|
respect like the rest of the school, this single difference was made
|
|
in my case from the first. As I began to know more, I taught more,
|
|
and so in course of time I had plenty to do, which I was very fond of
|
|
doing because it made the dear girls fond of me. At last, whenever a
|
|
new pupil came who was a little downcast and unhappy, she was so
|
|
sure--indeed I don't know why--to make a friend of me that all
|
|
new-comers were confided to my care. They said I was so gentle, but I
|
|
am sure THEY were! I often thought of the resolution I had made on my
|
|
birthday to try to be industrious, contented, and true-hearted and to
|
|
do some good to some one and win some love if I could; and indeed,
|
|
indeed, I felt almost ashamed to have done so little and have won so
|
|
much.
|
|
|
|
I passed at Greenleaf six happy, quiet years. I never saw in any face
|
|
there, thank heaven, on my birthday, that it would have been better
|
|
if I had never been born. When the day came round, it brought me so
|
|
many tokens of affectionate remembrance that my room was beautiful
|
|
with them from New Year's Day to Christmas.
|
|
|
|
In those six years I had never been away except on visits at holiday
|
|
time in the neighbourhood. After the first six months or so I had
|
|
taken Miss Donny's advice in reference to the propriety of writing to
|
|
Mr. Kenge to say that I was happy and grateful, and with her approval
|
|
I had written such a letter. I had received a formal answer
|
|
acknowledging its receipt and saying, "We note the contents thereof,
|
|
which shall be duly communicated to our client." After that I
|
|
sometimes heard Miss Donny and her sister mention how regular my
|
|
accounts were paid, and about twice a year I ventured to write a
|
|
similar letter. I always received by return of post exactly the same
|
|
answer in the same round hand, with the signature of Kenge and Carboy
|
|
in another writing, which I supposed to be Mr. Kenge's.
|
|
|
|
It seems so curious to me to be obliged to write all this about
|
|
myself! As if this narrative were the narrative of MY life! But my
|
|
little body will soon fall into the background now.
|
|
|
|
Six quiet years (I find I am saying it for the second time) I had
|
|
passed at Greenleaf, seeing in those around me, as it might be in a
|
|
looking-glass, every stage of my own growth and change there, when,
|
|
one November morning, I received this letter. I omit the date.
|
|
|
|
|
|
Old Square, Lincoln's Inn
|
|
|
|
Madam,
|
|
|
|
Jarndyce and Jarndyce
|
|
|
|
Our clt Mr. Jarndyce being abt to rece into his house,
|
|
under an Order of the Ct of Chy, a Ward of the Ct in this
|
|
cause, for whom he wishes to secure an elgble compn,
|
|
directs us to inform you that he will be glad of your
|
|
serces in the afsd capacity.
|
|
|
|
We have arrngd for your being forded, carriage free, pr
|
|
eight o'clock coach from Reading, on Monday morning next,
|
|
to White Horse Cellar, Piccadilly, London, where one of
|
|
our clks will be in waiting to convey you to our offe as
|
|
above.
|
|
|
|
We are, Madam, Your obedt Servts,
|
|
|
|
Kenge and Carboy
|
|
|
|
Miss Esther Summerson
|
|
|
|
|
|
Oh, never, never, never shall I forget the emotion this letter caused
|
|
in the house! It was so tender in them to care so much for me, it was
|
|
so gracious in that father who had not forgotten me to have made my
|
|
orphan way so smooth and easy and to have inclined so many youthful
|
|
natures towards me, that I could hardly bear it. Not that I would
|
|
have had them less sorry--I am afraid not; but the pleasure of it,
|
|
and the pain of it, and the pride and joy of it, and the humble
|
|
regret of it were so blended that my heart seemed almost breaking
|
|
while it was full of rapture.
|
|
|
|
The letter gave me only five days' notice of my removal. When every
|
|
minute added to the proofs of love and kindness that were given me in
|
|
those five days, and when at last the morning came and when they took
|
|
me through all the rooms that I might see them for the last time, and
|
|
when some cried, "Esther, dear, say good-bye to me here at my
|
|
bedside, where you first spoke so kindly to me!" and when others
|
|
asked me only to write their names, "With Esther's love," and when
|
|
they all surrounded me with their parting presents and clung to me
|
|
weeping and cried, "What shall we do when dear, dear Esther's gone!"
|
|
and when I tried to tell them how forbearing and how good they had
|
|
all been to me and how I blessed and thanked them every one, what a
|
|
heart I had!
|
|
|
|
And when the two Miss Donnys grieved as much to part with me as the
|
|
least among them, and when the maids said, "Bless you, miss, wherever
|
|
you go!" and when the ugly lame old gardener, who I thought had
|
|
hardly noticed me in all those years, came panting after the coach to
|
|
give me a little nosegay of geraniums and told me I had been the
|
|
light of his eyes--indeed the old man said so!--what a heart I had
|
|
then!
|
|
|
|
And could I help it if with all this, and the coming to the little
|
|
school, and the unexpected sight of the poor children outside waving
|
|
their hats and bonnets to me, and of a grey-haired gentleman and lady
|
|
whose daughter I had helped to teach and at whose house I had visited
|
|
(who were said to be the proudest people in all that country), caring
|
|
for nothing but calling out, "Good-bye, Esther. May you be very
|
|
happy!"--could I help it if I was quite bowed down in the coach by
|
|
myself and said "Oh, I am so thankful, I am so thankful!" many times
|
|
over!
|
|
|
|
But of course I soon considered that I must not take tears where I
|
|
was going after all that had been done for me. Therefore, of course,
|
|
I made myself sob less and persuaded myself to be quiet by saying
|
|
very often, "Esther, now you really must! This WILL NOT do!" I
|
|
cheered myself up pretty well at last, though I am afraid I was
|
|
longer about it than I ought to have been; and when I had cooled my
|
|
eyes with lavender water, it was time to watch for London.
|
|
|
|
I was quite persuaded that we were there when we were ten miles off,
|
|
and when we really were there, that we should never get there.
|
|
However, when we began to jolt upon a stone pavement, and
|
|
particularly when every other conveyance seemed to be running into
|
|
us, and we seemed to be running into every other conveyance, I began
|
|
to believe that we really were approaching the end of our journey.
|
|
Very soon afterwards we stopped.
|
|
|
|
A young gentleman who had inked himself by accident addressed me from
|
|
the pavement and said, "I am from Kenge and Carboy's, miss, of
|
|
Lincoln's Inn."
|
|
|
|
"If you please, sir," said I.
|
|
|
|
He was very obliging, and as he handed me into a fly after
|
|
superintending the removal of my boxes, I asked him whether there was
|
|
a great fire anywhere? For the streets were so full of dense brown
|
|
smoke that scarcely anything was to be seen.
|
|
|
|
"Oh, dear no, miss," he said. "This is a London particular."
|
|
|
|
I had never heard of such a thing.
|
|
|
|
"A fog, miss," said the young gentleman.
|
|
|
|
"Oh, indeed!" said I.
|
|
|
|
We drove slowly through the dirtiest and darkest streets that ever
|
|
were seen in the world (I thought) and in such a distracting state of
|
|
confusion that I wondered how the people kept their senses, until we
|
|
passed into sudden quietude under an old gateway and drove on through
|
|
a silent square until we came to an odd nook in a corner, where there
|
|
was an entrance up a steep, broad flight of stairs, like an entrance
|
|
to a church. And there really was a churchyard outside under some
|
|
cloisters, for I saw the gravestones from the staircase window.
|
|
|
|
This was Kenge and Carboy's. The young gentleman showed me through an
|
|
outer office into Mr. Kenge's room--there was no one in it--and
|
|
politely put an arm-chair for me by the fire. He then called my
|
|
attention to a little looking-glass hanging from a nail on one side
|
|
of the chimney-piece.
|
|
|
|
"In case you should wish to look at yourself, miss, after the
|
|
journey, as you're going before the Chancellor. Not that it's
|
|
requisite, I am sure," said the young gentleman civilly.
|
|
|
|
"Going before the Chancellor?" I said, startled for a moment.
|
|
|
|
"Only a matter of form, miss," returned the young gentleman. "Mr.
|
|
Kenge is in court now. He left his compliments, and would you partake
|
|
of some refreshment"--there were biscuits and a decanter of wine on a
|
|
small table--"and look over the paper," which the young gentleman
|
|
gave me as he spoke. He then stirred the fire and left me.
|
|
|
|
Everything was so strange--the stranger from its being night in the
|
|
day-time, the candles burning with a white flame, and looking raw and
|
|
cold--that I read the words in the newspaper without knowing what
|
|
they meant and found myself reading the same words repeatedly. As it
|
|
was of no use going on in that way, I put the paper down, took a peep
|
|
at my bonnet in the glass to see if it was neat, and looked at the
|
|
room, which was not half lighted, and at the shabby, dusty tables,
|
|
and at the piles of writings, and at a bookcase full of the most
|
|
inexpressive-looking books that ever had anything to say for
|
|
themselves. Then I went on, thinking, thinking, thinking; and the
|
|
fire went on, burning, burning, burning; and the candles went on
|
|
flickering and guttering, and there were no snuffers--until the young
|
|
gentleman by and by brought a very dirty pair--for two hours.
|
|
|
|
At last Mr. Kenge came. HE was not altered, but he was surprised to
|
|
see how altered I was and appeared quite pleased. "As you are going
|
|
to be the companion of the young lady who is now in the Chancellor's
|
|
private room, Miss Summerson," he said, "we thought it well that you
|
|
should be in attendance also. You will not be discomposed by the Lord
|
|
Chancellor, I dare say?"
|
|
|
|
"No, sir," I said, "I don't think I shall," really not seeing on
|
|
consideration why I should be.
|
|
|
|
So Mr. Kenge gave me his arm and we went round the corner, under a
|
|
colonnade, and in at a side door. And so we came, along a passage,
|
|
into a comfortable sort of room where a young lady and a young
|
|
gentleman were standing near a great, loud-roaring fire. A screen was
|
|
interposed between them and it, and they were leaning on the screen,
|
|
talking.
|
|
|
|
They both looked up when I came in, and I saw in the young lady, with
|
|
the fire shining upon her, such a beautiful girl! With such rich
|
|
golden hair, such soft blue eyes, and such a bright, innocent,
|
|
trusting face!
|
|
|
|
"Miss Ada," said Mr. Kenge, "this is Miss Summerson."
|
|
|
|
She came to meet me with a smile of welcome and her hand extended,
|
|
but seemed to change her mind in a moment and kissed me. In short,
|
|
she had such a natural, captivating, winning manner that in a few
|
|
minutes we were sitting in the window-seat, with the light of the
|
|
fire upon us, talking together as free and happy as could be.
|
|
|
|
What a load off my mind! It was so delightful to know that she could
|
|
confide in me and like me! It was so good of her, and so encouraging
|
|
to me!
|
|
|
|
The young gentleman was her distant cousin, she told me, and his name
|
|
Richard Carstone. He was a handsome youth with an ingenuous face and
|
|
a most engaging laugh; and after she had called him up to where we
|
|
sat, he stood by us, in the light of the fire, talking gaily, like a
|
|
light-hearted boy. He was very young, not more than nineteen then, if
|
|
quite so much, but nearly two years older than she was. They were
|
|
both orphans and (what was very unexpected and curious to me) had
|
|
never met before that day. Our all three coming together for the
|
|
first time in such an unusual place was a thing to talk about, and we
|
|
talked about it; and the fire, which had left off roaring, winked its
|
|
red eyes at us--as Richard said--like a drowsy old Chancery lion.
|
|
|
|
We conversed in a low tone because a full-dressed gentleman in a bag
|
|
wig frequently came in and out, and when he did so, we could hear a
|
|
drawling sound in the distance, which he said was one of the counsel
|
|
in our case addressing the Lord Chancellor. He told Mr. Kenge that
|
|
the Chancellor would be up in five minutes; and presently we heard a
|
|
bustle and a tread of feet, and Mr. Kenge said that the Court had
|
|
risen and his lordship was in the next room.
|
|
|
|
The gentleman in the bag wig opened the door almost directly and
|
|
requested Mr. Kenge to come in. Upon that, we all went into the next
|
|
room, Mr. Kenge first, with my darling--it is so natural to me now
|
|
that I can't help writing it; and there, plainly dressed in black and
|
|
sitting in an arm-chair at a table near the fire, was his lordship,
|
|
whose robe, trimmed with beautiful gold lace, was thrown upon another
|
|
chair. He gave us a searching look as we entered, but his manner was
|
|
both courtly and kind.
|
|
|
|
The gentleman in the bag wig laid bundles of papers on his lordship's
|
|
table, and his lordship silently selected one and turned over the
|
|
leaves.
|
|
|
|
"Miss Clare," said the Lord Chancellor. "Miss Ada Clare?"
|
|
|
|
Mr. Kenge presented her, and his lordship begged her to sit down near
|
|
him. That he admired her and was interested by her even I could see
|
|
in a moment. It touched me that the home of such a beautiful young
|
|
creature should be represented by that dry, official place. The Lord
|
|
High Chancellor, at his best, appeared so poor a substitute for the
|
|
love and pride of parents.
|
|
|
|
"The Jarndyce in question," said the Lord Chancellor, still turning
|
|
over leaves, "is Jarndyce of Bleak House."
|
|
|
|
"Jarndyce of Bleak House, my lord," said Mr. Kenge.
|
|
|
|
"A dreary name," said the Lord Chancellor.
|
|
|
|
"But not a dreary place at present, my lord," said Mr. Kenge.
|
|
|
|
"And Bleak House," said his lordship, "is in--"
|
|
|
|
"Hertfordshire, my lord."
|
|
|
|
"Mr. Jarndyce of Bleak House is not married?" said his lordship.
|
|
|
|
"He is not, my lord," said Mr. Kenge.
|
|
|
|
A pause.
|
|
|
|
"Young Mr. Richard Carstone is present?" said the Lord Chancellor,
|
|
glancing towards him.
|
|
|
|
Richard bowed and stepped forward.
|
|
|
|
"Hum!" said the Lord Chancellor, turning over more leaves.
|
|
|
|
"Mr. Jarndyce of Bleak House, my lord," Mr. Kenge observed in a low
|
|
voice, "if I may venture to remind your lordship, provides a suitable
|
|
companion for--"
|
|
|
|
"For Mr. Richard Carstone?" I thought (but I am not quite sure) I
|
|
heard his lordship say in an equally low voice and with a smile.
|
|
|
|
"For Miss Ada Clare. This is the young lady. Miss Summerson."
|
|
|
|
His lordship gave me an indulgent look and acknowledged my curtsy
|
|
very graciously.
|
|
|
|
"Miss Summerson is not related to any party in the cause, I think?"
|
|
|
|
"No, my lord."
|
|
|
|
Mr. Kenge leant over before it was quite said and whispered. His
|
|
lordship, with his eyes upon his papers, listened, nodded twice or
|
|
thrice, turned over more leaves, and did not look towards me again
|
|
until we were going away.
|
|
|
|
Mr. Kenge now retired, and Richard with him, to where I was, near the
|
|
door, leaving my pet (it is so natural to me that again I can't help
|
|
it!) sitting near the Lord Chancellor, with whom his lordship spoke a
|
|
little part, asking her, as she told me afterwards, whether she had
|
|
well reflected on the proposed arrangement, and if she thought she
|
|
would be happy under the roof of Mr. Jarndyce of Bleak House, and why
|
|
she thought so? Presently he rose courteously and released her, and
|
|
then he spoke for a minute or two with Richard Carstone, not seated,
|
|
but standing, and altogether with more ease and less ceremony, as if
|
|
he still knew, though he WAS Lord Chancellor, how to go straight to
|
|
the candour of a boy.
|
|
|
|
"Very well!" said his lordship aloud. "I shall make the order. Mr.
|
|
Jarndyce of Bleak House has chosen, so far as I may judge," and this
|
|
was when he looked at me, "a very good companion for the young lady,
|
|
and the arrangement altogether seems the best of which the
|
|
circumstances admit."
|
|
|
|
He dismissed us pleasantly, and we all went out, very much obliged to
|
|
him for being so affable and polite, by which he had certainly lost
|
|
no dignity but seemed to us to have gained some.
|
|
|
|
When we got under the colonnade, Mr. Kenge remembered that he must go
|
|
back for a moment to ask a question and left us in the fog, with the
|
|
Lord Chancellor's carriage and servants waiting for him to come out.
|
|
|
|
"Well!" said Richard Carstone. "THAT'S over! And where do we go next,
|
|
Miss Summerson?"
|
|
|
|
"Don't you know?" I said.
|
|
|
|
"Not in the least," said he.
|
|
|
|
"And don't YOU know, my love?" I asked Ada.
|
|
|
|
"No!" said she. "Don't you?"
|
|
|
|
"Not at all!" said I.
|
|
|
|
We looked at one another, half laughing at our being like the
|
|
children in the wood, when a curious little old woman in a squeezed
|
|
bonnet and carrying a reticule came curtsying and smiling up to us
|
|
with an air of great ceremony.
|
|
|
|
"Oh!" said she. "The wards in Jarndyce! Ve-ry happy, I am sure, to
|
|
have the honour! It is a good omen for youth, and hope, and beauty
|
|
when they find themselves in this place, and don't know what's to
|
|
come of it."
|
|
|
|
"Mad!" whispered Richard, not thinking she could hear him.
|
|
|
|
"Right! Mad, young gentleman," she returned so quickly that he was
|
|
quite abashed. "I was a ward myself. I was not mad at that time,"
|
|
curtsying low and smiling between every little sentence. "I had youth
|
|
and hope. I believe, beauty. It matters very little now. Neither of
|
|
the three served or saved me. I have the honour to attend court
|
|
regularly. With my documents. I expect a judgment. Shortly. On the
|
|
Day of Judgment. I have discovered that the sixth seal mentioned in
|
|
the Revelations is the Great Seal. It has been open a long time! Pray
|
|
accept my blessing."
|
|
|
|
As Ada was a little frightened, I said, to humour the poor old lady,
|
|
that we were much obliged to her.
|
|
|
|
"Ye-es!" she said mincingly. "I imagine so. And here is Conversation
|
|
Kenge. With HIS documents! How does your honourable worship do?"
|
|
|
|
"Quite well, quite well! Now don't be troublesome, that's a good
|
|
soul!" said Mr. Kenge, leading the way back.
|
|
|
|
"By no means," said the poor old lady, keeping up with Ada and me.
|
|
"Anything but troublesome. I shall confer estates on both--which is
|
|
not being troublesome, I trust? I expect a judgment. Shortly. On the
|
|
Day of Judgment. This is a good omen for you. Accept my blessing!"
|
|
|
|
She stopped at the bottom of the steep, broad flight of stairs; but
|
|
we looked back as we went up, and she was still there, saying, still
|
|
with a curtsy and a smile between every little sentence, "Youth. And
|
|
hope. And beauty. And Chancery. And Conversation Kenge! Ha! Pray
|
|
accept my blessing!"
|
|
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
Telescopic Philanthropy
|
|
|
|
|
|
We were to pass the night, Mr. Kenge told us when we arrived in his
|
|
room, at Mrs. Jellyby's; and then he turned to me and said he took it
|
|
for granted I knew who Mrs. Jellyby was.
|
|
|
|
"I really don't, sir," I returned. "Perhaps Mr. Carstone--or Miss
|
|
Clare--"
|
|
|
|
But no, they knew nothing whatever about Mrs. Jellyby. "In-deed! Mrs.
|
|
Jellyby," said Mr. Kenge, standing with his back to the fire and
|
|
casting his eyes over the dusty hearth-rug as if it were Mrs.
|
|
Jellyby's biography, "is a lady of very remarkable strength of
|
|
character who devotes herself entirely to the public. She has devoted
|
|
herself to an extensive variety of public subjects at various times
|
|
and is at present (until something else attracts her) devoted to the
|
|
subject of Africa, with a view to the general cultivation of the
|
|
coffee berry--AND the natives--and the happy settlement, on the banks
|
|
of the African rivers, of our superabundant home population. Mr.
|
|
Jarndyce, who is desirous to aid any work that is considered likely
|
|
to be a good work and who is much sought after by philanthropists,
|
|
has, I believe, a very high opinion of Mrs. Jellyby."
|
|
|
|
Mr. Kenge, adjusting his cravat, then looked at us.
|
|
|
|
"And Mr. Jellyby, sir?" suggested Richard.
|
|
|
|
"Ah! Mr. Jellyby," said Mr. Kenge, "is--a--I don't know that I can
|
|
describe him to you better than by saying that he is the husband of
|
|
Mrs. Jellyby."
|
|
|
|
"A nonentity, sir?" said Richard with a droll look.
|
|
|
|
"I don't say that," returned Mr. Kenge gravely. "I can't say that,
|
|
indeed, for I know nothing whatever OF Mr. Jellyby. I never, to my
|
|
knowledge, had the pleasure of seeing Mr. Jellyby. He may be a very
|
|
superior man, but he is, so to speak, merged--merged--in the more
|
|
shining qualities of his wife." Mr. Kenge proceeded to tell us that
|
|
as the road to Bleak House would have been very long, dark, and
|
|
tedious on such an evening, and as we had been travelling already,
|
|
Mr. Jarndyce had himself proposed this arrangement. A carriage would
|
|
be at Mrs. Jellyby's to convey us out of town early in the forenoon
|
|
of to-morrow.
|
|
|
|
He then rang a little bell, and the young gentleman came in.
|
|
Addressing him by the name of Guppy, Mr. Kenge inquired whether Miss
|
|
Summerson's boxes and the rest of the baggage had been "sent round."
|
|
Mr. Guppy said yes, they had been sent round, and a coach was waiting
|
|
to take us round too as soon as we pleased.
|
|
|
|
"Then it only remains," said Mr. Kenge, shaking hands with us, "for
|
|
me to express my lively satisfaction in (good day, Miss Clare!) the
|
|
arrangement this day concluded and my (GOOD-bye to you, Miss
|
|
Summerson!) lively hope that it will conduce to the happiness, the
|
|
(glad to have had the honour of making your acquaintance, Mr.
|
|
Carstone!) welfare, the advantage in all points of view, of all
|
|
concerned! Guppy, see the party safely there."
|
|
|
|
"Where IS 'there,' Mr. Guppy?" said Richard as we went downstairs.
|
|
|
|
"No distance," said Mr. Guppy; "round in Thavies Inn, you know."
|
|
|
|
"I can't say I know where it is, for I come from Winchester and am
|
|
strange in London."
|
|
|
|
"Only round the corner," said Mr. Guppy. "We just twist up Chancery
|
|
Lane, and cut along Holborn, and there we are in four minutes' time,
|
|
as near as a toucher. This is about a London particular NOW, ain't
|
|
it, miss?" He seemed quite delighted with it on my account.
|
|
|
|
"The fog is very dense indeed!" said I.
|
|
|
|
"Not that it affects you, though, I'm sure," said Mr. Guppy, putting
|
|
up the steps. "On the contrary, it seems to do you good, miss,
|
|
judging from your appearance."
|
|
|
|
I knew he meant well in paying me this compliment, so I laughed at
|
|
myself for blushing at it when he had shut the door and got upon the
|
|
box; and we all three laughed and chatted about our inexperience and
|
|
the strangeness of London until we turned up under an archway to our
|
|
destination--a narrow street of high houses like an oblong cistern to
|
|
hold the fog. There was a confused little crowd of people,
|
|
principally children, gathered about the house at which we stopped,
|
|
which had a tarnished brass plate on the door with the inscription
|
|
JELLYBY.
|
|
|
|
"Don't be frightened!" said Mr. Guppy, looking in at the
|
|
coach-window. "One of the young Jellybys been and got his head
|
|
through the area railings!"
|
|
|
|
"Oh, poor child," said I; "let me out, if you please!"
|
|
|
|
"Pray be careful of yourself, miss. The young Jellybys are always up
|
|
to something," said Mr. Guppy.
|
|
|
|
I made my way to the poor child, who was one of the dirtiest little
|
|
unfortunates I ever saw, and found him very hot and frightened and
|
|
crying loudly, fixed by the neck between two iron railings, while a
|
|
milkman and a beadle, with the kindest intentions possible, were
|
|
endeavouring to drag him back by the legs, under a general impression
|
|
that his skull was compressible by those means. As I found (after
|
|
pacifying him) that he was a little boy with a naturally large head,
|
|
I thought that perhaps where his head could go, his body could
|
|
follow, and mentioned that the best mode of extrication might be to
|
|
push him forward. This was so favourably received by the milkman and
|
|
beadle that he would immediately have been pushed into the area if I
|
|
had not held his pinafore while Richard and Mr. Guppy ran down
|
|
through the kitchen to catch him when he should be released. At last
|
|
he was happily got down without any accident, and then he began to
|
|
beat Mr. Guppy with a hoop-stick in quite a frantic manner.
|
|
|
|
Nobody had appeared belonging to the house except a person in
|
|
pattens, who had been poking at the child from below with a broom; I
|
|
don't know with what object, and I don't think she did. I therefore
|
|
supposed that Mrs. Jellyby was not at home, and was quite surprised
|
|
when the person appeared in the passage without the pattens, and
|
|
going up to the back room on the first floor before Ada and me,
|
|
announced us as, "Them two young ladies, Missis Jellyby!" We passed
|
|
several more children on the way up, whom it was difficult to avoid
|
|
treading on in the dark; and as we came into Mrs. Jellyby's presence,
|
|
one of the poor little things fell downstairs--down a whole flight
|
|
(as it sounded to me), with a great noise.
|
|
|
|
Mrs. Jellyby, whose face reflected none of the uneasiness which we
|
|
could not help showing in our own faces as the dear child's head
|
|
recorded its passage with a bump on every stair--Richard afterwards
|
|
said he counted seven, besides one for the landing--received us with
|
|
perfect equanimity. She was a pretty, very diminutive, plump woman of
|
|
from forty to fifty, with handsome eyes, though they had a curious
|
|
habit of seeming to look a long way off. As if--I am quoting Richard
|
|
again--they could see nothing nearer than Africa!
|
|
|
|
"I am very glad indeed," said Mrs. Jellyby in an agreeable voice, "to
|
|
have the pleasure of receiving you. I have a great respect for Mr.
|
|
Jarndyce, and no one in whom he is interested can be an object of
|
|
indifference to me."
|
|
|
|
We expressed our acknowledgments and sat down behind the door, where
|
|
there was a lame invalid of a sofa. Mrs. Jellyby had very good hair
|
|
but was too much occupied with her African duties to brush it. The
|
|
shawl in which she had been loosely muffled dropped onto her chair
|
|
when she advanced to us; and as she turned to resume her seat, we
|
|
could not help noticing that her dress didn't nearly meet up the back
|
|
and that the open space was railed across with a lattice-work of
|
|
stay-lace--like a summer-house.
|
|
|
|
The room, which was strewn with papers and nearly filled by a great
|
|
writing-table covered with similar litter, was, I must say, not only
|
|
very untidy but very dirty. We were obliged to take notice of that
|
|
with our sense of sight, even while, with our sense of hearing, we
|
|
followed the poor child who had tumbled downstairs: I think into the
|
|
back kitchen, where somebody seemed to stifle him.
|
|
|
|
But what principally struck us was a jaded and unhealthy-looking
|
|
though by no means plain girl at the writing-table, who sat biting
|
|
the feather of her pen and staring at us. I suppose nobody ever was
|
|
in such a state of ink. And from her tumbled hair to her pretty feet,
|
|
which were disfigured with frayed and broken satin slippers trodden
|
|
down at heel, she really seemed to have no article of dress upon her,
|
|
from a pin upwards, that was in its proper condition or its right
|
|
place.
|
|
|
|
"You find me, my dears," said Mrs. Jellyby, snuffing the two great
|
|
office candles in tin candlesticks, which made the room taste
|
|
strongly of hot tallow (the fire had gone out, and there was nothing
|
|
in the grate but ashes, a bundle of wood, and a poker), "you find me,
|
|
my dears, as usual, very busy; but that you will excuse. The African
|
|
project at present employs my whole time. It involves me in
|
|
correspondence with public bodies and with private individuals
|
|
anxious for the welfare of their species all over the country. I am
|
|
happy to say it is advancing. We hope by this time next year to have
|
|
from a hundred and fifty to two hundred healthy families cultivating
|
|
coffee and educating the natives of Borrioboola-Gha, on the left bank
|
|
of the Niger."
|
|
|
|
As Ada said nothing, but looked at me, I said it must be very
|
|
gratifying.
|
|
|
|
"It IS gratifying," said Mrs. Jellyby. "It involves the devotion of
|
|
all my energies, such as they are; but that is nothing, so that it
|
|
succeeds; and I am more confident of success every day. Do you know,
|
|
Miss Summerson, I almost wonder that YOU never turned your thoughts
|
|
to Africa."
|
|
|
|
This application of the subject was really so unexpected to me that I
|
|
was quite at a loss how to receive it. I hinted that the climate--
|
|
|
|
"The finest climate in the world!" said Mrs. Jellyby.
|
|
|
|
"Indeed, ma'am?"
|
|
|
|
"Certainly. With precaution," said Mrs. Jellyby. "You may go into
|
|
Holborn, without precaution, and be run over. You may go into
|
|
Holborn, with precaution, and never be run over. Just so with
|
|
Africa."
|
|
|
|
I said, "No doubt." I meant as to Holborn.
|
|
|
|
"If you would like," said Mrs. Jellyby, putting a number of papers
|
|
towards us, "to look over some remarks on that head, and on the
|
|
general subject, which have been extensively circulated, while I
|
|
finish a letter I am now dictating to my eldest daughter, who is my
|
|
amanuensis--"
|
|
|
|
The girl at the table left off biting her pen and made a return to
|
|
our recognition, which was half bashful and half sulky.
|
|
|
|
"--I shall then have finished for the present," proceeded Mrs.
|
|
Jellyby with a sweet smile, "though my work is never done. Where are
|
|
you, Caddy?"
|
|
|
|
"'Presents her compliments to Mr. Swallow, and begs--'" said Caddy.
|
|
|
|
"'And begs,'" said Mrs. Jellyby, dictating, "'to inform him, in
|
|
reference to his letter of inquiry on the African project--' No,
|
|
Peepy! Not on my account!"
|
|
|
|
Peepy (so self-named) was the unfortunate child who had fallen
|
|
downstairs, who now interrupted the correspondence by presenting
|
|
himself, with a strip of plaster on his forehead, to exhibit his
|
|
wounded knees, in which Ada and I did not know which to pity
|
|
most--the bruises or the dirt. Mrs. Jellyby merely added, with the
|
|
serene composure with which she said everything, "Go along, you
|
|
naughty Peepy!" and fixed her fine eyes on Africa again.
|
|
|
|
However, as she at once proceeded with her dictation, and as I
|
|
interrupted nothing by doing it, I ventured quietly to stop poor
|
|
Peepy as he was going out and to take him up to nurse. He looked very
|
|
much astonished at it and at Ada's kissing him, but soon fell fast
|
|
asleep in my arms, sobbing at longer and longer intervals, until he
|
|
was quiet. I was so occupied with Peepy that I lost the letter in
|
|
detail, though I derived such a general impression from it of the
|
|
momentous importance of Africa, and the utter insignificance of all
|
|
other places and things, that I felt quite ashamed to have thought so
|
|
little about it.
|
|
|
|
"Six o'clock!" said Mrs. Jellyby. "And our dinner hour is nominally
|
|
(for we dine at all hours) five! Caddy, show Miss Clare and Miss
|
|
Summerson their rooms. You will like to make some change, perhaps?
|
|
You will excuse me, I know, being so much occupied. Oh, that very bad
|
|
child! Pray put him down, Miss Summerson!"
|
|
|
|
I begged permission to retain him, truly saying that he was not at
|
|
all troublesome, and carried him upstairs and laid him on my bed. Ada
|
|
and I had two upper rooms with a door of communication between. They
|
|
were excessively bare and disorderly, and the curtain to my window
|
|
was fastened up with a fork.
|
|
|
|
"You would like some hot water, wouldn't you?" said Miss Jellyby,
|
|
looking round for a jug with a handle to it, but looking in vain.
|
|
|
|
"If it is not being troublesome," said we.
|
|
|
|
"Oh, it's not the trouble," returned Miss Jellyby; "the question is,
|
|
if there IS any."
|
|
|
|
The evening was so very cold and the rooms had such a marshy smell
|
|
that I must confess it was a little miserable, and Ada was half
|
|
crying. We soon laughed, however, and were busily unpacking when Miss
|
|
Jellyby came back to say that she was sorry there was no hot water,
|
|
but they couldn't find the kettle, and the boiler was out of order.
|
|
|
|
We begged her not to mention it and made all the haste we could to
|
|
get down to the fire again. But all the little children had come up
|
|
to the landing outside to look at the phenomenon of Peepy lying on my
|
|
bed, and our attention was distracted by the constant apparition of
|
|
noses and fingers in situations of danger between the hinges of the
|
|
doors. It was impossible to shut the door of either room, for my
|
|
lock, with no knob to it, looked as if it wanted to be wound up; and
|
|
though the handle of Ada's went round and round with the greatest
|
|
smoothness, it was attended with no effect whatever on the door.
|
|
Therefore I proposed to the children that they should come in and be
|
|
very good at my table, and I would tell them the story of Little Red
|
|
Riding Hood while I dressed; which they did, and were as quiet as
|
|
mice, including Peepy, who awoke opportunely before the appearance of
|
|
the wolf.
|
|
|
|
When we went downstairs we found a mug with "A Present from Tunbridge
|
|
Wells" on it lighted up in the staircase window with a floating wick,
|
|
and a young woman, with a swelled face bound up in a flannel bandage
|
|
blowing the fire of the drawing-room (now connected by an open door
|
|
with Mrs. Jellyby's room) and choking dreadfully. It smoked to that
|
|
degree, in short, that we all sat coughing and crying with the
|
|
windows open for half an hour, during which Mrs. Jellyby, with the
|
|
same sweetness of temper, directed letters about Africa. Her being so
|
|
employed was, I must say, a great relief to me, for Richard told us
|
|
that he had washed his hands in a pie-dish and that they had found
|
|
the kettle on his dressing-table, and he made Ada laugh so that they
|
|
made me laugh in the most ridiculous manner.
|
|
|
|
Soon after seven o'clock we went down to dinner, carefully, by Mrs.
|
|
Jellyby's advice, for the stair-carpets, besides being very deficient
|
|
in stair-wires, were so torn as to be absolute traps. We had a fine
|
|
cod-fish, a piece of roast beef, a dish of cutlets, and a pudding; an
|
|
excellent dinner, if it had had any cooking to speak of, but it was
|
|
almost raw. The young woman with the flannel bandage waited, and
|
|
dropped everything on the table wherever it happened to go, and never
|
|
moved it again until she put it on the stairs. The person I had seen
|
|
in pattens, who I suppose to have been the cook, frequently came and
|
|
skirmished with her at the door, and there appeared to be ill will
|
|
between them.
|
|
|
|
All through dinner--which was long, in consequence of such accidents
|
|
as the dish of potatoes being mislaid in the coal skuttle and the
|
|
handle of the corkscrew coming off and striking the young woman in
|
|
the chin--Mrs. Jellyby preserved the evenness of her disposition. She
|
|
told us a great deal that was interesting about Borrioboola-Gha and
|
|
the natives, and received so many letters that Richard, who sat by
|
|
her, saw four envelopes in the gravy at once. Some of the letters
|
|
were proceedings of ladies' committees or resolutions of ladies'
|
|
meetings, which she read to us; others were applications from people
|
|
excited in various ways about the cultivation of coffee, and natives;
|
|
others required answers, and these she sent her eldest daughter from
|
|
the table three or four times to write. She was full of business and
|
|
undoubtedly was, as she had told us, devoted to the cause.
|
|
|
|
I was a little curious to know who a mild bald gentleman in
|
|
spectacles was, who dropped into a vacant chair (there was no top or
|
|
bottom in particular) after the fish was taken away and seemed
|
|
passively to submit himself to Borrioboola-Gha but not to be actively
|
|
interested in that settlement. As he never spoke a word, he might
|
|
have been a native but for his complexion. It was not until we left
|
|
the table and he remained alone with Richard that the possibility of
|
|
his being Mr. Jellyby ever entered my head. But he WAS Mr. Jellyby;
|
|
and a loquacious young man called Mr. Quale, with large shining knobs
|
|
for temples and his hair all brushed to the back of his head, who
|
|
came in the evening, and told Ada he was a philanthropist, also
|
|
informed her that he called the matrimonial alliance of Mrs. Jellyby
|
|
with Mr. Jellyby the union of mind and matter.
|
|
|
|
This young man, besides having a great deal to say for himself about
|
|
Africa and a project of his for teaching the coffee colonists to
|
|
teach the natives to turn piano-forte legs and establish an export
|
|
trade, delighted in drawing Mrs. Jellyby out by saying, "I believe
|
|
now, Mrs. Jellyby, you have received as many as from one hundred and
|
|
fifty to two hundred letters respecting Africa in a single day, have
|
|
you not?" or, "If my memory does not deceive me, Mrs. Jellyby, you
|
|
once mentioned that you had sent off five thousand circulars from one
|
|
post-office at one time?"--always repeating Mrs. Jellyby's answer to
|
|
us like an interpreter. During the whole evening, Mr. Jellyby sat in
|
|
a corner with his head against the wall as if he were subject to low
|
|
spirits. It seemed that he had several times opened his mouth when
|
|
alone with Richard after dinner, as if he had something on his mind,
|
|
but had always shut it again, to Richard's extreme confusion, without
|
|
saying anything.
|
|
|
|
Mrs. Jellyby, sitting in quite a nest of waste paper, drank coffee
|
|
all the evening and dictated at intervals to her eldest daughter. She
|
|
also held a discussion with Mr. Quale, of which the subject seemed to
|
|
be--if I understood it--the brotherhood of humanity, and gave
|
|
utterance to some beautiful sentiments. I was not so attentive an
|
|
auditor as I might have wished to be, however, for Peepy and the
|
|
other children came flocking about Ada and me in a corner of the
|
|
drawing-room to ask for another story; so we sat down among them and
|
|
told them in whispers "Puss in Boots" and I don't know what else
|
|
until Mrs. Jellyby, accidentally remembering them, sent them to bed.
|
|
As Peepy cried for me to take him to bed, I carried him upstairs,
|
|
where the young woman with the flannel bandage charged into the midst
|
|
of the little family like a dragon and overturned them into cribs.
|
|
|
|
After that I occupied myself in making our room a little tidy and in
|
|
coaxing a very cross fire that had been lighted to burn, which at
|
|
last it did, quite brightly. On my return downstairs, I felt that
|
|
Mrs. Jellyby looked down upon me rather for being so frivolous, and I
|
|
was sorry for it, though at the same time I knew that I had no higher
|
|
pretensions.
|
|
|
|
It was nearly midnight before we found an opportunity of going to
|
|
bed, and even then we left Mrs. Jellyby among her papers drinking
|
|
coffee and Miss Jellyby biting the feather of her pen.
|
|
|
|
"What a strange house!" said Ada when we got upstairs. "How curious
|
|
of my cousin Jarndyce to send us here!"
|
|
|
|
"My love," said I, "it quite confuses me. I want to understand it,
|
|
and I can't understand it at all."
|
|
|
|
"What?" asked Ada with her pretty smile.
|
|
|
|
"All this, my dear," said I. "It MUST be very good of Mrs. Jellyby to
|
|
take such pains about a scheme for the benefit of natives--and
|
|
yet--Peepy and the housekeeping!"
|
|
|
|
Ada laughed and put her arm about my neck as I stood looking at the
|
|
fire, and told me I was a quiet, dear, good creature and had won her
|
|
heart. "You are so thoughtful, Esther," she said, "and yet so
|
|
cheerful! And you do so much, so unpretendingly! You would make a
|
|
home out of even this house."
|
|
|
|
My simple darling! She was quite unconscious that she only praised
|
|
herself and that it was in the goodness of her own heart that she
|
|
made so much of me!
|
|
|
|
"May I ask you a question?" said I when we had sat before the fire a
|
|
little while.
|
|
|
|
"Five hundred," said Ada.
|
|
|
|
"Your cousin, Mr. Jarndyce. I owe so much to him. Would you mind
|
|
describing him to me?"
|
|
|
|
Shaking her golden hair, Ada turned her eyes upon me with such
|
|
laughing wonder that I was full of wonder too, partly at her beauty,
|
|
partly at her surprise.
|
|
|
|
"Esther!" she cried.
|
|
|
|
"My dear!"
|
|
|
|
"You want a description of my cousin Jarndyce?"
|
|
|
|
"My dear, I never saw him."
|
|
|
|
"And I never saw him!" returned Ada.
|
|
|
|
Well, to be sure!
|
|
|
|
No, she had never seen him. Young as she was when her mama died, she
|
|
remembered how the tears would come into her eyes when she spoke of
|
|
him and of the noble generosity of his character, which she had said
|
|
was to be trusted above all earthly things; and Ada trusted it. Her
|
|
cousin Jarndyce had written to her a few months ago--"a plain, honest
|
|
letter," Ada said--proposing the arrangement we were now to enter on
|
|
and telling her that "in time it might heal some of the wounds made
|
|
by the miserable Chancery suit." She had replied, gratefully
|
|
accepting his proposal. Richard had received a similar letter and had
|
|
made a similar response. He HAD seen Mr. Jarndyce once, but only
|
|
once, five years ago, at Winchester school. He had told Ada, when
|
|
they were leaning on the screen before the fire where I found them,
|
|
that he recollected him as "a bluff, rosy fellow." This was the
|
|
utmost description Ada could give me.
|
|
|
|
It set me thinking so that when Ada was asleep, I still remained
|
|
before the fire, wondering and wondering about Bleak House, and
|
|
wondering and wondering that yesterday morning should seem so long
|
|
ago. I don't know where my thoughts had wandered when they were
|
|
recalled by a tap at the door.
|
|
|
|
I opened it softly and found Miss Jellyby shivering there with a
|
|
broken candle in a broken candlestick in one hand and an egg-cup in
|
|
the other.
|
|
|
|
"Good night!" she said very sulkily.
|
|
|
|
"Good night!" said I.
|
|
|
|
"May I come in?" she shortly and unexpectedly asked me in the same
|
|
sulky way.
|
|
|
|
"Certainly," said I. "Don't wake Miss Clare."
|
|
|
|
She would not sit down, but stood by the fire dipping her inky middle
|
|
finger in the egg-cup, which contained vinegar, and smearing it over
|
|
the ink stains on her face, frowning the whole time and looking very
|
|
gloomy.
|
|
|
|
"I wish Africa was dead!" she said on a sudden.
|
|
|
|
I was going to remonstrate.
|
|
|
|
"I do!" she said "Don't talk to me, Miss Summerson. I hate it and
|
|
detest it. It's a beast!"
|
|
|
|
I told her she was tired, and I was sorry. I put my hand upon her
|
|
head, and touched her forehead, and said it was hot now but would be
|
|
cool to-morrow. She still stood pouting and frowning at me, but
|
|
presently put down her egg-cup and turned softly towards the bed
|
|
where Ada lay.
|
|
|
|
"She is very pretty!" she said with the same knitted brow and in the
|
|
same uncivil manner.
|
|
|
|
I assented with a smile.
|
|
|
|
"An orphan. Ain't she?"
|
|
|
|
"Yes."
|
|
|
|
"But knows a quantity, I suppose? Can dance, and play music, and
|
|
sing? She can talk French, I suppose, and do geography, and globes,
|
|
and needlework, and everything?"
|
|
|
|
"No doubt," said I.
|
|
|
|
"I can't," she returned. "I can't do anything hardly, except write.
|
|
I'm always writing for Ma. I wonder you two were not ashamed of
|
|
yourselves to come in this afternoon and see me able to do nothing
|
|
else. It was like your ill nature. Yet you think yourselves very
|
|
fine, I dare say!"
|
|
|
|
I could see that the poor girl was near crying, and I resumed my
|
|
chair without speaking and looked at her (I hope) as mildly as I felt
|
|
towards her.
|
|
|
|
"It's disgraceful," she said. "You know it is. The whole house is
|
|
disgraceful. The children are disgraceful. I'M disgraceful. Pa's
|
|
miserable, and no wonder! Priscilla drinks--she's always drinking.
|
|
It's a great shame and a great story of you if you say you didn't
|
|
smell her to-day. It was as bad as a public-house, waiting at dinner;
|
|
you know it was!"
|
|
|
|
"My dear, I don't know it," said I.
|
|
|
|
"You do," she said very shortly. "You shan't say you don't. You do!"
|
|
|
|
"Oh, my dear!" said I. "If you won't let me speak--"
|
|
|
|
"You're speaking now. You know you are. Don't tell stories, Miss
|
|
Summerson."
|
|
|
|
"My dear," said I, "as long as you won't hear me out--"
|
|
|
|
"I don't want to hear you out."
|
|
|
|
"Oh, yes, I think you do," said I, "because that would be so very
|
|
unreasonable. I did not know what you tell me because the servant did
|
|
not come near me at dinner; but I don't doubt what you tell me, and I
|
|
am sorry to hear it."
|
|
|
|
"You needn't make a merit of that," said she.
|
|
|
|
"No, my dear," said I. "That would be very foolish."
|
|
|
|
She was still standing by the bed, and now stooped down (but still
|
|
with the same discontented face) and kissed Ada. That done, she came
|
|
softly back and stood by the side of my chair. Her bosom was heaving
|
|
in a distressful manner that I greatly pitied, but I thought it
|
|
better not to speak.
|
|
|
|
"I wish I was dead!" she broke out. "I wish we were all dead. It
|
|
would be a great deal better for us."
|
|
|
|
In a moment afterwards, she knelt on the ground at my side, hid her
|
|
face in my dress, passionately begged my pardon, and wept. I
|
|
comforted her and would have raised her, but she cried no, no; she
|
|
wanted to stay there!
|
|
|
|
"You used to teach girls," she said, "If you could only have taught
|
|
me, I could have learnt from you! I am so very miserable, and I like
|
|
you so much!"
|
|
|
|
I could not persuade her to sit by me or to do anything but move a
|
|
ragged stool to where she was kneeling, and take that, and still hold
|
|
my dress in the same manner. By degrees the poor tired girl fell
|
|
asleep, and then I contrived to raise her head so that it should rest
|
|
on my lap, and to cover us both with shawls. The fire went out, and
|
|
all night long she slumbered thus before the ashy grate. At first I
|
|
was painfully awake and vainly tried to lose myself, with my eyes
|
|
closed, among the scenes of the day. At length, by slow degrees, they
|
|
became indistinct and mingled. I began to lose the identity of the
|
|
sleeper resting on me. Now it was Ada, now one of my old Reading
|
|
friends from whom I could not believe I had so recently parted. Now
|
|
it was the little mad woman worn out with curtsying and smiling, now
|
|
some one in authority at Bleak House. Lastly, it was no one, and I
|
|
was no one.
|
|
|
|
The purblind day was feebly struggling with the fog when I opened my
|
|
eyes to encounter those of a dirty-faced little spectre fixed upon
|
|
me. Peepy had scaled his crib, and crept down in his bed-gown and
|
|
cap, and was so cold that his teeth were chattering as if he had cut
|
|
them all.
|
|
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
A Morning Adventure
|
|
|
|
|
|
Although the morning was raw, and although the fog still seemed
|
|
heavy--I say seemed, for the windows were so encrusted with dirt that
|
|
they would have made midsummer sunshine dim--I was sufficiently
|
|
forewarned of the discomfort within doors at that early hour and
|
|
sufficiently curious about London to think it a good idea on the part
|
|
of Miss Jellyby when she proposed that we should go out for a walk.
|
|
|
|
"Ma won't be down for ever so long," she said, "and then it's a
|
|
chance if breakfast's ready for an hour afterwards, they dawdle so.
|
|
As to Pa, he gets what he can and goes to the office. He never has
|
|
what you would call a regular breakfast. Priscilla leaves him out the
|
|
loaf and some milk, when there is any, overnight. Sometimes there
|
|
isn't any milk, and sometimes the cat drinks it. But I'm afraid you
|
|
must be tired, Miss Summerson, and perhaps you would rather go to
|
|
bed."
|
|
|
|
"I am not at all tired, my dear," said I, "and would much prefer to
|
|
go out."
|
|
|
|
"If you're sure you would," returned Miss Jellyby, "I'll get my
|
|
things on."
|
|
|
|
Ada said she would go too, and was soon astir. I made a proposal to
|
|
Peepy, in default of being able to do anything better for him, that
|
|
he should let me wash him and afterwards lay him down on my bed
|
|
again. To this he submitted with the best grace possible, staring at
|
|
me during the whole operation as if he never had been, and never
|
|
could again be, so astonished in his life--looking very miserable
|
|
also, certainly, but making no complaint, and going snugly to sleep
|
|
as soon as it was over. At first I was in two minds about taking such
|
|
a liberty, but I soon reflected that nobody in the house was likely
|
|
to notice it.
|
|
|
|
What with the bustle of dispatching Peepy and the bustle of getting
|
|
myself ready and helping Ada, I was soon quite in a glow. We found
|
|
Miss Jellyby trying to warm herself at the fire in the writing-room,
|
|
which Priscilla was then lighting with a smutty parlour candlestick,
|
|
throwing the candle in to make it burn better. Everything was just as
|
|
we had left it last night and was evidently intended to remain so.
|
|
Below-stairs the dinner-cloth had not been taken away, but had been
|
|
left ready for breakfast. Crumbs, dust, and waste-paper were all over
|
|
the house. Some pewter pots and a milk-can hung on the area railings;
|
|
the door stood open; and we met the cook round the corner coming out
|
|
of a public-house, wiping her mouth. She mentioned, as she passed us,
|
|
that she had been to see what o'clock it was.
|
|
|
|
But before we met the cook, we met Richard, who was dancing up and
|
|
down Thavies Inn to warm his feet. He was agreeably surprised to see
|
|
us stirring so soon and said he would gladly share our walk. So he
|
|
took care of Ada, and Miss Jellyby and I went first. I may mention
|
|
that Miss Jellyby had relapsed into her sulky manner and that I
|
|
really should not have thought she liked me much unless she had told
|
|
me so.
|
|
|
|
"Where would you wish to go?" she asked.
|
|
|
|
"Anywhere, my dear," I replied.
|
|
|
|
"Anywhere's nowhere," said Miss Jellyby, stopping perversely.
|
|
|
|
"Let us go somewhere at any rate," said I.
|
|
|
|
She then walked me on very fast.
|
|
|
|
"I don't care!" she said. "Now, you are my witness, Miss Summerson, I
|
|
say I don't care--but if he was to come to our house with his great,
|
|
shining, lumpy forehead night after night till he was as old as
|
|
Methuselah, I wouldn't have anything to say to him. Such ASSES as he
|
|
and Ma make of themselves!"
|
|
|
|
"My dear!" I remonstrated, in allusion to the epithet and the
|
|
vigorous emphasis Miss Jellyby set upon it. "Your duty as a child--"
|
|
|
|
"Oh! Don't talk of duty as a child, Miss Summerson; where's Ma's duty
|
|
as a parent? All made over to the public and Africa, I suppose! Then
|
|
let the public and Africa show duty as a child; it's much more their
|
|
affair than mine. You are shocked, I dare say! Very well, so am I
|
|
shocked too; so we are both shocked, and there's an end of it!"
|
|
|
|
She walked me on faster yet.
|
|
|
|
"But for all that, I say again, he may come, and come, and come, and
|
|
I won't have anything to say to him. I can't bear him. If there's any
|
|
stuff in the world that I hate and detest, it's the stuff he and Ma
|
|
talk. I wonder the very paving-stones opposite our house can have the
|
|
patience to stay there and be a witness of such inconsistencies and
|
|
contradictions as all that sounding nonsense, and Ma's management!"
|
|
|
|
I could not but understand her to refer to Mr. Quale, the young
|
|
gentleman who had appeared after dinner yesterday. I was saved the
|
|
disagreeable necessity of pursuing the subject by Richard and Ada
|
|
coming up at a round pace, laughing and asking us if we meant to run
|
|
a race. Thus interrupted, Miss Jellyby became silent and walked
|
|
moodily on at my side while I admired the long successions and
|
|
varieties of streets, the quantity of people already going to and
|
|
fro, the number of vehicles passing and repassing, the busy
|
|
preparations in the setting forth of shop windows and the sweeping
|
|
out of shops, and the extraordinary creatures in rags secretly
|
|
groping among the swept-out rubbish for pins and other refuse.
|
|
|
|
"So, cousin," said the cheerful voice of Richard to Ada behind me.
|
|
"We are never to get out of Chancery! We have come by another way to
|
|
our place of meeting yesterday, and--by the Great Seal, here's the
|
|
old lady again!"
|
|
|
|
Truly, there she was, immediately in front of us, curtsying, and
|
|
smiling, and saying with her yesterday's air of patronage, "The wards
|
|
in Jarndyce! Ve-ry happy, I am sure!"
|
|
|
|
"You are out early, ma'am," said I as she curtsied to me.
|
|
|
|
"Ye-es! I usually walk here early. Before the court sits. It's
|
|
retired. I collect my thoughts here for the business of the day,"
|
|
said the old lady mincingly. "The business of the day requires a
|
|
great deal of thought. Chancery justice is so ve-ry difficult to
|
|
follow."
|
|
|
|
"Who's this, Miss Summerson?" whispered Miss Jellyby, drawing my arm
|
|
tighter through her own.
|
|
|
|
The little old lady's hearing was remarkably quick. She answered for
|
|
herself directly.
|
|
|
|
"A suitor, my child. At your service. I have the honour to attend
|
|
court regularly. With my documents. Have I the pleasure of addressing
|
|
another of the youthful parties in Jarndyce?" said the old lady,
|
|
recovering herself, with her head on one side, from a very low
|
|
curtsy.
|
|
|
|
Richard, anxious to atone for his thoughtlessness of yesterday,
|
|
good-naturedly explained that Miss Jellyby was not connected with the
|
|
suit.
|
|
|
|
"Ha!" said the old lady. "She does not expect a judgment? She will
|
|
still grow old. But not so old. Oh, dear, no! This is the garden of
|
|
Lincoln's Inn. I call it my garden. It is quite a bower in the
|
|
summer-time. Where the birds sing melodiously. I pass the greater
|
|
part of the long vacation here. In contemplation. You find the long
|
|
vacation exceedingly long, don't you?"
|
|
|
|
We said yes, as she seemed to expect us to say so.
|
|
|
|
"When the leaves are falling from the trees and there are no more
|
|
flowers in bloom to make up into nosegays for the Lord Chancellor's
|
|
court," said the old lady, "the vacation is fulfilled and the sixth
|
|
seal, mentioned in the Revelations, again prevails. Pray come and see
|
|
my lodging. It will be a good omen for me. Youth, and hope, and
|
|
beauty are very seldom there. It is a long, long time since I had a
|
|
visit from either."
|
|
|
|
She had taken my hand, and leading me and Miss Jellyby away, beckoned
|
|
Richard and Ada to come too. I did not know how to excuse myself and
|
|
looked to Richard for aid. As he was half amused and half curious and
|
|
all in doubt how to get rid of the old lady without offence, she
|
|
continued to lead us away, and he and Ada continued to follow, our
|
|
strange conductress informing us all the time, with much smiling
|
|
condescension, that she lived close by.
|
|
|
|
It was quite true, as it soon appeared. She lived so close by that we
|
|
had not time to have done humouring her for a few moments before she
|
|
was at home. Slipping us out at a little side gate, the old lady
|
|
stopped most unexpectedly in a narrow back street, part of some
|
|
courts and lanes immediately outside the wall of the inn, and said,
|
|
"This is my lodging. Pray walk up!"
|
|
|
|
She had stopped at a shop over which was written KROOK, RAG AND
|
|
BOTTLE WAREHOUSE. Also, in long thin letters, KROOK, DEALER IN MARINE
|
|
STORES. In one part of the window was a picture of a red paper mill
|
|
at which a cart was unloading a quantity of sacks of old rags. In
|
|
another was the inscription BONES BOUGHT. In another, KITCHEN-STUFF
|
|
BOUGHT. In another, OLD IRON BOUGHT. In another, WASTE-PAPER BOUGHT.
|
|
In another, LADIES' AND GENTLEMEN'S WARDROBES BOUGHT. Everything
|
|
seemed to be bought and nothing to be sold there. In all parts of the
|
|
window were quantities of dirty bottles--blacking bottles, medicine
|
|
bottles, ginger-beer and soda-water bottles, pickle bottles, wine
|
|
bottles, ink bottles; I am reminded by mentioning the latter that the
|
|
shop had in several little particulars the air of being in a legal
|
|
neighbourhood and of being, as it were, a dirty hanger-on and
|
|
disowned relation of the law. There were a great many ink bottles.
|
|
There was a little tottering bench of shabby old volumes outside the
|
|
door, labelled "Law Books, all at 9d." Some of the inscriptions I
|
|
have enumerated were written in law-hand, like the papers I had seen
|
|
in Kenge and Carboy's office and the letters I had so long received
|
|
from the firm. Among them was one, in the same writing, having
|
|
nothing to do with the business of the shop, but announcing that a
|
|
respectable man aged forty-five wanted engrossing or copying to
|
|
execute with neatness and dispatch: Address to Nemo, care of Mr.
|
|
Krook, within. There were several second-hand bags, blue and red,
|
|
hanging up. A little way within the shop-door lay heaps of old
|
|
crackled parchment scrolls and discoloured and dog's-eared
|
|
law-papers. I could have fancied that all the rusty keys, of which
|
|
there must have been hundreds huddled together as old iron, had once
|
|
belonged to doors of rooms or strong chests in lawyers' offices. The
|
|
litter of rags tumbled partly into and partly out of a one-legged
|
|
wooden scale, hanging without any counterpoise from a beam, might
|
|
have been counsellors' bands and gowns torn up. One had only to
|
|
fancy, as Richard whispered to Ada and me while we all stood looking
|
|
in, that yonder bones in a corner, piled together and picked very
|
|
clean, were the bones of clients, to make the picture complete.
|
|
|
|
As it was still foggy and dark, and as the shop was blinded besides
|
|
by the wall of Lincoln's Inn, intercepting the light within a couple
|
|
of yards, we should not have seen so much but for a lighted lantern
|
|
that an old man in spectacles and a hairy cap was carrying about in
|
|
the shop. Turning towards the door, he now caught sight of us. He was
|
|
short, cadaverous, and withered, with his head sunk sideways between
|
|
his shoulders and the breath issuing in visible smoke from his mouth
|
|
as if he were on fire within. His throat, chin, and eyebrows were so
|
|
frosted with white hairs and so gnarled with veins and puckered skin
|
|
that he looked from his breast upward like some old root in a fall of
|
|
snow.
|
|
|
|
"Hi, hi!" said the old man, coming to the door. "Have you anything to
|
|
sell?"
|
|
|
|
We naturally drew back and glanced at our conductress, who had been
|
|
trying to open the house-door with a key she had taken from her
|
|
pocket, and to whom Richard now said that as we had had the pleasure
|
|
of seeing where she lived, we would leave her, being pressed for
|
|
time. But she was not to be so easily left. She became so
|
|
fantastically and pressingly earnest in her entreaties that we would
|
|
walk up and see her apartment for an instant, and was so bent, in her
|
|
harmless way, on leading me in, as part of the good omen she desired,
|
|
that I (whatever the others might do) saw nothing for it but to
|
|
comply. I suppose we were all more or less curious; at any rate, when
|
|
the old man added his persuasions to hers and said, "Aye, aye! Please
|
|
her! It won't take a minute! Come in, come in! Come in through the
|
|
shop if t'other door's out of order!" we all went in, stimulated by
|
|
Richard's laughing encouragement and relying on his protection.
|
|
|
|
"My landlord, Krook," said the little old lady, condescending to him
|
|
from her lofty station as she presented him to us. "He is called
|
|
among the neighbours the Lord Chancellor. His shop is called the
|
|
Court of Chancery. He is a very eccentric person. He is very odd. Oh,
|
|
I assure you he is very odd!"
|
|
|
|
She shook her head a great many times and tapped her forehead with
|
|
her finger to express to us that we must have the goodness to excuse
|
|
him, "For he is a little--you know--M!" said the old lady with great
|
|
stateliness. The old man overheard, and laughed.
|
|
|
|
"It's true enough," he said, going before us with the lantern, "that
|
|
they call me the Lord Chancellor and call my shop Chancery. And why
|
|
do you think they call me the Lord Chancellor and my shop Chancery?"
|
|
|
|
"I don't know, I am sure!" said Richard rather carelessly.
|
|
|
|
"You see," said the old man, stopping and turning round, "they--Hi!
|
|
Here's lovely hair! I have got three sacks of ladies' hair below, but
|
|
none so beautiful and fine as this. What colour, and what texture!"
|
|
|
|
"That'll do, my good friend!" said Richard, strongly disapproving of
|
|
his having drawn one of Ada's tresses through his yellow hand. "You
|
|
can admire as the rest of us do without taking that liberty."
|
|
|
|
The old man darted at him a sudden look which even called my
|
|
attention from Ada, who, startled and blushing, was so remarkably
|
|
beautiful that she seemed to fix the wandering attention of the
|
|
little old lady herself. But as Ada interposed and laughingly said
|
|
she could only feel proud of such genuine admiration, Mr. Krook
|
|
shrunk into his former self as suddenly as he had leaped out of it.
|
|
|
|
"You see, I have so many things here," he resumed, holding up the
|
|
lantern, "of so many kinds, and all as the neighbours think (but THEY
|
|
know nothing), wasting away and going to rack and ruin, that that's
|
|
why they have given me and my place a christening. And I have so many
|
|
old parchmentses and papers in my stock. And I have a liking for rust
|
|
and must and cobwebs. And all's fish that comes to my net. And I
|
|
can't abear to part with anything I once lay hold of (or so my
|
|
neighbours think, but what do THEY know?) or to alter anything, or to
|
|
have any sweeping, nor scouring, nor cleaning, nor repairing going on
|
|
about me. That's the way I've got the ill name of Chancery. I don't
|
|
mind. I go to see my noble and learned brother pretty well every day,
|
|
when he sits in the Inn. He don't notice me, but I notice him.
|
|
There's no great odds betwixt us. We both grub on in a muddle. Hi,
|
|
Lady Jane!"
|
|
|
|
A large grey cat leaped from some neighbouring shelf on his shoulder
|
|
and startled us all.
|
|
|
|
"Hi! Show 'em how you scratch. Hi! Tear, my lady!" said her master.
|
|
|
|
The cat leaped down and ripped at a bundle of rags with her tigerish
|
|
claws, with a sound that it set my teeth on edge to hear.
|
|
|
|
"She'd do as much for any one I was to set her on," said the old man.
|
|
"I deal in cat-skins among other general matters, and hers was
|
|
offered to me. It's a very fine skin, as you may see, but I didn't
|
|
have it stripped off! THAT warn't like Chancery practice though, says
|
|
you!"
|
|
|
|
He had by this time led us across the shop, and now opened a door in
|
|
the back part of it, leading to the house-entry. As he stood with his
|
|
hand upon the lock, the little old lady graciously observed to him
|
|
before passing out, "That will do, Krook. You mean well, but are
|
|
tiresome. My young friends are pressed for time. I have none to spare
|
|
myself, having to attend court very soon. My young friends are the
|
|
wards in Jarndyce."
|
|
|
|
"Jarndyce!" said the old man with a start.
|
|
|
|
"Jarndyce and Jarndyce. The great suit, Krook," returned his lodger.
|
|
|
|
"Hi!" exclaimed the old man in a tone of thoughtful amazement and
|
|
with a wider stare than before. "Think of it!"
|
|
|
|
He seemed so rapt all in a moment and looked so curiously at us that
|
|
Richard said, "Why, you appear to trouble yourself a good deal about
|
|
the causes before your noble and learned brother, the other
|
|
Chancellor!"
|
|
|
|
"Yes," said the old man abstractedly. "Sure! YOUR name now will be--"
|
|
|
|
"Richard Carstone."
|
|
|
|
"Carstone," he repeated, slowly checking off that name upon his
|
|
forefinger; and each of the others he went on to mention upon a
|
|
separate finger. "Yes. There was the name of Barbary, and the name of
|
|
Clare, and the name of Dedlock, too, I think."
|
|
|
|
"He knows as much of the cause as the real salaried Chancellor!" said
|
|
Richard, quite astonished, to Ada and me.
|
|
|
|
"Aye!" said the old man, coming slowly out of his abstraction. "Yes!
|
|
Tom Jarndyce--you'll excuse me, being related; but he was never known
|
|
about court by any other name, and was as well known there as--she is
|
|
now," nodding slightly at his lodger. "Tom Jarndyce was often in
|
|
here. He got into a restless habit of strolling about when the cause
|
|
was on, or expected, talking to the little shopkeepers and telling
|
|
'em to keep out of Chancery, whatever they did. 'For,' says he, 'it's
|
|
being ground to bits in a slow mill; it's being roasted at a slow
|
|
fire; it's being stung to death by single bees; it's being drowned by
|
|
drops; it's going mad by grains.' He was as near making away with
|
|
himself, just where the young lady stands, as near could be."
|
|
|
|
We listened with horror.
|
|
|
|
"He come in at the door," said the old man, slowly pointing an
|
|
imaginary track along the shop, "on the day he did it--the whole
|
|
neighbourhood had said for months before that he would do it, of a
|
|
certainty sooner or later--he come in at the door that day, and
|
|
walked along there, and sat himself on a bench that stood there, and
|
|
asked me (you'll judge I was a mortal sight younger then) to fetch
|
|
him a pint of wine. 'For,' says he, 'Krook, I am much depressed; my
|
|
cause is on again, and I think I'm nearer judgment than I ever was.'
|
|
I hadn't a mind to leave him alone; and I persuaded him to go to the
|
|
tavern over the way there, t'other side my lane (I mean Chancery
|
|
Lane); and I followed and looked in at the window, and saw him,
|
|
comfortable as I thought, in the arm-chair by the fire, and company
|
|
with him. I hadn't hardly got back here when I heard a shot go
|
|
echoing and rattling right away into the inn. I ran out--neighbours
|
|
ran out--twenty of us cried at once, 'Tom Jarndyce!'"
|
|
|
|
The old man stopped, looked hard at us, looked down into the lantern,
|
|
blew the light out, and shut the lantern up.
|
|
|
|
"We were right, I needn't tell the present hearers. Hi! To be sure,
|
|
how the neighbourhood poured into court that afternoon while the
|
|
cause was on! How my noble and learned brother, and all the rest of
|
|
'em, grubbed and muddled away as usual and tried to look as if they
|
|
hadn't heard a word of the last fact in the case or as if they
|
|
had--Oh, dear me!--nothing at all to do with it if they had heard of
|
|
it by any chance!"
|
|
|
|
Ada's colour had entirely left her, and Richard was scarcely less
|
|
pale. Nor could I wonder, judging even from my emotions, and I was no
|
|
party in the suit, that to hearts so untried and fresh it was a shock
|
|
to come into the inheritance of a protracted misery, attended in the
|
|
minds of many people with such dreadful recollections. I had another
|
|
uneasiness, in the application of the painful story to the poor
|
|
half-witted creature who had brought us there; but, to my surprise,
|
|
she seemed perfectly unconscious of that and only led the way
|
|
upstairs again, informing us with the toleration of a superior
|
|
creature for the infirmities of a common mortal that her landlord was
|
|
"a little M, you know!"
|
|
|
|
She lived at the top of the house, in a pretty large room, from which
|
|
she had a glimpse of Lincoln's Inn Hall. This seemed to have been her
|
|
principal inducement, originally, for taking up her residence there.
|
|
She could look at it, she said, in the night, especially in the
|
|
moonshine. Her room was clean, but very, very bare. I noticed the
|
|
scantiest necessaries in the way of furniture; a few old prints from
|
|
books, of Chancellors and barristers, wafered against the wall; and
|
|
some half-dozen reticles and work-bags, "containing documents," as
|
|
she informed us. There were neither coals nor ashes in the grate, and
|
|
I saw no articles of clothing anywhere, nor any kind of food. Upon a
|
|
shelf in an open cupboard were a plate or two, a cup or two, and so
|
|
forth, but all dry and empty. There was a more affecting meaning in
|
|
her pinched appearance, I thought as I looked round, than I had
|
|
understood before.
|
|
|
|
"Extremely honoured, I am sure," said our poor hostess with the
|
|
greatest suavity, "by this visit from the wards in Jarndyce. And very
|
|
much indebted for the omen. It is a retired situation. Considering. I
|
|
am limited as to situation. In consequence of the necessity of
|
|
attending on the Chancellor. I have lived here many years. I pass my
|
|
days in court, my evenings and my nights here. I find the nights
|
|
long, for I sleep but little and think much. That is, of course,
|
|
unavoidable, being in Chancery. I am sorry I cannot offer chocolate.
|
|
I expect a judgment shortly and shall then place my establishment on
|
|
a superior footing. At present, I don't mind confessing to the wards
|
|
in Jarndyce (in strict confidence) that I sometimes find it difficult
|
|
to keep up a genteel appearance. I have felt the cold here. I have
|
|
felt something sharper than cold. It matters very little. Pray excuse
|
|
the introduction of such mean topics."
|
|
|
|
She partly drew aside the curtain of the long, low garret window and
|
|
called our attention to a number of bird-cages hanging there, some
|
|
containing several birds. There were larks, linnets, and
|
|
goldfinches--I should think at least twenty.
|
|
|
|
"I began to keep the little creatures," she said, "with an object
|
|
that the wards will readily comprehend. With the intention of
|
|
restoring them to liberty. When my judgment should be given. Ye-es!
|
|
They die in prison, though. Their lives, poor silly things, are so
|
|
short in comparison with Chancery proceedings that, one by one, the
|
|
whole collection has died over and over again. I doubt, do you know,
|
|
whether one of these, though they are all young, will live to be
|
|
free! Ve-ry mortifying, is it not?"
|
|
|
|
Although she sometimes asked a question, she never seemed to expect a
|
|
reply, but rambled on as if she were in the habit of doing so when no
|
|
one but herself was present.
|
|
|
|
"Indeed," she pursued, "I positively doubt sometimes, I do assure
|
|
you, whether while matters are still unsettled, and the sixth or
|
|
Great Seal still prevails, I may not one day be found lying stark and
|
|
senseless here, as I have found so many birds!"
|
|
|
|
Richard, answering what he saw in Ada's compassionate eyes, took the
|
|
opportunity of laying some money, softly and unobserved, on the
|
|
chimney-piece. We all drew nearer to the cages, feigning to examine
|
|
the birds.
|
|
|
|
"I can't allow them to sing much," said the little old lady, "for
|
|
(you'll think this curious) I find my mind confused by the idea that
|
|
they are singing while I am following the arguments in court. And my
|
|
mind requires to be so very clear, you know! Another time, I'll tell
|
|
you their names. Not at present. On a day of such good omen, they
|
|
shall sing as much as they like. In honour of youth," a smile and
|
|
curtsy, "hope," a smile and curtsy, "and beauty," a smile and curtsy.
|
|
"There! We'll let in the full light."
|
|
|
|
The birds began to stir and chirp.
|
|
|
|
"I cannot admit the air freely," said the little old lady--the room
|
|
was close, and would have been the better for it--"because the cat
|
|
you saw downstairs, called Lady Jane, is greedy for their lives. She
|
|
crouches on the parapet outside for hours and hours. I have
|
|
discovered," whispering mysteriously, "that her natural cruelty is
|
|
sharpened by a jealous fear of their regaining their liberty. In
|
|
consequence of the judgment I expect being shortly given. She is sly
|
|
and full of malice. I half believe, sometimes, that she is no cat,
|
|
but the wolf of the old saying. It is so very difficult to keep her
|
|
from the door."
|
|
|
|
Some neighbouring bells, reminding the poor soul that it was
|
|
half-past nine, did more for us in the way of bringing our visit to
|
|
an end than we could easily have done for ourselves. She hurriedly
|
|
took up her little bag of documents, which she had laid upon the
|
|
table on coming in, and asked if we were also going into court. On
|
|
our answering no, and that we would on no account detain her, she
|
|
opened the door to attend us downstairs.
|
|
|
|
"With such an omen, it is even more necessary than usual that I
|
|
should be there before the Chancellor comes in," said she, "for he
|
|
might mention my case the first thing. I have a presentiment that he
|
|
WILL mention it the first thing this morning."
|
|
|
|
She stopped to tell us in a whisper as we were going down that the
|
|
whole house was filled with strange lumber which her landlord had
|
|
bought piecemeal and had no wish to sell, in consequence of being a
|
|
little M. This was on the first floor. But she had made a previous
|
|
stoppage on the second floor and had silently pointed at a dark door
|
|
there.
|
|
|
|
"The only other lodger," she now whispered in explanation, "a
|
|
law-writer. The children in the lanes here say he has sold himself to
|
|
the devil. I don't know what he can have done with the money. Hush!"
|
|
|
|
She appeared to mistrust that the lodger might hear her even there,
|
|
and repeating "Hush!" went before us on tiptoe as though even the
|
|
sound of her footsteps might reveal to him what she had said.
|
|
|
|
Passing through the shop on our way out, as we had passed through it
|
|
on our way in, we found the old man storing a quantity of packets of
|
|
waste-paper in a kind of well in the floor. He seemed to be working
|
|
hard, with the perspiration standing on his forehead, and had a piece
|
|
of chalk by him, with which, as he put each separate package or
|
|
bundle down, he made a crooked mark on the panelling of the wall.
|
|
|
|
Richard and Ada, and Miss Jellyby, and the little old lady had gone
|
|
by him, and I was going when he touched me on the arm to stay me, and
|
|
chalked the letter J upon the wall--in a very curious manner,
|
|
beginning with the end of the letter and shaping it backward. It was
|
|
a capital letter, not a printed one, but just such a letter as any
|
|
clerk in Messrs. Kenge and Carboy's office would have made.
|
|
|
|
"Can you read it?" he asked me with a keen glance.
|
|
|
|
"Surely," said I. "It's very plain."
|
|
|
|
"What is it?"
|
|
|
|
"J."
|
|
|
|
With another glance at me, and a glance at the door, he rubbed it out
|
|
and turned an "a" in its place (not a capital letter this time), and
|
|
said, "What's that?"
|
|
|
|
I told him. He then rubbed that out and turned the letter "r," and
|
|
asked me the same question. He went on quickly until he had formed in
|
|
the same curious manner, beginning at the ends and bottoms of the
|
|
letters, the word Jarndyce, without once leaving two letters on the
|
|
wall together.
|
|
|
|
"What does that spell?" he asked me.
|
|
|
|
When I told him, he laughed. In the same odd way, yet with the same
|
|
rapidity, he then produced singly, and rubbed out singly, the letters
|
|
forming the words Bleak House. These, in some astonishment, I also
|
|
read; and he laughed again.
|
|
|
|
"Hi!" said the old man, laying aside the chalk. "I have a turn for
|
|
copying from memory, you see, miss, though I can neither read nor
|
|
write."
|
|
|
|
He looked so disagreeable and his cat looked so wickedly at me, as if
|
|
I were a blood-relation of the birds upstairs, that I was quite
|
|
relieved by Richard's appearing at the door and saying, "Miss
|
|
Summerson, I hope you are not bargaining for the sale of your hair.
|
|
Don't be tempted. Three sacks below are quite enough for Mr. Krook!"
|
|
|
|
I lost no time in wishing Mr. Krook good morning and joining my
|
|
friends outside, where we parted with the little old lady, who gave
|
|
us her blessing with great ceremony and renewed her assurance of
|
|
yesterday in reference to her intention of settling estates on Ada
|
|
and me. Before we finally turned out of those lanes, we looked back
|
|
and saw Mr. Krook standing at his shop-door, in his spectacles,
|
|
looking after us, with his cat upon his shoulder, and her tail
|
|
sticking up on one side of his hairy cap like a tall feather.
|
|
|
|
"Quite an adventure for a morning in London!" said Richard with a
|
|
sigh. "Ah, cousin, cousin, it's a weary word this Chancery!"
|
|
|
|
"It is to me, and has been ever since I can remember," returned Ada.
|
|
"I am grieved that I should be the enemy--as I suppose I am--of a
|
|
great number of relations and others, and that they should be my
|
|
enemies--as I suppose they are--and that we should all be ruining one
|
|
another without knowing how or why and be in constant doubt and
|
|
discord all our lives. It seems very strange, as there must be right
|
|
somewhere, that an honest judge in real earnest has not been able to
|
|
find out through all these years where it is."
|
|
|
|
"Ah, cousin!" said Richard. "Strange, indeed! All this wasteful,
|
|
wanton chess-playing IS very strange. To see that composed court
|
|
yesterday jogging on so serenely and to think of the wretchedness of
|
|
the pieces on the board gave me the headache and the heartache both
|
|
together. My head ached with wondering how it happened, if men were
|
|
neither fools nor rascals; and my heart ached to think they could
|
|
possibly be either. But at all events, Ada--I may call you Ada?"
|
|
|
|
"Of course you may, cousin Richard."
|
|
|
|
"At all events, Chancery will work none of its bad influences on US.
|
|
We have happily been brought together, thanks to our good kinsman,
|
|
and it can't divide us now!"
|
|
|
|
"Never, I hope, cousin Richard!" said Ada gently.
|
|
|
|
Miss Jellyby gave my arm a squeeze and me a very significant look. I
|
|
smiled in return, and we made the rest of the way back very
|
|
pleasantly.
|
|
|
|
In half an hour after our arrival, Mrs. Jellyby appeared; and in the
|
|
course of an hour the various things necessary for breakfast
|
|
straggled one by one into the dining-room. I do not doubt that Mrs.
|
|
Jellyby had gone to bed and got up in the usual manner, but she
|
|
presented no appearance of having changed her dress. She was greatly
|
|
occupied during breakfast, for the morning's post brought a heavy
|
|
correspondence relative to Borrioboola-Gha, which would occasion her
|
|
(she said) to pass a busy day. The children tumbled about, and
|
|
notched memoranda of their accidents in their legs, which were
|
|
perfect little calendars of distress; and Peepy was lost for an hour
|
|
and a half, and brought home from Newgate market by a policeman. The
|
|
equable manner in which Mrs. Jellyby sustained both his absence and
|
|
his restoration to the family circle surprised us all.
|
|
|
|
She was by that time perseveringly dictating to Caddy, and Caddy was
|
|
fast relapsing into the inky condition in which we had found her. At
|
|
one o'clock an open carriage arrived for us, and a cart for our
|
|
luggage. Mrs. Jellyby charged us with many remembrances to her good
|
|
friend Mr. Jarndyce; Caddy left her desk to see us depart, kissed me
|
|
in the passage, and stood biting her pen and sobbing on the steps;
|
|
Peepy, I am happy to say, was asleep and spared the pain of
|
|
separation (I was not without misgivings that he had gone to Newgate
|
|
market in search of me); and all the other children got up behind the
|
|
barouche and fell off, and we saw them, with great concern, scattered
|
|
over the surface of Thavies Inn as we rolled out of its precincts.
|
|
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
Quite at Home
|
|
|
|
|
|
The day had brightened very much, and still brightened as we went
|
|
westward. We went our way through the sunshine and the fresh air,
|
|
wondering more and more at the extent of the streets, the brilliancy
|
|
of the shops, the great traffic, and the crowds of people whom the
|
|
pleasanter weather seemed to have brought out like many-coloured
|
|
flowers. By and by we began to leave the wonderful city and to
|
|
proceed through suburbs which, of themselves, would have made a
|
|
pretty large town in my eyes; and at last we got into a real country
|
|
road again, with windmills, rick-yards, milestones, farmers' waggons,
|
|
scents of old hay, swinging signs, and horse troughs: trees, fields,
|
|
and hedge-rows. It was delightful to see the green landscape before
|
|
us and the immense metropolis behind; and when a waggon with a train
|
|
of beautiful horses, furnished with red trappings and clear-sounding
|
|
bells, came by us with its music, I believe we could all three have
|
|
sung to the bells, so cheerful were the influences around.
|
|
|
|
"The whole road has been reminding me of my namesake Whittington,"
|
|
said Richard, "and that waggon is the finishing touch. Halloa! What's
|
|
the matter?"
|
|
|
|
We had stopped, and the waggon had stopped too. Its music changed as
|
|
the horses came to a stand, and subsided to a gentle tinkling, except
|
|
when a horse tossed his head or shook himself and sprinkled off a
|
|
little shower of bell-ringing.
|
|
|
|
"Our postilion is looking after the waggoner," said Richard, "and the
|
|
waggoner is coming back after us. Good day, friend!" The waggoner was
|
|
at our coach-door. "Why, here's an extraordinary thing!" added
|
|
Richard, looking closely at the man. "He has got your name, Ada, in
|
|
his hat!"
|
|
|
|
He had all our names in his hat. Tucked within the band were three
|
|
small notes--one addressed to Ada, one to Richard, one to me. These
|
|
the waggoner delivered to each of us respectively, reading the name
|
|
aloud first. In answer to Richard's inquiry from whom they came, he
|
|
briefly answered, "Master, sir, if you please"; and putting on his
|
|
hat again (which was like a soft bowl), cracked his whip, re-awakened
|
|
his music, and went melodiously away.
|
|
|
|
"Is that Mr. Jarndyce's waggon?" said Richard, calling to our
|
|
post-boy.
|
|
|
|
"Yes, sir," he replied. "Going to London."
|
|
|
|
We opened the notes. Each was a counterpart of the other and
|
|
contained these words in a solid, plain hand.
|
|
|
|
|
|
I look forward, my dear, to our meeting easily and
|
|
without constraint on either side. I therefore have to
|
|
propose that we meet as old friends and take the past for
|
|
granted. It will be a relief to you possibly, and to me
|
|
certainly, and so my love to you.
|
|
|
|
John Jarndyce
|
|
|
|
|
|
I had perhaps less reason to be surprised than either of my
|
|
companions, having never yet enjoyed an opportunity of thanking one
|
|
who had been my benefactor and sole earthly dependence through so
|
|
many years. I had not considered how I could thank him, my gratitude
|
|
lying too deep in my heart for that; but I now began to consider how
|
|
I could meet him without thanking him, and felt it would be very
|
|
difficult indeed.
|
|
|
|
The notes revived in Richard and Ada a general impression that they
|
|
both had, without quite knowing how they came by it, that their
|
|
cousin Jarndyce could never bear acknowledgments for any kindness he
|
|
performed and that sooner than receive any he would resort to the
|
|
most singular expedients and evasions or would even run away. Ada
|
|
dimly remembered to have heard her mother tell, when she was a very
|
|
little child, that he had once done her an act of uncommon generosity
|
|
and that on her going to his house to thank him, he happened to see
|
|
her through a window coming to the door, and immediately escaped by
|
|
the back gate, and was not heard of for three months. This discourse
|
|
led to a great deal more on the same theme, and indeed it lasted us
|
|
all day, and we talked of scarcely anything else. If we did by any
|
|
chance diverge into another subject, we soon returned to this, and
|
|
wondered what the house would be like, and when we should get there,
|
|
and whether we should see Mr. Jarndyce as soon as we arrived or after
|
|
a delay, and what he would say to us, and what we should say to him.
|
|
All of which we wondered about, over and over again.
|
|
|
|
The roads were very heavy for the horses, but the pathway was
|
|
generally good, so we alighted and walked up all the hills, and liked
|
|
it so well that we prolonged our walk on the level ground when we got
|
|
to the top. At Barnet there were other horses waiting for us, but as
|
|
they had only just been fed, we had to wait for them too, and got a
|
|
long fresh walk over a common and an old battle-field before the
|
|
carriage came up. These delays so protracted the journey that the
|
|
short day was spent and the long night had closed in before we came
|
|
to St. Albans, near to which town Bleak House was, we knew.
|
|
|
|
By that time we were so anxious and nervous that even Richard
|
|
confessed, as we rattled over the stones of the old street, to
|
|
feeling an irrational desire to drive back again. As to Ada and me,
|
|
whom he had wrapped up with great care, the night being sharp and
|
|
frosty, we trembled from head to foot. When we turned out of the
|
|
town, round a corner, and Richard told us that the post-boy, who had
|
|
for a long time sympathized with our heightened expectation, was
|
|
looking back and nodding, we both stood up in the carriage (Richard
|
|
holding Ada lest she should be jolted down) and gazed round upon the
|
|
open country and the starlight night for our destination. There was a
|
|
light sparkling on the top of a hill before us, and the driver,
|
|
pointing to it with his whip and crying, "That's Bleak House!" put
|
|
his horses into a canter and took us forward at such a rate, uphill
|
|
though it was, that the wheels sent the road drift flying about our
|
|
heads like spray from a water-mill. Presently we lost the light,
|
|
presently saw it, presently lost it, presently saw it, and turned
|
|
into an avenue of trees and cantered up towards where it was beaming
|
|
brightly. It was in a window of what seemed to be an old-fashioned
|
|
house with three peaks in the roof in front and a circular sweep
|
|
leading to the porch. A bell was rung as we drew up, and amidst the
|
|
sound of its deep voice in the still air, and the distant barking of
|
|
some dogs, and a gush of light from the opened door, and the smoking
|
|
and steaming of the heated horses, and the quickened beating of our
|
|
own hearts, we alighted in no inconsiderable confusion.
|
|
|
|
"Ada, my love, Esther, my dear, you are welcome. I rejoice to see
|
|
you! Rick, if I had a hand to spare at present, I would give it you!"
|
|
|
|
The gentleman who said these words in a clear, bright, hospitable
|
|
voice had one of his arms round Ada's waist and the other round mine,
|
|
and kissed us both in a fatherly way, and bore us across the hall
|
|
into a ruddy little room, all in a glow with a blazing fire. Here he
|
|
kissed us again, and opening his arms, made us sit down side by side
|
|
on a sofa ready drawn out near the hearth. I felt that if we had been
|
|
at all demonstrative, he would have run away in a moment.
|
|
|
|
"Now, Rick!" said he. "I have a hand at liberty. A word in earnest is
|
|
as good as a speech. I am heartily glad to see you. You are at home.
|
|
Warm yourself!"
|
|
|
|
Richard shook him by both hands with an intuitive mixture of respect
|
|
and frankness, and only saying (though with an earnestness that
|
|
rather alarmed me, I was so afraid of Mr. Jarndyce's suddenly
|
|
disappearing), "You are very kind, sir! We are very much obliged to
|
|
you!" laid aside his hat and coat and came up to the fire.
|
|
|
|
"And how did you like the ride? And how did you like Mrs. Jellyby, my
|
|
dear?" said Mr. Jarndyce to Ada.
|
|
|
|
While Ada was speaking to him in reply, I glanced (I need not say
|
|
with how much interest) at his face. It was a handsome, lively, quick
|
|
face, full of change and motion; and his hair was a silvered
|
|
iron-grey. I took him to be nearer sixty than fifty, but he was
|
|
upright, hearty, and robust. From the moment of his first speaking to
|
|
us his voice had connected itself with an association in my mind that
|
|
I could not define; but now, all at once, a something sudden in his
|
|
manner and a pleasant expression in his eyes recalled the gentleman
|
|
in the stagecoach six years ago on the memorable day of my journey to
|
|
Reading. I was certain it was he. I never was so frightened in my
|
|
life as when I made the discovery, for he caught my glance, and
|
|
appearing to read my thoughts, gave such a look at the door that I
|
|
thought we had lost him.
|
|
|
|
However, I am happy to say he remained where he was, and asked me
|
|
what I thought of Mrs. Jellyby.
|
|
|
|
"She exerts herself very much for Africa, sir," I said.
|
|
|
|
"Nobly!" returned Mr. Jarndyce. "But you answer like Ada." Whom I had
|
|
not heard. "You all think something else, I see."
|
|
|
|
"We rather thought," said I, glancing at Richard and Ada, who
|
|
entreated me with their eyes to speak, "that perhaps she was a little
|
|
unmindful of her home."
|
|
|
|
"Floored!" cried Mr. Jarndyce.
|
|
|
|
I was rather alarmed again.
|
|
|
|
"Well! I want to know your real thoughts, my dear. I may have sent
|
|
you there on purpose."
|
|
|
|
"We thought that, perhaps," said I, hesitating, "it is right to begin
|
|
with the obligations of home, sir; and that, perhaps, while those are
|
|
overlooked and neglected, no other duties can possibly be substituted
|
|
for them."
|
|
|
|
"The little Jellybys," said Richard, coming to my relief, "are
|
|
really--I can't help expressing myself strongly, sir--in a devil of a
|
|
state."
|
|
|
|
"She means well," said Mr. Jarndyce hastily. "The wind's in the
|
|
east."
|
|
|
|
"It was in the north, sir, as we came down," observed Richard.
|
|
|
|
"My dear Rick," said Mr. Jarndyce, poking the fire, "I'll take an
|
|
oath it's either in the east or going to be. I am always conscious of
|
|
an uncomfortable sensation now and then when the wind is blowing in
|
|
the east."
|
|
|
|
"Rheumatism, sir?" said Richard.
|
|
|
|
"I dare say it is, Rick. I believe it is. And so the little Jell--I
|
|
had my doubts about 'em--are in a--oh, Lord, yes, it's easterly!"
|
|
said Mr. Jarndyce.
|
|
|
|
He had taken two or three undecided turns up and down while uttering
|
|
these broken sentences, retaining the poker in one hand and rubbing
|
|
his hair with the other, with a good-natured vexation at once so
|
|
whimsical and so lovable that I am sure we were more delighted with
|
|
him than we could possibly have expressed in any words. He gave an
|
|
arm to Ada and an arm to me, and bidding Richard bring a candle, was
|
|
leading the way out when he suddenly turned us all back again.
|
|
|
|
"Those little Jellybys. Couldn't you--didn't you--now, if it had
|
|
rained sugar-plums, or three-cornered raspberry tarts, or anything of
|
|
that sort!" said Mr. Jarndyce.
|
|
|
|
"Oh, cousin--" Ada hastily began.
|
|
|
|
"Good, my pretty pet. I like cousin. Cousin John, perhaps, is
|
|
better."
|
|
|
|
"Then, cousin John--" Ada laughingly began again.
|
|
|
|
"Ha, ha! Very good indeed!" said Mr. Jarndyce with great enjoyment.
|
|
"Sounds uncommonly natural. Yes, my dear?"
|
|
|
|
"It did better than that. It rained Esther."
|
|
|
|
"Aye?" said Mr. Jarndyce. "What did Esther do?"
|
|
|
|
"Why, cousin John," said Ada, clasping her hands upon his arm and
|
|
shaking her head at me across him--for I wanted her to be
|
|
quiet--"Esther was their friend directly. Esther nursed them, coaxed
|
|
them to sleep, washed and dressed them, told them stories, kept them
|
|
quiet, bought them keepsakes"--My dear girl! I had only gone out with
|
|
Peepy after he was found and given him a little, tiny horse!--"and,
|
|
cousin John, she softened poor Caroline, the eldest one, so much and
|
|
was so thoughtful for me and so amiable! No, no, I won't be
|
|
contradicted, Esther dear! You know, you know, it's true!"
|
|
|
|
The warm-hearted darling leaned across her cousin John and kissed me,
|
|
and then looking up in his face, boldly said, "At all events, cousin
|
|
John, I WILL thank you for the companion you have given me." I felt
|
|
as if she challenged him to run away. But he didn't.
|
|
|
|
"Where did you say the wind was, Rick?" asked Mr. Jarndyce.
|
|
|
|
"In the north as we came down, sir."
|
|
|
|
"You are right. There's no east in it. A mistake of mine. Come,
|
|
girls, come and see your home!"
|
|
|
|
It was one of those delightfully irregular houses where you go up and
|
|
down steps out of one room into another, and where you come upon more
|
|
rooms when you think you have seen all there are, and where there is
|
|
a bountiful provision of little halls and passages, and where you
|
|
find still older cottage-rooms in unexpected places with lattice
|
|
windows and green growth pressing through them. Mine, which we
|
|
entered first, was of this kind, with an up-and-down roof that had
|
|
more corners in it than I ever counted afterwards and a chimney
|
|
(there was a wood fire on the hearth) paved all around with pure
|
|
white tiles, in every one of which a bright miniature of the fire was
|
|
blazing. Out of this room, you went down two steps into a charming
|
|
little sitting-room looking down upon a flower-garden, which room was
|
|
henceforth to belong to Ada and me. Out of this you went up three
|
|
steps into Ada's bedroom, which had a fine broad window commanding a
|
|
beautiful view (we saw a great expanse of darkness lying underneath
|
|
the stars), to which there was a hollow window-seat, in which, with a
|
|
spring-lock, three dear Adas might have been lost at once. Out of
|
|
this room you passed into a little gallery, with which the other best
|
|
rooms (only two) communicated, and so, by a little staircase of
|
|
shallow steps with a number of corner stairs in it, considering its
|
|
length, down into the hall. But if instead of going out at Ada's door
|
|
you came back into my room, and went out at the door by which you had
|
|
entered it, and turned up a few crooked steps that branched off in an
|
|
unexpected manner from the stairs, you lost yourself in passages,
|
|
with mangles in them, and three-cornered tables, and a native Hindu
|
|
chair, which was also a sofa, a box, and a bedstead, and looked in
|
|
every form something between a bamboo skeleton and a great bird-cage,
|
|
and had been brought from India nobody knew by whom or when. From
|
|
these you came on Richard's room, which was part library, part
|
|
sitting-room, part bedroom, and seemed indeed a comfortable compound
|
|
of many rooms. Out of that you went straight, with a little interval
|
|
of passage, to the plain room where Mr. Jarndyce slept, all the year
|
|
round, with his window open, his bedstead without any furniture
|
|
standing in the middle of the floor for more air, and his cold bath
|
|
gaping for him in a smaller room adjoining. Out of that you came into
|
|
another passage, where there were back-stairs and where you could
|
|
hear the horses being rubbed down outside the stable and being told
|
|
to "Hold up" and "Get over," as they slipped about very much on the
|
|
uneven stones. Or you might, if you came out at another door (every
|
|
room had at least two doors), go straight down to the hall again by
|
|
half-a-dozen steps and a low archway, wondering how you got back
|
|
there or had ever got out of it.
|
|
|
|
The furniture, old-fashioned rather than old, like the house, was as
|
|
pleasantly irregular. Ada's sleeping-room was all flowers--in chintz
|
|
and paper, in velvet, in needlework, in the brocade of two stiff
|
|
courtly chairs which stood, each attended by a little page of a stool
|
|
for greater state, on either side of the fire-place. Our sitting-room
|
|
was green and had framed and glazed upon the walls numbers of
|
|
surprising and surprised birds, staring out of pictures at a real
|
|
trout in a case, as brown and shining as if it had been served with
|
|
gravy; at the death of Captain Cook; and at the whole process of
|
|
preparing tea in China, as depicted by Chinese artists. In my room
|
|
there were oval engravings of the months--ladies haymaking in short
|
|
waists and large hats tied under the chin, for June; smooth-legged
|
|
noblemen pointing with cocked-hats to village steeples, for October.
|
|
Half-length portraits in crayons abounded all through the house, but
|
|
were so dispersed that I found the brother of a youthful officer of
|
|
mine in the china-closet and the grey old age of my pretty young
|
|
bride, with a flower in her bodice, in the breakfast-room. As
|
|
substitutes, I had four angels, of Queen Anne's reign, taking a
|
|
complacent gentleman to heaven, in festoons, with some difficulty;
|
|
and a composition in needlework representing fruit, a kettle, and an
|
|
alphabet. All the movables, from the wardrobes to the chairs and
|
|
tables, hangings, glasses, even to the pincushions and scent-bottles
|
|
on the dressing-tables, displayed the same quaint variety. They
|
|
agreed in nothing but their perfect neatness, their display of the
|
|
whitest linen, and their storing-up, wheresoever the existence of a
|
|
drawer, small or large, rendered it possible, of quantities of
|
|
rose-leaves and sweet lavender. Such, with its illuminated windows,
|
|
softened here and there by shadows of curtains, shining out upon the
|
|
starlight night; with its light, and warmth, and comfort; with its
|
|
hospitable jingle, at a distance, of preparations for dinner; with
|
|
the face of its generous master brightening everything we saw; and
|
|
just wind enough without to sound a low accompaniment to everything
|
|
we heard, were our first impressions of Bleak House.
|
|
|
|
"I am glad you like it," said Mr. Jarndyce when he had brought us
|
|
round again to Ada's sitting-room. "It makes no pretensions, but it
|
|
is a comfortable little place, I hope, and will be more so with such
|
|
bright young looks in it. You have barely half an hour before dinner.
|
|
There's no one here but the finest creature upon earth--a child."
|
|
|
|
"More children, Esther!" said Ada.
|
|
|
|
"I don't mean literally a child," pursued Mr. Jarndyce; "not a child
|
|
in years. He is grown up--he is at least as old as I am--but in
|
|
simplicity, and freshness, and enthusiasm, and a fine guileless
|
|
inaptitude for all worldly affairs, he is a perfect child."
|
|
|
|
We felt that he must be very interesting.
|
|
|
|
"He knows Mrs. Jellyby," said Mr. Jarndyce. "He is a musical man, an
|
|
amateur, but might have been a professional. He is an artist too, an
|
|
amateur, but might have been a professional. He is a man of
|
|
attainments and of captivating manners. He has been unfortunate in
|
|
his affairs, and unfortunate in his pursuits, and unfortunate in his
|
|
family; but he don't care--he's a child!"
|
|
|
|
"Did you imply that he has children of his own, sir?" inquired
|
|
Richard.
|
|
|
|
"Yes, Rick! Half-a-dozen. More! Nearer a dozen, I should think. But
|
|
he has never looked after them. How could he? He wanted somebody to
|
|
look after HIM. He is a child, you know!" said Mr. Jarndyce.
|
|
|
|
"And have the children looked after themselves at all, sir?" inquired
|
|
Richard.
|
|
|
|
"Why, just as you may suppose," said Mr. Jarndyce, his countenance
|
|
suddenly falling. "It is said that the children of the very poor are
|
|
not brought up, but dragged up. Harold Skimpole's children have
|
|
tumbled up somehow or other. The wind's getting round again, I am
|
|
afraid. I feel it rather!"
|
|
|
|
Richard observed that the situation was exposed on a sharp night.
|
|
|
|
"It IS exposed," said Mr. Jarndyce. "No doubt that's the cause. Bleak
|
|
House has an exposed sound. But you are coming my way. Come along!"
|
|
|
|
Our luggage having arrived and being all at hand, I was dressed in a
|
|
few minutes and engaged in putting my worldly goods away when a maid
|
|
(not the one in attendance upon Ada, but another, whom I had not
|
|
seen) brought a basket into my room with two bunches of keys in it,
|
|
all labelled.
|
|
|
|
"For you, miss, if you please," said she.
|
|
|
|
"For me?" said I.
|
|
|
|
"The housekeeping keys, miss."
|
|
|
|
I showed my surprise, for she added with some little surprise on her
|
|
own part, "I was told to bring them as soon as you was alone, miss.
|
|
Miss Summerson, if I don't deceive myself?"
|
|
|
|
"Yes," said I. "That is my name."
|
|
|
|
"The large bunch is the housekeeping, and the little bunch is the
|
|
cellars, miss. Any time you was pleased to appoint to-morrow morning,
|
|
I was to show you the presses and things they belong to."
|
|
|
|
I said I would be ready at half-past six, and after she was gone,
|
|
stood looking at the basket, quite lost in the magnitude of my trust.
|
|
Ada found me thus and had such a delightful confidence in me when I
|
|
showed her the keys and told her about them that it would have been
|
|
insensibility and ingratitude not to feel encouraged. I knew, to be
|
|
sure, that it was the dear girl's kindness, but I liked to be so
|
|
pleasantly cheated.
|
|
|
|
When we went downstairs, we were presented to Mr. Skimpole, who was
|
|
standing before the fire telling Richard how fond he used to be, in
|
|
his school-time, of football. He was a little bright creature with a
|
|
rather large head, but a delicate face and a sweet voice, and there
|
|
was a perfect charm in him. All he said was so free from effort and
|
|
spontaneous and was said with such a captivating gaiety that it was
|
|
fascinating to hear him talk. Being of a more slender figure than Mr.
|
|
Jarndyce and having a richer complexion, with browner hair, he looked
|
|
younger. Indeed, he had more the appearance in all respects of a
|
|
damaged young man than a well-preserved elderly one. There was an
|
|
easy negligence in his manner and even in his dress (his hair
|
|
carelessly disposed, and his neck-kerchief loose and flowing, as I
|
|
have seen artists paint their own portraits) which I could not
|
|
separate from the idea of a romantic youth who had undergone some
|
|
unique process of depreciation. It struck me as being not at all like
|
|
the manner or appearance of a man who had advanced in life by the
|
|
usual road of years, cares, and experiences.
|
|
|
|
I gathered from the conversation that Mr. Skimpole had been educated
|
|
for the medical profession and had once lived, in his professional
|
|
capacity, in the household of a German prince. He told us, however,
|
|
that as he had always been a mere child in point of weights and
|
|
measures and had never known anything about them (except that they
|
|
disgusted him), he had never been able to prescribe with the
|
|
requisite accuracy of detail. In fact, he said, he had no head for
|
|
detail. And he told us, with great humour, that when he was wanted to
|
|
bleed the prince or physic any of his people, he was generally found
|
|
lying on his back in bed, reading the newspapers or making
|
|
fancy-sketches in pencil, and couldn't come. The prince, at last,
|
|
objecting to this, "in which," said Mr. Skimpole, in the frankest
|
|
manner, "he was perfectly right," the engagement terminated, and Mr.
|
|
Skimpole having (as he added with delightful gaiety) "nothing to live
|
|
upon but love, fell in love, and married, and surrounded himself with
|
|
rosy cheeks." His good friend Jarndyce and some other of his good
|
|
friends then helped him, in quicker or slower succession, to several
|
|
openings in life, but to no purpose, for he must confess to two of
|
|
the oldest infirmities in the world: one was that he had no idea of
|
|
time, the other that he had no idea of money. In consequence of which
|
|
he never kept an appointment, never could transact any business, and
|
|
never knew the value of anything! Well! So he had got on in life, and
|
|
here he was! He was very fond of reading the papers, very fond of
|
|
making fancy-sketches with a pencil, very fond of nature, very fond
|
|
of art. All he asked of society was to let him live. THAT wasn't
|
|
much. His wants were few. Give him the papers, conversation, music,
|
|
mutton, coffee, landscape, fruit in the season, a few sheets of
|
|
Bristol-board, and a little claret, and he asked no more. He was a
|
|
mere child in the world, but he didn't cry for the moon. He said to
|
|
the world, "Go your several ways in peace! Wear red coats, blue
|
|
coats, lawn sleeves; put pens behind your ears, wear aprons; go after
|
|
glory, holiness, commerce, trade, any object you prefer; only--let
|
|
Harold Skimpole live!"
|
|
|
|
All this and a great deal more he told us, not only with the
|
|
utmost brilliancy and enjoyment, but with a certain vivacious
|
|
candour--speaking of himself as if he were not at all his own affair,
|
|
as if Skimpole were a third person, as if he knew that Skimpole had
|
|
his singularities but still had his claims too, which were the
|
|
general business of the community and must not be slighted. He was
|
|
quite enchanting. If I felt at all confused at that early time in
|
|
endeavouring to reconcile anything he said with anything I had
|
|
thought about the duties and accountabilities of life (which I am far
|
|
from sure of), I was confused by not exactly understanding why he was
|
|
free of them. That he WAS free of them, I scarcely doubted; he was so
|
|
very clear about it himself.
|
|
|
|
"I covet nothing," said Mr. Skimpole in the same light way.
|
|
"Possession is nothing to me. Here is my friend Jarndyce's excellent
|
|
house. I feel obliged to him for possessing it. I can sketch it and
|
|
alter it. I can set it to music. When I am here, I have sufficient
|
|
possession of it and have neither trouble, cost, nor responsibility.
|
|
My steward's name, in short, is Jarndyce, and he can't cheat me. We
|
|
have been mentioning Mrs. Jellyby. There is a bright-eyed woman, of a
|
|
strong will and immense power of business detail, who throws herself
|
|
into objects with surprising ardour! I don't regret that I have not a
|
|
strong will and an immense power of business detail to throw myself
|
|
into objects with surprising ardour. I can admire her without envy. I
|
|
can sympathize with the objects. I can dream of them. I can lie down
|
|
on the grass--in fine weather--and float along an African river,
|
|
embracing all the natives I meet, as sensible of the deep silence and
|
|
sketching the dense overhanging tropical growth as accurately as if I
|
|
were there. I don't know that it's of any direct use my doing so, but
|
|
it's all I can do, and I do it thoroughly. Then, for heaven's sake,
|
|
having Harold Skimpole, a confiding child, petitioning you, the
|
|
world, an agglomeration of practical people of business habits, to
|
|
let him live and admire the human family, do it somehow or other,
|
|
like good souls, and suffer him to ride his rocking-horse!"
|
|
|
|
It was plain enough that Mr. Jarndyce had not been neglectful of the
|
|
adjuration. Mr. Skimpole's general position there would have rendered
|
|
it so without the addition of what he presently said.
|
|
|
|
"It's only you, the generous creatures, whom I envy," said Mr.
|
|
Skimpole, addressing us, his new friends, in an impersonal manner. "I
|
|
envy you your power of doing what you do. It is what I should revel
|
|
in myself. I don't feel any vulgar gratitude to you. I almost feel as
|
|
if YOU ought to be grateful to ME for giving you the opportunity of
|
|
enjoying the luxury of generosity. I know you like it. For anything I
|
|
can tell, I may have come into the world expressly for the purpose of
|
|
increasing your stock of happiness. I may have been born to be a
|
|
benefactor to you by sometimes giving you an opportunity of assisting
|
|
me in my little perplexities. Why should I regret my incapacity for
|
|
details and worldly affairs when it leads to such pleasant
|
|
consequences? I don't regret it therefore."
|
|
|
|
Of all his playful speeches (playful, yet always fully meaning what
|
|
they expressed) none seemed to be more to the taste of Mr. Jarndyce
|
|
than this. I had often new temptations, afterwards, to wonder whether
|
|
it was really singular, or only singular to me, that he, who was
|
|
probably the most grateful of mankind upon the least occasion, should
|
|
so desire to escape the gratitude of others.
|
|
|
|
We were all enchanted. I felt it a merited tribute to the engaging
|
|
qualities of Ada and Richard that Mr. Skimpole, seeing them for the
|
|
first time, should be so unreserved and should lay himself out to be
|
|
so exquisitely agreeable. They (and especially Richard) were
|
|
naturally pleased, for similar reasons, and considered it no common
|
|
privilege to be so freely confided in by such an attractive man. The
|
|
more we listened, the more gaily Mr. Skimpole talked. And what with
|
|
his fine hilarious manner and his engaging candour and his genial way
|
|
of lightly tossing his own weaknesses about, as if he had said, "I am
|
|
a child, you know! You are designing people compared with me" (he
|
|
really made me consider myself in that light) "but I am gay and
|
|
innocent; forget your worldly arts and play with me!" the effect was
|
|
absolutely dazzling.
|
|
|
|
He was so full of feeling too and had such a delicate sentiment for
|
|
what was beautiful or tender that he could have won a heart by that
|
|
alone. In the evening, when I was preparing to make tea and Ada was
|
|
touching the piano in the adjoining room and softly humming a tune to
|
|
her cousin Richard, which they had happened to mention, he came and
|
|
sat down on the sofa near me and so spoke of Ada that I almost loved
|
|
him.
|
|
|
|
"She is like the morning," he said. "With that golden hair, those
|
|
blue eyes, and that fresh bloom on her cheek, she is like the summer
|
|
morning. The birds here will mistake her for it. We will not call
|
|
such a lovely young creature as that, who is a joy to all mankind, an
|
|
orphan. She is the child of the universe."
|
|
|
|
Mr. Jarndyce, I found, was standing near us with his hands behind him
|
|
and an attentive smile upon his face.
|
|
|
|
"The universe," he observed, "makes rather an indifferent parent, I
|
|
am afraid."
|
|
|
|
"Oh! I don't know!" cried Mr. Skimpole buoyantly.
|
|
|
|
"I think I do know," said Mr. Jarndyce.
|
|
|
|
"Well!" cried Mr. Skimpole. "You know the world (which in your sense
|
|
is the universe), and I know nothing of it, so you shall have your
|
|
way. But if I had mine," glancing at the cousins, "there should be no
|
|
brambles of sordid realities in such a path as that. It should be
|
|
strewn with roses; it should lie through bowers, where there was no
|
|
spring, autumn, nor winter, but perpetual summer. Age or change
|
|
should never wither it. The base word money should never be breathed
|
|
near it!"
|
|
|
|
Mr. Jarndyce patted him on the head with a smile, as if he had been
|
|
really a child, and passing a step or two on, and stopping a moment,
|
|
glanced at the young cousins. His look was thoughtful, but had a
|
|
benignant expression in it which I often (how often!) saw again,
|
|
which has long been engraven on my heart. The room in which they
|
|
were, communicating with that in which he stood, was only lighted by
|
|
the fire. Ada sat at the piano; Richard stood beside her, bending
|
|
down. Upon the wall, their shadows blended together, surrounded by
|
|
strange forms, not without a ghostly motion caught from the unsteady
|
|
fire, though reflecting from motionless objects. Ada touched the
|
|
notes so softly and sang so low that the wind, sighing away to the
|
|
distant hills, was as audible as the music. The mystery of the future
|
|
and the little clue afforded to it by the voice of the present seemed
|
|
expressed in the whole picture.
|
|
|
|
But it is not to recall this fancy, well as I remember it, that I
|
|
recall the scene. First, I was not quite unconscious of the contrast
|
|
in respect of meaning and intention between the silent look directed
|
|
that way and the flow of words that had preceded it. Secondly, though
|
|
Mr. Jarndyce's glance as he withdrew it rested for but a moment on
|
|
me, I felt as if in that moment he confided to me--and knew that he
|
|
confided to me and that I received the confidence--his hope that Ada
|
|
and Richard might one day enter on a dearer relationship.
|
|
|
|
Mr. Skimpole could play on the piano and the violoncello, and he was
|
|
a composer--had composed half an opera once, but got tired of it--and
|
|
played what he composed with taste. After tea we had quite a little
|
|
concert, in which Richard--who was enthralled by Ada's singing and
|
|
told me that she seemed to know all the songs that ever were
|
|
written--and Mr. Jarndyce, and I were the audience. After a little
|
|
while I missed first Mr. Skimpole and afterwards Richard, and while I
|
|
was thinking how could Richard stay away so long and lose so much,
|
|
the maid who had given me the keys looked in at the door, saying, "If
|
|
you please, miss, could you spare a minute?"
|
|
|
|
When I was shut out with her in the hall, she said, holding up her
|
|
hands, "Oh, if you please, miss, Mr. Carstone says would you come
|
|
upstairs to Mr. Skimpole's room. He has been took, miss!"
|
|
|
|
"Took?" said I.
|
|
|
|
"Took, miss. Sudden," said the maid.
|
|
|
|
I was apprehensive that his illness might be of a dangerous kind, but
|
|
of course I begged her to be quiet and not disturb any one and
|
|
collected myself, as I followed her quickly upstairs, sufficiently to
|
|
consider what were the best remedies to be applied if it should prove
|
|
to be a fit. She threw open a door and I went into a chamber, where,
|
|
to my unspeakable surprise, instead of finding Mr. Skimpole stretched
|
|
upon the bed or prostrate on the floor, I found him standing before
|
|
the fire smiling at Richard, while Richard, with a face of great
|
|
embarrassment, looked at a person on the sofa, in a white great-coat,
|
|
with smooth hair upon his head and not much of it, which he was
|
|
wiping smoother and making less of with a pocket-handkerchief.
|
|
|
|
"Miss Summerson," said Richard hurriedly, "I am glad you are come.
|
|
You will be able to advise us. Our friend Mr. Skimpole--don't be
|
|
alarmed!--is arrested for debt."
|
|
|
|
"And really, my dear Miss Summerson," said Mr. Skimpole with his
|
|
agreeable candour, "I never was in a situation in which that
|
|
excellent sense and quiet habit of method and usefulness, which
|
|
anybody must observe in you who has the happiness of being a quarter
|
|
of an hour in your society, was more needed."
|
|
|
|
The person on the sofa, who appeared to have a cold in his head, gave
|
|
such a very loud snort that he startled me.
|
|
|
|
"Are you arrested for much, sir?" I inquired of Mr. Skimpole.
|
|
|
|
"My dear Miss Summerson," said he, shaking his head pleasantly, "I
|
|
don't know. Some pounds, odd shillings, and halfpence, I think, were
|
|
mentioned."
|
|
|
|
"It's twenty-four pound, sixteen, and sevenpence ha'penny," observed
|
|
the stranger. "That's wot it is."
|
|
|
|
"And it sounds--somehow it sounds," said Mr. Skimpole, "like a small
|
|
sum?"
|
|
|
|
The strange man said nothing but made another snort. It was such a
|
|
powerful one that it seemed quite to lift him out of his seat.
|
|
|
|
"Mr. Skimpole," said Richard to me, "has a delicacy in applying to my
|
|
cousin Jarndyce because he has lately--I think, sir, I understood you
|
|
that you had lately--"
|
|
|
|
"Oh, yes!" returned Mr. Skimpole, smiling. "Though I forgot how much
|
|
it was and when it was. Jarndyce would readily do it again, but I
|
|
have the epicure-like feeling that I would prefer a novelty in help,
|
|
that I would rather," and he looked at Richard and me, "develop
|
|
generosity in a new soil and in a new form of flower."
|
|
|
|
"What do you think will be best, Miss Summerson?" said Richard,
|
|
aside.
|
|
|
|
I ventured to inquire, generally, before replying, what would happen
|
|
if the money were not produced.
|
|
|
|
"Jail," said the strange man, coolly putting his handkerchief into
|
|
his hat, which was on the floor at his feet. "Or Coavinses."
|
|
|
|
"May I ask, sir, what is--"
|
|
|
|
"Coavinses?" said the strange man. "A 'ouse."
|
|
|
|
Richard and I looked at one another again. It was a most singular
|
|
thing that the arrest was our embarrassment and not Mr. Skimpole's.
|
|
He observed us with a genial interest, but there seemed, if I may
|
|
venture on such a contradiction, nothing selfish in it. He had
|
|
entirely washed his hands of the difficulty, and it had become ours.
|
|
|
|
"I thought," he suggested, as if good-naturedly to help us out, "that
|
|
being parties in a Chancery suit concerning (as people say) a large
|
|
amount of property, Mr. Richard or his beautiful cousin, or both,
|
|
could sign something, or make over something, or give some sort of
|
|
undertaking, or pledge, or bond? I don't know what the business name
|
|
of it may be, but I suppose there is some instrument within their
|
|
power that would settle this?"
|
|
|
|
"Not a bit on it," said the strange man.
|
|
|
|
"Really?" returned Mr. Skimpole. "That seems odd, now, to one who is
|
|
no judge of these things!"
|
|
|
|
"Odd or even," said the stranger gruffly, "I tell you, not a bit on
|
|
it!"
|
|
|
|
"Keep your temper, my good fellow, keep your temper!" Mr. Skimpole
|
|
gently reasoned with him as he made a little drawing of his head on
|
|
the fly-leaf of a book. "Don't be ruffled by your occupation. We can
|
|
separate you from your office; we can separate the individual from
|
|
the pursuit. We are not so prejudiced as to suppose that in private
|
|
life you are otherwise than a very estimable man, with a great deal
|
|
of poetry in your nature, of which you may not be conscious."
|
|
|
|
The stranger only answered with another violent snort, whether in
|
|
acceptance of the poetry-tribute or in disdainful rejection of it, he
|
|
did not express to me.
|
|
|
|
"Now, my dear Miss Summerson, and my dear Mr. Richard," said Mr.
|
|
Skimpole gaily, innocently, and confidingly as he looked at his
|
|
drawing with his head on one side, "here you see me utterly incapable
|
|
of helping myself, and entirely in your hands! I only ask to be free.
|
|
The butterflies are free. Mankind will surely not deny to Harold
|
|
Skimpole what it concedes to the butterflies!"
|
|
|
|
"My dear Miss Summerson," said Richard in a whisper, "I have ten
|
|
pounds that I received from Mr. Kenge. I must try what that will do."
|
|
|
|
I possessed fifteen pounds, odd shillings, which I had saved from my
|
|
quarterly allowance during several years. I had always thought that
|
|
some accident might happen which would throw me suddenly, without any
|
|
relation or any property, on the world and had always tried to keep
|
|
some little money by me that I might not be quite penniless. I told
|
|
Richard of my having this little store and having no present need of
|
|
it, and I asked him delicately to inform Mr. Skimpole, while I should
|
|
be gone to fetch it, that we would have the pleasure of paying his
|
|
debt.
|
|
|
|
When I came back, Mr. Skimpole kissed my hand and seemed quite
|
|
touched. Not on his own account (I was again aware of that perplexing
|
|
and extraordinary contradiction), but on ours, as if personal
|
|
considerations were impossible with him and the contemplation of our
|
|
happiness alone affected him. Richard, begging me, for the greater
|
|
grace of the transaction, as he said, to settle with Coavinses (as
|
|
Mr. Skimpole now jocularly called him), I counted out the money and
|
|
received the necessary acknowledgment. This, too, delighted Mr.
|
|
Skimpole.
|
|
|
|
His compliments were so delicately administered that I blushed less
|
|
than I might have done and settled with the stranger in the white
|
|
coat without making any mistakes. He put the money in his pocket and
|
|
shortly said, "Well, then, I'll wish you a good evening, miss.
|
|
|
|
"My friend," said Mr. Skimpole, standing with his back to the fire
|
|
after giving up the sketch when it was half finished, "I should like
|
|
to ask you something, without offence."
|
|
|
|
I think the reply was, "Cut away, then!"
|
|
|
|
"Did you know this morning, now, that you were coming out on this
|
|
errand?" said Mr. Skimpole.
|
|
|
|
"Know'd it yes'day aft'noon at tea-time," said Coavinses.
|
|
|
|
"It didn't affect your appetite? Didn't make you at all uneasy?"
|
|
|
|
"Not a bit," said Coavinses. "I know'd if you wos missed to-day, you
|
|
wouldn't be missed to-morrow. A day makes no such odds."
|
|
|
|
"But when you came down here," proceeded Mr. Skimpole, "it was a fine
|
|
day. The sun was shining, the wind was blowing, the lights and
|
|
shadows were passing across the fields, the birds were singing."
|
|
|
|
"Nobody said they warn't, in MY hearing," returned Coavinses.
|
|
|
|
"No," observed Mr. Skimpole. "But what did you think upon the road?"
|
|
|
|
"Wot do you mean?" growled Coavinses with an appearance of strong
|
|
resentment. "Think! I've got enough to do, and little enough to get
|
|
for it without thinking. Thinking!" (with profound contempt).
|
|
|
|
"Then you didn't think, at all events," proceeded Mr. Skimpole, "to
|
|
this effect: 'Harold Skimpole loves to see the sun shine, loves to
|
|
hear the wind blow, loves to watch the changing lights and shadows,
|
|
loves to hear the birds, those choristers in Nature's great
|
|
cathedral. And does it seem to me that I am about to deprive Harold
|
|
Skimpole of his share in such possessions, which are his only
|
|
birthright!' You thought nothing to that effect?"
|
|
|
|
"I--certainly--did--NOT," said Coavinses, whose doggedness in utterly
|
|
renouncing the idea was of that intense kind that he could only give
|
|
adequate expression to it by putting a long interval between each
|
|
word, and accompanying the last with a jerk that might have
|
|
dislocated his neck.
|
|
|
|
"Very odd and very curious, the mental process is, in you men of
|
|
business!" said Mr. Skimpole thoughtfully. "Thank you, my friend.
|
|
Good night."
|
|
|
|
As our absence had been long enough already to seem strange
|
|
downstairs, I returned at once and found Ada sitting at work by the
|
|
fireside talking to her cousin John. Mr. Skimpole presently appeared,
|
|
and Richard shortly after him. I was sufficiently engaged during the
|
|
remainder of the evening in taking my first lesson in backgammon from
|
|
Mr. Jarndyce, who was very fond of the game and from whom I wished of
|
|
course to learn it as quickly as I could in order that I might be of
|
|
the very small use of being able to play when he had no better
|
|
adversary. But I thought, occasionally, when Mr. Skimpole played some
|
|
fragments of his own compositions or when, both at the piano and the
|
|
violoncello, and at our table, he preserved with an absence of all
|
|
effort his delightful spirits and his easy flow of conversation, that
|
|
Richard and I seemed to retain the transferred impression of having
|
|
been arrested since dinner and that it was very curious altogether.
|
|
|
|
It was late before we separated, for when Ada was going at eleven
|
|
o'clock, Mr. Skimpole went to the piano and rattled hilariously that
|
|
the best of all ways to lengthen our days was to steal a few hours
|
|
from night, my dear! It was past twelve before he took his candle and
|
|
his radiant face out of the room, and I think he might have kept us
|
|
there, if he had seen fit, until daybreak. Ada and Richard were
|
|
lingering for a few moments by the fire, wondering whether Mrs.
|
|
Jellyby had yet finished her dictation for the day, when Mr.
|
|
Jarndyce, who had been out of the room, returned.
|
|
|
|
"Oh, dear me, what's this, what's this!" he said, rubbing his head
|
|
and walking about with his good-humoured vexation. "What's this they
|
|
tell me? Rick, my boy, Esther, my dear, what have you been doing? Why
|
|
did you do it? How could you do it? How much apiece was it? The
|
|
wind's round again. I feel it all over me!"
|
|
|
|
We neither of us quite knew what to answer.
|
|
|
|
"Come, Rick, come! I must settle this before I sleep. How much are
|
|
you out of pocket? You two made the money up, you know! Why did you?
|
|
How could you? Oh, Lord, yes, it's due east--must be!"
|
|
|
|
"Really, sir," said Richard, "I don't think it would be honourable in
|
|
me to tell you. Mr. Skimpole relied upon us--"
|
|
|
|
"Lord bless you, my dear boy! He relies upon everybody!" said Mr.
|
|
Jarndyce, giving his head a great rub and stopping short.
|
|
|
|
"Indeed, sir?"
|
|
|
|
"Everybody! And he'll be in the same scrape again next week!" said
|
|
Mr. Jarndyce, walking again at a great pace, with a candle in his
|
|
hand that had gone out. "He's always in the same scrape. He was born
|
|
in the same scrape. I verily believe that the announcement in the
|
|
newspapers when his mother was confined was 'On Tuesday last, at her
|
|
residence in Botheration Buildings, Mrs. Skimpole of a son in
|
|
difficulties.'"
|
|
|
|
Richard laughed heartily but added, "Still, sir, I don't want to
|
|
shake his confidence or to break his confidence, and if I submit to
|
|
your better knowledge again, that I ought to keep his secret, I hope
|
|
you will consider before you press me any more. Of course, if you do
|
|
press me, sir, I shall know I am wrong and will tell you."
|
|
|
|
"Well!" cried Mr. Jarndyce, stopping again, and making several absent
|
|
endeavours to put his candlestick in his pocket. "I--here! Take it
|
|
away, my dear. I don't know what I am about with it; it's all the
|
|
wind--invariably has that effect--I won't press you, Rick; you may be
|
|
right. But really--to get hold of you and Esther--and to squeeze you
|
|
like a couple of tender young Saint Michael's oranges! It'll blow a
|
|
gale in the course of the night!"
|
|
|
|
He was now alternately putting his hands into his pockets as if he
|
|
were going to keep them there a long time, and taking them out again
|
|
and vehemently rubbing them all over his head.
|
|
|
|
I ventured to take this opportunity of hinting that Mr. Skimpole,
|
|
being in all such matters quite a child--
|
|
|
|
"Eh, my dear?" said Mr. Jarndyce, catching at the word.
|
|
|
|
"Being quite a child, sir," said I, "and so different from other
|
|
people--"
|
|
|
|
"You are right!" said Mr. Jarndyce, brightening. "Your woman's wit
|
|
hits the mark. He is a child--an absolute child. I told you he was a
|
|
child, you know, when I first mentioned him."
|
|
|
|
Certainly! Certainly! we said.
|
|
|
|
"And he IS a child. Now, isn't he?" asked Mr. Jarndyce, brightening
|
|
more and more.
|
|
|
|
He was indeed, we said.
|
|
|
|
"When you come to think of it, it's the height of childishness in
|
|
you--I mean me--" said Mr. Jarndyce, "to regard him for a moment as a
|
|
man. You can't make HIM responsible. The idea of Harold Skimpole with
|
|
designs or plans, or knowledge of consequences! Ha, ha, ha!"
|
|
|
|
It was so delicious to see the clouds about his bright face clearing,
|
|
and to see him so heartily pleased, and to know, as it was impossible
|
|
not to know, that the source of his pleasure was the goodness which
|
|
was tortured by condemning, or mistrusting, or secretly accusing any
|
|
one, that I saw the tears in Ada's eyes, while she echoed his laugh,
|
|
and felt them in my own.
|
|
|
|
"Why, what a cod's head and shoulders I am," said Mr. Jarndyce, "to
|
|
require reminding of it! The whole business shows the child from
|
|
beginning to end. Nobody but a child would have thought of singling
|
|
YOU two out for parties in the affair! Nobody but a child would have
|
|
thought of YOUR having the money! If it had been a thousand pounds,
|
|
it would have been just the same!" said Mr. Jarndyce with his whole
|
|
face in a glow.
|
|
|
|
We all confirmed it from our night's experience.
|
|
|
|
"To be sure, to be sure!" said Mr. Jarndyce. "However, Rick, Esther,
|
|
and you too, Ada, for I don't know that even your little purse is
|
|
safe from his inexperience--I must have a promise all round that
|
|
nothing of this sort shall ever be done any more. No advances! Not
|
|
even sixpences."
|
|
|
|
We all promised faithfully, Richard with a merry glance at me
|
|
touching his pocket as if to remind me that there was no danger of
|
|
OUR transgressing.
|
|
|
|
"As to Skimpole," said Mr. Jarndyce, "a habitable doll's house with
|
|
good board and a few tin people to get into debt with and borrow
|
|
money of would set the boy up in life. He is in a child's sleep by
|
|
this time, I suppose; it's time I should take my craftier head to my
|
|
more worldly pillow. Good night, my dears. God bless you!"
|
|
|
|
He peeped in again, with a smiling face, before we had lighted our
|
|
candles, and said, "Oh! I have been looking at the weather-cock. I
|
|
find it was a false alarm about the wind. It's in the south!" And
|
|
went away singing to himself.
|
|
|
|
Ada and I agreed, as we talked together for a little while upstairs,
|
|
that this caprice about the wind was a fiction and that he used the
|
|
pretence to account for any disappointment he could not conceal,
|
|
rather than he would blame the real cause of it or disparage or
|
|
depreciate any one. We thought this very characteristic of his
|
|
eccentric gentleness and of the difference between him and those
|
|
petulant people who make the weather and the winds (particularly that
|
|
unlucky wind which he had chosen for such a different purpose) the
|
|
stalking-horses of their splenetic and gloomy humours.
|
|
|
|
Indeed, so much affection for him had been added in this one evening
|
|
to my gratitude that I hoped I already began to understand him
|
|
through that mingled feeling. Any seeming inconsistencies in Mr.
|
|
Skimpole or in Mrs. Jellyby I could not expect to be able to
|
|
reconcile, having so little experience or practical knowledge.
|
|
Neither did I try, for my thoughts were busy when I was alone, with
|
|
Ada and Richard and with the confidence I had seemed to receive
|
|
concerning them. My fancy, made a little wild by the wind perhaps,
|
|
would not consent to be all unselfish, either, though I would have
|
|
persuaded it to be so if I could. It wandered back to my godmother's
|
|
house and came along the intervening track, raising up shadowy
|
|
speculations which had sometimes trembled there in the dark as to
|
|
what knowledge Mr. Jarndyce had of my earliest history--even as to
|
|
the possibility of his being my father, though that idle dream was
|
|
quite gone now.
|
|
|
|
It was all gone now, I remembered, getting up from the fire. It was
|
|
not for me to muse over bygones, but to act with a cheerful spirit
|
|
and a grateful heart. So I said to myself, "Esther, Esther, Esther!
|
|
Duty, my dear!" and gave my little basket of housekeeping keys such a
|
|
shake that they sounded like little bells and rang me hopefully to
|
|
bed.
|
|
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
The Ghost's Walk
|
|
|
|
|
|
While Esther sleeps, and while Esther wakes, it is still wet weather
|
|
down at the place in Lincolnshire. The rain is ever falling--drip,
|
|
drip, drip--by day and night upon the broad flagged terrace-pavement,
|
|
the Ghost's Walk. The weather is so very bad down in Lincolnshire
|
|
that the liveliest imagination can scarcely apprehend its ever being
|
|
fine again. Not that there is any superabundant life of imagination
|
|
on the spot, for Sir Leicester is not here (and, truly, even if he
|
|
were, would not do much for it in that particular), but is in Paris
|
|
with my Lady; and solitude, with dusky wings, sits brooding upon
|
|
Chesney Wold.
|
|
|
|
There may be some motions of fancy among the lower animals at Chesney
|
|
Wold. The horses in the stables--the long stables in a barren,
|
|
red-brick court-yard, where there is a great bell in a turret, and a
|
|
clock with a large face, which the pigeons who live near it and who
|
|
love to perch upon its shoulders seem to be always consulting--THEY
|
|
may contemplate some mental pictures of fine weather on occasions,
|
|
and may be better artists at them than the grooms. The old roan, so
|
|
famous for cross-country work, turning his large eyeball to the
|
|
grated window near his rack, may remember the fresh leaves that
|
|
glisten there at other times and the scents that stream in, and may
|
|
have a fine run with the hounds, while the human helper, clearing out
|
|
the next stall, never stirs beyond his pitchfork and birch-broom. The
|
|
grey, whose place is opposite the door and who with an impatient
|
|
rattle of his halter pricks his ears and turns his head so wistfully
|
|
when it is opened, and to whom the opener says, "Woa grey, then,
|
|
steady! Noabody wants you to-day!" may know it quite as well as the
|
|
man. The whole seemingly monotonous and uncompanionable half-dozen,
|
|
stabled together, may pass the long wet hours when the door is shut
|
|
in livelier communication than is held in the servants' hall or at
|
|
the Dedlock Arms, or may even beguile the time by improving (perhaps
|
|
corrupting) the pony in the loose-box in the corner.
|
|
|
|
So the mastiff, dozing in his kennel in the court-yard with his large
|
|
head on his paws, may think of the hot sunshine when the shadows of
|
|
the stable-buildings tire his patience out by changing and leave him
|
|
at one time of the day no broader refuge than the shadow of his own
|
|
house, where he sits on end, panting and growling short, and very
|
|
much wanting something to worry besides himself and his chain. So
|
|
now, half-waking and all-winking, he may recall the house full of
|
|
company, the coach-houses full of vehicles, the stables full of
|
|
horses, and the out-buildings full of attendants upon horses, until
|
|
he is undecided about the present and comes forth to see how it is.
|
|
Then, with that impatient shake of himself, he may growl in the
|
|
spirit, "Rain, rain, rain! Nothing but rain--and no family here!" as
|
|
he goes in again and lies down with a gloomy yawn.
|
|
|
|
So with the dogs in the kennel-buildings across the park, who have
|
|
their restless fits and whose doleful voices when the wind has been
|
|
very obstinate have even made it known in the house itself--upstairs,
|
|
downstairs, and in my Lady's chamber. They may hunt the whole
|
|
country-side, while the raindrops are pattering round their
|
|
inactivity. So the rabbits with their self-betraying tails, frisking
|
|
in and out of holes at roots of trees, may be lively with ideas of
|
|
the breezy days when their ears are blown about or of those seasons
|
|
of interest when there are sweet young plants to gnaw. The turkey in
|
|
the poultry-yard, always troubled with a class-grievance (probably
|
|
Christmas), may be reminiscent of that summer morning wrongfully
|
|
taken from him when he got into the lane among the felled trees,
|
|
where there was a barn and barley. The discontented goose, who stoops
|
|
to pass under the old gateway, twenty feet high, may gabble out, if
|
|
we only knew it, a waddling preference for weather when the gateway
|
|
casts its shadow on the ground.
|
|
|
|
Be this as it may, there is not much fancy otherwise stirring at
|
|
Chesney Wold. If there be a little at any odd moment, it goes, like a
|
|
little noise in that old echoing place, a long way and usually leads
|
|
off to ghosts and mystery.
|
|
|
|
It has rained so hard and rained so long down in Lincolnshire that
|
|
Mrs. Rouncewell, the old housekeeper at Chesney Wold, has several
|
|
times taken off her spectacles and cleaned them to make certain that
|
|
the drops were not upon the glasses. Mrs. Rouncewell might have been
|
|
sufficiently assured by hearing the rain, but that she is rather
|
|
deaf, which nothing will induce her to believe. She is a fine old
|
|
lady, handsome, stately, wonderfully neat, and has such a back and
|
|
such a stomacher that if her stays should turn out when she dies to
|
|
have been a broad old-fashioned family fire-grate, nobody who knows
|
|
her would have cause to be surprised. Weather affects Mrs. Rouncewell
|
|
little. The house is there in all weathers, and the house, as she
|
|
expresses it, "is what she looks at." She sits in her room (in a side
|
|
passage on the ground floor, with an arched window commanding a
|
|
smooth quadrangle, adorned at regular intervals with smooth round
|
|
trees and smooth round blocks of stone, as if the trees were going to
|
|
play at bowls with the stones), and the whole house reposes on her
|
|
mind. She can open it on occasion and be busy and fluttered, but it
|
|
is shut up now and lies on the breadth of Mrs. Rouncewell's
|
|
iron-bound bosom in a majestic sleep.
|
|
|
|
It is the next difficult thing to an impossibility to imagine Chesney
|
|
Wold without Mrs. Rouncewell, but she has only been here fifty years.
|
|
Ask her how long, this rainy day, and she shall answer "fifty year,
|
|
three months, and a fortnight, by the blessing of heaven, if I live
|
|
till Tuesday." Mr. Rouncewell died some time before the decease of
|
|
the pretty fashion of pig-tails, and modestly hid his own (if he took
|
|
it with him) in a corner of the churchyard in the park near the
|
|
mouldy porch. He was born in the market-town, and so was his young
|
|
widow. Her progress in the family began in the time of the last Sir
|
|
Leicester and originated in the still-room.
|
|
|
|
The present representative of the Dedlocks is an excellent master. He
|
|
supposes all his dependents to be utterly bereft of individual
|
|
characters, intentions, or opinions, and is persuaded that he was
|
|
born to supersede the necessity of their having any. If he were to
|
|
make a discovery to the contrary, he would be simply stunned--would
|
|
never recover himself, most likely, except to gasp and die. But he is
|
|
an excellent master still, holding it a part of his state to be so.
|
|
He has a great liking for Mrs. Rouncewell; he says she is a most
|
|
respectable, creditable woman. He always shakes hands with her when
|
|
he comes down to Chesney Wold and when he goes away; and if he were
|
|
very ill, or if he were knocked down by accident, or run over, or
|
|
placed in any situation expressive of a Dedlock at a disadvantage, he
|
|
would say if he could speak, "Leave me, and send Mrs. Rouncewell
|
|
here!" feeling his dignity, at such a pass, safer with her than with
|
|
anybody else.
|
|
|
|
Mrs. Rouncewell has known trouble. She has had two sons, of whom the
|
|
younger ran wild, and went for a soldier, and never came back. Even
|
|
to this hour, Mrs. Rouncewell's calm hands lose their composure when
|
|
she speaks of him, and unfolding themselves from her stomacher, hover
|
|
about her in an agitated manner as she says what a likely lad, what a
|
|
fine lad, what a gay, good-humoured, clever lad he was! Her second
|
|
son would have been provided for at Chesney Wold and would have been
|
|
made steward in due season, but he took, when he was a schoolboy, to
|
|
constructing steam-engines out of saucepans and setting birds to draw
|
|
their own water with the least possible amount of labour, so
|
|
assisting them with artful contrivance of hydraulic pressure that a
|
|
thirsty canary had only, in a literal sense, to put his shoulder to
|
|
the wheel and the job was done. This propensity gave Mrs. Rouncewell
|
|
great uneasiness. She felt it with a mother's anguish to be a move in
|
|
the Wat Tyler direction, well knowing that Sir Leicester had that
|
|
general impression of an aptitude for any art to which smoke and a
|
|
tall chimney might be considered essential. But the doomed young
|
|
rebel (otherwise a mild youth, and very persevering), showing no sign
|
|
of grace as he got older but, on the contrary, constructing a model
|
|
of a power-loom, she was fain, with many tears, to mention his
|
|
backslidings to the baronet. "Mrs. Rouncewell," said Sir Leicester,
|
|
"I can never consent to argue, as you know, with any one on any
|
|
subject. You had better get rid of your boy; you had better get him
|
|
into some Works. The iron country farther north is, I suppose, the
|
|
congenial direction for a boy with these tendencies." Farther north
|
|
he went, and farther north he grew up; and if Sir Leicester Dedlock
|
|
ever saw him when he came to Chesney Wold to visit his mother, or
|
|
ever thought of him afterwards, it is certain that he only regarded
|
|
him as one of a body of some odd thousand conspirators, swarthy and
|
|
grim, who were in the habit of turning out by torchlight two or three
|
|
nights in the week for unlawful purposes.
|
|
|
|
Nevertheless, Mrs. Rouncewell's son has, in the course of nature and
|
|
art, grown up, and established himself, and married, and called unto
|
|
him Mrs. Rouncewell's grandson, who, being out of his apprenticeship,
|
|
and home from a journey in far countries, whither he was sent to
|
|
enlarge his knowledge and complete his preparations for the venture
|
|
of this life, stands leaning against the chimney-piece this very day
|
|
in Mrs. Rouncewell's room at Chesney Wold.
|
|
|
|
"And, again and again, I am glad to see you, Watt! And, once again, I
|
|
am glad to see you, Watt!" says Mrs. Rouncewell. "You are a fine
|
|
young fellow. You are like your poor uncle George. Ah!" Mrs.
|
|
Rouncewell's hands unquiet, as usual, on this reference.
|
|
|
|
"They say I am like my father, grandmother."
|
|
|
|
"Like him, also, my dear--but most like your poor uncle George! And
|
|
your dear father." Mrs. Rouncewell folds her hands again. "He is
|
|
well?"
|
|
|
|
"Thriving, grandmother, in every way."
|
|
|
|
"I am thankful!" Mrs. Rouncewell is fond of her son but has a
|
|
plaintive feeling towards him, much as if he were a very honourable
|
|
soldier who had gone over to the enemy.
|
|
|
|
"He is quite happy?" says she.
|
|
|
|
"Quite."
|
|
|
|
"I am thankful! So he has brought you up to follow in his ways and
|
|
has sent you into foreign countries and the like? Well, he knows
|
|
best. There may be a world beyond Chesney Wold that I don't
|
|
understand. Though I am not young, either. And I have seen a quantity
|
|
of good company too!"
|
|
|
|
"Grandmother," says the young man, changing the subject, "what a very
|
|
pretty girl that was I found with you just now. You called her Rosa?"
|
|
|
|
"Yes, child. She is daughter of a widow in the village. Maids are so
|
|
hard to teach, now-a-days, that I have put her about me young. She's
|
|
an apt scholar and will do well. She shows the house already, very
|
|
pretty. She lives with me at my table here."
|
|
|
|
"I hope I have not driven her away?"
|
|
|
|
"She supposes we have family affairs to speak about, I dare say. She
|
|
is very modest. It is a fine quality in a young woman. And scarcer,"
|
|
says Mrs. Rouncewell, expanding her stomacher to its utmost limits,
|
|
"than it formerly was!"
|
|
|
|
The young man inclines his head in acknowledgment of the precepts of
|
|
experience. Mrs. Rouncewell listens.
|
|
|
|
"Wheels!" says she. They have long been audible to the younger ears
|
|
of her companion. "What wheels on such a day as this, for gracious
|
|
sake?"
|
|
|
|
After a short interval, a tap at the door. "Come in!" A dark-eyed,
|
|
dark-haired, shy, village beauty comes in--so fresh in her rosy and
|
|
yet delicate bloom that the drops of rain which have beaten on her
|
|
hair look like the dew upon a flower fresh gathered.
|
|
|
|
"What company is this, Rosa?" says Mrs. Rouncewell.
|
|
|
|
"It's two young men in a gig, ma'am, who want to see the house--yes,
|
|
and if you please, I told them so!" in quick reply to a gesture of
|
|
dissent from the housekeeper. "I went to the hall-door and told them
|
|
it was the wrong day and the wrong hour, but the young man who was
|
|
driving took off his hat in the wet and begged me to bring this card
|
|
to you."
|
|
|
|
"Read it, my dear Watt," says the housekeeper.
|
|
|
|
Rosa is so shy as she gives it to him that they drop it between them
|
|
and almost knock their foreheads together as they pick it up. Rosa is
|
|
shyer than before.
|
|
|
|
"Mr. Guppy" is all the information the card yields.
|
|
|
|
"Guppy!" repeats Mrs. Rouncewell, "MR. Guppy! Nonsense, I never heard
|
|
of him!"
|
|
|
|
"If you please, he told ME that!" says Rosa. "But he said that he and
|
|
the other young gentleman came from London only last night by the
|
|
mail, on business at the magistrates' meeting, ten miles off, this
|
|
morning, and that as their business was soon over, and they had heard
|
|
a great deal said of Chesney Wold, and really didn't know what to do
|
|
with themselves, they had come through the wet to see it. They are
|
|
lawyers. He says he is not in Mr. Tulkinghorn's office, but he is
|
|
sure he may make use of Mr. Tulkinghorn's name if necessary."
|
|
Finding, now she leaves off, that she has been making quite a long
|
|
speech, Rosa is shyer than ever.
|
|
|
|
Now, Mr. Tulkinghorn is, in a manner, part and parcel of the place,
|
|
and besides, is supposed to have made Mrs. Rouncewell's will. The old
|
|
lady relaxes, consents to the admission of the visitors as a favour,
|
|
and dismisses Rosa. The grandson, however, being smitten by a sudden
|
|
wish to see the house himself, proposes to join the party. The
|
|
grandmother, who is pleased that he should have that interest,
|
|
accompanies him--though to do him justice, he is exceedingly
|
|
unwilling to trouble her.
|
|
|
|
"Much obliged to you, ma'am!" says Mr. Guppy, divesting himself of
|
|
his wet dreadnought in the hall. "Us London lawyers don't often get
|
|
an out, and when we do, we like to make the most of it, you know."
|
|
|
|
The old housekeeper, with a gracious severity of deportment, waves
|
|
her hand towards the great staircase. Mr. Guppy and his friend follow
|
|
Rosa; Mrs. Rouncewell and her grandson follow them; a young gardener
|
|
goes before to open the shutters.
|
|
|
|
As is usually the case with people who go over houses, Mr. Guppy and
|
|
his friend are dead beat before they have well begun. They straggle
|
|
about in wrong places, look at wrong things, don't care for the right
|
|
things, gape when more rooms are opened, exhibit profound depression
|
|
of spirits, and are clearly knocked up. In each successive chamber
|
|
that they enter, Mrs. Rouncewell, who is as upright as the house
|
|
itself, rests apart in a window-seat or other such nook and listens
|
|
with stately approval to Rosa's exposition. Her grandson is so
|
|
attentive to it that Rosa is shyer than ever--and prettier. Thus they
|
|
pass on from room to room, raising the pictured Dedlocks for a few
|
|
brief minutes as the young gardener admits the light, and
|
|
reconsigning them to their graves as he shuts it out again. It
|
|
appears to the afflicted Mr. Guppy and his inconsolable friend that
|
|
there is no end to the Dedlocks, whose family greatness seems to
|
|
consist in their never having done anything to distinguish themselves
|
|
for seven hundred years.
|
|
|
|
Even the long drawing-room of Chesney Wold cannot revive Mr. Guppy's
|
|
spirits. He is so low that he droops on the threshold and has hardly
|
|
strength of mind to enter. But a portrait over the chimney-piece,
|
|
painted by the fashionable artist of the day, acts upon him like a
|
|
charm. He recovers in a moment. He stares at it with uncommon
|
|
interest; he seems to be fixed and fascinated by it.
|
|
|
|
"Dear me!" says Mr. Guppy. "Who's that?"
|
|
|
|
"The picture over the fire-place," says Rosa, "is the portrait of the
|
|
present Lady Dedlock. It is considered a perfect likeness, and the
|
|
best work of the master."
|
|
|
|
"Blest," says Mr. Guppy, staring in a kind of dismay at his friend,
|
|
"if I can ever have seen her. Yet I know her! Has the picture been
|
|
engraved, miss?"
|
|
|
|
"The picture has never been engraved. Sir Leicester has always
|
|
refused permission."
|
|
|
|
"Well!" says Mr. Guppy in a low voice. "I'll be shot if it ain't very
|
|
curious how well I know that picture! So that's Lady Dedlock, is it!"
|
|
|
|
"The picture on the right is the present Sir Leicester Dedlock. The
|
|
picture on the left is his father, the late Sir Leicester."
|
|
|
|
Mr. Guppy has no eyes for either of these magnates. "It's
|
|
unaccountable to me," he says, still staring at the portrait, "how
|
|
well I know that picture! I'm dashed," adds Mr. Guppy, looking round,
|
|
"if I don't think I must have had a dream of that picture, you know!"
|
|
|
|
As no one present takes any especial interest in Mr. Guppy's dreams,
|
|
the probability is not pursued. But he still remains so absorbed by
|
|
the portrait that he stands immovable before it until the young
|
|
gardener has closed the shutters, when he comes out of the room in a
|
|
dazed state that is an odd though a sufficient substitute for
|
|
interest and follows into the succeeding rooms with a confused stare,
|
|
as if he were looking everywhere for Lady Dedlock again.
|
|
|
|
He sees no more of her. He sees her rooms, which are the last shown,
|
|
as being very elegant, and he looks out of the windows from which she
|
|
looked out, not long ago, upon the weather that bored her to death.
|
|
All things have an end, even houses that people take infinite pains
|
|
to see and are tired of before they begin to see them. He has come to
|
|
the end of the sight, and the fresh village beauty to the end of her
|
|
description; which is always this: "The terrace below is much
|
|
admired. It is called, from an old story in the family, the Ghost's
|
|
Walk."
|
|
|
|
"No?" says Mr. Guppy, greedily curious. "What's the story, miss? Is
|
|
it anything about a picture?"
|
|
|
|
"Pray tell us the story," says Watt in a half whisper.
|
|
|
|
"I don't know it, sir." Rosa is shyer than ever.
|
|
|
|
"It is not related to visitors; it is almost forgotten," says the
|
|
housekeeper, advancing. "It has never been more than a family
|
|
anecdote."
|
|
|
|
"You'll excuse my asking again if it has anything to do with a
|
|
picture, ma'am," observes Mr. Guppy, "because I do assure you that
|
|
the more I think of that picture the better I know it, without
|
|
knowing how I know it!"
|
|
|
|
The story has nothing to do with a picture; the housekeeper can
|
|
guarantee that. Mr. Guppy is obliged to her for the information and
|
|
is, moreover, generally obliged. He retires with his friend, guided
|
|
down another staircase by the young gardener, and presently is heard
|
|
to drive away. It is now dusk. Mrs. Rouncewell can trust to the
|
|
discretion of her two young hearers and may tell THEM how the terrace
|
|
came to have that ghostly name.
|
|
|
|
She seats herself in a large chair by the fast-darkening window and
|
|
tells them: "In the wicked days, my dears, of King Charles the
|
|
First--I mean, of course, in the wicked days of the rebels who
|
|
leagued themselves against that excellent king--Sir Morbury Dedlock
|
|
was the owner of Chesney Wold. Whether there was any account of a
|
|
ghost in the family before those days, I can't say. I should think it
|
|
very likely indeed."
|
|
|
|
Mrs. Rouncewell holds this opinion because she considers that a
|
|
family of such antiquity and importance has a right to a ghost. She
|
|
regards a ghost as one of the privileges of the upper classes, a
|
|
genteel distinction to which the common people have no claim.
|
|
|
|
"Sir Morbury Dedlock," says Mrs. Rouncewell, "was, I have no occasion
|
|
to say, on the side of the blessed martyr. But it IS supposed that
|
|
his Lady, who had none of the family blood in her veins, favoured the
|
|
bad cause. It is said that she had relations among King Charles's
|
|
enemies, that she was in correspondence with them, and that she gave
|
|
them information. When any of the country gentlemen who followed his
|
|
Majesty's cause met here, it is said that my Lady was always nearer
|
|
to the door of their council-room than they supposed. Do you hear a
|
|
sound like a footstep passing along the terrace, Watt?"
|
|
|
|
Rosa draws nearer to the housekeeper.
|
|
|
|
"I hear the rain-drip on the stones," replies the young man, "and I
|
|
hear a curious echo--I suppose an echo--which is very like a halting
|
|
step."
|
|
|
|
The housekeeper gravely nods and continues: "Partly on account of
|
|
this division between them, and partly on other accounts, Sir Morbury
|
|
and his Lady led a troubled life. She was a lady of a haughty temper.
|
|
They were not well suited to each other in age or character, and they
|
|
had no children to moderate between them. After her favourite
|
|
brother, a young gentleman, was killed in the civil wars (by Sir
|
|
Morbury's near kinsman), her feeling was so violent that she hated
|
|
the race into which she had married. When the Dedlocks were about to
|
|
ride out from Chesney Wold in the king's cause, she is supposed to
|
|
have more than once stolen down into the stables in the dead of night
|
|
and lamed their horses; and the story is that once at such an hour,
|
|
her husband saw her gliding down the stairs and followed her into the
|
|
stall where his own favourite horse stood. There he seized her by the
|
|
wrist, and in a struggle or in a fall or through the horse being
|
|
frightened and lashing out, she was lamed in the hip and from that
|
|
hour began to pine away."
|
|
|
|
The housekeeper has dropped her voice to a little more than a
|
|
whisper.
|
|
|
|
"She had been a lady of a handsome figure and a noble carriage. She
|
|
never complained of the change; she never spoke to any one of being
|
|
crippled or of being in pain, but day by day she tried to walk upon
|
|
the terrace, and with the help of the stone balustrade, went up and
|
|
down, up and down, up and down, in sun and shadow, with greater
|
|
difficulty every day. At last, one afternoon her husband (to whom she
|
|
had never, on any persuasion, opened her lips since that night),
|
|
standing at the great south window, saw her drop upon the pavement.
|
|
He hastened down to raise her, but she repulsed him as he bent over
|
|
her, and looking at him fixedly and coldly, said, 'I will die here
|
|
where I have walked. And I will walk here, though I am in my grave. I
|
|
will walk here until the pride of this house is humbled. And when
|
|
calamity or when disgrace is coming to it, let the Dedlocks listen
|
|
for my step!'"
|
|
|
|
Watt looks at Rosa. Rosa in the deepening gloom looks down upon the
|
|
ground, half frightened and half shy.
|
|
|
|
"There and then she died. And from those days," says Mrs. Rouncewell,
|
|
"the name has come down--the Ghost's Walk. If the tread is an echo,
|
|
it is an echo that is only heard after dark, and is often unheard for
|
|
a long while together. But it comes back from time to time; and so
|
|
sure as there is sickness or death in the family, it will be heard
|
|
then."
|
|
|
|
"And disgrace, grandmother--" says Watt.
|
|
|
|
"Disgrace never comes to Chesney Wold," returns the housekeeper.
|
|
|
|
Her grandson apologizes with "True. True."
|
|
|
|
"That is the story. Whatever the sound is, it is a worrying sound,"
|
|
says Mrs. Rouncewell, getting up from her chair; "and what is to be
|
|
noticed in it is that it MUST BE HEARD. My Lady, who is afraid of
|
|
nothing, admits that when it is there, it must be heard. You cannot
|
|
shut it out. Watt, there is a tall French clock behind you (placed
|
|
there, 'a purpose) that has a loud beat when it is in motion and can
|
|
play music. You understand how those things are managed?"
|
|
|
|
"Pretty well, grandmother, I think."
|
|
|
|
"Set it a-going."
|
|
|
|
Watt sets it a-going--music and all.
|
|
|
|
"Now, come hither," says the housekeeper. "Hither, child, towards my
|
|
Lady's pillow. I am not sure that it is dark enough yet, but listen!
|
|
Can you hear the sound upon the terrace, through the music, and the
|
|
beat, and everything?"
|
|
|
|
"I certainly can!"
|
|
|
|
"So my Lady says."
|
|
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
Covering a Multitude of Sins
|
|
|
|
|
|
It was interesting when I dressed before daylight to peep out of
|
|
window, where my candles were reflected in the black panes like
|
|
two beacons, and finding all beyond still enshrouded in the
|
|
indistinctness of last night, to watch how it turned out when the day
|
|
came on. As the prospect gradually revealed itself and disclosed the
|
|
scene over which the wind had wandered in the dark, like my memory
|
|
over my life, I had a pleasure in discovering the unknown objects
|
|
that had been around me in my sleep. At first they were faintly
|
|
discernible in the mist, and above them the later stars still
|
|
glimmered. That pale interval over, the picture began to enlarge and
|
|
fill up so fast that at every new peep I could have found enough
|
|
to look at for an hour. Imperceptibly my candles became the only
|
|
incongruous part of the morning, the dark places in my room all
|
|
melted away, and the day shone bright upon a cheerful landscape,
|
|
prominent in which the old Abbey Church, with its massive tower,
|
|
threw a softer train of shadow on the view than seemed compatible
|
|
with its rugged character. But so from rough outsides (I hope I have
|
|
learnt), serene and gentle influences often proceed.
|
|
|
|
Every part of the house was in such order, and every one was so
|
|
attentive to me, that I had no trouble with my two bunches of keys,
|
|
though what with trying to remember the contents of each little
|
|
store-room drawer and cupboard; and what with making notes on a slate
|
|
about jams, and pickles, and preserves, and bottles, and glass, and
|
|
china, and a great many other things; and what with being generally a
|
|
methodical, old-maidish sort of foolish little person, I was so busy
|
|
that I could not believe it was breakfast-time when I heard the bell
|
|
ring. Away I ran, however, and made tea, as I had already been
|
|
installed into the responsibility of the tea-pot; and then, as they
|
|
were all rather late and nobody was down yet, I thought I would take
|
|
a peep at the garden and get some knowledge of that too. I found it
|
|
quite a delightful place--in front, the pretty avenue and drive by
|
|
which we had approached (and where, by the by, we had cut up the
|
|
gravel so terribly with our wheels that I asked the gardener to roll
|
|
it); at the back, the flower-garden, with my darling at her window up
|
|
there, throwing it open to smile out at me, as if she would have
|
|
kissed me from that distance. Beyond the flower-garden was a
|
|
kitchen-garden, and then a paddock, and then a snug little rick-yard,
|
|
and then a dear little farm-yard. As to the house itself, with its
|
|
three peaks in the roof; its various-shaped windows, some so large,
|
|
some so small, and all so pretty; its trellis-work, against the
|
|
south-front for roses and honey-suckle, and its homely, comfortable,
|
|
welcoming look--it was, as Ada said when she came out to meet me with
|
|
her arm through that of its master, worthy of her cousin John, a bold
|
|
thing to say, though he only pinched her dear cheek for it.
|
|
|
|
Mr. Skimpole was as agreeable at breakfast as he had been overnight.
|
|
There was honey on the table, and it led him into a discourse about
|
|
bees. He had no objection to honey, he said (and I should think he
|
|
had not, for he seemed to like it), but he protested against the
|
|
overweening assumptions of bees. He didn't at all see why the busy
|
|
bee should be proposed as a model to him; he supposed the bee liked
|
|
to make honey, or he wouldn't do it--nobody asked him. It was not
|
|
necessary for the bee to make such a merit of his tastes. If every
|
|
confectioner went buzzing about the world banging against everything
|
|
that came in his way and egotistically calling upon everybody to take
|
|
notice that he was going to his work and must not be interrupted, the
|
|
world would be quite an unsupportable place. Then, after all, it was
|
|
a ridiculous position to be smoked out of your fortune with brimstone
|
|
as soon as you had made it. You would have a very mean opinion of a
|
|
Manchester man if he spun cotton for no other purpose. He must say he
|
|
thought a drone the embodiment of a pleasanter and wiser idea. The
|
|
drone said unaffectedly, "You will excuse me; I really cannot attend
|
|
to the shop! I find myself in a world in which there is so much to
|
|
see and so short a time to see it in that I must take the liberty of
|
|
looking about me and begging to be provided for by somebody who
|
|
doesn't want to look about him." This appeared to Mr. Skimpole to be
|
|
the drone philosophy, and he thought it a very good philosophy,
|
|
always supposing the drone to be willing to be on good terms with the
|
|
bee, which, so far as he knew, the easy fellow always was, if the
|
|
consequential creature would only let him, and not be so conceited
|
|
about his honey!
|
|
|
|
He pursued this fancy with the lightest foot over a variety of ground
|
|
and made us all merry, though again he seemed to have as serious a
|
|
meaning in what he said as he was capable of having. I left them
|
|
still listening to him when I withdrew to attend to my new duties.
|
|
They had occupied me for some time, and I was passing through the
|
|
passages on my return with my basket of keys on my arm when Mr.
|
|
Jarndyce called me into a small room next his bed-chamber, which I
|
|
found to be in part a little library of books and papers and in part
|
|
quite a little museum of his boots and shoes and hat-boxes.
|
|
|
|
"Sit down, my dear," said Mr. Jarndyce. "This, you must know, is the
|
|
growlery. When I am out of humour, I come and growl here."
|
|
|
|
"You must be here very seldom, sir," said I.
|
|
|
|
"Oh, you don't know me!" he returned. "When I am deceived or
|
|
disappointed in--the wind, and it's easterly, I take refuge here. The
|
|
growlery is the best-used room in the house. You are not aware of
|
|
half my humours yet. My dear, how you are trembling!"
|
|
|
|
I could not help it; I tried very hard, but being alone with that
|
|
benevolent presence, and meeting his kind eyes, and feeling so happy
|
|
and so honoured there, and my heart so full--I kissed his hand. I
|
|
don't know what I said, or even that I spoke. He was disconcerted and
|
|
walked to the window; I almost believed with an intention of jumping
|
|
out, until he turned and I was reassured by seeing in his eyes what
|
|
he had gone there to hide. He gently patted me on the head, and I sat
|
|
down.
|
|
|
|
"There! There!" he said. "That's over. Pooh! Don't be foolish."
|
|
|
|
"It shall not happen again, sir," I returned, "but at first it is
|
|
difficult--"
|
|
|
|
"Nonsense!" he said. "It's easy, easy. Why not? I hear of a good
|
|
little orphan girl without a protector, and I take it into my head to
|
|
be that protector. She grows up, and more than justifies my good
|
|
opinion, and I remain her guardian and her friend. What is there in
|
|
all this? So, so! Now, we have cleared off old scores, and I have
|
|
before me thy pleasant, trusting, trusty face again."
|
|
|
|
I said to myself, "Esther, my dear, you surprise me! This really is
|
|
not what I expected of you!" And it had such a good effect that I
|
|
folded my hands upon my basket and quite recovered myself. Mr.
|
|
Jarndyce, expressing his approval in his face, began to talk to me as
|
|
confidentially as if I had been in the habit of conversing with him
|
|
every morning for I don't know how long. I almost felt as if I had.
|
|
|
|
"Of course, Esther," he said, "you don't understand this Chancery
|
|
business?"
|
|
|
|
And of course I shook my head.
|
|
|
|
"I don't know who does," he returned. "The lawyers have twisted it
|
|
into such a state of bedevilment that the original merits of the case
|
|
have long disappeared from the face of the earth. It's about a will
|
|
and the trusts under a will--or it was once. It's about nothing but
|
|
costs now. We are always appearing, and disappearing, and swearing,
|
|
and interrogating, and filing, and cross-filing, and arguing, and
|
|
sealing, and motioning, and referring, and reporting, and revolving
|
|
about the Lord Chancellor and all his satellites, and equitably
|
|
waltzing ourselves off to dusty death, about costs. That's the great
|
|
question. All the rest, by some extraordinary means, has melted
|
|
away."
|
|
|
|
"But it was, sir," said I, to bring him back, for he began to rub his
|
|
head, "about a will?"
|
|
|
|
"Why, yes, it was about a will when it was about anything," he
|
|
returned. "A certain Jarndyce, in an evil hour, made a great fortune,
|
|
and made a great will. In the question how the trusts under that will
|
|
are to be administered, the fortune left by the will is squandered
|
|
away; the legatees under the will are reduced to such a miserable
|
|
condition that they would be sufficiently punished if they had
|
|
committed an enormous crime in having money left them, and the will
|
|
itself is made a dead letter. All through the deplorable cause,
|
|
everything that everybody in it, except one man, knows already is
|
|
referred to that only one man who don't know, it to find out--all
|
|
through the deplorable cause, everybody must have copies, over and
|
|
over again, of everything that has accumulated about it in the way of
|
|
cartloads of papers (or must pay for them without having them, which
|
|
is the usual course, for nobody wants them) and must go down the
|
|
middle and up again through such an infernal country-dance of costs
|
|
and fees and nonsense and corruption as was never dreamed of in the
|
|
wildest visions of a witch's Sabbath. Equity sends questions to law,
|
|
law sends questions back to equity; law finds it can't do this,
|
|
equity finds it can't do that; neither can so much as say it can't
|
|
do anything, without this solicitor instructing and this counsel
|
|
appearing for A, and that solicitor instructing and that counsel
|
|
appearing for B; and so on through the whole alphabet, like the
|
|
history of the apple pie. And thus, through years and years, and
|
|
lives and lives, everything goes on, constantly beginning over and
|
|
over again, and nothing ever ends. And we can't get out of the suit
|
|
on any terms, for we are made parties to it, and MUST BE parties to
|
|
it, whether we like it or not. But it won't do to think of it! When
|
|
my great uncle, poor Tom Jarndyce, began to think of it, it was the
|
|
beginning of the end!"
|
|
|
|
"The Mr. Jarndyce, sir, whose story I have heard?"
|
|
|
|
He nodded gravely. "I was his heir, and this was his house, Esther.
|
|
When I came here, it was bleak indeed. He had left the signs of his
|
|
misery upon it."
|
|
|
|
"How changed it must be now!" I said.
|
|
|
|
"It had been called, before his time, the Peaks. He gave it its
|
|
present name and lived here shut up, day and night poring over the
|
|
wicked heaps of papers in the suit and hoping against hope to
|
|
disentangle it from its mystification and bring it to a close. In the
|
|
meantime, the place became dilapidated, the wind whistled through the
|
|
cracked walls, the rain fell through the broken roof, the weeds
|
|
choked the passage to the rotting door. When I brought what remained
|
|
of him home here, the brains seemed to me to have been blown out of
|
|
the house too, it was so shattered and ruined."
|
|
|
|
He walked a little to and fro after saying this to himself with a
|
|
shudder, and then looked at me, and brightened, and came and sat down
|
|
again with his hands in his pockets.
|
|
|
|
"I told you this was the growlery, my dear. Where was I?"
|
|
|
|
I reminded him, at the hopeful change he had made in Bleak House.
|
|
|
|
"Bleak House; true. There is, in that city of London there, some
|
|
property of ours which is much at this day what Bleak House was then;
|
|
I say property of ours, meaning of the suit's, but I ought to call it
|
|
the property of costs, for costs is the only power on earth that will
|
|
ever get anything out of it now or will ever know it for anything but
|
|
an eyesore and a heartsore. It is a street of perishing blind houses,
|
|
with their eyes stoned out, without a pane of glass, without so much
|
|
as a window-frame, with the bare blank shutters tumbling from their
|
|
hinges and falling asunder, the iron rails peeling away in flakes of
|
|
rust, the chimneys sinking in, the stone steps to every door (and
|
|
every door might be death's door) turning stagnant green, the very
|
|
crutches on which the ruins are propped decaying. Although Bleak
|
|
House was not in Chancery, its master was, and it was stamped with
|
|
the same seal. These are the Great Seal's impressions, my dear, all
|
|
over England--the children know them!"
|
|
|
|
"How changed it is!" I said again.
|
|
|
|
"Why, so it is," he answered much more cheerfully; "and it is wisdom
|
|
in you to keep me to the bright side of the picture." (The idea of my
|
|
wisdom!) "These are things I never talk about or even think about,
|
|
excepting in the growlery here. If you consider it right to mention
|
|
them to Rick and Ada," looking seriously at me, "you can. I leave it
|
|
to your discretion, Esther."
|
|
|
|
"I hope, sir--" said I.
|
|
|
|
"I think you had better call me guardian, my dear."
|
|
|
|
I felt that I was choking again--I taxed myself with it, "Esther,
|
|
now, you know you are!"--when he feigned to say this slightly, as if
|
|
it were a whim instead of a thoughtful tenderness. But I gave the
|
|
housekeeping keys the least shake in the world as a reminder to
|
|
myself, and folding my hands in a still more determined manner on the
|
|
basket, looked at him quietly.
|
|
|
|
"I hope, guardian," said I, "that you may not trust too much to my
|
|
discretion. I hope you may not mistake me. I am afraid it will be a
|
|
disappointment to you to know that I am not clever, but it really is
|
|
the truth, and you would soon find it out if I had not the honesty to
|
|
confess it."
|
|
|
|
He did not seem at all disappointed; quite the contrary. He told me,
|
|
with a smile all over his face, that he knew me very well indeed and
|
|
that I was quite clever enough for him.
|
|
|
|
"I hope I may turn out so," said I, "but I am much afraid of it,
|
|
guardian."
|
|
|
|
"You are clever enough to be the good little woman of our lives here,
|
|
my dear," he returned playfully; "the little old woman of the child's
|
|
(I don't mean Skimpole's) rhyme:
|
|
|
|
|
|
"'Little old woman, and whither so high?'
|
|
'To sweep the cobwebs out of the sky.'
|
|
|
|
|
|
"You will sweep them so neatly out of OUR sky in the course of your
|
|
housekeeping, Esther, that one of these days we shall have to abandon
|
|
the growlery and nail up the door."
|
|
|
|
This was the beginning of my being called Old Woman, and Little Old
|
|
Woman, and Cobweb, and Mrs. Shipton, and Mother Hubbard, and Dame
|
|
Durden, and so many names of that sort that my own name soon became
|
|
quite lost among them.
|
|
|
|
"However," said Mr. Jarndyce, "to return to our gossip. Here's Rick,
|
|
a fine young fellow full of promise. What's to be done with him?"
|
|
|
|
Oh, my goodness, the idea of asking my advice on such a point!
|
|
|
|
"Here he is, Esther," said Mr. Jarndyce, comfortably putting his
|
|
hands into his pockets and stretching out his legs. "He must have a
|
|
profession; he must make some choice for himself. There will be a
|
|
world more wiglomeration about it, I suppose, but it must be done."
|
|
|
|
"More what, guardian?" said I.
|
|
|
|
"More wiglomeration," said he. "It's the only name I know for the
|
|
thing. He is a ward in Chancery, my dear. Kenge and Carboy will have
|
|
something to say about it; Master Somebody--a sort of ridiculous
|
|
sexton, digging graves for the merits of causes in a back room at the
|
|
end of Quality Court, Chancery Lane--will have something to say about
|
|
it; counsel will have something to say about it; the Chancellor will
|
|
have something to say about it; the satellites will have something to
|
|
say about it; they will all have to be handsomely feed, all round,
|
|
about it; the whole thing will be vastly ceremonious, wordy,
|
|
unsatisfactory, and expensive, and I call it, in general,
|
|
wiglomeration. How mankind ever came to be afflicted with
|
|
wiglomeration, or for whose sins these young people ever fell into a
|
|
pit of it, I don't know; so it is."
|
|
|
|
He began to rub his head again and to hint that he felt the wind. But
|
|
it was a delightful instance of his kindness towards me that whether
|
|
he rubbed his head, or walked about, or did both, his face was sure
|
|
to recover its benignant expression as it looked at mine; and he was
|
|
sure to turn comfortable again and put his hands in his pockets and
|
|
stretch out his legs.
|
|
|
|
"Perhaps it would be best, first of all," said I, "to ask Mr. Richard
|
|
what he inclines to himself."
|
|
|
|
"Exactly so," he returned. "That's what I mean! You know, just
|
|
accustom yourself to talk it over, with your tact and in your quiet
|
|
way, with him and Ada, and see what you all make of it. We are sure
|
|
to come at the heart of the matter by your means, little woman."
|
|
|
|
I really was frightened at the thought of the importance I was
|
|
attaining and the number of things that were being confided to me. I
|
|
had not meant this at all; I had meant that he should speak to
|
|
Richard. But of course I said nothing in reply except that I would do
|
|
my best, though I feared (I really felt it necessary to repeat this)
|
|
that he thought me much more sagacious than I was. At which my
|
|
guardian only laughed the pleasantest laugh I ever heard.
|
|
|
|
"Come!" he said, rising and pushing back his chair. "I think we may
|
|
have done with the growlery for one day! Only a concluding word.
|
|
Esther, my dear, do you wish to ask me anything?"
|
|
|
|
He looked so attentively at me that I looked attentively at him and
|
|
felt sure I understood him.
|
|
|
|
"About myself, sir?" said I.
|
|
|
|
"Yes."
|
|
|
|
"Guardian," said I, venturing to put my hand, which was suddenly
|
|
colder than I could have wished, in his, "nothing! I am quite sure
|
|
that if there were anything I ought to know or had any need to know,
|
|
I should not have to ask you to tell it to me. If my whole reliance
|
|
and confidence were not placed in you, I must have a hard heart
|
|
indeed. I have nothing to ask you, nothing in the world."
|
|
|
|
He drew my hand through his arm and we went away to look for Ada.
|
|
From that hour I felt quite easy with him, quite unreserved, quite
|
|
content to know no more, quite happy.
|
|
|
|
We lived, at first, rather a busy life at Bleak House, for we had to
|
|
become acquainted with many residents in and out of the neighbourhood
|
|
who knew Mr. Jarndyce. It seemed to Ada and me that everybody knew
|
|
him who wanted to do anything with anybody else's money. It amazed us
|
|
when we began to sort his letters and to answer some of them for him
|
|
in the growlery of a morning to find how the great object of the
|
|
lives of nearly all his correspondents appeared to be to form
|
|
themselves into committees for getting in and laying out money. The
|
|
ladies were as desperate as the gentlemen; indeed, I think they were
|
|
even more so. They threw themselves into committees in the most
|
|
impassioned manner and collected subscriptions with a vehemence quite
|
|
extraordinary. It appeared to us that some of them must pass their
|
|
whole lives in dealing out subscription-cards to the whole
|
|
post-office directory--shilling cards, half-crown cards,
|
|
half-sovereign cards, penny cards. They wanted everything. They
|
|
wanted wearing apparel, they wanted linen rags, they wanted money,
|
|
they wanted coals, they wanted soup, they wanted interest, they
|
|
wanted autographs, they wanted flannel, they wanted whatever Mr.
|
|
Jarndyce had--or had not. Their objects were as various as their
|
|
demands. They were going to raise new buildings, they were going to
|
|
pay off debts on old buildings, they were going to establish in a
|
|
picturesque building (engraving of proposed west elevation attached)
|
|
the Sisterhood of Mediaeval Marys, they were going to give a
|
|
testimonial to Mrs. Jellyby, they were going to have their
|
|
secretary's portrait painted and presented to his mother-in-law,
|
|
whose deep devotion to him was well known, they were going to get up
|
|
everything, I really believe, from five hundred thousand tracts to an
|
|
annuity and from a marble monument to a silver tea-pot. They took a
|
|
multitude of titles. They were the Women of England, the Daughters of
|
|
Britain, the Sisters of all the cardinal virtues separately, the
|
|
Females of America, the Ladies of a hundred denominations. They
|
|
appeared to be always excited about canvassing and electing. They
|
|
seemed to our poor wits, and according to their own accounts, to be
|
|
constantly polling people by tens of thousands, yet never bringing
|
|
their candidates in for anything. It made our heads ache to think, on
|
|
the whole, what feverish lives they must lead.
|
|
|
|
Among the ladies who were most distinguished for this rapacious
|
|
benevolence (if I may use the expression) was a Mrs. Pardiggle, who
|
|
seemed, as I judged from the number of her letters to Mr. Jarndyce,
|
|
to be almost as powerful a correspondent as Mrs. Jellyby herself. We
|
|
observed that the wind always changed when Mrs. Pardiggle became the
|
|
subject of conversation and that it invariably interrupted Mr.
|
|
Jarndyce and prevented his going any farther, when he had remarked
|
|
that there were two classes of charitable people; one, the people who
|
|
did a little and made a great deal of noise; the other, the people
|
|
who did a great deal and made no noise at all. We were therefore
|
|
curious to see Mrs. Pardiggle, suspecting her to be a type of the
|
|
former class, and were glad when she called one day with her five
|
|
young sons.
|
|
|
|
She was a formidable style of lady with spectacles, a prominent nose,
|
|
and a loud voice, who had the effect of wanting a great deal of room.
|
|
And she really did, for she knocked down little chairs with her
|
|
skirts that were quite a great way off. As only Ada and I were at
|
|
home, we received her timidly, for she seemed to come in like cold
|
|
weather and to make the little Pardiggles blue as they followed.
|
|
|
|
"These, young ladies," said Mrs. Pardiggle with great volubility
|
|
after the first salutations, "are my five boys. You may have seen
|
|
their names in a printed subscription list (perhaps more than one) in
|
|
the possession of our esteemed friend Mr. Jarndyce. Egbert, my eldest
|
|
(twelve), is the boy who sent out his pocket-money, to the amount of
|
|
five and threepence, to the Tockahoopo Indians. Oswald, my second
|
|
(ten and a half), is the child who contributed two and nine-pence to
|
|
the Great National Smithers Testimonial. Francis, my third (nine),
|
|
one and sixpence halfpenny; Felix, my fourth (seven), eightpence to
|
|
the Superannuated Widows; Alfred, my youngest (five), has voluntarily
|
|
enrolled himself in the Infant Bonds of Joy, and is pledged never,
|
|
through life, to use tobacco in any form."
|
|
|
|
We had never seen such dissatisfied children. It was not merely that
|
|
they were weazened and shrivelled--though they were certainly that
|
|
too--but they looked absolutely ferocious with discontent. At the
|
|
mention of the Tockahoopo Indians, I could really have supposed
|
|
Egbert to be one of the most baleful members of that tribe, he gave
|
|
me such a savage frown. The face of each child, as the amount of his
|
|
contribution was mentioned, darkened in a peculiarly vindictive
|
|
manner, but his was by far the worst. I must except, however, the
|
|
little recruit into the Infant Bonds of Joy, who was stolidly and
|
|
evenly miserable.
|
|
|
|
"You have been visiting, I understand," said Mrs. Pardiggle, "at Mrs.
|
|
Jellyby's?"
|
|
|
|
We said yes, we had passed one night there.
|
|
|
|
"Mrs. Jellyby," pursued the lady, always speaking in the same
|
|
demonstrative, loud, hard tone, so that her voice impressed my fancy
|
|
as if it had a sort of spectacles on too--and I may take the
|
|
opportunity of remarking that her spectacles were made the less
|
|
engaging by her eyes being what Ada called "choking eyes," meaning
|
|
very prominent--"Mrs. Jellyby is a benefactor to society and deserves
|
|
a helping hand. My boys have contributed to the African
|
|
project--Egbert, one and six, being the entire allowance of nine
|
|
weeks; Oswald, one and a penny halfpenny, being the same; the rest,
|
|
according to their little means. Nevertheless, I do not go with Mrs.
|
|
Jellyby in all things. I do not go with Mrs. Jellyby in her treatment
|
|
of her young family. It has been noticed. It has been observed that
|
|
her young family are excluded from participation in the objects to
|
|
which she is devoted. She may be right, she may be wrong; but, right
|
|
or wrong, this is not my course with MY young family. I take them
|
|
everywhere."
|
|
|
|
I was afterwards convinced (and so was Ada) that from the
|
|
ill-conditioned eldest child, these words extorted a sharp yell. He
|
|
turned it off into a yawn, but it began as a yell.
|
|
|
|
"They attend matins with me (very prettily done) at half-past six
|
|
o'clock in the morning all the year round, including of course the
|
|
depth of winter," said Mrs. Pardiggle rapidly, "and they are with me
|
|
during the revolving duties of the day. I am a School lady, I am a
|
|
Visiting lady, I am a Reading lady, I am a Distributing lady; I am on
|
|
the local Linen Box Committee and many general committees; and my
|
|
canvassing alone is very extensive--perhaps no one's more so. But
|
|
they are my companions everywhere; and by these means they acquire
|
|
that knowledge of the poor, and that capacity of doing charitable
|
|
business in general--in short, that taste for the sort of
|
|
thing--which will render them in after life a service to their
|
|
neighbours and a satisfaction to themselves. My young family are not
|
|
frivolous; they expend the entire amount of their allowance in
|
|
subscriptions, under my direction; and they have attended as many
|
|
public meetings and listened to as many lectures, orations, and
|
|
discussions as generally fall to the lot of few grown people. Alfred
|
|
(five), who, as I mentioned, has of his own election joined the
|
|
Infant Bonds of Joy, was one of the very few children who manifested
|
|
consciousness on that occasion after a fervid address of two hours
|
|
from the chairman of the evening."
|
|
|
|
Alfred glowered at us as if he never could, or would, forgive the
|
|
injury of that night.
|
|
|
|
"You may have observed, Miss Summerson," said Mrs. Pardiggle, "in
|
|
some of the lists to which I have referred, in the possession of our
|
|
esteemed friend Mr. Jarndyce, that the names of my young family are
|
|
concluded with the name of O. A. Pardiggle, F.R.S., one pound. That
|
|
is their father. We usually observe the same routine. I put down my
|
|
mite first; then my young family enrol their contributions, according
|
|
to their ages and their little means; and then Mr. Pardiggle brings
|
|
up the rear. Mr. Pardiggle is happy to throw in his limited donation,
|
|
under my direction; and thus things are made not only pleasant to
|
|
ourselves, but, we trust, improving to others."
|
|
|
|
Suppose Mr. Pardiggle were to dine with Mr. Jellyby, and suppose Mr.
|
|
Jellyby were to relieve his mind after dinner to Mr. Pardiggle, would
|
|
Mr. Pardiggle, in return, make any confidential communication to Mr.
|
|
Jellyby? I was quite confused to find myself thinking this, but it
|
|
came into my head.
|
|
|
|
"You are very pleasantly situated here!" said Mrs. Pardiggle.
|
|
|
|
We were glad to change the subject, and going to the window, pointed
|
|
out the beauties of the prospect, on which the spectacles appeared to
|
|
me to rest with curious indifference.
|
|
|
|
"You know Mr. Gusher?" said our visitor.
|
|
|
|
We were obliged to say that we had not the pleasure of Mr. Gusher's
|
|
acquaintance.
|
|
|
|
"The loss is yours, I assure you," said Mrs. Pardiggle with her
|
|
commanding deportment. "He is a very fervid, impassioned
|
|
speaker--full of fire! Stationed in a waggon on this lawn, now,
|
|
which, from the shape of the land, is naturally adapted to a public
|
|
meeting, he would improve almost any occasion you could mention for
|
|
hours and hours! By this time, young ladies," said Mrs. Pardiggle,
|
|
moving back to her chair and overturning, as if by invisible agency,
|
|
a little round table at a considerable distance with my work-basket
|
|
on it, "by this time you have found me out, I dare say?"
|
|
|
|
This was really such a confusing question that Ada looked at me in
|
|
perfect dismay. As to the guilty nature of my own consciousness after
|
|
what I had been thinking, it must have been expressed in the colour
|
|
of my cheeks.
|
|
|
|
"Found out, I mean," said Mrs. Pardiggle, "the prominent point in my
|
|
character. I am aware that it is so prominent as to be discoverable
|
|
immediately. I lay myself open to detection, I know. Well! I freely
|
|
admit, I am a woman of business. I love hard work; I enjoy hard work.
|
|
The excitement does me good. I am so accustomed and inured to hard
|
|
work that I don't know what fatigue is."
|
|
|
|
We murmured that it was very astonishing and very gratifying, or
|
|
something to that effect. I don't think we knew what it was either,
|
|
but this is what our politeness expressed.
|
|
|
|
"I do not understand what it is to be tired; you cannot tire me if
|
|
you try!" said Mrs. Pardiggle. "The quantity of exertion (which is no
|
|
exertion to me), the amount of business (which I regard as nothing),
|
|
that I go through sometimes astonishes myself. I have seen my young
|
|
family, and Mr. Pardiggle, quite worn out with witnessing it, when I
|
|
may truly say I have been as fresh as a lark!"
|
|
|
|
If that dark-visaged eldest boy could look more malicious than he had
|
|
already looked, this was the time when he did it. I observed that he
|
|
doubled his right fist and delivered a secret blow into the crown of
|
|
his cap, which was under his left arm.
|
|
|
|
"This gives me a great advantage when I am making my rounds," said
|
|
Mrs. Pardiggle. "If I find a person unwilling to hear what I have to
|
|
say, I tell that person directly, 'I am incapable of fatigue, my good
|
|
friend, I am never tired, and I mean to go on until I have done.' It
|
|
answers admirably! Miss Summerson, I hope I shall have your
|
|
assistance in my visiting rounds immediately, and Miss Clare's very
|
|
soon."
|
|
|
|
At first I tried to excuse myself for the present on the general
|
|
ground of having occupations to attend to which I must not neglect.
|
|
But as this was an ineffectual protest, I then said, more
|
|
particularly, that I was not sure of my qualifications. That I was
|
|
inexperienced in the art of adapting my mind to minds very
|
|
differently situated, and addressing them from suitable points of
|
|
view. That I had not that delicate knowledge of the heart which must
|
|
be essential to such a work. That I had much to learn, myself, before
|
|
I could teach others, and that I could not confide in my good
|
|
intentions alone. For these reasons I thought it best to be as useful
|
|
as I could, and to render what kind services I could to those
|
|
immediately about me, and to try to let that circle of duty gradually
|
|
and naturally expand itself. All this I said with anything but
|
|
confidence, because Mrs. Pardiggle was much older than I, and had
|
|
great experience, and was so very military in her manners.
|
|
|
|
"You are wrong, Miss Summerson," said she, "but perhaps you are not
|
|
equal to hard work or the excitement of it, and that makes a vast
|
|
difference. If you would like to see how I go through my work, I am
|
|
now about--with my young family--to visit a brickmaker in the
|
|
neighbourhood (a very bad character) and shall be glad to take you
|
|
with me. Miss Clare also, if she will do me the favour."
|
|
|
|
Ada and I interchanged looks, and as we were going out in any case,
|
|
accepted the offer. When we hastily returned from putting on our
|
|
bonnets, we found the young family languishing in a corner and Mrs.
|
|
Pardiggle sweeping about the room, knocking down nearly all the light
|
|
objects it contained. Mrs. Pardiggle took possession of Ada, and I
|
|
followed with the family.
|
|
|
|
Ada told me afterwards that Mrs. Pardiggle talked in the same loud
|
|
tone (that, indeed, I overheard) all the way to the brickmaker's
|
|
about an exciting contest which she had for two or three years waged
|
|
against another lady relative to the bringing in of their rival
|
|
candidates for a pension somewhere. There had been a quantity of
|
|
printing, and promising, and proxying, and polling, and it appeared
|
|
to have imparted great liveliness to all concerned, except the
|
|
pensioners--who were not elected yet.
|
|
|
|
I am very fond of being confided in by children and am happy in being
|
|
usually favoured in that respect, but on this occasion it gave me
|
|
great uneasiness. As soon as we were out of doors, Egbert, with the
|
|
manner of a little footpad, demanded a shilling of me on the ground
|
|
that his pocket-money was "boned" from him. On my pointing out the
|
|
great impropriety of the word, especially in connexion with his
|
|
parent (for he added sulkily "By her!"), he pinched me and said, "Oh,
|
|
then! Now! Who are you! YOU wouldn't like it, I think? What does she
|
|
make a sham for, and pretend to give me money, and take it away
|
|
again? Why do you call it my allowance, and never let me spend it?"
|
|
These exasperating questions so inflamed his mind and the minds of
|
|
Oswald and Francis that they all pinched me at once, and in a
|
|
dreadfully expert way--screwing up such little pieces of my arms that
|
|
I could hardly forbear crying out. Felix, at the same time, stamped
|
|
upon my toes. And the Bond of Joy, who on account of always having
|
|
the whole of his little income anticipated stood in fact pledged to
|
|
abstain from cakes as well as tobacco, so swelled with grief and rage
|
|
when we passed a pastry-cook's shop that he terrified me by becoming
|
|
purple. I never underwent so much, both in body and mind, in the
|
|
course of a walk with young people as from these unnaturally
|
|
constrained children when they paid me the compliment of being
|
|
natural.
|
|
|
|
I was glad when we came to the brickmaker's house, though it was one
|
|
of a cluster of wretched hovels in a brick-field, with pigsties close
|
|
to the broken windows and miserable little gardens before the doors
|
|
growing nothing but stagnant pools. Here and there an old tub was put
|
|
to catch the droppings of rain-water from a roof, or they were banked
|
|
up with mud into a little pond like a large dirt-pie. At the doors
|
|
and windows some men and women lounged or prowled about, and took
|
|
little notice of us except to laugh to one another or to say
|
|
something as we passed about gentlefolks minding their own business
|
|
and not troubling their heads and muddying their shoes with coming to
|
|
look after other people's.
|
|
|
|
Mrs. Pardiggle, leading the way with a great show of moral
|
|
determination and talking with much volubility about the untidy
|
|
habits of the people (though I doubted if the best of us could have
|
|
been tidy in such a place), conducted us into a cottage at the
|
|
farthest corner, the ground-floor room of which we nearly filled.
|
|
Besides ourselves, there were in this damp, offensive room a woman
|
|
with a black eye, nursing a poor little gasping baby by the fire; a
|
|
man, all stained with clay and mud and looking very dissipated, lying
|
|
at full length on the ground, smoking a pipe; a powerful young man
|
|
fastening a collar on a dog; and a bold girl doing some kind of
|
|
washing in very dirty water. They all looked up at us as we came in,
|
|
and the woman seemed to turn her face towards the fire as if to hide
|
|
her bruised eye; nobody gave us any welcome.
|
|
|
|
"Well, my friends," said Mrs. Pardiggle, but her voice had not a
|
|
friendly sound, I thought; it was much too business-like and
|
|
systematic. "How do you do, all of you? I am here again. I told you,
|
|
you couldn't tire me, you know. I am fond of hard work, and am true
|
|
to my word."
|
|
|
|
"There an't," growled the man on the floor, whose head rested on his
|
|
hand as he stared at us, "any more on you to come in, is there?"
|
|
|
|
"No, my friend," said Mrs. Pardiggle, seating herself on one stool
|
|
and knocking down another. "We are all here."
|
|
|
|
"Because I thought there warn't enough of you, perhaps?" said the
|
|
man, with his pipe between his lips as he looked round upon us.
|
|
|
|
The young man and the girl both laughed. Two friends of the young
|
|
man, whom we had attracted to the doorway and who stood there with
|
|
their hands in their pockets, echoed the laugh noisily.
|
|
|
|
"You can't tire me, good people," said Mrs. Pardiggle to these
|
|
latter. "I enjoy hard work, and the harder you make mine, the better
|
|
I like it."
|
|
|
|
"Then make it easy for her!" growled the man upon the floor. "I wants
|
|
it done, and over. I wants a end of these liberties took with my
|
|
place. I wants an end of being drawed like a badger. Now you're
|
|
a-going to poll-pry and question according to custom--I know what
|
|
you're a-going to be up to. Well! You haven't got no occasion to be
|
|
up to it. I'll save you the trouble. Is my daughter a-washin? Yes,
|
|
she IS a-washin. Look at the water. Smell it! That's wot we drinks.
|
|
How do you like it, and what do you think of gin instead! An't my
|
|
place dirty? Yes, it is dirty--it's nat'rally dirty, and it's
|
|
nat'rally onwholesome; and we've had five dirty and onwholesome
|
|
children, as is all dead infants, and so much the better for them,
|
|
and for us besides. Have I read the little book wot you left? No, I
|
|
an't read the little book wot you left. There an't nobody here as
|
|
knows how to read it; and if there wos, it wouldn't be suitable to
|
|
me. It's a book fit for a babby, and I'm not a babby. If you was to
|
|
leave me a doll, I shouldn't nuss it. How have I been conducting of
|
|
myself? Why, I've been drunk for three days; and I'da been drunk four
|
|
if I'da had the money. Don't I never mean for to go to church? No, I
|
|
don't never mean for to go to church. I shouldn't be expected there,
|
|
if I did; the beadle's too gen-teel for me. And how did my wife get
|
|
that black eye? Why, I give it her; and if she says I didn't, she's a
|
|
lie!"
|
|
|
|
He had pulled his pipe out of his mouth to say all this, and he now
|
|
turned over on his other side and smoked again. Mrs. Pardiggle, who
|
|
had been regarding him through her spectacles with a forcible
|
|
composure, calculated, I could not help thinking, to increase his
|
|
antagonism, pulled out a good book as if it were a constable's staff
|
|
and took the whole family into custody. I mean into religious
|
|
custody, of course; but she really did it as if she were an
|
|
inexorable moral policeman carrying them all off to a station-house.
|
|
|
|
Ada and I were very uncomfortable. We both felt intrusive and out of
|
|
place, and we both thought that Mrs. Pardiggle would have got on
|
|
infinitely better if she had not had such a mechanical way of taking
|
|
possession of people. The children sulked and stared; the family took
|
|
no notice of us whatever, except when the young man made the dog
|
|
bark, which he usually did when Mrs. Pardiggle was most emphatic. We
|
|
both felt painfully sensible that between us and these people there
|
|
was an iron barrier which could not be removed by our new friend. By
|
|
whom or how it could be removed, we did not know, but we knew that.
|
|
Even what she read and said seemed to us to be ill-chosen for such
|
|
auditors, if it had been imparted ever so modestly and with ever so
|
|
much tact. As to the little book to which the man on the floor had
|
|
referred, we acquired a knowledge of it afterwards, and Mr. Jarndyce
|
|
said he doubted if Robinson Crusoe could have read it, though he had
|
|
had no other on his desolate island.
|
|
|
|
We were much relieved, under these circumstances, when Mrs. Pardiggle
|
|
left off.
|
|
|
|
The man on the floor, then turning his head round again, said
|
|
morosely, "Well! You've done, have you?"
|
|
|
|
"For to-day, I have, my friend. But I am never fatigued. I shall come
|
|
to you again in your regular order," returned Mrs. Pardiggle with
|
|
demonstrative cheerfulness.
|
|
|
|
"So long as you goes now," said he, folding his arms and shutting his
|
|
eyes with an oath, "you may do wot you like!"
|
|
|
|
Mrs. Pardiggle accordingly rose and made a little vortex in the
|
|
confined room from which the pipe itself very narrowly escaped.
|
|
Taking one of her young family in each hand, and telling the others
|
|
to follow closely, and expressing her hope that the brickmaker and
|
|
all his house would be improved when she saw them next, she then
|
|
proceeded to another cottage. I hope it is not unkind in me to say
|
|
that she certainly did make, in this as in everything else, a show
|
|
that was not conciliatory of doing charity by wholesale and of
|
|
dealing in it to a large extent.
|
|
|
|
She supposed that we were following her, but as soon as the space was
|
|
left clear, we approached the woman sitting by the fire to ask if the
|
|
baby were ill.
|
|
|
|
She only looked at it as it lay on her lap. We had observed before
|
|
that when she looked at it she covered her discoloured eye with her
|
|
hand, as though she wished to separate any association with noise and
|
|
violence and ill treatment from the poor little child.
|
|
|
|
Ada, whose gentle heart was moved by its appearance, bent down to
|
|
touch its little face. As she did so, I saw what happened and drew
|
|
her back. The child died.
|
|
|
|
"Oh, Esther!" cried Ada, sinking on her knees beside it. "Look here!
|
|
Oh, Esther, my love, the little thing! The suffering, quiet, pretty
|
|
little thing! I am so sorry for it. I am so sorry for the mother. I
|
|
never saw a sight so pitiful as this before! Oh, baby, baby!"
|
|
|
|
Such compassion, such gentleness, as that with which she bent down
|
|
weeping and put her hand upon the mother's might have softened any
|
|
mother's heart that ever beat. The woman at first gazed at her in
|
|
astonishment and then burst into tears.
|
|
|
|
Presently I took the light burden from her lap, did what I could to
|
|
make the baby's rest the prettier and gentler, laid it on a shelf,
|
|
and covered it with my own handkerchief. We tried to comfort the
|
|
mother, and we whispered to her what Our Saviour said of children.
|
|
She answered nothing, but sat weeping--weeping very much.
|
|
|
|
When I turned, I found that the young man had taken out the dog and
|
|
was standing at the door looking in upon us with dry eyes, but quiet.
|
|
The girl was quiet too and sat in a corner looking on the ground. The
|
|
man had risen. He still smoked his pipe with an air of defiance, but
|
|
he was silent.
|
|
|
|
An ugly woman, very poorly clothed, hurried in while I was glancing
|
|
at them, and coming straight up to the mother, said, "Jenny! Jenny!"
|
|
The mother rose on being so addressed and fell upon the woman's neck.
|
|
|
|
She also had upon her face and arms the marks of ill usage. She had
|
|
no kind of grace about her, but the grace of sympathy; but when she
|
|
condoled with the woman, and her own tears fell, she wanted no
|
|
beauty. I say condoled, but her only words were "Jenny! Jenny!" All
|
|
the rest was in the tone in which she said them.
|
|
|
|
I thought it very touching to see these two women, coarse and shabby
|
|
and beaten, so united; to see what they could be to one another; to
|
|
see how they felt for one another, how the heart of each to each was
|
|
softened by the hard trials of their lives. I think the best side of
|
|
such people is almost hidden from us. What the poor are to the poor
|
|
is little known, excepting to themselves and God.
|
|
|
|
We felt it better to withdraw and leave them uninterrupted. We stole
|
|
out quietly and without notice from any one except the man. He was
|
|
leaning against the wall near the door, and finding that there was
|
|
scarcely room for us to pass, went out before us. He seemed to want
|
|
to hide that he did this on our account, but we perceived that he
|
|
did, and thanked him. He made no answer.
|
|
|
|
Ada was so full of grief all the way home, and Richard, whom we found
|
|
at home, was so distressed to see her in tears (though he said to me,
|
|
when she was not present, how beautiful it was too!), that we
|
|
arranged to return at night with some little comforts and repeat our
|
|
visit at the brick-maker's house. We said as little as we could to
|
|
Mr. Jarndyce, but the wind changed directly.
|
|
|
|
Richard accompanied us at night to the scene of our morning
|
|
expedition. On our way there, we had to pass a noisy drinking-house,
|
|
where a number of men were flocking about the door. Among them, and
|
|
prominent in some dispute, was the father of the little child. At a
|
|
short distance, we passed the young man and the dog, in congenial
|
|
company. The sister was standing laughing and talking with some other
|
|
young women at the corner of the row of cottages, but she seemed
|
|
ashamed and turned away as we went by.
|
|
|
|
We left our escort within sight of the brickmaker's dwelling and
|
|
proceeded by ourselves. When we came to the door, we found the woman
|
|
who had brought such consolation with her standing there looking
|
|
anxiously out.
|
|
|
|
"It's you, young ladies, is it?" she said in a whisper. "I'm
|
|
a-watching for my master. My heart's in my mouth. If he was to catch
|
|
me away from home, he'd pretty near murder me."
|
|
|
|
"Do you mean your husband?" said I.
|
|
|
|
"Yes, miss, my master. Jenny's asleep, quite worn out. She's scarcely
|
|
had the child off her lap, poor thing, these seven days and nights,
|
|
except when I've been able to take it for a minute or two."
|
|
|
|
As she gave way for us, she went softly in and put what we had
|
|
brought near the miserable bed on which the mother slept. No effort
|
|
had been made to clean the room--it seemed in its nature almost
|
|
hopeless of being clean; but the small waxen form from which so much
|
|
solemnity diffused itself had been composed afresh, and washed, and
|
|
neatly dressed in some fragments of white linen; and on my
|
|
handkerchief, which still covered the poor baby, a little bunch of
|
|
sweet herbs had been laid by the same rough, scarred hands, so
|
|
lightly, so tenderly!
|
|
|
|
"May heaven reward you!" we said to her. "You are a good woman."
|
|
|
|
"Me, young ladies?" she returned with surprise. "Hush! Jenny, Jenny!"
|
|
|
|
The mother had moaned in her sleep and moved. The sound of the
|
|
familiar voice seemed to calm her again. She was quiet once more.
|
|
|
|
How little I thought, when I raised my handkerchief to look upon the
|
|
tiny sleeper underneath and seemed to see a halo shine around the
|
|
child through Ada's drooping hair as her pity bent her head--how
|
|
little I thought in whose unquiet bosom that handkerchief would come
|
|
to lie after covering the motionless and peaceful breast! I only
|
|
thought that perhaps the Angel of the child might not be all
|
|
unconscious of the woman who replaced it with so compassionate a
|
|
hand; not all unconscious of her presently, when we had taken leave,
|
|
and left her at the door, by turns looking, and listening in terror
|
|
for herself, and saying in her old soothing manner, "Jenny, Jenny!"
|
|
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
Signs and Tokens
|
|
|
|
|
|
I don't know how it is I seem to be always writing about myself. I
|
|
mean all the time to write about other people, and I try to think
|
|
about myself as little as possible, and I am sure, when I find myself
|
|
coming into the story again, I am really vexed and say, "Dear, dear,
|
|
you tiresome little creature, I wish you wouldn't!" but it is all of
|
|
no use. I hope any one who may read what I write will understand that
|
|
if these pages contain a great deal about me, I can only suppose it
|
|
must be because I have really something to do with them and can't be
|
|
kept out.
|
|
|
|
My darling and I read together, and worked, and practised, and found
|
|
so much employment for our time that the winter days flew by us like
|
|
bright-winged birds. Generally in the afternoons, and always in the
|
|
evenings, Richard gave us his company. Although he was one of the
|
|
most restless creatures in the world, he certainly was very fond of
|
|
our society.
|
|
|
|
He was very, very, very fond of Ada. I mean it, and I had better say
|
|
it at once. I had never seen any young people falling in love before,
|
|
but I found them out quite soon. I could not say so, of course, or
|
|
show that I knew anything about it. On the contrary, I was so demure
|
|
and used to seem so unconscious that sometimes I considered within
|
|
myself while I was sitting at work whether I was not growing quite
|
|
deceitful.
|
|
|
|
But there was no help for it. All I had to do was to be quiet, and I
|
|
was as quiet as a mouse. They were as quiet as mice too, so far as
|
|
any words were concerned, but the innocent manner in which they
|
|
relied more and more upon me as they took more and more to one
|
|
another was so charming that I had great difficulty in not showing
|
|
how it interested me.
|
|
|
|
"Our dear little old woman is such a capital old woman," Richard
|
|
would say, coming up to meet me in the garden early, with his
|
|
pleasant laugh and perhaps the least tinge of a blush, "that I can't
|
|
get on without her. Before I begin my harum-scarum day--grinding away
|
|
at those books and instruments and then galloping up hill and down
|
|
dale, all the country round, like a highwayman--it does me so much
|
|
good to come and have a steady walk with our comfortable friend, that
|
|
here I am again!"
|
|
|
|
"You know, Dame Durden, dear," Ada would say at night, with her head
|
|
upon my shoulder and the firelight shining in her thoughtful eyes, "I
|
|
don't want to talk when we come upstairs here. Only to sit a little
|
|
while thinking, with your dear face for company, and to hear the wind
|
|
and remember the poor sailors at sea--"
|
|
|
|
Ah! Perhaps Richard was going to be a sailor. We had talked it over
|
|
very often now, and there was some talk of gratifying the inclination
|
|
of his childhood for the sea. Mr. Jarndyce had written to a relation
|
|
of the family, a great Sir Leicester Dedlock, for his interest in
|
|
Richard's favour, generally; and Sir Leicester had replied in a
|
|
gracious manner that he would be happy to advance the prospects of
|
|
the young gentleman if it should ever prove to be within his power,
|
|
which was not at all probable, and that my Lady sent her compliments
|
|
to the young gentleman (to whom she perfectly remembered that she was
|
|
allied by remote consanguinity) and trusted that he would ever do his
|
|
duty in any honourable profession to which he might devote himself.
|
|
|
|
"So I apprehend it's pretty clear," said Richard to me, "that I shall
|
|
have to work my own way. Never mind! Plenty of people have had to do
|
|
that before now, and have done it. I only wish I had the command of a
|
|
clipping privateer to begin with and could carry off the Chancellor
|
|
and keep him on short allowance until he gave judgment in our cause.
|
|
He'd find himself growing thin, if he didn't look sharp!"
|
|
|
|
With a buoyancy and hopefulness and a gaiety that hardly ever
|
|
flagged, Richard had a carelessness in his character that quite
|
|
perplexed me, principally because he mistook it, in such a very odd
|
|
way, for prudence. It entered into all his calculations about money
|
|
in a singular manner which I don't think I can better explain than by
|
|
reverting for a moment to our loan to Mr. Skimpole.
|
|
|
|
Mr. Jarndyce had ascertained the amount, either from Mr. Skimpole
|
|
himself or from Coavinses, and had placed the money in my hands with
|
|
instructions to me to retain my own part of it and hand the rest to
|
|
Richard. The number of little acts of thoughtless expenditure which
|
|
Richard justified by the recovery of his ten pounds, and the number
|
|
of times he talked to me as if he had saved or realized that amount,
|
|
would form a sum in simple addition.
|
|
|
|
"My prudent Mother Hubbard, why not?" he said to me when he wanted,
|
|
without the least consideration, to bestow five pounds on the
|
|
brickmaker. "I made ten pounds, clear, out of Coavinses' business."
|
|
|
|
"How was that?" said I.
|
|
|
|
"Why, I got rid of ten pounds which I was quite content to get rid of
|
|
and never expected to see any more. You don't deny that?"
|
|
|
|
"No," said I.
|
|
|
|
"Very well! Then I came into possession of ten pounds--"
|
|
|
|
"The same ten pounds," I hinted.
|
|
|
|
"That has nothing to do with it!" returned Richard. "I have got ten
|
|
pounds more than I expected to have, and consequently I can afford to
|
|
spend it without being particular."
|
|
|
|
In exactly the same way, when he was persuaded out of the sacrifice
|
|
of these five pounds by being convinced that it would do no good, he
|
|
carried that sum to his credit and drew upon it.
|
|
|
|
"Let me see!" he would say. "I saved five pounds out of the
|
|
brickmaker's affair, so if I have a good rattle to London and back in
|
|
a post-chaise and put that down at four pounds, I shall have saved
|
|
one. And it's a very good thing to save one, let me tell you: a penny
|
|
saved is a penny got!"
|
|
|
|
I believe Richard's was as frank and generous a nature as there
|
|
possibly can be. He was ardent and brave, and in the midst of all his
|
|
wild restlessness, was so gentle that I knew him like a brother in a
|
|
few weeks. His gentleness was natural to him and would have shown
|
|
itself abundantly even without Ada's influence; but with it, he
|
|
became one of the most winning of companions, always so ready to be
|
|
interested and always so happy, sanguine, and light-hearted. I am
|
|
sure that I, sitting with them, and walking with them, and talking
|
|
with them, and noticing from day to day how they went on, falling
|
|
deeper and deeper in love, and saying nothing about it, and each
|
|
shyly thinking that this love was the greatest of secrets, perhaps
|
|
not yet suspected even by the other--I am sure that I was scarcely
|
|
less enchanted than they were and scarcely less pleased with the
|
|
pretty dream.
|
|
|
|
We were going on in this way, when one morning at breakfast Mr.
|
|
Jarndyce received a letter, and looking at the superscription, said,
|
|
"From Boythorn? Aye, aye!" and opened and read it with evident
|
|
pleasure, announcing to us in a parenthesis when he was about
|
|
half-way through, that Boythorn was "coming down" on a visit. Now who
|
|
was Boythorn, we all thought. And I dare say we all thought too--I am
|
|
sure I did, for one--would Boythorn at all interfere with what was
|
|
going forward?
|
|
|
|
"I went to school with this fellow, Lawrence Boythorn," said Mr.
|
|
Jarndyce, tapping the letter as he laid it on the table, "more than
|
|
five and forty years ago. He was then the most impetuous boy in the
|
|
world, and he is now the most impetuous man. He was then the loudest
|
|
boy in the world, and he is now the loudest man. He was then the
|
|
heartiest and sturdiest boy in the world, and he is now the heartiest
|
|
and sturdiest man. He is a tremendous fellow."
|
|
|
|
"In stature, sir?" asked Richard.
|
|
|
|
"Pretty well, Rick, in that respect," said Mr. Jarndyce; "being some
|
|
ten years older than I and a couple of inches taller, with his head
|
|
thrown back like an old soldier, his stalwart chest squared, his
|
|
hands like a clean blacksmith's, and his lungs! There's no simile for
|
|
his lungs. Talking, laughing, or snoring, they make the beams of the
|
|
house shake."
|
|
|
|
As Mr. Jarndyce sat enjoying the image of his friend Boythorn, we
|
|
observed the favourable omen that there was not the least indication
|
|
of any change in the wind.
|
|
|
|
"But it's the inside of the man, the warm heart of the man, the
|
|
passion of the man, the fresh blood of the man, Rick--and Ada, and
|
|
little Cobweb too, for you are all interested in a visitor--that I
|
|
speak of," he pursued. "His language is as sounding as his voice. He
|
|
is always in extremes, perpetually in the superlative degree. In his
|
|
condemnation he is all ferocity. You might suppose him to be an ogre
|
|
from what he says, and I believe he has the reputation of one with
|
|
some people. There! I tell you no more of him beforehand. You must
|
|
not be surprised to see him take me under his protection, for he has
|
|
never forgotten that I was a low boy at school and that our
|
|
friendship began in his knocking two of my head tyrant's teeth out
|
|
(he says six) before breakfast. Boythorn and his man," to me, "will
|
|
be here this afternoon, my dear."
|
|
|
|
I took care that the necessary preparations were made for Mr.
|
|
Boythorn's reception, and we looked forward to his arrival with some
|
|
curiosity. The afternoon wore away, however, and he did not appear.
|
|
The dinner-hour arrived, and still he did not appear. The dinner was
|
|
put back an hour, and we were sitting round the fire with no light
|
|
but the blaze when the hall-door suddenly burst open and the hall
|
|
resounded with these words, uttered with the greatest vehemence and
|
|
in a stentorian tone: "We have been misdirected, Jarndyce, by a most
|
|
abandoned ruffian, who told us to take the turning to the right
|
|
instead of to the left. He is the most intolerable scoundrel on the
|
|
face of the earth. His father must have been a most consummate
|
|
villain, ever to have such a son. I would have had that fellow shot
|
|
without the least remorse!"
|
|
|
|
"Did he do it on purpose?" Mr. Jarndyce inquired.
|
|
|
|
"I have not the slightest doubt that the scoundrel has passed his
|
|
whole existence in misdirecting travellers!" returned the other. "By
|
|
my soul, I thought him the worst-looking dog I had ever beheld when
|
|
he was telling me to take the turning to the right. And yet I stood
|
|
before that fellow face to face and didn't knock his brains out!"
|
|
|
|
"Teeth, you mean?" said Mr. Jarndyce.
|
|
|
|
"Ha, ha, ha!" laughed Mr. Lawrence Boythorn, really making the whole
|
|
house vibrate. "What, you have not forgotten it yet! Ha, ha, ha! And
|
|
that was another most consummate vagabond! By my soul, the
|
|
countenance of that fellow when he was a boy was the blackest image
|
|
of perfidy, cowardice, and cruelty ever set up as a scarecrow in a
|
|
field of scoundrels. If I were to meet that most unparalleled despot
|
|
in the streets to-morrow, I would fell him like a rotten tree!"
|
|
|
|
"I have no doubt of it," said Mr. Jarndyce. "Now, will you come
|
|
upstairs?"
|
|
|
|
"By my soul, Jarndyce," returned his guest, who seemed to refer to
|
|
his watch, "if you had been married, I would have turned back at the
|
|
garden-gate and gone away to the remotest summits of the Himalaya
|
|
Mountains sooner than I would have presented myself at this
|
|
unseasonable hour."
|
|
|
|
"Not quite so far, I hope?" said Mr. Jarndyce.
|
|
|
|
"By my life and honour, yes!" cried the visitor. "I wouldn't be
|
|
guilty of the audacious insolence of keeping a lady of the house
|
|
waiting all this time for any earthly consideration. I would
|
|
infinitely rather destroy myself--infinitely rather!"
|
|
|
|
Talking thus, they went upstairs, and presently we heard him in his
|
|
bedroom thundering "Ha, ha, ha!" and again "Ha, ha, ha!" until the
|
|
flattest echo in the neighbourhood seemed to catch the contagion and
|
|
to laugh as enjoyingly as he did or as we did when we heard him
|
|
laugh.
|
|
|
|
We all conceived a prepossession in his favour, for there was a
|
|
sterling quality in this laugh, and in his vigorous, healthy voice,
|
|
and in the roundness and fullness with which he uttered every word he
|
|
spoke, and in the very fury of his superlatives, which seemed to go
|
|
off like blank cannons and hurt nothing. But we were hardly prepared
|
|
to have it so confirmed by his appearance when Mr. Jarndyce presented
|
|
him. He was not only a very handsome old gentleman--upright and
|
|
stalwart as he had been described to us--with a massive grey head, a
|
|
fine composure of face when silent, a figure that might have become
|
|
corpulent but for his being so continually in earnest that he gave it
|
|
no rest, and a chin that might have subsided into a double chin but
|
|
for the vehement emphasis in which it was constantly required to
|
|
assist; but he was such a true gentleman in his manner, so
|
|
chivalrously polite, his face was lighted by a smile of so much
|
|
sweetness and tenderness, and it seemed so plain that he had nothing
|
|
to hide, but showed himself exactly as he was--incapable, as Richard
|
|
said, of anything on a limited scale, and firing away with those
|
|
blank great guns because he carried no small arms whatever--that
|
|
really I could not help looking at him with equal pleasure as he sat
|
|
at dinner, whether he smilingly conversed with Ada and me, or was led
|
|
by Mr. Jarndyce into some great volley of superlatives, or threw up
|
|
his head like a bloodhound and gave out that tremendous "Ha, ha, ha!"
|
|
|
|
"You have brought your bird with you, I suppose?" said Mr. Jarndyce.
|
|
|
|
"By heaven, he is the most astonishing bird in Europe!" replied the
|
|
other. "He IS the most wonderful creature! I wouldn't take ten
|
|
thousand guineas for that bird. I have left an annuity for his sole
|
|
support in case he should outlive me. He is, in sense and attachment,
|
|
a phenomenon. And his father before him was one of the most
|
|
astonishing birds that ever lived!"
|
|
|
|
The subject of this laudation was a very little canary, who was so
|
|
tame that he was brought down by Mr. Boythorn's man, on his
|
|
forefinger, and after taking a gentle flight round the room, alighted
|
|
on his master's head. To hear Mr. Boythorn presently expressing the
|
|
most implacable and passionate sentiments, with this fragile mite of
|
|
a creature quietly perched on his forehead, was to have a good
|
|
illustration of his character, I thought.
|
|
|
|
"By my soul, Jarndyce," he said, very gently holding up a bit of
|
|
bread to the canary to peck at, "if I were in your place I would
|
|
seize every master in Chancery by the throat to-morrow morning and
|
|
shake him until his money rolled out of his pockets and his bones
|
|
rattled in his skin. I would have a settlement out of somebody, by
|
|
fair means or by foul. If you would empower me to do it, I would do
|
|
it for you with the greatest satisfaction!" (All this time the very
|
|
small canary was eating out of his hand.)
|
|
|
|
"I thank you, Lawrence, but the suit is hardly at such a point at
|
|
present," returned Mr. Jarndyce, laughing, "that it would be greatly
|
|
advanced even by the legal process of shaking the bench and the whole
|
|
bar."
|
|
|
|
"There never was such an infernal cauldron as that Chancery on the
|
|
face of the earth!" said Mr. Boythorn. "Nothing but a mine below it
|
|
on a busy day in term time, with all its records, rules, and
|
|
precedents collected in it and every functionary belonging to it
|
|
also, high and low, upward and downward, from its son the
|
|
Accountant-General to its father the Devil, and the whole blown to
|
|
atoms with ten thousand hundredweight of gunpowder, would reform it
|
|
in the least!"
|
|
|
|
It was impossible not to laugh at the energetic gravity with which he
|
|
recommended this strong measure of reform. When we laughed, he threw
|
|
up his head and shook his broad chest, and again the whole country
|
|
seemed to echo to his "Ha, ha, ha!" It had not the least effect in
|
|
disturbing the bird, whose sense of security was complete and who
|
|
hopped about the table with its quick head now on this side and now
|
|
on that, turning its bright sudden eye on its master as if he were no
|
|
more than another bird.
|
|
|
|
"But how do you and your neighbour get on about the disputed right of
|
|
way?" said Mr. Jarndyce. "You are not free from the toils of the law
|
|
yourself!"
|
|
|
|
"The fellow has brought actions against ME for trespass, and I have
|
|
brought actions against HIM for trespass," returned Mr. Boythorn. "By
|
|
heaven, he is the proudest fellow breathing. It is morally impossible
|
|
that his name can be Sir Leicester. It must be Sir Lucifer."
|
|
|
|
"Complimentary to our distant relation!" said my guardian laughingly
|
|
to Ada and Richard.
|
|
|
|
"I would beg Miss Clare's pardon and Mr. Carstone's pardon," resumed
|
|
our visitor, "if I were not reassured by seeing in the fair face of
|
|
the lady and the smile of the gentleman that it is quite unnecessary
|
|
and that they keep their distant relation at a comfortable distance."
|
|
|
|
"Or he keeps us," suggested Richard.
|
|
|
|
"By my soul," exclaimed Mr. Boythorn, suddenly firing another volley,
|
|
"that fellow is, and his father was, and his grandfather was, the
|
|
most stiff-necked, arrogant imbecile, pig-headed numskull, ever, by
|
|
some inexplicable mistake of Nature, born in any station of life but
|
|
a walking-stick's! The whole of that family are the most solemnly
|
|
conceited and consummate blockheads! But it's no matter; he should
|
|
not shut up my path if he were fifty baronets melted into one and
|
|
living in a hundred Chesney Wolds, one within another, like the ivory
|
|
balls in a Chinese carving. The fellow, by his agent, or secretary,
|
|
or somebody, writes to me 'Sir Leicester Dedlock, Baronet, presents
|
|
his compliments to Mr. Lawrence Boythorn, and has to call his
|
|
attention to the fact that the green pathway by the old
|
|
parsonage-house, now the property of Mr. Lawrence Boythorn, is Sir
|
|
Leicester's right of way, being in fact a portion of the park of
|
|
Chesney Wold, and that Sir Leicester finds it convenient to close up
|
|
the same.' I write to the fellow, 'Mr. Lawrence Boythorn presents his
|
|
compliments to Sir Leicester Dedlock, Baronet, and has to call HIS
|
|
attention to the fact that he totally denies the whole of Sir
|
|
Leicester Dedlock's positions on every possible subject and has to
|
|
add, in reference to closing up the pathway, that he will be glad to
|
|
see the man who may undertake to do it.' The fellow sends a most
|
|
abandoned villain with one eye to construct a gateway. I play upon
|
|
that execrable scoundrel with a fire-engine until the breath is
|
|
nearly driven out of his body. The fellow erects a gate in the night.
|
|
I chop it down and burn it in the morning. He sends his myrmidons to
|
|
come over the fence and pass and repass. I catch them in humane man
|
|
traps, fire split peas at their legs, play upon them with the
|
|
engine--resolve to free mankind from the insupportable burden of the
|
|
existence of those lurking ruffians. He brings actions for trespass;
|
|
I bring actions for trespass. He brings actions for assault and
|
|
battery; I defend them and continue to assault and batter. Ha, ha,
|
|
ha!"
|
|
|
|
To hear him say all this with unimaginable energy, one might have
|
|
thought him the angriest of mankind. To see him at the very same
|
|
time, looking at the bird now perched upon his thumb and softly
|
|
smoothing its feathers with his forefinger, one might have thought
|
|
him the gentlest. To hear him laugh and see the broad good nature of
|
|
his face then, one might have supposed that he had not a care in the
|
|
world, or a dispute, or a dislike, but that his whole existence was a
|
|
summer joke.
|
|
|
|
"No, no," he said, "no closing up of my paths by any Dedlock! Though
|
|
I willingly confess," here he softened in a moment, "that Lady
|
|
Dedlock is the most accomplished lady in the world, to whom I would
|
|
do any homage that a plain gentleman, and no baronet with a head
|
|
seven hundred years thick, may. A man who joined his regiment at
|
|
twenty and within a week challenged the most imperious and
|
|
presumptuous coxcomb of a commanding officer that ever drew the
|
|
breath of life through a tight waist--and got broke for it--is not
|
|
the man to be walked over by all the Sir Lucifers, dead or alive,
|
|
locked or unlocked. Ha, ha, ha!"
|
|
|
|
"Nor the man to allow his junior to be walked over either?" said my
|
|
guardian.
|
|
|
|
"Most assuredly not!" said Mr. Boythorn, clapping him on the shoulder
|
|
with an air of protection that had something serious in it, though he
|
|
laughed. "He will stand by the low boy, always. Jarndyce, you may
|
|
rely upon him! But speaking of this trespass--with apologies to Miss
|
|
Clare and Miss Summerson for the length at which I have pursued so
|
|
dry a subject--is there nothing for me from your men Kenge and
|
|
Carboy?"
|
|
|
|
"I think not, Esther?" said Mr. Jarndyce.
|
|
|
|
"Nothing, guardian."
|
|
|
|
"Much obliged!" said Mr. Boythorn. "Had no need to ask, after even my
|
|
slight experience of Miss Summerson's forethought for every one about
|
|
her." (They all encouraged me; they were determined to do it.) "I
|
|
inquired because, coming from Lincolnshire, I of course have not yet
|
|
been in town, and I thought some letters might have been sent down
|
|
here. I dare say they will report progress to-morrow morning."
|
|
|
|
I saw him so often in the course of the evening, which passed very
|
|
pleasantly, contemplate Richard and Ada with an interest and a
|
|
satisfaction that made his fine face remarkably agreeable as he sat
|
|
at a little distance from the piano listening to the music--and he
|
|
had small occasion to tell us that he was passionately fond of music,
|
|
for his face showed it--that I asked my guardian as we sat at the
|
|
backgammon board whether Mr. Boythorn had ever been married.
|
|
|
|
"No," said he. "No."
|
|
|
|
"But he meant to be!" said I.
|
|
|
|
"How did you find out that?" he returned with a smile. "Why,
|
|
guardian," I explained, not without reddening a little at hazarding
|
|
what was in my thoughts, "there is something so tender in his manner,
|
|
after all, and he is so very courtly and gentle to us, and--"
|
|
|
|
Mr. Jarndyce directed his eyes to where he was sitting as I have just
|
|
described him.
|
|
|
|
I said no more.
|
|
|
|
"You are right, little woman," he answered. "He was all but married
|
|
once. Long ago. And once."
|
|
|
|
"Did the lady die?"
|
|
|
|
"No--but she died to him. That time has had its influence on all his
|
|
later life. Would you suppose him to have a head and a heart full of
|
|
romance yet?"
|
|
|
|
"I think, guardian, I might have supposed so. But it is easy to say
|
|
that when you have told me so."
|
|
|
|
"He has never since been what he might have been," said Mr. Jarndyce,
|
|
"and now you see him in his age with no one near him but his servant
|
|
and his little yellow friend. It's your throw, my dear!"
|
|
|
|
I felt, from my guardian's manner, that beyond this point I could not
|
|
pursue the subject without changing the wind. I therefore forbore to
|
|
ask any further questions. I was interested, but not curious. I
|
|
thought a little while about this old love story in the night, when I
|
|
was awakened by Mr. Boythorn's lusty snoring; and I tried to do that
|
|
very difficult thing, imagine old people young again and invested
|
|
with the graces of youth. But I fell asleep before I had succeeded,
|
|
and dreamed of the days when I lived in my godmother's house. I am
|
|
not sufficiently acquainted with such subjects to know whether it is
|
|
at all remarkable that I almost always dreamed of that period of my
|
|
life.
|
|
|
|
With the morning there came a letter from Messrs. Kenge and Carboy to
|
|
Mr. Boythorn informing him that one of their clerks would wait upon
|
|
him at noon. As it was the day of the week on which I paid the bills,
|
|
and added up my books, and made all the household affairs as compact
|
|
as possible, I remained at home while Mr. Jarndyce, Ada, and Richard
|
|
took advantage of a very fine day to make a little excursion, Mr.
|
|
Boythorn was to wait for Kenge and Carboy's clerk and then was to go
|
|
on foot to meet them on their return.
|
|
|
|
Well! I was full of business, examining tradesmen's books, adding up
|
|
columns, paying money, filing receipts, and I dare say making a great
|
|
bustle about it when Mr. Guppy was announced and shown in. I had had
|
|
some idea that the clerk who was to be sent down might be the young
|
|
gentleman who had met me at the coach-office, and I was glad to see
|
|
him, because he was associated with my present happiness.
|
|
|
|
I scarcely knew him again, he was so uncommonly smart. He had an
|
|
entirely new suit of glossy clothes on, a shining hat, lilac-kid
|
|
gloves, a neckerchief of a variety of colours, a large hot-house
|
|
flower in his button-hole, and a thick gold ring on his little
|
|
finger. Besides which, he quite scented the dining-room with
|
|
bear's-grease and other perfumery. He looked at me with an attention
|
|
that quite confused me when I begged him to take a seat until the
|
|
servant should return; and as he sat there crossing and uncrossing
|
|
his legs in a corner, and I asked him if he had had a pleasant ride,
|
|
and hoped that Mr. Kenge was well, I never looked at him, but I found
|
|
him looking at me in the same scrutinizing and curious way.
|
|
|
|
When the request was brought to him that he would go upstairs to Mr.
|
|
Boythorn's room, I mentioned that he would find lunch prepared for
|
|
him when he came down, of which Mr. Jarndyce hoped he would partake.
|
|
He said with some embarrassment, holding the handle of the door,
|
|
"Shall I have the honour of finding you here, miss?" I replied yes, I
|
|
should be there; and he went out with a bow and another look.
|
|
|
|
I thought him only awkward and shy, for he was evidently much
|
|
embarrassed; and I fancied that the best thing I could do would be to
|
|
wait until I saw that he had everything he wanted and then to leave
|
|
him to himself. The lunch was soon brought, but it remained for some
|
|
time on the table. The interview with Mr. Boythorn was a long one,
|
|
and a stormy one too, I should think, for although his room was at
|
|
some distance I heard his loud voice rising every now and then like a
|
|
high wind, and evidently blowing perfect broadsides of denunciation.
|
|
|
|
At last Mr. Guppy came back, looking something the worse for the
|
|
conference. "My eye, miss," he said in a low voice, "he's a Tartar!"
|
|
|
|
"Pray take some refreshment, sir," said I.
|
|
|
|
Mr. Guppy sat down at the table and began nervously sharpening the
|
|
carving-knife on the carving-fork, still looking at me (as I felt
|
|
quite sure without looking at him) in the same unusual manner. The
|
|
sharpening lasted so long that at last I felt a kind of obligation on
|
|
me to raise my eyes in order that I might break the spell under which
|
|
he seemed to labour, of not being able to leave off.
|
|
|
|
He immediately looked at the dish and began to carve.
|
|
|
|
"What will you take yourself, miss? You'll take a morsel of
|
|
something?"
|
|
|
|
"No, thank you," said I.
|
|
|
|
"Shan't I give you a piece of anything at all, miss?" said Mr. Guppy,
|
|
hurriedly drinking off a glass of wine.
|
|
|
|
"Nothing, thank you," said I. "I have only waited to see that you
|
|
have everything you want. Is there anything I can order for you?"
|
|
|
|
"No, I am much obliged to you, miss, I'm sure. I've everything that I
|
|
can require to make me comfortable--at least I--not comfortable--I'm
|
|
never that." He drank off two more glasses of wine, one after
|
|
another.
|
|
|
|
I thought I had better go.
|
|
|
|
"I beg your pardon, miss!" said Mr. Guppy, rising when he saw me
|
|
rise. "But would you allow me the favour of a minute's private
|
|
conversation?"
|
|
|
|
Not knowing what to say, I sat down again.
|
|
|
|
"What follows is without prejudice, miss?" said Mr. Guppy, anxiously
|
|
bringing a chair towards my table.
|
|
|
|
"I don't understand what you mean," said I, wondering.
|
|
|
|
"It's one of our law terms, miss. You won't make any use of it to my
|
|
detriment at Kenge and Carboy's or elsewhere. If our conversation
|
|
shouldn't lead to anything, I am to be as I was and am not to be
|
|
prejudiced in my situation or worldly prospects. In short, it's in
|
|
total confidence."
|
|
|
|
"I am at a loss, sir," said I, "to imagine what you can have to
|
|
communicate in total confidence to me, whom you have never seen but
|
|
once; but I should be very sorry to do you any injury."
|
|
|
|
"Thank you, miss. I'm sure of it--that's quite sufficient." All this
|
|
time Mr. Guppy was either planing his forehead with his handkerchief
|
|
or tightly rubbing the palm of his left hand with the palm of his
|
|
right. "If you would excuse my taking another glass of wine, miss, I
|
|
think it might assist me in getting on without a continual choke that
|
|
cannot fail to be mutually unpleasant."
|
|
|
|
He did so, and came back again. I took the opportunity of moving well
|
|
behind my table.
|
|
|
|
"You wouldn't allow me to offer you one, would you miss?" said Mr.
|
|
Guppy, apparently refreshed.
|
|
|
|
"Not any," said I.
|
|
|
|
"Not half a glass?" said Mr. Guppy. "Quarter? No! Then, to proceed.
|
|
My present salary, Miss Summerson, at Kenge and Carboy's, is two
|
|
pound a week. When I first had the happiness of looking upon you, it
|
|
was one fifteen, and had stood at that figure for a lengthened
|
|
period. A rise of five has since taken place, and a further rise of
|
|
five is guaranteed at the expiration of a term not exceeding twelve
|
|
months from the present date. My mother has a little property, which
|
|
takes the form of a small life annuity, upon which she lives in an
|
|
independent though unassuming manner in the Old Street Road. She is
|
|
eminently calculated for a mother-in-law. She never interferes, is
|
|
all for peace, and her disposition easy. She has her failings--as who
|
|
has not?--but I never knew her do it when company was present, at
|
|
which time you may freely trust her with wines, spirits, or malt
|
|
liquors. My own abode is lodgings at Penton Place, Pentonville. It is
|
|
lowly, but airy, open at the back, and considered one of the
|
|
'ealthiest outlets. Miss Summerson! In the mildest language, I adore
|
|
you. Would you be so kind as to allow me (as I may say) to file a
|
|
declaration--to make an offer!"
|
|
|
|
Mr. Guppy went down on his knees. I was well behind my table and not
|
|
much frightened. I said, "Get up from that ridiculous position
|
|
immediately, sir, or you will oblige me to break my implied promise
|
|
and ring the bell!"
|
|
|
|
"Hear me out, miss!" said Mr. Guppy, folding his hands.
|
|
|
|
"I cannot consent to hear another word, sir," I returned, "Unless you
|
|
get up from the carpet directly and go and sit down at the table as
|
|
you ought to do if you have any sense at all."
|
|
|
|
He looked piteously, but slowly rose and did so.
|
|
|
|
"Yet what a mockery it is, miss," he said with his hand upon his
|
|
heart and shaking his head at me in a melancholy manner over the
|
|
tray, "to be stationed behind food at such a moment. The soul recoils
|
|
from food at such a moment, miss."
|
|
|
|
"I beg you to conclude," said I; "you have asked me to hear you out,
|
|
and I beg you to conclude."
|
|
|
|
"I will, miss," said Mr. Guppy. "As I love and honour, so likewise I
|
|
obey. Would that I could make thee the subject of that vow before the
|
|
shrine!"
|
|
|
|
"That is quite impossible," said I, "and entirely out of the
|
|
question."
|
|
|
|
"I am aware," said Mr. Guppy, leaning forward over the tray and
|
|
regarding me, as I again strangely felt, though my eyes were not
|
|
directed to him, with his late intent look, "I am aware that in a
|
|
worldly point of view, according to all appearances, my offer is a
|
|
poor one. But, Miss Summerson! Angel! No, don't ring--I have been
|
|
brought up in a sharp school and am accustomed to a variety of
|
|
general practice. Though a young man, I have ferreted out evidence,
|
|
got up cases, and seen lots of life. Blest with your hand, what means
|
|
might I not find of advancing your interests and pushing your
|
|
fortunes! What might I not get to know, nearly concerning you? I know
|
|
nothing now, certainly; but what MIGHT I not if I had your
|
|
confidence, and you set me on?"
|
|
|
|
I told him that he addressed my interest or what he supposed to be my
|
|
interest quite as unsuccessfully as he addressed my inclination, and
|
|
he would now understand that I requested him, if he pleased, to go
|
|
away immediately.
|
|
|
|
"Cruel miss," said Mr. Guppy, "hear but another word! I think you
|
|
must have seen that I was struck with those charms on the day when I
|
|
waited at the Whytorseller. I think you must have remarked that I
|
|
could not forbear a tribute to those charms when I put up the steps
|
|
of the 'ackney-coach. It was a feeble tribute to thee, but it was
|
|
well meant. Thy image has ever since been fixed in my breast. I have
|
|
walked up and down of an evening opposite Jellyby's house only to
|
|
look upon the bricks that once contained thee. This out of to-day,
|
|
quite an unnecessary out so far as the attendance, which was its
|
|
pretended object, went, was planned by me alone for thee alone. If I
|
|
speak of interest, it is only to recommend myself and my respectful
|
|
wretchedness. Love was before it, and is before it."
|
|
|
|
"I should be pained, Mr. Guppy," said I, rising and putting my hand
|
|
upon the bell-rope, "to do you or any one who was sincere the
|
|
injustice of slighting any honest feeling, however disagreeably
|
|
expressed. If you have really meant to give me a proof of your good
|
|
opinion, though ill-timed and misplaced, I feel that I ought to thank
|
|
you. I have very little reason to be proud, and I am not proud. I
|
|
hope," I think I added, without very well knowing what I said, "that
|
|
you will now go away as if you had never been so exceedingly foolish
|
|
and attend to Messrs. Kenge and Carboy's business."
|
|
|
|
"Half a minute, miss!" cried Mr. Guppy, checking me as I was about to
|
|
ring. "This has been without prejudice?"
|
|
|
|
"I will never mention it," said I, "unless you should give me future
|
|
occasion to do so."
|
|
|
|
"A quarter of a minute, miss! In case you should think better at any
|
|
time, however distant--THAT'S no consequence, for my feelings can
|
|
never alter--of anything I have said, particularly what might I not
|
|
do, Mr. William Guppy, eighty-seven, Penton Place, or if removed, or
|
|
dead (of blighted hopes or anything of that sort), care of Mrs.
|
|
Guppy, three hundred and two, Old Street Road, will be sufficient."
|
|
|
|
I rang the bell, the servant came, and Mr. Guppy, laying his written
|
|
card upon the table and making a dejected bow, departed. Raising my
|
|
eyes as he went out, I once more saw him looking at me after he had
|
|
passed the door.
|
|
|
|
I sat there for another hour or more, finishing my books and payments
|
|
and getting through plenty of business. Then I arranged my desk, and
|
|
put everything away, and was so composed and cheerful that I thought
|
|
I had quite dismissed this unexpected incident. But, when I went
|
|
upstairs to my own room, I surprised myself by beginning to laugh
|
|
about it and then surprised myself still more by beginning to cry
|
|
about it. In short, I was in a flutter for a little while and felt as
|
|
if an old chord had been more coarsely touched than it ever had been
|
|
since the days of the dear old doll, long buried in the garden.
|
|
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
The Law-Writer
|
|
|
|
|
|
On the eastern borders of Chancery Lane, that is to say, more
|
|
particularly in Cook's Court, Cursitor Street, Mr. Snagsby,
|
|
law-stationer, pursues his lawful calling. In the shade of Cook's
|
|
Court, at most times a shady place, Mr. Snagsby has dealt in
|
|
all sorts of blank forms of legal process; in skins and rolls
|
|
of parchment; in paper--foolscap, brief, draft, brown, white,
|
|
whitey-brown, and blotting; in stamps; in office-quills, pens,
|
|
ink, India-rubber, pounce, pins, pencils, sealing-wax, and
|
|
wafers; in red tape and green ferret; in pocket-books, almanacs,
|
|
diaries, and law lists; in string boxes, rulers, inkstands--glass
|
|
and leaden--pen-knives, scissors, bodkins, and other small
|
|
office-cutlery; in short, in articles too numerous to mention, ever
|
|
since he was out of his time and went into partnership with Peffer.
|
|
On that occasion, Cook's Court was in a manner revolutionized by the
|
|
new inscription in fresh paint, PEFFER AND SNAGSBY, displacing the
|
|
time-honoured and not easily to be deciphered legend PEFFER only. For
|
|
smoke, which is the London ivy, had so wreathed itself round Peffer's
|
|
name and clung to his dwelling-place that the affectionate parasite
|
|
quite overpowered the parent tree.
|
|
|
|
Peffer is never seen in Cook's Court now. He is not expected there,
|
|
for he has been recumbent this quarter of a century in the churchyard
|
|
of St. Andrews, Holborn, with the waggons and hackney-coaches roaring
|
|
past him all the day and half the night like one great dragon. If he
|
|
ever steal forth when the dragon is at rest to air himself again in
|
|
Cook's Court until admonished to return by the crowing of the
|
|
sanguine cock in the cellar at the little dairy in Cursitor Street,
|
|
whose ideas of daylight it would be curious to ascertain, since he
|
|
knows from his personal observation next to nothing about it--if
|
|
Peffer ever do revisit the pale glimpses of Cook's Court, which no
|
|
law-stationer in the trade can positively deny, he comes invisibly,
|
|
and no one is the worse or wiser.
|
|
|
|
In his lifetime, and likewise in the period of Snagsby's "time"
|
|
of seven long years, there dwelt with Peffer in the same
|
|
law-stationering premises a niece--a short, shrewd niece, something
|
|
too violently compressed about the waist, and with a sharp nose like
|
|
a sharp autumn evening, inclining to be frosty towards the end. The
|
|
Cook's Courtiers had a rumour flying among them that the mother of
|
|
this niece did, in her daughter's childhood, moved by too jealous a
|
|
solicitude that her figure should approach perfection, lace her
|
|
up every morning with her maternal foot against the bed-post for
|
|
a stronger hold and purchase; and further, that she exhibited
|
|
internally pints of vinegar and lemon-juice, which acids, they held,
|
|
had mounted to the nose and temper of the patient. With whichsoever
|
|
of the many tongues of Rumour this frothy report originated, it
|
|
either never reached or never influenced the ears of young Snagsby,
|
|
who, having wooed and won its fair subject on his arrival at man's
|
|
estate, entered into two partnerships at once. So now, in Cook's
|
|
Court, Cursitor Street, Mr. Snagsby and the niece are one; and the
|
|
niece still cherishes her figure, which, however tastes may differ,
|
|
is unquestionably so far precious that there is mighty little of it.
|
|
|
|
Mr. and Mrs. Snagsby are not only one bone and one flesh, but, to the
|
|
neighbours' thinking, one voice too. That voice, appearing to proceed
|
|
from Mrs. Snagsby alone, is heard in Cook's Court very often. Mr.
|
|
Snagsby, otherwise than as he finds expression through these dulcet
|
|
tones, is rarely heard. He is a mild, bald, timid man with a shining
|
|
head and a scrubby clump of black hair sticking out at the back. He
|
|
tends to meekness and obesity. As he stands at his door in Cook's
|
|
Court in his grey shop-coat and black calico sleeves, looking up at
|
|
the clouds, or stands behind a desk in his dark shop with a heavy
|
|
flat ruler, snipping and slicing at sheepskin in company with his two
|
|
'prentices, he is emphatically a retiring and unassuming man. From
|
|
beneath his feet, at such times, as from a shrill ghost unquiet in
|
|
its grave, there frequently arise complainings and lamentations in
|
|
the voice already mentioned; and haply, on some occasions when these
|
|
reach a sharper pitch than usual, Mr. Snagsby mentions to the
|
|
'prentices, "I think my little woman is a-giving it to Guster!"
|
|
|
|
This proper name, so used by Mr. Snagsby, has before now sharpened
|
|
the wit of the Cook's Courtiers to remark that it ought to be the
|
|
name of Mrs. Snagsby, seeing that she might with great force and
|
|
expression be termed a Guster, in compliment to her stormy character.
|
|
It is, however, the possession, and the only possession except fifty
|
|
shillings per annum and a very small box indifferently filled with
|
|
clothing, of a lean young woman from a workhouse (by some supposed to
|
|
have been christened Augusta) who, although she was farmed or
|
|
contracted for during her growing time by an amiable benefactor of
|
|
his species resident at Tooting, and cannot fail to have been
|
|
developed under the most favourable circumstances, "has fits," which
|
|
the parish can't account for.
|
|
|
|
Guster, really aged three or four and twenty, but looking a round ten
|
|
years older, goes cheap with this unaccountable drawback of fits, and
|
|
is so apprehensive of being returned on the hands of her patron saint
|
|
that except when she is found with her head in the pail, or the sink,
|
|
or the copper, or the dinner, or anything else that happens to be
|
|
near her at the time of her seizure, she is always at work. She is a
|
|
satisfaction to the parents and guardians of the 'prentices, who feel
|
|
that there is little danger of her inspiring tender emotions in the
|
|
breast of youth; she is a satisfaction to Mrs. Snagsby, who can
|
|
always find fault with her; she is a satisfaction to Mr. Snagsby, who
|
|
thinks it a charity to keep her. The law-stationer's establishment
|
|
is, in Guster's eyes, a temple of plenty and splendour. She believes
|
|
the little drawing-room upstairs, always kept, as one may say, with
|
|
its hair in papers and its pinafore on, to be the most elegant
|
|
apartment in Christendom. The view it commands of Cook's Court at one
|
|
end (not to mention a squint into Cursitor Street) and of Coavinses'
|
|
the sheriff's officer's backyard at the other she regards as a
|
|
prospect of unequalled beauty. The portraits it displays in oil--and
|
|
plenty of it too--of Mr. Snagsby looking at Mrs. Snagsby and of Mrs.
|
|
Snagsby looking at Mr. Snagsby are in her eyes as achievements of
|
|
Raphael or Titian. Guster has some recompenses for her many
|
|
privations.
|
|
|
|
Mr. Snagsby refers everything not in the practical mysteries of the
|
|
business to Mrs. Snagsby. She manages the money, reproaches the
|
|
tax-gatherers, appoints the times and places of devotion on Sundays,
|
|
licenses Mr. Snagsby's entertainments, and acknowledges no
|
|
responsibility as to what she thinks fit to provide for dinner,
|
|
insomuch that she is the high standard of comparison among the
|
|
neighbouring wives a long way down Chancery Lane on both sides, and
|
|
even out in Holborn, who in any domestic passages of arms habitually
|
|
call upon their husbands to look at the difference between their (the
|
|
wives') position and Mrs. Snagsby's, and their (the husbands')
|
|
behaviour and Mr. Snagsby's. Rumour, always flying bat-like about
|
|
Cook's Court and skimming in and out at everybody's windows, does say
|
|
that Mrs. Snagsby is jealous and inquisitive and that Mr. Snagsby is
|
|
sometimes worried out of house and home, and that if he had the
|
|
spirit of a mouse he wouldn't stand it. It is even observed that the
|
|
wives who quote him to their self-willed husbands as a shining
|
|
example in reality look down upon him and that nobody does so with
|
|
greater superciliousness than one particular lady whose lord is more
|
|
than suspected of laying his umbrella on her as an instrument of
|
|
correction. But these vague whisperings may arise from Mr. Snagsby's
|
|
being in his way rather a meditative and poetical man, loving to walk
|
|
in Staple Inn in the summer-time and to observe how countrified the
|
|
sparrows and the leaves are, also to lounge about the Rolls Yard of a
|
|
Sunday afternoon and to remark (if in good spirits) that there were
|
|
old times once and that you'd find a stone coffin or two now under
|
|
that chapel, he'll be bound, if you was to dig for it. He solaces his
|
|
imagination, too, by thinking of the many Chancellors and Vices, and
|
|
Masters of the Rolls who are deceased; and he gets such a flavour of
|
|
the country out of telling the two 'prentices how he HAS heard say
|
|
that a brook "as clear as crystal" once ran right down the middle of
|
|
Holborn, when Turnstile really was a turnstile, leading slap away
|
|
into the meadows--gets such a flavour of the country out of this that
|
|
he never wants to go there.
|
|
|
|
The day is closing in and the gas is lighted, but is not yet fully
|
|
effective, for it is not quite dark. Mr. Snagsby standing at his
|
|
shop-door looking up at the clouds sees a crow who is out late skim
|
|
westward over the slice of sky belonging to Cook's Court. The crow
|
|
flies straight across Chancery Lane and Lincoln's Inn Garden into
|
|
Lincoln's Inn Fields.
|
|
|
|
Here, in a large house, formerly a house of state, lives Mr.
|
|
Tulkinghorn. It is let off in sets of chambers now, and in those
|
|
shrunken fragments of its greatness, lawyers lie like maggots in
|
|
nuts. But its roomy staircases, passages, and antechambers still
|
|
remain; and even its painted ceilings, where Allegory, in Roman
|
|
helmet and celestial linen, sprawls among balustrades and pillars,
|
|
flowers, clouds, and big-legged boys, and makes the head ache--as
|
|
would seem to be Allegory's object always, more or less. Here, among
|
|
his many boxes labelled with transcendent names, lives Mr.
|
|
Tulkinghorn, when not speechlessly at home in country-houses where
|
|
the great ones of the earth are bored to death. Here he is to-day,
|
|
quiet at his table. An oyster of the old school whom nobody can open.
|
|
|
|
Like as he is to look at, so is his apartment in the dusk of
|
|
the present afternoon. Rusty, out of date, withdrawing from
|
|
attention, able to afford it. Heavy, broad-backed, old-fashioned,
|
|
mahogany-and-horsehair chairs, not easily lifted; obsolete tables
|
|
with spindle-legs and dusty baize covers; presentation prints of the
|
|
holders of great titles in the last generation or the last but one,
|
|
environ him. A thick and dingy Turkey-carpet muffles the floor where
|
|
he sits, attended by two candles in old-fashioned silver candlesticks
|
|
that give a very insufficient light to his large room. The titles on
|
|
the backs of his books have retired into the binding; everything that
|
|
can have a lock has got one; no key is visible. Very few loose papers
|
|
are about. He has some manuscript near him, but is not referring
|
|
to it. With the round top of an inkstand and two broken bits of
|
|
sealing-wax he is silently and slowly working out whatever train of
|
|
indecision is in his mind. Now the inkstand top is in the middle, now
|
|
the red bit of sealing-wax, now the black bit. That's not it. Mr.
|
|
Tulkinghorn must gather them all up and begin again.
|
|
|
|
Here, beneath the painted ceiling, with foreshortened Allegory
|
|
staring down at his intrusion as if it meant to swoop upon him, and
|
|
he cutting it dead, Mr. Tulkinghorn has at once his house and office.
|
|
He keeps no staff, only one middle-aged man, usually a little out at
|
|
elbows, who sits in a high pew in the hall and is rarely overburdened
|
|
with business. Mr. Tulkinghorn is not in a common way. He wants no
|
|
clerks. He is a great reservoir of confidences, not to be so tapped.
|
|
His clients want HIM; he is all in all. Drafts that he requires to be
|
|
drawn are drawn by special-pleaders in the temple on mysterious
|
|
instructions; fair copies that he requires to be made are made at the
|
|
stationers', expense being no consideration. The middle-aged man in
|
|
the pew knows scarcely more of the affairs of the peerage than any
|
|
crossing-sweeper in Holborn.
|
|
|
|
The red bit, the black bit, the inkstand top, the other inkstand top,
|
|
the little sand-box. So! You to the middle, you to the right, you to
|
|
the left. This train of indecision must surely be worked out now or
|
|
never. Now! Mr. Tulkinghorn gets up, adjusts his spectacles, puts on
|
|
his hat, puts the manuscript in his pocket, goes out, tells the
|
|
middle-aged man out at elbows, "I shall be back presently." Very
|
|
rarely tells him anything more explicit.
|
|
|
|
Mr. Tulkinghorn goes, as the crow came--not quite so straight, but
|
|
nearly--to Cook's Court, Cursitor Street. To Snagsby's,
|
|
Law-Stationer's, Deeds engrossed and copied, Law-Writing executed in
|
|
all its branches, &c., &c., &c.
|
|
|
|
It is somewhere about five or six o'clock in the afternoon, and a
|
|
balmy fragrance of warm tea hovers in Cook's Court. It hovers about
|
|
Snagsby's door. The hours are early there: dinner at half-past one
|
|
and supper at half-past nine. Mr. Snagsby was about to descend into
|
|
the subterranean regions to take tea when he looked out of his door
|
|
just now and saw the crow who was out late.
|
|
|
|
"Master at home?"
|
|
|
|
Guster is minding the shop, for the 'prentices take tea in the
|
|
kitchen with Mr. and Mrs. Snagsby; consequently, the robe-maker's two
|
|
daughters, combing their curls at the two glasses in the two
|
|
second-floor windows of the opposite house, are not driving the two
|
|
'prentices to distraction as they fondly suppose, but are merely
|
|
awakening the unprofitable admiration of Guster, whose hair won't
|
|
grow, and never would, and it is confidently thought, never will.
|
|
|
|
"Master at home?" says Mr. Tulkinghorn.
|
|
|
|
Master is at home, and Guster will fetch him. Guster disappears, glad
|
|
to get out of the shop, which she regards with mingled dread and
|
|
veneration as a storehouse of awful implements of the great torture
|
|
of the law--a place not to be entered after the gas is turned off.
|
|
|
|
Mr. Snagsby appears, greasy, warm, herbaceous, and chewing. Bolts a
|
|
bit of bread and butter. Says, "Bless my soul, sir! Mr. Tulkinghorn!"
|
|
|
|
"I want half a word with you, Snagsby."
|
|
|
|
"Certainly, sir! Dear me, sir, why didn't you send your young man
|
|
round for me? Pray walk into the back shop, sir." Snagsby has
|
|
brightened in a moment.
|
|
|
|
The confined room, strong of parchment-grease, is warehouse,
|
|
counting-house, and copying-office. Mr. Tulkinghorn sits, facing
|
|
round, on a stool at the desk.
|
|
|
|
"Jarndyce and Jarndyce, Snagsby."
|
|
|
|
"Yes, sir." Mr. Snagsby turns up the gas and coughs behind his hand,
|
|
modestly anticipating profit. Mr. Snagsby, as a timid man, is
|
|
accustomed to cough with a variety of expressions, and so to save
|
|
words.
|
|
|
|
"You copied some affidavits in that cause for me lately."
|
|
|
|
"Yes, sir, we did."
|
|
|
|
"There was one of them," says Mr. Tulkinghorn, carelessly
|
|
feeling--tight, unopenable oyster of the old school!--in the wrong
|
|
coat-pocket, "the handwriting of which is peculiar, and I rather
|
|
like. As I happened to be passing, and thought I had it about me, I
|
|
looked in to ask you--but I haven't got it. No matter, any other time
|
|
will do. Ah! here it is! I looked in to ask you who copied this."
|
|
|
|
"Who copied this, sir?" says Mr. Snagsby, taking it, laying it flat
|
|
on the desk, and separating all the sheets at once with a twirl and a
|
|
twist of the left hand peculiar to lawstationers. "We gave this out,
|
|
sir. We were giving out rather a large quantity of work just at that
|
|
time. I can tell you in a moment who copied it, sir, by referring to
|
|
my book."
|
|
|
|
Mr. Snagsby takes his book down from the safe, makes another bolt of
|
|
the bit of bread and butter which seemed to have stopped short, eyes
|
|
the affidavit aside, and brings his right forefinger travelling down
|
|
a page of the book, "Jewby--Packer--Jarndyce."
|
|
|
|
"Jarndyce! Here we are, sir," says Mr. Snagsby. "To be sure! I might
|
|
have remembered it. This was given out, sir, to a writer who lodges
|
|
just over on the opposite side of the lane."
|
|
|
|
Mr. Tulkinghorn has seen the entry, found it before the
|
|
law-stationer, read it while the forefinger was coming down the hill.
|
|
|
|
"WHAT do you call him? Nemo?" says Mr. Tulkinghorn. "Nemo, sir. Here
|
|
it is. Forty-two folio. Given out on the Wednesday night at eight
|
|
o'clock, brought in on the Thursday morning at half after nine."
|
|
|
|
"Nemo!" repeats Mr. Tulkinghorn. "Nemo is Latin for no one."
|
|
|
|
"It must be English for some one, sir, I think," Mr. Snagsby submits
|
|
with his deferential cough. "It is a person's name. Here it is, you
|
|
see, sir! Forty-two folio. Given out Wednesday night, eight o'clock;
|
|
brought in Thursday morning, half after nine."
|
|
|
|
The tail of Mr. Snagsby's eye becomes conscious of the head of Mrs.
|
|
Snagsby looking in at the shop-door to know what he means by
|
|
deserting his tea. Mr. Snagsby addresses an explanatory cough to Mrs.
|
|
Snagsby, as who should say, "My dear, a customer!"
|
|
|
|
"Half after nine, sir," repeats Mr. Snagsby. "Our law-writers, who
|
|
live by job-work, are a queer lot; and this may not be his name, but
|
|
it's the name he goes by. I remember now, sir, that he gives it in a
|
|
written advertisement he sticks up down at the Rule Office, and the
|
|
King's Bench Office, and the Judges' Chambers, and so forth. You know
|
|
the kind of document, sir--wanting employ?"
|
|
|
|
Mr. Tulkinghorn glances through the little window at the back of
|
|
Coavinses', the sheriff's officer's, where lights shine in Coavinses'
|
|
windows. Coavinses' coffee-room is at the back, and the shadows of
|
|
several gentlemen under a cloud loom cloudily upon the blinds. Mr.
|
|
Snagsby takes the opportunity of slightly turning his head to glance
|
|
over his shoulder at his little woman and to make apologetic motions
|
|
with his mouth to this effect: "Tul-king-horn--rich--in-flu-en-tial!"
|
|
|
|
"Have you given this man work before?" asks Mr. Tulkinghorn.
|
|
|
|
"Oh, dear, yes, sir! Work of yours."
|
|
|
|
"Thinking of more important matters, I forget where you said he
|
|
lived?"
|
|
|
|
"Across the lane, sir. In fact, he lodges at a--" Mr. Snagsby makes
|
|
another bolt, as if the bit of bread and butter were insurmountable
|
|
"--at a rag and bottle shop."
|
|
|
|
"Can you show me the place as I go back?"
|
|
|
|
"With the greatest pleasure, sir!"
|
|
|
|
Mr. Snagsby pulls off his sleeves and his grey coat, pulls on his
|
|
black coat, takes his hat from its peg. "Oh! Here is my little
|
|
woman!" he says aloud. "My dear, will you be so kind as to tell one
|
|
of the lads to look after the shop while I step across the lane with
|
|
Mr. Tulkinghorn? Mrs. Snagsby, sir--I shan't be two minutes, my
|
|
love!"
|
|
|
|
Mrs. Snagsby bends to the lawyer, retires behind the counter, peeps
|
|
at them through the window-blind, goes softly into the back office,
|
|
refers to the entries in the book still lying open. Is evidently
|
|
curious.
|
|
|
|
"You will find that the place is rough, sir," says Mr. Snagsby,
|
|
walking deferentially in the road and leaving the narrow pavement to
|
|
the lawyer; "and the party is very rough. But they're a wild lot in
|
|
general, sir. The advantage of this particular man is that he never
|
|
wants sleep. He'll go at it right on end if you want him to, as long
|
|
as ever you like."
|
|
|
|
It is quite dark now, and the gas-lamps have acquired their full
|
|
effect. Jostling against clerks going to post the day's letters, and
|
|
against counsel and attorneys going home to dinner, and against
|
|
plaintiffs and defendants and suitors of all sorts, and against the
|
|
general crowd, in whose way the forensic wisdom of ages has
|
|
interposed a million of obstacles to the transaction of the commonest
|
|
business of life; diving through law and equity, and through that
|
|
kindred mystery, the street mud, which is made of nobody knows what
|
|
and collects about us nobody knows whence or how--we only knowing in
|
|
general that when there is too much of it we find it necessary to
|
|
shovel it away--the lawyer and the law-stationer come to a rag and
|
|
bottle shop and general emporium of much disregarded merchandise,
|
|
lying and being in the shadow of the wall of Lincoln's Inn, and kept,
|
|
as is announced in paint, to all whom it may concern, by one Krook.
|
|
|
|
"This is where he lives, sir," says the law-stationer.
|
|
|
|
"This is where he lives, is it?" says the lawyer unconcernedly.
|
|
"Thank you."
|
|
|
|
"Are you not going in, sir?"
|
|
|
|
"No, thank you, no; I am going on to the Fields at present. Good
|
|
evening. Thank you!" Mr. Snagsby lifts his hat and returns to his
|
|
little woman and his tea.
|
|
|
|
But Mr. Tulkinghorn does not go on to the Fields at present. He goes
|
|
a short way, turns back, comes again to the shop of Mr. Krook, and
|
|
enters it straight. It is dim enough, with a blot-headed candle or so
|
|
in the windows, and an old man and a cat sitting in the back part by
|
|
a fire. The old man rises and comes forward, with another blot-headed
|
|
candle in his hand.
|
|
|
|
"Pray is your lodger within?"
|
|
|
|
"Male or female, sir?" says Mr. Krook.
|
|
|
|
"Male. The person who does copying."
|
|
|
|
Mr. Krook has eyed his man narrowly. Knows him by sight. Has an
|
|
indistinct impression of his aristocratic repute.
|
|
|
|
"Did you wish to see him, sir?"
|
|
|
|
"Yes."
|
|
|
|
"It's what I seldom do myself," says Mr. Krook with a grin. "Shall I
|
|
call him down? But it's a weak chance if he'd come, sir!"
|
|
|
|
"I'll go up to him, then," says Mr. Tulkinghorn.
|
|
|
|
"Second floor, sir. Take the candle. Up there!" Mr. Krook, with his
|
|
cat beside him, stands at the bottom of the staircase, looking after
|
|
Mr. Tulkinghorn. "Hi-hi!" he says when Mr. Tulkinghorn has nearly
|
|
disappeared. The lawyer looks down over the hand-rail. The cat
|
|
expands her wicked mouth and snarls at him.
|
|
|
|
"Order, Lady Jane! Behave yourself to visitors, my lady! You know
|
|
what they say of my lodger?" whispers Krook, going up a step or two.
|
|
|
|
"What do they say of him?"
|
|
|
|
"They say he has sold himself to the enemy, but you and I know
|
|
better--he don't buy. I'll tell you what, though; my lodger is so
|
|
black-humoured and gloomy that I believe he'd as soon make that
|
|
bargain as any other. Don't put him out, sir. That's my advice!"
|
|
|
|
Mr. Tulkinghorn with a nod goes on his way. He comes to the dark door
|
|
on the second floor. He knocks, receives no answer, opens it, and
|
|
accidentally extinguishes his candle in doing so.
|
|
|
|
The air of the room is almost bad enough to have extinguished it if
|
|
he had not. It is a small room, nearly black with soot, and grease,
|
|
and dirt. In the rusty skeleton of a grate, pinched at the middle as
|
|
if poverty had gripped it, a red coke fire burns low. In the corner
|
|
by the chimney stand a deal table and a broken desk, a wilderness
|
|
marked with a rain of ink. In another corner a ragged old portmanteau
|
|
on one of the two chairs serves for cabinet or wardrobe; no larger
|
|
one is needed, for it collapses like the cheeks of a starved man. The
|
|
floor is bare, except that one old mat, trodden to shreds of
|
|
rope-yarn, lies perishing upon the hearth. No curtain veils the
|
|
darkness of the night, but the discoloured shutters are drawn
|
|
together, and through the two gaunt holes pierced in them, famine
|
|
might be staring in--the banshee of the man upon the bed.
|
|
|
|
For, on a low bed opposite the fire, a confusion of dirty patchwork,
|
|
lean-ribbed ticking, and coarse sacking, the lawyer, hesitating just
|
|
within the doorway, sees a man. He lies there, dressed in shirt and
|
|
trousers, with bare feet. He has a yellow look in the spectral
|
|
darkness of a candle that has guttered down until the whole length of
|
|
its wick (still burning) has doubled over and left a tower of
|
|
winding-sheet above it. His hair is ragged, mingling with his
|
|
whiskers and his beard--the latter, ragged too, and grown, like the
|
|
scum and mist around him, in neglect. Foul and filthy as the room is,
|
|
foul and filthy as the air is, it is not easy to perceive what fumes
|
|
those are which most oppress the senses in it; but through the
|
|
general sickliness and faintness, and the odour of stale tobacco,
|
|
there comes into the lawyer's mouth the bitter, vapid taste of opium.
|
|
|
|
"Hallo, my friend!" he cries, and strikes his iron candlestick
|
|
against the door.
|
|
|
|
He thinks he has awakened his friend. He lies a little turned away,
|
|
but his eyes are surely open.
|
|
|
|
"Hallo, my friend!" he cries again. "Hallo! Hallo!"
|
|
|
|
As he rattles on the door, the candle which has drooped so long goes
|
|
out and leaves him in the dark, with the gaunt eyes in the shutters
|
|
staring down upon the bed.
|
|
|
|
|
|
|
|
|
|
CHAPTER XI
|
|
|
|
Our Dear Brother
|
|
|
|
|
|
A touch on the lawyer's wrinkled hand as he stands in the dark room,
|
|
irresolute, makes him start and say, "What's that?"
|
|
|
|
"It's me," returns the old man of the house, whose breath is in his
|
|
ear. "Can't you wake him?"
|
|
|
|
"No."
|
|
|
|
"What have you done with your candle?"
|
|
|
|
"It's gone out. Here it is."
|
|
|
|
Krook takes it, goes to the fire, stoops over the red embers, and
|
|
tries to get a light. The dying ashes have no light to spare, and his
|
|
endeavours are vain. Muttering, after an ineffectual call to his
|
|
lodger, that he will go downstairs and bring a lighted candle from
|
|
the shop, the old man departs. Mr. Tulkinghorn, for some new reason
|
|
that he has, does not await his return in the room, but on the stairs
|
|
outside.
|
|
|
|
The welcome light soon shines upon the wall, as Krook comes slowly up
|
|
with his green-eyed cat following at his heels. "Does the man
|
|
generally sleep like this?" inquired the lawyer in a low voice. "Hi!
|
|
I don't know," says Krook, shaking his head and lifting his eyebrows.
|
|
"I know next to nothing of his habits except that he keeps himself
|
|
very close."
|
|
|
|
Thus whispering, they both go in together. As the light goes in, the
|
|
great eyes in the shutters, darkening, seem to close. Not so the eyes
|
|
upon the bed.
|
|
|
|
"God save us!" exclaims Mr. Tulkinghorn. "He is dead!" Krook drops
|
|
the heavy hand he has taken up so suddenly that the arm swings over
|
|
the bedside.
|
|
|
|
They look at one another for a moment.
|
|
|
|
"Send for some doctor! Call for Miss Flite up the stairs, sir. Here's
|
|
poison by the bed! Call out for Flite, will you?" says Krook, with
|
|
his lean hands spread out above the body like a vampire's wings.
|
|
|
|
Mr. Tulkinghorn hurries to the landing and calls, "Miss Flite! Flite!
|
|
Make haste, here, whoever you are! Flite!" Krook follows him with his
|
|
eyes, and while he is calling, finds opportunity to steal to the old
|
|
portmanteau and steal back again.
|
|
|
|
"Run, Flite, run! The nearest doctor! Run!" So Mr. Krook addresses a
|
|
crazy little woman who is his female lodger, who appears and vanishes
|
|
in a breath, who soon returns accompanied by a testy medical man
|
|
brought from his dinner, with a broad, snuffy upper lip and a broad
|
|
Scotch tongue.
|
|
|
|
"Ey! Bless the hearts o' ye," says the medical man, looking up at
|
|
them after a moment's examination. "He's just as dead as Phairy!"
|
|
|
|
Mr. Tulkinghorn (standing by the old portmanteau) inquires if he has
|
|
been dead any time.
|
|
|
|
"Any time, sir?" says the medical gentleman. "It's probable he wull
|
|
have been dead aboot three hours."
|
|
|
|
"About that time, I should say," observes a dark young man on the
|
|
other side of the bed.
|
|
|
|
"Air you in the maydickle prayfession yourself, sir?" inquires the
|
|
first.
|
|
|
|
The dark young man says yes.
|
|
|
|
"Then I'll just tak' my depairture," replies the other, "for I'm nae
|
|
gude here!" With which remark he finishes his brief attendance and
|
|
returns to finish his dinner.
|
|
|
|
The dark young surgeon passes the candle across and across the face
|
|
and carefully examines the law-writer, who has established his
|
|
pretensions to his name by becoming indeed No one.
|
|
|
|
"I knew this person by sight very well," says he. "He has purchased
|
|
opium of me for the last year and a half. Was anybody present related
|
|
to him?" glancing round upon the three bystanders.
|
|
|
|
"I was his landlord," grimly answers Krook, taking the candle from
|
|
the surgeon's outstretched hand. "He told me once I was the nearest
|
|
relation he had."
|
|
|
|
"He has died," says the surgeon, "of an over-dose of opium, there is
|
|
no doubt. The room is strongly flavoured with it. There is enough
|
|
here now," taking an old tea-pot from Mr. Krook, "to kill a dozen
|
|
people."
|
|
|
|
"Do you think he did it on purpose?" asks Krook.
|
|
|
|
"Took the over-dose?"
|
|
|
|
"Yes!" Krook almost smacks his lips with the unction of a horrible
|
|
interest.
|
|
|
|
"I can't say. I should think it unlikely, as he has been in the habit
|
|
of taking so much. But nobody can tell. He was very poor, I suppose?"
|
|
|
|
"I suppose he was. His room--don't look rich," says Krook, who might
|
|
have changed eyes with his cat, as he casts his sharp glance around.
|
|
"But I have never been in it since he had it, and he was too close to
|
|
name his circumstances to me."
|
|
|
|
"Did he owe you any rent?"
|
|
|
|
"Six weeks."
|
|
|
|
"He will never pay it!" says the young man, resuming his examination.
|
|
"It is beyond a doubt that he is indeed as dead as Pharaoh; and to
|
|
judge from his appearance and condition, I should think it a happy
|
|
release. Yet he must have been a good figure when a youth, and I dare
|
|
say, good-looking." He says this, not unfeelingly, while sitting on
|
|
the bedstead's edge with his face towards that other face and his
|
|
hand upon the region of the heart. "I recollect once thinking there
|
|
was something in his manner, uncouth as it was, that denoted a fall
|
|
in life. Was that so?" he continues, looking round.
|
|
|
|
Krook replies, "You might as well ask me to describe the ladies whose
|
|
heads of hair I have got in sacks downstairs. Than that he was my
|
|
lodger for a year and a half and lived--or didn't live--by
|
|
law-writing, I know no more of him."
|
|
|
|
During this dialogue Mr. Tulkinghorn has stood aloof by the old
|
|
portmanteau, with his hands behind him, equally removed, to all
|
|
appearance, from all three kinds of interest exhibited near the
|
|
bed--from the young surgeon's professional interest in death,
|
|
noticeable as being quite apart from his remarks on the deceased as
|
|
an individual; from the old man's unction; and the little crazy
|
|
woman's awe. His imperturbable face has been as inexpressive as his
|
|
rusty clothes. One could not even say he has been thinking all this
|
|
while. He has shown neither patience nor impatience, nor attention
|
|
nor abstraction. He has shown nothing but his shell. As easily might
|
|
the tone of a delicate musical instrument be inferred from its case,
|
|
as the tone of Mr. Tulkinghorn from his case.
|
|
|
|
He now interposes, addressing the young surgeon in his unmoved,
|
|
professional way.
|
|
|
|
"I looked in here," he observes, "just before you, with the
|
|
intention of giving this deceased man, whom I never saw alive, some
|
|
employment at his trade of copying. I had heard of him from my
|
|
stationer--Snagsby of Cook's Court. Since no one here knows anything
|
|
about him, it might be as well to send for Snagsby. Ah!" to the
|
|
little crazy woman, who has often seen him in court, and whom he has
|
|
often seen, and who proposes, in frightened dumb-show, to go for the
|
|
law-stationer. "Suppose you do!"
|
|
|
|
While she is gone, the surgeon abandons his hopeless investigation
|
|
and covers its subject with the patchwork counterpane. Mr. Krook and
|
|
he interchange a word or two. Mr. Tulkinghorn says nothing, but
|
|
stands, ever, near the old portmanteau.
|
|
|
|
Mr. Snagsby arrives hastily in his grey coat and his black sleeves.
|
|
"Dear me, dear me," he says; "and it has come to this, has it! Bless
|
|
my soul!"
|
|
|
|
"Can you give the person of the house any information about this
|
|
unfortunate creature, Snagsby?" inquires Mr. Tulkinghorn. "He was in
|
|
arrears with his rent, it seems. And he must be buried, you know."
|
|
|
|
"Well, sir," says Mr. Snagsby, coughing his apologetic cough behind
|
|
his hand, "I really don't know what advice I could offer, except
|
|
sending for the beadle."
|
|
|
|
"I don't speak of advice," returns Mr. Tulkinghorn. "I could
|
|
advise--"
|
|
|
|
"No one better, sir, I am sure," says Mr. Snagsby, with his
|
|
deferential cough.
|
|
|
|
"I speak of affording some clue to his connexions, or to where he
|
|
came from, or to anything concerning him."
|
|
|
|
"I assure you, sir," says Mr. Snagsby after prefacing his reply with
|
|
his cough of general propitiation, "that I no more know where he came
|
|
from than I know--"
|
|
|
|
"Where he has gone to, perhaps," suggests the surgeon to help him
|
|
out.
|
|
|
|
A pause. Mr. Tulkinghorn looking at the law-stationer. Mr. Krook,
|
|
with his mouth open, looking for somebody to speak next.
|
|
|
|
"As to his connexions, sir," says Mr. Snagsby, "if a person was to
|
|
say to me, 'Snagsby, here's twenty thousand pound down, ready for you
|
|
in the Bank of England if you'll only name one of 'em,' I couldn't do
|
|
it, sir! About a year and a half ago--to the best of my belief, at
|
|
the time when he first came to lodge at the present rag and bottle
|
|
shop--"
|
|
|
|
"That was the time!" says Krook with a nod.
|
|
|
|
"About a year and a half ago," says Mr. Snagsby, strengthened, "he
|
|
came into our place one morning after breakfast, and finding my
|
|
little woman (which I name Mrs. Snagsby when I use that appellation)
|
|
in our shop, produced a specimen of his handwriting and gave her to
|
|
understand that he was in want of copying work to do and was, not to
|
|
put too fine a point upon it," a favourite apology for plain speaking
|
|
with Mr. Snagsby, which he always offers with a sort of argumentative
|
|
frankness, "hard up! My little woman is not in general partial to
|
|
strangers, particular--not to put too fine a point upon it--when they
|
|
want anything. But she was rather took by something about this
|
|
person, whether by his being unshaved, or by his hair being in want
|
|
of attention, or by what other ladies' reasons, I leave you to judge;
|
|
and she accepted of the specimen, and likewise of the address. My
|
|
little woman hasn't a good ear for names," proceeds Mr. Snagsby after
|
|
consulting his cough of consideration behind his hand, "and she
|
|
considered Nemo equally the same as Nimrod. In consequence of which,
|
|
she got into a habit of saying to me at meals, 'Mr. Snagsby, you
|
|
haven't found Nimrod any work yet!' or 'Mr. Snagsby, why didn't you
|
|
give that eight and thirty Chancery folio in Jarndyce to Nimrod?' or
|
|
such like. And that is the way he gradually fell into job-work at our
|
|
place; and that is the most I know of him except that he was a quick
|
|
hand, and a hand not sparing of night-work, and that if you gave him
|
|
out, say, five and forty folio on the Wednesday night, you would have
|
|
it brought in on the Thursday morning. All of which--" Mr. Snagsby
|
|
concludes by politely motioning with his hat towards the bed, as much
|
|
as to add, "I have no doubt my honourable friend would confirm if he
|
|
were in a condition to do it."
|
|
|
|
"Hadn't you better see," says Mr. Tulkinghorn to Krook, "whether he
|
|
had any papers that may enlighten you? There will be an inquest, and
|
|
you will be asked the question. You can read?"
|
|
|
|
"No, I can't," returns the old man with a sudden grin.
|
|
|
|
"Snagsby," says Mr. Tulkinghorn, "look over the room for him. He will
|
|
get into some trouble or difficulty otherwise. Being here, I'll wait
|
|
if you make haste, and then I can testify on his behalf, if it should
|
|
ever be necessary, that all was fair and right. If you will hold the
|
|
candle for Mr. Snagsby, my friend, he'll soon see whether there is
|
|
anything to help you."
|
|
|
|
"In the first place, here's an old portmanteau, sir," says Snagsby.
|
|
|
|
Ah, to be sure, so there is! Mr. Tulkinghorn does not appear to have
|
|
seen it before, though he is standing so close to it, and though
|
|
there is very little else, heaven knows.
|
|
|
|
The marine-store merchant holds the light, and the law-stationer
|
|
conducts the search. The surgeon leans against the corner of the
|
|
chimney-piece; Miss Flite peeps and trembles just within the door.
|
|
The apt old scholar of the old school, with his dull black breeches
|
|
tied with ribbons at the knees, his large black waistcoat, his
|
|
long-sleeved black coat, and his wisp of limp white neckerchief tied
|
|
in the bow the peerage knows so well, stands in exactly the same
|
|
place and attitude.
|
|
|
|
There are some worthless articles of clothing in the old portmanteau;
|
|
there is a bundle of pawnbrokers' duplicates, those turnpike tickets
|
|
on the road of poverty; there is a crumpled paper, smelling of opium,
|
|
on which are scrawled rough memoranda--as, took, such a day, so many
|
|
grains; took, such another day, so many more--begun some time ago, as
|
|
if with the intention of being regularly continued, but soon left
|
|
off. There are a few dirty scraps of newspapers, all referring to
|
|
coroners' inquests; there is nothing else. They search the cupboard
|
|
and the drawer of the ink-splashed table. There is not a morsel of an
|
|
old letter or of any other writing in either. The young surgeon
|
|
examines the dress on the law-writer. A knife and some odd halfpence
|
|
are all he finds. Mr. Snagsby's suggestion is the practical
|
|
suggestion after all, and the beadle must be called in.
|
|
|
|
So the little crazy lodger goes for the beadle, and the rest come out
|
|
of the room. "Don't leave the cat there!" says the surgeon; "that
|
|
won't do!" Mr. Krook therefore drives her out before him, and she
|
|
goes furtively downstairs, winding her lithe tail and licking her
|
|
lips.
|
|
|
|
"Good night!" says Mr. Tulkinghorn, and goes home to Allegory and
|
|
meditation.
|
|
|
|
By this time the news has got into the court. Groups of its
|
|
inhabitants assemble to discuss the thing, and the outposts of the
|
|
army of observation (principally boys) are pushed forward to Mr.
|
|
Krook's window, which they closely invest. A policeman has already
|
|
walked up to the room, and walked down again to the door, where he
|
|
stands like a tower, only condescending to see the boys at his base
|
|
occasionally; but whenever he does see them, they quail and fall
|
|
back. Mrs. Perkins, who has not been for some weeks on speaking terms
|
|
with Mrs. Piper in consequence for an unpleasantness originating in
|
|
young Perkins' having "fetched" young Piper "a crack," renews her
|
|
friendly intercourse on this auspicious occasion. The potboy at the
|
|
corner, who is a privileged amateur, as possessing official knowledge
|
|
of life and having to deal with drunken men occasionally, exchanges
|
|
confidential communications with the policeman and has the appearance
|
|
of an impregnable youth, unassailable by truncheons and unconfinable
|
|
in station-houses. People talk across the court out of window, and
|
|
bare-headed scouts come hurrying in from Chancery Lane to know what's
|
|
the matter. The general feeling seems to be that it's a blessing Mr.
|
|
Krook warn't made away with first, mingled with a little natural
|
|
disappointment that he was not. In the midst of this sensation, the
|
|
beadle arrives.
|
|
|
|
The beadle, though generally understood in the neighbourhood to be a
|
|
ridiculous institution, is not without a certain popularity for the
|
|
moment, if it were only as a man who is going to see the body. The
|
|
policeman considers him an imbecile civilian, a remnant of the
|
|
barbarous watchmen times, but gives him admission as something that
|
|
must be borne with until government shall abolish him. The sensation
|
|
is heightened as the tidings spread from mouth to mouth that the
|
|
beadle is on the ground and has gone in.
|
|
|
|
By and by the beadle comes out, once more intensifying the sensation,
|
|
which has rather languished in the interval. He is understood to be
|
|
in want of witnesses for the inquest to-morrow who can tell the
|
|
coroner and jury anything whatever respecting the deceased. Is
|
|
immediately referred to innumerable people who can tell nothing
|
|
whatever. Is made more imbecile by being constantly informed that
|
|
Mrs. Green's son "was a law-writer his-self and knowed him better
|
|
than anybody," which son of Mrs. Green's appears, on inquiry, to be
|
|
at the present time aboard a vessel bound for China, three months
|
|
out, but considered accessible by telegraph on application to the
|
|
Lords of the Admiralty. Beadle goes into various shops and parlours,
|
|
examining the inhabitants, always shutting the door first, and by
|
|
exclusion, delay, and general idiotcy exasperating the public.
|
|
Policeman seen to smile to potboy. Public loses interest and
|
|
undergoes reaction. Taunts the beadle in shrill youthful voices with
|
|
having boiled a boy, choruses fragments of a popular song to that
|
|
effect and importing that the boy was made into soup for the
|
|
workhouse. Policeman at last finds it necessary to support the law
|
|
and seize a vocalist, who is released upon the flight of the rest on
|
|
condition of his getting out of this then, come, and cutting it--a
|
|
condition he immediately observes. So the sensation dies off for the
|
|
time; and the unmoved policeman (to whom a little opium, more or
|
|
less, is nothing), with his shining hat, stiff stock, inflexible
|
|
great-coat, stout belt and bracelet, and all things fitting, pursues
|
|
his lounging way with a heavy tread, beating the palms of his white
|
|
gloves one against the other and stopping now and then at a
|
|
street-corner to look casually about for anything between a lost
|
|
child and a murder.
|
|
|
|
Under cover of the night, the feeble-minded beadle comes flitting
|
|
about Chancery Lane with his summonses, in which every juror's name
|
|
is wrongly spelt, and nothing rightly spelt but the beadle's own
|
|
name, which nobody can read or wants to know. The summonses served
|
|
and his witnesses forewarned, the beadle goes to Mr. Krook's to keep
|
|
a small appointment he has made with certain paupers, who, presently
|
|
arriving, are conducted upstairs, where they leave the great eyes in
|
|
the shutter something new to stare at, in that last shape which
|
|
earthly lodgings take for No one--and for Every one.
|
|
|
|
And all that night the coffin stands ready by the old portmanteau;
|
|
and the lonely figure on the bed, whose path in life has lain through
|
|
five and forty years, lies there with no more track behind him that
|
|
any one can trace than a deserted infant.
|
|
|
|
Next day the court is all alive--is like a fair, as Mrs. Perkins,
|
|
more than reconciled to Mrs. Piper, says in amicable conversation
|
|
with that excellent woman. The coroner is to sit in the first-floor
|
|
room at the Sol's Arms, where the Harmonic Meetings take place twice
|
|
a week and where the chair is filled by a gentleman of professional
|
|
celebrity, faced by Little Swills, the comic vocalist, who hopes
|
|
(according to the bill in the window) that his friends will rally
|
|
round him and support first-rate talent. The Sol's Arms does a brisk
|
|
stroke of business all the morning. Even children so require
|
|
sustaining under the general excitement that a pieman who has
|
|
established himself for the occasion at the corner of the court says
|
|
his brandy-balls go off like smoke. What time the beadle, hovering
|
|
between the door of Mr. Krook's establishment and the door of the
|
|
Sol's Arms, shows the curiosity in his keeping to a few discreet
|
|
spirits and accepts the compliment of a glass of ale or so in return.
|
|
|
|
At the appointed hour arrives the coroner, for whom the jurymen are
|
|
waiting and who is received with a salute of skittles from the good
|
|
dry skittle-ground attached to the Sol's Arms. The coroner frequents
|
|
more public-houses than any man alive. The smell of sawdust, beer,
|
|
tobacco-smoke, and spirits is inseparable in his vocation from death
|
|
in its most awful shapes. He is conducted by the beadle and the
|
|
landlord to the Harmonic Meeting Room, where he puts his hat on the
|
|
piano and takes a Windsor-chair at the head of a long table formed of
|
|
several short tables put together and ornamented with glutinous rings
|
|
in endless involutions, made by pots and glasses. As many of the jury
|
|
as can crowd together at the table sit there. The rest get among the
|
|
spittoons and pipes or lean against the piano. Over the coroner's
|
|
head is a small iron garland, the pendant handle of a bell, which
|
|
rather gives the majesty of the court the appearance of going to be
|
|
hanged presently.
|
|
|
|
Call over and swear the jury! While the ceremony is in progress,
|
|
sensation is created by the entrance of a chubby little man in a
|
|
large shirt-collar, with a moist eye and an inflamed nose, who
|
|
modestly takes a position near the door as one of the general public,
|
|
but seems familiar with the room too. A whisper circulates that this
|
|
is Little Swills. It is considered not unlikely that he will get up
|
|
an imitation of the coroner and make it the principal feature of the
|
|
Harmonic Meeting in the evening.
|
|
|
|
"Well, gentlemen--" the coroner begins.
|
|
|
|
"Silence there, will you!" says the beadle. Not to the coroner,
|
|
though it might appear so.
|
|
|
|
"Well, gentlemen," resumes the coroner. "You are impanelled here to
|
|
inquire into the death of a certain man. Evidence will be given
|
|
before you as to the circumstances attending that death, and you will
|
|
give your verdict according to the--skittles; they must be stopped,
|
|
you know, beadle!--evidence, and not according to anything else. The
|
|
first thing to be done is to view the body."
|
|
|
|
"Make way there!" cries the beadle.
|
|
|
|
So they go out in a loose procession, something after the manner of a
|
|
straggling funeral, and make their inspection in Mr. Krook's back
|
|
second floor, from which a few of the jurymen retire pale and
|
|
precipitately. The beadle is very careful that two gentlemen not very
|
|
neat about the cuffs and buttons (for whose accommodation he has
|
|
provided a special little table near the coroner in the Harmonic
|
|
Meeting Room) should see all that is to be seen. For they are the
|
|
public chroniclers of such inquiries by the line; and he is not
|
|
superior to the universal human infirmity, but hopes to read in print
|
|
what "Mooney, the active and intelligent beadle of the district,"
|
|
said and did and even aspires to see the name of Mooney as familiarly
|
|
and patronizingly mentioned as the name of the hangman is, according
|
|
to the latest examples.
|
|
|
|
Little Swills is waiting for the coroner and jury on their return.
|
|
Mr. Tulkinghorn, also. Mr. Tulkinghorn is received with distinction
|
|
and seated near the coroner between that high judicial officer, a
|
|
bagatelle-board, and the coal-box. The inquiry proceeds. The jury
|
|
learn how the subject of their inquiry died, and learn no more about
|
|
him. "A very eminent solicitor is in attendance, gentlemen," says the
|
|
coroner, "who, I am informed, was accidentally present when discovery
|
|
of the death was made, but he could only repeat the evidence you have
|
|
already heard from the surgeon, the landlord, the lodger, and the
|
|
law-stationer, and it is not necessary to trouble him. Is anybody in
|
|
attendance who knows anything more?"
|
|
|
|
Mrs. Piper pushed forward by Mrs. Perkins. Mrs. Piper sworn.
|
|
|
|
Anastasia Piper, gentlemen. Married woman. Now, Mrs. Piper, what have
|
|
you got to say about this?
|
|
|
|
Why, Mrs. Piper has a good deal to say, chiefly in parentheses and
|
|
without punctuation, but not much to tell. Mrs. Piper lives in the
|
|
court (which her husband is a cabinet-maker), and it has long been
|
|
well beknown among the neighbours (counting from the day next but one
|
|
before the half-baptizing of Alexander James Piper aged eighteen
|
|
months and four days old on accounts of not being expected to live
|
|
such was the sufferings gentlemen of that child in his gums) as the
|
|
plaintive--so Mrs. Piper insists on calling the deceased--was
|
|
reported to have sold himself. Thinks it was the plaintive's air in
|
|
which that report originatinin. See the plaintive often and
|
|
considered as his air was feariocious and not to be allowed to go
|
|
about some children being timid (and if doubted hoping Mrs. Perkins
|
|
may be brought forard for she is here and will do credit to her
|
|
husband and herself and family). Has seen the plaintive wexed and
|
|
worrited by the children (for children they will ever be and you
|
|
cannot expect them specially if of playful dispositions to be
|
|
Methoozellers which you was not yourself). On accounts of this and
|
|
his dark looks has often dreamed as she see him take a pick-axe from
|
|
his pocket and split Johnny's head (which the child knows not fear
|
|
and has repeatually called after him close at his eels). Never
|
|
however see the plaintive take a pick-axe or any other wepping far
|
|
from it. Has seen him hurry away when run and called after as if not
|
|
partial to children and never see him speak to neither child nor
|
|
grown person at any time (excepting the boy that sweeps the crossing
|
|
down the lane over the way round the corner which if he was here
|
|
would tell you that he has been seen a-speaking to him frequent).
|
|
|
|
Says the coroner, is that boy here? Says the beadle, no, sir, he is
|
|
not here. Says the coroner, go and fetch him then. In the absence of
|
|
the active and intelligent, the coroner converses with Mr.
|
|
Tulkinghorn.
|
|
|
|
Oh! Here's the boy, gentlemen!
|
|
|
|
Here he is, very muddy, very hoarse, very ragged. Now, boy! But stop
|
|
a minute. Caution. This boy must be put through a few preliminary
|
|
paces.
|
|
|
|
Name, Jo. Nothing else that he knows on. Don't know that everybody
|
|
has two names. Never heerd of sich a think. Don't know that Jo is
|
|
short for a longer name. Thinks it long enough for HIM. HE don't find
|
|
no fault with it. Spell it? No. HE can't spell it. No father, no
|
|
mother, no friends. Never been to school. What's home? Knows a
|
|
broom's a broom, and knows it's wicked to tell a lie. Don't recollect
|
|
who told him about the broom or about the lie, but knows both. Can't
|
|
exactly say what'll be done to him arter he's dead if he tells a lie
|
|
to the gentlemen here, but believes it'll be something wery bad to
|
|
punish him, and serve him right--and so he'll tell the truth.
|
|
|
|
"This won't do, gentlemen!" says the coroner with a melancholy shake
|
|
of the head.
|
|
|
|
"Don't you think you can receive his evidence, sir?" asks an
|
|
attentive juryman.
|
|
|
|
"Out of the question," says the coroner. "You have heard the boy.
|
|
'Can't exactly say' won't do, you know. We can't take THAT in a court
|
|
of justice, gentlemen. It's terrible depravity. Put the boy aside."
|
|
|
|
Boy put aside, to the great edification of the audience, especially
|
|
of Little Swills, the comic vocalist.
|
|
|
|
Now. Is there any other witness? No other witness.
|
|
|
|
Very well, gentlemen! Here's a man unknown, proved to have been in
|
|
the habit of taking opium in large quantities for a year and a half,
|
|
found dead of too much opium. If you think you have any evidence to
|
|
lead you to the conclusion that he committed suicide, you will come
|
|
to that conclusion. If you think it is a case of accidental death,
|
|
you will find a verdict accordingly.
|
|
|
|
Verdict accordingly. Accidental death. No doubt. Gentlemen, you are
|
|
discharged. Good afternoon.
|
|
|
|
While the coroner buttons his great-coat, Mr. Tulkinghorn and he give
|
|
private audience to the rejected witness in a corner.
|
|
|
|
That graceless creature only knows that the dead man (whom he
|
|
recognized just now by his yellow face and black hair) was sometimes
|
|
hooted and pursued about the streets. That one cold winter night when
|
|
he, the boy, was shivering in a doorway near his crossing, the man
|
|
turned to look at him, and came back, and having questioned him and
|
|
found that he had not a friend in the world, said, "Neither have I.
|
|
Not one!" and gave him the price of a supper and a night's lodging.
|
|
That the man had often spoken to him since and asked him whether he
|
|
slept sound at night, and how he bore cold and hunger, and whether he
|
|
ever wished to die, and similar strange questions. That when the man
|
|
had no money, he would say in passing, "I am as poor as you to-day,
|
|
Jo," but that when he had any, he had always (as the boy most
|
|
heartily believes) been glad to give him some.
|
|
|
|
"He was wery good to me," says the boy, wiping his eyes with his
|
|
wretched sleeve. "Wen I see him a-layin' so stritched out just now, I
|
|
wished he could have heerd me tell him so. He wos wery good to me, he
|
|
wos!"
|
|
|
|
As he shuffles downstairs, Mr. Snagsby, lying in wait for him, puts a
|
|
half-crown in his hand. "If you ever see me coming past your crossing
|
|
with my little woman--I mean a lady--" says Mr. Snagsby with his
|
|
finger on his nose, "don't allude to it!"
|
|
|
|
For some little time the jurymen hang about the Sol's Arms
|
|
colloquially. In the sequel, half-a-dozen are caught up in a cloud of
|
|
pipe-smoke that pervades the parlour of the Sol's Arms; two stroll to
|
|
Hampstead; and four engage to go half-price to the play at night, and
|
|
top up with oysters. Little Swills is treated on several hands. Being
|
|
asked what he thinks of the proceedings, characterizes them (his
|
|
strength lying in a slangular direction) as "a rummy start." The
|
|
landlord of the Sol's Arms, finding Little Swills so popular,
|
|
commends him highly to the jurymen and public, observing that for a
|
|
song in character he don't know his equal and that that man's
|
|
character-wardrobe would fill a cart.
|
|
|
|
Thus, gradually the Sol's Arms melts into the shadowy night and then
|
|
flares out of it strong in gas. The Harmonic Meeting hour arriving,
|
|
the gentleman of professional celebrity takes the chair, is faced
|
|
(red-faced) by Little Swills; their friends rally round them and
|
|
support first-rate talent. In the zenith of the evening, Little
|
|
Swills says, "Gentlemen, if you'll permit me, I'll attempt a short
|
|
description of a scene of real life that came off here to-day." Is
|
|
much applauded and encouraged; goes out of the room as Swills; comes
|
|
in as the coroner (not the least in the world like him); describes
|
|
the inquest, with recreative intervals of piano-forte accompaniment,
|
|
to the refrain: With his (the coroner's) tippy tol li doll, tippy tol
|
|
lo doll, tippy tol li doll, Dee!
|
|
|
|
The jingling piano at last is silent, and the Harmonic friends rally
|
|
round their pillows. Then there is rest around the lonely figure, now
|
|
laid in its last earthly habitation; and it is watched by the gaunt
|
|
eyes in the shutters through some quiet hours of night. If this
|
|
forlorn man could have been prophetically seen lying here by the
|
|
mother at whose breast he nestled, a little child, with eyes upraised
|
|
to her loving face, and soft hand scarcely knowing how to close upon
|
|
the neck to which it crept, what an impossibility the vision would
|
|
have seemed! Oh, if in brighter days the now-extinguished fire within
|
|
him ever burned for one woman who held him in her heart, where is
|
|
she, while these ashes are above the ground!
|
|
|
|
It is anything but a night of rest at Mr. Snagsby's, in Cook's Court,
|
|
where Guster murders sleep by going, as Mr. Snagsby himself
|
|
allows--not to put too fine a point upon it--out of one fit into
|
|
twenty. The occasion of this seizure is that Guster has a tender
|
|
heart and a susceptible something that possibly might have been
|
|
imagination, but for Tooting and her patron saint. Be it what it may,
|
|
now, it was so direfully impressed at tea-time by Mr. Snagsby's
|
|
account of the inquiry at which he had assisted that at supper-time
|
|
she projected herself into the kitchen, preceded by a flying Dutch
|
|
cheese, and fell into a fit of unusual duration, which she only came
|
|
out of to go into another, and another, and so on through a chain of
|
|
fits, with short intervals between, of which she has pathetically
|
|
availed herself by consuming them in entreaties to Mrs. Snagsby not
|
|
to give her warning "when she quite comes to," and also in appeals to
|
|
the whole establishment to lay her down on the stones and go to bed.
|
|
Hence, Mr. Snagsby, at last hearing the cock at the little dairy in
|
|
Cursitor Street go into that disinterested ecstasy of his on the
|
|
subject of daylight, says, drawing a long breath, though the most
|
|
patient of men, "I thought you was dead, I am sure!"
|
|
|
|
What question this enthusiastic fowl supposes he settles when he
|
|
strains himself to such an extent, or why he should thus crow (so men
|
|
crow on various triumphant public occasions, however) about what
|
|
cannot be of any moment to him, is his affair. It is enough that
|
|
daylight comes, morning comes, noon comes.
|
|
|
|
Then the active and intelligent, who has got into the morning papers
|
|
as such, comes with his pauper company to Mr. Krook's and bears off
|
|
the body of our dear brother here departed to a hemmed-in churchyard,
|
|
pestiferous and obscene, whence malignant diseases are communicated
|
|
to the bodies of our dear brothers and sisters who have not departed,
|
|
while our dear brothers and sisters who hang about official
|
|
back-stairs--would to heaven they HAD departed!--are very complacent
|
|
and agreeable. Into a beastly scrap of ground which a Turk would
|
|
reject as a savage abomination and a Caffre would shudder at, they
|
|
bring our dear brother here departed to receive Christian burial.
|
|
|
|
With houses looking on, on every side, save where a reeking little
|
|
tunnel of a court gives access to the iron gate--with every villainy
|
|
of life in action close on death, and every poisonous element of
|
|
death in action close on life--here they lower our dear brother down
|
|
a foot or two, here sow him in corruption, to be raised in
|
|
corruption: an avenging ghost at many a sick-bedside, a shameful
|
|
testimony to future ages how civilization and barbarism walked this
|
|
boastful island together.
|
|
|
|
Come night, come darkness, for you cannot come too soon or stay too
|
|
long by such a place as this! Come, straggling lights into the
|
|
windows of the ugly houses; and you who do iniquity therein, do it at
|
|
least with this dread scene shut out! Come, flame of gas, burning so
|
|
sullenly above the iron gate, on which the poisoned air deposits its
|
|
witch-ointment slimy to the touch! It is well that you should call to
|
|
every passerby, "Look here!"
|
|
|
|
With the night comes a slouching figure through the tunnel-court to
|
|
the outside of the iron gate. It holds the gate with its hands and
|
|
looks in between the bars, stands looking in for a little while.
|
|
|
|
It then, with an old broom it carries, softly sweeps the step and
|
|
makes the archway clean. It does so very busily and trimly, looks in
|
|
again a little while, and so departs.
|
|
|
|
Jo, is it thou? Well, well! Though a rejected witness, who "can't
|
|
exactly say" what will be done to him in greater hands than men's,
|
|
thou art not quite in outer darkness. There is something like a
|
|
distant ray of light in thy muttered reason for this: "He wos wery
|
|
good to me, he wos!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XII
|
|
|
|
On the Watch
|
|
|
|
|
|
It has left off raining down in Lincolnshire at last, and Chesney
|
|
Wold has taken heart. Mrs. Rouncewell is full of hospitable cares,
|
|
for Sir Leicester and my Lady are coming home from Paris. The
|
|
fashionable intelligence has found it out and communicates the glad
|
|
tidings to benighted England. It has also found out that they will
|
|
entertain a brilliant and distinguished circle of the ELITE of the
|
|
BEAU MONDE (the fashionable intelligence is weak in English, but a
|
|
giant refreshed in French) at the ancient and hospitable family seat
|
|
in Lincolnshire.
|
|
|
|
For the greater honour of the brilliant and distinguished circle, and
|
|
of Chesney Wold into the bargain, the broken arch of the bridge in
|
|
the park is mended; and the water, now retired within its proper
|
|
limits and again spanned gracefully, makes a figure in the prospect
|
|
from the house. The clear, cold sunshine glances into the brittle
|
|
woods and approvingly beholds the sharp wind scattering the leaves
|
|
and drying the moss. It glides over the park after the moving shadows
|
|
of the clouds, and chases them, and never catches them, all day. It
|
|
looks in at the windows and touches the ancestral portraits with bars
|
|
and patches of brightness never contemplated by the painters. Athwart
|
|
the picture of my Lady, over the great chimney-piece, it throws a
|
|
broad bend-sinister of light that strikes down crookedly into the
|
|
hearth and seems to rend it.
|
|
|
|
Through the same cold sunshine and the same sharp wind, my Lady and
|
|
Sir Leicester, in their travelling chariot (my Lady's woman and Sir
|
|
Leicester's man affectionate in the rumble), start for home. With a
|
|
considerable amount of jingling and whip-cracking, and many plunging
|
|
demonstrations on the part of two bare-backed horses and two centaurs
|
|
with glazed hats, jack-boots, and flowing manes and tails, they
|
|
rattle out of the yard of the Hotel Bristol in the Place Vendome and
|
|
canter between the sun-and-shadow-chequered colonnade of the Rue de
|
|
Rivoli and the garden of the ill-fated palace of a headless king and
|
|
queen, off by the Place of Concord, and the Elysian Fields, and the
|
|
Gate of the Star, out of Paris.
|
|
|
|
Sooth to say, they cannot go away too fast, for even here my Lady
|
|
Dedlock has been bored to death. Concert, assembly, opera, theatre,
|
|
drive, nothing is new to my Lady under the worn-out heavens. Only
|
|
last Sunday, when poor wretches were gay--within the walls playing
|
|
with children among the clipped trees and the statues in the Palace
|
|
Garden; walking, a score abreast, in the Elysian Fields, made more
|
|
Elysian by performing dogs and wooden horses; between whiles
|
|
filtering (a few) through the gloomy Cathedral of Our Lady to say a
|
|
word or two at the base of a pillar within flare of a rusty little
|
|
gridiron-full of gusty little tapers; without the walls encompassing
|
|
Paris with dancing, love-making, wine-drinking, tobacco-smoking,
|
|
tomb-visiting, billiard card and domino playing, quack-doctoring, and
|
|
much murderous refuse, animate and inanimate--only last Sunday, my
|
|
Lady, in the desolation of Boredom and the clutch of Giant Despair,
|
|
almost hated her own maid for being in spirits.
|
|
|
|
She cannot, therefore, go too fast from Paris. Weariness of soul lies
|
|
before her, as it lies behind--her Ariel has put a girdle of it round
|
|
the whole earth, and it cannot be unclasped--but the imperfect remedy
|
|
is always to fly from the last place where it has been experienced.
|
|
Fling Paris back into the distance, then, exchanging it for endless
|
|
avenues and cross-avenues of wintry trees! And, when next beheld, let
|
|
it be some leagues away, with the Gate of the Star a white speck
|
|
glittering in the sun, and the city a mere mound in a plain--two dark
|
|
square towers rising out of it, and light and shadow descending on it
|
|
aslant, like the angels in Jacob's dream!
|
|
|
|
Sir Leicester is generally in a complacent state, and rarely bored.
|
|
When he has nothing else to do, he can always contemplate his own
|
|
greatness. It is a considerable advantage to a man to have so
|
|
inexhaustible a subject. After reading his letters, he leans back in
|
|
his corner of the carriage and generally reviews his importance to
|
|
society.
|
|
|
|
"You have an unusual amount of correspondence this morning?" says my
|
|
Lady after a long time. She is fatigued with reading. Has almost read
|
|
a page in twenty miles.
|
|
|
|
"Nothing in it, though. Nothing whatever."
|
|
|
|
"I saw one of Mr. Tulkinghorn's long effusions, I think?"
|
|
|
|
"You see everything," says Sir Leicester with admiration.
|
|
|
|
"Ha!" sighs my Lady. "He is the most tiresome of men!"
|
|
|
|
"He sends--I really beg your pardon--he sends," says Sir Leicester,
|
|
selecting the letter and unfolding it, "a message to you. Our
|
|
stopping to change horses as I came to his postscript drove it out of
|
|
my memory. I beg you'll excuse me. He says--" Sir Leicester is so
|
|
long in taking out his eye-glass and adjusting it that my Lady looks
|
|
a little irritated. "He says 'In the matter of the right of way--' I
|
|
beg your pardon, that's not the place. He says--yes! Here I have it!
|
|
He says, 'I beg my respectful compliments to my Lady, who, I hope,
|
|
has benefited by the change. Will you do me the favour to mention (as
|
|
it may interest her) that I have something to tell her on her return
|
|
in reference to the person who copied the affidavit in the Chancery
|
|
suit, which so powerfully stimulated her curiosity. I have seen
|
|
him.'"
|
|
|
|
My Lady, leaning forward, looks out of her window.
|
|
|
|
"That's the message," observes Sir Leicester.
|
|
|
|
"I should like to walk a little," says my Lady, still looking out of
|
|
her window.
|
|
|
|
"Walk?" repeats Sir Leicester in a tone of surprise.
|
|
|
|
"I should like to walk a little," says my Lady with unmistakable
|
|
distinctness. "Please to stop the carriage."
|
|
|
|
The carriage is stopped, the affectionate man alights from the
|
|
rumble, opens the door, and lets down the steps, obedient to an
|
|
impatient motion of my Lady's hand. My Lady alights so quickly and
|
|
walks away so quickly that Sir Leicester, for all his scrupulous
|
|
politeness, is unable to assist her, and is left behind. A space of a
|
|
minute or two has elapsed before he comes up with her. She smiles,
|
|
looks very handsome, takes his arm, lounges with him for a quarter of
|
|
a mile, is very much bored, and resumes her seat in the carriage.
|
|
|
|
The rattle and clatter continue through the greater part of three
|
|
days, with more or less of bell-jingling and whip-cracking, and more
|
|
or less plunging of centaurs and bare-backed horses. Their courtly
|
|
politeness to each other at the hotels where they tarry is the theme
|
|
of general admiration. Though my Lord IS a little aged for my Lady,
|
|
says Madame, the hostess of the Golden Ape, and though he might be
|
|
her amiable father, one can see at a glance that they love each
|
|
other. One observes my Lord with his white hair, standing, hat in
|
|
hand, to help my Lady to and from the carriage. One observes my Lady,
|
|
how recognisant of my Lord's politeness, with an inclination of her
|
|
gracious head and the concession of her so-genteel fingers! It is
|
|
ravishing!
|
|
|
|
The sea has no appreciation of great men, but knocks them about like
|
|
the small fry. It is habitually hard upon Sir Leicester, whose
|
|
countenance it greenly mottles in the manner of sage-cheese and in
|
|
whose aristocratic system it effects a dismal revolution. It is the
|
|
Radical of Nature to him. Nevertheless, his dignity gets over it
|
|
after stopping to refit, and he goes on with my Lady for Chesney
|
|
Wold, lying only one night in London on the way to Lincolnshire.
|
|
|
|
Through the same cold sunlight, colder as the day declines, and
|
|
through the same sharp wind, sharper as the separate shadows of bare
|
|
trees gloom together in the woods, and as the Ghost's Walk, touched
|
|
at the western corner by a pile of fire in the sky, resigns itself to
|
|
coming night, they drive into the park. The rooks, swinging in their
|
|
lofty houses in the elm-tree avenue, seem to discuss the question of
|
|
the occupancy of the carriage as it passes underneath, some agreeing
|
|
that Sir Leicester and my Lady are come down, some arguing with
|
|
malcontents who won't admit it, now all consenting to consider the
|
|
question disposed of, now all breaking out again in violent debate,
|
|
incited by one obstinate and drowsy bird who will persist in putting
|
|
in a last contradictory croak. Leaving them to swing and caw, the
|
|
travelling chariot rolls on to the house, where fires gleam warmly
|
|
through some of the windows, though not through so many as to give an
|
|
inhabited expression to the darkening mass of front. But the
|
|
brilliant and distinguished circle will soon do that.
|
|
|
|
Mrs. Rouncewell is in attendance and receives Sir Leicester's
|
|
customary shake of the hand with a profound curtsy.
|
|
|
|
"How do you do, Mrs. Rouncewell? I am glad to see you."
|
|
|
|
"I hope I have the honour of welcoming you in good health, Sir
|
|
Leicester?"
|
|
|
|
"In excellent health, Mrs. Rouncewell."
|
|
|
|
"My Lady is looking charmingly well," says Mrs. Rouncewell with
|
|
another curtsy.
|
|
|
|
My Lady signifies, without profuse expenditure of words, that she is
|
|
as wearily well as she can hope to be.
|
|
|
|
But Rosa is in the distance, behind the housekeeper; and my Lady, who
|
|
has not subdued the quickness of her observation, whatever else she
|
|
may have conquered, asks, "Who is that girl?"
|
|
|
|
"A young scholar of mine, my Lady. Rosa."
|
|
|
|
"Come here, Rosa!" Lady Dedlock beckons her, with even an appearance
|
|
of interest. "Why, do you know how pretty you are, child?" she says,
|
|
touching her shoulder with her two forefingers.
|
|
|
|
Rosa, very much abashed, says, "No, if you please, my Lady!" and
|
|
glances up, and glances down, and don't know where to look, but looks
|
|
all the prettier.
|
|
|
|
"How old are you?"
|
|
|
|
"Nineteen, my Lady."
|
|
|
|
"Nineteen," repeats my Lady thoughtfully. "Take care they don't spoil
|
|
you by flattery."
|
|
|
|
"Yes, my Lady."
|
|
|
|
My Lady taps her dimpled cheek with the same delicate gloved fingers
|
|
and goes on to the foot of the oak staircase, where Sir Leicester
|
|
pauses for her as her knightly escort. A staring old Dedlock in a
|
|
panel, as large as life and as dull, looks as if he didn't know what
|
|
to make of it, which was probably his general state of mind in the
|
|
days of Queen Elizabeth.
|
|
|
|
That evening, in the housekeeper's room, Rosa can do nothing but
|
|
murmur Lady Dedlock's praises. She is so affable, so graceful, so
|
|
beautiful, so elegant; has such a sweet voice and such a thrilling
|
|
touch that Rosa can feel it yet! Mrs. Rouncewell confirms all this,
|
|
not without personal pride, reserving only the one point of
|
|
affability. Mrs. Rouncewell is not quite sure as to that. Heaven
|
|
forbid that she should say a syllable in dispraise of any member of
|
|
that excellent family, above all, of my Lady, whom the whole world
|
|
admires; but if my Lady would only be "a little more free," not quite
|
|
so cold and distant, Mrs. Rouncewell thinks she would be more
|
|
affable.
|
|
|
|
"'Tis almost a pity," Mrs. Rouncewell adds--only "almost" because it
|
|
borders on impiety to suppose that anything could be better than it
|
|
is, in such an express dispensation as the Dedlock affairs--"that my
|
|
Lady has no family. If she had had a daughter now, a grown young
|
|
lady, to interest her, I think she would have had the only kind of
|
|
excellence she wants."
|
|
|
|
"Might not that have made her still more proud, grandmother?" says
|
|
Watt, who has been home and come back again, he is such a good
|
|
grandson.
|
|
|
|
"More and most, my dear," returns the housekeeper with dignity, "are
|
|
words it's not my place to use--nor so much as to hear--applied to
|
|
any drawback on my Lady."
|
|
|
|
"I beg your pardon, grandmother. But she is proud, is she not?"
|
|
|
|
"If she is, she has reason to be. The Dedlock family have always
|
|
reason to be."
|
|
|
|
"Well," says Watt, "it's to be hoped they line out of their
|
|
prayer-books a certain passage for the common people about pride and
|
|
vainglory. Forgive me, grandmother! Only a joke!"
|
|
|
|
"Sir Leicester and Lady Dedlock, my dear, are not fit subjects for
|
|
joking."
|
|
|
|
"Sir Leicester is no joke by any means," says Watt, "and I humbly ask
|
|
his pardon. I suppose, grandmother, that even with the family and
|
|
their guests down here, there is no objection to my prolonging my
|
|
stay at the Dedlock Arms for a day or two, as any other traveller
|
|
might?"
|
|
|
|
"Surely, none in the world, child."
|
|
|
|
"I am glad of that," says Watt, "because I have an inexpressible
|
|
desire to extend my knowledge of this beautiful neighbourhood."
|
|
|
|
He happens to glance at Rosa, who looks down and is very shy indeed.
|
|
But according to the old superstition, it should be Rosa's ears that
|
|
burn, and not her fresh bright cheeks, for my Lady's maid is holding
|
|
forth about her at this moment with surpassing energy.
|
|
|
|
My Lady's maid is a Frenchwoman of two and thirty, from somewhere in
|
|
the southern country about Avignon and Marseilles, a large-eyed brown
|
|
woman with black hair who would be handsome but for a certain feline
|
|
mouth and general uncomfortable tightness of face, rendering the jaws
|
|
too eager and the skull too prominent. There is something indefinably
|
|
keen and wan about her anatomy, and she has a watchful way of looking
|
|
out of the corners of her eyes without turning her head which could
|
|
be pleasantly dispensed with, especially when she is in an ill humour
|
|
and near knives. Through all the good taste of her dress and little
|
|
adornments, these objections so express themselves that she seems to
|
|
go about like a very neat she-wolf imperfectly tamed. Besides being
|
|
accomplished in all the knowledge appertaining to her post, she is
|
|
almost an Englishwoman in her acquaintance with the language;
|
|
consequently, she is in no want of words to shower upon Rosa for
|
|
having attracted my Lady's attention, and she pours them out with
|
|
such grim ridicule as she sits at dinner that her companion, the
|
|
affectionate man, is rather relieved when she arrives at the spoon
|
|
stage of that performance.
|
|
|
|
Ha, ha, ha! She, Hortense, been in my Lady's service since five years
|
|
and always kept at the distance, and this doll, this puppet,
|
|
caressed--absolutely caressed--by my Lady on the moment of her
|
|
arriving at the house! Ha, ha, ha! "And do you know how pretty you
|
|
are, child?" "No, my Lady." You are right there! "And how old are
|
|
you, child! And take care they do not spoil you by flattery, child!"
|
|
Oh, how droll! It is the BEST thing altogether.
|
|
|
|
In short, it is such an admirable thing that Mademoiselle Hortense
|
|
can't forget it; but at meals for days afterwards, even among her
|
|
countrywomen and others attached in like capacity to the troop of
|
|
visitors, relapses into silent enjoyment of the joke--an enjoyment
|
|
expressed, in her own convivial manner, by an additional tightness of
|
|
face, thin elongation of compressed lips, and sidewise look, which
|
|
intense appreciation of humour is frequently reflected in my Lady's
|
|
mirrors when my Lady is not among them.
|
|
|
|
All the mirrors in the house are brought into action now, many of
|
|
them after a long blank. They reflect handsome faces, simpering
|
|
faces, youthful faces, faces of threescore and ten that will not
|
|
submit to be old; the entire collection of faces that have come to
|
|
pass a January week or two at Chesney Wold, and which the fashionable
|
|
intelligence, a mighty hunter before the Lord, hunts with a keen
|
|
scent, from their breaking cover at the Court of St. James's to their
|
|
being run down to death. The place in Lincolnshire is all alive. By
|
|
day guns and voices are heard ringing in the woods, horsemen and
|
|
carriages enliven the park roads, servants and hangers-on pervade the
|
|
village and the Dedlock Arms. Seen by night from distant openings in
|
|
the trees, the row of windows in the long drawing-room, where my
|
|
Lady's picture hangs over the great chimney-piece, is like a row of
|
|
jewels set in a black frame. On Sunday the chill little church is
|
|
almost warmed by so much gallant company, and the general flavour of
|
|
the Dedlock dust is quenched in delicate perfumes.
|
|
|
|
The brilliant and distinguished circle comprehends within it no
|
|
contracted amount of education, sense, courage, honour, beauty, and
|
|
virtue. Yet there is something a little wrong about it in despite of
|
|
its immense advantages. What can it be?
|
|
|
|
Dandyism? There is no King George the Fourth now (more the pity) to
|
|
set the dandy fashion; there are no clear-starched jack-towel
|
|
neckcloths, no short-waisted coats, no false calves, no stays. There
|
|
are no caricatures, now, of effeminate exquisites so arrayed,
|
|
swooning in opera boxes with excess of delight and being revived by
|
|
other dainty creatures poking long-necked scent-bottles at their
|
|
noses. There is no beau whom it takes four men at once to shake into
|
|
his buckskins, or who goes to see all the executions, or who is
|
|
troubled with the self-reproach of having once consumed a pea. But is
|
|
there dandyism in the brilliant and distinguished circle
|
|
notwithstanding, dandyism of a more mischievous sort, that has got
|
|
below the surface and is doing less harmless things than
|
|
jack-towelling itself and stopping its own digestion, to which no
|
|
rational person need particularly object?
|
|
|
|
Why, yes. It cannot be disguised. There ARE at Chesney Wold this
|
|
January week some ladies and gentlemen of the newest fashion, who
|
|
have set up a dandyism--in religion, for instance. Who in mere
|
|
lackadaisical want of an emotion have agreed upon a little dandy talk
|
|
about the vulgar wanting faith in things in general, meaning in the
|
|
things that have been tried and found wanting, as though a low fellow
|
|
should unaccountably lose faith in a bad shilling after finding it
|
|
out! Who would make the vulgar very picturesque and faithful by
|
|
putting back the hands upon the clock of time and cancelling a few
|
|
hundred years of history.
|
|
|
|
There are also ladies and gentlemen of another fashion, not so new,
|
|
but very elegant, who have agreed to put a smooth glaze on the world
|
|
and to keep down all its realities. For whom everything must be
|
|
languid and pretty. Who have found out the perpetual stoppage. Who
|
|
are to rejoice at nothing and be sorry for nothing. Who are not to be
|
|
disturbed by ideas. On whom even the fine arts, attending in powder
|
|
and walking backward like the Lord Chamberlain, must array themselves
|
|
in the milliners' and tailors' patterns of past generations and be
|
|
particularly careful not to be in earnest or to receive any impress
|
|
from the moving age.
|
|
|
|
Then there is my Lord Boodle, of considerable reputation with his
|
|
party, who has known what office is and who tells Sir Leicester
|
|
Dedlock with much gravity, after dinner, that he really does not see
|
|
to what the present age is tending. A debate is not what a debate
|
|
used to be; the House is not what the House used to be; even a
|
|
Cabinet is not what it formerly was. He perceives with astonishment
|
|
that supposing the present government to be overthrown, the limited
|
|
choice of the Crown, in the formation of a new ministry, would lie
|
|
between Lord Coodle and Sir Thomas Doodle--supposing it to be
|
|
impossible for the Duke of Foodle to act with Goodle, which may be
|
|
assumed to be the case in consequence of the breach arising out of
|
|
that affair with Hoodle. Then, giving the Home Department and the
|
|
leadership of the House of Commons to Joodle, the Exchequer to
|
|
Koodle, the Colonies to Loodle, and the Foreign Office to Moodle,
|
|
what are you to do with Noodle? You can't offer him the Presidency of
|
|
the Council; that is reserved for Poodle. You can't put him in the
|
|
Woods and Forests; that is hardly good enough for Quoodle. What
|
|
follows? That the country is shipwrecked, lost, and gone to pieces
|
|
(as is made manifest to the patriotism of Sir Leicester Dedlock)
|
|
because you can't provide for Noodle!
|
|
|
|
On the other hand, the Right Honourable William Buffy, M.P., contends
|
|
across the table with some one else that the shipwreck of the
|
|
country--about which there is no doubt; it is only the manner of it
|
|
that is in question--is attributable to Cuffy. If you had done with
|
|
Cuffy what you ought to have done when he first came into Parliament,
|
|
and had prevented him from going over to Duffy, you would have got
|
|
him into alliance with Fuffy, you would have had with you the weight
|
|
attaching as a smart debater to Guffy, you would have brought to bear
|
|
upon the elections the wealth of Huffy, you would have got in for
|
|
three counties Juffy, Kuffy, and Luffy, and you would have
|
|
strengthened your administration by the official knowledge and the
|
|
business habits of Muffy. All this, instead of being as you now are,
|
|
dependent on the mere caprice of Puffy!
|
|
|
|
As to this point, and as to some minor topics, there are differences
|
|
of opinion; but it is perfectly clear to the brilliant and
|
|
distinguished circle, all round, that nobody is in question but
|
|
Boodle and his retinue, and Buffy and HIS retinue. These are the
|
|
great actors for whom the stage is reserved. A People there are, no
|
|
doubt--a certain large number of supernumeraries, who are to be
|
|
occasionally addressed, and relied upon for shouts and choruses, as
|
|
on the theatrical stage; but Boodle and Buffy, their followers and
|
|
families, their heirs, executors, administrators, and assigns, are
|
|
the born first-actors, managers, and leaders, and no others can
|
|
appear upon the scene for ever and ever.
|
|
|
|
In this, too, there is perhaps more dandyism at Chesney Wold than the
|
|
brilliant and distinguished circle will find good for itself in the
|
|
long run. For it is, even with the stillest and politest circles, as
|
|
with the circle the necromancer draws around him--very strange
|
|
appearances may be seen in active motion outside. With this
|
|
difference, that being realities and not phantoms, there is the
|
|
greater danger of their breaking in.
|
|
|
|
Chesney Wold is quite full anyhow, so full that a burning sense of
|
|
injury arises in the breasts of ill-lodged ladies'-maids, and is not
|
|
to be extinguished. Only one room is empty. It is a turret chamber of
|
|
the third order of merit, plainly but comfortably furnished and
|
|
having an old-fashioned business air. It is Mr. Tulkinghorn's room,
|
|
and is never bestowed on anybody else, for he may come at any time.
|
|
He is not come yet. It is his quiet habit to walk across the park
|
|
from the village in fine weather, to drop into this room as if he had
|
|
never been out of it since he was last seen there, to request a
|
|
servant to inform Sir Leicester that he is arrived in case he should
|
|
be wanted, and to appear ten minutes before dinner in the shadow of
|
|
the library-door. He sleeps in his turret with a complaining
|
|
flag-staff over his head, and has some leads outside on which, any
|
|
fine morning when he is down here, his black figure may be seen
|
|
walking before breakfast like a larger species of rook.
|
|
|
|
Every day before dinner, my Lady looks for him in the dusk of the
|
|
library, but he is not there. Every day at dinner, my Lady glances
|
|
down the table for the vacant place that would be waiting to receive
|
|
him if he had just arrived, but there is no vacant place. Every night
|
|
my Lady casually asks her maid, "Is Mr. Tulkinghorn come?"
|
|
|
|
Every night the answer is, "No, my Lady, not yet."
|
|
|
|
One night, while having her hair undressed, my Lady loses herself in
|
|
deep thought after this reply until she sees her own brooding face in
|
|
the opposite glass, and a pair of black eyes curiously observing her.
|
|
|
|
"Be so good as to attend," says my Lady then, addressing the
|
|
reflection of Hortense, "to your business. You can contemplate your
|
|
beauty at another time."
|
|
|
|
"Pardon! It was your Ladyship's beauty."
|
|
|
|
"That," says my Lady, "you needn't contemplate at all."
|
|
|
|
At length, one afternoon a little before sunset, when the bright
|
|
groups of figures which have for the last hour or two enlivened the
|
|
Ghost's Walk are all dispersed and only Sir Leicester and my Lady
|
|
remain upon the terrace, Mr. Tulkinghorn appears. He comes towards
|
|
them at his usual methodical pace, which is never quickened, never
|
|
slackened. He wears his usual expressionless mask--if it be a
|
|
mask--and carries family secrets in every limb of his body and every
|
|
crease of his dress. Whether his whole soul is devoted to the great
|
|
or whether he yields them nothing beyond the services he sells is his
|
|
personal secret. He keeps it, as he keeps the secrets of his clients;
|
|
he is his own client in that matter, and will never betray himself.
|
|
|
|
"How do you do, Mr. Tulkinghorn?" says Sir Leicester, giving him his
|
|
hand.
|
|
|
|
Mr. Tulkinghorn is quite well. Sir Leicester is quite well. My Lady
|
|
is quite well. All highly satisfactory. The lawyer, with his hands
|
|
behind him, walks at Sir Leicester's side along the terrace. My Lady
|
|
walks upon the other side.
|
|
|
|
"We expected you before," says Sir Leicester. A gracious observation.
|
|
As much as to say, "Mr. Tulkinghorn, we remember your existence when
|
|
you are not here to remind us of it by your presence. We bestow a
|
|
fragment of our minds upon you, sir, you see!"
|
|
|
|
Mr. Tulkinghorn, comprehending it, inclines his head and says he is
|
|
much obliged.
|
|
|
|
"I should have come down sooner," he explains, "but that I have been
|
|
much engaged with those matters in the several suits between yourself
|
|
and Boythorn."
|
|
|
|
"A man of a very ill-regulated mind," observes Sir Leicester with
|
|
severity. "An extremely dangerous person in any community. A man of a
|
|
very low character of mind."
|
|
|
|
"He is obstinate," says Mr. Tulkinghorn.
|
|
|
|
"It is natural to such a man to be so," says Sir Leicester, looking
|
|
most profoundly obstinate himself. "I am not at all surprised to hear
|
|
it."
|
|
|
|
"The only question is," pursues the lawyer, "whether you will give up
|
|
anything."
|
|
|
|
"No, sir," replies Sir Leicester. "Nothing. I give up?"
|
|
|
|
"I don't mean anything of importance. That, of course, I know you
|
|
would not abandon. I mean any minor point."
|
|
|
|
"Mr. Tulkinghorn," returns Sir Leicester, "there can be no minor
|
|
point between myself and Mr. Boythorn. If I go farther, and observe
|
|
that I cannot readily conceive how ANY right of mine can be a minor
|
|
point, I speak not so much in reference to myself as an individual as
|
|
in reference to the family position I have it in charge to maintain."
|
|
|
|
Mr. Tulkinghorn inclines his head again. "I have now my
|
|
instructions," he says. "Mr. Boythorn will give us a good deal of
|
|
trouble--"
|
|
|
|
"It is the character of such a mind, Mr. Tulkinghorn," Sir Leicester
|
|
interrupts him, "TO give trouble. An exceedingly ill-conditioned,
|
|
levelling person. A person who, fifty years ago, would probably have
|
|
been tried at the Old Bailey for some demagogue proceeding, and
|
|
severely punished--if not," adds Sir Leicester after a moment's
|
|
pause, "if not hanged, drawn, and quartered."
|
|
|
|
Sir Leicester appears to discharge his stately breast of a burden in
|
|
passing this capital sentence, as if it were the next satisfactory
|
|
thing to having the sentence executed.
|
|
|
|
"But night is coming on," says he, "and my Lady will take cold. My
|
|
dear, let us go in."
|
|
|
|
As they turn towards the hall-door, Lady Dedlock addresses Mr.
|
|
Tulkinghorn for the first time.
|
|
|
|
"You sent me a message respecting the person whose writing I happened
|
|
to inquire about. It was like you to remember the circumstance; I had
|
|
quite forgotten it. Your message reminded me of it again. I can't
|
|
imagine what association I had with a hand like that, but I surely
|
|
had some."
|
|
|
|
"You had some?" Mr. Tulkinghorn repeats.
|
|
|
|
"Oh, yes!" returns my Lady carelessly. "I think I must have had some.
|
|
And did you really take the trouble to find out the writer of that
|
|
actual thing--what is it!--affidavit?"
|
|
|
|
"Yes."
|
|
|
|
"How very odd!"
|
|
|
|
They pass into a sombre breakfast-room on the ground floor, lighted
|
|
in the day by two deep windows. It is now twilight. The fire glows
|
|
brightly on the panelled wall and palely on the window-glass, where,
|
|
through the cold reflection of the blaze, the colder landscape
|
|
shudders in the wind and a grey mist creeps along, the only traveller
|
|
besides the waste of clouds.
|
|
|
|
My Lady lounges in a great chair in the chimney-corner, and Sir
|
|
Leicester takes another great chair opposite. The lawyer stands
|
|
before the fire with his hand out at arm's length, shading his face.
|
|
He looks across his arm at my Lady.
|
|
|
|
"Yes," he says, "I inquired about the man, and found him. And, what
|
|
is very strange, I found him--"
|
|
|
|
"Not to be any out-of-the-way person, I am afraid!" Lady Dedlock
|
|
languidly anticipates.
|
|
|
|
"I found him dead."
|
|
|
|
"Oh, dear me!" remonstrated Sir Leicester. Not so much shocked by the
|
|
fact as by the fact of the fact being mentioned.
|
|
|
|
"I was directed to his lodging--a miserable, poverty-stricken
|
|
place--and I found him dead."
|
|
|
|
"You will excuse me, Mr. Tulkinghorn," observes Sir Leicester. "I
|
|
think the less said--"
|
|
|
|
"Pray, Sir Leicester, let me hear the story out" (it is my Lady
|
|
speaking). "It is quite a story for twilight. How very shocking!
|
|
Dead?"
|
|
|
|
Mr. Tulkinghorn re-asserts it by another inclination of his head.
|
|
"Whether by his own hand--"
|
|
|
|
"Upon my honour!" cries Sir Leicester. "Really!"
|
|
|
|
"Do let me hear the story!" says my Lady.
|
|
|
|
"Whatever you desire, my dear. But, I must say--"
|
|
|
|
"No, you mustn't say! Go on, Mr. Tulkinghorn."
|
|
|
|
Sir Leicester's gallantry concedes the point, though he still feels
|
|
that to bring this sort of squalor among the upper classes is
|
|
really--really--
|
|
|
|
"I was about to say," resumes the lawyer with undisturbed calmness,
|
|
"that whether he had died by his own hand or not, it was beyond my
|
|
power to tell you. I should amend that phrase, however, by saying
|
|
that he had unquestionably died of his own act, though whether by his
|
|
own deliberate intention or by mischance can never certainly be
|
|
known. The coroner's jury found that he took the poison
|
|
accidentally."
|
|
|
|
"And what kind of man," my Lady asks, "was this deplorable creature?"
|
|
|
|
"Very difficult to say," returns the lawyer, shaking his head. "He
|
|
had lived so wretchedly and was so neglected, with his gipsy colour
|
|
and his wild black hair and beard, that I should have considered him
|
|
the commonest of the common. The surgeon had a notion that he had
|
|
once been something better, both in appearance and condition."
|
|
|
|
"What did they call the wretched being?"
|
|
|
|
"They called him what he had called himself, but no one knew his
|
|
name."
|
|
|
|
"Not even any one who had attended on him?"
|
|
|
|
"No one had attended on him. He was found dead. In fact, I found
|
|
him."
|
|
|
|
"Without any clue to anything more?"
|
|
|
|
"Without any; there was," says the lawyer meditatively, "an old
|
|
portmanteau, but--No, there were no papers."
|
|
|
|
During the utterance of every word of this short dialogue, Lady
|
|
Dedlock and Mr. Tulkinghorn, without any other alteration in their
|
|
customary deportment, have looked very steadily at one another--as
|
|
was natural, perhaps, in the discussion of so unusual a subject. Sir
|
|
Leicester has looked at the fire, with the general expression of the
|
|
Dedlock on the staircase. The story being told, he renews his stately
|
|
protest, saying that as it is quite clear that no association in my
|
|
Lady's mind can possibly be traceable to this poor wretch (unless he
|
|
was a begging-letter writer), he trusts to hear no more about a
|
|
subject so far removed from my Lady's station.
|
|
|
|
"Certainly, a collection of horrors," says my Lady, gathering up her
|
|
mantles and furs, "but they interest one for the moment! Have the
|
|
kindness, Mr. Tulkinghorn, to open the door for me."
|
|
|
|
Mr. Tulkinghorn does so with deference and holds it open while she
|
|
passes out. She passes close to him, with her usual fatigued manner
|
|
and insolent grace. They meet again at dinner--again, next
|
|
day--again, for many days in succession. Lady Dedlock is always the
|
|
same exhausted deity, surrounded by worshippers, and terribly liable
|
|
to be bored to death, even while presiding at her own shrine. Mr.
|
|
Tulkinghorn is always the same speechless repository of noble
|
|
confidences, so oddly out of place and yet so perfectly at home. They
|
|
appear to take as little note of one another as any two people
|
|
enclosed within the same walls could. But whether each evermore
|
|
watches and suspects the other, evermore mistrustful of some great
|
|
reservation; whether each is evermore prepared at all points for the
|
|
other, and never to be taken unawares; what each would give to know
|
|
how much the other knows--all this is hidden, for the time, in their
|
|
own hearts.
|
|
|
|
|
|
|
|
|
|
CHAPTER XIII
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
We held many consultations about what Richard was to be, first
|
|
without Mr. Jarndyce, as he had requested, and afterwards with him,
|
|
but it was a long time before we seemed to make progress. Richard
|
|
said he was ready for anything. When Mr. Jarndyce doubted whether he
|
|
might not already be too old to enter the Navy, Richard said he had
|
|
thought of that, and perhaps he was. When Mr. Jarndyce asked him what
|
|
he thought of the Army, Richard said he had thought of that, too, and
|
|
it wasn't a bad idea. When Mr. Jarndyce advised him to try and decide
|
|
within himself whether his old preference for the sea was an ordinary
|
|
boyish inclination or a strong impulse, Richard answered, Well he
|
|
really HAD tried very often, and he couldn't make out.
|
|
|
|
"How much of this indecision of character," Mr. Jarndyce said to me,
|
|
"is chargeable on that incomprehensible heap of uncertainty and
|
|
procrastination on which he has been thrown from his birth, I don't
|
|
pretend to say; but that Chancery, among its other sins, is
|
|
responsible for some of it, I can plainly see. It has engendered or
|
|
confirmed in him a habit of putting off--and trusting to this, that,
|
|
and the other chance, without knowing what chance--and dismissing
|
|
everything as unsettled, uncertain, and confused. The character of
|
|
much older and steadier people may be even changed by the
|
|
circumstances surrounding them. It would be too much to expect that a
|
|
boy's, in its formation, should be the subject of such influences and
|
|
escape them."
|
|
|
|
I felt this to be true; though if I may venture to mention what I
|
|
thought besides, I thought it much to be regretted that Richard's
|
|
education had not counteracted those influences or directed his
|
|
character. He had been eight years at a public school and had learnt,
|
|
I understood, to make Latin verses of several sorts in the most
|
|
admirable manner. But I never heard that it had been anybody's
|
|
business to find out what his natural bent was, or where his failings
|
|
lay, or to adapt any kind of knowledge to HIM. HE had been adapted to
|
|
the verses and had learnt the art of making them to such perfection
|
|
that if he had remained at school until he was of age, I suppose he
|
|
could only have gone on making them over and over again unless he had
|
|
enlarged his education by forgetting how to do it. Still, although I
|
|
had no doubt that they were very beautiful, and very improving, and
|
|
very sufficient for a great many purposes of life, and always
|
|
remembered all through life, I did doubt whether Richard would not
|
|
have profited by some one studying him a little, instead of his
|
|
studying them quite so much.
|
|
|
|
To be sure, I knew nothing of the subject and do not even now know
|
|
whether the young gentlemen of classic Rome or Greece made verses to
|
|
the same extent--or whether the young gentlemen of any country ever
|
|
did.
|
|
|
|
"I haven't the least idea," said Richard, musing, "what I had better
|
|
be. Except that I am quite sure I don't want to go into the Church,
|
|
it's a toss-up."
|
|
|
|
"You have no inclination in Mr. Kenge's way?" suggested Mr. Jarndyce.
|
|
|
|
"I don't know that, sir!" replied Richard. "I am fond of boating.
|
|
Articled clerks go a good deal on the water. It's a capital
|
|
profession!"
|
|
|
|
"Surgeon--" suggested Mr. Jarndyce.
|
|
|
|
"That's the thing, sir!" cried Richard.
|
|
|
|
I doubt if he had ever once thought of it before.
|
|
|
|
"That's the thing, sir," repeated Richard with the greatest
|
|
enthusiasm. "We have got it at last. M.R.C.S.!"
|
|
|
|
He was not to be laughed out of it, though he laughed at it heartily.
|
|
He said he had chosen his profession, and the more he thought of it,
|
|
the more he felt that his destiny was clear; the art of healing was
|
|
the art of all others for him. Mistrusting that he only came to this
|
|
conclusion because, having never had much chance of finding out for
|
|
himself what he was fitted for and having never been guided to the
|
|
discovery, he was taken by the newest idea and was glad to get rid of
|
|
the trouble of consideration, I wondered whether the Latin verses
|
|
often ended in this or whether Richard's was a solitary case.
|
|
|
|
Mr. Jarndyce took great pains to talk with him seriously and to put
|
|
it to his good sense not to deceive himself in so important a matter.
|
|
Richard was a little grave after these interviews, but invariably
|
|
told Ada and me that it was all right, and then began to talk about
|
|
something else.
|
|
|
|
"By heaven!" cried Mr. Boythorn, who interested himself strongly in
|
|
the subject--though I need not say that, for he could do nothing
|
|
weakly; "I rejoice to find a young gentleman of spirit and gallantry
|
|
devoting himself to that noble profession! The more spirit there is
|
|
in it, the better for mankind and the worse for those mercenary
|
|
task-masters and low tricksters who delight in putting that
|
|
illustrious art at a disadvantage in the world. By all that is base
|
|
and despicable," cried Mr. Boythorn, "the treatment of surgeons
|
|
aboard ship is such that I would submit the legs--both legs--of every
|
|
member of the Admiralty Board to a compound fracture and render it a
|
|
transportable offence in any qualified practitioner to set them if
|
|
the system were not wholly changed in eight and forty hours!"
|
|
|
|
"Wouldn't you give them a week?" asked Mr. Jarndyce.
|
|
|
|
"No!" cried Mr. Boythorn firmly. "Not on any consideration! Eight and
|
|
forty hours! As to corporations, parishes, vestry-boards, and similar
|
|
gatherings of jolter-headed clods who assemble to exchange such
|
|
speeches that, by heaven, they ought to be worked in quicksilver
|
|
mines for the short remainder of their miserable existence, if it
|
|
were only to prevent their detestable English from contaminating a
|
|
language spoken in the presence of the sun--as to those fellows, who
|
|
meanly take advantage of the ardour of gentlemen in the pursuit of
|
|
knowledge to recompense the inestimable services of the best years of
|
|
their lives, their long study, and their expensive education with
|
|
pittances too small for the acceptance of clerks, I would have the
|
|
necks of every one of them wrung and their skulls arranged in
|
|
Surgeons' Hall for the contemplation of the whole profession in order
|
|
that its younger members might understand from actual measurement, in
|
|
early life, HOW thick skulls may become!"
|
|
|
|
He wound up this vehement declaration by looking round upon us with a
|
|
most agreeable smile and suddenly thundering, "Ha, ha, ha!" over and
|
|
over again, until anybody else might have been expected to be quite
|
|
subdued by the exertion.
|
|
|
|
As Richard still continued to say that he was fixed in his choice
|
|
after repeated periods for consideration had been recommended by Mr.
|
|
Jarndyce and had expired, and he still continued to assure Ada and me
|
|
in the same final manner that it was "all right," it became advisable
|
|
to take Mr. Kenge into council. Mr. Kenge, therefore, came down to
|
|
dinner one day, and leaned back in his chair, and turned his
|
|
eye-glasses over and over, and spoke in a sonorous voice, and did
|
|
exactly what I remembered to have seen him do when I was a little
|
|
girl.
|
|
|
|
"Ah!" said Mr. Kenge. "Yes. Well! A very good profession, Mr.
|
|
Jarndyce, a very good profession."
|
|
|
|
"The course of study and preparation requires to be diligently
|
|
pursued," observed my guardian with a glance at Richard.
|
|
|
|
"Oh, no doubt," said Mr. Kenge. "Diligently."
|
|
|
|
"But that being the case, more or less, with all pursuits that are
|
|
worth much," said Mr. Jarndyce, "it is not a special consideration
|
|
which another choice would be likely to escape."
|
|
|
|
"Truly," said Mr. Kenge. "And Mr. Richard Carstone, who has so
|
|
meritoriously acquitted himself in the--shall I say the classic
|
|
shades?--in which his youth had been passed, will, no doubt, apply
|
|
the habits, if not the principles and practice, of versification in
|
|
that tongue in which a poet was said (unless I mistake) to be born,
|
|
not made, to the more eminently practical field of action on which he
|
|
enters."
|
|
|
|
"You may rely upon it," said Richard in his off-hand manner, "that I
|
|
shall go at it and do my best."
|
|
|
|
"Very well, Mr. Jarndyce!" said Mr. Kenge, gently nodding his head.
|
|
"Really, when we are assured by Mr. Richard that he means to go at it
|
|
and to do his best," nodding feelingly and smoothly over those
|
|
expressions, "I would submit to you that we have only to inquire into
|
|
the best mode of carrying out the object of his ambition. Now, with
|
|
reference to placing Mr. Richard with some sufficiently eminent
|
|
practitioner. Is there any one in view at present?"
|
|
|
|
"No one, Rick, I think?" said my guardian.
|
|
|
|
"No one, sir," said Richard.
|
|
|
|
"Quite so!" observed Mr. Kenge. "As to situation, now. Is there any
|
|
particular feeling on that head?"
|
|
|
|
"N--no," said Richard.
|
|
|
|
"Quite so!" observed Mr. Kenge again.
|
|
|
|
"I should like a little variety," said Richard; "I mean a good range
|
|
of experience."
|
|
|
|
"Very requisite, no doubt," returned Mr. Kenge. "I think this may be
|
|
easily arranged, Mr. Jarndyce? We have only, in the first place, to
|
|
discover a sufficiently eligible practitioner; and as soon as we make
|
|
our want--and shall I add, our ability to pay a premium?--known, our
|
|
only difficulty will be in the selection of one from a large number.
|
|
We have only, in the second place, to observe those little
|
|
formalities which are rendered necessary by our time of life and our
|
|
being under the guardianship of the court. We shall soon be--shall I
|
|
say, in Mr. Richard's own light-hearted manner, 'going at it'--to our
|
|
heart's content. It is a coincidence," said Mr. Kenge with a tinge of
|
|
melancholy in his smile, "one of those coincidences which may or may
|
|
not require an explanation beyond our present limited faculties, that
|
|
I have a cousin in the medical profession. He might be deemed
|
|
eligible by you and might be disposed to respond to this proposal. I
|
|
can answer for him as little as for you, but he MIGHT!"
|
|
|
|
As this was an opening in the prospect, it was arranged that Mr.
|
|
Kenge should see his cousin. And as Mr. Jarndyce had before proposed
|
|
to take us to London for a few weeks, it was settled next day that we
|
|
should make our visit at once and combine Richard's business with it.
|
|
|
|
Mr. Boythorn leaving us within a week, we took up our abode at a
|
|
cheerful lodging near Oxford Street over an upholsterer's shop.
|
|
London was a great wonder to us, and we were out for hours and hours
|
|
at a time, seeing the sights, which appeared to be less capable of
|
|
exhaustion than we were. We made the round of the principal theatres,
|
|
too, with great delight, and saw all the plays that were worth
|
|
seeing. I mention this because it was at the theatre that I began to
|
|
be made uncomfortable again by Mr. Guppy.
|
|
|
|
I was sitting in front of the box one night with Ada, and Richard was
|
|
in the place he liked best, behind Ada's chair, when, happening to
|
|
look down into the pit, I saw Mr. Guppy, with his hair flattened down
|
|
upon his head and woe depicted in his face, looking up at me. I felt
|
|
all through the performance that he never looked at the actors but
|
|
constantly looked at me, and always with a carefully prepared
|
|
expression of the deepest misery and the profoundest dejection.
|
|
|
|
It quite spoiled my pleasure for that night because it was so very
|
|
embarrassing and so very ridiculous. But from that time forth, we
|
|
never went to the play without my seeing Mr. Guppy in the pit, always
|
|
with his hair straight and flat, his shirt-collar turned down, and a
|
|
general feebleness about him. If he were not there when we went in,
|
|
and I began to hope he would not come and yielded myself for a little
|
|
while to the interest of the scene, I was certain to encounter his
|
|
languishing eyes when I least expected it and, from that time, to be
|
|
quite sure that they were fixed upon me all the evening.
|
|
|
|
I really cannot express how uneasy this made me. If he would only
|
|
have brushed up his hair or turned up his collar, it would have been
|
|
bad enough; but to know that that absurd figure was always gazing at
|
|
me, and always in that demonstrative state of despondency, put such a
|
|
constraint upon me that I did not like to laugh at the play, or to
|
|
cry at it, or to move, or to speak. I seemed able to do nothing
|
|
naturally. As to escaping Mr. Guppy by going to the back of the box,
|
|
I could not bear to do that because I knew Richard and Ada relied on
|
|
having me next them and that they could never have talked together so
|
|
happily if anybody else had been in my place. So there I sat, not
|
|
knowing where to look--for wherever I looked, I knew Mr. Guppy's eyes
|
|
were following me--and thinking of the dreadful expense to which this
|
|
young man was putting himself on my account.
|
|
|
|
Sometimes I thought of telling Mr. Jarndyce. Then I feared that the
|
|
young man would lose his situation and that I might ruin him.
|
|
Sometimes I thought of confiding in Richard, but was deterred by the
|
|
possibility of his fighting Mr. Guppy and giving him black eyes.
|
|
Sometimes I thought, should I frown at him or shake my head. Then I
|
|
felt I could not do it. Sometimes I considered whether I should write
|
|
to his mother, but that ended in my being convinced that to open a
|
|
correspondence would be to make the matter worse. I always came to
|
|
the conclusion, finally, that I could do nothing. Mr. Guppy's
|
|
perseverance, all this time, not only produced him regularly at any
|
|
theatre to which we went, but caused him to appear in the crowd as we
|
|
were coming out, and even to get up behind our fly--where I am sure I
|
|
saw him, two or three times, struggling among the most dreadful
|
|
spikes. After we got home, he haunted a post opposite our house. The
|
|
upholsterer's where we lodged being at the corner of two streets, and
|
|
my bedroom window being opposite the post, I was afraid to go near
|
|
the window when I went upstairs, lest I should see him (as I did one
|
|
moonlight night) leaning against the post and evidently catching
|
|
cold. If Mr. Guppy had not been, fortunately for me, engaged in the
|
|
daytime, I really should have had no rest from him.
|
|
|
|
While we were making this round of gaieties, in which Mr. Guppy so
|
|
extraordinarily participated, the business which had helped to bring
|
|
us to town was not neglected. Mr. Kenge's cousin was a Mr. Bayham
|
|
Badger, who had a good practice at Chelsea and attended a large
|
|
public institution besides. He was quite willing to receive Richard
|
|
into his house and to superintend his studies, and as it seemed that
|
|
those could be pursued advantageously under Mr. Badger's roof, and
|
|
Mr. Badger liked Richard, and as Richard said he liked Mr. Badger
|
|
"well enough," an agreement was made, the Lord Chancellor's consent
|
|
was obtained, and it was all settled.
|
|
|
|
On the day when matters were concluded between Richard and Mr.
|
|
Badger, we were all under engagement to dine at Mr. Badger's house.
|
|
We were to be "merely a family party," Mrs. Badger's note said; and
|
|
we found no lady there but Mrs. Badger herself. She was surrounded in
|
|
the drawing-room by various objects, indicative of her painting a
|
|
little, playing the piano a little, playing the guitar a little,
|
|
playing the harp a little, singing a little, working a little,
|
|
reading a little, writing poetry a little, and botanizing a little.
|
|
She was a lady of about fifty, I should think, youthfully dressed,
|
|
and of a very fine complexion. If I add to the little list of her
|
|
accomplishments that she rouged a little, I do not mean that there
|
|
was any harm in it.
|
|
|
|
Mr. Bayham Badger himself was a pink, fresh-faced, crisp-looking
|
|
gentleman with a weak voice, white teeth, light hair, and surprised
|
|
eyes, some years younger, I should say, than Mrs. Bayham Badger. He
|
|
admired her exceedingly, but principally, and to begin with, on the
|
|
curious ground (as it seemed to us) of her having had three husbands.
|
|
We had barely taken our seats when he said to Mr. Jarndyce quite
|
|
triumphantly, "You would hardly suppose that I am Mrs. Bayham
|
|
Badger's third!"
|
|
|
|
"Indeed?" said Mr. Jarndyce.
|
|
|
|
"Her third!" said Mr. Badger. "Mrs. Bayham Badger has not the
|
|
appearance, Miss Summerson, of a lady who has had two former
|
|
husbands?"
|
|
|
|
I said "Not at all!"
|
|
|
|
"And most remarkable men!" said Mr. Badger in a tone of confidence.
|
|
"Captain Swosser of the Royal Navy, who was Mrs. Badger's first
|
|
husband, was a very distinguished officer indeed. The name of
|
|
Professor Dingo, my immediate predecessor, is one of European
|
|
reputation."
|
|
|
|
Mrs. Badger overheard him and smiled.
|
|
|
|
"Yes, my dear!" Mr. Badger replied to the smile, "I was observing to
|
|
Mr. Jarndyce and Miss Summerson that you had had two former
|
|
husbands--both very distinguished men. And they found it, as people
|
|
generally do, difficult to believe."
|
|
|
|
"I was barely twenty," said Mrs. Badger, "when I married Captain
|
|
Swosser of the Royal Navy. I was in the Mediterranean with him; I am
|
|
quite a sailor. On the twelfth anniversary of my wedding-day, I
|
|
became the wife of Professor Dingo."
|
|
|
|
"Of European reputation," added Mr. Badger in an undertone.
|
|
|
|
"And when Mr. Badger and myself were married," pursued Mrs. Badger,
|
|
"we were married on the same day of the year. I had become attached
|
|
to the day."
|
|
|
|
"So that Mrs. Badger has been married to three husbands--two of them
|
|
highly distinguished men," said Mr. Badger, summing up the facts,
|
|
"and each time upon the twenty-first of March at eleven in the
|
|
forenoon!"
|
|
|
|
We all expressed our admiration.
|
|
|
|
"But for Mr. Badger's modesty," said Mr. Jarndyce, "I would take
|
|
leave to correct him and say three distinguished men."
|
|
|
|
"Thank you, Mr. Jarndyce! What I always tell him!" observed Mrs.
|
|
Badger.
|
|
|
|
"And, my dear," said Mr. Badger, "what do I always tell you? That
|
|
without any affectation of disparaging such professional distinction
|
|
as I may have attained (which our friend Mr. Carstone will have many
|
|
opportunities of estimating), I am not so weak--no, really," said Mr.
|
|
Badger to us generally, "so unreasonable--as to put my reputation on
|
|
the same footing with such first-rate men as Captain Swosser and
|
|
Professor Dingo. Perhaps you may be interested, Mr. Jarndyce,"
|
|
continued Mr. Bayham Badger, leading the way into the next
|
|
drawing-room, "in this portrait of Captain Swosser. It was taken on
|
|
his return home from the African station, where he had suffered from
|
|
the fever of the country. Mrs. Badger considers it too yellow. But
|
|
it's a very fine head. A very fine head!"
|
|
|
|
We all echoed, "A very fine head!"
|
|
|
|
"I feel when I look at it," said Mr. Badger, "'That's a man I should
|
|
like to have seen!' It strikingly bespeaks the first-class man that
|
|
Captain Swosser pre-eminently was. On the other side, Professor
|
|
Dingo. I knew him well--attended him in his last illness--a speaking
|
|
likeness! Over the piano, Mrs. Bayham Badger when Mrs. Swosser. Over
|
|
the sofa, Mrs. Bayham Badger when Mrs. Dingo. Of Mrs. Bayham Badger
|
|
IN ESSE, I possess the original and have no copy."
|
|
|
|
Dinner was now announced, and we went downstairs. It was a very
|
|
genteel entertainment, very handsomely served. But the captain and
|
|
the professor still ran in Mr. Badger's head, and as Ada and I had
|
|
the honour of being under his particular care, we had the full
|
|
benefit of them.
|
|
|
|
"Water, Miss Summerson? Allow me! Not in that tumbler, pray. Bring me
|
|
the professor's goblet, James!"
|
|
|
|
Ada very much admired some artificial flowers under a glass.
|
|
|
|
"Astonishing how they keep!" said Mr. Badger. "They were presented to
|
|
Mrs. Bayham Badger when she was in the Mediterranean."
|
|
|
|
He invited Mr. Jarndyce to take a glass of claret.
|
|
|
|
"Not that claret!" he said. "Excuse me! This is an occasion, and ON
|
|
an occasion I produce some very special claret I happen to have.
|
|
(James, Captain Swosser's wine!) Mr. Jarndyce, this is a wine that
|
|
was imported by the captain, we will not say how many years ago. You
|
|
will find it very curious. My dear, I shall be happy to take some of
|
|
this wine with you. (Captain Swosser's claret to your mistress,
|
|
James!) My love, your health!"
|
|
|
|
After dinner, when we ladies retired, we took Mrs. Badger's first and
|
|
second husband with us. Mrs. Badger gave us in the drawing-room a
|
|
biographical sketch of the life and services of Captain Swosser
|
|
before his marriage and a more minute account of him dating from the
|
|
time when he fell in love with her at a ball on board the Crippler,
|
|
given to the officers of that ship when she lay in Plymouth Harbour.
|
|
|
|
"The dear old Crippler!" said Mrs. Badger, shaking her head. "She was
|
|
a noble vessel. Trim, ship-shape, all a taunto, as Captain Swosser
|
|
used to say. You must excuse me if I occasionally introduce a
|
|
nautical expression; I was quite a sailor once. Captain Swosser loved
|
|
that craft for my sake. When she was no longer in commission, he
|
|
frequently said that if he were rich enough to buy her old hulk, he
|
|
would have an inscription let into the timbers of the quarter-deck
|
|
where we stood as partners in the dance to mark the spot where he
|
|
fell--raked fore and aft (Captain Swosser used to say) by the fire
|
|
from my tops. It was his naval way of mentioning my eyes."
|
|
|
|
Mrs. Badger shook her head, sighed, and looked in the glass.
|
|
|
|
"It was a great change from Captain Swosser to Professor Dingo," she
|
|
resumed with a plaintive smile. "I felt it a good deal at first. Such
|
|
an entire revolution in my mode of life! But custom, combined with
|
|
science--particularly science--inured me to it. Being the professor's
|
|
sole companion in his botanical excursions, I almost forgot that I
|
|
had ever been afloat, and became quite learned. It is singular that
|
|
the professor was the antipodes of Captain Swosser and that Mr.
|
|
Badger is not in the least like either!"
|
|
|
|
We then passed into a narrative of the deaths of Captain Swosser and
|
|
Professor Dingo, both of whom seem to have had very bad complaints.
|
|
In the course of it, Mrs. Badger signified to us that she had never
|
|
madly loved but once and that the object of that wild affection,
|
|
never to be recalled in its fresh enthusiasm, was Captain Swosser.
|
|
The professor was yet dying by inches in the most dismal manner, and
|
|
Mrs. Badger was giving us imitations of his way of saying, with great
|
|
difficulty, "Where is Laura? Let Laura give me my toast and water!"
|
|
when the entrance of the gentlemen consigned him to the tomb.
|
|
|
|
Now, I observed that evening, as I had observed for some days past,
|
|
that Ada and Richard were more than ever attached to each other's
|
|
society, which was but natural, seeing that they were going to be
|
|
separated so soon. I was therefore not very much surprised when we
|
|
got home, and Ada and I retired upstairs, to find Ada more silent
|
|
than usual, though I was not quite prepared for her coming into my
|
|
arms and beginning to speak to me, with her face hidden.
|
|
|
|
"My darling Esther!" murmured Ada. "I have a great secret to tell
|
|
you!"
|
|
|
|
A mighty secret, my pretty one, no doubt!
|
|
|
|
"What is it, Ada?"
|
|
|
|
"Oh, Esther, you would never guess!"
|
|
|
|
"Shall I try to guess?" said I.
|
|
|
|
"Oh, no! Don't! Pray don't!" cried Ada, very much startled by the
|
|
idea of my doing so.
|
|
|
|
"Now, I wonder who it can be about?" said I, pretending to consider.
|
|
|
|
"It's about--" said Ada in a whisper. "It's about--my cousin
|
|
Richard!"
|
|
|
|
"Well, my own!" said I, kissing her bright hair, which was all I
|
|
could see. "And what about him?"
|
|
|
|
"Oh, Esther, you would never guess!"
|
|
|
|
It was so pretty to have her clinging to me in that way, hiding her
|
|
face, and to know that she was not crying in sorrow but in a little
|
|
glow of joy, and pride, and hope, that I would not help her just yet.
|
|
|
|
"He says--I know it's very foolish, we are both so young--but he
|
|
says," with a burst of tears, "that he loves me dearly, Esther."
|
|
|
|
"Does he indeed?" said I. "I never heard of such a thing! Why, my pet
|
|
of pets, I could have told you that weeks and weeks ago!"
|
|
|
|
To see Ada lift up her flushed face in joyful surprise, and hold me
|
|
round the neck, and laugh, and cry, and blush, was so pleasant!
|
|
|
|
"Why, my darling," said I, "what a goose you must take me for! Your
|
|
cousin Richard has been loving you as plainly as he could for I don't
|
|
know how long!"
|
|
|
|
"And yet you never said a word about it!" cried Ada, kissing me.
|
|
|
|
"No, my love," said I. "I waited to be told."
|
|
|
|
"But now I have told you, you don't think it wrong of me, do you?"
|
|
returned Ada. She might have coaxed me to say no if I had been the
|
|
hardest-hearted duenna in the world. Not being that yet, I said no
|
|
very freely.
|
|
|
|
"And now," said I, "I know the worst of it."
|
|
|
|
"Oh, that's not quite the worst of it, Esther dear!" cried Ada,
|
|
holding me tighter and laying down her face again upon my breast.
|
|
|
|
"No?" said I. "Not even that?"
|
|
|
|
"No, not even that!" said Ada, shaking her head.
|
|
|
|
"Why, you never mean to say--" I was beginning in joke.
|
|
|
|
But Ada, looking up and smiling through her tears, cried, "Yes, I do!
|
|
You know, you know I do!" And then sobbed out, "With all my heart I
|
|
do! With all my whole heart, Esther!"
|
|
|
|
I told her, laughing, why I had known that, too, just as well as I
|
|
had known the other! And we sat before the fire, and I had all the
|
|
talking to myself for a little while (though there was not much of
|
|
it); and Ada was soon quiet and happy.
|
|
|
|
"Do you think my cousin John knows, dear Dame Durden?" she asked.
|
|
|
|
"Unless my cousin John is blind, my pet," said I, "I should think my
|
|
cousin John knows pretty well as much as we know."
|
|
|
|
"We want to speak to him before Richard goes," said Ada timidly, "and
|
|
we wanted you to advise us, and to tell him so. Perhaps you wouldn't
|
|
mind Richard's coming in, Dame Durden?"
|
|
|
|
"Oh! Richard is outside, is he, my dear?" said I.
|
|
|
|
"I am not quite certain," returned Ada with a bashful simplicity that
|
|
would have won my heart if she had not won it long before, "but I
|
|
think he's waiting at the door."
|
|
|
|
There he was, of course. They brought a chair on either side of me,
|
|
and put me between them, and really seemed to have fallen in love
|
|
with me instead of one another, they were so confiding, and so
|
|
trustful, and so fond of me. They went on in their own wild way for a
|
|
little while--I never stopped them; I enjoyed it too much myself--and
|
|
then we gradually fell to considering how young they were, and how
|
|
there must be a lapse of several years before this early love could
|
|
come to anything, and how it could come to happiness only if it were
|
|
real and lasting and inspired them with a steady resolution to do
|
|
their duty to each other, with constancy, fortitude, and
|
|
perseverance, each always for the other's sake. Well! Richard said
|
|
that he would work his fingers to the bone for Ada, and Ada said that
|
|
she would work her fingers to the bone for Richard, and they called
|
|
me all sorts of endearing and sensible names, and we sat there,
|
|
advising and talking, half the night. Finally, before we parted, I
|
|
gave them my promise to speak to their cousin John to-morrow.
|
|
|
|
So, when to-morrow came, I went to my guardian after breakfast, in
|
|
the room that was our town-substitute for the growlery, and told him
|
|
that I had it in trust to tell him something.
|
|
|
|
"Well, little woman," said he, shutting up his book, "if you have
|
|
accepted the trust, there can be no harm in it."
|
|
|
|
"I hope not, guardian," said I. "I can guarantee that there is no
|
|
secrecy in it. For it only happened yesterday."
|
|
|
|
"Aye? And what is it, Esther?"
|
|
|
|
"Guardian," said I, "you remember the happy night when first we came
|
|
down to Bleak House? When Ada was singing in the dark room?"
|
|
|
|
I wished to call to his remembrance the look he had given me then.
|
|
Unless I am much mistaken, I saw that I did so.
|
|
|
|
"Because--" said I with a little hesitation.
|
|
|
|
"Yes, my dear!" said he. "Don't hurry."
|
|
|
|
"Because," said I, "Ada and Richard have fallen in love. And have
|
|
told each other so."
|
|
|
|
"Already!" cried my guardian, quite astonished.
|
|
|
|
"Yes!" said I. "And to tell you the truth, guardian, I rather
|
|
expected it."
|
|
|
|
"The deuce you did!" said he.
|
|
|
|
He sat considering for a minute or two, with his smile, at once so
|
|
handsome and so kind, upon his changing face, and then requested me
|
|
to let them know that he wished to see them. When they came, he
|
|
encircled Ada with one arm in his fatherly way and addressed himself
|
|
to Richard with a cheerful gravity.
|
|
|
|
"Rick," said Mr. Jarndyce, "I am glad to have won your confidence. I
|
|
hope to preserve it. When I contemplated these relations between us
|
|
four which have so brightened my life and so invested it with new
|
|
interests and pleasures, I certainly did contemplate, afar off, the
|
|
possibility of you and your pretty cousin here (don't be shy, Ada,
|
|
don't be shy, my dear!) being in a mind to go through life together.
|
|
I saw, and do see, many reasons to make it desirable. But that was
|
|
afar off, Rick, afar off!"
|
|
|
|
"We look afar off, sir," returned Richard.
|
|
|
|
"Well!" said Mr. Jarndyce. "That's rational. Now, hear me, my dears!
|
|
I might tell you that you don't know your own minds yet, that a
|
|
thousand things may happen to divert you from one another, that it is
|
|
well this chain of flowers you have taken up is very easily broken,
|
|
or it might become a chain of lead. But I will not do that. Such
|
|
wisdom will come soon enough, I dare say, if it is to come at all. I
|
|
will assume that a few years hence you will be in your hearts to one
|
|
another what you are to-day. All I say before speaking to you
|
|
according to that assumption is, if you DO change--if you DO come to
|
|
find that you are more commonplace cousins to each other as man and
|
|
woman than you were as boy and girl (your manhood will excuse me,
|
|
Rick!)--don't be ashamed still to confide in me, for there will be
|
|
nothing monstrous or uncommon in it. I am only your friend and
|
|
distant kinsman. I have no power over you whatever. But I wish and
|
|
hope to retain your confidence if I do nothing to forfeit it."
|
|
|
|
"I am very sure, sir," returned Richard, "that I speak for Ada too
|
|
when I say that you have the strongest power over us both--rooted in
|
|
respect, gratitude, and affection--strengthening every day."
|
|
|
|
"Dear cousin John," said Ada, on his shoulder, "my father's place can
|
|
never be empty again. All the love and duty I could ever have
|
|
rendered to him is transferred to you."
|
|
|
|
"Come!" said Mr. Jarndyce. "Now for our assumption. Now we lift our
|
|
eyes up and look hopefully at the distance! Rick, the world is before
|
|
you; and it is most probable that as you enter it, so it will receive
|
|
you. Trust in nothing but in Providence and your own efforts. Never
|
|
separate the two, like the heathen waggoner. Constancy in love is a
|
|
good thing, but it means nothing, and is nothing, without constancy
|
|
in every kind of effort. If you had the abilities of all the great
|
|
men, past and present, you could do nothing well without sincerely
|
|
meaning it and setting about it. If you entertain the supposition
|
|
that any real success, in great things or in small, ever was or could
|
|
be, ever will or can be, wrested from Fortune by fits and starts,
|
|
leave that wrong idea here or leave your cousin Ada here."
|
|
|
|
"I will leave IT here, sir," replied Richard smiling, "if I brought
|
|
it here just now (but I hope I did not), and will work my way on to
|
|
my cousin Ada in the hopeful distance."
|
|
|
|
"Right!" said Mr. Jarndyce. "If you are not to make her happy, why
|
|
should you pursue her?"
|
|
|
|
"I wouldn't make her unhappy--no, not even for her love," retorted
|
|
Richard proudly.
|
|
|
|
"Well said!" cried Mr. Jarndyce. "That's well said! She remains here,
|
|
in her home with me. Love her, Rick, in your active life, no less
|
|
than in her home when you revisit it, and all will go well.
|
|
Otherwise, all will go ill. That's the end of my preaching. I think
|
|
you and Ada had better take a walk."
|
|
|
|
Ada tenderly embraced him, and Richard heartily shook hands with him,
|
|
and then the cousins went out of the room, looking back again
|
|
directly, though, to say that they would wait for me.
|
|
|
|
The door stood open, and we both followed them with our eyes as they
|
|
passed down the adjoining room, on which the sun was shining, and out
|
|
at its farther end. Richard with his head bent, and her hand drawn
|
|
through his arm, was talking to her very earnestly; and she looked up
|
|
in his face, listening, and seemed to see nothing else. So young, so
|
|
beautiful, so full of hope and promise, they went on lightly through
|
|
the sunlight as their own happy thoughts might then be traversing the
|
|
years to come and making them all years of brightness. So they passed
|
|
away into the shadow and were gone. It was only a burst of light that
|
|
had been so radiant. The room darkened as they went out, and the sun
|
|
was clouded over.
|
|
|
|
"Am I right, Esther?" said my guardian when they were gone.
|
|
|
|
He was so good and wise to ask ME whether he was right!
|
|
|
|
"Rick may gain, out of this, the quality he wants. Wants, at the core
|
|
of so much that is good!" said Mr. Jarndyce, shaking his head. "I
|
|
have said nothing to Ada, Esther. She has her friend and counsellor
|
|
always near." And he laid his hand lovingly upon my head.
|
|
|
|
I could not help showing that I was a little moved, though I did all
|
|
I could to conceal it.
|
|
|
|
"Tut tut!" said he. "But we must take care, too, that our little
|
|
woman's life is not all consumed in care for others."
|
|
|
|
"Care? My dear guardian, I believe I am the happiest creature in the
|
|
world!"
|
|
|
|
"I believe so, too," said he. "But some one may find out what Esther
|
|
never will--that the little woman is to be held in remembrance above
|
|
all other people!"
|
|
|
|
I have omitted to mention in its place that there was some one else
|
|
at the family dinner party. It was not a lady. It was a gentleman. It
|
|
was a gentleman of a dark complexion--a young surgeon. He was rather
|
|
reserved, but I thought him very sensible and agreeable. At least,
|
|
Ada asked me if I did not, and I said yes.
|
|
|
|
|
|
|
|
|
|
CHAPTER XIV
|
|
|
|
Deportment
|
|
|
|
|
|
Richard left us on the very next evening to begin his new career, and
|
|
committed Ada to my charge with great love for her and great trust in
|
|
me. It touched me then to reflect, and it touches me now, more
|
|
nearly, to remember (having what I have to tell) how they both
|
|
thought of me, even at that engrossing time. I was a part of all
|
|
their plans, for the present and the future. I was to write Richard
|
|
once a week, making my faithful report of Ada, who was to write to
|
|
him every alternate day. I was to be informed, under his own hand, of
|
|
all his labours and successes; I was to observe how resolute and
|
|
persevering he would be; I was to be Ada's bridesmaid when they were
|
|
married; I was to live with them afterwards; I was to keep all the
|
|
keys of their house; I was to be made happy for ever and a day.
|
|
|
|
"And if the suit SHOULD make us rich, Esther--which it may, you
|
|
know!" said Richard to crown all.
|
|
|
|
A shade crossed Ada's face.
|
|
|
|
"My dearest Ada," asked Richard, "why not?"
|
|
|
|
"It had better declare us poor at once," said Ada.
|
|
|
|
"Oh! I don't know about that," returned Richard, "but at all events,
|
|
it won't declare anything at once. It hasn't declared anything in
|
|
heaven knows how many years."
|
|
|
|
"Too true," said Ada.
|
|
|
|
"Yes, but," urged Richard, answering what her look suggested rather
|
|
than her words, "the longer it goes on, dear cousin, the nearer it
|
|
must be to a settlement one way or other. Now, is not that
|
|
reasonable?"
|
|
|
|
"You know best, Richard. But I am afraid if we trust to it, it will
|
|
make us unhappy."
|
|
|
|
"But, my Ada, we are not going to trust to it!" cried Richard gaily.
|
|
"We know it better than to trust to it. We only say that if it SHOULD
|
|
make us rich, we have no constitutional objection to being rich. The
|
|
court is, by solemn settlement of law, our grim old guardian, and we
|
|
are to suppose that what it gives us (when it gives us anything) is
|
|
our right. It is not necessary to quarrel with our right."
|
|
|
|
"No," said Ada, "but it may be better to forget all about it."
|
|
|
|
"Well, well," cried Richard, "then we will forget all about it! We
|
|
consign the whole thing to oblivion. Dame Durden puts on her
|
|
approving face, and it's done!"
|
|
|
|
"Dame Durden's approving face," said I, looking out of the box in
|
|
which I was packing his books, "was not very visible when you called
|
|
it by that name; but it does approve, and she thinks you can't do
|
|
better."
|
|
|
|
So, Richard said there was an end of it, and immediately began, on no
|
|
other foundation, to build as many castles in the air as would man
|
|
the Great Wall of China. He went away in high spirits. Ada and I,
|
|
prepared to miss him very much, commenced our quieter career.
|
|
|
|
On our arrival in London, we had called with Mr. Jarndyce at Mrs.
|
|
Jellyby's but had not been so fortunate as to find her at home. It
|
|
appeared that she had gone somewhere to a tea-drinking and had taken
|
|
Miss Jellyby with her. Besides the tea-drinking, there was to be some
|
|
considerable speech-making and letter-writing on the general merits
|
|
of the cultivation of coffee, conjointly with natives, at the
|
|
Settlement of Borrioboola-Gha. All this involved, no doubt,
|
|
sufficient active exercise of pen and ink to make her daughter's part
|
|
in the proceedings anything but a holiday.
|
|
|
|
It being now beyond the time appointed for Mrs. Jellyby's return, we
|
|
called again. She was in town, but not at home, having gone to Mile
|
|
End directly after breakfast on some Borrioboolan business, arising
|
|
out of a society called the East London Branch Aid Ramification. As I
|
|
had not seen Peepy on the occasion of our last call (when he was not
|
|
to be found anywhere, and when the cook rather thought he must have
|
|
strolled away with the dustman's cart), I now inquired for him again.
|
|
The oyster shells he had been building a house with were still in the
|
|
passage, but he was nowhere discoverable, and the cook supposed that
|
|
he had "gone after the sheep." When we repeated, with some surprise,
|
|
"The sheep?" she said, Oh, yes, on market days he sometimes followed
|
|
them quite out of town and came back in such a state as never was!
|
|
|
|
I was sitting at the window with my guardian on the following
|
|
morning, and Ada was busy writing--of course to Richard--when Miss
|
|
Jellyby was announced, and entered, leading the identical Peepy, whom
|
|
she had made some endeavours to render presentable by wiping the dirt
|
|
into corners of his face and hands and making his hair very wet and
|
|
then violently frizzling it with her fingers. Everything the dear
|
|
child wore was either too large for him or too small. Among his other
|
|
contradictory decorations he had the hat of a bishop and the little
|
|
gloves of a baby. His boots were, on a small scale, the boots of a
|
|
ploughman, while his legs, so crossed and recrossed with scratches
|
|
that they looked like maps, were bare below a very short pair of
|
|
plaid drawers finished off with two frills of perfectly different
|
|
patterns. The deficient buttons on his plaid frock had evidently been
|
|
supplied from one of Mr. Jellyby's coats, they were so extremely
|
|
brazen and so much too large. Most extraordinary specimens of
|
|
needlework appeared on several parts of his dress, where it had been
|
|
hastily mended, and I recognized the same hand on Miss Jellyby's. She
|
|
was, however, unaccountably improved in her appearance and looked
|
|
very pretty. She was conscious of poor little Peepy being but a
|
|
failure after all her trouble, and she showed it as she came in by
|
|
the way in which she glanced first at him and then at us.
|
|
|
|
"Oh, dear me!" said my guardian. "Due east!"
|
|
|
|
Ada and I gave her a cordial welcome and presented her to Mr.
|
|
Jarndyce, to whom she said as she sat down, "Ma's compliments, and
|
|
she hopes you'll excuse her, because she's correcting proofs of the
|
|
plan. She's going to put out five thousand new circulars, and she
|
|
knows you'll be interested to hear that. I have brought one of them
|
|
with me. Ma's compliments." With which she presented it sulkily
|
|
enough.
|
|
|
|
"Thank you," said my guardian. "I am much obliged to Mrs. Jellyby.
|
|
Oh, dear me! This is a very trying wind!"
|
|
|
|
We were busy with Peepy, taking off his clerical hat, asking him if
|
|
he remembered us, and so on. Peepy retired behind his elbow at first,
|
|
but relented at the sight of sponge-cake and allowed me to take him
|
|
on my lap, where he sat munching quietly. Mr. Jarndyce then
|
|
withdrawing into the temporary growlery, Miss Jellyby opened a
|
|
conversation with her usual abruptness.
|
|
|
|
"We are going on just as bad as ever in Thavies Inn," said she. "I
|
|
have no peace of my life. Talk of Africa! I couldn't be worse off if
|
|
I was a what's-his-name--man and a brother!"
|
|
|
|
I tried to say something soothing.
|
|
|
|
"Oh, it's of no use, Miss Summerson," exclaimed Miss Jellyby, "though
|
|
I thank you for the kind intention all the same. I know how I am
|
|
used, and I am not to be talked over. YOU wouldn't be talked over if
|
|
you were used so. Peepy, go and play at Wild Beasts under the piano!"
|
|
|
|
"I shan't!" said Peepy.
|
|
|
|
"Very well, you ungrateful, naughty, hard-hearted boy!" returned Miss
|
|
Jellyby with tears in her eyes. "I'll never take pains to dress you
|
|
any more."
|
|
|
|
"Yes, I will go, Caddy!" cried Peepy, who was really a good child and
|
|
who was so moved by his sister's vexation that he went at once.
|
|
|
|
"It seems a little thing to cry about," said poor Miss Jellyby
|
|
apologetically, "but I am quite worn out. I was directing the new
|
|
circulars till two this morning. I detest the whole thing so that
|
|
that alone makes my head ache till I can't see out of my eyes. And
|
|
look at that poor unfortunate child! Was there ever such a fright as
|
|
he is!"
|
|
|
|
Peepy, happily unconscious of the defects in his appearance, sat on
|
|
the carpet behind one of the legs of the piano, looking calmly out of
|
|
his den at us while he ate his cake.
|
|
|
|
"I have sent him to the other end of the room," observed Miss
|
|
Jellyby, drawing her chair nearer ours, "because I don't want him to
|
|
hear the conversation. Those little things are so sharp! I was going
|
|
to say, we really are going on worse than ever. Pa will be a bankrupt
|
|
before long, and then I hope Ma will be satisfied. There'll he nobody
|
|
but Ma to thank for it."
|
|
|
|
We said we hoped Mr. Jellyby's affairs were not in so bad a state as
|
|
that.
|
|
|
|
"It's of no use hoping, though it's very kind of you," returned Miss
|
|
Jellyby, shaking her head. "Pa told me only yesterday morning (and
|
|
dreadfully unhappy he is) that he couldn't weather the storm. I
|
|
should be surprised if he could. When all our tradesmen send into our
|
|
house any stuff they like, and the servants do what they like with
|
|
it, and I have no time to improve things if I knew how, and Ma don't
|
|
care about anything, I should like to make out how Pa is to weather
|
|
the storm. I declare if I was Pa, I'd run away."
|
|
|
|
"My dear!" said I, smiling. "Your papa, no doubt, considers his
|
|
family."
|
|
|
|
"Oh, yes, his family is all very fine, Miss Summerson," replied Miss
|
|
Jellyby; "but what comfort is his family to him? His family is
|
|
nothing but bills, dirt, waste, noise, tumbles downstairs, confusion,
|
|
and wretchedness. His scrambling home, from week's end to week's end,
|
|
is like one great washing-day--only nothing's washed!"
|
|
|
|
Miss Jellyby tapped her foot upon the floor and wiped her eyes.
|
|
|
|
"I am sure I pity Pa to that degree," she said, "and am so angry with
|
|
Ma that I can't find words to express myself! However, I am not going
|
|
to bear it, I am determined. I won't be a slave all my life, and I
|
|
won't submit to be proposed to by Mr. Quale. A pretty thing, indeed,
|
|
to marry a philanthropist. As if I hadn't had enough of THAT!" said
|
|
poor Miss Jellyby.
|
|
|
|
I must confess that I could not help feeling rather angry with Mrs.
|
|
Jellyby myself, seeing and hearing this neglected girl and knowing
|
|
how much of bitterly satirical truth there was in what she said.
|
|
|
|
"If it wasn't that we had been intimate when you stopped at our
|
|
house," pursued Miss Jellyby, "I should have been ashamed to come
|
|
here to-day, for I know what a figure I must seem to you two. But as
|
|
it is, I made up my mind to call, especially as I am not likely to
|
|
see you again the next time you come to town."
|
|
|
|
She said this with such great significance that Ada and I glanced at
|
|
one another, foreseeing something more.
|
|
|
|
"No!" said Miss Jellyby, shaking her head. "Not at all likely! I know
|
|
I may trust you two. I am sure you won't betray me. I am engaged."
|
|
|
|
"Without their knowledge at home?" said I.
|
|
|
|
"Why, good gracious me, Miss Summerson," she returned, justifying
|
|
herself in a fretful but not angry manner, "how can it be otherwise?
|
|
You know what Ma is--and I needn't make poor Pa more miserable by
|
|
telling HIM."
|
|
|
|
"But would it not be adding to his unhappiness to marry without his
|
|
knowledge or consent, my dear?" said I.
|
|
|
|
"No," said Miss Jellyby, softening. "I hope not. I should try to make
|
|
him happy and comfortable when he came to see me, and Peepy and the
|
|
others should take it in turns to come and stay with me, and they
|
|
should have some care taken of them then."
|
|
|
|
There was a good deal of affection in poor Caddy. She softened more
|
|
and more while saying this and cried so much over the unwonted little
|
|
home-picture she had raised in her mind that Peepy, in his cave under
|
|
the piano, was touched, and turned himself over on his back with loud
|
|
lamentations. It was not until I had brought him to kiss his sister,
|
|
and had restored him to his place on my lap, and had shown him that
|
|
Caddy was laughing (she laughed expressly for the purpose), that we
|
|
could recall his peace of mind; even then it was for some time
|
|
conditional on his taking us in turns by the chin and smoothing our
|
|
faces all over with his hand. At last, as his spirits were not equal
|
|
to the piano, we put him on a chair to look out of window; and Miss
|
|
Jellyby, holding him by one leg, resumed her confidence.
|
|
|
|
"It began in your coming to our house," she said.
|
|
|
|
We naturally asked how.
|
|
|
|
"I felt I was so awkward," she replied, "that I made up my mind to be
|
|
improved in that respect at all events and to learn to dance. I told
|
|
Ma I was ashamed of myself, and I must be taught to dance. Ma looked
|
|
at me in that provoking way of hers as if I wasn't in sight, but I
|
|
was quite determined to be taught to dance, and so I went to Mr.
|
|
Turveydrop's Academy in Newman Street."
|
|
|
|
"And was it there, my dear--" I began.
|
|
|
|
"Yes, it was there," said Caddy, "and I am engaged to Mr. Turveydrop.
|
|
There are two Mr. Turveydrops, father and son. My Mr. Turveydrop is
|
|
the son, of course. I only wish I had been better brought up and was
|
|
likely to make him a better wife, for I am very fond of him."
|
|
|
|
"I am sorry to hear this," said I, "I must confess."
|
|
|
|
"I don't know why you should be sorry," she retorted a little
|
|
anxiously, "but I am engaged to Mr. Turveydrop, whether or no, and he
|
|
is very fond of me. It's a secret as yet, even on his side, because
|
|
old Mr. Turveydrop has a share in the connexion and it might break
|
|
his heart or give him some other shock if he was told of it abruptly.
|
|
Old Mr. Turveydrop is a very gentlemanly man indeed--very
|
|
gentlemanly."
|
|
|
|
"Does his wife know of it?" asked Ada.
|
|
|
|
"Old Mr. Turveydrop's wife, Miss Clare?" returned Miss Jellyby,
|
|
opening her eyes. "There's no such person. He is a widower."
|
|
|
|
We were here interrupted by Peepy, whose leg had undergone so much on
|
|
account of his sister's unconsciously jerking it like a bell-rope
|
|
whenever she was emphatic that the afflicted child now bemoaned his
|
|
sufferings with a very low-spirited noise. As he appealed to me for
|
|
compassion, and as I was only a listener, I undertook to hold him.
|
|
Miss Jellyby proceeded, after begging Peepy's pardon with a kiss and
|
|
assuring him that she hadn't meant to do it.
|
|
|
|
"That's the state of the case," said Caddy. "If I ever blame myself,
|
|
I still think it's Ma's fault. We are to be married whenever we can,
|
|
and then I shall go to Pa at the office and write to Ma. It won't
|
|
much agitate Ma; I am only pen and ink to HER. One great comfort is,"
|
|
said Caddy with a sob, "that I shall never hear of Africa after I am
|
|
married. Young Mr. Turveydrop hates it for my sake, and if old Mr.
|
|
Turveydrop knows there is such a place, it's as much as he does."
|
|
|
|
"It was he who was very gentlemanly, I think!" said I.
|
|
|
|
"Very gentlemanly indeed," said Caddy. "He is celebrated almost
|
|
everywhere for his deportment."
|
|
|
|
"Does he teach?" asked Ada.
|
|
|
|
"No, he don't teach anything in particular," replied Caddy. "But his
|
|
deportment is beautiful."
|
|
|
|
Caddy went on to say with considerable hesitation and reluctance that
|
|
there was one thing more she wished us to know, and felt we ought to
|
|
know, and which she hoped would not offend us. It was that she had
|
|
improved her acquaintance with Miss Flite, the little crazy old lady,
|
|
and that she frequently went there early in the morning and met her
|
|
lover for a few minutes before breakfast--only for a few minutes. "I
|
|
go there at other times," said Caddy, "but Prince does not come then.
|
|
Young Mr. Turveydrop's name is Prince; I wish it wasn't, because it
|
|
sounds like a dog, but of course he didn't christen himself. Old Mr.
|
|
Turveydrop had him christened Prince in remembrance of the Prince
|
|
Regent. Old Mr. Turveydrop adored the Prince Regent on account of his
|
|
deportment. I hope you won't think the worse of me for having made
|
|
these little appointments at Miss Flite's, where I first went with
|
|
you, because I like the poor thing for her own sake and I believe she
|
|
likes me. If you could see young Mr. Turveydrop, I am sure you would
|
|
think well of him--at least, I am sure you couldn't possibly think
|
|
any ill of him. I am going there now for my lesson. I couldn't ask
|
|
you to go with me, Miss Summerson; but if you would," said Caddy, who
|
|
had said all this earnestly and tremblingly, "I should be very
|
|
glad--very glad."
|
|
|
|
It happened that we had arranged with my guardian to go to Miss
|
|
Flite's that day. We had told him of our former visit, and our
|
|
account had interested him; but something had always happened to
|
|
prevent our going there again. As I trusted that I might have
|
|
sufficient influence with Miss Jellyby to prevent her taking any very
|
|
rash step if I fully accepted the confidence she was so willing to
|
|
place in me, poor girl, I proposed that she and I and Peepy should go
|
|
to the academy and afterwards meet my guardian and Ada at Miss
|
|
Flite's, whose name I now learnt for the first time. This was on
|
|
condition that Miss Jellyby and Peepy should come back with us to
|
|
dinner. The last article of the agreement being joyfully acceded to
|
|
by both, we smartened Peepy up a little with the assistance of a few
|
|
pins, some soap and water, and a hair-brush, and went out, bending
|
|
our steps towards Newman Street, which was very near.
|
|
|
|
I found the academy established in a sufficiently dingy house at the
|
|
corner of an archway, with busts in all the staircase windows. In the
|
|
same house there were also established, as I gathered from the plates
|
|
on the door, a drawing-master, a coal-merchant (there was, certainly,
|
|
no room for his coals), and a lithographic artist. On the plate
|
|
which, in size and situation, took precedence of all the rest, I
|
|
read, MR. TURVEYDROP. The door was open, and the hall was blocked up
|
|
by a grand piano, a harp, and several other musical instruments in
|
|
cases, all in progress of removal, and all looking rakish in the
|
|
daylight. Miss Jellyby informed me that the academy had been lent,
|
|
last night, for a concert.
|
|
|
|
We went upstairs--it had been quite a fine house once, when it was
|
|
anybody's business to keep it clean and fresh, and nobody's business
|
|
to smoke in it all day--and into Mr. Turveydrop's great room, which
|
|
was built out into a mews at the back and was lighted by a skylight.
|
|
It was a bare, resounding room smelling of stables, with cane forms
|
|
along the walls, and the walls ornamented at regular intervals with
|
|
painted lyres and little cut-glass branches for candles, which seemed
|
|
to be shedding their old-fashioned drops as other branches might shed
|
|
autumn leaves. Several young lady pupils, ranging from thirteen or
|
|
fourteen years of age to two or three and twenty, were assembled; and
|
|
I was looking among them for their instructor when Caddy, pinching my
|
|
arm, repeated the ceremony of introduction. "Miss Summerson, Mr.
|
|
Prince Turveydrop!"
|
|
|
|
I curtsied to a little blue-eyed fair man of youthful appearance with
|
|
flaxen hair parted in the middle and curling at the ends all round
|
|
his head. He had a little fiddle, which we used to call at school a
|
|
kit, under his left arm, and its little bow in the same hand. His
|
|
little dancing-shoes were particularly diminutive, and he had a
|
|
little innocent, feminine manner which not only appealed to me in an
|
|
amiable way, but made this singular effect upon me, that I received
|
|
the impression that he was like his mother and that his mother had
|
|
not been much considered or well used.
|
|
|
|
"I am very happy to see Miss Jellyby's friend," he said, bowing low
|
|
to me. "I began to fear," with timid tenderness, "as it was past the
|
|
usual time, that Miss Jellyby was not coming."
|
|
|
|
"I beg you will have the goodness to attribute that to me, who have
|
|
detained her, and to receive my excuses, sir," said I.
|
|
|
|
"Oh, dear!" said he.
|
|
|
|
"And pray," I entreated, "do not allow me to be the cause of any more
|
|
delay."
|
|
|
|
With that apology I withdrew to a seat between Peepy (who, being well
|
|
used to it, had already climbed into a corner place) and an old lady
|
|
of a censorious countenance whose two nieces were in the class and
|
|
who was very indignant with Peepy's boots. Prince Turveydrop then
|
|
tinkled the strings of his kit with his fingers, and the young ladies
|
|
stood up to dance. Just then there appeared from a side-door old Mr.
|
|
Turveydrop, in the full lustre of his deportment.
|
|
|
|
He was a fat old gentleman with a false complexion, false teeth,
|
|
false whiskers, and a wig. He had a fur collar, and he had a padded
|
|
breast to his coat, which only wanted a star or a broad blue ribbon
|
|
to be complete. He was pinched in, and swelled out, and got up, and
|
|
strapped down, as much as he could possibly bear. He had such a
|
|
neckcloth on (puffing his very eyes out of their natural shape), and
|
|
his chin and even his ears so sunk into it, that it seemed as though
|
|
he must inevitably double up if it were cast loose. He had under his
|
|
arm a hat of great size and weight, shelving downward from the crown
|
|
to the brim, and in his hand a pair of white gloves with which he
|
|
flapped it as he stood poised on one leg in a high-shouldered,
|
|
round-elbowed state of elegance not to be surpassed. He had a cane,
|
|
he had an eye-glass, he had a snuff-box, he had rings, he had
|
|
wristbands, he had everything but any touch of nature; he was not
|
|
like youth, he was not like age, he was not like anything in the
|
|
world but a model of deportment.
|
|
|
|
"Father! A visitor. Miss Jellyby's friend, Miss Summerson."
|
|
|
|
"Distinguished," said Mr. Turveydrop, "by Miss Summerson's presence."
|
|
As he bowed to me in that tight state, I almost believe I saw creases
|
|
come into the whites of his eyes.
|
|
|
|
"My father," said the son, aside, to me with quite an affecting
|
|
belief in him, "is a celebrated character. My father is greatly
|
|
admired."
|
|
|
|
"Go on, Prince! Go on!" said Mr. Turveydrop, standing with his back
|
|
to the fire and waving his gloves condescendingly. "Go on, my son!"
|
|
|
|
At this command, or by this gracious permission, the lesson went on.
|
|
Prince Turveydrop sometimes played the kit, dancing; sometimes played
|
|
the piano, standing; sometimes hummed the tune with what little
|
|
breath he could spare, while he set a pupil right; always
|
|
conscientiously moved with the least proficient through every step
|
|
and every part of the figure; and never rested for an instant. His
|
|
distinguished father did nothing whatever but stand before the fire,
|
|
a model of deportment.
|
|
|
|
"And he never does anything else," said the old lady of the
|
|
censorious countenance. "Yet would you believe that it's HIS name on
|
|
the door-plate?"
|
|
|
|
"His son's name is the same, you know," said I.
|
|
|
|
"He wouldn't let his son have any name if he could take it from him,"
|
|
returned the old lady. "Look at the son's dress!" It certainly was
|
|
plain--threadbare--almost shabby. "Yet the father must be garnished
|
|
and tricked out," said the old lady, "because of his deportment. I'd
|
|
deport him! Transport him would be better!"
|
|
|
|
I felt curious to know more concerning this person. I asked, "Does he
|
|
give lessons in deportment now?"
|
|
|
|
"Now!" returned the old lady shortly. "Never did."
|
|
|
|
After a moment's consideration, I suggested that perhaps fencing had
|
|
been his accomplishment.
|
|
|
|
"I don't believe he can fence at all, ma'am," said the old lady.
|
|
|
|
I looked surprised and inquisitive. The old lady, becoming more and
|
|
more incensed against the master of deportment as she dwelt upon the
|
|
subject, gave me some particulars of his career, with strong
|
|
assurances that they were mildly stated.
|
|
|
|
He had married a meek little dancing-mistress, with a tolerable
|
|
connexion (having never in his life before done anything but deport
|
|
himself), and had worked her to death, or had, at the best, suffered
|
|
her to work herself to death, to maintain him in those expenses which
|
|
were indispensable to his position. At once to exhibit his deportment
|
|
to the best models and to keep the best models constantly before
|
|
himself, he had found it necessary to frequent all public places of
|
|
fashionable and lounging resort, to be seen at Brighton and elsewhere
|
|
at fashionable times, and to lead an idle life in the very best
|
|
clothes. To enable him to do this, the affectionate little
|
|
dancing-mistress had toiled and laboured and would have toiled and
|
|
laboured to that hour if her strength had lasted so long. For the
|
|
mainspring of the story was that in spite of the man's absorbing
|
|
selfishness, his wife (overpowered by his deportment) had, to the
|
|
last, believed in him and had, on her death-bed, in the most moving
|
|
terms, confided him to their son as one who had an inextinguishable
|
|
claim upon him and whom he could never regard with too much pride and
|
|
deference. The son, inheriting his mother's belief, and having the
|
|
deportment always before him, had lived and grown in the same faith,
|
|
and now, at thirty years of age, worked for his father twelve hours a
|
|
day and looked up to him with veneration on the old imaginary
|
|
pinnacle.
|
|
|
|
"The airs the fellow gives himself!" said my informant, shaking her
|
|
head at old Mr. Turveydrop with speechless indignation as he drew on
|
|
his tight gloves, of course unconscious of the homage she was
|
|
rendering. "He fully believes he is one of the aristocracy! And he is
|
|
so condescending to the son he so egregiously deludes that you might
|
|
suppose him the most virtuous of parents. Oh!" said the old lady,
|
|
apostrophizing him with infinite vehemence. "I could bite you!"
|
|
|
|
I could not help being amused, though I heard the old lady out with
|
|
feelings of real concern. It was difficult to doubt her with the
|
|
father and son before me. What I might have thought of them without
|
|
the old lady's account, or what I might have thought of the old
|
|
lady's account without them, I cannot say. There was a fitness of
|
|
things in the whole that carried conviction with it.
|
|
|
|
My eyes were yet wandering, from young Mr. Turveydrop working so
|
|
hard, to old Mr. Turveydrop deporting himself so beautifully, when
|
|
the latter came ambling up to me and entered into conversation.
|
|
|
|
He asked me, first of all, whether I conferred a charm and a
|
|
distinction on London by residing in it? I did not think it necessary
|
|
to reply that I was perfectly aware I should not do that, in any
|
|
case, but merely told him where I did reside.
|
|
|
|
"A lady so graceful and accomplished," he said, kissing his
|
|
right glove and afterwards extending it towards the pupils,
|
|
"will look leniently on the deficiencies here. We do our best to
|
|
polish--polish--polish!"
|
|
|
|
He sat down beside me, taking some pains to sit on the form, I
|
|
thought, in imitation of the print of his illustrious model on the
|
|
sofa. And really he did look very like it.
|
|
|
|
"To polish--polish--polish!" he repeated, taking a pinch of snuff and
|
|
gently fluttering his fingers. "But we are not, if I may say so to
|
|
one formed to be graceful both by Nature and Art--" with the
|
|
high-shouldered bow, which it seemed impossible for him to make
|
|
without lifting up his eyebrows and shutting his eyes "--we are not
|
|
what we used to be in point of deportment."
|
|
|
|
"Are we not, sir?" said I.
|
|
|
|
"We have degenerated," he returned, shaking his head, which he could
|
|
do to a very limited extent in his cravat. "A levelling age is not
|
|
favourable to deportment. It develops vulgarity. Perhaps I speak with
|
|
some little partiality. It may not be for me to say that I have been
|
|
called, for some years now, Gentleman Turveydrop, or that his Royal
|
|
Highness the Prince Regent did me the honour to inquire, on my
|
|
removing my hat as he drove out of the Pavilion at Brighton (that
|
|
fine building), 'Who is he? Who the devil is he? Why don't I know
|
|
him? Why hasn't he thirty thousand a year?' But these are little
|
|
matters of anecdote--the general property, ma'am--still repeated
|
|
occasionally among the upper classes."
|
|
|
|
"Indeed?" said I.
|
|
|
|
He replied with the high-shouldered bow. "Where what is left among us
|
|
of deportment," he added, "still lingers. England--alas, my
|
|
country!--has degenerated very much, and is degenerating every day.
|
|
She has not many gentlemen left. We are few. I see nothing to succeed
|
|
us but a race of weavers."
|
|
|
|
"One might hope that the race of gentlemen would be perpetuated
|
|
here," said I.
|
|
|
|
"You are very good." He smiled with a high-shouldered bow again. "You
|
|
flatter me. But, no--no! I have never been able to imbue my poor boy
|
|
with that part of his art. Heaven forbid that I should disparage my
|
|
dear child, but he has--no deportment."
|
|
|
|
"He appears to be an excellent master," I observed.
|
|
|
|
"Understand me, my dear madam, he IS an excellent master. All that
|
|
can be acquired, he has acquired. All that can be imparted, he can
|
|
impart. But there ARE things--" He took another pinch of snuff and
|
|
made the bow again, as if to add, "This kind of thing, for instance."
|
|
|
|
I glanced towards the centre of the room, where Miss Jellyby's lover,
|
|
now engaged with single pupils, was undergoing greater drudgery than
|
|
ever.
|
|
|
|
"My amiable child," murmured Mr. Turveydrop, adjusting his cravat.
|
|
|
|
"Your son is indefatigable," said I.
|
|
|
|
"It is my reward," said Mr. Turveydrop, "to hear you say so. In some
|
|
respects, he treads in the footsteps of his sainted mother. She was a
|
|
devoted creature. But wooman, lovely wooman," said Mr. Turveydrop
|
|
with very disagreeable gallantry, "what a sex you are!"
|
|
|
|
I rose and joined Miss Jellyby, who was by this time putting on her
|
|
bonnet. The time allotted to a lesson having fully elapsed, there was
|
|
a general putting on of bonnets. When Miss Jellyby and the
|
|
unfortunate Prince found an opportunity to become betrothed I don't
|
|
know, but they certainly found none on this occasion to exchange a
|
|
dozen words.
|
|
|
|
"My dear," said Mr. Turveydrop benignly to his son, "do you know the
|
|
hour?"
|
|
|
|
"No, father." The son had no watch. The father had a handsome gold
|
|
one, which he pulled out with an air that was an example to mankind.
|
|
|
|
"My son," said he, "it's two o'clock. Recollect your school at
|
|
Kensington at three."
|
|
|
|
"That's time enough for me, father," said Prince. "I can take a
|
|
morsel of dinner standing and be off."
|
|
|
|
"My dear boy," returned his father, "you must be very quick. You will
|
|
find the cold mutton on the table."
|
|
|
|
"Thank you, father. Are YOU off now, father?"
|
|
|
|
"Yes, my dear. I suppose," said Mr. Turveydrop, shutting his eyes and
|
|
lifting up his shoulders with modest consciousness, "that I must show
|
|
myself, as usual, about town."
|
|
|
|
"You had better dine out comfortably somewhere," said his son.
|
|
|
|
"My dear child, I intend to. I shall take my little meal, I think, at
|
|
the French house, in the Opera Colonnade."
|
|
|
|
"That's right. Good-bye, father!" said Prince, shaking hands.
|
|
|
|
"Good-bye, my son. Bless you!"
|
|
|
|
Mr. Turveydrop said this in quite a pious manner, and it seemed to do
|
|
his son good, who, in parting from him, was so pleased with him, so
|
|
dutiful to him, and so proud of him that I almost felt as if it were
|
|
an unkindness to the younger man not to be able to believe implicitly
|
|
in the elder. The few moments that were occupied by Prince in taking
|
|
leave of us (and particularly of one of us, as I saw, being in the
|
|
secret), enhanced my favourable impression of his almost childish
|
|
character. I felt a liking for him and a compassion for him as he put
|
|
his little kit in his pocket--and with it his desire to stay a little
|
|
while with Caddy--and went away good-humouredly to his cold mutton
|
|
and his school at Kensington, that made me scarcely less irate with
|
|
his father than the censorious old lady.
|
|
|
|
The father opened the room door for us and bowed us out in a manner,
|
|
I must acknowledge, worthy of his shining original. In the same style
|
|
he presently passed us on the other side of the street, on his way to
|
|
the aristocratic part of the town, where he was going to show himself
|
|
among the few other gentlemen left. For some moments, I was so lost
|
|
in reconsidering what I had heard and seen in Newman Street that I
|
|
was quite unable to talk to Caddy or even to fix my attention on what
|
|
she said to me, especially when I began to inquire in my mind whether
|
|
there were, or ever had been, any other gentlemen, not in the dancing
|
|
profession, who lived and founded a reputation entirely on their
|
|
deportment. This became so bewildering and suggested the possibility
|
|
of so many Mr. Turveydrops that I said, "Esther, you must make up
|
|
your mind to abandon this subject altogether and attend to Caddy." I
|
|
accordingly did so, and we chatted all the rest of the way to
|
|
Lincoln's Inn.
|
|
|
|
Caddy told me that her lover's education had been so neglected that
|
|
it was not always easy to read his notes. She said if he were not so
|
|
anxious about his spelling and took less pains to make it clear, he
|
|
would do better; but he put so many unnecessary letters into short
|
|
words that they sometimes quite lost their English appearance. "He
|
|
does it with the best intention," observed Caddy, "but it hasn't the
|
|
effect he means, poor fellow!" Caddy then went on to reason, how
|
|
could he be expected to be a scholar when he had passed his whole
|
|
life in the dancing-school and had done nothing but teach and fag,
|
|
fag and teach, morning, noon, and night! And what did it matter? She
|
|
could write letters enough for both, as she knew to her cost, and it
|
|
was far better for him to be amiable than learned. "Besides, it's not
|
|
as if I was an accomplished girl who had any right to give herself
|
|
airs," said Caddy. "I know little enough, I am sure, thanks to Ma!
|
|
|
|
"There's another thing I want to tell you, now we are alone,"
|
|
continued Caddy, "which I should not have liked to mention unless you
|
|
had seen Prince, Miss Summerson. You know what a house ours is. It's
|
|
of no use my trying to learn anything that it would be useful for
|
|
Prince's wife to know in OUR house. We live in such a state of muddle
|
|
that it's impossible, and I have only been more disheartened whenever
|
|
I have tried. So I get a little practice with--who do you think? Poor
|
|
Miss Flite! Early in the morning I help her to tidy her room and
|
|
clean her birds, and I make her cup of coffee for her (of course she
|
|
taught me), and I have learnt to make it so well that Prince says
|
|
it's the very best coffee he ever tasted, and would quite delight old
|
|
Mr. Turveydrop, who is very particular indeed about his coffee. I can
|
|
make little puddings too; and I know how to buy neck of mutton, and
|
|
tea, and sugar, and butter, and a good many housekeeping things. I am
|
|
not clever at my needle, yet," said Caddy, glancing at the repairs on
|
|
Peepy's frock, "but perhaps I shall improve, and since I have been
|
|
engaged to Prince and have been doing all this, I have felt
|
|
better-tempered, I hope, and more forgiving to Ma. It rather put me
|
|
out at first this morning to see you and Miss Clare looking so neat
|
|
and pretty and to feel ashamed of Peepy and myself too, but on the
|
|
whole I hope I am better-tempered than I was and more forgiving to
|
|
Ma."
|
|
|
|
The poor girl, trying so hard, said it from her heart, and touched
|
|
mine. "Caddy, my love," I replied, "I begin to have a great affection
|
|
for you, and I hope we shall become friends."
|
|
|
|
"Oh, do you?" cried Caddy. "How happy that would make me!"
|
|
|
|
"My dear Caddy," said I, "let us be friends from this time, and let
|
|
us often have a chat about these matters and try to find the right
|
|
way through them." Caddy was overjoyed. I said everything I could in
|
|
my old-fashioned way to comfort and encourage her, and I would not
|
|
have objected to old Mr. Turveydrop that day for any smaller
|
|
consideration than a settlement on his daughter-in-law.
|
|
|
|
By this time we were come to Mr. Krook's, whose private door stood
|
|
open. There was a bill, pasted on the door-post, announcing a room to
|
|
let on the second floor. It reminded Caddy to tell me as we proceeded
|
|
upstairs that there had been a sudden death there and an inquest and
|
|
that our little friend had been ill of the fright. The door and
|
|
window of the vacant room being open, we looked in. It was the room
|
|
with the dark door to which Miss Flite had secretly directed my
|
|
attention when I was last in the house. A sad and desolate place it
|
|
was, a gloomy, sorrowful place that gave me a strange sensation of
|
|
mournfulness and even dread. "You look pale," said Caddy when we came
|
|
out, "and cold!" I felt as if the room had chilled me.
|
|
|
|
We had walked slowly while we were talking, and my guardian and Ada
|
|
were here before us. We found them in Miss Flite's garret. They were
|
|
looking at the birds, while a medical gentleman who was so good as to
|
|
attend Miss Flite with much solicitude and compassion spoke with her
|
|
cheerfully by the fire.
|
|
|
|
"I have finished my professional visit," he said, coming forward.
|
|
"Miss Flite is much better and may appear in court (as her mind is
|
|
set upon it) to-morrow. She has been greatly missed there, I
|
|
understand."
|
|
|
|
Miss Flite received the compliment with complacency and dropped a
|
|
general curtsy to us.
|
|
|
|
"Honoured, indeed," said she, "by another visit from the wards in
|
|
Jarndyce! Ve-ry happy to receive Jarndyce of Bleak House beneath my
|
|
humble roof!" with a special curtsy. "Fitz-Jarndyce, my dear"--she
|
|
had bestowed that name on Caddy, it appeared, and always called her
|
|
by it--"a double welcome!"
|
|
|
|
"Has she been very ill?" asked Mr. Jarndyce of the gentleman whom we
|
|
had found in attendance on her. She answered for herself directly,
|
|
though he had put the question in a whisper.
|
|
|
|
"Oh, decidedly unwell! Oh, very unwell indeed," she said
|
|
confidentially. "Not pain, you know--trouble. Not bodily so much as
|
|
nervous, nervous! The truth is," in a subdued voice and trembling,
|
|
"we have had death here. There was poison in the house. I am very
|
|
susceptible to such horrid things. It frightened me. Only Mr.
|
|
Woodcourt knows how much. My physician, Mr. Woodcourt!" with
|
|
great stateliness. "The wards in Jarndyce--Jarndyce of Bleak
|
|
House--Fitz-Jarndyce!"
|
|
|
|
"Miss Flite," said Mr. Woodcourt in a grave kind of voice, as if he
|
|
were appealing to her while speaking to us, and laying his hand
|
|
gently on her arm, "Miss Flite describes her illness with her usual
|
|
accuracy. She was alarmed by an occurrence in the house which might
|
|
have alarmed a stronger person, and was made ill by the distress and
|
|
agitation. She brought me here in the first hurry of the discovery,
|
|
though too late for me to be of any use to the unfortunate man. I
|
|
have compensated myself for that disappointment by coming here since
|
|
and being of some small use to her."
|
|
|
|
"The kindest physician in the college," whispered Miss Flite to me.
|
|
"I expect a judgment. On the day of judgment. And shall then confer
|
|
estates."
|
|
|
|
"She will be as well in a day or two," said Mr. Woodcourt, looking at
|
|
her with an observant smile, "as she ever will be. In other words,
|
|
quite well of course. Have you heard of her good fortune?"
|
|
|
|
"Most extraordinary!" said Miss Flite, smiling brightly. "You never
|
|
heard of such a thing, my dear! Every Saturday, Conversation Kenge or
|
|
Guppy (clerk to Conversation K.) places in my hand a paper of
|
|
shillings. Shillings. I assure you! Always the same number in the
|
|
paper. Always one for every day in the week. Now you know, really! So
|
|
well-timed, is it not? Ye-es! From whence do these papers come, you
|
|
say? That is the great question. Naturally. Shall I tell you what I
|
|
think? I think," said Miss Flite, drawing herself back with a very
|
|
shrewd look and shaking her right forefinger in a most significant
|
|
manner, "that the Lord Chancellor, aware of the length of time during
|
|
which the Great Seal has been open (for it has been open a long
|
|
time!), forwards them. Until the judgment I expect is given. Now
|
|
that's very creditable, you know. To confess in that way that he IS a
|
|
little slow for human life. So delicate! Attending court the other
|
|
day--I attend it regularly, with my documents--I taxed him with it,
|
|
and he almost confessed. That is, I smiled at him from my bench, and
|
|
HE smiled at me from his bench. But it's great good fortune, is it
|
|
not? And Fitz-Jarndyce lays the money out for me to great advantage.
|
|
Oh, I assure you to the greatest advantage!"
|
|
|
|
I congratulated her (as she addressed herself to me) upon this
|
|
fortunate addition to her income and wished her a long continuance of
|
|
it. I did not speculate upon the source from which it came or wonder
|
|
whose humanity was so considerate. My guardian stood before me,
|
|
contemplating the birds, and I had no need to look beyond him.
|
|
|
|
"And what do you call these little fellows, ma'am?" said he in his
|
|
pleasant voice. "Have they any names?"
|
|
|
|
"I can answer for Miss Flite that they have," said I, "for she
|
|
promised to tell us what they were. Ada remembers?"
|
|
|
|
Ada remembered very well.
|
|
|
|
"Did I?" said Miss Flite. "Who's that at my door? What are you
|
|
listening at my door for, Krook?"
|
|
|
|
The old man of the house, pushing it open before him, appeared there
|
|
with his fur cap in his hand and his cat at his heels.
|
|
|
|
"I warn't listening, Miss Flite," he said, "I was going to give a rap
|
|
with my knuckles, only you're so quick!"
|
|
|
|
"Make your cat go down. Drive her away!" the old lady angrily
|
|
exclaimed.
|
|
|
|
"Bah, bah! There ain't no danger, gentlefolks," said Mr. Krook,
|
|
looking slowly and sharply from one to another until he had looked at
|
|
all of us; "she'd never offer at the birds when I was here unless I
|
|
told her to it."
|
|
|
|
"You will excuse my landlord," said the old lady with a dignified
|
|
air. "M, quite M! What do you want, Krook, when I have company?"
|
|
|
|
"Hi!" said the old man. "You know I am the Chancellor."
|
|
|
|
"Well?" returned Miss Flite. "What of that?"
|
|
|
|
"For the Chancellor," said the old man with a chuckle, "not to be
|
|
acquainted with a Jarndyce is queer, ain't it, Miss Flite? Mightn't I
|
|
take the liberty? Your servant, sir. I know Jarndyce and Jarndyce
|
|
a'most as well as you do, sir. I knowed old Squire Tom, sir. I never
|
|
to my knowledge see you afore though, not even in court. Yet, I go
|
|
there a mortal sight of times in the course of the year, taking one
|
|
day with another."
|
|
|
|
"I never go there," said Mr. Jarndyce (which he never did on any
|
|
consideration). "I would sooner go--somewhere else."
|
|
|
|
"Would you though?" returned Krook, grinning. "You're bearing hard
|
|
upon my noble and learned brother in your meaning, sir, though
|
|
perhaps it is but nat'ral in a Jarndyce. The burnt child, sir! What,
|
|
you're looking at my lodger's birds, Mr. Jarndyce?" The old man had
|
|
come by little and little into the room until he now touched my
|
|
guardian with his elbow and looked close up into his face with his
|
|
spectacled eyes. "It's one of her strange ways that she'll never tell
|
|
the names of these birds if she can help it, though she named 'em
|
|
all." This was in a whisper. "Shall I run 'em over, Flite?" he asked
|
|
aloud, winking at us and pointing at her as she turned away,
|
|
affecting to sweep the grate.
|
|
|
|
"If you like," she answered hurriedly.
|
|
|
|
The old man, looking up at the cages after another look at us, went
|
|
through the list.
|
|
|
|
"Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin,
|
|
Despair, Madness, Death, Cunning, Folly, Words, Wigs, Rags,
|
|
Sheepskin, Plunder, Precedent, Jargon, Gammon, and Spinach. That's
|
|
the whole collection," said the old man, "all cooped up together, by
|
|
my noble and learned brother."
|
|
|
|
"This is a bitter wind!" muttered my guardian.
|
|
|
|
"When my noble and learned brother gives his judgment, they're to be
|
|
let go free," said Krook, winking at us again. "And then," he added,
|
|
whispering and grinning, "if that ever was to happen--which it
|
|
won't--the birds that have never been caged would kill 'em."
|
|
|
|
"If ever the wind was in the east," said my guardian, pretending to
|
|
look out of the window for a weathercock, "I think it's there
|
|
to-day!"
|
|
|
|
We found it very difficult to get away from the house. It was not
|
|
Miss Flite who detained us; she was as reasonable a little creature
|
|
in consulting the convenience of others as there possibly could be.
|
|
It was Mr. Krook. He seemed unable to detach himself from Mr.
|
|
Jarndyce. If he had been linked to him, he could hardly have attended
|
|
him more closely. He proposed to show us his Court of Chancery and
|
|
all the strange medley it contained; during the whole of our
|
|
inspection (prolonged by himself) he kept close to Mr. Jarndyce and
|
|
sometimes detained him under one pretence or other until we had
|
|
passed on, as if he were tormented by an inclination to enter upon
|
|
some secret subject which he could not make up his mind to approach.
|
|
I cannot imagine a countenance and manner more singularly expressive
|
|
of caution and indecision, and a perpetual impulse to do something he
|
|
could not resolve to venture on, than Mr. Krook's was that day. His
|
|
watchfulness of my guardian was incessant. He rarely removed his eyes
|
|
from his face. If he went on beside him, he observed him with the
|
|
slyness of an old white fox. If he went before, he looked back. When
|
|
we stood still, he got opposite to him, and drawing his hand across
|
|
and across his open mouth with a curious expression of a sense of
|
|
power, and turning up his eyes, and lowering his grey eyebrows until
|
|
they appeared to be shut, seemed to scan every lineament of his face.
|
|
|
|
At last, having been (always attended by the cat) all over the house
|
|
and having seen the whole stock of miscellaneous lumber, which was
|
|
certainly curious, we came into the back part of the shop. Here on
|
|
the head of an empty barrel stood on end were an ink-bottle, some old
|
|
stumps of pens, and some dirty playbills; and against the wall were
|
|
pasted several large printed alphabets in several plain hands.
|
|
|
|
"What are you doing here?" asked my guardian.
|
|
|
|
"Trying to learn myself to read and write," said Krook.
|
|
|
|
"And how do you get on?"
|
|
|
|
"Slow. Bad," returned the old man impatiently. "It's hard at my time
|
|
of life."
|
|
|
|
"It would be easier to be taught by some one," said my guardian.
|
|
|
|
"Aye, but they might teach me wrong!" returned the old man with a
|
|
wonderfully suspicious flash of his eye. "I don't know what I may
|
|
have lost by not being learned afore. I wouldn't like to lose
|
|
anything by being learned wrong now."
|
|
|
|
"Wrong?" said my guardian with his good-humoured smile. "Who do you
|
|
suppose would teach you wrong?"
|
|
|
|
"I don't know, Mr. Jarndyce of Bleak House!" replied the old man,
|
|
turning up his spectacles on his forehead and rubbing his hands. "I
|
|
don't suppose as anybody would, but I'd rather trust my own self than
|
|
another!"
|
|
|
|
These answers and his manner were strange enough to cause my guardian
|
|
to inquire of Mr. Woodcourt, as we all walked across Lincoln's Inn
|
|
together, whether Mr. Krook were really, as his lodger represented
|
|
him, deranged. The young surgeon replied, no, he had seen no reason
|
|
to think so. He was exceedingly distrustful, as ignorance usually
|
|
was, and he was always more or less under the influence of raw gin,
|
|
of which he drank great quantities and of which he and his back-shop,
|
|
as we might have observed, smelt strongly; but he did not think him
|
|
mad as yet.
|
|
|
|
On our way home, I so conciliated Peepy's affections by buying him a
|
|
windmill and two flour-sacks that he would suffer nobody else to take
|
|
off his hat and gloves and would sit nowhere at dinner but at my
|
|
side. Caddy sat upon the other side of me, next to Ada, to whom we
|
|
imparted the whole history of the engagement as soon as we got back.
|
|
We made much of Caddy, and Peepy too; and Caddy brightened
|
|
exceedingly; and my guardian was as merry as we were; and we were all
|
|
very happy indeed until Caddy went home at night in a hackney-coach,
|
|
with Peepy fast asleep, but holding tight to the windmill.
|
|
|
|
I have forgotten to mention--at least I have not mentioned--that Mr.
|
|
Woodcourt was the same dark young surgeon whom we had met at Mr.
|
|
Badger's. Or that Mr. Jarndyce invited him to dinner that day. Or
|
|
that he came. Or that when they were all gone and I said to Ada,
|
|
"Now, my darling, let us have a little talk about Richard!" Ada
|
|
laughed and said--
|
|
|
|
But I don't think it matters what my darling said. She was always
|
|
merry.
|
|
|
|
|
|
|
|
|
|
CHAPTER XV
|
|
|
|
Bell Yard
|
|
|
|
|
|
While we were in London Mr. Jarndyce was constantly beset by the
|
|
crowd of excitable ladies and gentlemen whose proceedings had so much
|
|
astonished us. Mr. Quale, who presented himself soon after our
|
|
arrival, was in all such excitements. He seemed to project those two
|
|
shining knobs of temples of his into everything that went on and to
|
|
brush his hair farther and farther back, until the very roots were
|
|
almost ready to fly out of his head in inappeasable philanthropy. All
|
|
objects were alike to him, but he was always particularly ready for
|
|
anything in the way of a testimonial to any one. His great power
|
|
seemed to be his power of indiscriminate admiration. He would sit for
|
|
any length of time, with the utmost enjoyment, bathing his temples in
|
|
the light of any order of luminary. Having first seen him perfectly
|
|
swallowed up in admiration of Mrs. Jellyby, I had supposed her to be
|
|
the absorbing object of his devotion. I soon discovered my mistake
|
|
and found him to be train-bearer and organ-blower to a whole
|
|
procession of people.
|
|
|
|
Mrs. Pardiggle came one day for a subscription to something, and with
|
|
her, Mr. Quale. Whatever Mrs. Pardiggle said, Mr. Quale repeated to
|
|
us; and just as he had drawn Mrs. Jellyby out, he drew Mrs. Pardiggle
|
|
out. Mrs. Pardiggle wrote a letter of introduction to my guardian in
|
|
behalf of her eloquent friend Mr. Gusher. With Mr. Gusher appeared
|
|
Mr. Quale again. Mr. Gusher, being a flabby gentleman with a moist
|
|
surface and eyes so much too small for his moon of a face that they
|
|
seemed to have been originally made for somebody else, was not at
|
|
first sight prepossessing; yet he was scarcely seated before Mr.
|
|
Quale asked Ada and me, not inaudibly, whether he was not a great
|
|
creature--which he certainly was, flabbily speaking, though Mr. Quale
|
|
meant in intellectual beauty--and whether we were not struck by his
|
|
massive configuration of brow. In short, we heard of a great many
|
|
missions of various sorts among this set of people, but nothing
|
|
respecting them was half so clear to us as that it was Mr. Quale's
|
|
mission to be in ecstasies with everybody else's mission and that it
|
|
was the most popular mission of all.
|
|
|
|
Mr. Jarndyce had fallen into this company in the tenderness of his
|
|
heart and his earnest desire to do all the good in his power; but
|
|
that he felt it to be too often an unsatisfactory company, where
|
|
benevolence took spasmodic forms, where charity was assumed as a
|
|
regular uniform by loud professors and speculators in cheap
|
|
notoriety, vehement in profession, restless and vain in action,
|
|
servile in the last degree of meanness to the great, adulatory of one
|
|
another, and intolerable to those who were anxious quietly to help
|
|
the weak from failing rather than with a great deal of bluster and
|
|
self-laudation to raise them up a little way when they were down, he
|
|
plainly told us. When a testimonial was originated to Mr. Quale by
|
|
Mr. Gusher (who had already got one, originated by Mr. Quale), and
|
|
when Mr. Gusher spoke for an hour and a half on the subject to a
|
|
meeting, including two charity schools of small boys and girls, who
|
|
were specially reminded of the widow's mite, and requested to come
|
|
forward with halfpence and be acceptable sacrifices, I think the wind
|
|
was in the east for three whole weeks.
|
|
|
|
I mention this because I am coming to Mr. Skimpole again. It seemed
|
|
to me that his off-hand professions of childishness and carelessness
|
|
were a great relief to my guardian, by contrast with such things, and
|
|
were the more readily believed in since to find one perfectly
|
|
undesigning and candid man among many opposites could not fail to
|
|
give him pleasure. I should be sorry to imply that Mr. Skimpole
|
|
divined this and was politic; I really never understood him well
|
|
enough to know. What he was to my guardian, he certainly was to the
|
|
rest of the world.
|
|
|
|
He had not been very well; and thus, though he lived in London, we
|
|
had seen nothing of him until now. He appeared one morning in his
|
|
usual agreeable way and as full of pleasant spirits as ever.
|
|
|
|
Well, he said, here he was! He had been bilious, but rich men were
|
|
often bilious, and therefore he had been persuading himself that he
|
|
was a man of property. So he was, in a certain point of view--in his
|
|
expansive intentions. He had been enriching his medical attendant in
|
|
the most lavish manner. He had always doubled, and sometimes
|
|
quadrupled, his fees. He had said to the doctor, "Now, my dear
|
|
doctor, it is quite a delusion on your part to suppose that you
|
|
attend me for nothing. I am overwhelming you with money--in my
|
|
expansive intentions--if you only knew it!" And really (he said) he
|
|
meant it to that degree that he thought it much the same as doing it.
|
|
If he had had those bits of metal or thin paper to which mankind
|
|
attached so much importance to put in the doctor's hand, he would
|
|
have put them in the doctor's hand. Not having them, he substituted
|
|
the will for the deed. Very well! If he really meant it--if his will
|
|
were genuine and real, which it was--it appeared to him that it was
|
|
the same as coin, and cancelled the obligation.
|
|
|
|
"It may be, partly, because I know nothing of the value of money,"
|
|
said Mr. Skimpole, "but I often feel this. It seems so reasonable! My
|
|
butcher says to me he wants that little bill. It's a part of the
|
|
pleasant unconscious poetry of the man's nature that he always calls
|
|
it a 'little' bill--to make the payment appear easy to both of us. I
|
|
reply to the butcher, 'My good friend, if you knew it, you are paid.
|
|
You haven't had the trouble of coming to ask for the little bill. You
|
|
are paid. I mean it.'"
|
|
|
|
"But, suppose," said my guardian, laughing, "he had meant the meat in
|
|
the bill, instead of providing it?"
|
|
|
|
"My dear Jarndyce," he returned, "you surprise me. You take the
|
|
butcher's position. A butcher I once dealt with occupied that very
|
|
ground. Says he, 'Sir, why did you eat spring lamb at eighteen pence
|
|
a pound?' 'Why did I eat spring lamb at eighteen pence a pound, my
|
|
honest friend?' said I, naturally amazed by the question. 'I like
|
|
spring lamb!' This was so far convincing. 'Well, sir,' says he, 'I
|
|
wish I had meant the lamb as you mean the money!' 'My good fellow,'
|
|
said I, 'pray let us reason like intellectual beings. How could that
|
|
be? It was impossible. You HAD got the lamb, and I have NOT got the
|
|
money. You couldn't really mean the lamb without sending it in,
|
|
whereas I can, and do, really mean the money without paying it!' He
|
|
had not a word. There was an end of the subject."
|
|
|
|
"Did he take no legal proceedings?" inquired my guardian.
|
|
|
|
"Yes, he took legal proceedings," said Mr. Skimpole. "But in that he
|
|
was influenced by passion, not by reason. Passion reminds me of
|
|
Boythorn. He writes me that you and the ladies have promised him a
|
|
short visit at his bachelor-house in Lincolnshire."
|
|
|
|
"He is a great favourite with my girls," said Mr. Jarndyce, "and I
|
|
have promised for them."
|
|
|
|
"Nature forgot to shade him off, I think," observed Mr. Skimpole to
|
|
Ada and me. "A little too boisterous--like the sea. A little too
|
|
vehement--like a bull who has made up his mind to consider every
|
|
colour scarlet. But I grant a sledge-hammering sort of merit in him!"
|
|
|
|
I should have been surprised if those two could have thought very
|
|
highly of one another, Mr. Boythorn attaching so much importance to
|
|
many things and Mr. Skimpole caring so little for anything. Besides
|
|
which, I had noticed Mr. Boythorn more than once on the point of
|
|
breaking out into some strong opinion when Mr. Skimpole was referred
|
|
to. Of course I merely joined Ada in saying that we had been greatly
|
|
pleased with him.
|
|
|
|
"He has invited me," said Mr. Skimpole; "and if a child may trust
|
|
himself in such hands--which the present child is encouraged to do,
|
|
with the united tenderness of two angels to guard him--I shall go. He
|
|
proposes to frank me down and back again. I suppose it will cost
|
|
money? Shillings perhaps? Or pounds? Or something of that sort? By
|
|
the by, Coavinses. You remember our friend Coavinses, Miss
|
|
Summerson?"
|
|
|
|
He asked me as the subject arose in his mind, in his graceful,
|
|
light-hearted manner and without the least embarrassment.
|
|
|
|
"Oh, yes!" said I.
|
|
|
|
"Coavinses has been arrested by the Great Bailiff," said Mr.
|
|
Skimpole. "He will never do violence to the sunshine any more."
|
|
|
|
It quite shocked me to hear it, for I had already recalled with
|
|
anything but a serious association the image of the man sitting on
|
|
the sofa that night wiping his head.
|
|
|
|
"His successor informed me of it yesterday," said Mr. Skimpole. "His
|
|
successor is in my house now--in possession, I think he calls it. He
|
|
came yesterday, on my blue-eyed daughter's birthday. I put it to him,
|
|
'This is unreasonable and inconvenient. If you had a blue-eyed
|
|
daughter you wouldn't like ME to come, uninvited, on HER birthday?'
|
|
But he stayed."
|
|
|
|
Mr. Skimpole laughed at the pleasant absurdity and lightly touched
|
|
the piano by which he was seated.
|
|
|
|
"And he told me," he said, playing little chords where I shall put
|
|
full stops, "The Coavinses had left. Three children. No mother. And
|
|
that Coavinses' profession. Being unpopular. The rising Coavinses.
|
|
Were at a considerable disadvantage."
|
|
|
|
Mr. Jarndyce got up, rubbing his head, and began to walk about. Mr.
|
|
Skimpole played the melody of one of Ada's favourite songs. Ada and I
|
|
both looked at Mr. Jarndyce, thinking that we knew what was passing
|
|
in his mind.
|
|
|
|
After walking and stopping, and several times leaving off rubbing his
|
|
head, and beginning again, my guardian put his hand upon the keys and
|
|
stopped Mr. Skimpole's playing. "I don't like this, Skimpole," he
|
|
said thoughtfully.
|
|
|
|
Mr. Skimpole, who had quite forgotten the subject, looked up
|
|
surprised.
|
|
|
|
"The man was necessary," pursued my guardian, walking backward and
|
|
forward in the very short space between the piano and the end of the
|
|
room and rubbing his hair up from the back of his head as if a high
|
|
east wind had blown it into that form. "If we make such men necessary
|
|
by our faults and follies, or by our want of worldly knowledge, or by
|
|
our misfortunes, we must not revenge ourselves upon them. There was
|
|
no harm in his trade. He maintained his children. One would like to
|
|
know more about this."
|
|
|
|
"Oh! Coavinses?" cried Mr. Skimpole, at length perceiving what he
|
|
meant. "Nothing easier. A walk to Coavinses' headquarters, and you
|
|
can know what you will."
|
|
|
|
Mr. Jarndyce nodded to us, who were only waiting for the signal.
|
|
"Come! We will walk that way, my dears. Why not that way as soon as
|
|
another!" We were quickly ready and went out. Mr. Skimpole went with
|
|
us and quite enjoyed the expedition. It was so new and so refreshing,
|
|
he said, for him to want Coavinses instead of Coavinses wanting him!
|
|
|
|
He took us, first, to Cursitor Street, Chancery Lane, where there was
|
|
a house with barred windows, which he called Coavinses' Castle. On
|
|
our going into the entry and ringing a bell, a very hideous boy came
|
|
out of a sort of office and looked at us over a spiked wicket.
|
|
|
|
"Who did you want?" said the boy, fitting two of the spikes into his
|
|
chin.
|
|
|
|
"There was a follower, or an officer, or something, here," said Mr.
|
|
Jarndyce, "who is dead."
|
|
|
|
"Yes?" said the boy. "Well?"
|
|
|
|
"I want to know his name, if you please?"
|
|
|
|
"Name of Neckett," said the boy.
|
|
|
|
"And his address?"
|
|
|
|
"Bell Yard," said the boy. "Chandler's shop, left hand side, name of
|
|
Blinder."
|
|
|
|
"Was he--I don't know how to shape the question--" murmured my
|
|
guardian, "industrious?"
|
|
|
|
"Was Neckett?" said the boy. "Yes, wery much so. He was never tired
|
|
of watching. He'd set upon a post at a street corner eight or ten
|
|
hours at a stretch if he undertook to do it."
|
|
|
|
"He might have done worse," I heard my guardian soliloquize. "He
|
|
might have undertaken to do it and not done it. Thank you. That's all
|
|
I want."
|
|
|
|
We left the boy, with his head on one side and his arms on the gate,
|
|
fondling and sucking the spikes, and went back to Lincoln's Inn,
|
|
where Mr. Skimpole, who had not cared to remain nearer Coavinses,
|
|
awaited us. Then we all went to Bell Yard, a narrow alley at a very
|
|
short distance. We soon found the chandler's shop. In it was a
|
|
good-natured-looking old woman with a dropsy, or an asthma, or
|
|
perhaps both.
|
|
|
|
"Neckett's children?" said she in reply to my inquiry. "Yes, Surely,
|
|
miss. Three pair, if you please. Door right opposite the stairs." And
|
|
she handed me the key across the counter.
|
|
|
|
I glanced at the key and glanced at her, but she took it for granted
|
|
that I knew what to do with it. As it could only be intended for the
|
|
children's door, I came out without asking any more questions and led
|
|
the way up the dark stairs. We went as quietly as we could, but four
|
|
of us made some noise on the aged boards, and when we came to the
|
|
second story we found we had disturbed a man who was standing there
|
|
looking out of his room.
|
|
|
|
"Is it Gridley that's wanted?" he said, fixing his eyes on me with an
|
|
angry stare.
|
|
|
|
"No, sir," said I; "I am going higher up."
|
|
|
|
He looked at Ada, and at Mr. Jarndyce, and at Mr. Skimpole, fixing
|
|
the same angry stare on each in succession as they passed and
|
|
followed me. Mr. Jarndyce gave him good day. "Good day!" he said
|
|
abruptly and fiercely. He was a tall, sallow man with a careworn head
|
|
on which but little hair remained, a deeply lined face, and prominent
|
|
eyes. He had a combative look and a chafing, irritable manner which,
|
|
associated with his figure--still large and powerful, though
|
|
evidently in its decline--rather alarmed me. He had a pen in his
|
|
hand, and in the glimpse I caught of his room in passing, I saw that
|
|
it was covered with a litter of papers.
|
|
|
|
Leaving him standing there, we went up to the top room. I tapped at
|
|
the door, and a little shrill voice inside said, "We are locked in.
|
|
Mrs. Blinder's got the key!"
|
|
|
|
I applied the key on hearing this and opened the door. In a poor room
|
|
with a sloping ceiling and containing very little furniture was a
|
|
mite of a boy, some five or six years old, nursing and hushing a
|
|
heavy child of eighteen months. There was no fire, though the weather
|
|
was cold; both children were wrapped in some poor shawls and tippets
|
|
as a substitute. Their clothing was not so warm, however, but that
|
|
their noses looked red and pinched and their small figures shrunken
|
|
as the boy walked up and down nursing and hushing the child with its
|
|
head on his shoulder.
|
|
|
|
"Who has locked you up here alone?" we naturally asked.
|
|
|
|
"Charley," said the boy, standing still to gaze at us.
|
|
|
|
"Is Charley your brother?"
|
|
|
|
"No. She's my sister, Charlotte. Father called her Charley."
|
|
|
|
"Are there any more of you besides Charley?"
|
|
|
|
"Me," said the boy, "and Emma," patting the limp bonnet of the child
|
|
he was nursing. "And Charley."
|
|
|
|
"Where is Charley now?"
|
|
|
|
"Out a-washing," said the boy, beginning to walk up and down again
|
|
and taking the nankeen bonnet much too near the bedstead by trying to
|
|
gaze at us at the same time.
|
|
|
|
We were looking at one another and at these two children when there
|
|
came into the room a very little girl, childish in figure but shrewd
|
|
and older-looking in the face--pretty-faced too--wearing a womanly
|
|
sort of bonnet much too large for her and drying her bare arms on a
|
|
womanly sort of apron. Her fingers were white and wrinkled with
|
|
washing, and the soap-suds were yet smoking which she wiped off her
|
|
arms. But for this, she might have been a child playing at washing
|
|
and imitating a poor working-woman with a quick observation of the
|
|
truth.
|
|
|
|
She had come running from some place in the neighbourhood and had
|
|
made all the haste she could. Consequently, though she was very
|
|
light, she was out of breath and could not speak at first, as she
|
|
stood panting, and wiping her arms, and looking quietly at us.
|
|
|
|
"Oh, here's Charley!" said the boy.
|
|
|
|
The child he was nursing stretched forth its arms and cried out to be
|
|
taken by Charley. The little girl took it, in a womanly sort of
|
|
manner belonging to the apron and the bonnet, and stood looking at us
|
|
over the burden that clung to her most affectionately.
|
|
|
|
"Is it possible," whispered my guardian as we put a chair for the
|
|
little creature and got her to sit down with her load, the boy
|
|
keeping close to her, holding to her apron, "that this child works
|
|
for the rest? Look at this! For God's sake, look at this!"
|
|
|
|
It was a thing to look at. The three children close together, and two
|
|
of them relying solely on the third, and the third so young and yet
|
|
with an air of age and steadiness that sat so strangely on the
|
|
childish figure.
|
|
|
|
"Charley, Charley!" said my guardian. "How old are you?"
|
|
|
|
"Over thirteen, sir," replied the child.
|
|
|
|
"Oh! What a great age," said my guardian. "What a great age,
|
|
Charley!"
|
|
|
|
I cannot describe the tenderness with which he spoke to her, half
|
|
playfully yet all the more compassionately and mournfully.
|
|
|
|
"And do you live alone here with these babies, Charley?" said my
|
|
guardian.
|
|
|
|
"Yes, sir," returned the child, looking up into his face with perfect
|
|
confidence, "since father died."
|
|
|
|
"And how do you live, Charley? Oh! Charley," said my guardian,
|
|
turning his face away for a moment, "how do you live?"
|
|
|
|
"Since father died, sir, I've gone out to work. I'm out washing
|
|
to-day."
|
|
|
|
"God help you, Charley!" said my guardian. "You're not tall enough to
|
|
reach the tub!"
|
|
|
|
"In pattens I am, sir," she said quickly. "I've got a high pair as
|
|
belonged to mother."
|
|
|
|
"And when did mother die? Poor mother!"
|
|
|
|
"Mother died just after Emma was born," said the child, glancing at
|
|
the face upon her bosom. "Then father said I was to be as good a
|
|
mother to her as I could. And so I tried. And so I worked at home and
|
|
did cleaning and nursing and washing for a long time before I began
|
|
to go out. And that's how I know how; don't you see, sir?"
|
|
|
|
"And do you often go out?"
|
|
|
|
"As often as I can," said Charley, opening her eyes and smiling,
|
|
"because of earning sixpences and shillings!"
|
|
|
|
"And do you always lock the babies up when you go out?"
|
|
|
|
"To keep 'em safe, sir, don't you see?" said Charley. "Mrs. Blinder
|
|
comes up now and then, and Mr. Gridley comes up sometimes, and
|
|
perhaps I can run in sometimes, and they can play you know, and Tom
|
|
an't afraid of being locked up, are you, Tom?"
|
|
|
|
"No-o!" said Tom stoutly.
|
|
|
|
"When it comes on dark, the lamps are lighted down in the court, and
|
|
they show up here quite bright--almost quite bright. Don't they,
|
|
Tom?"
|
|
|
|
"Yes, Charley," said Tom, "almost quite bright."
|
|
|
|
"Then he's as good as gold," said the little creature--Oh, in such a
|
|
motherly, womanly way! "And when Emma's tired, he puts her to bed.
|
|
And when he's tired he goes to bed himself. And when I come home and
|
|
light the candle and has a bit of supper, he sits up again and has it
|
|
with me. Don't you, Tom?"
|
|
|
|
"Oh, yes, Charley!" said Tom. "That I do!" And either in this glimpse
|
|
of the great pleasure of his life or in gratitude and love for
|
|
Charley, who was all in all to him, he laid his face among the scanty
|
|
folds of her frock and passed from laughing into crying.
|
|
|
|
It was the first time since our entry that a tear had been shed among
|
|
these children. The little orphan girl had spoken of their father and
|
|
their mother as if all that sorrow were subdued by the necessity of
|
|
taking courage, and by her childish importance in being able to work,
|
|
and by her bustling busy way. But now, when Tom cried, although she
|
|
sat quite tranquil, looking quietly at us, and did not by any
|
|
movement disturb a hair of the head of either of her little charges,
|
|
I saw two silent tears fall down her face.
|
|
|
|
I stood at the window with Ada, pretending to look at the housetops,
|
|
and the blackened stack of chimneys, and the poor plants, and the
|
|
birds in little cages belonging to the neighbours, when I found that
|
|
Mrs. Blinder, from the shop below, had come in (perhaps it had taken
|
|
her all this time to get upstairs) and was talking to my guardian.
|
|
|
|
"It's not much to forgive 'em the rent, sir," she said; "who could
|
|
take it from them!"
|
|
|
|
"Well, well!" said my guardian to us two. "It is enough that the time
|
|
will come when this good woman will find that it WAS much, and that
|
|
forasmuch as she did it unto the least of these--This child," he
|
|
added after a few moments, "could she possibly continue this?"
|
|
|
|
"Really, sir, I think she might," said Mrs. Blinder, getting her
|
|
heavy breath by painful degrees. "She's as handy as it's possible to
|
|
be. Bless you, sir, the way she tended them two children after the
|
|
mother died was the talk of the yard! And it was a wonder to see her
|
|
with him after he was took ill, it really was! 'Mrs. Blinder,' he
|
|
said to me the very last he spoke--he was lying there--'Mrs.
|
|
Blinder, whatever my calling may have been, I see a angel sitting in
|
|
this room last night along with my child, and I trust her to Our
|
|
Father!'"
|
|
|
|
"He had no other calling?" said my guardian.
|
|
|
|
"No, sir," returned Mrs. Blinder, "he was nothing but a follerers.
|
|
When he first came to lodge here, I didn't know what he was, and I
|
|
confess that when I found out I gave him notice. It wasn't liked in
|
|
the yard. It wasn't approved by the other lodgers. It is NOT a
|
|
genteel calling," said Mrs. Blinder, "and most people do object to
|
|
it. Mr. Gridley objected to it very strong, and he is a good lodger,
|
|
though his temper has been hard tried."
|
|
|
|
"So you gave him notice?" said my guardian.
|
|
|
|
"So I gave him notice," said Mrs. Blinder. "But really when the time
|
|
came, and I knew no other ill of him, I was in doubts. He was
|
|
punctual and diligent; he did what he had to do, sir," said Mrs.
|
|
Blinder, unconsciously fixing Mr. Skimpole with her eye, "and it's
|
|
something in this world even to do that."
|
|
|
|
"So you kept him after all?"
|
|
|
|
"Why, I said that if he could arrange with Mr. Gridley, I could
|
|
arrange it with the other lodgers and should not so much mind its
|
|
being liked or disliked in the yard. Mr. Gridley gave his consent
|
|
gruff--but gave it. He was always gruff with him, but he has been
|
|
kind to the children since. A person is never known till a person is
|
|
proved."
|
|
|
|
"Have many people been kind to the children?" asked Mr. Jarndyce.
|
|
|
|
"Upon the whole, not so bad, sir," said Mrs. Blinder; "but certainly
|
|
not so many as would have been if their father's calling had been
|
|
different. Mr. Coavins gave a guinea, and the follerers made up a
|
|
little purse. Some neighbours in the yard that had always joked and
|
|
tapped their shoulders when he went by came forward with a little
|
|
subscription, and--in general--not so bad. Similarly with Charlotte.
|
|
Some people won't employ her because she was a follerer's child; some
|
|
people that do employ her cast it at her; some make a merit of having
|
|
her to work for them, with that and all her draw-backs upon her, and
|
|
perhaps pay her less and put upon her more. But she's patienter than
|
|
others would be, and is clever too, and always willing, up to the
|
|
full mark of her strength and over. So I should say, in general, not
|
|
so bad, sir, but might be better."
|
|
|
|
Mrs. Blinder sat down to give herself a more favourable opportunity
|
|
of recovering her breath, exhausted anew by so much talking before it
|
|
was fully restored. Mr. Jarndyce was turning to speak to us when his
|
|
attention was attracted by the abrupt entrance into the room of the
|
|
Mr. Gridley who had been mentioned and whom we had seen on our way
|
|
up.
|
|
|
|
"I don't know what you may be doing here, ladies and gentlemen," he
|
|
said, as if he resented our presence, "but you'll excuse my coming
|
|
in. I don't come in to stare about me. Well, Charley! Well, Tom!
|
|
Well, little one! How is it with us all to-day?"
|
|
|
|
He bent over the group in a caressing way and clearly was regarded as
|
|
a friend by the children, though his face retained its stern
|
|
character and his manner to us was as rude as it could be. My
|
|
guardian noticed it and respected it.
|
|
|
|
"No one, surely, would come here to stare about him," he said mildly.
|
|
|
|
"May be so, sir, may be so," returned the other, taking Tom upon his
|
|
knee and waving him off impatiently. "I don't want to argue with
|
|
ladies and gentlemen. I have had enough of arguing to last one man
|
|
his life."
|
|
|
|
"You have sufficient reason, I dare say," said Mr. Jarndyce, "for
|
|
being chafed and irritated--"
|
|
|
|
"There again!" exclaimed the man, becoming violently angry. "I am of
|
|
a quarrelsome temper. I am irascible. I am not polite!"
|
|
|
|
"Not very, I think."
|
|
|
|
"Sir," said Gridley, putting down the child and going up to him as if
|
|
he meant to strike him, "do you know anything of Courts of Equity?"
|
|
|
|
"Perhaps I do, to my sorrow."
|
|
|
|
"To your sorrow?" said the man, pausing in his wrath, "if so, I beg
|
|
your pardon. I am not polite, I know. I beg your pardon! Sir," with
|
|
renewed violence, "I have been dragged for five and twenty years over
|
|
burning iron, and I have lost the habit of treading upon velvet. Go
|
|
into the Court of Chancery yonder and ask what is one of the standing
|
|
jokes that brighten up their business sometimes, and they will tell
|
|
you that the best joke they have is the man from Shropshire. I," he
|
|
said, beating one hand on the other passionately, "am the man from
|
|
Shropshire."
|
|
|
|
"I believe I and my family have also had the honour of furnishing
|
|
some entertainment in the same grave place," said my guardian
|
|
composedly. "You may have heard my name--Jarndyce."
|
|
|
|
"Mr. Jarndyce," said Gridley with a rough sort of salutation, "you
|
|
bear your wrongs more quietly than I can bear mine. More than that, I
|
|
tell you--and I tell this gentleman, and these young ladies, if they
|
|
are friends of yours--that if I took my wrongs in any other way, I
|
|
should be driven mad! It is only by resenting them, and by revenging
|
|
them in my mind, and by angrily demanding the justice I never get,
|
|
that I am able to keep my wits together. It is only that!" he said,
|
|
speaking in a homely, rustic way and with great vehemence. "You may
|
|
tell me that I over-excite myself. I answer that it's in my nature to
|
|
do it, under wrong, and I must do it. There's nothing between doing
|
|
it, and sinking into the smiling state of the poor little mad woman
|
|
that haunts the court. If I was once to sit down under it, I should
|
|
become imbecile."
|
|
|
|
The passion and heat in which he was, and the manner in which his
|
|
face worked, and the violent gestures with which he accompanied what
|
|
he said, were most painful to see.
|
|
|
|
"Mr. Jarndyce," he said, "consider my case. As true as there is a
|
|
heaven above us, this is my case. I am one of two brothers. My father
|
|
(a farmer) made a will and left his farm and stock and so forth to my
|
|
mother for her life. After my mother's death, all was to come to me
|
|
except a legacy of three hundred pounds that I was then to pay my
|
|
brother. My mother died. My brother some time afterwards claimed his
|
|
legacy. I and some of my relations said that he had had a part of it
|
|
already in board and lodging and some other things. Now mind! That
|
|
was the question, and nothing else. No one disputed the will; no one
|
|
disputed anything but whether part of that three hundred pounds had
|
|
been already paid or not. To settle that question, my brother filing
|
|
a bill, I was obliged to go into this accursed Chancery; I was forced
|
|
there because the law forced me and would let me go nowhere else.
|
|
Seventeen people were made defendants to that simple suit! It first
|
|
came on after two years. It was then stopped for another two years
|
|
while the master (may his head rot off!) inquired whether I was my
|
|
father's son, about which there was no dispute at all with any mortal
|
|
creature. He then found out that there were not defendants
|
|
enough--remember, there were only seventeen as yet!--but that we must
|
|
have another who had been left out and must begin all over again. The
|
|
costs at that time--before the thing was begun!--were three times the
|
|
legacy. My brother would have given up the legacy, and joyful, to
|
|
escape more costs. My whole estate, left to me in that will of my
|
|
father's, has gone in costs. The suit, still undecided, has fallen
|
|
into rack, and ruin, and despair, with everything else--and here I
|
|
stand, this day! Now, Mr. Jarndyce, in your suit there are thousands
|
|
and thousands involved, where in mine there are hundreds. Is mine
|
|
less hard to bear or is it harder to bear, when my whole living was
|
|
in it and has been thus shamefully sucked away?"
|
|
|
|
Mr. Jarndyce said that he condoled with him with all his heart and
|
|
that he set up no monopoly himself in being unjustly treated by this
|
|
monstrous system.
|
|
|
|
"There again!" said Mr. Gridley with no diminution of his rage. "The
|
|
system! I am told on all hands, it's the system. I mustn't look to
|
|
individuals. It's the system. I mustn't go into court and say, 'My
|
|
Lord, I beg to know this from you--is this right or wrong? Have you
|
|
the face to tell me I have received justice and therefore am
|
|
dismissed?' My Lord knows nothing of it. He sits there to administer
|
|
the system. I mustn't go to Mr. Tulkinghorn, the solicitor in
|
|
Lincoln's Inn Fields, and say to him when he makes me furious by
|
|
being so cool and satisfied--as they all do, for I know they gain by
|
|
it while I lose, don't I?--I mustn't say to him, 'I will have
|
|
something out of some one for my ruin, by fair means or foul!' HE is
|
|
not responsible. It's the system. But, if I do no violence to any of
|
|
them, here--I may! I don't know what may happen if I am carried
|
|
beyond myself at last! I will accuse the individual workers of that
|
|
system against me, face to face, before the great eternal bar!"
|
|
|
|
His passion was fearful. I could not have believed in such rage
|
|
without seeing it.
|
|
|
|
"I have done!" he said, sitting down and wiping his face. "Mr.
|
|
Jarndyce, I have done! I am violent, I know. I ought to know it. I
|
|
have been in prison for contempt of court. I have been in prison for
|
|
threatening the solicitor. I have been in this trouble, and that
|
|
trouble, and shall be again. I am the man from Shropshire, and I
|
|
sometimes go beyond amusing them, though they have found it amusing,
|
|
too, to see me committed into custody and brought up in custody and
|
|
all that. It would be better for me, they tell me, if I restrained
|
|
myself. I tell them that if I did restrain myself I should become
|
|
imbecile. I was a good-enough-tempered man once, I believe. People in
|
|
my part of the country say they remember me so, but now I must have
|
|
this vent under my sense of injury or nothing could hold my wits
|
|
together. It would be far better for you, Mr. Gridley,' the Lord
|
|
Chancellor told me last week, 'not to waste your time here, and to
|
|
stay, usefully employed, down in Shropshire.' 'My Lord, my Lord, I
|
|
know it would,' said I to him, 'and it would have been far better for
|
|
me never to have heard the name of your high office, but unhappily
|
|
for me, I can't undo the past, and the past drives me here!'
|
|
Besides," he added, breaking fiercely out, "I'll shame them. To the
|
|
last, I'll show myself in that court to its shame. If I knew when I
|
|
was going to die, and could be carried there, and had a voice to
|
|
speak with, I would die there, saying, 'You have brought me here and
|
|
sent me from here many and many a time. Now send me out feet
|
|
foremost!'"
|
|
|
|
His countenance had, perhaps for years, become so set in its
|
|
contentious expression that it did not soften, even now when he was
|
|
quiet.
|
|
|
|
"I came to take these babies down to my room for an hour," he said,
|
|
going to them again, "and let them play about. I didn't mean to say
|
|
all this, but it don't much signify. You're not afraid of me, Tom,
|
|
are you?"
|
|
|
|
"No!" said Tom. "You ain't angry with ME."
|
|
|
|
"You are right, my child. You're going back, Charley? Aye? Come then,
|
|
little one!" He took the youngest child on his arm, where she was
|
|
willing enough to be carried. "I shouldn't wonder if we found a
|
|
ginger-bread soldier downstairs. Let's go and look for him!"
|
|
|
|
He made his former rough salutation, which was not deficient in a
|
|
certain respect, to Mr. Jarndyce, and bowing slightly to us, went
|
|
downstairs to his room.
|
|
|
|
Upon that, Mr. Skimpole began to talk, for the first time since our
|
|
arrival, in his usual gay strain. He said, Well, it was really very
|
|
pleasant to see how things lazily adapted themselves to purposes.
|
|
Here was this Mr. Gridley, a man of a robust will and surprising
|
|
energy--intellectually speaking, a sort of inharmonious
|
|
blacksmith--and he could easily imagine that there Gridley was, years
|
|
ago, wandering about in life for something to expend his superfluous
|
|
combativeness upon--a sort of Young Love among the thorns--when the
|
|
Court of Chancery came in his way and accommodated him with the exact
|
|
thing he wanted. There they were, matched, ever afterwards! Otherwise
|
|
he might have been a great general, blowing up all sorts of towns, or
|
|
he might have been a great politician, dealing in all sorts of
|
|
parliamentary rhetoric; but as it was, he and the Court of Chancery
|
|
had fallen upon each other in the pleasantest way, and nobody was
|
|
much the worse, and Gridley was, so to speak, from that hour provided
|
|
for. Then look at Coavinses! How delightfully poor Coavinses (father
|
|
of these charming children) illustrated the same principle! He, Mr.
|
|
Skimpole, himself, had sometimes repined at the existence of
|
|
Coavinses. He had found Coavinses in his way. He could had dispensed
|
|
with Coavinses. There had been times when, if he had been a sultan,
|
|
and his grand vizier had said one morning, "What does the Commander
|
|
of the Faithful require at the hands of his slave?" he might have
|
|
even gone so far as to reply, "The head of Coavinses!" But what
|
|
turned out to be the case? That, all that time, he had been giving
|
|
employment to a most deserving man, that he had been a benefactor to
|
|
Coavinses, that he had actually been enabling Coavinses to bring up
|
|
these charming children in this agreeable way, developing these
|
|
social virtues! Insomuch that his heart had just now swelled and the
|
|
tears had come into his eyes when he had looked round the room and
|
|
thought, "I was the great patron of Coavinses, and his little
|
|
comforts were MY work!"
|
|
|
|
There was something so captivating in his light way of touching these
|
|
fantastic strings, and he was such a mirthful child by the side of
|
|
the graver childhood we had seen, that he made my guardian smile even
|
|
as he turned towards us from a little private talk with Mrs. Blinder.
|
|
We kissed Charley, and took her downstairs with us, and stopped
|
|
outside the house to see her run away to her work. I don't know where
|
|
she was going, but we saw her run, such a little, little creature in
|
|
her womanly bonnet and apron, through a covered way at the bottom of
|
|
the court and melt into the city's strife and sound like a dewdrop in
|
|
an ocean.
|
|
|
|
|
|
|
|
|
|
CHAPTER XVI
|
|
|
|
Tom-all-Alone's
|
|
|
|
|
|
My Lady Dedlock is restless, very restless. The astonished
|
|
fashionable intelligence hardly knows where to have her. To-day she
|
|
is at Chesney Wold; yesterday she was at her house in town; to-morrow
|
|
she may be abroad, for anything the fashionable intelligence can with
|
|
confidence predict. Even Sir Leicester's gallantry has some trouble
|
|
to keep pace with her. It would have more but that his other faithful
|
|
ally, for better and for worse--the gout--darts into the old oak
|
|
bed-chamber at Chesney Wold and grips him by both legs.
|
|
|
|
Sir Leicester receives the gout as a troublesome demon, but still a
|
|
demon of the patrician order. All the Dedlocks, in the direct male
|
|
line, through a course of time during and beyond which the memory of
|
|
man goeth not to the contrary, have had the gout. It can be proved,
|
|
sir. Other men's fathers may have died of the rheumatism or may have
|
|
taken base contagion from the tainted blood of the sick vulgar, but
|
|
the Dedlock family have communicated something exclusive even to the
|
|
levelling process of dying by dying of their own family gout. It has
|
|
come down through the illustrious line like the plate, or the
|
|
pictures, or the place in Lincolnshire. It is among their dignities.
|
|
Sir Leicester is perhaps not wholly without an impression, though he
|
|
has never resolved it into words, that the angel of death in the
|
|
discharge of his necessary duties may observe to the shades of the
|
|
aristocracy, "My lords and gentlemen, I have the honour to present to
|
|
you another Dedlock certified to have arrived per the family gout."
|
|
|
|
Hence Sir Leicester yields up his family legs to the family disorder
|
|
as if he held his name and fortune on that feudal tenure. He feels
|
|
that for a Dedlock to be laid upon his back and spasmodically
|
|
twitched and stabbed in his extremities is a liberty taken somewhere,
|
|
but he thinks, "We have all yielded to this; it belongs to us; it has
|
|
for some hundreds of years been understood that we are not to make
|
|
the vaults in the park interesting on more ignoble terms; and I
|
|
submit myself to the compromise."
|
|
|
|
And a goodly show he makes, lying in a flush of crimson and gold in
|
|
the midst of the great drawing-room before his favourite picture of
|
|
my Lady, with broad strips of sunlight shining in, down the long
|
|
perspective, through the long line of windows, and alternating with
|
|
soft reliefs of shadow. Outside, the stately oaks, rooted for ages in
|
|
the green ground which has never known ploughshare, but was still a
|
|
chase when kings rode to battle with sword and shield and rode
|
|
a-hunting with bow and arrow, bear witness to his greatness. Inside,
|
|
his forefathers, looking on him from the walls, say, "Each of us was
|
|
a passing reality here and left this coloured shadow of himself and
|
|
melted into remembrance as dreamy as the distant voices of the rooks
|
|
now lulling you to rest," and hear their testimony to his greatness
|
|
too. And he is very great this day. And woe to Boythorn or other
|
|
daring wight who shall presumptuously contest an inch with him!
|
|
|
|
My Lady is at present represented, near Sir Leicester, by her
|
|
portrait. She has flitted away to town, with no intention of
|
|
remaining there, and will soon flit hither again, to the confusion of
|
|
the fashionable intelligence. The house in town is not prepared for
|
|
her reception. It is muffled and dreary. Only one Mercury in powder
|
|
gapes disconsolate at the hall-window; and he mentioned last night to
|
|
another Mercury of his acquaintance, also accustomed to good society,
|
|
that if that sort of thing was to last--which it couldn't, for a man
|
|
of his spirits couldn't bear it, and a man of his figure couldn't be
|
|
expected to bear it--there would be no resource for him, upon his
|
|
honour, but to cut his throat!
|
|
|
|
What connexion can there be between the place in Lincolnshire, the
|
|
house in town, the Mercury in powder, and the whereabout of Jo the
|
|
outlaw with the broom, who had that distant ray of light upon him
|
|
when he swept the churchyard-step? What connexion can there have been
|
|
between many people in the innumerable histories of this world who
|
|
from opposite sides of great gulfs have, nevertheless, been very
|
|
curiously brought together!
|
|
|
|
Jo sweeps his crossing all day long, unconscious of the link, if any
|
|
link there be. He sums up his mental condition when asked a question
|
|
by replying that he "don't know nothink." He knows that it's hard to
|
|
keep the mud off the crossing in dirty weather, and harder still to
|
|
live by doing it. Nobody taught him even that much; he found it out.
|
|
|
|
Jo lives--that is to say, Jo has not yet died--in a ruinous place
|
|
known to the like of him by the name of Tom-all-Alone's. It is a
|
|
black, dilapidated street, avoided by all decent people, where the
|
|
crazy houses were seized upon, when their decay was far advanced, by
|
|
some bold vagrants who after establishing their own possession took
|
|
to letting them out in lodgings. Now, these tumbling tenements
|
|
contain, by night, a swarm of misery. As on the ruined human wretch
|
|
vermin parasites appear, so these ruined shelters have bred a crowd
|
|
of foul existence that crawls in and out of gaps in walls and boards;
|
|
and coils itself to sleep, in maggot numbers, where the rain drips
|
|
in; and comes and goes, fetching and carrying fever and sowing more
|
|
evil in its every footprint than Lord Coodle, and Sir Thomas Doodle,
|
|
and the Duke of Foodle, and all the fine gentlemen in office, down to
|
|
Zoodle, shall set right in five hundred years--though born expressly
|
|
to do it.
|
|
|
|
Twice lately there has been a crash and a cloud of dust, like the
|
|
springing of a mine, in Tom-all-Alone's; and each time a house has
|
|
fallen. These accidents have made a paragraph in the newspapers and
|
|
have filled a bed or two in the nearest hospital. The gaps remain,
|
|
and there are not unpopular lodgings among the rubbish. As several
|
|
more houses are nearly ready to go, the next crash in Tom-all-Alone's
|
|
may be expected to be a good one.
|
|
|
|
This desirable property is in Chancery, of course. It would be an
|
|
insult to the discernment of any man with half an eye to tell him so.
|
|
Whether "Tom" is the popular representative of the original plaintiff
|
|
or defendant in Jarndyce and Jarndyce, or whether Tom lived here when
|
|
the suit had laid the street waste, all alone, until other settlers
|
|
came to join him, or whether the traditional title is a comprehensive
|
|
name for a retreat cut off from honest company and put out of the
|
|
pale of hope, perhaps nobody knows. Certainly Jo don't know.
|
|
|
|
"For I don't," says Jo, "I don't know nothink."
|
|
|
|
It must be a strange state to be like Jo! To shuffle through the
|
|
streets, unfamiliar with the shapes, and in utter darkness as to the
|
|
meaning, of those mysterious symbols, so abundant over the shops, and
|
|
at the corners of streets, and on the doors, and in the windows! To
|
|
see people read, and to see people write, and to see the postmen
|
|
deliver letters, and not to have the least idea of all that
|
|
language--to be, to every scrap of it, stone blind and dumb! It must
|
|
be very puzzling to see the good company going to the churches on
|
|
Sundays, with their books in their hands, and to think (for perhaps
|
|
Jo DOES think at odd times) what does it all mean, and if it means
|
|
anything to anybody, how comes it that it means nothing to me? To be
|
|
hustled, and jostled, and moved on; and really to feel that it would
|
|
appear to be perfectly true that I have no business here, or there,
|
|
or anywhere; and yet to be perplexed by the consideration that I AM
|
|
here somehow, too, and everybody overlooked me until I became the
|
|
creature that I am! It must be a strange state, not merely to be told
|
|
that I am scarcely human (as in the case of my offering myself for a
|
|
witness), but to feel it of my own knowledge all my life! To see the
|
|
horses, dogs, and cattle go by me and to know that in ignorance I
|
|
belong to them and not to the superior beings in my shape, whose
|
|
delicacy I offend! Jo's ideas of a criminal trial, or a judge, or a
|
|
bishop, or a government, or that inestimable jewel to him (if he only
|
|
knew it) the Constitution, should be strange! His whole material and
|
|
immaterial life is wonderfully strange; his death, the strangest
|
|
thing of all.
|
|
|
|
Jo comes out of Tom-all-Alone's, meeting the tardy morning which is
|
|
always late in getting down there, and munches his dirty bit of bread
|
|
as he comes along. His way lying through many streets, and the houses
|
|
not yet being open, he sits down to breakfast on the door-step of the
|
|
Society for the Propagation of the Gospel in Foreign Parts and gives
|
|
it a brush when he has finished as an acknowledgment of the
|
|
accommodation. He admires the size of the edifice and wonders what
|
|
it's all about. He has no idea, poor wretch, of the spiritual
|
|
destitution of a coral reef in the Pacific or what it costs to look
|
|
up the precious souls among the coco-nuts and bread-fruit.
|
|
|
|
He goes to his crossing and begins to lay it out for the day. The
|
|
town awakes; the great tee-totum is set up for its daily spin and
|
|
whirl; all that unaccountable reading and writing, which has been
|
|
suspended for a few hours, recommences. Jo and the other lower
|
|
animals get on in the unintelligible mess as they can. It is
|
|
market-day. The blinded oxen, over-goaded, over-driven, never guided,
|
|
run into wrong places and are beaten out, and plunge red-eyed and
|
|
foaming at stone walls, and often sorely hurt the innocent, and often
|
|
sorely hurt themselves. Very like Jo and his order; very, very like!
|
|
|
|
A band of music comes and plays. Jo listens to it. So does a dog--a
|
|
drover's dog, waiting for his master outside a butcher's shop, and
|
|
evidently thinking about those sheep he has had upon his mind for
|
|
some hours and is happily rid of. He seems perplexed respecting three
|
|
or four, can't remember where he left them, looks up and down the
|
|
street as half expecting to see them astray, suddenly pricks up his
|
|
ears and remembers all about it. A thoroughly vagabond dog,
|
|
accustomed to low company and public-houses; a terrific dog to sheep,
|
|
ready at a whistle to scamper over their backs and tear out mouthfuls
|
|
of their wool; but an educated, improved, developed dog who has been
|
|
taught his duties and knows how to discharge them. He and Jo listen
|
|
to the music, probably with much the same amount of animal
|
|
satisfaction; likewise as to awakened association, aspiration, or
|
|
regret, melancholy or joyful reference to things beyond the senses,
|
|
they are probably upon a par. But, otherwise, how far above the human
|
|
listener is the brute!
|
|
|
|
Turn that dog's descendants wild, like Jo, and in a very few years
|
|
they will so degenerate that they will lose even their bark--but not
|
|
their bite.
|
|
|
|
The day changes as it wears itself away and becomes dark and drizzly.
|
|
Jo fights it out at his crossing among the mud and wheels, the
|
|
horses, whips, and umbrellas, and gets but a scanty sum to pay for
|
|
the unsavoury shelter of Tom-all-Alone's. Twilight comes on; gas
|
|
begins to start up in the shops; the lamplighter, with his ladder,
|
|
runs along the margin of the pavement. A wretched evening is
|
|
beginning to close in.
|
|
|
|
In his chambers Mr. Tulkinghorn sits meditating an application to the
|
|
nearest magistrate to-morrow morning for a warrant. Gridley, a
|
|
disappointed suitor, has been here to-day and has been alarming. We
|
|
are not to be put in bodily fear, and that ill-conditioned fellow
|
|
shall be held to bail again. From the ceiling, foreshortened
|
|
Allegory, in the person of one impossible Roman upside down, points
|
|
with the arm of Samson (out of joint, and an odd one) obtrusively
|
|
toward the window. Why should Mr. Tulkinghorn, for such no reason,
|
|
look out of window? Is the hand not always pointing there? So he does
|
|
not look out of window.
|
|
|
|
And if he did, what would it be to see a woman going by? There are
|
|
women enough in the world, Mr. Tulkinghorn thinks--too many; they are
|
|
at the bottom of all that goes wrong in it, though, for the matter of
|
|
that, they create business for lawyers. What would it be to see a
|
|
woman going by, even though she were going secretly? They are all
|
|
secret. Mr. Tulkinghorn knows that very well.
|
|
|
|
But they are not all like the woman who now leaves him and his house
|
|
behind, between whose plain dress and her refined manner there is
|
|
something exceedingly inconsistent. She should be an upper servant by
|
|
her attire, yet in her air and step, though both are hurried and
|
|
assumed--as far as she can assume in the muddy streets, which she
|
|
treads with an unaccustomed foot--she is a lady. Her face is veiled,
|
|
and still she sufficiently betrays herself to make more than one of
|
|
those who pass her look round sharply.
|
|
|
|
She never turns her head. Lady or servant, she has a purpose in her
|
|
and can follow it. She never turns her head until she comes to the
|
|
crossing where Jo plies with his broom. He crosses with her and begs.
|
|
Still, she does not turn her head until she has landed on the other
|
|
side. Then she slightly beckons to him and says, "Come here!"
|
|
|
|
Jo follows her a pace or two into a quiet court.
|
|
|
|
"Are you the boy I've read of in the papers?" she asked behind her
|
|
veil.
|
|
|
|
"I don't know," says Jo, staring moodily at the veil, "nothink about
|
|
no papers. I don't know nothink about nothink at all."
|
|
|
|
"Were you examined at an inquest?"
|
|
|
|
"I don't know nothink about no--where I was took by the beadle, do
|
|
you mean?" says Jo. "Was the boy's name at the inkwhich Jo?"
|
|
|
|
"Yes."
|
|
|
|
"That's me!" says Jo.
|
|
|
|
"Come farther up."
|
|
|
|
"You mean about the man?" says Jo, following. "Him as wos dead?"
|
|
|
|
"Hush! Speak in a whisper! Yes. Did he look, when he was living, so
|
|
very ill and poor?"
|
|
|
|
"Oh, jist!" says Jo.
|
|
|
|
"Did he look like--not like YOU?" says the woman with abhorrence.
|
|
|
|
"Oh, not so bad as me," says Jo. "I'm a reg'lar one I am! You didn't
|
|
know him, did you?"
|
|
|
|
"How dare you ask me if I knew him?"
|
|
|
|
"No offence, my lady," says Jo with much humility, for even he has
|
|
got at the suspicion of her being a lady.
|
|
|
|
"I am not a lady. I am a servant."
|
|
|
|
"You are a jolly servant!" says Jo without the least idea of saying
|
|
anything offensive, merely as a tribute of admiration.
|
|
|
|
"Listen and be silent. Don't talk to me, and stand farther from me!
|
|
Can you show me all those places that were spoken of in the account I
|
|
read? The place he wrote for, the place he died at, the place where
|
|
you were taken to, and the place where he was buried? Do you know the
|
|
place where he was buried?"
|
|
|
|
Jo answers with a nod, having also nodded as each other place was
|
|
mentioned.
|
|
|
|
"Go before me and show me all those dreadful places. Stop opposite to
|
|
each, and don't speak to me unless I speak to you. Don't look back.
|
|
Do what I want, and I will pay you well."
|
|
|
|
Jo attends closely while the words are being spoken; tells them off
|
|
on his broom-handle, finding them rather hard; pauses to consider
|
|
their meaning; considers it satisfactory; and nods his ragged head.
|
|
|
|
"I'm fly," says Jo. "But fen larks, you know. Stow hooking it!"
|
|
|
|
"What does the horrible creature mean?" exclaims the servant,
|
|
recoiling from him.
|
|
|
|
"Stow cutting away, you know!" says Jo.
|
|
|
|
"I don't understand you. Go on before! I will give you more money
|
|
than you ever had in your life."
|
|
|
|
Jo screws up his mouth into a whistle, gives his ragged head a rub,
|
|
takes his broom under his arm, and leads the way, passing deftly with
|
|
his bare feet over the hard stones and through the mud and mire.
|
|
|
|
Cook's Court. Jo stops. A pause.
|
|
|
|
"Who lives here?"
|
|
|
|
"Him wot give him his writing and give me half a bull," says Jo in a
|
|
whisper without looking over his shoulder.
|
|
|
|
"Go on to the next."
|
|
|
|
Krook's house. Jo stops again. A longer pause.
|
|
|
|
"Who lives here?"
|
|
|
|
"HE lived here," Jo answers as before.
|
|
|
|
After a silence he is asked, "In which room?"
|
|
|
|
"In the back room up there. You can see the winder from this corner.
|
|
Up there! That's where I see him stritched out. This is the
|
|
public-ouse where I was took to."
|
|
|
|
"Go on to the next!"
|
|
|
|
It is a longer walk to the next, but Jo, relieved of his first
|
|
suspicions, sticks to the forms imposed upon him and does not look
|
|
round. By many devious ways, reeking with offence of many kinds, they
|
|
come to the little tunnel of a court, and to the gas-lamp (lighted
|
|
now), and to the iron gate.
|
|
|
|
"He was put there," says Jo, holding to the bars and looking in.
|
|
|
|
"Where? Oh, what a scene of horror!"
|
|
|
|
"There!" says Jo, pointing. "Over yinder. Among them piles of bones,
|
|
and close to that there kitchin winder! They put him wery nigh the
|
|
top. They was obliged to stamp upon it to git it in. I could unkiver
|
|
it for you with my broom if the gate was open. That's why they locks
|
|
it, I s'pose," giving it a shake. "It's always locked. Look at the
|
|
rat!" cries Jo, excited. "Hi! Look! There he goes! Ho! Into the
|
|
ground!"
|
|
|
|
The servant shrinks into a corner, into a corner of that hideous
|
|
archway, with its deadly stains contaminating her dress; and putting
|
|
out her two hands and passionately telling him to keep away from her,
|
|
for he is loathsome to her, so remains for some moments. Jo stands
|
|
staring and is still staring when she recovers herself.
|
|
|
|
"Is this place of abomination consecrated ground?"
|
|
|
|
"I don't know nothink of consequential ground," says Jo, still
|
|
staring.
|
|
|
|
"Is it blessed?"
|
|
|
|
"Which?" says Jo, in the last degree amazed.
|
|
|
|
"Is it blessed?"
|
|
|
|
"I'm blest if I know," says Jo, staring more than ever; "but I
|
|
shouldn't think it warn't. Blest?" repeats Jo, something troubled in
|
|
his mind. "It an't done it much good if it is. Blest? I should think
|
|
it was t'othered myself. But I don't know nothink!"
|
|
|
|
The servant takes as little heed of what he says as she seems to take
|
|
of what she has said herself. She draws off her glove to get some
|
|
money from her purse. Jo silently notices how white and small her
|
|
hand is and what a jolly servant she must be to wear such sparkling
|
|
rings.
|
|
|
|
She drops a piece of money in his hand without touching it, and
|
|
shuddering as their hands approach. "Now," she adds, "show me the
|
|
spot again!"
|
|
|
|
Jo thrusts the handle of his broom between the bars of the gate, and
|
|
with his utmost power of elaboration, points it out. At length,
|
|
looking aside to see if he has made himself intelligible, he finds
|
|
that he is alone.
|
|
|
|
His first proceeding is to hold the piece of money to the gas-light
|
|
and to be overpowered at finding that it is yellow--gold. His next is
|
|
to give it a one-sided bite at the edge as a test of its quality.
|
|
His next, to put it in his mouth for safety and to sweep the
|
|
step and passage with great care. His job done, he sets off for
|
|
Tom-all-Alone's, stopping in the light of innumerable gas-lamps to
|
|
produce the piece of gold and give it another one-sided bite as a
|
|
reassurance of its being genuine.
|
|
|
|
The Mercury in powder is in no want of society to-night, for my Lady
|
|
goes to a grand dinner and three or four balls. Sir Leicester is
|
|
fidgety down at Chesney Wold, with no better company than the gout;
|
|
he complains to Mrs. Rouncewell that the rain makes such a monotonous
|
|
pattering on the terrace that he can't read the paper even by the
|
|
fireside in his own snug dressing-room.
|
|
|
|
"Sir Leicester would have done better to try the other side of the
|
|
house, my dear," says Mrs. Rouncewell to Rosa. "His dressing-room is
|
|
on my Lady's side. And in all these years I never heard the step upon
|
|
the Ghost's Walk more distinct than it is to-night!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XVII
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
Richard very often came to see us while we remained in London (though
|
|
he soon failed in his letter-writing), and with his quick abilities,
|
|
his good spirits, his good temper, his gaiety and freshness, was
|
|
always delightful. But though I liked him more and more the better I
|
|
knew him, I still felt more and more how much it was to be regretted
|
|
that he had been educated in no habits of application and
|
|
concentration. The system which had addressed him in exactly the same
|
|
manner as it had addressed hundreds of other boys, all varying in
|
|
character and capacity, had enabled him to dash through his tasks,
|
|
always with fair credit and often with distinction, but in a fitful,
|
|
dazzling way that had confirmed his reliance on those very qualities
|
|
in himself which it had been most desirable to direct and train. They
|
|
were good qualities, without which no high place can be meritoriously
|
|
won, but like fire and water, though excellent servants, they were
|
|
very bad masters. If they had been under Richard's direction, they
|
|
would have been his friends; but Richard being under their direction,
|
|
they became his enemies.
|
|
|
|
I write down these opinions not because I believe that this or any
|
|
other thing was so because I thought so, but only because I did think
|
|
so and I want to be quite candid about all I thought and did. These
|
|
were my thoughts about Richard. I thought I often observed besides
|
|
how right my guardian was in what he had said, and that the
|
|
uncertainties and delays of the Chancery suit had imparted to his
|
|
nature something of the careless spirit of a gamester who felt that
|
|
he was part of a great gaming system.
|
|
|
|
Mr. and Mrs. Bayham Badger coming one afternoon when my guardian was
|
|
not at home, in the course of conversation I naturally inquired after
|
|
Richard.
|
|
|
|
"Why, Mr. Carstone," said Mrs. Badger, "is very well and is, I assure
|
|
you, a great acquisition to our society. Captain Swosser used to say
|
|
of me that I was always better than land a-head and a breeze a-starn
|
|
to the midshipmen's mess when the purser's junk had become as tough
|
|
as the fore-topsel weather earings. It was his naval way of
|
|
mentioning generally that I was an acquisition to any society. I may
|
|
render the same tribute, I am sure, to Mr. Carstone. But I--you won't
|
|
think me premature if I mention it?"
|
|
|
|
I said no, as Mrs. Badger's insinuating tone seemed to require such
|
|
an answer.
|
|
|
|
"Nor Miss Clare?" said Mrs. Bayham Badger sweetly.
|
|
|
|
Ada said no, too, and looked uneasy.
|
|
|
|
"Why, you see, my dears," said Mrs. Badger, "--you'll excuse me
|
|
calling you my dears?"
|
|
|
|
We entreated Mrs. Badger not to mention it.
|
|
|
|
"Because you really are, if I may take the liberty of saying so,"
|
|
pursued Mrs. Badger, "so perfectly charming. You see, my dears, that
|
|
although I am still young--or Mr. Bayham Badger pays me the
|
|
compliment of saying so--"
|
|
|
|
"No," Mr. Badger called out like some one contradicting at a public
|
|
meeting. "Not at all!"
|
|
|
|
"Very well," smiled Mrs. Badger, "we will say still young."
|
|
|
|
"Undoubtedly," said Mr. Badger.
|
|
|
|
"My dears, though still young, I have had many opportunities of
|
|
observing young men. There were many such on board the dear old
|
|
Crippler, I assure you. After that, when I was with Captain Swosser
|
|
in the Mediterranean, I embraced every opportunity of knowing and
|
|
befriending the midshipmen under Captain Swosser's command. YOU never
|
|
heard them called the young gentlemen, my dears, and probably would
|
|
not understand allusions to their pipe-claying their weekly accounts,
|
|
but it is otherwise with me, for blue water has been a second home to
|
|
me, and I have been quite a sailor. Again, with Professor Dingo."
|
|
|
|
"A man of European reputation," murmured Mr. Badger.
|
|
|
|
"When I lost my dear first and became the wife of my dear second,"
|
|
said Mrs. Badger, speaking of her former husbands as if they were
|
|
parts of a charade, "I still enjoyed opportunities of observing
|
|
youth. The class attendant on Professor Dingo's lectures was a large
|
|
one, and it became my pride, as the wife of an eminent scientific man
|
|
seeking herself in science the utmost consolation it could impart, to
|
|
throw our house open to the students as a kind of Scientific
|
|
Exchange. Every Tuesday evening there was lemonade and a mixed
|
|
biscuit for all who chose to partake of those refreshments. And there
|
|
was science to an unlimited extent."
|
|
|
|
"Remarkable assemblies those, Miss Summerson," said Mr. Badger
|
|
reverentially. "There must have been great intellectual friction
|
|
going on there under the auspices of such a man!"
|
|
|
|
"And now," pursued Mrs. Badger, "now that I am the wife of my dear
|
|
third, Mr. Badger, I still pursue those habits of observation which
|
|
were formed during the lifetime of Captain Swosser and adapted to new
|
|
and unexpected purposes during the lifetime of Professor Dingo. I
|
|
therefore have not come to the consideration of Mr. Carstone as a
|
|
neophyte. And yet I am very much of the opinion, my dears, that he
|
|
has not chosen his profession advisedly."
|
|
|
|
Ada looked so very anxious now that I asked Mrs. Badger on what she
|
|
founded her supposition.
|
|
|
|
"My dear Miss Summerson," she replied, "on Mr. Carstone's character
|
|
and conduct. He is of such a very easy disposition that probably he
|
|
would never think it worth-while to mention how he really feels, but
|
|
he feels languid about the profession. He has not that positive
|
|
interest in it which makes it his vocation. If he has any decided
|
|
impression in reference to it, I should say it was that it is a
|
|
tiresome pursuit. Now, this is not promising. Young men like Mr.
|
|
Allan Woodcourt who take it from a strong interest in all that it can
|
|
do will find some reward in it through a great deal of work for a
|
|
very little money and through years of considerable endurance and
|
|
disappointment. But I am quite convinced that this would never be the
|
|
case with Mr. Carstone."
|
|
|
|
"Does Mr. Badger think so too?" asked Ada timidly.
|
|
|
|
"Why," said Mr. Badger, "to tell the truth, Miss Clare, this view of
|
|
the matter had not occurred to me until Mrs. Badger mentioned it. But
|
|
when Mrs. Badger put it in that light, I naturally gave great
|
|
consideration to it, knowing that Mrs. Badger's mind, in addition to
|
|
its natural advantages, has had the rare advantage of being formed by
|
|
two such very distinguished (I will even say illustrious) public men
|
|
as Captain Swosser of the Royal Navy and Professor Dingo. The
|
|
conclusion at which I have arrived is--in short, is Mrs. Badger's
|
|
conclusion."
|
|
|
|
"It was a maxim of Captain Swosser's," said Mrs. Badger, "speaking in
|
|
his figurative naval manner, that when you make pitch hot, you cannot
|
|
make it too hot; and that if you only have to swab a plank, you
|
|
should swab it as if Davy Jones were after you. It appears to me that
|
|
this maxim is applicable to the medical as well as to the nautical
|
|
profession.
|
|
|
|
"To all professions," observed Mr. Badger. "It was admirably said by
|
|
Captain Swosser. Beautifully said."
|
|
|
|
"People objected to Professor Dingo when we were staying in the north
|
|
of Devon after our marriage," said Mrs. Badger, "that he disfigured
|
|
some of the houses and other buildings by chipping off fragments of
|
|
those edifices with his little geological hammer. But the professor
|
|
replied that he knew of no building save the Temple of Science. The
|
|
principle is the same, I think?"
|
|
|
|
"Precisely the same," said Mr. Badger. "Finely expressed! The
|
|
professor made the same remark, Miss Summerson, in his last illness,
|
|
when (his mind wandering) he insisted on keeping his little hammer
|
|
under the pillow and chipping at the countenances of the attendants.
|
|
The ruling passion!"
|
|
|
|
Although we could have dispensed with the length at which Mr. and
|
|
Mrs. Badger pursued the conversation, we both felt that it was
|
|
disinterested in them to express the opinion they had communicated to
|
|
us and that there was a great probability of its being sound. We
|
|
agreed to say nothing to Mr. Jarndyce until we had spoken to Richard;
|
|
and as he was coming next evening, we resolved to have a very serious
|
|
talk with him.
|
|
|
|
So after he had been a little while with Ada, I went in and found my
|
|
darling (as I knew she would be) prepared to consider him thoroughly
|
|
right in whatever he said.
|
|
|
|
"And how do you get on, Richard?" said I. I always sat down on the
|
|
other side of him. He made quite a sister of me.
|
|
|
|
"Oh! Well enough!" said Richard.
|
|
|
|
"He can't say better than that, Esther, can he?" cried my pet
|
|
triumphantly.
|
|
|
|
I tried to look at my pet in the wisest manner, but of course I
|
|
couldn't.
|
|
|
|
"Well enough?" I repeated.
|
|
|
|
"Yes," said Richard, "well enough. It's rather jog-trotty and
|
|
humdrum. But it'll do as well as anything else!"
|
|
|
|
"Oh! My dear Richard!" I remonstrated.
|
|
|
|
"What's the matter?" said Richard.
|
|
|
|
"Do as well as anything else!"
|
|
|
|
"I don't think there's any harm in that, Dame Durden," said Ada,
|
|
looking so confidingly at me across him; "because if it will do as
|
|
well as anything else, it will do very well, I hope."
|
|
|
|
"Oh, yes, I hope so," returned Richard, carelessly tossing his hair
|
|
from his forehead. "After all, it may be only a kind of probation
|
|
till our suit is--I forgot though. I am not to mention the suit.
|
|
Forbidden ground! Oh, yes, it's all right enough. Let us talk about
|
|
something else."
|
|
|
|
Ada would have done so willingly, and with a full persuasion that we
|
|
had brought the question to a most satisfactory state. But I thought
|
|
it would be useless to stop there, so I began again.
|
|
|
|
"No, but Richard," said I, "and my dear Ada! Consider how important
|
|
it is to you both, and what a point of honour it is towards your
|
|
cousin, that you, Richard, should be quite in earnest without any
|
|
reservation. I think we had better talk about this, really, Ada. It
|
|
will be too late very soon."
|
|
|
|
"Oh, yes! We must talk about it!" said Ada. "But I think Richard is
|
|
right."
|
|
|
|
What was the use of my trying to look wise when she was so pretty,
|
|
and so engaging, and so fond of him!
|
|
|
|
"Mr. and Mrs. Badger were here yesterday, Richard," said I, "and they
|
|
seemed disposed to think that you had no great liking for the
|
|
profession."
|
|
|
|
"Did they though?" said Richard. "Oh! Well, that rather alters the
|
|
case, because I had no idea that they thought so, and I should not
|
|
have liked to disappoint or inconvenience them. The fact is, I don't
|
|
care much about it. But, oh, it don't matter! It'll do as well as
|
|
anything else!"
|
|
|
|
"You hear him, Ada!" said I.
|
|
|
|
"The fact is," Richard proceeded, half thoughtfully and half
|
|
jocosely, "it is not quite in my way. I don't take to it. And I get
|
|
too much of Mrs. Bayham Badger's first and second."
|
|
|
|
"I am sure THAT'S very natural!" cried Ada, quite delighted. "The
|
|
very thing we both said yesterday, Esther!"
|
|
|
|
"Then," pursued Richard, "it's monotonous, and to-day is too like
|
|
yesterday, and to-morrow is too like to-day."
|
|
|
|
"But I am afraid," said I, "this is an objection to all kinds of
|
|
application--to life itself, except under some very uncommon
|
|
circumstances."
|
|
|
|
"Do you think so?" returned Richard, still considering. "Perhaps! Ha!
|
|
Why, then, you know," he added, suddenly becoming gay again, "we
|
|
travel outside a circle to what I said just now. It'll do as well as
|
|
anything else. Oh, it's all right enough! Let us talk about something
|
|
else."
|
|
|
|
But even Ada, with her loving face--and if it had seemed innocent and
|
|
trusting when I first saw it in that memorable November fog, how much
|
|
more did it seem now when I knew her innocent and trusting
|
|
heart--even Ada shook her head at this and looked serious. So I
|
|
thought it a good opportunity to hint to Richard that if he were
|
|
sometimes a little careless of himself, I was very sure he never
|
|
meant to be careless of Ada, and that it was a part of his
|
|
affectionate consideration for her not to slight the importance of a
|
|
step that might influence both their lives. This made him almost
|
|
grave.
|
|
|
|
"My dear Mother Hubbard," he said, "that's the very thing! I have
|
|
thought of that several times and have been quite angry with myself
|
|
for meaning to be so much in earnest and--somehow--not exactly being
|
|
so. I don't know how it is; I seem to want something or other to
|
|
stand by. Even you have no idea how fond I am of Ada (my darling
|
|
cousin, I love you, so much!), but I don't settle down to constancy
|
|
in other things. It's such uphill work, and it takes such a time!"
|
|
said Richard with an air of vexation.
|
|
|
|
"That may be," I suggested, "because you don't like what you have
|
|
chosen."
|
|
|
|
"Poor fellow!" said Ada. "I am sure I don't wonder at it!"
|
|
|
|
No. It was not of the least use my trying to look wise. I tried
|
|
again, but how could I do it, or how could it have any effect if I
|
|
could, while Ada rested her clasped hands upon his shoulder and while
|
|
he looked at her tender blue eyes, and while they looked at him!
|
|
|
|
"You see, my precious girl," said Richard, passing her golden curls
|
|
through and through his hand, "I was a little hasty perhaps; or I
|
|
misunderstood my own inclinations perhaps. They don't seem to lie in
|
|
that direction. I couldn't tell till I tried. Now the question is
|
|
whether it's worth-while to undo all that has been done. It seems
|
|
like making a great disturbance about nothing particular."
|
|
|
|
"My dear Richard," said I, "how CAN you say about nothing
|
|
particular?"
|
|
|
|
"I don't mean absolutely that," he returned. "I mean that it MAY be
|
|
nothing particular because I may never want it."
|
|
|
|
Both Ada and I urged, in reply, not only that it was decidedly
|
|
worth-while to undo what had been done, but that it must be undone. I
|
|
then asked Richard whether he had thought of any more congenial
|
|
pursuit.
|
|
|
|
"There, my dear Mrs. Shipton," said Richard, "you touch me home. Yes,
|
|
I have. I have been thinking that the law is the boy for me."
|
|
|
|
"The law!" repeated Ada as if she were afraid of the name.
|
|
|
|
"If I went into Kenge's office," said Richard, "and if I were placed
|
|
under articles to Kenge, I should have my eye on the--hum!--the
|
|
forbidden ground--and should be able to study it, and master it, and
|
|
to satisfy myself that it was not neglected and was being properly
|
|
conducted. I should be able to look after Ada's interests and my own
|
|
interests (the same thing!); and I should peg away at Blackstone and
|
|
all those fellows with the most tremendous ardour."
|
|
|
|
I was not by any means so sure of that, and I saw how his hankering
|
|
after the vague things yet to come of those long-deferred hopes cast
|
|
a shade on Ada's face. But I thought it best to encourage him in any
|
|
project of continuous exertion, and only advised him to be quite sure
|
|
that his mind was made up now.
|
|
|
|
"My dear Minerva," said Richard, "I am as steady as you are. I made a
|
|
mistake; we are all liable to mistakes; I won't do so any more, and
|
|
I'll become such a lawyer as is not often seen. That is, you know,"
|
|
said Richard, relapsing into doubt, "if it really is worth-while,
|
|
after all, to make such a disturbance about nothing particular!"
|
|
|
|
This led to our saying again, with a great deal of gravity, all that
|
|
we had said already and to our coming to much the same conclusion
|
|
afterwards. But we so strongly advised Richard to be frank and open
|
|
with Mr. Jarndyce, without a moment's delay, and his disposition was
|
|
naturally so opposed to concealment that he sought him out at once
|
|
(taking us with him) and made a full avowal. "Rick," said my
|
|
guardian, after hearing him attentively, "we can retreat with honour,
|
|
and we will. But we must be careful--for our cousin's sake, Rick, for
|
|
our cousin's sake--that we make no more such mistakes. Therefore, in
|
|
the matter of the law, we will have a good trial before we decide. We
|
|
will look before we leap, and take plenty of time about it."
|
|
|
|
Richard's energy was of such an impatient and fitful kind that he
|
|
would have liked nothing better than to have gone to Mr. Kenge's
|
|
office in that hour and to have entered into articles with him on the
|
|
spot. Submitting, however, with a good grace to the caution that we
|
|
had shown to be so necessary, he contented himself with sitting down
|
|
among us in his lightest spirits and talking as if his one unvarying
|
|
purpose in life from childhood had been that one which now held
|
|
possession of him. My guardian was very kind and cordial with him,
|
|
but rather grave, enough so to cause Ada, when he had departed and we
|
|
were going upstairs to bed, to say, "Cousin John, I hope you don't
|
|
think the worse of Richard?"
|
|
|
|
"No, my love," said he.
|
|
|
|
"Because it was very natural that Richard should be mistaken in such
|
|
a difficult case. It is not uncommon."
|
|
|
|
"No, no, my love," said he. "Don't look unhappy."
|
|
|
|
"Oh, I am not unhappy, cousin John!" said Ada, smiling cheerfully,
|
|
with her hand upon his shoulder, where she had put it in bidding him
|
|
good night. "But I should be a little so if you thought at all the
|
|
worse of Richard."
|
|
|
|
"My dear," said Mr. Jarndyce, "I should think the worse of him only
|
|
if you were ever in the least unhappy through his means. I should be
|
|
more disposed to quarrel with myself even then, than with poor Rick,
|
|
for I brought you together. But, tut, all this is nothing! He has
|
|
time before him, and the race to run. I think the worse of him? Not
|
|
I, my loving cousin! And not you, I swear!"
|
|
|
|
"No, indeed, cousin John," said Ada, "I am sure I could not--I am
|
|
sure I would not--think any ill of Richard if the whole world did. I
|
|
could, and I would, think better of him then than at any other time!"
|
|
|
|
So quietly and honestly she said it, with her hands upon his
|
|
shoulders--both hands now--and looking up into his face, like the
|
|
picture of truth!
|
|
|
|
"I think," said my guardian, thoughtfully regarding her, "I think it
|
|
must be somewhere written that the virtues of the mothers shall
|
|
occasionally be visited on the children, as well as the sins of the
|
|
father. Good night, my rosebud. Good night, little woman. Pleasant
|
|
slumbers! Happy dreams!"
|
|
|
|
This was the first time I ever saw him follow Ada with his eyes with
|
|
something of a shadow on their benevolent expression. I well
|
|
remembered the look with which he had contemplated her and Richard
|
|
when she was singing in the firelight; it was but a very little while
|
|
since he had watched them passing down the room in which the sun was
|
|
shining, and away into the shade; but his glance was changed, and
|
|
even the silent look of confidence in me which now followed it once
|
|
more was not quite so hopeful and untroubled as it had originally
|
|
been.
|
|
|
|
Ada praised Richard more to me that night than ever she had praised
|
|
him yet. She went to sleep with a little bracelet he had given her
|
|
clasped upon her arm. I fancied she was dreaming of him when I kissed
|
|
her cheek after she had slept an hour and saw how tranquil and happy
|
|
she looked.
|
|
|
|
For I was so little inclined to sleep myself that night that I sat up
|
|
working. It would not be worth mentioning for its own sake, but I was
|
|
wakeful and rather low-spirited. I don't know why. At least I don't
|
|
think I know why. At least, perhaps I do, but I don't think it
|
|
matters.
|
|
|
|
At any rate, I made up my mind to be so dreadfully industrious that I
|
|
would leave myself not a moment's leisure to be low-spirited. For I
|
|
naturally said, "Esther! You to be low-spirited. YOU!" And it really
|
|
was time to say so, for I--yes, I really did see myself in the glass,
|
|
almost crying. "As if you had anything to make you unhappy, instead
|
|
of everything to make you happy, you ungrateful heart!" said I.
|
|
|
|
If I could have made myself go to sleep, I would have done it
|
|
directly, but not being able to do that, I took out of my basket some
|
|
ornamental work for our house (I mean Bleak House) that I was busy
|
|
with at that time and sat down to it with great determination. It was
|
|
necessary to count all the stitches in that work, and I resolved to
|
|
go on with it until I couldn't keep my eyes open, and then to go to
|
|
bed.
|
|
|
|
I soon found myself very busy. But I had left some silk downstairs in
|
|
a work-table drawer in the temporary growlery, and coming to a stop
|
|
for want of it, I took my candle and went softly down to get it. To
|
|
my great surprise, on going in I found my guardian still there, and
|
|
sitting looking at the ashes. He was lost in thought, his book lay
|
|
unheeded by his side, his silvered iron-grey hair was scattered
|
|
confusedly upon his forehead as though his hand had been wandering
|
|
among it while his thoughts were elsewhere, and his face looked worn.
|
|
Almost frightened by coming upon him so unexpectedly, I stood still
|
|
for a moment and should have retired without speaking had he not, in
|
|
again passing his hand abstractedly through his hair, seen me and
|
|
started.
|
|
|
|
"Esther!"
|
|
|
|
I told him what I had come for.
|
|
|
|
"At work so late, my dear?"
|
|
|
|
"I am working late to-night," said I, "because I couldn't sleep and
|
|
wished to tire myself. But, dear guardian, you are late too, and look
|
|
weary. You have no trouble, I hope, to keep you waking?"
|
|
|
|
"None, little woman, that YOU would readily understand," said he.
|
|
|
|
He spoke in a regretful tone so new to me that I inwardly repeated,
|
|
as if that would help me to his meaning, "That I could readily
|
|
understand!"
|
|
|
|
"Remain a moment, Esther," said he, "You were in my thoughts."
|
|
|
|
"I hope I was not the trouble, guardian?"
|
|
|
|
He slightly waved his hand and fell into his usual manner. The change
|
|
was so remarkable, and he appeared to make it by dint of so much
|
|
self-command, that I found myself again inwardly repeating, "None
|
|
that I could understand!"
|
|
|
|
"Little woman," said my guardian, "I was thinking--that is, I have
|
|
been thinking since I have been sitting here--that you ought to know
|
|
of your own history all I know. It is very little. Next to nothing."
|
|
|
|
"Dear guardian," I replied, "when you spoke to me before on that
|
|
subject--"
|
|
|
|
"But since then," he gravely interposed, anticipating what I meant to
|
|
say, "I have reflected that your having anything to ask me, and my
|
|
having anything to tell you, are different considerations, Esther. It
|
|
is perhaps my duty to impart to you the little I know."
|
|
|
|
"If you think so, guardian, it is right."
|
|
|
|
"I think so," he returned very gently, and kindly, and very
|
|
distinctly. "My dear, I think so now. If any real disadvantage can
|
|
attach to your position in the mind of any man or woman worth a
|
|
thought, it is right that you at least of all the world should not
|
|
magnify it to yourself by having vague impressions of its nature."
|
|
|
|
I sat down and said after a little effort to be as calm as I ought to
|
|
be, "One of my earliest remembrances, guardian, is of these words:
|
|
'Your mother, Esther, is your disgrace, and you were hers. The time
|
|
will come, and soon enough, when you will understand this better, and
|
|
will feel it too, as no one save a woman can.'" I had covered my face
|
|
with my hands in repeating the words, but I took them away now with a
|
|
better kind of shame, I hope, and told him that to him I owed the
|
|
blessing that I had from my childhood to that hour never, never,
|
|
never felt it. He put up his hand as if to stop me. I well knew that
|
|
he was never to be thanked, and said no more.
|
|
|
|
"Nine years, my dear," he said after thinking for a little while,
|
|
"have passed since I received a letter from a lady living in
|
|
seclusion, written with a stern passion and power that rendered it
|
|
unlike all other letters I have ever read. It was written to me (as
|
|
it told me in so many words), perhaps because it was the writer's
|
|
idiosyncrasy to put that trust in me, perhaps because it was mine to
|
|
justify it. It told me of a child, an orphan girl then twelve years
|
|
old, in some such cruel words as those which live in your
|
|
remembrance. It told me that the writer had bred her in secrecy from
|
|
her birth, had blotted out all trace of her existence, and that if
|
|
the writer were to die before the child became a woman, she would be
|
|
left entirely friendless, nameless, and unknown. It asked me to
|
|
consider if I would, in that case, finish what the writer had begun."
|
|
|
|
I listened in silence and looked attentively at him.
|
|
|
|
"Your early recollection, my dear, will supply the gloomy medium
|
|
through which all this was seen and expressed by the writer, and the
|
|
distorted religion which clouded her mind with impressions of the
|
|
need there was for the child to expiate an offence of which she was
|
|
quite innocent. I felt concerned for the little creature, in her
|
|
darkened life, and replied to the letter."
|
|
|
|
I took his hand and kissed it.
|
|
|
|
"It laid the injunction on me that I should never propose to see the
|
|
writer, who had long been estranged from all intercourse with the
|
|
world, but who would see a confidential agent if I would appoint one.
|
|
I accredited Mr. Kenge. The lady said, of her own accord and not of
|
|
his seeking, that her name was an assumed one. That she was, if there
|
|
were any ties of blood in such a case, the child's aunt. That more
|
|
than this she would never (and he was well persuaded of the
|
|
steadfastness of her resolution) for any human consideration
|
|
disclose. My dear, I have told you all."
|
|
|
|
I held his hand for a little while in mine.
|
|
|
|
"I saw my ward oftener than she saw me," he added, cheerily making
|
|
light of it, "and I always knew she was beloved, useful, and happy.
|
|
She repays me twenty-thousandfold, and twenty more to that, every
|
|
hour in every day!"
|
|
|
|
"And oftener still," said I, "she blesses the guardian who is a
|
|
father to her!"
|
|
|
|
At the word father, I saw his former trouble come into his face. He
|
|
subdued it as before, and it was gone in an instant; but it had been
|
|
there and it had come so swiftly upon my words that I felt as if they
|
|
had given him a shock. I again inwardly repeated, wondering, "That I
|
|
could readily understand. None that I could readily understand!" No,
|
|
it was true. I did not understand it. Not for many and many a day.
|
|
|
|
"Take a fatherly good night, my dear," said he, kissing me on the
|
|
forehead, "and so to rest. These are late hours for working and
|
|
thinking. You do that for all of us, all day long, little
|
|
housekeeper!"
|
|
|
|
I neither worked nor thought any more that night. I opened my
|
|
grateful heart to heaven in thankfulness for its providence to me and
|
|
its care of me, and fell asleep.
|
|
|
|
We had a visitor next day. Mr. Allan Woodcourt came. He came to take
|
|
leave of us; he had settled to do so beforehand. He was going to
|
|
China and to India as a surgeon on board ship. He was to be away a
|
|
long, long time.
|
|
|
|
I believe--at least I know--that he was not rich. All his widowed
|
|
mother could spare had been spent in qualifying him for his
|
|
profession. It was not lucrative to a young practitioner, with very
|
|
little influence in London; and although he was, night and day, at
|
|
the service of numbers of poor people and did wonders of gentleness
|
|
and skill for them, he gained very little by it in money. He was
|
|
seven years older than I. Not that I need mention it, for it hardly
|
|
seems to belong to anything.
|
|
|
|
I think--I mean, he told us--that he had been in practice three or
|
|
four years and that if he could have hoped to contend through three
|
|
or four more, he would not have made the voyage on which he was
|
|
bound. But he had no fortune or private means, and so he was going
|
|
away. He had been to see us several times altogether. We thought it a
|
|
pity he should go away. Because he was distinguished in his art among
|
|
those who knew it best, and some of the greatest men belonging to it
|
|
had a high opinion of him.
|
|
|
|
When he came to bid us good-bye, he brought his mother with him for
|
|
the first time. She was a pretty old lady, with bright black eyes,
|
|
but she seemed proud. She came from Wales and had had, a long time
|
|
ago, an eminent person for an ancestor, of the name of Morgan
|
|
ap-Kerrig--of some place that sounded like Gimlet--who was the most
|
|
illustrious person that ever was known and all of whose relations
|
|
were a sort of royal family. He appeared to have passed his life
|
|
in always getting up into mountains and fighting somebody; and
|
|
a bard whose name sounded like Crumlinwallinwer had sung his
|
|
praises in a piece which was called, as nearly as I could catch it,
|
|
Mewlinnwillinwodd.
|
|
|
|
Mrs. Woodcourt, after expatiating to us on the fame of her great
|
|
kinsman, said that no doubt wherever her son Allan went he would
|
|
remember his pedigree and would on no account form an alliance below
|
|
it. She told him that there were many handsome English ladies in
|
|
India who went out on speculation, and that there were some to be
|
|
picked up with property, but that neither charms nor wealth would
|
|
suffice for the descendant from such a line without birth, which must
|
|
ever be the first consideration. She talked so much about birth that
|
|
for a moment I half fancied, and with pain--But what an idle fancy to
|
|
suppose that she could think or care what MINE was!
|
|
|
|
Mr. Woodcourt seemed a little distressed by her prolixity, but he was
|
|
too considerate to let her see it and contrived delicately to bring
|
|
the conversation round to making his acknowledgments to my guardian
|
|
for his hospitality and for the very happy hours--he called them the
|
|
very happy hours--he had passed with us. The recollection of them, he
|
|
said, would go with him wherever he went and would be always
|
|
treasured. And so we gave him our hands, one after another--at least,
|
|
they did--and I did; and so he put his lips to Ada's hand--and to
|
|
mine; and so he went away upon his long, long voyage!
|
|
|
|
I was very busy indeed all day and wrote directions home to the
|
|
servants, and wrote notes for my guardian, and dusted his books and
|
|
papers, and jingled my housekeeping keys a good deal, one way and
|
|
another. I was still busy between the lights, singing and working by
|
|
the window, when who should come in but Caddy, whom I had no
|
|
expectation of seeing!
|
|
|
|
"Why, Caddy, my dear," said I, "what beautiful flowers!"
|
|
|
|
She had such an exquisite little nosegay in her hand.
|
|
|
|
"Indeed, I think so, Esther," replied Caddy. "They are the loveliest
|
|
I ever saw."
|
|
|
|
"Prince, my dear?" said I in a whisper.
|
|
|
|
"No," answered Caddy, shaking her head and holding them to me to
|
|
smell. "Not Prince."
|
|
|
|
"Well, to be sure, Caddy!" said I. "You must have two lovers!"
|
|
|
|
"What? Do they look like that sort of thing?" said Caddy.
|
|
|
|
"Do they look like that sort of thing?" I repeated, pinching her
|
|
cheek.
|
|
|
|
Caddy only laughed in return, and telling me that she had come for
|
|
half an hour, at the expiration of which time Prince would be waiting
|
|
for her at the corner, sat chatting with me and Ada in the window,
|
|
every now and then handing me the flowers again or trying how they
|
|
looked against my hair. At last, when she was going, she took me into
|
|
my room and put them in my dress.
|
|
|
|
"For me?" said I, surprised.
|
|
|
|
"For you," said Caddy with a kiss. "They were left behind by
|
|
somebody."
|
|
|
|
"Left behind?"
|
|
|
|
"At poor Miss Flite's," said Caddy. "Somebody who has been very good
|
|
to her was hurrying away an hour ago to join a ship and left these
|
|
flowers behind. No, no! Don't take them out. Let the pretty little
|
|
things lie here," said Caddy, adjusting them with a careful hand,
|
|
"because I was present myself, and I shouldn't wonder if somebody
|
|
left them on purpose!"
|
|
|
|
"Do they look like that sort of thing?" said Ada, coming laughingly
|
|
behind me and clasping me merrily round the waist. "Oh, yes, indeed
|
|
they do, Dame Durden! They look very, very like that sort of thing.
|
|
Oh, very like it indeed, my dear!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XVIII
|
|
|
|
Lady Dedlock
|
|
|
|
|
|
It was not so easy as it had appeared at first to arrange for
|
|
Richard's making a trial of Mr. Kenge's office. Richard himself was
|
|
the chief impediment. As soon as he had it in his power to leave Mr.
|
|
Badger at any moment, he began to doubt whether he wanted to leave
|
|
him at all. He didn't know, he said, really. It wasn't a bad
|
|
profession; he couldn't assert that he disliked it; perhaps he liked
|
|
it as well as he liked any other--suppose he gave it one more chance!
|
|
Upon that, he shut himself up for a few weeks with some books and
|
|
some bones and seemed to acquire a considerable fund of information
|
|
with great rapidity. His fervour, after lasting about a month, began
|
|
to cool, and when it was quite cooled, began to grow warm again. His
|
|
vacillations between law and medicine lasted so long that midsummer
|
|
arrived before he finally separated from Mr. Badger and entered on an
|
|
experimental course of Messrs. Kenge and Carboy. For all his
|
|
waywardness, he took great credit to himself as being determined to
|
|
be in earnest "this time." And he was so good-natured throughout, and
|
|
in such high spirits, and so fond of Ada, that it was very difficult
|
|
indeed to be otherwise than pleased with him.
|
|
|
|
"As to Mr. Jarndyce," who, I may mention, found the wind much given,
|
|
during this period, to stick in the east; "As to Mr. Jarndyce,"
|
|
Richard would say to me, "he is the finest fellow in the world,
|
|
Esther! I must be particularly careful, if it were only for his
|
|
satisfaction, to take myself well to task and have a regular wind-up
|
|
of this business now."
|
|
|
|
The idea of his taking himself well to task, with that laughing face
|
|
and heedless manner and with a fancy that everything could catch and
|
|
nothing could hold, was ludicrously anomalous. However, he told us
|
|
between-whiles that he was doing it to such an extent that he
|
|
wondered his hair didn't turn grey. His regular wind-up of the
|
|
business was (as I have said) that he went to Mr. Kenge's about
|
|
midsummer to try how he liked it.
|
|
|
|
All this time he was, in money affairs, what I have described him in
|
|
a former illustration--generous, profuse, wildly careless, but fully
|
|
persuaded that he was rather calculating and prudent. I happened to
|
|
say to Ada, in his presence, half jestingly, half seriously, about
|
|
the time of his going to Mr. Kenge's, that he needed to have
|
|
Fortunatus' purse, he made so light of money, which he answered in
|
|
this way, "My jewel of a dear cousin, you hear this old woman! Why
|
|
does she say that? Because I gave eight pounds odd (or whatever it
|
|
was) for a certain neat waistcoat and buttons a few days ago. Now, if
|
|
I had stayed at Badger's I should have been obliged to spend twelve
|
|
pounds at a blow for some heart-breaking lecture-fees. So I make four
|
|
pounds--in a lump--by the transaction!"
|
|
|
|
It was a question much discussed between him and my guardian what
|
|
arrangements should be made for his living in London while he
|
|
experimented on the law, for we had long since gone back to Bleak
|
|
House, and it was too far off to admit of his coming there oftener
|
|
than once a week. My guardian told me that if Richard were to settle
|
|
down at Mr. Kenge's he would take some apartments or chambers where
|
|
we too could occasionally stay for a few days at a time; "but, little
|
|
woman," he added, rubbing his head very significantly, "he hasn't
|
|
settled down there yet!" The discussions ended in our hiring for him,
|
|
by the month, a neat little furnished lodging in a quiet old house
|
|
near Queen Square. He immediately began to spend all the money he had
|
|
in buying the oddest little ornaments and luxuries for this lodging;
|
|
and so often as Ada and I dissuaded him from making any purchase that
|
|
he had in contemplation which was particularly unnecessary and
|
|
expensive, he took credit for what it would have cost and made out
|
|
that to spend anything less on something else was to save the
|
|
difference.
|
|
|
|
While these affairs were in abeyance, our visit to Mr. Boythorn's was
|
|
postponed. At length, Richard having taken possession of his lodging,
|
|
there was nothing to prevent our departure. He could have gone with
|
|
us at that time of the year very well, but he was in the full novelty
|
|
of his new position and was making most energetic attempts to unravel
|
|
the mysteries of the fatal suit. Consequently we went without him,
|
|
and my darling was delighted to praise him for being so busy.
|
|
|
|
We made a pleasant journey down into Lincolnshire by the coach and
|
|
had an entertaining companion in Mr. Skimpole. His furniture had been
|
|
all cleared off, it appeared, by the person who took possession of it
|
|
on his blue-eyed daughter's birthday, but he seemed quite relieved to
|
|
think that it was gone. Chairs and table, he said, were wearisome
|
|
objects; they were monotonous ideas, they had no variety of
|
|
expression, they looked you out of countenance, and you looked them
|
|
out of countenance. How pleasant, then, to be bound to no particular
|
|
chairs and tables, but to sport like a butterfly among all the
|
|
furniture on hire, and to flit from rosewood to mahogany, and from
|
|
mahogany to walnut, and from this shape to that, as the humour took
|
|
one!
|
|
|
|
"The oddity of the thing is," said Mr. Skimpole with a quickened
|
|
sense of the ludicrous, "that my chairs and tables were not paid for,
|
|
and yet my landlord walks off with them as composedly as possible.
|
|
Now, that seems droll! There is something grotesque in it. The chair
|
|
and table merchant never engaged to pay my landlord my rent. Why
|
|
should my landlord quarrel with HIM? If I have a pimple on my nose
|
|
which is disagreeable to my landlord's peculiar ideas of beauty, my
|
|
landlord has no business to scratch my chair and table merchant's
|
|
nose, which has no pimple on it. His reasoning seems defective!"
|
|
|
|
"Well," said my guardian good-humouredly, "it's pretty clear that
|
|
whoever became security for those chairs and tables will have to pay
|
|
for them."
|
|
|
|
"Exactly!" returned Mr. Skimpole. "That's the crowning point of
|
|
unreason in the business! I said to my landlord, 'My good man, you
|
|
are not aware that my excellent friend Jarndyce will have to pay for
|
|
those things that you are sweeping off in that indelicate manner.
|
|
Have you no consideration for HIS property?' He hadn't the least."
|
|
|
|
"And refused all proposals," said my guardian.
|
|
|
|
"Refused all proposals," returned Mr. Skimpole. "I made him business
|
|
proposals. I had him into my room. I said, 'You are a man of
|
|
business, I believe?' He replied, 'I am,' 'Very well,' said I, 'now
|
|
let us be business-like. Here is an inkstand, here are pens and
|
|
paper, here are wafers. What do you want? I have occupied your house
|
|
for a considerable period, I believe to our mutual satisfaction until
|
|
this unpleasant misunderstanding arose; let us be at once friendly
|
|
and business-like. What do you want?' In reply to this, he made use
|
|
of the figurative expression--which has something Eastern about
|
|
it--that he had never seen the colour of my money. 'My amiable
|
|
friend,' said I, 'I never have any money. I never know anything about
|
|
money.' 'Well, sir,' said he, 'what do you offer if I give you time?'
|
|
'My good fellow,' said I, 'I have no idea of time; but you say you
|
|
are a man of business, and whatever you can suggest to be done in a
|
|
business-like way with pen, and ink, and paper--and wafers--I am
|
|
ready to do. Don't pay yourself at another man's expense (which is
|
|
foolish), but be business-like!' However, he wouldn't be, and there
|
|
was an end of it."
|
|
|
|
If these were some of the inconveniences of Mr. Skimpole's childhood,
|
|
it assuredly possessed its advantages too. On the journey he had a
|
|
very good appetite for such refreshment as came in our way (including
|
|
a basket of choice hothouse peaches), but never thought of paying for
|
|
anything. So when the coachman came round for his fee, he pleasantly
|
|
asked him what he considered a very good fee indeed, now--a liberal
|
|
one--and on his replying half a crown for a single passenger, said it
|
|
was little enough too, all things considered, and left Mr. Jarndyce
|
|
to give it him.
|
|
|
|
It was delightful weather. The green corn waved so beautifully, the
|
|
larks sang so joyfully, the hedges were so full of wild flowers, the
|
|
trees were so thickly out in leaf, the bean-fields, with a light wind
|
|
blowing over them, filled the air with such a delicious fragrance!
|
|
Late in the afternoon we came to the market-town where we were to
|
|
alight from the coach--a dull little town with a church-spire, and a
|
|
marketplace, and a market-cross, and one intensely sunny street, and
|
|
a pond with an old horse cooling his legs in it, and a very few men
|
|
sleepily lying and standing about in narrow little bits of shade.
|
|
After the rustling of the leaves and the waving of the corn all along
|
|
the road, it looked as still, as hot, as motionless a little town as
|
|
England could produce.
|
|
|
|
At the inn we found Mr. Boythorn on horseback, waiting with an open
|
|
carriage to take us to his house, which was a few miles off. He was
|
|
overjoyed to see us and dismounted with great alacrity.
|
|
|
|
"By heaven!" said he after giving us a courteous greeting. "This a
|
|
most infamous coach. It is the most flagrant example of an abominable
|
|
public vehicle that ever encumbered the face of the earth. It is
|
|
twenty-five minutes after its time this afternoon. The coachman ought
|
|
to be put to death!"
|
|
|
|
"IS he after his time?" said Mr. Skimpole, to whom he happened to
|
|
address himself. "You know my infirmity."
|
|
|
|
"Twenty-five minutes! Twenty-six minutes!" replied Mr. Boythorn,
|
|
referring to his watch. "With two ladies in the coach, this scoundrel
|
|
has deliberately delayed his arrival six and twenty minutes.
|
|
Deliberately! It is impossible that it can be accidental! But his
|
|
father--and his uncle--were the most profligate coachmen that ever
|
|
sat upon a box."
|
|
|
|
While he said this in tones of the greatest indignation, he handed us
|
|
into the little phaeton with the utmost gentleness and was all smiles
|
|
and pleasure.
|
|
|
|
"I am sorry, ladies," he said, standing bare-headed at the
|
|
carriage-door when all was ready, "that I am obliged to conduct you
|
|
nearly two miles out of the way. But our direct road lies through Sir
|
|
Leicester Dedlock's park, and in that fellow's property I have sworn
|
|
never to set foot of mine, or horse's foot of mine, pending the
|
|
present relations between us, while I breathe the breath of life!"
|
|
And here, catching my guardian's eye, he broke into one of his
|
|
tremendous laughs, which seemed to shake even the motionless little
|
|
market-town.
|
|
|
|
"Are the Dedlocks down here, Lawrence?" said my guardian as we drove
|
|
along and Mr. Boythorn trotted on the green turf by the roadside.
|
|
|
|
"Sir Arrogant Numskull is here," replied Mr. Boythorn. "Ha ha ha! Sir
|
|
Arrogant is here, and I am glad to say, has been laid by the heels
|
|
here. My Lady," in naming whom he always made a courtly gesture as if
|
|
particularly to exclude her from any part in the quarrel, "is
|
|
expected, I believe, daily. I am not in the least surprised that she
|
|
postpones her appearance as long as possible. Whatever can have
|
|
induced that transcendent woman to marry that effigy and figure-head
|
|
of a baronet is one of the most impenetrable mysteries that ever
|
|
baffled human inquiry. Ha ha ha ha!"
|
|
|
|
"I suppose," said my guardian, laughing, "WE may set foot in the park
|
|
while we are here? The prohibition does not extend to us, does it?"
|
|
|
|
"I can lay no prohibition on my guests," he said, bending his head to
|
|
Ada and me with the smiling politeness which sat so gracefully upon
|
|
him, "except in the matter of their departure. I am only sorry that I
|
|
cannot have the happiness of being their escort about Chesney Wold,
|
|
which is a very fine place! But by the light of this summer day,
|
|
Jarndyce, if you call upon the owner while you stay with me, you are
|
|
likely to have but a cool reception. He carries himself like an
|
|
eight-day clock at all times, like one of a race of eight-day clocks
|
|
in gorgeous cases that never go and never went--Ha ha ha!--but he
|
|
will have some extra stiffness, I can promise you, for the friends of
|
|
his friend and neighbour Boythorn!"
|
|
|
|
"I shall not put him to the proof," said my guardian. "He is as
|
|
indifferent to the honour of knowing me, I dare say, as I am to the
|
|
honour of knowing him. The air of the grounds and perhaps such a view
|
|
of the house as any other sightseer might get are quite enough for
|
|
me."
|
|
|
|
"Well!" said Mr. Boythorn. "I am glad of it on the whole. It's in
|
|
better keeping. I am looked upon about here as a second Ajax defying
|
|
the lightning. Ha ha ha ha! When I go into our little church on a
|
|
Sunday, a considerable part of the inconsiderable congregation expect
|
|
to see me drop, scorched and withered, on the pavement under the
|
|
Dedlock displeasure. Ha ha ha ha! I have no doubt he is surprised
|
|
that I don't. For he is, by heaven, the most self-satisfied, and the
|
|
shallowest, and the most coxcombical and utterly brainless ass!"
|
|
|
|
Our coming to the ridge of a hill we had been ascending enabled our
|
|
friend to point out Chesney Wold itself to us and diverted his
|
|
attention from its master.
|
|
|
|
It was a picturesque old house in a fine park richly wooded. Among
|
|
the trees and not far from the residence he pointed out the spire of
|
|
the little church of which he had spoken. Oh, the solemn woods over
|
|
which the light and shadow travelled swiftly, as if heavenly wings
|
|
were sweeping on benignant errands through the summer air; the smooth
|
|
green slopes, the glittering water, the garden where the flowers were
|
|
so symmetrically arranged in clusters of the richest colours, how
|
|
beautiful they looked! The house, with gable and chimney, and tower,
|
|
and turret, and dark doorway, and broad terrace-walk, twining among
|
|
the balustrades of which, and lying heaped upon the vases, there was
|
|
one great flush of roses, seemed scarcely real in its light solidity
|
|
and in the serene and peaceful hush that rested on all around it. To
|
|
Ada and to me, that above all appeared the pervading influence. On
|
|
everything, house, garden, terrace, green slopes, water, old oaks,
|
|
fern, moss, woods again, and far away across the openings in the
|
|
prospect to the distance lying wide before us with a purple bloom
|
|
upon it, there seemed to be such undisturbed repose.
|
|
|
|
When we came into the little village and passed a small inn with the
|
|
sign of the Dedlock Arms swinging over the road in front, Mr.
|
|
Boythorn interchanged greetings with a young gentleman sitting on a
|
|
bench outside the inn-door who had some fishing-tackle lying beside
|
|
him.
|
|
|
|
"That's the housekeeper's grandson, Mr. Rouncewell by name," said,
|
|
he, "and he is in love with a pretty girl up at the house. Lady
|
|
Dedlock has taken a fancy to the pretty girl and is going to keep her
|
|
about her own fair person--an honour which my young friend himself
|
|
does not at all appreciate. However, he can't marry just yet, even if
|
|
his Rosebud were willing; so he is fain to make the best of it. In
|
|
the meanwhile, he comes here pretty often for a day or two at a time
|
|
to--fish. Ha ha ha ha!"
|
|
|
|
"Are he and the pretty girl engaged, Mr. Boythorn?" asked Ada.
|
|
|
|
"Why, my dear Miss Clare," he returned, "I think they may perhaps
|
|
understand each other; but you will see them soon, I dare say, and I
|
|
must learn from you on such a point--not you from me."
|
|
|
|
Ada blushed, and Mr. Boythorn, trotting forward on his comely grey
|
|
horse, dismounted at his own door and stood ready with extended arm
|
|
and uncovered head to welcome us when we arrived.
|
|
|
|
He lived in a pretty house, formerly the parsonage house, with a lawn
|
|
in front, a bright flower-garden at the side, and a well-stocked
|
|
orchard and kitchen-garden in the rear, enclosed with a venerable
|
|
wall that had of itself a ripened ruddy look. But, indeed, everything
|
|
about the place wore an aspect of maturity and abundance. The old
|
|
lime-tree walk was like green cloisters, the very shadows of the
|
|
cherry-trees and apple-trees were heavy with fruit, the
|
|
gooseberry-bushes were so laden that their branches arched and rested
|
|
on the earth, the strawberries and raspberries grew in like
|
|
profusion, and the peaches basked by the hundred on the wall. Tumbled
|
|
about among the spread nets and the glass frames sparkling and
|
|
winking in the sun there were such heaps of drooping pods, and
|
|
marrows, and cucumbers, that every foot of ground appeared a
|
|
vegetable treasury, while the smell of sweet herbs and all kinds of
|
|
wholesome growth (to say nothing of the neighbouring meadows where
|
|
the hay was carrying) made the whole air a great nosegay. Such
|
|
stillness and composure reigned within the orderly precincts of the
|
|
old red wall that even the feathers hung in garlands to scare the
|
|
birds hardly stirred; and the wall had such a ripening influence that
|
|
where, here and there high up, a disused nail and scrap of list still
|
|
clung to it, it was easy to fancy that they had mellowed with the
|
|
changing seasons and that they had rusted and decayed according to
|
|
the common fate.
|
|
|
|
The house, though a little disorderly in comparison with the garden,
|
|
was a real old house with settles in the chimney of the brick-floored
|
|
kitchen and great beams across the ceilings. On one side of it was
|
|
the terrible piece of ground in dispute, where Mr. Boythorn
|
|
maintained a sentry in a smock-frock day and night, whose duty was
|
|
supposed to be, in cases of aggression, immediately to ring a large
|
|
bell hung up there for the purpose, to unchain a great bull-dog
|
|
established in a kennel as his ally, and generally to deal
|
|
destruction on the enemy. Not content with these precautions, Mr.
|
|
Boythorn had himself composed and posted there, on painted boards to
|
|
which his name was attached in large letters, the following solemn
|
|
warnings: "Beware of the bull-dog. He is most ferocious. Lawrence
|
|
Boythorn." "The blunderbus is loaded with slugs. Lawrence Boythorn."
|
|
"Man-traps and spring-guns are set here at all times of the day and
|
|
night. Lawrence Boythorn." "Take notice. That any person or persons
|
|
audaciously presuming to trespass on this property will be punished
|
|
with the utmost severity of private chastisement and prosecuted with
|
|
the utmost rigour of the law. Lawrence Boythorn." These he showed us
|
|
from the drawing-room window, while his bird was hopping about his
|
|
head, and he laughed, "Ha ha ha ha! Ha ha ha ha!" to that extent as
|
|
he pointed them out that I really thought he would have hurt himself.
|
|
|
|
"But this is taking a good deal of trouble," said Mr. Skimpole in his
|
|
light way, "when you are not in earnest after all."
|
|
|
|
"Not in earnest!" returned Mr. Boythorn with unspeakable warmth. "Not
|
|
in earnest! If I could have hoped to train him, I would have bought a
|
|
lion instead of that dog and would have turned him loose upon the
|
|
first intolerable robber who should dare to make an encroachment on
|
|
my rights. Let Sir Leicester Dedlock consent to come out and decide
|
|
this question by single combat, and I will meet him with any weapon
|
|
known to mankind in any age or country. I am that much in earnest.
|
|
Not more!"
|
|
|
|
We arrived at his house on a Saturday. On the Sunday morning we all
|
|
set forth to walk to the little church in the park. Entering the
|
|
park, almost immediately by the disputed ground, we pursued a
|
|
pleasant footpath winding among the verdant turf and the beautiful
|
|
trees until it brought us to the church-porch.
|
|
|
|
The congregation was extremely small and quite a rustic one with the
|
|
exception of a large muster of servants from the house, some of whom
|
|
were already in their seats, while others were yet dropping in. There
|
|
were some stately footmen, and there was a perfect picture of an old
|
|
coachman, who looked as if he were the official representative of all
|
|
the pomps and vanities that had ever been put into his coach. There
|
|
was a very pretty show of young women, and above them, the handsome
|
|
old face and fine responsible portly figure of the housekeeper
|
|
towered pre-eminent. The pretty girl of whom Mr. Boythorn had told us
|
|
was close by her. She was so very pretty that I might have known her
|
|
by her beauty even if I had not seen how blushingly conscious she was
|
|
of the eyes of the young fisherman, whom I discovered not far off.
|
|
One face, and not an agreeable one, though it was handsome, seemed
|
|
maliciously watchful of this pretty girl, and indeed of every one and
|
|
everything there. It was a Frenchwoman's.
|
|
|
|
As the bell was yet ringing and the great people were not yet come, I
|
|
had leisure to glance over the church, which smelt as earthy as a
|
|
grave, and to think what a shady, ancient, solemn little church it
|
|
was. The windows, heavily shaded by trees, admitted a subdued light
|
|
that made the faces around me pale, and darkened the old brasses in
|
|
the pavement and the time and damp-worn monuments, and rendered the
|
|
sunshine in the little porch, where a monotonous ringer was working
|
|
at the bell, inestimably bright. But a stir in that direction, a
|
|
gathering of reverential awe in the rustic faces, and a blandly
|
|
ferocious assumption on the part of Mr. Boythorn of being resolutely
|
|
unconscious of somebody's existence forewarned me that the great
|
|
people were come and that the service was going to begin.
|
|
|
|
"'Enter not into judgment with thy servant, O Lord, for in thy
|
|
sight--'"
|
|
|
|
Shall I ever forget the rapid beating at my heart, occasioned by the
|
|
look I met as I stood up! Shall I ever forget the manner in which
|
|
those handsome proud eyes seemed to spring out of their languor and
|
|
to hold mine! It was only a moment before I cast mine down--released
|
|
again, if I may say so--on my book; but I knew the beautiful face
|
|
quite well in that short space of time.
|
|
|
|
And, very strangely, there was something quickened within me,
|
|
associated with the lonely days at my godmother's; yes, away even to
|
|
the days when I had stood on tiptoe to dress myself at my little
|
|
glass after dressing my doll. And this, although I had never seen
|
|
this lady's face before in all my life--I was quite sure of
|
|
it--absolutely certain.
|
|
|
|
It was easy to know that the ceremonious, gouty, grey-haired
|
|
gentleman, the only other occupant of the great pew, was Sir
|
|
Leicester Dedlock, and that the lady was Lady Dedlock. But why her
|
|
face should be, in a confused way, like a broken glass to me, in
|
|
which I saw scraps of old remembrances, and why I should be so
|
|
fluttered and troubled (for I was still) by having casually met her
|
|
eyes, I could not think.
|
|
|
|
I felt it to be an unmeaning weakness in me and tried to overcome it
|
|
by attending to the words I heard. Then, very strangely, I seemed to
|
|
hear them, not in the reader's voice, but in the well-remembered
|
|
voice of my godmother. This made me think, did Lady Dedlock's face
|
|
accidentally resemble my godmother's? It might be that it did, a
|
|
little; but the expression was so different, and the stern decision
|
|
which had worn into my godmother's face, like weather into rocks, was
|
|
so completely wanting in the face before me that it could not be that
|
|
resemblance which had struck me. Neither did I know the loftiness and
|
|
haughtiness of Lady Dedlock's face, at all, in any one. And yet I--I,
|
|
little Esther Summerson, the child who lived a life apart and on
|
|
whose birthday there was no rejoicing--seemed to arise before my own
|
|
eyes, evoked out of the past by some power in this fashionable lady,
|
|
whom I not only entertained no fancy that I had ever seen, but whom I
|
|
perfectly well knew I had never seen until that hour.
|
|
|
|
It made me tremble so to be thrown into this unaccountable agitation
|
|
that I was conscious of being distressed even by the observation of
|
|
the French maid, though I knew she had been looking watchfully here,
|
|
and there, and everywhere, from the moment of her coming into the
|
|
church. By degrees, though very slowly, I at last overcame my strange
|
|
emotion. After a long time, I looked towards Lady Dedlock again. It
|
|
was while they were preparing to sing, before the sermon. She took no
|
|
heed of me, and the beating at my heart was gone. Neither did it
|
|
revive for more than a few moments when she once or twice afterwards
|
|
glanced at Ada or at me through her glass.
|
|
|
|
The service being concluded, Sir Leicester gave his arm with much
|
|
taste and gallantry to Lady Dedlock--though he was obliged to walk by
|
|
the help of a thick stick--and escorted her out of church to the pony
|
|
carriage in which they had come. The servants then dispersed, and so
|
|
did the congregation, whom Sir Leicester had contemplated all along
|
|
(Mr. Skimpole said to Mr. Boythorn's infinite delight) as if he were
|
|
a considerable landed proprietor in heaven.
|
|
|
|
"He believes he is!" said Mr. Boythorn. "He firmly believes it. So
|
|
did his father, and his grandfather, and his great-grandfather!"
|
|
|
|
"Do you know," pursued Mr. Skimpole very unexpectedly to Mr.
|
|
Boythorn, "it's agreeable to me to see a man of that sort."
|
|
|
|
"IS it!" said Mr. Boythorn.
|
|
|
|
"Say that he wants to patronize me," pursued Mr. Skimpole. "Very
|
|
well! I don't object."
|
|
|
|
"I do," said Mr. Boythorn with great vigour.
|
|
|
|
"Do you really?" returned Mr. Skimpole in his easy light vein. "But
|
|
that's taking trouble, surely. And why should you take trouble? Here
|
|
am I, content to receive things childishly as they fall out, and I
|
|
never take trouble! I come down here, for instance, and I find a
|
|
mighty potentate exacting homage. Very well! I say 'Mighty potentate,
|
|
here IS my homage! It's easier to give it than to withhold it. Here
|
|
it is. If you have anything of an agreeable nature to show me, I
|
|
shall be happy to see it; if you have anything of an agreeable nature
|
|
to give me, I shall be happy to accept it.' Mighty potentate replies
|
|
in effect, 'This is a sensible fellow. I find him accord with my
|
|
digestion and my bilious system. He doesn't impose upon me the
|
|
necessity of rolling myself up like a hedgehog with my points
|
|
outward. I expand, I open, I turn my silver lining outward like
|
|
Milton's cloud, and it's more agreeable to both of us.' That's my
|
|
view of such things, speaking as a child!"
|
|
|
|
"But suppose you went down somewhere else to-morrow," said Mr.
|
|
Boythorn, "where there was the opposite of that fellow--or of this
|
|
fellow. How then?"
|
|
|
|
"How then?" said Mr. Skimpole with an appearance of the utmost
|
|
simplicity and candour. "Just the same then! I should say, 'My
|
|
esteemed Boythorn'--to make you the personification of our imaginary
|
|
friend--'my esteemed Boythorn, you object to the mighty potentate?
|
|
Very good. So do I. I take it that my business in the social system
|
|
is to be agreeable; I take it that everybody's business in the social
|
|
system is to be agreeable. It's a system of harmony, in short.
|
|
Therefore if you object, I object. Now, excellent Boythorn, let us go
|
|
to dinner!'"
|
|
|
|
"But excellent Boythorn might say," returned our host, swelling and
|
|
growing very red, "I'll be--"
|
|
|
|
"I understand," said Mr. Skimpole. "Very likely he would."
|
|
|
|
"--if I WILL go to dinner!" cried Mr. Boythorn in a violent burst and
|
|
stopping to strike his stick upon the ground. "And he would probably
|
|
add, 'Is there such a thing as principle, Mr. Harold Skimpole?'"
|
|
|
|
"To which Harold Skimpole would reply, you know," he returned in his
|
|
gayest manner and with his most ingenuous smile, "'Upon my life I
|
|
have not the least idea! I don't know what it is you call by that
|
|
name, or where it is, or who possesses it. If you possess it and find
|
|
it comfortable, I am quite delighted and congratulate you heartily.
|
|
But I know nothing about it, I assure you; for I am a mere child, and
|
|
I lay no claim to it, and I don't want it!' So, you see, excellent
|
|
Boythorn and I would go to dinner after all!"
|
|
|
|
This was one of many little dialogues between them which I always
|
|
expected to end, and which I dare say would have ended under other
|
|
circumstances, in some violent explosion on the part of our host. But
|
|
he had so high a sense of his hospitable and responsible position as
|
|
our entertainer, and my guardian laughed so sincerely at and with Mr.
|
|
Skimpole, as a child who blew bubbles and broke them all day long,
|
|
that matters never went beyond this point. Mr. Skimpole, who always
|
|
seemed quite unconscious of having been on delicate ground, then
|
|
betook himself to beginning some sketch in the park which he never
|
|
finished, or to playing fragments of airs on the piano, or to singing
|
|
scraps of songs, or to lying down on his back under a tree and
|
|
looking at the sky--which he couldn't help thinking, he said, was
|
|
what he was meant for; it suited him so exactly.
|
|
|
|
"Enterprise and effort," he would say to us (on his back), "are
|
|
delightful to me. I believe I am truly cosmopolitan. I have the
|
|
deepest sympathy with them. I lie in a shady place like this and
|
|
think of adventurous spirits going to the North Pole or penetrating
|
|
to the heart of the Torrid Zone with admiration. Mercenary creatures
|
|
ask, 'What is the use of a man's going to the North Pole? What good
|
|
does it do?' I can't say; but, for anything I CAN say, he may go for
|
|
the purpose--though he don't know it--of employing my thoughts as I
|
|
lie here. Take an extreme case. Take the case of the slaves on
|
|
American plantations. I dare say they are worked hard, I dare say
|
|
they don't altogether like it. I dare say theirs is an unpleasant
|
|
experience on the whole; but they people the landscape for me, they
|
|
give it a poetry for me, and perhaps that is one of the pleasanter
|
|
objects of their existence. I am very sensible of it, if it be, and I
|
|
shouldn't wonder if it were!"
|
|
|
|
I always wondered on these occasions whether he ever thought of Mrs.
|
|
Skimpole and the children, and in what point of view they presented
|
|
themselves to his cosmopolitan mind. So far as I could understand,
|
|
they rarely presented themselves at all.
|
|
|
|
The week had gone round to the Saturday following that beating of my
|
|
heart in the church; and every day had been so bright and blue that
|
|
to ramble in the woods, and to see the light striking down among the
|
|
transparent leaves and sparkling in the beautiful interlacings of the
|
|
shadows of the trees, while the birds poured out their songs and the
|
|
air was drowsy with the hum of insects, had been most delightful. We
|
|
had one favourite spot, deep in moss and last year's leaves, where
|
|
there were some felled trees from which the bark was all stripped
|
|
off. Seated among these, we looked through a green vista supported by
|
|
thousands of natural columns, the whitened stems of trees, upon a
|
|
distant prospect made so radiant by its contrast with the shade in
|
|
which we sat and made so precious by the arched perspective through
|
|
which we saw it that it was like a glimpse of the better land. Upon
|
|
the Saturday we sat here, Mr. Jarndyce, Ada, and I, until we heard
|
|
thunder muttering in the distance and felt the large raindrops rattle
|
|
through the leaves.
|
|
|
|
The weather had been all the week extremely sultry, but the storm
|
|
broke so suddenly--upon us, at least, in that sheltered spot--that
|
|
before we reached the outskirts of the wood the thunder and lightning
|
|
were frequent and the rain came plunging through the leaves as if
|
|
every drop were a great leaden bead. As it was not a time for
|
|
standing among trees, we ran out of the wood, and up and down the
|
|
moss-grown steps which crossed the plantation-fence like two
|
|
broad-staved ladders placed back to back, and made for a keeper's
|
|
lodge which was close at hand. We had often noticed the dark beauty
|
|
of this lodge standing in a deep twilight of trees, and how the ivy
|
|
clustered over it, and how there was a steep hollow near, where we
|
|
had once seen the keeper's dog dive down into the fern as if it were
|
|
water.
|
|
|
|
The lodge was so dark within, now the sky was overcast, that we only
|
|
clearly saw the man who came to the door when we took shelter there
|
|
and put two chairs for Ada and me. The lattice-windows were all
|
|
thrown open, and we sat just within the doorway watching the storm.
|
|
It was grand to see how the wind awoke, and bent the trees, and drove
|
|
the rain before it like a cloud of smoke; and to hear the solemn
|
|
thunder and to see the lightning; and while thinking with awe of the
|
|
tremendous powers by which our little lives are encompassed, to
|
|
consider how beneficent they are and how upon the smallest flower and
|
|
leaf there was already a freshness poured from all this seeming rage
|
|
which seemed to make creation new again.
|
|
|
|
"Is it not dangerous to sit in so exposed a place?"
|
|
|
|
"Oh, no, Esther dear!" said Ada quietly.
|
|
|
|
Ada said it to me, but I had not spoken.
|
|
|
|
The beating of my heart came back again. I had never heard the voice,
|
|
as I had never seen the face, but it affected me in the same strange
|
|
way. Again, in a moment, there arose before my mind innumerable
|
|
pictures of myself.
|
|
|
|
Lady Dedlock had taken shelter in the lodge before our arrival there
|
|
and had come out of the gloom within. She stood behind my chair with
|
|
her hand upon it. I saw her with her hand close to my shoulder when I
|
|
turned my head.
|
|
|
|
"I have frightened you?" she said.
|
|
|
|
No. It was not fright. Why should I be frightened!
|
|
|
|
"I believe," said Lady Dedlock to my guardian, "I have the pleasure
|
|
of speaking to Mr. Jarndyce."
|
|
|
|
"Your remembrance does me more honour than I had supposed it would,
|
|
Lady Dedlock," he returned.
|
|
|
|
"I recognized you in church on Sunday. I am sorry that any local
|
|
disputes of Sir Leicester's--they are not of his seeking, however, I
|
|
believe--should render it a matter of some absurd difficulty to show
|
|
you any attention here."
|
|
|
|
"I am aware of the circumstances," returned my guardian with a smile,
|
|
"and am sufficiently obliged."
|
|
|
|
She had given him her hand in an indifferent way that seemed habitual
|
|
to her and spoke in a correspondingly indifferent manner, though in a
|
|
very pleasant voice. She was as graceful as she was beautiful,
|
|
perfectly self-possessed, and had the air, I thought, of being able
|
|
to attract and interest any one if she had thought it worth her
|
|
while. The keeper had brought her a chair on which she sat in the
|
|
middle of the porch between us.
|
|
|
|
"Is the young gentleman disposed of whom you wrote to Sir Leicester
|
|
about and whose wishes Sir Leicester was sorry not to have it in his
|
|
power to advance in any way?" she said over her shoulder to my
|
|
guardian.
|
|
|
|
"I hope so," said he.
|
|
|
|
She seemed to respect him and even to wish to conciliate him. There
|
|
was something very winning in her haughty manner, and it became more
|
|
familiar--I was going to say more easy, but that could hardly be--as
|
|
she spoke to him over her shoulder.
|
|
|
|
"I presume this is your other ward, Miss Clare?"
|
|
|
|
He presented Ada, in form.
|
|
|
|
"You will lose the disinterested part of your Don Quixote character,"
|
|
said Lady Dedlock to Mr. Jarndyce over her shoulder again, "if you
|
|
only redress the wrongs of beauty like this. But present me," and she
|
|
turned full upon me, "to this young lady too!"
|
|
|
|
"Miss Summerson really is my ward," said Mr. Jarndyce. "I am
|
|
responsible to no Lord Chancellor in her case."
|
|
|
|
"Has Miss Summerson lost both her parents?" said my Lady.
|
|
|
|
"Yes."
|
|
|
|
"She is very fortunate in her guardian."
|
|
|
|
Lady Dedlock looked at me, and I looked at her and said I was indeed.
|
|
All at once she turned from me with a hasty air, almost expressive of
|
|
displeasure or dislike, and spoke to him over her shoulder again.
|
|
|
|
"Ages have passed since we were in the habit of meeting, Mr.
|
|
Jarndyce."
|
|
|
|
"A long time. At least I thought it was a long time, until I saw you
|
|
last Sunday," he returned.
|
|
|
|
"What! Even you are a courtier, or think it necessary to become one
|
|
to me!" she said with some disdain. "I have achieved that reputation,
|
|
I suppose."
|
|
|
|
"You have achieved so much, Lady Dedlock," said my guardian, "that
|
|
you pay some little penalty, I dare say. But none to me."
|
|
|
|
"So much!" she repeated, slightly laughing. "Yes!"
|
|
|
|
With her air of superiority, and power, and fascination, and I know
|
|
not what, she seemed to regard Ada and me as little more than
|
|
children. So, as she slightly laughed and afterwards sat looking at
|
|
the rain, she was as self-possessed and as free to occupy herself
|
|
with her own thoughts as if she had been alone.
|
|
|
|
"I think you knew my sister when we were abroad together better than
|
|
you know me?" she said, looking at him again.
|
|
|
|
"Yes, we happened to meet oftener," he returned.
|
|
|
|
"We went our several ways," said Lady Dedlock, "and had little in
|
|
common even before we agreed to differ. It is to be regretted, I
|
|
suppose, but it could not be helped."
|
|
|
|
Lady Dedlock again sat looking at the rain. The storm soon began to
|
|
pass upon its way. The shower greatly abated, the lightning ceased,
|
|
the thunder rolled among the distant hills, and the sun began to
|
|
glisten on the wet leaves and the falling rain. As we sat there,
|
|
silently, we saw a little pony phaeton coming towards us at a merry
|
|
pace.
|
|
|
|
"The messenger is coming back, my Lady," said the keeper, "with the
|
|
carriage."
|
|
|
|
As it drove up, we saw that there were two people inside. There
|
|
alighted from it, with some cloaks and wrappers, first the
|
|
Frenchwoman whom I had seen in church, and secondly the pretty girl,
|
|
the Frenchwoman with a defiant confidence, the pretty girl confused
|
|
and hesitating.
|
|
|
|
"What now?" said Lady Dedlock. "Two!"
|
|
|
|
"I am your maid, my Lady, at the present," said the Frenchwoman. "The
|
|
message was for the attendant."
|
|
|
|
"I was afraid you might mean me, my Lady," said the pretty girl.
|
|
|
|
"I did mean you, child," replied her mistress calmly. "Put that shawl
|
|
on me."
|
|
|
|
She slightly stooped her shoulders to receive it, and the pretty girl
|
|
lightly dropped it in its place. The Frenchwoman stood unnoticed,
|
|
looking on with her lips very tightly set.
|
|
|
|
"I am sorry," said Lady Dedlock to Mr. Jarndyce, "that we are not
|
|
likely to renew our former acquaintance. You will allow me to send
|
|
the carriage back for your two wards. It shall be here directly."
|
|
|
|
But as he would on no account accept this offer, she took a graceful
|
|
leave of Ada--none of me--and put her hand upon his proffered arm,
|
|
and got into the carriage, which was a little, low, park carriage
|
|
with a hood.
|
|
|
|
"Come in, child," she said to the pretty girl; "I shall want you. Go
|
|
on!"
|
|
|
|
The carriage rolled away, and the Frenchwoman, with the wrappers she
|
|
had brought hanging over her arm, remained standing where she had
|
|
alighted.
|
|
|
|
I suppose there is nothing pride can so little bear with as pride
|
|
itself, and that she was punished for her imperious manner. Her
|
|
retaliation was the most singular I could have imagined. She remained
|
|
perfectly still until the carriage had turned into the drive, and
|
|
then, without the least discomposure of countenance, slipped off her
|
|
shoes, left them on the ground, and walked deliberately in the same
|
|
direction through the wettest of the wet grass.
|
|
|
|
"Is that young woman mad?" said my guardian.
|
|
|
|
"Oh, no, sir!" said the keeper, who, with his wife, was looking after
|
|
her. "Hortense is not one of that sort. She has as good a head-piece
|
|
as the best. But she's mortal high and passionate--powerful high and
|
|
passionate; and what with having notice to leave, and having others
|
|
put above her, she don't take kindly to it."
|
|
|
|
"But why should she walk shoeless through all that water?" said my
|
|
guardian.
|
|
|
|
"Why, indeed, sir, unless it is to cool her down!" said the man.
|
|
|
|
"Or unless she fancies it's blood," said the woman. "She'd as soon
|
|
walk through that as anything else, I think, when her own's up!"
|
|
|
|
We passed not far from the house a few minutes afterwards. Peaceful
|
|
as it had looked when we first saw it, it looked even more so now,
|
|
with a diamond spray glittering all about it, a light wind blowing,
|
|
the birds no longer hushed but singing strongly, everything refreshed
|
|
by the late rain, and the little carriage shining at the doorway like
|
|
a fairy carriage made of silver. Still, very steadfastly and quietly
|
|
walking towards it, a peaceful figure too in the landscape, went
|
|
Mademoiselle Hortense, shoeless, through the wet grass.
|
|
|
|
|
|
|
|
|
|
CHAPTER XIX
|
|
|
|
Moving On
|
|
|
|
|
|
It is the long vacation in the regions of Chancery Lane. The good
|
|
ships Law and Equity, those teak-built, copper-bottomed,
|
|
iron-fastened, brazen-faced, and not by any means fast-sailing
|
|
clippers are laid up in ordinary. The Flying Dutchman, with a crew of
|
|
ghostly clients imploring all whom they may encounter to peruse their
|
|
papers, has drifted, for the time being, heaven knows where. The
|
|
courts are all shut up; the public offices lie in a hot sleep.
|
|
Westminster Hall itself is a shady solitude where nightingales might
|
|
sing, and a tenderer class of suitors than is usually found there,
|
|
walk.
|
|
|
|
The Temple, Chancery Lane, Serjeants' Inn, and Lincoln's Inn even
|
|
unto the Fields are like tidal harbours at low water, where stranded
|
|
proceedings, offices at anchor, idle clerks lounging on lop-sided
|
|
stools that will not recover their perpendicular until the current of
|
|
Term sets in, lie high and dry upon the ooze of the long vacation.
|
|
Outer doors of chambers are shut up by the score, messages and
|
|
parcels are to be left at the Porter's Lodge by the bushel. A crop of
|
|
grass would grow in the chinks of the stone pavement outside
|
|
Lincoln's Inn Hall, but that the ticket-porters, who have nothing to
|
|
do beyond sitting in the shade there, with their white aprons over
|
|
their heads to keep the flies off, grub it up and eat it
|
|
thoughtfully.
|
|
|
|
There is only one judge in town. Even he only comes twice a week to
|
|
sit in chambers. If the country folks of those assize towns on his
|
|
circuit could see him now! No full-bottomed wig, no red petticoats,
|
|
no fur, no javelin-men, no white wands. Merely a close-shaved
|
|
gentleman in white trousers and a white hat, with sea-bronze on the
|
|
judicial countenance, and a strip of bark peeled by the solar rays
|
|
from the judicial nose, who calls in at the shell-fish shop as he
|
|
comes along and drinks iced ginger-beer!
|
|
|
|
The bar of England is scattered over the face of the earth. How
|
|
England can get on through four long summer months without its
|
|
bar--which is its acknowledged refuge in adversity and its only
|
|
legitimate triumph in prosperity--is beside the question; assuredly
|
|
that shield and buckler of Britannia are not in present wear. The
|
|
learned gentleman who is always so tremendously indignant at the
|
|
unprecedented outrage committed on the feelings of his client by the
|
|
opposite party that he never seems likely to recover it is doing
|
|
infinitely better than might be expected in Switzerland. The learned
|
|
gentleman who does the withering business and who blights all
|
|
opponents with his gloomy sarcasm is as merry as a grig at a French
|
|
watering-place. The learned gentleman who weeps by the pint on the
|
|
smallest provocation has not shed a tear these six weeks. The very
|
|
learned gentleman who has cooled the natural heat of his gingery
|
|
complexion in pools and fountains of law until he has become great in
|
|
knotty arguments for term-time, when he poses the drowsy bench with
|
|
legal "chaff," inexplicable to the uninitiated and to most of the
|
|
initiated too, is roaming, with a characteristic delight in aridity
|
|
and dust, about Constantinople. Other dispersed fragments of the same
|
|
great palladium are to be found on the canals of Venice, at the
|
|
second cataract of the Nile, in the baths of Germany, and sprinkled
|
|
on the sea-sand all over the English coast. Scarcely one is to be
|
|
encountered in the deserted region of Chancery Lane. If such a lonely
|
|
member of the bar do flit across the waste and come upon a prowling
|
|
suitor who is unable to leave off haunting the scenes of his anxiety,
|
|
they frighten one another and retreat into opposite shades.
|
|
|
|
It is the hottest long vacation known for many years. All the young
|
|
clerks are madly in love, and according to their various degrees,
|
|
pine for bliss with the beloved object, at Margate, Ramsgate, or
|
|
Gravesend. All the middle-aged clerks think their families too large.
|
|
All the unowned dogs who stray into the Inns of Court and pant about
|
|
staircases and other dry places seeking water give short howls of
|
|
aggravation. All the blind men's dogs in the streets draw their
|
|
masters against pumps or trip them over buckets. A shop with a
|
|
sun-blind, and a watered pavement, and a bowl of gold and silver fish
|
|
in the window, is a sanctuary. Temple Bar gets so hot that it is, to
|
|
the adjacent Strand and Fleet Street, what a heater is in an urn, and
|
|
keeps them simmering all night.
|
|
|
|
There are offices about the Inns of Court in which a man might be
|
|
cool, if any coolness were worth purchasing at such a price in
|
|
dullness; but the little thoroughfares immediately outside those
|
|
retirements seem to blaze. In Mr. Krook's court, it is so hot that
|
|
the people turn their houses inside out and sit in chairs upon the
|
|
pavement--Mr. Krook included, who there pursues his studies, with his
|
|
cat (who never is too hot) by his side. The Sol's Arms has
|
|
discontinued the Harmonic Meetings for the season, and Little Swills
|
|
is engaged at the Pastoral Gardens down the river, where he comes out
|
|
in quite an innocent manner and sings comic ditties of a juvenile
|
|
complexion calculated (as the bill says) not to wound the feelings of
|
|
the most fastidious mind.
|
|
|
|
Over all the legal neighbourhood there hangs, like some great veil of
|
|
rust or gigantic cobweb, the idleness and pensiveness of the long
|
|
vacation. Mr. Snagsby, law-stationer of Cook's Court, Cursitor
|
|
Street, is sensible of the influence not only in his mind as a
|
|
sympathetic and contemplative man, but also in his business as a
|
|
law-stationer aforesaid. He has more leisure for musing in Staple Inn
|
|
and in the Rolls Yard during the long vacation than at other seasons,
|
|
and he says to the two 'prentices, what a thing it is in such hot
|
|
weather to think that you live in an island with the sea a-rolling
|
|
and a-bowling right round you.
|
|
|
|
Guster is busy in the little drawing-room on this present afternoon
|
|
in the long vacation, when Mr. and Mrs. Snagsby have it in
|
|
contemplation to receive company. The expected guests are rather
|
|
select than numerous, being Mr. and Mrs. Chadband and no more. From
|
|
Mr. Chadband's being much given to describe himself, both verbally
|
|
and in writing, as a vessel, he is occasionally mistaken by strangers
|
|
for a gentleman connected with navigation, but he is, as he expresses
|
|
it, "in the ministry." Mr. Chadband is attached to no particular
|
|
denomination and is considered by his persecutors to have nothing so
|
|
very remarkable to say on the greatest of subjects as to render his
|
|
volunteering, on his own account, at all incumbent on his conscience;
|
|
but he has his followers, and Mrs. Snagsby is of the number. Mrs.
|
|
Snagsby has but recently taken a passage upward by the vessel,
|
|
Chadband; and her attention was attracted to that Bark A 1, when she
|
|
was something flushed by the hot weather.
|
|
|
|
"My little woman," says Mr. Snagsby to the sparrows in Staple Inn,
|
|
"likes to have her religion rather sharp, you see!"
|
|
|
|
So Guster, much impressed by regarding herself for the time as the
|
|
handmaid of Chadband, whom she knows to be endowed with the gift of
|
|
holding forth for four hours at a stretch, prepares the little
|
|
drawing-room for tea. All the furniture is shaken and dusted, the
|
|
portraits of Mr. and Mrs. Snagsby are touched up with a wet cloth,
|
|
the best tea-service is set forth, and there is excellent provision
|
|
made of dainty new bread, crusty twists, cool fresh butter, thin
|
|
slices of ham, tongue, and German sausage, and delicate little rows
|
|
of anchovies nestling in parsley, not to mention new-laid eggs, to be
|
|
brought up warm in a napkin, and hot buttered toast. For Chadband is
|
|
rather a consuming vessel--the persecutors say a gorging vessel--and
|
|
can wield such weapons of the flesh as a knife and fork remarkably
|
|
well.
|
|
|
|
Mr. Snagsby in his best coat, looking at all the preparations when
|
|
they are completed and coughing his cough of deference behind his
|
|
hand, says to Mrs. Snagsby, "At what time did you expect Mr. and Mrs.
|
|
Chadband, my love?"
|
|
|
|
"At six," says Mrs. Snagsby.
|
|
|
|
Mr. Snagsby observes in a mild and casual way that "it's gone that."
|
|
|
|
"Perhaps you'd like to begin without them," is Mrs. Snagsby's
|
|
reproachful remark.
|
|
|
|
Mr. Snagsby does look as if he would like it very much, but he says,
|
|
with his cough of mildness, "No, my dear, no. I merely named the
|
|
time."
|
|
|
|
"What's time," says Mrs. Snagsby, "to eternity?"
|
|
|
|
"Very true, my dear," says Mr. Snagsby. "Only when a person lays in
|
|
victuals for tea, a person does it with a view--perhaps--more to
|
|
time. And when a time is named for having tea, it's better to come up
|
|
to it."
|
|
|
|
"To come up to it!" Mrs. Snagsby repeats with severity. "Up to it! As
|
|
if Mr. Chadband was a fighter!"
|
|
|
|
"Not at all, my dear," says Mr. Snagsby.
|
|
|
|
Here, Guster, who had been looking out of the bedroom window, comes
|
|
rustling and scratching down the little staircase like a popular
|
|
ghost, and falling flushed into the drawing-room, announces that Mr.
|
|
and Mrs. Chadband have appeared in the court. The bell at the inner
|
|
door in the passage immediately thereafter tinkling, she is
|
|
admonished by Mrs. Snagsby, on pain of instant reconsignment to her
|
|
patron saint, not to omit the ceremony of announcement. Much
|
|
discomposed in her nerves (which were previously in the best order)
|
|
by this threat, she so fearfully mutilates that point of state as to
|
|
announce "Mr. and Mrs. Cheeseming, least which, Imeantersay,
|
|
whatsername!" and retires conscience-stricken from the presence.
|
|
|
|
Mr. Chadband is a large yellow man with a fat smile and a general
|
|
appearance of having a good deal of train oil in his system. Mrs.
|
|
Chadband is a stern, severe-looking, silent woman. Mr. Chadband moves
|
|
softly and cumbrously, not unlike a bear who has been taught to walk
|
|
upright. He is very much embarrassed about the arms, as if they were
|
|
inconvenient to him and he wanted to grovel, is very much in a
|
|
perspiration about the head, and never speaks without first putting
|
|
up his great hand, as delivering a token to his hearers that he is
|
|
going to edify them.
|
|
|
|
"My friends," says Mr. Chadband, "peace be on this house! On the
|
|
master thereof, on the mistress thereof, on the young maidens, and on
|
|
the young men! My friends, why do I wish for peace? What is peace? Is
|
|
it war? No. Is it strife? No. Is it lovely, and gentle, and
|
|
beautiful, and pleasant, and serene, and joyful? Oh, yes! Therefore,
|
|
my friends, I wish for peace, upon you and upon yours."
|
|
|
|
In consequence of Mrs. Snagsby looking deeply edified, Mr. Snagsby
|
|
thinks it expedient on the whole to say amen, which is well received.
|
|
|
|
"Now, my friends," proceeds Mr. Chadband, "since I am upon this
|
|
theme--"
|
|
|
|
Guster presents herself. Mrs. Snagsby, in a spectral bass voice and
|
|
without removing her eyes from Chadband, says with dreadful
|
|
distinctness, "Go away!"
|
|
|
|
"Now, my friends," says Chadband, "since I am upon this theme, and in
|
|
my lowly path improving it--"
|
|
|
|
Guster is heard unaccountably to murmur "one thousing seven hundred
|
|
and eighty-two." The spectral voice repeats more solemnly, "Go away!"
|
|
|
|
"Now, my friends," says Mr. Chadband, "we will inquire in a spirit of
|
|
love--"
|
|
|
|
Still Guster reiterates "one thousing seven hundred and eighty-two."
|
|
|
|
Mr. Chadband, pausing with the resignation of a man accustomed to be
|
|
persecuted and languidly folding up his chin into his fat smile,
|
|
says, "Let us hear the maiden! Speak, maiden!"
|
|
|
|
"One thousing seven hundred and eighty-two, if you please, sir. Which
|
|
he wish to know what the shilling ware for," says Guster, breathless.
|
|
|
|
"For?" returns Mrs. Chadband. "For his fare!"
|
|
|
|
Guster replied that "he insistes on one and eightpence or on
|
|
summonsizzing the party." Mrs. Snagsby and Mrs. Chadband are
|
|
proceeding to grow shrill in indignation when Mr. Chadband quiets the
|
|
tumult by lifting up his hand.
|
|
|
|
"My friends," says he, "I remember a duty unfulfilled yesterday. It
|
|
is right that I should be chastened in some penalty. I ought not to
|
|
murmur. Rachael, pay the eightpence!"
|
|
|
|
While Mrs. Snagsby, drawing her breath, looks hard at Mr. Snagsby, as
|
|
who should say, "You hear this apostle!" and while Mr. Chadband glows
|
|
with humility and train oil, Mrs. Chadband pays the money. It is Mr.
|
|
Chadband's habit--it is the head and front of his pretensions
|
|
indeed--to keep this sort of debtor and creditor account in the
|
|
smallest items and to post it publicly on the most trivial occasions.
|
|
|
|
"My friends," says Chadband, "eightpence is not much; it might justly
|
|
have been one and fourpence; it might justly have been half a crown.
|
|
O let us be joyful, joyful! O let us be joyful!"
|
|
|
|
With which remark, which appears from its sound to be an extract in
|
|
verse, Mr. Chadband stalks to the table, and before taking a chair,
|
|
lifts up his admonitory hand.
|
|
|
|
"My friends," says he, "what is this which we now behold as being
|
|
spread before us? Refreshment. Do we need refreshment then, my
|
|
friends? We do. And why do we need refreshment, my friends? Because
|
|
we are but mortal, because we are but sinful, because we are but of
|
|
the earth, because we are not of the air. Can we fly, my friends? We
|
|
cannot. Why can we not fly, my friends?"
|
|
|
|
Mr. Snagsby, presuming on the success of his last point, ventures to
|
|
observe in a cheerful and rather knowing tone, "No wings." But is
|
|
immediately frowned down by Mrs. Snagsby.
|
|
|
|
"I say, my friends," pursues Mr. Chadband, utterly rejecting and
|
|
obliterating Mr. Snagsby's suggestion, "why can we not fly? Is it
|
|
because we are calculated to walk? It is. Could we walk, my friends,
|
|
without strength? We could not. What should we do without strength,
|
|
my friends? Our legs would refuse to bear us, our knees would double
|
|
up, our ankles would turn over, and we should come to the ground.
|
|
Then from whence, my friends, in a human point of view, do we derive
|
|
the strength that is necessary to our limbs? Is it," says Chadband,
|
|
glancing over the table, "from bread in various forms, from butter
|
|
which is churned from the milk which is yielded unto us by the cow,
|
|
from the eggs which are laid by the fowl, from ham, from tongue, from
|
|
sausage, and from such like? It is. Then let us partake of the good
|
|
things which are set before us!"
|
|
|
|
The persecutors denied that there was any particular gift in Mr.
|
|
Chadband's piling verbose flights of stairs, one upon another, after
|
|
this fashion. But this can only be received as a proof of their
|
|
determination to persecute, since it must be within everybody's
|
|
experience that the Chadband style of oratory is widely received and
|
|
much admired.
|
|
|
|
Mr. Chadband, however, having concluded for the present, sits down at
|
|
Mr. Snagsby's table and lays about him prodigiously. The conversion
|
|
of nutriment of any sort into oil of the quality already mentioned
|
|
appears to be a process so inseparable from the constitution of this
|
|
exemplary vessel that in beginning to eat and drink, he may be
|
|
described as always becoming a kind of considerable oil mills or
|
|
other large factory for the production of that article on a wholesale
|
|
scale. On the present evening of the long vacation, in Cook's Court,
|
|
Cursitor Street, he does such a powerful stroke of business that the
|
|
warehouse appears to be quite full when the works cease.
|
|
|
|
At this period of the entertainment, Guster, who has never recovered
|
|
her first failure, but has neglected no possible or impossible means
|
|
of bringing the establishment and herself into contempt--among which
|
|
may be briefly enumerated her unexpectedly performing clashing
|
|
military music on Mr. Chadband's head with plates, and afterwards
|
|
crowning that gentleman with muffins--at which period of the
|
|
entertainment, Guster whispers Mr. Snagsby that he is wanted.
|
|
|
|
"And being wanted in the--not to put too fine a point upon it--in the
|
|
shop," says Mr. Snagsby, rising, "perhaps this good company will
|
|
excuse me for half a minute."
|
|
|
|
Mr. Snagsby descends and finds the two 'prentices intently
|
|
contemplating a police constable, who holds a ragged boy by the arm.
|
|
|
|
"Why, bless my heart," says Mr. Snagsby, "what's the matter!"
|
|
|
|
"This boy," says the constable, "although he's repeatedly told to,
|
|
won't move on--"
|
|
|
|
"I'm always a-moving on, sar," cries the boy, wiping away his grimy
|
|
tears with his arm. "I've always been a-moving and a-moving on, ever
|
|
since I was born. Where can I possibly move to, sir, more nor I do
|
|
move!"
|
|
|
|
"He won't move on," says the constable calmly, with a slight
|
|
professional hitch of his neck involving its better settlement in his
|
|
stiff stock, "although he has been repeatedly cautioned, and
|
|
therefore I am obliged to take him into custody. He's as obstinate a
|
|
young gonoph as I know. He WON'T move on."
|
|
|
|
"Oh, my eye! Where can I move to!" cries the boy, clutching quite
|
|
desperately at his hair and beating his bare feet upon the floor of
|
|
Mr. Snagsby's passage.
|
|
|
|
"Don't you come none of that or I shall make blessed short work of
|
|
you!" says the constable, giving him a passionless shake. "My
|
|
instructions are that you are to move on. I have told you so five
|
|
hundred times."
|
|
|
|
"But where?" cries the boy.
|
|
|
|
"Well! Really, constable, you know," says Mr. Snagsby wistfully, and
|
|
coughing behind his hand his cough of great perplexity and doubt,
|
|
"really, that does seem a question. Where, you know?"
|
|
|
|
"My instructions don't go to that," replies the constable. "My
|
|
instructions are that this boy is to move on."
|
|
|
|
Do you hear, Jo? It is nothing to you or to any one else that the
|
|
great lights of the parliamentary sky have failed for some few years
|
|
in this business to set you the example of moving on. The one grand
|
|
recipe remains for you--the profound philosophical prescription--the
|
|
be-all and the end-all of your strange existence upon earth. Move on!
|
|
You are by no means to move off, Jo, for the great lights can't at
|
|
all agree about that. Move on!
|
|
|
|
Mr. Snagsby says nothing to this effect, says nothing at all indeed,
|
|
but coughs his forlornest cough, expressive of no thoroughfare in any
|
|
direction. By this time Mr. and Mrs. Chadband and Mrs. Snagsby,
|
|
hearing the altercation, have appeared upon the stairs. Guster having
|
|
never left the end of the passage, the whole household are assembled.
|
|
|
|
"The simple question is, sir," says the constable, "whether you know
|
|
this boy. He says you do."
|
|
|
|
Mrs. Snagsby, from her elevation, instantly cries out, "No he don't!"
|
|
|
|
"My lit-tle woman!" says Mr. Snagsby, looking up the staircase. "My
|
|
love, permit me! Pray have a moment's patience, my dear. I do know
|
|
something of this lad, and in what I know of him, I can't say that
|
|
there's any harm; perhaps on the contrary, constable." To whom the
|
|
law-stationer relates his Joful and woeful experience, suppressing
|
|
the half-crown fact.
|
|
|
|
"Well!" says the constable, "so far, it seems, he had grounds for
|
|
what he said. When I took him into custody up in Holborn, he said you
|
|
knew him. Upon that, a young man who was in the crowd said he was
|
|
acquainted with you, and you were a respectable housekeeper, and if
|
|
I'd call and make the inquiry, he'd appear. The young man don't seem
|
|
inclined to keep his word, but--Oh! Here IS the young man!"
|
|
|
|
Enter Mr. Guppy, who nods to Mr. Snagsby and touches his hat with the
|
|
chivalry of clerkship to the ladies on the stairs.
|
|
|
|
"I was strolling away from the office just now when I found this row
|
|
going on," says Mr. Guppy to the law-stationer, "and as your name was
|
|
mentioned, I thought it was right the thing should be looked into."
|
|
|
|
"It was very good-natured of you, sir," says Mr. Snagsby, "and I am
|
|
obliged to you." And Mr. Snagsby again relates his experience, again
|
|
suppressing the half-crown fact.
|
|
|
|
"Now, I know where you live," says the constable, then, to Jo. "You
|
|
live down in Tom-all-Alone's. That's a nice innocent place to live
|
|
in, ain't it?"
|
|
|
|
"I can't go and live in no nicer place, sir," replies Jo. "They
|
|
wouldn't have nothink to say to me if I wos to go to a nice innocent
|
|
place fur to live. Who ud go and let a nice innocent lodging to such
|
|
a reg'lar one as me!"
|
|
|
|
"You are very poor, ain't you?" says the constable.
|
|
|
|
"Yes, I am indeed, sir, wery poor in gin'ral," replies Jo. "I leave
|
|
you to judge now! I shook these two half-crowns out of him," says the
|
|
constable, producing them to the company, "in only putting my hand
|
|
upon him!"
|
|
|
|
"They're wot's left, Mr. Snagsby," says Jo, "out of a sov-ring as wos
|
|
give me by a lady in a wale as sed she wos a servant and as come to
|
|
my crossin one night and asked to be showd this 'ere ouse and the
|
|
ouse wot him as you giv the writin to died at, and the berrin-ground
|
|
wot he's berrid in. She ses to me she ses 'are you the boy at the
|
|
inkwhich?' she ses. I ses 'yes' I ses. She ses to me she ses 'can you
|
|
show me all them places?' I ses 'yes I can' I ses. And she ses to me
|
|
'do it' and I dun it and she giv me a sov'ring and hooked it. And I
|
|
an't had much of the sov'ring neither," says Jo, with dirty tears,
|
|
"fur I had to pay five bob, down in Tom-all-Alone's, afore they'd
|
|
square it fur to give me change, and then a young man he thieved
|
|
another five while I was asleep and another boy he thieved ninepence
|
|
and the landlord he stood drains round with a lot more on it."
|
|
|
|
"You don't expect anybody to believe this, about the lady and the
|
|
sovereign, do you?" says the constable, eyeing him aside with
|
|
ineffable disdain.
|
|
|
|
"I don't know as I do, sir," replies Jo. "I don't expect nothink at
|
|
all, sir, much, but that's the true hist'ry on it."
|
|
|
|
"You see what he is!" the constable observes to the audience. "Well,
|
|
Mr. Snagsby, if I don't lock him up this time, will you engage for
|
|
his moving on?"
|
|
|
|
"No!" cries Mrs. Snagsby from the stairs.
|
|
|
|
"My little woman!" pleads her husband. "Constable, I have no doubt
|
|
he'll move on. You know you really must do it," says Mr. Snagsby.
|
|
|
|
"I'm everyways agreeable, sir," says the hapless Jo.
|
|
|
|
"Do it, then," observes the constable. "You know what you have got to
|
|
do. Do it! And recollect you won't get off so easy next time. Catch
|
|
hold of your money. Now, the sooner you're five mile off, the better
|
|
for all parties."
|
|
|
|
With this farewell hint and pointing generally to the setting sun as
|
|
a likely place to move on to, the constable bids his auditors good
|
|
afternoon and makes the echoes of Cook's Court perform slow music for
|
|
him as he walks away on the shady side, carrying his iron-bound hat
|
|
in his hand for a little ventilation.
|
|
|
|
Now, Jo's improbable story concerning the lady and the sovereign has
|
|
awakened more or less the curiosity of all the company. Mr. Guppy,
|
|
who has an inquiring mind in matters of evidence and who has
|
|
been suffering severely from the lassitude of the long vacation,
|
|
takes that interest in the case that he enters on a regular
|
|
cross-examination of the witness, which is found so interesting by
|
|
the ladies that Mrs. Snagsby politely invites him to step upstairs
|
|
and drink a cup of tea, if he will excuse the disarranged state of
|
|
the tea-table, consequent on their previous exertions. Mr. Guppy
|
|
yielding his assent to this proposal, Jo is requested to follow into
|
|
the drawing-room doorway, where Mr. Guppy takes him in hand as a
|
|
witness, patting him into this shape, that shape, and the other shape
|
|
like a butterman dealing with so much butter, and worrying him
|
|
according to the best models. Nor is the examination unlike many such
|
|
model displays, both in respect of its eliciting nothing and of its
|
|
being lengthy, for Mr. Guppy is sensible of his talent, and Mrs.
|
|
Snagsby feels not only that it gratifies her inquisitive disposition,
|
|
but that it lifts her husband's establishment higher up in the law.
|
|
During the progress of this keen encounter, the vessel Chadband,
|
|
being merely engaged in the oil trade, gets aground and waits to be
|
|
floated off.
|
|
|
|
"Well!" says Mr. Guppy. "Either this boy sticks to it like
|
|
cobbler's-wax or there is something out of the common here that beats
|
|
anything that ever came into my way at Kenge and Carboy's."
|
|
|
|
Mrs. Chadband whispers Mrs. Snagsby, who exclaims, "You don't say
|
|
so!"
|
|
|
|
"For years!" replied Mrs. Chadband.
|
|
|
|
"Has known Kenge and Carboy's office for years," Mrs. Snagsby
|
|
triumphantly explains to Mr. Guppy. "Mrs. Chadband--this gentleman's
|
|
wife--Reverend Mr. Chadband."
|
|
|
|
"Oh, indeed!" says Mr. Guppy.
|
|
|
|
"Before I married my present husband," says Mrs. Chadband.
|
|
|
|
"Was you a party in anything, ma'am?" says Mr. Guppy, transferring
|
|
his cross-examination.
|
|
|
|
"No."
|
|
|
|
"NOT a party in anything, ma'am?" says Mr. Guppy.
|
|
|
|
Mrs. Chadband shakes her head.
|
|
|
|
"Perhaps you were acquainted with somebody who was a party in
|
|
something, ma'am?" says Mr. Guppy, who likes nothing better than to
|
|
model his conversation on forensic principles.
|
|
|
|
"Not exactly that, either," replies Mrs. Chadband, humouring the joke
|
|
with a hard-favoured smile.
|
|
|
|
"Not exactly that, either!" repeats Mr. Guppy. "Very good. Pray,
|
|
ma'am, was it a lady of your acquaintance who had some transactions
|
|
(we will not at present say what transactions) with Kenge and
|
|
Carboy's office, or was it a gentleman of your acquaintance? Take
|
|
time, ma'am. We shall come to it presently. Man or woman, ma'am?"
|
|
|
|
"Neither," says Mrs. Chadband as before.
|
|
|
|
"Oh! A child!" says Mr. Guppy, throwing on the admiring Mrs. Snagsby
|
|
the regular acute professional eye which is thrown on British
|
|
jurymen. "Now, ma'am, perhaps you'll have the kindness to tell us
|
|
WHAT child."
|
|
|
|
"You have got it at last, sir," says Mrs. Chadband with another
|
|
hard-favoured smile. "Well, sir, it was before your time, most
|
|
likely, judging from your appearance. I was left in charge of a child
|
|
named Esther Summerson, who was put out in life by Messrs. Kenge and
|
|
Carboy."
|
|
|
|
"Miss Summerson, ma'am!" cries Mr. Guppy, excited.
|
|
|
|
"I call her Esther Summerson," says Mrs. Chadband with austerity.
|
|
"There was no Miss-ing of the girl in my time. It was Esther.
|
|
'Esther, do this! Esther, do that!' and she was made to do it."
|
|
|
|
"My dear ma'am," returns Mr. Guppy, moving across the small
|
|
apartment, "the humble individual who now addresses you received that
|
|
young lady in London when she first came here from the establishment
|
|
to which you have alluded. Allow me to have the pleasure of taking
|
|
you by the hand."
|
|
|
|
Mr. Chadband, at last seeing his opportunity, makes his accustomed
|
|
signal and rises with a smoking head, which he dabs with his
|
|
pocket-handkerchief. Mrs. Snagsby whispers "Hush!"
|
|
|
|
"My friends," says Chadband, "we have partaken in moderation" (which
|
|
was certainly not the case so far as he was concerned) "of the
|
|
comforts which have been provided for us. May this house live upon
|
|
the fatness of the land; may corn and wine be plentiful therein; may
|
|
it grow, may it thrive, may it prosper, may it advance, may it
|
|
proceed, may it press forward! But, my friends, have we partaken of
|
|
anything else? We have. My friends, of what else have we partaken? Of
|
|
spiritual profit? Yes. From whence have we derived that spiritual
|
|
profit? My young friend, stand forth!"
|
|
|
|
Jo, thus apostrophized, gives a slouch backward, and another slouch
|
|
forward, and another slouch to each side, and confronts the eloquent
|
|
Chadband with evident doubts of his intentions.
|
|
|
|
"My young friend," says Chadband, "you are to us a pearl, you are to
|
|
us a diamond, you are to us a gem, you are to us a jewel. And why, my
|
|
young friend?"
|
|
|
|
"I don't know," replies Jo. "I don't know nothink."
|
|
|
|
"My young friend," says Chadband, "it is because you know nothing
|
|
that you are to us a gem and jewel. For what are you, my young
|
|
friend? Are you a beast of the field? No. A bird of the air? No. A
|
|
fish of the sea or river? No. You are a human boy, my young friend. A
|
|
human boy. O glorious to be a human boy! And why glorious, my young
|
|
friend? Because you are capable of receiving the lessons of wisdom,
|
|
because you are capable of profiting by this discourse which I now
|
|
deliver for your good, because you are not a stick, or a staff, or a
|
|
stock, or a stone, or a post, or a pillar.
|
|
|
|
O running stream of sparkling joy
|
|
To be a soaring human boy!
|
|
|
|
And do you cool yourself in that stream now, my young friend? No.
|
|
Why do you not cool yourself in that stream now? Because you are in a
|
|
state of darkness, because you are in a state of obscurity, because
|
|
you are in a state of sinfulness, because you are in a state of
|
|
bondage. My young friend, what is bondage? Let us, in a spirit of
|
|
love, inquire."
|
|
|
|
At this threatening stage of the discourse, Jo, who seems to have
|
|
been gradually going out of his mind, smears his right arm over his
|
|
face and gives a terrible yawn. Mrs. Snagsby indignantly expresses
|
|
her belief that he is a limb of the arch-fiend.
|
|
|
|
"My friends," says Mr. Chadband with his persecuted chin folding
|
|
itself into its fat smile again as he looks round, "it is right that
|
|
I should be humbled, it is right that I should be tried, it is right
|
|
that I should be mortified, it is right that I should be corrected. I
|
|
stumbled, on Sabbath last, when I thought with pride of my three
|
|
hours' improving. The account is now favourably balanced: my creditor
|
|
has accepted a composition. O let us be joyful, joyful! O let us be
|
|
joyful!"
|
|
|
|
Great sensation on the part of Mrs. Snagsby.
|
|
|
|
"My friends," says Chadband, looking round him in conclusion, "I will
|
|
not proceed with my young friend now. Will you come to-morrow, my
|
|
young friend, and inquire of this good lady where I am to be found to
|
|
deliver a discourse unto you, and will you come like the thirsty
|
|
swallow upon the next day, and upon the day after that, and upon the
|
|
day after that, and upon many pleasant days, to hear discourses?"
|
|
(This with a cow-like lightness.)
|
|
|
|
Jo, whose immediate object seems to be to get away on any terms,
|
|
gives a shuffling nod. Mr. Guppy then throws him a penny, and Mrs.
|
|
Snagsby calls to Guster to see him safely out of the house. But
|
|
before he goes downstairs, Mr. Snagsby loads him with some broken
|
|
meats from the table, which he carries away, hugging in his arms.
|
|
|
|
So, Mr. Chadband--of whom the persecutors say that it is no wonder he
|
|
should go on for any length of time uttering such abominable
|
|
nonsense, but that the wonder rather is that he should ever leave
|
|
off, having once the audacity to begin--retires into private life
|
|
until he invests a little capital of supper in the oil-trade. Jo
|
|
moves on, through the long vacation, down to Blackfriars Bridge,
|
|
where he finds a baking stony corner wherein to settle to his repast.
|
|
|
|
And there he sits, munching and gnawing, and looking up at the great
|
|
cross on the summit of St. Paul's Cathedral, glittering above a
|
|
red-and-violet-tinted cloud of smoke. From the boy's face one might
|
|
suppose that sacred emblem to be, in his eyes, the crowning confusion
|
|
of the great, confused city--so golden, so high up, so far out of his
|
|
reach. There he sits, the sun going down, the river running fast, the
|
|
crowd flowing by him in two streams--everything moving on to some
|
|
purpose and to one end--until he is stirred up and told to "move on"
|
|
too.
|
|
|
|
|
|
|
|
|
|
CHAPTER XX
|
|
|
|
A New Lodger
|
|
|
|
|
|
The long vacation saunters on towards term-time like an idle river
|
|
very leisurely strolling down a flat country to the sea. Mr. Guppy
|
|
saunters along with it congenially. He has blunted the blade of his
|
|
penknife and broken the point off by sticking that instrument into
|
|
his desk in every direction. Not that he bears the desk any ill will,
|
|
but he must do something, and it must be something of an unexciting
|
|
nature, which will lay neither his physical nor his intellectual
|
|
energies under too heavy contribution. He finds that nothing agrees
|
|
with him so well as to make little gyrations on one leg of his stool,
|
|
and stab his desk, and gape.
|
|
|
|
Kenge and Carboy are out of town, and the articled clerk has taken
|
|
out a shooting license and gone down to his father's, and Mr. Guppy's
|
|
two fellow-stipendiaries are away on leave. Mr. Guppy and Mr. Richard
|
|
Carstone divide the dignity of the office. But Mr. Carstone is for
|
|
the time being established in Kenge's room, whereat Mr. Guppy chafes.
|
|
So exceedingly that he with biting sarcasm informs his mother, in the
|
|
confidential moments when he sups with her off a lobster and lettuce
|
|
in the Old Street Road, that he is afraid the office is hardly good
|
|
enough for swells, and that if he had known there was a swell coming,
|
|
he would have got it painted.
|
|
|
|
Mr. Guppy suspects everybody who enters on the occupation of a stool
|
|
in Kenge and Carboy's office of entertaining, as a matter of course,
|
|
sinister designs upon him. He is clear that every such person wants
|
|
to depose him. If he be ever asked how, why, when, or wherefore, he
|
|
shuts up one eye and shakes his head. On the strength of these
|
|
profound views, he in the most ingenious manner takes infinite pains
|
|
to counterplot when there is no plot, and plays the deepest games of
|
|
chess without any adversary.
|
|
|
|
It is a source of much gratification to Mr. Guppy, therefore, to find
|
|
the new-comer constantly poring over the papers in Jarndyce and
|
|
Jarndyce, for he well knows that nothing but confusion and failure
|
|
can come of that. His satisfaction communicates itself to a third
|
|
saunterer through the long vacation in Kenge and Carboy's office, to
|
|
wit, Young Smallweed.
|
|
|
|
Whether Young Smallweed (metaphorically called Small and eke Chick
|
|
Weed, as it were jocularly to express a fledgling) was ever a boy is
|
|
much doubted in Lincoln's Inn. He is now something under fifteen and
|
|
an old limb of the law. He is facetiously understood to entertain a
|
|
passion for a lady at a cigar-shop in the neighbourhood of Chancery
|
|
Lane and for her sake to have broken off a contract with another
|
|
lady, to whom he had been engaged some years. He is a town-made
|
|
article, of small stature and weazen features, but may be perceived
|
|
from a considerable distance by means of his very tall hat. To become
|
|
a Guppy is the object of his ambition. He dresses at that gentleman
|
|
(by whom he is patronized), talks at him, walks at him, founds
|
|
himself entirely on him. He is honoured with Mr. Guppy's particular
|
|
confidence and occasionally advises him, from the deep wells of his
|
|
experience, on difficult points in private life.
|
|
|
|
Mr. Guppy has been lolling out of window all the morning after trying
|
|
all the stools in succession and finding none of them easy, and after
|
|
several times putting his head into the iron safe with a notion of
|
|
cooling it. Mr. Smallweed has been twice dispatched for effervescent
|
|
drinks, and has twice mixed them in the two official tumblers and
|
|
stirred them up with the ruler. Mr. Guppy propounds for Mr.
|
|
Smallweed's consideration the paradox that the more you drink the
|
|
thirstier you are and reclines his head upon the window-sill in a
|
|
state of hopeless languor.
|
|
|
|
While thus looking out into the shade of Old Square, Lincoln's Inn,
|
|
surveying the intolerable bricks and mortar, Mr. Guppy becomes
|
|
conscious of a manly whisker emerging from the cloistered walk below
|
|
and turning itself up in the direction of his face. At the same time,
|
|
a low whistle is wafted through the Inn and a suppressed voice cries,
|
|
"Hip! Gup-py!"
|
|
|
|
"Why, you don't mean it!" says Mr. Guppy, aroused. "Small! Here's
|
|
Jobling!" Small's head looks out of window too and nods to Jobling.
|
|
|
|
"Where have you sprung up from?" inquires Mr. Guppy.
|
|
|
|
"From the market-gardens down by Deptford. I can't stand it any
|
|
longer. I must enlist. I say! I wish you'd lend me half a crown. Upon
|
|
my soul, I'm hungry."
|
|
|
|
Jobling looks hungry and also has the appearance of having run to
|
|
seed in the market-gardens down by Deptford.
|
|
|
|
"I say! Just throw out half a crown if you have got one to spare. I
|
|
want to get some dinner."
|
|
|
|
"Will you come and dine with me?" says Mr. Guppy, throwing out the
|
|
coin, which Mr. Jobling catches neatly.
|
|
|
|
"How long should I have to hold out?" says Jobling.
|
|
|
|
"Not half an hour. I am only waiting here till the enemy goes,
|
|
returns Mr. Guppy, butting inward with his head.
|
|
|
|
"What enemy?"
|
|
|
|
"A new one. Going to be articled. Will you wait?"
|
|
|
|
"Can you give a fellow anything to read in the meantime?" says Mr.
|
|
Jobling.
|
|
|
|
Smallweed suggests the law list. But Mr. Jobling declares with much
|
|
earnestness that he "can't stand it."
|
|
|
|
"You shall have the paper," says Mr. Guppy. "He shall bring it down.
|
|
But you had better not be seen about here. Sit on our staircase and
|
|
read. It's a quiet place."
|
|
|
|
Jobling nods intelligence and acquiescence. The sagacious Smallweed
|
|
supplies him with the newspaper and occasionally drops his eye upon
|
|
him from the landing as a precaution against his becoming disgusted
|
|
with waiting and making an untimely departure. At last the enemy
|
|
retreats, and then Smallweed fetches Mr. Jobling up.
|
|
|
|
"Well, and how are you?" says Mr. Guppy, shaking hands with him.
|
|
|
|
"So, so. How are you?"
|
|
|
|
Mr. Guppy replying that he is not much to boast of, Mr. Jobling
|
|
ventures on the question, "How is SHE?" This Mr. Guppy resents as a
|
|
liberty, retorting, "Jobling, there ARE chords in the human mind--"
|
|
Jobling begs pardon.
|
|
|
|
"Any subject but that!" says Mr. Guppy with a gloomy enjoyment of his
|
|
injury. "For there ARE chords, Jobling--"
|
|
|
|
Mr. Jobling begs pardon again.
|
|
|
|
During this short colloquy, the active Smallweed, who is of the
|
|
dinner party, has written in legal characters on a slip of paper,
|
|
"Return immediately." This notification to all whom it may concern,
|
|
he inserts in the letter-box, and then putting on the tall hat at the
|
|
angle of inclination at which Mr. Guppy wears his, informs his patron
|
|
that they may now make themselves scarce.
|
|
|
|
Accordingly they betake themselves to a neighbouring dining-house, of
|
|
the class known among its frequenters by the denomination slap-bang,
|
|
where the waitress, a bouncing young female of forty, is supposed to
|
|
have made some impression on the susceptible Smallweed, of whom it
|
|
may be remarked that he is a weird changeling to whom years are
|
|
nothing. He stands precociously possessed of centuries of owlish
|
|
wisdom. If he ever lay in a cradle, it seems as if he must have lain
|
|
there in a tail-coat. He has an old, old eye, has Smallweed; and he
|
|
drinks and smokes in a monkeyish way; and his neck is stiff in his
|
|
collar; and he is never to be taken in; and he knows all about it,
|
|
whatever it is. In short, in his bringing up he has been so nursed by
|
|
Law and Equity that he has become a kind of fossil imp, to account
|
|
for whose terrestrial existence it is reported at the public offices
|
|
that his father was John Doe and his mother the only female member of
|
|
the Roe family, also that his first long-clothes were made from a
|
|
blue bag.
|
|
|
|
Into the dining-house, unaffected by the seductive show in the window
|
|
of artificially whitened cauliflowers and poultry, verdant baskets of
|
|
peas, coolly blooming cucumbers, and joints ready for the spit, Mr.
|
|
Smallweed leads the way. They know him there and defer to him. He has
|
|
his favourite box, he bespeaks all the papers, he is down upon bald
|
|
patriarchs, who keep them more than ten minutes afterwards. It is of
|
|
no use trying him with anything less than a full-sized "bread" or
|
|
proposing to him any joint in cut unless it is in the very best cut.
|
|
In the matter of gravy he is adamant.
|
|
|
|
Conscious of his elfin power and submitting to his dread experience,
|
|
Mr. Guppy consults him in the choice of that day's banquet, turning
|
|
an appealing look towards him as the waitress repeats the catalogue
|
|
of viands and saying "What do YOU take, Chick?" Chick, out of the
|
|
profundity of his artfulness, preferring "veal and ham and French
|
|
beans--and don't you forget the stuffing, Polly" (with an unearthly
|
|
cock of his venerable eye), Mr. Guppy and Mr. Jobling give the like
|
|
order. Three pint pots of half-and-half are superadded. Quickly the
|
|
waitress returns bearing what is apparently a model of the Tower of
|
|
Babel but what is really a pile of plates and flat tin dish-covers.
|
|
Mr. Smallweed, approving of what is set before him, conveys
|
|
intelligent benignity into his ancient eye and winks upon her. Then,
|
|
amid a constant coming in, and going out, and running about, and a
|
|
clatter of crockery, and a rumbling up and down of the machine which
|
|
brings the nice cuts from the kitchen, and a shrill crying for more
|
|
nice cuts down the speaking-pipe, and a shrill reckoning of the cost
|
|
of nice cuts that have been disposed of, and a general flush and
|
|
steam of hot joints, cut and uncut, and a considerably heated
|
|
atmosphere in which the soiled knives and tablecloths seem to break
|
|
out spontaneously into eruptions of grease and blotches of beer, the
|
|
legal triumvirate appease their appetites.
|
|
|
|
Mr. Jobling is buttoned up closer than mere adornment might require.
|
|
His hat presents at the rims a peculiar appearance of a glistening
|
|
nature, as if it had been a favourite snail-promenade. The same
|
|
phenomenon is visible on some parts of his coat, and particularly at
|
|
the seams. He has the faded appearance of a gentleman in embarrassed
|
|
circumstances; even his light whiskers droop with something of a
|
|
shabby air.
|
|
|
|
His appetite is so vigorous that it suggests spare living for some
|
|
little time back. He makes such a speedy end of his plate of veal and
|
|
ham, bringing it to a close while his companions are yet midway in
|
|
theirs, that Mr. Guppy proposes another. "Thank you, Guppy," says Mr.
|
|
Jobling, "I really don't know but what I WILL take another."
|
|
|
|
Another being brought, he falls to with great goodwill.
|
|
|
|
Mr. Guppy takes silent notice of him at intervals until he is half
|
|
way through this second plate and stops to take an enjoying pull at
|
|
his pint pot of half-and-half (also renewed) and stretches out his
|
|
legs and rubs his hands. Beholding him in which glow of contentment,
|
|
Mr. Guppy says, "You are a man again, Tony!"
|
|
|
|
"Well, not quite yet," says Mr. Jobling. "Say, just born."
|
|
|
|
"Will you take any other vegetables? Grass? Peas? Summer cabbage?"
|
|
|
|
"Thank you, Guppy," says Mr. Jobling. "I really don't know but what I
|
|
WILL take summer cabbage."
|
|
|
|
Order given; with the sarcastic addition (from Mr. Smallweed) of
|
|
"Without slugs, Polly!" And cabbage produced.
|
|
|
|
"I am growing up, Guppy," says Mr. Jobling, plying his knife and fork
|
|
with a relishing steadiness.
|
|
|
|
"Glad to hear it."
|
|
|
|
"In fact, I have just turned into my teens," says Mr. Jobling.
|
|
|
|
He says no more until he has performed his task, which he achieves as
|
|
Messrs. Guppy and Smallweed finish theirs, thus getting over the
|
|
ground in excellent style and beating those two gentlemen easily by a
|
|
veal and ham and a cabbage.
|
|
|
|
"Now, Small," says Mr. Guppy, "what would you recommend about
|
|
pastry?"
|
|
|
|
"Marrow puddings," says Mr. Smallweed instantly.
|
|
|
|
"Aye, aye!" cries Mr. Jobling with an arch look. "You're there, are
|
|
you? Thank you, Mr. Guppy, I don't know but what I WILL take a marrow
|
|
pudding."
|
|
|
|
Three marrow puddings being produced, Mr. Jobling adds in a pleasant
|
|
humour that he is coming of age fast. To these succeed, by command of
|
|
Mr. Smallweed, "three Cheshires," and to those "three small rums."
|
|
This apex of the entertainment happily reached, Mr. Jobling puts up
|
|
his legs on the carpeted seat (having his own side of the box to
|
|
himself), leans against the wall, and says, "I am grown up now,
|
|
Guppy. I have arrived at maturity."
|
|
|
|
"What do you think, now," says Mr. Guppy, "about--you don't mind
|
|
Smallweed?"
|
|
|
|
"Not the least in the world. I have the pleasure of drinking his good
|
|
health."
|
|
|
|
"Sir, to you!" says Mr. Smallweed.
|
|
|
|
"I was saying, what do you think NOW," pursues Mr. Guppy, "of
|
|
enlisting?"
|
|
|
|
"Why, what I may think after dinner," returns Mr. Jobling, "is one
|
|
thing, my dear Guppy, and what I may think before dinner is another
|
|
thing. Still, even after dinner, I ask myself the question, What am I
|
|
to do? How am I to live? Ill fo manger, you know," says Mr. Jobling,
|
|
pronouncing that word as if he meant a necessary fixture in an
|
|
English stable. "Ill fo manger. That's the French saying, and
|
|
mangering is as necessary to me as it is to a Frenchman. Or more so."
|
|
|
|
Mr. Smallweed is decidedly of opinion "much more so."
|
|
|
|
"If any man had told me," pursues Jobling, "even so lately as when
|
|
you and I had the frisk down in Lincolnshire, Guppy, and drove over
|
|
to see that house at Castle Wold--"
|
|
|
|
Mr. Smallweed corrects him--Chesney Wold.
|
|
|
|
"Chesney Wold. (I thank my honourable friend for that cheer.) If any
|
|
man had told me then that I should be as hard up at the present time
|
|
as I literally find myself, I should have--well, I should have
|
|
pitched into him," says Mr. Jobling, taking a little rum-and-water
|
|
with an air of desperate resignation; "I should have let fly at his
|
|
head."
|
|
|
|
"Still, Tony, you were on the wrong side of the post then,"
|
|
remonstrates Mr. Guppy. "You were talking about nothing else in the
|
|
gig."
|
|
|
|
"Guppy," says Mr. Jobling, "I will not deny it. I was on the wrong
|
|
side of the post. But I trusted to things coming round."
|
|
|
|
That very popular trust in flat things coming round! Not in their
|
|
being beaten round, or worked round, but in their "coming" round! As
|
|
though a lunatic should trust in the world's "coming" triangular!
|
|
|
|
"I had confident expectations that things would come round and be all
|
|
square," says Mr. Jobling with some vagueness of expression and
|
|
perhaps of meaning too. "But I was disappointed. They never did. And
|
|
when it came to creditors making rows at the office and to people
|
|
that the office dealt with making complaints about dirty trifles of
|
|
borrowed money, why there was an end of that connexion. And of any
|
|
new professional connexion too, for if I was to give a reference
|
|
to-morrow, it would be mentioned and would sew me up. Then what's a
|
|
fellow to do? I have been keeping out of the way and living cheap
|
|
down about the market-gardens, but what's the use of living cheap
|
|
when you have got no money? You might as well live dear."
|
|
|
|
"Better," Mr. Smallweed thinks.
|
|
|
|
"Certainly. It's the fashionable way; and fashion and whiskers have
|
|
been my weaknesses, and I don't care who knows it," says Mr. Jobling.
|
|
"They are great weaknesses--Damme, sir, they are great. Well,"
|
|
proceeds Mr. Jobling after a defiant visit to his rum-and-water,
|
|
"what can a fellow do, I ask you, BUT enlist?"
|
|
|
|
Mr. Guppy comes more fully into the conversation to state what, in
|
|
his opinion, a fellow can do. His manner is the gravely impressive
|
|
manner of a man who has not committed himself in life otherwise than
|
|
as he has become the victim of a tender sorrow of the heart.
|
|
|
|
"Jobling," says Mr. Guppy, "myself and our mutual friend Smallweed--"
|
|
|
|
Mr. Smallweed modestly observes, "Gentlemen both!" and drinks.
|
|
|
|
"--Have had a little conversation on this matter more than once since
|
|
you--"
|
|
|
|
"Say, got the sack!" cries Mr. Jobling bitterly. "Say it, Guppy. You
|
|
mean it."
|
|
|
|
"No-o-o! Left the Inn," Mr. Smallweed delicately suggests.
|
|
|
|
"Since you left the Inn, Jobling," says Mr. Guppy; "and I have
|
|
mentioned to our mutual friend Smallweed a plan I have lately thought
|
|
of proposing. You know Snagsby the stationer?"
|
|
|
|
"I know there is such a stationer," returns Mr. Jobling. "He was not
|
|
ours, and I am not acquainted with him."
|
|
|
|
"He IS ours, Jobling, and I AM acquainted with him," Mr. Guppy
|
|
retorts. "Well, sir! I have lately become better acquainted with him
|
|
through some accidental circumstances that have made me a visitor of
|
|
his in private life. Those circumstances it is not necessary to offer
|
|
in argument. They may--or they may not--have some reference to a
|
|
subject which may--or may not--have cast its shadow on my existence."
|
|
|
|
As it is Mr. Guppy's perplexing way with boastful misery to tempt his
|
|
particular friends into this subject, and the moment they touch it,
|
|
to turn on them with that trenchant severity about the chords in the
|
|
human mind, both Mr. Jobling and Mr. Smallweed decline the pitfall by
|
|
remaining silent.
|
|
|
|
"Such things may be," repeats Mr. Guppy, "or they may not be. They
|
|
are no part of the case. It is enough to mention that both Mr. and
|
|
Mrs. Snagsby are very willing to oblige me and that Snagsby has, in
|
|
busy times, a good deal of copying work to give out. He has all
|
|
Tulkinghorn's, and an excellent business besides. I believe if our
|
|
mutual friend Smallweed were put into the box, he could prove this?"
|
|
|
|
Mr. Smallweed nods and appears greedy to be sworn.
|
|
|
|
"Now, gentlemen of the jury," says Mr. Guppy, "--I mean, now,
|
|
Jobling--you may say this is a poor prospect of a living. Granted.
|
|
But it's better than nothing, and better than enlistment. You want
|
|
time. There must be time for these late affairs to blow over. You
|
|
might live through it on much worse terms than by writing for
|
|
Snagsby."
|
|
|
|
Mr. Jobling is about to interrupt when the sagacious Smallweed checks
|
|
him with a dry cough and the words, "Hem! Shakspeare!"
|
|
|
|
"There are two branches to this subject, Jobling," says Mr. Guppy.
|
|
"That is the first. I come to the second. You know Krook, the
|
|
Chancellor, across the lane. Come, Jobling," says Mr. Guppy in his
|
|
encouraging cross-examination-tone, "I think you know Krook, the
|
|
Chancellor, across the lane?"
|
|
|
|
"I know him by sight," says Mr. Jobling.
|
|
|
|
"You know him by sight. Very well. And you know little Flite?"
|
|
|
|
"Everybody knows her," says Mr. Jobling.
|
|
|
|
"Everybody knows her. VERY well. Now it has been one of my duties of
|
|
late to pay Flite a certain weekly allowance, deducting from it the
|
|
amount of her weekly rent, which I have paid (in consequence of
|
|
instructions I have received) to Krook himself, regularly in her
|
|
presence. This has brought me into communication with Krook and into
|
|
a knowledge of his house and his habits. I know he has a room to let.
|
|
You may live there at a very low charge under any name you like, as
|
|
quietly as if you were a hundred miles off. He'll ask no questions
|
|
and would accept you as a tenant at a word from me--before the clock
|
|
strikes, if you chose. And I tell you another thing, Jobling," says
|
|
Mr. Guppy, who has suddenly lowered his voice and become familiar
|
|
again, "he's an extraordinary old chap--always rummaging among a
|
|
litter of papers and grubbing away at teaching himself to read and
|
|
write, without getting on a bit, as it seems to me. He is a most
|
|
extraordinary old chap, sir. I don't know but what it might be worth
|
|
a fellow's while to look him up a bit."
|
|
|
|
"You don't mean--" Mr. Jobling begins.
|
|
|
|
"I mean," returns Mr. Guppy, shrugging his shoulders with becoming
|
|
modesty, "that I can't make him out. I appeal to our mutual friend
|
|
Smallweed whether he has or has not heard me remark that I can't make
|
|
him out."
|
|
|
|
Mr. Smallweed bears the concise testimony, "A few!"
|
|
|
|
"I have seen something of the profession and something of life,
|
|
Tony," says Mr. Guppy, "and it's seldom I can't make a man out, more
|
|
or less. But such an old card as this, so deep, so sly, and secret
|
|
(though I don't believe he is ever sober), I never came across. Now,
|
|
he must be precious old, you know, and he has not a soul about him,
|
|
and he is reported to be immensely rich; and whether he is a
|
|
smuggler, or a receiver, or an unlicensed pawnbroker, or a
|
|
money-lender--all of which I have thought likely at different
|
|
times--it might pay you to knock up a sort of knowledge of him. I
|
|
don't see why you shouldn't go in for it, when everything else
|
|
suits."
|
|
|
|
Mr. Jobling, Mr. Guppy, and Mr. Smallweed all lean their elbows on
|
|
the table and their chins upon their hands, and look at the ceiling.
|
|
After a time, they all drink, slowly lean back, put their hands in
|
|
their pockets, and look at one another.
|
|
|
|
"If I had the energy I once possessed, Tony!" says Mr. Guppy with a
|
|
sigh. "But there are chords in the human mind--"
|
|
|
|
Expressing the remainder of the desolate sentiment in rum-and-water,
|
|
Mr. Guppy concludes by resigning the adventure to Tony Jobling and
|
|
informing him that during the vacation and while things are slack,
|
|
his purse, "as far as three or four or even five pound goes," will be
|
|
at his disposal. "For never shall it be said," Mr. Guppy adds with
|
|
emphasis, "that William Guppy turned his back upon his friend!"
|
|
|
|
The latter part of the proposal is so directly to the purpose that
|
|
Mr. Jobling says with emotion, "Guppy, my trump, your fist!" Mr.
|
|
Guppy presents it, saying, "Jobling, my boy, there it is!" Mr.
|
|
Jobling returns, "Guppy, we have been pals now for some years!" Mr.
|
|
Guppy replies, "Jobling, we have."
|
|
|
|
They then shake hands, and Mr. Jobling adds in a feeling manner,
|
|
"Thank you, Guppy, I don't know but what I WILL take another glass
|
|
for old acquaintance sake."
|
|
|
|
"Krook's last lodger died there," observes Mr. Guppy in an incidental
|
|
way.
|
|
|
|
"Did he though!" says Mr. Jobling.
|
|
|
|
"There was a verdict. Accidental death. You don't mind that?"
|
|
|
|
"No," says Mr. Jobling, "I don't mind it; but he might as well have
|
|
died somewhere else. It's devilish odd that he need go and die at MY
|
|
place!" Mr. Jobling quite resents this liberty, several times
|
|
returning to it with such remarks as, "There are places enough to die
|
|
in, I should think!" or, "He wouldn't have liked my dying at HIS
|
|
place, I dare say!"
|
|
|
|
However, the compact being virtually made, Mr. Guppy proposes to
|
|
dispatch the trusty Smallweed to ascertain if Mr. Krook is at home,
|
|
as in that case they may complete the negotiation without delay. Mr.
|
|
Jobling approving, Smallweed puts himself under the tall hat and
|
|
conveys it out of the dining-rooms in the Guppy manner. He soon
|
|
returns with the intelligence that Mr. Krook is at home and that he
|
|
has seen him through the shop-door, sitting in the back premises,
|
|
sleeping "like one o'clock."
|
|
|
|
"Then I'll pay," says Mr. Guppy, "and we'll go and see him. Small,
|
|
what will it be?"
|
|
|
|
Mr. Smallweed, compelling the attendance of the waitress with one
|
|
hitch of his eyelash, instantly replies as follows: "Four veals and
|
|
hams is three, and four potatoes is three and four, and one summer
|
|
cabbage is three and six, and three marrows is four and six, and six
|
|
breads is five, and three Cheshires is five and three, and four
|
|
half-pints of half-and-half is six and three, and four small rums is
|
|
eight and three, and three Pollys is eight and six. Eight and six in
|
|
half a sovereign, Polly, and eighteenpence out!"
|
|
|
|
Not at all excited by these stupendous calculations, Smallweed
|
|
dismisses his friends with a cool nod and remains behind to take a
|
|
little admiring notice of Polly, as opportunity may serve, and to
|
|
read the daily papers, which are so very large in proportion to
|
|
himself, shorn of his hat, that when he holds up the Times to run his
|
|
eye over the columns, he seems to have retired for the night and to
|
|
have disappeared under the bedclothes.
|
|
|
|
Mr. Guppy and Mr. Jobling repair to the rag and bottle shop, where
|
|
they find Krook still sleeping like one o'clock, that is to say,
|
|
breathing stertorously with his chin upon his breast and quite
|
|
insensible to any external sounds or even to gentle shaking. On the
|
|
table beside him, among the usual lumber, stand an empty gin-bottle
|
|
and a glass. The unwholesome air is so stained with this liquor that
|
|
even the green eyes of the cat upon her shelf, as they open and shut
|
|
and glimmer on the visitors, look drunk.
|
|
|
|
"Hold up here!" says Mr. Guppy, giving the relaxed figure of the old
|
|
man another shake. "Mr. Krook! Halloa, sir!"
|
|
|
|
But it would seem as easy to wake a bundle of old clothes with a
|
|
spirituous heat smouldering in it. "Did you ever see such a stupor as
|
|
he falls into, between drink and sleep?" says Mr. Guppy.
|
|
|
|
"If this is his regular sleep," returns Jobling, rather alarmed,
|
|
"it'll last a long time one of these days, I am thinking."
|
|
|
|
"It's always more like a fit than a nap," says Mr. Guppy, shaking him
|
|
again. "Halloa, your lordship! Why, he might be robbed fifty times
|
|
over! Open your eyes!"
|
|
|
|
After much ado, he opens them, but without appearing to see his
|
|
visitors or any other objects. Though he crosses one leg on another,
|
|
and folds his hands, and several times closes and opens his parched
|
|
lips, he seems to all intents and purposes as insensible as before.
|
|
|
|
"He is alive, at any rate," says Mr. Guppy. "How are you, my Lord
|
|
Chancellor. I have brought a friend of mine, sir, on a little matter
|
|
of business."
|
|
|
|
The old man still sits, often smacking his dry lips without the least
|
|
consciousness. After some minutes he makes an attempt to rise. They
|
|
help him up, and he staggers against the wall and stares at them.
|
|
|
|
"How do you do, Mr. Krook?" says Mr. Guppy in some discomfiture. "How
|
|
do you do, sir? You are looking charming, Mr. Krook. I hope you are
|
|
pretty well?"
|
|
|
|
The old man, in aiming a purposeless blow at Mr. Guppy, or at
|
|
nothing, feebly swings himself round and comes with his face against
|
|
the wall. So he remains for a minute or two, heaped up against it,
|
|
and then staggers down the shop to the front door. The air, the
|
|
movement in the court, the lapse of time, or the combination of these
|
|
things recovers him. He comes back pretty steadily, adjusting his fur
|
|
cap on his head and looking keenly at them.
|
|
|
|
"Your servant, gentlemen; I've been dozing. Hi! I am hard to wake,
|
|
odd times."
|
|
|
|
"Rather so, indeed, sir," responds Mr. Guppy.
|
|
|
|
"What? You've been a-trying to do it, have you?" says the suspicious
|
|
Krook.
|
|
|
|
"Only a little," Mr. Guppy explains.
|
|
|
|
The old man's eye resting on the empty bottle, he takes it up,
|
|
examines it, and slowly tilts it upside down.
|
|
|
|
"I say!" he cries like the hobgoblin in the story. "Somebody's been
|
|
making free here!"
|
|
|
|
"I assure you we found it so," says Mr. Guppy. "Would you allow me to
|
|
get it filled for you?"
|
|
|
|
"Yes, certainly I would!" cries Krook in high glee. "Certainly I
|
|
would! Don't mention it! Get it filled next door--Sol's Arms--the
|
|
Lord Chancellor's fourteenpenny. Bless you, they know ME!"
|
|
|
|
He so presses the empty bottle upon Mr. Guppy that that gentleman,
|
|
with a nod to his friend, accepts the trust and hurries out and
|
|
hurries in again with the bottle filled. The old man receives it in
|
|
his arms like a beloved grandchild and pats it tenderly.
|
|
|
|
"But, I say," he whispers, with his eyes screwed up, after tasting
|
|
it, "this ain't the Lord Chancellor's fourteenpenny. This is
|
|
eighteenpenny!"
|
|
|
|
"I thought you might like that better," says Mr. Guppy.
|
|
|
|
"You're a nobleman, sir," returns Krook with another taste, and his
|
|
hot breath seems to come towards them like a flame. "You're a baron
|
|
of the land."
|
|
|
|
Taking advantage of this auspicious moment, Mr. Guppy presents his
|
|
friend under the impromptu name of Mr. Weevle and states the object
|
|
of their visit. Krook, with his bottle under his arm (he never gets
|
|
beyond a certain point of either drunkenness or sobriety), takes time
|
|
to survey his proposed lodger and seems to approve of him. "You'd
|
|
like to see the room, young man?" he says. "Ah! It's a good room!
|
|
Been whitewashed. Been cleaned down with soft soap and soda. Hi! It's
|
|
worth twice the rent, letting alone my company when you want it and
|
|
such a cat to keep the mice away."
|
|
|
|
Commending the room after this manner, the old man takes them
|
|
upstairs, where indeed they do find it cleaner than it used to be and
|
|
also containing some old articles of furniture which he has dug up
|
|
from his inexhaustible stores. The terms are easily concluded--for
|
|
the Lord Chancellor cannot be hard on Mr. Guppy, associated as he is
|
|
with Kenge and Carboy, Jarndyce and Jarndyce, and other famous claims
|
|
on his professional consideration--and it is agreed that Mr. Weevle
|
|
shall take possession on the morrow. Mr. Weevle and Mr. Guppy then
|
|
repair to Cook's Court, Cursitor Street, where the personal
|
|
introduction of the former to Mr. Snagsby is effected and (more
|
|
important) the vote and interest of Mrs. Snagsby are secured. They
|
|
then report progress to the eminent Smallweed, waiting at the office
|
|
in his tall hat for that purpose, and separate, Mr. Guppy explaining
|
|
that he would terminate his little entertainment by standing treat at
|
|
the play but that there are chords in the human mind which would
|
|
render it a hollow mockery.
|
|
|
|
On the morrow, in the dusk of evening, Mr. Weevle modestly appears at
|
|
Krook's, by no means incommoded with luggage, and establishes himself
|
|
in his new lodging, where the two eyes in the shutters stare at him
|
|
in his sleep, as if they were full of wonder. On the following day
|
|
Mr. Weevle, who is a handy good-for-nothing kind of young fellow,
|
|
borrows a needle and thread of Miss Flite and a hammer of his
|
|
landlord and goes to work devising apologies for window-curtains, and
|
|
knocking up apologies for shelves, and hanging up his two teacups,
|
|
milkpot, and crockery sundries on a pennyworth of little hooks, like
|
|
a shipwrecked sailor making the best of it.
|
|
|
|
But what Mr. Weevle prizes most of all his few possessions (next
|
|
after his light whiskers, for which he has an attachment that only
|
|
whiskers can awaken in the breast of man) is a choice collection of
|
|
copper-plate impressions from that truly national work The Divinities
|
|
of Albion, or Galaxy Gallery of British Beauty, representing ladies
|
|
of title and fashion in every variety of smirk that art, combined
|
|
with capital, is capable of producing. With these magnificent
|
|
portraits, unworthily confined in a band-box during his seclusion
|
|
among the market-gardens, he decorates his apartment; and as the
|
|
Galaxy Gallery of British Beauty wears every variety of fancy dress,
|
|
plays every variety of musical instrument, fondles every variety of
|
|
dog, ogles every variety of prospect, and is backed up by every
|
|
variety of flower-pot and balustrade, the result is very imposing.
|
|
|
|
But fashion is Mr. Weevle's, as it was Tony Jobling's, weakness. To
|
|
borrow yesterday's paper from the Sol's Arms of an evening and read
|
|
about the brilliant and distinguished meteors that are shooting
|
|
across the fashionable sky in every direction is unspeakable
|
|
consolation to him. To know what member of what brilliant and
|
|
distinguished circle accomplished the brilliant and distinguished
|
|
feat of joining it yesterday or contemplates the no less brilliant
|
|
and distinguished feat of leaving it to-morrow gives him a thrill of
|
|
joy. To be informed what the Galaxy Gallery of British Beauty is
|
|
about, and means to be about, and what Galaxy marriages are on the
|
|
tapis, and what Galaxy rumours are in circulation, is to become
|
|
acquainted with the most glorious destinies of mankind. Mr. Weevle
|
|
reverts from this intelligence to the Galaxy portraits implicated,
|
|
and seems to know the originals, and to be known of them.
|
|
|
|
For the rest he is a quiet lodger, full of handy shifts and devices
|
|
as before mentioned, able to cook and clean for himself as well as to
|
|
carpenter, and developing social inclinations after the shades of
|
|
evening have fallen on the court. At those times, when he is not
|
|
visited by Mr. Guppy or by a small light in his likeness quenched in
|
|
a dark hat, he comes out of his dull room--where he has inherited the
|
|
deal wilderness of desk bespattered with a rain of ink--and talks to
|
|
Krook or is "very free," as they call it in the court, commendingly,
|
|
with any one disposed for conversation. Wherefore, Mrs. Piper, who
|
|
leads the court, is impelled to offer two remarks to Mrs. Perkins:
|
|
firstly, that if her Johnny was to have whiskers, she could wish 'em
|
|
to be identically like that young man's; and secondly, "Mark my
|
|
words, Mrs. Perkins, ma'am, and don't you be surprised, Lord bless
|
|
you, if that young man comes in at last for old Krook's money!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XXI
|
|
|
|
The Smallweed Family
|
|
|
|
|
|
In a rather ill-favoured and ill-savoured neighbourhood, though one
|
|
of its rising grounds bears the name of Mount Pleasant, the Elfin
|
|
Smallweed, christened Bartholomew and known on the domestic hearth as
|
|
Bart, passes that limited portion of his time on which the office and
|
|
its contingencies have no claim. He dwells in a little narrow street,
|
|
always solitary, shady, and sad, closely bricked in on all sides like
|
|
a tomb, but where there yet lingers the stump of an old forest tree
|
|
whose flavour is about as fresh and natural as the Smallweed smack of
|
|
youth.
|
|
|
|
There has been only one child in the Smallweed family for several
|
|
generations. Little old men and women there have been, but no child,
|
|
until Mr. Smallweed's grandmother, now living, became weak in her
|
|
intellect and fell (for the first time) into a childish state. With
|
|
such infantine graces as a total want of observation, memory,
|
|
understanding, and interest, and an eternal disposition to fall
|
|
asleep over the fire and into it, Mr. Smallweed's grandmother has
|
|
undoubtedly brightened the family.
|
|
|
|
Mr. Smallweed's grandfather is likewise of the party. He is in a
|
|
helpless condition as to his lower, and nearly so as to his upper,
|
|
limbs, but his mind is unimpaired. It holds, as well as it ever held,
|
|
the first four rules of arithmetic and a certain small collection of
|
|
the hardest facts. In respect of ideality, reverence, wonder, and
|
|
other such phrenological attributes, it is no worse off than it used
|
|
to be. Everything that Mr. Smallweed's grandfather ever put away in
|
|
his mind was a grub at first, and is a grub at last. In all his life
|
|
he has never bred a single butterfly.
|
|
|
|
The father of this pleasant grandfather, of the neighbourhood of
|
|
Mount Pleasant, was a horny-skinned, two-legged, money-getting
|
|
species of spider who spun webs to catch unwary flies and retired
|
|
into holes until they were entrapped. The name of this old pagan's
|
|
god was Compound Interest. He lived for it, married it, died of it.
|
|
Meeting with a heavy loss in an honest little enterprise in which all
|
|
the loss was intended to have been on the other side, he broke
|
|
something--something necessary to his existence, therefore it
|
|
couldn't have been his heart--and made an end of his career. As his
|
|
character was not good, and he had been bred at a charity school in a
|
|
complete course, according to question and answer, of those ancient
|
|
people the Amorites and Hittites, he was frequently quoted as an
|
|
example of the failure of education.
|
|
|
|
His spirit shone through his son, to whom he had always preached of
|
|
"going out" early in life and whom he made a clerk in a sharp
|
|
scrivener's office at twelve years old. There the young gentleman
|
|
improved his mind, which was of a lean and anxious character, and
|
|
developing the family gifts, gradually elevated himself into the
|
|
discounting profession. Going out early in life and marrying late, as
|
|
his father had done before him, he too begat a lean and
|
|
anxious-minded son, who in his turn, going out early in life and
|
|
marrying late, became the father of Bartholomew and Judith Smallweed,
|
|
twins. During the whole time consumed in the slow growth of this
|
|
family tree, the house of Smallweed, always early to go out and late
|
|
to marry, has strengthened itself in its practical character, has
|
|
discarded all amusements, discountenanced all story-books,
|
|
fairy-tales, fictions, and fables, and banished all levities
|
|
whatsoever. Hence the gratifying fact that it has had no child born
|
|
to it and that the complete little men and women whom it has produced
|
|
have been observed to bear a likeness to old monkeys with something
|
|
depressing on their minds.
|
|
|
|
At the present time, in the dark little parlour certain feet below
|
|
the level of the street--a grim, hard, uncouth parlour, only
|
|
ornamented with the coarsest of baize table-covers, and the hardest
|
|
of sheet-iron tea-trays, and offering in its decorative character no
|
|
bad allegorical representation of Grandfather Smallweed's
|
|
mind--seated in two black horsehair porter's chairs, one on each side
|
|
of the fire-place, the superannuated Mr. and Mrs. Smallweed while
|
|
away the rosy hours. On the stove are a couple of trivets for the
|
|
pots and kettles which it is Grandfather Smallweed's usual occupation
|
|
to watch, and projecting from the chimney-piece between them is a
|
|
sort of brass gallows for roasting, which he also superintends when
|
|
it is in action. Under the venerable Mr. Smallweed's seat and guarded
|
|
by his spindle legs is a drawer in his chair, reported to contain
|
|
property to a fabulous amount. Beside him is a spare cushion with
|
|
which he is always provided in order that he may have something to
|
|
throw at the venerable partner of his respected age whenever she
|
|
makes an allusion to money--a subject on which he is particularly
|
|
sensitive.
|
|
|
|
"And where's Bart?" Grandfather Smallweed inquires of Judy, Bart's
|
|
twin sister.
|
|
|
|
"He an't come in yet," says Judy.
|
|
|
|
"It's his tea-time, isn't it?"
|
|
|
|
"No."
|
|
|
|
"How much do you mean to say it wants then?"
|
|
|
|
"Ten minutes."
|
|
|
|
"Hey?"
|
|
|
|
"Ten minutes." (Loud on the part of Judy.)
|
|
|
|
"Ho!" says Grandfather Smallweed. "Ten minutes."
|
|
|
|
Grandmother Smallweed, who has been mumbling and shaking her head at
|
|
the trivets, hearing figures mentioned, connects them with money and
|
|
screeches like a horrible old parrot without any plumage, "Ten
|
|
ten-pound notes!"
|
|
|
|
Grandfather Smallweed immediately throws the cushion at her.
|
|
|
|
"Drat you, be quiet!" says the good old man.
|
|
|
|
The effect of this act of jaculation is twofold. It not only doubles
|
|
up Mrs. Smallweed's head against the side of her porter's chair and
|
|
causes her to present, when extricated by her granddaughter, a highly
|
|
unbecoming state of cap, but the necessary exertion recoils on Mr.
|
|
Smallweed himself, whom it throws back into HIS porter's chair like a
|
|
broken puppet. The excellent old gentleman being at these times a
|
|
mere clothes-bag with a black skull-cap on the top of it, does not
|
|
present a very animated appearance until he has undergone the two
|
|
operations at the hands of his granddaughter of being shaken up like
|
|
a great bottle and poked and punched like a great bolster. Some
|
|
indication of a neck being developed in him by these means, he and
|
|
the sharer of his life's evening again fronting one another in their
|
|
two porter's chairs, like a couple of sentinels long forgotten on
|
|
their post by the Black Serjeant, Death.
|
|
|
|
Judy the twin is worthy company for these associates. She is so
|
|
indubitably sister to Mr. Smallweed the younger that the two kneaded
|
|
into one would hardly make a young person of average proportions,
|
|
while she so happily exemplifies the before-mentioned family likeness
|
|
to the monkey tribe that attired in a spangled robe and cap she might
|
|
walk about the table-land on the top of a barrel-organ without
|
|
exciting much remark as an unusual specimen. Under existing
|
|
circumstances, however, she is dressed in a plain, spare gown of
|
|
brown stuff.
|
|
|
|
Judy never owned a doll, never heard of Cinderella, never played at
|
|
any game. She once or twice fell into children's company when she was
|
|
about ten years old, but the children couldn't get on with Judy, and
|
|
Judy couldn't get on with them. She seemed like an animal of another
|
|
species, and there was instinctive repugnance on both sides. It is
|
|
very doubtful whether Judy knows how to laugh. She has so rarely seen
|
|
the thing done that the probabilities are strong the other way. Of
|
|
anything like a youthful laugh, she certainly can have no conception.
|
|
If she were to try one, she would find her teeth in her way,
|
|
modelling that action of her face, as she has unconsciously modelled
|
|
all its other expressions, on her pattern of sordid age. Such is
|
|
Judy.
|
|
|
|
And her twin brother couldn't wind up a top for his life. He knows no
|
|
more of Jack the Giant Killer or of Sinbad the Sailor than he knows
|
|
of the people in the stars. He could as soon play at leap-frog or at
|
|
cricket as change into a cricket or a frog himself. But he is so much
|
|
the better off than his sister that on his narrow world of fact an
|
|
opening has dawned into such broader regions as lie within the ken of
|
|
Mr. Guppy. Hence his admiration and his emulation of that shining
|
|
enchanter.
|
|
|
|
Judy, with a gong-like clash and clatter, sets one of the sheet-iron
|
|
tea-trays on the table and arranges cups and saucers. The bread she
|
|
puts on in an iron basket, and the butter (and not much of it) in a
|
|
small pewter plate. Grandfather Smallweed looks hard after the tea as
|
|
it is served out and asks Judy where the girl is.
|
|
|
|
"Charley, do you mean?" says Judy.
|
|
|
|
"Hey?" from Grandfather Smallweed.
|
|
|
|
"Charley, do you mean?"
|
|
|
|
This touches a spring in Grandmother Smallweed, who, chuckling as
|
|
usual at the trivets, cries, "Over the water! Charley over the water,
|
|
Charley over the water, over the water to Charley, Charley over the
|
|
water, over the water to Charley!" and becomes quite energetic about
|
|
it. Grandfather looks at the cushion but has not sufficiently
|
|
recovered his late exertion.
|
|
|
|
"Ha!" he says when there is silence. "If that's her name. She eats a
|
|
deal. It would be better to allow her for her keep."
|
|
|
|
Judy, with her brother's wink, shakes her head and purses up her
|
|
mouth into no without saying it.
|
|
|
|
"No?" returns the old man. "Why not?"
|
|
|
|
"She'd want sixpence a day, and we can do it for less," says Judy.
|
|
|
|
"Sure?"
|
|
|
|
Judy answers with a nod of deepest meaning and calls, as she scrapes
|
|
the butter on the loaf with every precaution against waste and cuts
|
|
it into slices, "You, Charley, where are you?" Timidly obedient to
|
|
the summons, a little girl in a rough apron and a large bonnet, with
|
|
her hands covered with soap and water and a scrubbing brush in one of
|
|
them, appears, and curtsys.
|
|
|
|
"What work are you about now?" says Judy, making an ancient snap at
|
|
her like a very sharp old beldame.
|
|
|
|
"I'm a-cleaning the upstairs back room, miss," replies Charley.
|
|
|
|
"Mind you do it thoroughly, and don't loiter. Shirking won't do for
|
|
me. Make haste! Go along!" cries Judy with a stamp upon the ground.
|
|
"You girls are more trouble than you're worth, by half."
|
|
|
|
On this severe matron, as she returns to her task of scraping the
|
|
butter and cutting the bread, falls the shadow of her brother,
|
|
looking in at the window. For whom, knife and loaf in hand, she opens
|
|
the street-door.
|
|
|
|
"Aye, aye, Bart!" says Grandfather Smallweed. "Here you are, hey?"
|
|
|
|
"Here I am," says Bart.
|
|
|
|
"Been along with your friend again, Bart?"
|
|
|
|
Small nods.
|
|
|
|
"Dining at his expense, Bart?"
|
|
|
|
Small nods again.
|
|
|
|
"That's right. Live at his expense as much as you can, and take
|
|
warning by his foolish example. That's the use of such a friend. The
|
|
only use you can put him to," says the venerable sage.
|
|
|
|
His grandson, without receiving this good counsel as dutifully as he
|
|
might, honours it with all such acceptance as may lie in a slight
|
|
wink and a nod and takes a chair at the tea-table. The four old faces
|
|
then hover over teacups like a company of ghastly cherubim, Mrs.
|
|
Smallweed perpetually twitching her head and chattering at the
|
|
trivets and Mr. Smallweed requiring to be repeatedly shaken up like a
|
|
large black draught.
|
|
|
|
"Yes, yes," says the good old gentleman, reverting to his lesson of
|
|
wisdom. "That's such advice as your father would have given you,
|
|
Bart. You never saw your father. More's the pity. He was my true
|
|
son." Whether it is intended to be conveyed that he was particularly
|
|
pleasant to look at, on that account, does not appear.
|
|
|
|
"He was my true son," repeats the old gentleman, folding his bread
|
|
and butter on his knee, "a good accountant, and died fifteen years
|
|
ago."
|
|
|
|
Mrs. Smallweed, following her usual instinct, breaks out with
|
|
"Fifteen hundred pound. Fifteen hundred pound in a black box, fifteen
|
|
hundred pound locked up, fifteen hundred pound put away and hid!" Her
|
|
worthy husband, setting aside his bread and butter, immediately
|
|
discharges the cushion at her, crushes her against the side of her
|
|
chair, and falls back in his own, overpowered. His appearance, after
|
|
visiting Mrs. Smallweed with one of these admonitions, is
|
|
particularly impressive and not wholly prepossessing, firstly because
|
|
the exertion generally twists his black skull-cap over one eye and
|
|
gives him an air of goblin rakishness, secondly because he mutters
|
|
violent imprecations against Mrs. Smallweed, and thirdly because the
|
|
contrast between those powerful expressions and his powerless figure
|
|
is suggestive of a baleful old malignant who would be very wicked if
|
|
he could. All this, however, is so common in the Smallweed family
|
|
circle that it produces no impression. The old gentleman is merely
|
|
shaken and has his internal feathers beaten up, the cushion is
|
|
restored to its usual place beside him, and the old lady, perhaps
|
|
with her cap adjusted and perhaps not, is planted in her chair again,
|
|
ready to be bowled down like a ninepin.
|
|
|
|
Some time elapses in the present instance before the old gentleman is
|
|
sufficiently cool to resume his discourse, and even then he mixes it
|
|
up with several edifying expletives addressed to the unconscious
|
|
partner of his bosom, who holds communication with nothing on earth
|
|
but the trivets. As thus: "If your father, Bart, had lived longer, he
|
|
might have been worth a deal of money--you brimstone chatterer!--but
|
|
just as he was beginning to build up the house that he had been
|
|
making the foundations for, through many a year--you jade of a
|
|
magpie, jackdaw, and poll-parrot, what do you mean!--he took ill and
|
|
died of a low fever, always being a sparing and a spare man, full of
|
|
business care--I should like to throw a cat at you instead of a
|
|
cushion, and I will too if you make such a confounded fool of
|
|
yourself!--and your mother, who was a prudent woman as dry as a chip,
|
|
just dwindled away like touchwood after you and Judy were born--you
|
|
are an old pig. You are a brimstone pig. You're a head of swine!"
|
|
|
|
Judy, not interested in what she has often heard, begins to collect
|
|
in a basin various tributary streams of tea, from the bottoms of cups
|
|
and saucers and from the bottom of the tea-pot for the little
|
|
charwoman's evening meal. In like manner she gets together, in the
|
|
iron bread-basket, as many outside fragments and worn-down heels of
|
|
loaves as the rigid economy of the house has left in existence.
|
|
|
|
"But your father and me were partners, Bart," says the old gentleman,
|
|
"and when I am gone, you and Judy will have all there is. It's rare
|
|
for you both that you went out early in life--Judy to the flower
|
|
business, and you to the law. You won't want to spend it. You'll get
|
|
your living without it, and put more to it. When I am gone, Judy will
|
|
go back to the flower business and you'll still stick to the law."
|
|
|
|
One might infer from Judy's appearance that her business rather lay
|
|
with the thorns than the flowers, but she has in her time been
|
|
apprenticed to the art and mystery of artificial flower-making. A
|
|
close observer might perhaps detect both in her eye and her
|
|
brother's, when their venerable grandsire anticipates his being gone,
|
|
some little impatience to know when he may be going, and some
|
|
resentful opinion that it is time he went.
|
|
|
|
"Now, if everybody has done," says Judy, completing her preparations,
|
|
"I'll have that girl in to her tea. She would never leave off if she
|
|
took it by herself in the kitchen."
|
|
|
|
Charley is accordingly introduced, and under a heavy fire of eyes,
|
|
sits down to her basin and a Druidical ruin of bread and butter. In
|
|
the active superintendence of this young person, Judy Smallweed
|
|
appears to attain a perfectly geological age and to date from the
|
|
remotest periods. Her systematic manner of flying at her and pouncing
|
|
on her, with or without pretence, whether or no, is wonderful,
|
|
evincing an accomplishment in the art of girl-driving seldom reached
|
|
by the oldest practitioners.
|
|
|
|
"Now, don't stare about you all the afternoon," cries Judy, shaking
|
|
her head and stamping her foot as she happens to catch the glance
|
|
which has been previously sounding the basin of tea, "but take your
|
|
victuals and get back to your work."
|
|
|
|
"Yes, miss," says Charley.
|
|
|
|
"Don't say yes," returns Miss Smallweed, "for I know what you girls
|
|
are. Do it without saying it, and then I may begin to believe you."
|
|
|
|
Charley swallows a great gulp of tea in token of submission and so
|
|
disperses the Druidical ruins that Miss Smallweed charges her not to
|
|
gormandize, which "in you girls," she observes, is disgusting.
|
|
Charley might find some more difficulty in meeting her views on the
|
|
general subject of girls but for a knock at the door.
|
|
|
|
"See who it is, and don't chew when you open it!" cries Judy.
|
|
|
|
The object of her attentions withdrawing for the purpose, Miss
|
|
Smallweed takes that opportunity of jumbling the remainder of the
|
|
bread and butter together and launching two or three dirty tea-cups
|
|
into the ebb-tide of the basin of tea as a hint that she considers
|
|
the eating and drinking terminated.
|
|
|
|
"Now! Who is it, and what's wanted?" says the snappish Judy.
|
|
|
|
It is one Mr. George, it appears. Without other announcement or
|
|
ceremony, Mr. George walks in.
|
|
|
|
"Whew!" says Mr. George. "You are hot here. Always a fire, eh? Well!
|
|
Perhaps you do right to get used to one." Mr. George makes the latter
|
|
remark to himself as he nods to Grandfather Smallweed.
|
|
|
|
"Ho! It's you!" cries the old gentleman. "How de do? How de do?"
|
|
|
|
"Middling," replies Mr. George, taking a chair. "Your granddaughter I
|
|
have had the honour of seeing before; my service to you, miss."
|
|
|
|
"This is my grandson," says Grandfather Smallweed. "You ha'n't seen
|
|
him before. He is in the law and not much at home."
|
|
|
|
"My service to him, too! He is like his sister. He is very like his
|
|
sister. He is devilish like his sister," says Mr. George, laying a
|
|
great and not altogether complimentary stress on his last adjective.
|
|
|
|
"And how does the world use you, Mr. George?" Grandfather Smallweed
|
|
inquires, slowly rubbing his legs.
|
|
|
|
"Pretty much as usual. Like a football."
|
|
|
|
He is a swarthy brown man of fifty, well made, and good looking, with
|
|
crisp dark hair, bright eyes, and a broad chest. His sinewy and
|
|
powerful hands, as sunburnt as his face, have evidently been used to
|
|
a pretty rough life. What is curious about him is that he sits
|
|
forward on his chair as if he were, from long habit, allowing space
|
|
for some dress or accoutrements that he has altogether laid aside.
|
|
His step too is measured and heavy and would go well with a weighty
|
|
clash and jingle of spurs. He is close-shaved now, but his mouth is
|
|
set as if his upper lip had been for years familiar with a great
|
|
moustache; and his manner of occasionally laying the open palm of his
|
|
broad brown hand upon it is to the same effect. Altogether one might
|
|
guess Mr. George to have been a trooper once upon a time.
|
|
|
|
A special contrast Mr. George makes to the Smallweed family. Trooper
|
|
was never yet billeted upon a household more unlike him. It is a
|
|
broadsword to an oyster-knife. His developed figure and their stunted
|
|
forms, his large manner filling any amount of room and their little
|
|
narrow pinched ways, his sounding voice and their sharp spare tones,
|
|
are in the strongest and the strangest opposition. As he sits in the
|
|
middle of the grim parlour, leaning a little forward, with his hands
|
|
upon his thighs and his elbows squared, he looks as though, if he
|
|
remained there long, he would absorb into himself the whole family
|
|
and the whole four-roomed house, extra little back-kitchen and all.
|
|
|
|
"Do you rub your legs to rub life into 'em?" he asks of Grandfather
|
|
Smallweed after looking round the room.
|
|
|
|
"Why, it's partly a habit, Mr. George, and--yes--it partly helps the
|
|
circulation," he replies.
|
|
|
|
"The cir-cu-la-tion!" repeats Mr. George, folding his arms upon his
|
|
chest and seeming to become two sizes larger. "Not much of that, I
|
|
should think."
|
|
|
|
"Truly I'm old, Mr. George," says Grandfather Smallweed. "But I can
|
|
carry my years. I'm older than HER," nodding at his wife, "and see
|
|
what she is? You're a brimstone chatterer!" with a sudden revival of
|
|
his late hostility.
|
|
|
|
"Unlucky old soul!" says Mr. George, turning his head in that
|
|
direction. "Don't scold the old lady. Look at her here, with her poor
|
|
cap half off her head and her poor hair all in a muddle. Hold up,
|
|
ma'am. That's better. There we are! Think of your mother, Mr.
|
|
Smallweed," says Mr. George, coming back to his seat from assisting
|
|
her, "if your wife an't enough."
|
|
|
|
"I suppose you were an excellent son, Mr. George?" the old man hints
|
|
with a leer.
|
|
|
|
The colour of Mr. George's face rather deepens as he replies, "Why
|
|
no. I wasn't."
|
|
|
|
"I am astonished at it."
|
|
|
|
"So am I. I ought to have been a good son, and I think I meant to
|
|
have been one. But I wasn't. I was a thundering bad son, that's the
|
|
long and the short of it, and never was a credit to anybody."
|
|
|
|
"Surprising!" cries the old man.
|
|
|
|
"However," Mr. George resumes, "the less said about it, the better
|
|
now. Come! You know the agreement. Always a pipe out of the two
|
|
months' interest! (Bosh! It's all correct. You needn't be afraid to
|
|
order the pipe. Here's the new bill, and here's the two months'
|
|
interest-money, and a devil-and-all of a scrape it is to get it
|
|
together in my business.)"
|
|
|
|
Mr. George sits, with his arms folded, consuming the family and the
|
|
parlour while Grandfather Smallweed is assisted by Judy to two black
|
|
leathern cases out of a locked bureau, in one of which he secures the
|
|
document he has just received, and from the other takes another
|
|
similar document which he hands to Mr. George, who twists it up for a
|
|
pipelight. As the old man inspects, through his glasses, every
|
|
up-stroke and down-stroke of both documents before he releases them
|
|
from their leathern prison, and as he counts the money three times
|
|
over and requires Judy to say every word she utters at least twice,
|
|
and is as tremulously slow of speech and action as it is possible to
|
|
be, this business is a long time in progress. When it is quite
|
|
concluded, and not before, he disengages his ravenous eyes and
|
|
fingers from it and answers Mr. George's last remark by saying,
|
|
"Afraid to order the pipe? We are not so mercenary as that, sir.
|
|
Judy, see directly to the pipe and the glass of cold brandy-and-water
|
|
for Mr. George."
|
|
|
|
The sportive twins, who have been looking straight before them all
|
|
this time except when they have been engrossed by the black leathern
|
|
cases, retire together, generally disdainful of the visitor, but
|
|
leaving him to the old man as two young cubs might leave a traveller
|
|
to the parental bear.
|
|
|
|
"And there you sit, I suppose, all the day long, eh?" says Mr. George
|
|
with folded arms.
|
|
|
|
"Just so, just so," the old man nods.
|
|
|
|
"And don't you occupy yourself at all?"
|
|
|
|
"I watch the fire--and the boiling and the roasting--"
|
|
|
|
"When there is any," says Mr. George with great expression.
|
|
|
|
"Just so. When there is any."
|
|
|
|
"Don't you read or get read to?"
|
|
|
|
The old man shakes his head with sharp sly triumph. "No, no. We have
|
|
never been readers in our family. It don't pay. Stuff. Idleness.
|
|
Folly. No, no!"
|
|
|
|
"There's not much to choose between your two states," says the
|
|
visitor in a key too low for the old man's dull hearing as he looks
|
|
from him to the old woman and back again. "I say!" in a louder voice.
|
|
|
|
"I hear you."
|
|
|
|
"You'll sell me up at last, I suppose, when I am a day in arrear."
|
|
|
|
"My dear friend!" cries Grandfather Smallweed, stretching out both
|
|
hands to embrace him. "Never! Never, my dear friend! But my friend in
|
|
the city that I got to lend you the money--HE might!"
|
|
|
|
"Oh! You can't answer for him?" says Mr. George, finishing the
|
|
inquiry in his lower key with the words "You lying old rascal!"
|
|
|
|
"My dear friend, he is not to be depended on. I wouldn't trust him.
|
|
He will have his bond, my dear friend."
|
|
|
|
"Devil doubt him," says Mr. George. Charley appearing with a
|
|
tray, on which are the pipe, a small paper of tobacco, and the
|
|
brandy-and-water, he asks her, "How do you come here! You haven't got
|
|
the family face."
|
|
|
|
"I goes out to work, sir," returns Charley.
|
|
|
|
The trooper (if trooper he be or have been) takes her bonnet off,
|
|
with a light touch for so strong a hand, and pats her on the head.
|
|
"You give the house almost a wholesome look. It wants a bit of youth
|
|
as much as it wants fresh air." Then he dismisses her, lights his
|
|
pipe, and drinks to Mr. Smallweed's friend in the city--the one
|
|
solitary flight of that esteemed old gentleman's imagination.
|
|
|
|
"So you think he might be hard upon me, eh?"
|
|
|
|
"I think he might--I am afraid he would. I have known him do it,"
|
|
says Grandfather Smallweed incautiously, "twenty times."
|
|
|
|
Incautiously, because his stricken better-half, who has been dozing
|
|
over the fire for some time, is instantly aroused and jabbers "Twenty
|
|
thousand pounds, twenty twenty-pound notes in a money-box, twenty
|
|
guineas, twenty million twenty per cent, twenty--" and is then cut
|
|
short by the flying cushion, which the visitor, to whom this singular
|
|
experiment appears to be a novelty, snatches from her face as it
|
|
crushes her in the usual manner.
|
|
|
|
"You're a brimstone idiot. You're a scorpion--a brimstone scorpion!
|
|
You're a sweltering toad. You're a chattering clattering broomstick
|
|
witch that ought to be burnt!" gasps the old man, prostrate in his
|
|
chair. "My dear friend, will you shake me up a little?"
|
|
|
|
Mr. George, who has been looking first at one of them and then at the
|
|
other, as if he were demented, takes his venerable acquaintance by
|
|
the throat on receiving this request, and dragging him upright in his
|
|
chair as easily as if he were a doll, appears in two minds whether or
|
|
no to shake all future power of cushioning out of him and shake him
|
|
into his grave. Resisting the temptation, but agitating him violently
|
|
enough to make his head roll like a harlequin's, he puts him smartly
|
|
down in his chair again and adjusts his skull-cap with such a rub
|
|
that the old man winks with both eyes for a minute afterwards.
|
|
|
|
"O Lord!" gasps Mr. Smallweed. "That'll do. Thank you, my dear
|
|
friend, that'll do. Oh, dear me, I'm out of breath. O Lord!" And Mr.
|
|
Smallweed says it not without evident apprehensions of his dear
|
|
friend, who still stands over him looming larger than ever.
|
|
|
|
The alarming presence, however, gradually subsides into its chair and
|
|
falls to smoking in long puffs, consoling itself with the
|
|
philosophical reflection, "The name of your friend in the city begins
|
|
with a D, comrade, and you're about right respecting the bond."
|
|
|
|
"Did you speak, Mr. George?" inquires the old man.
|
|
|
|
The trooper shakes his head, and leaning forward with his right elbow
|
|
on his right knee and his pipe supported in that hand, while his
|
|
other hand, resting on his left leg, squares his left elbow in a
|
|
martial manner, continues to smoke. Meanwhile he looks at Mr.
|
|
Smallweed with grave attention and now and then fans the cloud of
|
|
smoke away in order that he may see him the more clearly.
|
|
|
|
"I take it," he says, making just as much and as little change in his
|
|
position as will enable him to reach the glass to his lips with a
|
|
round, full action, "that I am the only man alive (or dead either)
|
|
that gets the value of a pipe out of YOU?"
|
|
|
|
"Well," returns the old man, "it's true that I don't see company, Mr.
|
|
George, and that I don't treat. I can't afford to it. But as you, in
|
|
your pleasant way, made your pipe a condition--"
|
|
|
|
"Why, it's not for the value of it; that's no great thing. It was a
|
|
fancy to get it out of you. To have something in for my money."
|
|
|
|
"Ha! You're prudent, prudent, sir!" cries Grandfather Smallweed,
|
|
rubbing his legs.
|
|
|
|
"Very. I always was." Puff. "It's a sure sign of my prudence that I
|
|
ever found the way here." Puff. "Also, that I am what I am." Puff. "I
|
|
am well known to be prudent," says Mr. George, composedly smoking. "I
|
|
rose in life that way."
|
|
|
|
"Don't be down-hearted, sir. You may rise yet."
|
|
|
|
Mr. George laughs and drinks.
|
|
|
|
"Ha'n't you no relations, now," asks Grandfather Smallweed with a
|
|
twinkle in his eyes, "who would pay off this little principal or who
|
|
would lend you a good name or two that I could persuade my friend in
|
|
the city to make you a further advance upon? Two good names would be
|
|
sufficient for my friend in the city. Ha'n't you no such relations,
|
|
Mr. George?"
|
|
|
|
Mr. George, still composedly smoking, replies, "If I had, I shouldn't
|
|
trouble them. I have been trouble enough to my belongings in my day.
|
|
It MAY be a very good sort of penitence in a vagabond, who has wasted
|
|
the best time of his life, to go back then to decent people that he
|
|
never was a credit to and live upon them, but it's not my sort. The
|
|
best kind of amends then for having gone away is to keep away, in my
|
|
opinion."
|
|
|
|
"But natural affection, Mr. George," hints Grandfather Smallweed.
|
|
|
|
"For two good names, hey?" says Mr. George, shaking his head and
|
|
still composedly smoking. "No. That's not my sort either."
|
|
|
|
Grandfather Smallweed has been gradually sliding down in his chair
|
|
since his last adjustment and is now a bundle of clothes with a voice
|
|
in it calling for Judy. That houri, appearing, shakes him up in the
|
|
usual manner and is charged by the old gentleman to remain near him.
|
|
For he seems chary of putting his visitor to the trouble of repeating
|
|
his late attentions.
|
|
|
|
"Ha!" he observes when he is in trim again. "If you could have traced
|
|
out the captain, Mr. George, it would have been the making of you. If
|
|
when you first came here, in consequence of our advertisement in the
|
|
newspapers--when I say 'our,' I'm alluding to the advertisements of
|
|
my friend in the city, and one or two others who embark their capital
|
|
in the same way, and are so friendly towards me as sometimes to give
|
|
me a lift with my little pittance--if at that time you could have
|
|
helped us, Mr. George, it would have been the making of you."
|
|
|
|
"I was willing enough to be 'made,' as you call it," says Mr. George,
|
|
smoking not quite so placidly as before, for since the entrance of
|
|
Judy he has been in some measure disturbed by a fascination, not of
|
|
the admiring kind, which obliges him to look at her as she stands by
|
|
her grandfather's chair, "but on the whole, I am glad I wasn't now."
|
|
|
|
"Why, Mr. George? In the name of--of brimstone, why?" says
|
|
Grandfather Smallweed with a plain appearance of exasperation.
|
|
(Brimstone apparently suggested by his eye lighting on Mrs. Smallweed
|
|
in her slumber.)
|
|
|
|
"For two reasons, comrade."
|
|
|
|
"And what two reasons, Mr. George? In the name of the--"
|
|
|
|
"Of our friend in the city?" suggests Mr. George, composedly
|
|
drinking.
|
|
|
|
"Aye, if you like. What two reasons?"
|
|
|
|
"In the first place," returns Mr. George, but still looking at Judy
|
|
as if she being so old and so like her grandfather it is indifferent
|
|
which of the two he addresses, "you gentlemen took me in. You
|
|
advertised that Mr. Hawdon (Captain Hawdon, if you hold to the saying
|
|
'Once a captain, always a captain') was to hear of something to his
|
|
advantage."
|
|
|
|
"Well?" returns the old man shrilly and sharply.
|
|
|
|
"Well!" says Mr. George, smoking on. "It wouldn't have been much to
|
|
his advantage to have been clapped into prison by the whole bill and
|
|
judgment trade of London."
|
|
|
|
"How do you know that? Some of his rich relations might have paid his
|
|
debts or compounded for 'em. Besides, he had taken US in. He owed us
|
|
immense sums all round. I would sooner have strangled him than had no
|
|
return. If I sit here thinking of him," snarls the old man, holding
|
|
up his impotent ten fingers, "I want to strangle him now." And in a
|
|
sudden access of fury, he throws the cushion at the unoffending Mrs.
|
|
Smallweed, but it passes harmlessly on one side of her chair.
|
|
|
|
"I don't need to be told," returns the trooper, taking his pipe from
|
|
his lips for a moment and carrying his eyes back from following the
|
|
progress of the cushion to the pipe-bowl which is burning low, "that
|
|
he carried on heavily and went to ruin. I have been at his right hand
|
|
many a day when he was charging upon ruin full-gallop. I was with him
|
|
when he was sick and well, rich and poor. I laid this hand upon him
|
|
after he had run through everything and broken down everything
|
|
beneath him--when he held a pistol to his head."
|
|
|
|
"I wish he had let it off," says the benevolent old man, "and blown
|
|
his head into as many pieces as he owed pounds!"
|
|
|
|
"That would have been a smash indeed," returns the trooper coolly;
|
|
"any way, he had been young, hopeful, and handsome in the days gone
|
|
by, and I am glad I never found him, when he was neither, to lead to
|
|
a result so much to his advantage. That's reason number one."
|
|
|
|
"I hope number two's as good?" snarls the old man.
|
|
|
|
"Why, no. It's more of a selfish reason. If I had found him, I must
|
|
have gone to the other world to look. He was there."
|
|
|
|
"How do you know he was there?"
|
|
|
|
"He wasn't here."
|
|
|
|
"How do you know he wasn't here?"
|
|
|
|
"Don't lose your temper as well as your money," says Mr. George,
|
|
calmly knocking the ashes out of his pipe. "He was drowned long
|
|
before. I am convinced of it. He went over a ship's side. Whether
|
|
intentionally or accidentally, I don't know. Perhaps your friend in
|
|
the city does. Do you know what that tune is, Mr. Smallweed?" he adds
|
|
after breaking off to whistle one, accompanied on the table with the
|
|
empty pipe.
|
|
|
|
"Tune!" replied the old man. "No. We never have tunes here."
|
|
|
|
"That's the Dead March in Saul. They bury soldiers to it,
|
|
so it's the natural end of the subject. Now, if your pretty
|
|
granddaughter--excuse me, miss--will condescend to take care of this
|
|
pipe for two months, we shall save the cost of one next time. Good
|
|
evening, Mr. Smallweed!"
|
|
|
|
"My dear friend!" the old man gives him both his hands.
|
|
|
|
"So you think your friend in the city will be hard upon me if I fall
|
|
in a payment?" says the trooper, looking down upon him like a giant.
|
|
|
|
"My dear friend, I am afraid he will," returns the old man, looking
|
|
up at him like a pygmy.
|
|
|
|
Mr. George laughs, and with a glance at Mr. Smallweed and a parting
|
|
salutation to the scornful Judy, strides out of the parlour, clashing
|
|
imaginary sabres and other metallic appurtenances as he goes.
|
|
|
|
"You're a damned rogue," says the old gentleman, making a hideous
|
|
grimace at the door as he shuts it. "But I'll lime you, you dog, I'll
|
|
lime you!"
|
|
|
|
After this amiable remark, his spirit soars into those enchanting
|
|
regions of reflection which its education and pursuits have opened to
|
|
it, and again he and Mrs. Smallweed while away the rosy hours, two
|
|
unrelieved sentinels forgotten as aforesaid by the Black Serjeant.
|
|
|
|
While the twain are faithful to their post, Mr. George strides
|
|
through the streets with a massive kind of swagger and a grave-enough
|
|
face. It is eight o'clock now, and the day is fast drawing in. He
|
|
stops hard by Waterloo Bridge and reads a playbill, decides to go to
|
|
Astley's Theatre. Being there, is much delighted with the horses and
|
|
the feats of strength; looks at the weapons with a critical eye;
|
|
disapproves of the combats as giving evidences of unskilful
|
|
swordsmanship; but is touched home by the sentiments. In the last
|
|
scene, when the Emperor of Tartary gets up into a cart and
|
|
condescends to bless the united lovers by hovering over them with the
|
|
Union Jack, his eyelashes are moistened with emotion.
|
|
|
|
The theatre over, Mr. George comes across the water again and makes
|
|
his way to that curious region lying about the Haymarket and
|
|
Leicester Square which is a centre of attraction to indifferent
|
|
foreign hotels and indifferent foreigners, racket-courts,
|
|
fighting-men, swordsmen, footguards, old china, gaming-houses,
|
|
exhibitions, and a large medley of shabbiness and shrinking out of
|
|
sight. Penetrating to the heart of this region, he arrives by a court
|
|
and a long whitewashed passage at a great brick building composed of
|
|
bare walls, floors, roof-rafters, and skylights, on the front of
|
|
which, if it can be said to have any front, is painted GEORGE'S
|
|
SHOOTING GALLERY, &c.
|
|
|
|
Into George's Shooting Gallery, &c., he goes; and in it there are
|
|
gaslights (partly turned off now), and two whitened targets for
|
|
rifle-shooting, and archery accommodation, and fencing appliances,
|
|
and all necessaries for the British art of boxing. None of these
|
|
sports or exercises being pursued in George's Shooting Gallery
|
|
to-night, which is so devoid of company that a little grotesque man
|
|
with a large head has it all to himself and lies asleep upon the
|
|
floor.
|
|
|
|
The little man is dressed something like a gunsmith, in a green-baize
|
|
apron and cap; and his face and hands are dirty with gunpowder and
|
|
begrimed with the loading of guns. As he lies in the light before a
|
|
glaring white target, the black upon him shines again. Not far off is
|
|
the strong, rough, primitive table with a vice upon it at which he
|
|
has been working. He is a little man with a face all crushed
|
|
together, who appears, from a certain blue and speckled appearance
|
|
that one of his cheeks presents, to have been blown up, in the way of
|
|
business, at some odd time or times.
|
|
|
|
"Phil!" says the trooper in a quiet voice.
|
|
|
|
"All right!" cries Phil, scrambling to his feet.
|
|
|
|
"Anything been doing?"
|
|
|
|
"Flat as ever so much swipes," says Phil. "Five dozen rifle and a
|
|
dozen pistol. As to aim!" Phil gives a howl at the recollection.
|
|
|
|
"Shut up shop, Phil!"
|
|
|
|
As Phil moves about to execute this order, it appears that he is
|
|
lame, though able to move very quickly. On the speckled side of his
|
|
face he has no eyebrow, and on the other side he has a bushy black
|
|
one, which want of uniformity gives him a very singular and rather
|
|
sinister appearance. Everything seems to have happened to his hands
|
|
that could possibly take place consistently with the retention of all
|
|
the fingers, for they are notched, and seamed, and crumpled all over.
|
|
He appears to be very strong and lifts heavy benches about as if he
|
|
had no idea what weight was. He has a curious way of limping round
|
|
the gallery with his shoulder against the wall and tacking off at
|
|
objects he wants to lay hold of instead of going straight to them,
|
|
which has left a smear all round the four walls, conventionally
|
|
called "Phil's mark."
|
|
|
|
This custodian of George's Gallery in George's absence concludes his
|
|
proceedings, when he has locked the great doors and turned out all
|
|
the lights but one, which he leaves to glimmer, by dragging out from
|
|
a wooden cabin in a corner two mattresses and bedding. These being
|
|
drawn to opposite ends of the gallery, the trooper makes his own bed
|
|
and Phil makes his.
|
|
|
|
"Phil!" says the master, walking towards him without his coat and
|
|
waistcoat, and looking more soldierly than ever in his braces. "You
|
|
were found in a doorway, weren't you?"
|
|
|
|
"Gutter," says Phil. "Watchman tumbled over me."
|
|
|
|
"Then vagabondizing came natural to YOU from the beginning."
|
|
|
|
"As nat'ral as possible," says Phil.
|
|
|
|
"Good night!"
|
|
|
|
"Good night, guv'ner."
|
|
|
|
Phil cannot even go straight to bed, but finds it necessary to
|
|
shoulder round two sides of the gallery and then tack off at his
|
|
mattress. The trooper, after taking a turn or two in the
|
|
rifle-distance and looking up at the moon now shining through the
|
|
skylights, strides to his own mattress by a shorter route and goes to
|
|
bed too.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXII
|
|
|
|
Mr. Bucket
|
|
|
|
|
|
Allegory looks pretty cool in Lincoln's Inn Fields, though the
|
|
evening is hot, for both Mr. Tulkinghorn's windows are wide open, and
|
|
the room is lofty, gusty, and gloomy. These may not be desirable
|
|
characteristics when November comes with fog and sleet or January
|
|
with ice and snow, but they have their merits in the sultry long
|
|
vacation weather. They enable Allegory, though it has cheeks like
|
|
peaches, and knees like bunches of blossoms, and rosy swellings for
|
|
calves to its legs and muscles to its arms, to look tolerably cool
|
|
to-night.
|
|
|
|
Plenty of dust comes in at Mr. Tulkinghorn's windows, and plenty more
|
|
has generated among his furniture and papers. It lies thick
|
|
everywhere. When a breeze from the country that has lost its way
|
|
takes fright and makes a blind hurry to rush out again, it flings as
|
|
much dust in the eyes of Allegory as the law--or Mr. Tulkinghorn, one
|
|
of its trustiest representatives--may scatter, on occasion, in the
|
|
eyes of the laity.
|
|
|
|
In his lowering magazine of dust, the universal article into which
|
|
his papers and himself, and all his clients, and all things of earth,
|
|
animate and inanimate, are resolving, Mr. Tulkinghorn sits at one of
|
|
the open windows enjoying a bottle of old port. Though a hard-grained
|
|
man, close, dry, and silent, he can enjoy old wine with the best. He
|
|
has a priceless bin of port in some artful cellar under the Fields,
|
|
which is one of his many secrets. When he dines alone in chambers, as
|
|
he has dined to-day, and has his bit of fish and his steak or chicken
|
|
brought in from the coffee-house, he descends with a candle to the
|
|
echoing regions below the deserted mansion, and heralded by a remote
|
|
reverberation of thundering doors, comes gravely back encircled by an
|
|
earthy atmosphere and carrying a bottle from which he pours a radiant
|
|
nectar, two score and ten years old, that blushes in the glass to
|
|
find itself so famous and fills the whole room with the fragrance of
|
|
southern grapes.
|
|
|
|
Mr. Tulkinghorn, sitting in the twilight by the open window, enjoys
|
|
his wine. As if it whispered to him of its fifty years of silence and
|
|
seclusion, it shuts him up the closer. More impenetrable than ever,
|
|
he sits, and drinks, and mellows as it were in secrecy, pondering at
|
|
that twilight hour on all the mysteries he knows, associated with
|
|
darkening woods in the country, and vast blank shut-up houses in
|
|
town, and perhaps sparing a thought or two for himself, and his
|
|
family history, and his money, and his will--all a mystery to every
|
|
one--and that one bachelor friend of his, a man of the same mould and
|
|
a lawyer too, who lived the same kind of life until he was
|
|
seventy-five years old, and then suddenly conceiving (as it is
|
|
supposed) an impression that it was too monotonous, gave his gold
|
|
watch to his hair-dresser one summer evening and walked leisurely
|
|
home to the Temple and hanged himself.
|
|
|
|
But Mr. Tulkinghorn is not alone to-night to ponder at his usual
|
|
length. Seated at the same table, though with his chair modestly and
|
|
uncomfortably drawn a little way from it, sits a bald, mild, shining
|
|
man who coughs respectfully behind his hand when the lawyer bids him
|
|
fill his glass.
|
|
|
|
"Now, Snagsby," says Mr. Tulkinghorn, "to go over this odd story
|
|
again."
|
|
|
|
"If you please, sir."
|
|
|
|
"You told me when you were so good as to step round here last
|
|
night--"
|
|
|
|
"For which I must ask you to excuse me if it was a liberty, sir; but
|
|
I remember that you had taken a sort of an interest in that person,
|
|
and I thought it possible that you might--just--wish--to--"
|
|
|
|
Mr. Tulkinghorn is not the man to help him to any conclusion or to
|
|
admit anything as to any possibility concerning himself. So Mr.
|
|
Snagsby trails off into saying, with an awkward cough, "I must ask
|
|
you to excuse the liberty, sir, I am sure."
|
|
|
|
"Not at all," says Mr. Tulkinghorn. "You told me, Snagsby, that you
|
|
put on your hat and came round without mentioning your intention to
|
|
your wife. That was prudent I think, because it's not a matter of
|
|
such importance that it requires to be mentioned."
|
|
|
|
"Well, sir," returns Mr. Snagsby, "you see, my little woman is--not
|
|
to put too fine a point upon it--inquisitive. She's inquisitive. Poor
|
|
little thing, she's liable to spasms, and it's good for her to have
|
|
her mind employed. In consequence of which she employs it--I should
|
|
say upon every individual thing she can lay hold of, whether it
|
|
concerns her or not--especially not. My little woman has a very
|
|
active mind, sir."
|
|
|
|
Mr. Snagsby drinks and murmurs with an admiring cough behind his
|
|
hand, "Dear me, very fine wine indeed!"
|
|
|
|
"Therefore you kept your visit to yourself last night?" says Mr.
|
|
Tulkinghorn. "And to-night too?"
|
|
|
|
"Yes, sir, and to-night, too. My little woman is at present in--not
|
|
to put too fine a point on it--in a pious state, or in what she
|
|
considers such, and attends the Evening Exertions (which is the name
|
|
they go by) of a reverend party of the name of Chadband. He has a
|
|
great deal of eloquence at his command, undoubtedly, but I am not
|
|
quite favourable to his style myself. That's neither here nor there.
|
|
My little woman being engaged in that way made it easier for me to
|
|
step round in a quiet manner."
|
|
|
|
Mr. Tulkinghorn assents. "Fill your glass, Snagsby."
|
|
|
|
"Thank you, sir, I am sure," returns the stationer with his cough of
|
|
deference. "This is wonderfully fine wine, sir!"
|
|
|
|
"It is a rare wine now," says Mr. Tulkinghorn. "It is fifty years
|
|
old."
|
|
|
|
"Is it indeed, sir? But I am not surprised to hear it, I am sure. It
|
|
might be--any age almost." After rendering this general tribute to
|
|
the port, Mr. Snagsby in his modesty coughs an apology behind his
|
|
hand for drinking anything so precious.
|
|
|
|
"Will you run over, once again, what the boy said?" asks Mr.
|
|
Tulkinghorn, putting his hands into the pockets of his rusty
|
|
smallclothes and leaning quietly back in his chair.
|
|
|
|
"With pleasure, sir."
|
|
|
|
Then, with fidelity, though with some prolixity, the law-stationer
|
|
repeats Jo's statement made to the assembled guests at his house. On
|
|
coming to the end of his narrative, he gives a great start and breaks
|
|
off with, "Dear me, sir, I wasn't aware there was any other gentleman
|
|
present!"
|
|
|
|
Mr. Snagsby is dismayed to see, standing with an attentive face
|
|
between himself and the lawyer at a little distance from the table, a
|
|
person with a hat and stick in his hand who was not there when he
|
|
himself came in and has not since entered by the door or by either of
|
|
the windows. There is a press in the room, but its hinges have not
|
|
creaked, nor has a step been audible upon the floor. Yet this third
|
|
person stands there with his attentive face, and his hat and stick in
|
|
his hands, and his hands behind him, a composed and quiet listener.
|
|
He is a stoutly built, steady-looking, sharp-eyed man in black, of
|
|
about the middle-age. Except that he looks at Mr. Snagsby as if he
|
|
were going to take his portrait, there is nothing remarkable about
|
|
him at first sight but his ghostly manner of appearing.
|
|
|
|
"Don't mind this gentleman," says Mr. Tulkinghorn in his quiet way.
|
|
"This is only Mr. Bucket."
|
|
|
|
"Oh, indeed, sir?" returns the stationer, expressing by a cough that
|
|
he is quite in the dark as to who Mr. Bucket may be.
|
|
|
|
"I wanted him to hear this story," says the lawyer, "because I have
|
|
half a mind (for a reason) to know more of it, and he is very
|
|
intelligent in such things. What do you say to this, Bucket?"
|
|
|
|
"It's very plain, sir. Since our people have moved this boy on, and
|
|
he's not to be found on his old lay, if Mr. Snagsby don't object to
|
|
go down with me to Tom-all-Alone's and point him out, we can have him
|
|
here in less than a couple of hours' time. I can do it without Mr.
|
|
Snagsby, of course, but this is the shortest way."
|
|
|
|
"Mr. Bucket is a detective officer, Snagsby," says the lawyer in
|
|
explanation.
|
|
|
|
"Is he indeed, sir?" says Mr. Snagsby with a strong tendency in his
|
|
clump of hair to stand on end.
|
|
|
|
"And if you have no real objection to accompany Mr. Bucket to the
|
|
place in question," pursues the lawyer, "I shall feel obliged to you
|
|
if you will do so."
|
|
|
|
In a moment's hesitation on the part of Mr. Snagsby, Bucket dips down
|
|
to the bottom of his mind.
|
|
|
|
"Don't you be afraid of hurting the boy," he says. "You won't do
|
|
that. It's all right as far as the boy's concerned. We shall only
|
|
bring him here to ask him a question or so I want to put to him, and
|
|
he'll be paid for his trouble and sent away again. It'll be a good
|
|
job for him. I promise you, as a man, that you shall see the boy sent
|
|
away all right. Don't you be afraid of hurting him; you an't going to
|
|
do that."
|
|
|
|
"Very well, Mr. Tulkinghorn!" cries Mr. Snagsby cheerfully. And
|
|
reassured, "Since that's the case--"
|
|
|
|
"Yes! And lookee here, Mr. Snagsby," resumes Bucket, taking him aside
|
|
by the arm, tapping him familiarly on the breast, and speaking in a
|
|
confidential tone. "You're a man of the world, you know, and a man of
|
|
business, and a man of sense. That's what YOU are."
|
|
|
|
"I am sure I am much obliged to you for your good opinion," returns
|
|
the stationer with his cough of modesty, "but--"
|
|
|
|
"That's what YOU are, you know," says Bucket. "Now, it an't necessary
|
|
to say to a man like you, engaged in your business, which is a
|
|
business of trust and requires a person to be wide awake and have his
|
|
senses about him and his head screwed on tight (I had an uncle in
|
|
your business once)--it an't necessary to say to a man like you that
|
|
it's the best and wisest way to keep little matters like this quiet.
|
|
Don't you see? Quiet!"
|
|
|
|
"Certainly, certainly," returns the other.
|
|
|
|
"I don't mind telling YOU," says Bucket with an engaging appearance
|
|
of frankness, "that as far as I can understand it, there seems to be
|
|
a doubt whether this dead person wasn't entitled to a little
|
|
property, and whether this female hasn't been up to some games
|
|
respecting that property, don't you see?"
|
|
|
|
"Oh!" says Mr. Snagsby, but not appearing to see quite distinctly.
|
|
|
|
"Now, what YOU want," pursues Bucket, again tapping Mr. Snagsby on
|
|
the breast in a comfortable and soothing manner, "is that every
|
|
person should have their rights according to justice. That's what YOU
|
|
want."
|
|
|
|
"To be sure," returns Mr. Snagsby with a nod.
|
|
|
|
"On account of which, and at the same time to oblige a--do you call
|
|
it, in your business, customer or client? I forget how my uncle used
|
|
to call it."
|
|
|
|
"Why, I generally say customer myself," replies Mr. Snagsby.
|
|
|
|
"You're right!" returns Mr. Bucket, shaking hands with him quite
|
|
affectionately. "--On account of which, and at the same time to
|
|
oblige a real good customer, you mean to go down with me, in
|
|
confidence, to Tom-all-Alone's and to keep the whole thing quiet ever
|
|
afterwards and never mention it to any one. That's about your
|
|
intentions, if I understand you?"
|
|
|
|
"You are right, sir. You are right," says Mr. Snagsby.
|
|
|
|
"Then here's your hat," returns his new friend, quite as intimate
|
|
with it as if he had made it; "and if you're ready, I am."
|
|
|
|
They leave Mr. Tulkinghorn, without a ruffle on the surface of his
|
|
unfathomable depths, drinking his old wine, and go down into the
|
|
streets.
|
|
|
|
"You don't happen to know a very good sort of person of the name of
|
|
Gridley, do you?" says Bucket in friendly converse as they descend
|
|
the stairs.
|
|
|
|
"No," says Mr. Snagsby, considering, "I don't know anybody of that
|
|
name. Why?"
|
|
|
|
"Nothing particular," says Bucket; "only having allowed his temper to
|
|
get a little the better of him and having been threatening some
|
|
respectable people, he is keeping out of the way of a warrant I have
|
|
got against him--which it's a pity that a man of sense should do."
|
|
|
|
As they walk along, Mr. Snagsby observes, as a novelty, that however
|
|
quick their pace may be, his companion still seems in some
|
|
undefinable manner to lurk and lounge; also, that whenever he is
|
|
going to turn to the right or left, he pretends to have a fixed
|
|
purpose in his mind of going straight ahead, and wheels off, sharply,
|
|
at the very last moment. Now and then, when they pass a
|
|
police-constable on his beat, Mr. Snagsby notices that both the
|
|
constable and his guide fall into a deep abstraction as they come
|
|
towards each other, and appear entirely to overlook each other, and
|
|
to gaze into space. In a few instances, Mr. Bucket, coming behind
|
|
some under-sized young man with a shining hat on, and his sleek hair
|
|
twisted into one flat curl on each side of his head, almost without
|
|
glancing at him touches him with his stick, upon which the young man,
|
|
looking round, instantly evaporates. For the most part Mr. Bucket
|
|
notices things in general, with a face as unchanging as the great
|
|
mourning ring on his little finger or the brooch, composed of not
|
|
much diamond and a good deal of setting, which he wears in his shirt.
|
|
|
|
When they come at last to Tom-all-Alone's, Mr. Bucket stops for a
|
|
moment at the corner and takes a lighted bull's-eye from the
|
|
constable on duty there, who then accompanies him with his own
|
|
particular bull's-eye at his waist. Between his two conductors, Mr.
|
|
Snagsby passes along the middle of a villainous street, undrained,
|
|
unventilated, deep in black mud and corrupt water--though the roads
|
|
are dry elsewhere--and reeking with such smells and sights that he,
|
|
who has lived in London all his life, can scarce believe his senses.
|
|
Branching from this street and its heaps of ruins are other streets
|
|
and courts so infamous that Mr. Snagsby sickens in body and mind and
|
|
feels as if he were going every moment deeper down into the infernal
|
|
gulf.
|
|
|
|
"Draw off a bit here, Mr. Snagsby," says Bucket as a kind of shabby
|
|
palanquin is borne towards them, surrounded by a noisy crowd. "Here's
|
|
the fever coming up the street!"
|
|
|
|
As the unseen wretch goes by, the crowd, leaving that object of
|
|
attraction, hovers round the three visitors like a dream of horrible
|
|
faces and fades away up alleys and into ruins and behind walls, and
|
|
with occasional cries and shrill whistles of warning, thenceforth
|
|
flits about them until they leave the place.
|
|
|
|
"Are those the fever-houses, Darby?" Mr. Bucket coolly asks as he
|
|
turns his bull's-eye on a line of stinking ruins.
|
|
|
|
Darby replies that "all them are," and further that in all, for
|
|
months and months, the people "have been down by dozens" and have
|
|
been carried out dead and dying "like sheep with the rot." Bucket
|
|
observing to Mr. Snagsby as they go on again that he looks a little
|
|
poorly, Mr. Snagsby answers that he feels as if he couldn't breathe
|
|
the dreadful air.
|
|
|
|
There is inquiry made at various houses for a boy named Jo. As few
|
|
people are known in Tom-all-Alone's by any Christian sign, there is
|
|
much reference to Mr. Snagsby whether he means Carrots, or the
|
|
Colonel, or Gallows, or Young Chisel, or Terrier Tip, or Lanky, or
|
|
the Brick. Mr. Snagsby describes over and over again. There are
|
|
conflicting opinions respecting the original of his picture. Some
|
|
think it must be Carrots, some say the Brick. The Colonel is
|
|
produced, but is not at all near the thing. Whenever Mr. Snagsby and
|
|
his conductors are stationary, the crowd flows round, and from its
|
|
squalid depths obsequious advice heaves up to Mr. Bucket. Whenever
|
|
they move, and the angry bull's-eyes glare, it fades away and flits
|
|
about them up the alleys, and in the ruins, and behind the walls, as
|
|
before.
|
|
|
|
At last there is a lair found out where Toughy, or the Tough Subject,
|
|
lays him down at night; and it is thought that the Tough Subject may
|
|
be Jo. Comparison of notes between Mr. Snagsby and the proprietress
|
|
of the house--a drunken face tied up in a black bundle, and flaring
|
|
out of a heap of rags on the floor of a dog-hutch which is her
|
|
private apartment--leads to the establishment of this conclusion.
|
|
Toughy has gone to the doctor's to get a bottle of stuff for a sick
|
|
woman but will be here anon.
|
|
|
|
"And who have we got here to-night?" says Mr. Bucket, opening another
|
|
door and glaring in with his bull's-eye. "Two drunken men, eh? And
|
|
two women? The men are sound enough," turning back each sleeper's arm
|
|
from his face to look at him. "Are these your good men, my dears?"
|
|
|
|
"Yes, sir," returns one of the women. "They are our husbands."
|
|
|
|
"Brickmakers, eh?"
|
|
|
|
"Yes, sir."
|
|
|
|
"What are you doing here? You don't belong to London."
|
|
|
|
"No, sir. We belong to Hertfordshire."
|
|
|
|
"Whereabouts in Hertfordshire?"
|
|
|
|
"Saint Albans."
|
|
|
|
"Come up on the tramp?"
|
|
|
|
"We walked up yesterday. There's no work down with us at present, but
|
|
we have done no good by coming here, and shall do none, I expect."
|
|
|
|
"That's not the way to do much good," says Mr. Bucket, turning his
|
|
head in the direction of the unconscious figures on the ground.
|
|
|
|
"It an't indeed," replies the woman with a sigh. "Jenny and me knows
|
|
it full well."
|
|
|
|
The room, though two or three feet higher than the door, is so low
|
|
that the head of the tallest of the visitors would touch the
|
|
blackened ceiling if he stood upright. It is offensive to every
|
|
sense; even the gross candle burns pale and sickly in the polluted
|
|
air. There are a couple of benches and a higher bench by way of
|
|
table. The men lie asleep where they stumbled down, but the women sit
|
|
by the candle. Lying in the arms of the woman who has spoken is a
|
|
very young child.
|
|
|
|
"Why, what age do you call that little creature?" says Bucket. "It
|
|
looks as if it was born yesterday." He is not at all rough about it;
|
|
and as he turns his light gently on the infant, Mr. Snagsby is
|
|
strangely reminded of another infant, encircled with light, that he
|
|
has seen in pictures.
|
|
|
|
"He is not three weeks old yet, sir," says the woman.
|
|
|
|
"Is he your child?"
|
|
|
|
"Mine."
|
|
|
|
The other woman, who was bending over it when they came in, stoops
|
|
down again and kisses it as it lies asleep.
|
|
|
|
"You seem as fond of it as if you were the mother yourself," says Mr.
|
|
Bucket.
|
|
|
|
"I was the mother of one like it, master, and it died."
|
|
|
|
"Ah, Jenny, Jenny!" says the other woman to her. "Better so. Much
|
|
better to think of dead than alive, Jenny! Much better!"
|
|
|
|
"Why, you an't such an unnatural woman, I hope," returns Bucket
|
|
sternly, "as to wish your own child dead?"
|
|
|
|
"God knows you are right, master," she returns. "I am not. I'd stand
|
|
between it and death with my own life if I could, as true as any
|
|
pretty lady."
|
|
|
|
"Then don't talk in that wrong manner," says Mr. Bucket, mollified
|
|
again. "Why do you do it?"
|
|
|
|
"It's brought into my head, master," returns the woman, her eyes
|
|
filling with tears, "when I look down at the child lying so. If it
|
|
was never to wake no more, you'd think me mad, I should take on so. I
|
|
know that very well. I was with Jenny when she lost hers--warn't I,
|
|
Jenny?--and I know how she grieved. But look around you at this
|
|
place. Look at them," glancing at the sleepers on the ground. "Look
|
|
at the boy you're waiting for, who's gone out to do me a good turn.
|
|
Think of the children that your business lays with often and often,
|
|
and that YOU see grow up!"
|
|
|
|
"Well, well," says Mr. Bucket, "you train him respectable, and he'll
|
|
be a comfort to you, and look after you in your old age, you know."
|
|
|
|
"I mean to try hard," she answers, wiping her eyes. "But I have been
|
|
a-thinking, being over-tired to-night and not well with the ague, of
|
|
all the many things that'll come in his way. My master will be
|
|
against it, and he'll be beat, and see me beat, and made to fear his
|
|
home, and perhaps to stray wild. If I work for him ever so much, and
|
|
ever so hard, there's no one to help me; and if he should be turned
|
|
bad 'spite of all I could do, and the time should come when I should
|
|
sit by him in his sleep, made hard and changed, an't it likely I
|
|
should think of him as he lies in my lap now and wish he had died as
|
|
Jenny's child died!"
|
|
|
|
"There, there!" says Jenny. "Liz, you're tired and ill. Let me take
|
|
him."
|
|
|
|
In doing so, she displaces the mother's dress, but quickly readjusts
|
|
it over the wounded and bruised bosom where the baby has been lying.
|
|
|
|
"It's my dead child," says Jenny, walking up and down as she nurses,
|
|
"that makes me love this child so dear, and it's my dead child that
|
|
makes her love it so dear too, as even to think of its being taken
|
|
away from her now. While she thinks that, I think what fortune would
|
|
I give to have my darling back. But we mean the same thing, if we
|
|
knew how to say it, us two mothers does in our poor hearts!"
|
|
|
|
As Mr. Snagsby blows his nose and coughs his cough of sympathy, a
|
|
step is heard without. Mr. Bucket throws his light into the doorway
|
|
and says to Mr. Snagsby, "Now, what do you say to Toughy? Will HE
|
|
do?"
|
|
|
|
"That's Jo," says Mr. Snagsby.
|
|
|
|
Jo stands amazed in the disk of light, like a ragged figure in a
|
|
magic-lantern, trembling to think that he has offended against the
|
|
law in not having moved on far enough. Mr. Snagsby, however, giving
|
|
him the consolatory assurance, "It's only a job you will be paid for,
|
|
Jo," he recovers; and on being taken outside by Mr. Bucket for a
|
|
little private confabulation, tells his tale satisfactorily, though
|
|
out of breath.
|
|
|
|
"I have squared it with the lad," says Mr. Bucket, returning, "and
|
|
it's all right. Now, Mr. Snagsby, we're ready for you."
|
|
|
|
First, Jo has to complete his errand of good nature by handing over
|
|
the physic he has been to get, which he delivers with the laconic
|
|
verbal direction that "it's to be all took d'rectly." Secondly, Mr.
|
|
Snagsby has to lay upon the table half a crown, his usual panacea for
|
|
an immense variety of afflictions. Thirdly, Mr. Bucket has to take Jo
|
|
by the arm a little above the elbow and walk him on before him,
|
|
without which observance neither the Tough Subject nor any other
|
|
Subject could be professionally conducted to Lincoln's Inn Fields.
|
|
These arrangements completed, they give the women good night and come
|
|
out once more into black and foul Tom-all-Alone's.
|
|
|
|
By the noisome ways through which they descended into that pit, they
|
|
gradually emerge from it, the crowd flitting, and whistling, and
|
|
skulking about them until they come to the verge, where restoration
|
|
of the bull's-eyes is made to Darby. Here the crowd, like a concourse
|
|
of imprisoned demons, turns back, yelling, and is seen no more.
|
|
Through the clearer and fresher streets, never so clear and fresh to
|
|
Mr. Snagsby's mind as now, they walk and ride until they come to Mr.
|
|
Tulkinghorn's gate.
|
|
|
|
As they ascend the dim stairs (Mr. Tulkinghorn's chambers being on
|
|
the first floor), Mr. Bucket mentions that he has the key of the
|
|
outer door in his pocket and that there is no need to ring. For a man
|
|
so expert in most things of that kind, Bucket takes time to open the
|
|
door and makes some noise too. It may be that he sounds a note of
|
|
preparation.
|
|
|
|
Howbeit, they come at last into the hall, where a lamp is burning,
|
|
and so into Mr. Tulkinghorn's usual room--the room where he drank his
|
|
old wine to-night. He is not there, but his two old-fashioned
|
|
candlesticks are, and the room is tolerably light.
|
|
|
|
Mr. Bucket, still having his professional hold of Jo and appearing to
|
|
Mr. Snagsby to possess an unlimited number of eyes, makes a little
|
|
way into this room, when Jo starts and stops.
|
|
|
|
"What's the matter?" says Bucket in a whisper.
|
|
|
|
"There she is!" cries Jo.
|
|
|
|
"Who!"
|
|
|
|
"The lady!"
|
|
|
|
A female figure, closely veiled, stands in the middle of the room,
|
|
where the light falls upon it. It is quite still and silent. The
|
|
front of the figure is towards them, but it takes no notice of their
|
|
entrance and remains like a statue.
|
|
|
|
"Now, tell me," says Bucket aloud, "how you know that to be the
|
|
lady."
|
|
|
|
"I know the wale," replies Jo, staring, "and the bonnet, and the
|
|
gownd."
|
|
|
|
"Be quite sure of what you say, Tough," returns Bucket, narrowly
|
|
observant of him. "Look again."
|
|
|
|
"I am a-looking as hard as ever I can look," says Jo with starting
|
|
eyes, "and that there's the wale, the bonnet, and the gownd."
|
|
|
|
"What about those rings you told me of?" asks Bucket.
|
|
|
|
"A-sparkling all over here," says Jo, rubbing the fingers of his left
|
|
hand on the knuckles of his right without taking his eyes from the
|
|
figure.
|
|
|
|
The figure removes the right-hand glove and shows the hand.
|
|
|
|
"Now, what do you say to that?" asks Bucket.
|
|
|
|
Jo shakes his head. "Not rings a bit like them. Not a hand like
|
|
that."
|
|
|
|
"What are you talking of?" says Bucket, evidently pleased though, and
|
|
well pleased too.
|
|
|
|
"Hand was a deal whiter, a deal delicater, and a deal smaller,"
|
|
returns Jo.
|
|
|
|
"Why, you'll tell me I'm my own mother next," says Mr. Bucket. "Do
|
|
you recollect the lady's voice?"
|
|
|
|
"I think I does," says Jo.
|
|
|
|
The figure speaks. "Was it at all like this? I will speak as long as
|
|
you like if you are not sure. Was it this voice, or at all like this
|
|
voice?"
|
|
|
|
Jo looks aghast at Mr. Bucket. "Not a bit!"
|
|
|
|
"Then, what," retorts that worthy, pointing to the figure, "did you
|
|
say it was the lady for?"
|
|
|
|
"Cos," says Jo with a perplexed stare but without being at all shaken
|
|
in his certainty, "cos that there's the wale, the bonnet, and the
|
|
gownd. It is her and it an't her. It an't her hand, nor yet her
|
|
rings, nor yet her woice. But that there's the wale, the bonnet, and
|
|
the gownd, and they're wore the same way wot she wore 'em, and it's
|
|
her height wot she wos, and she giv me a sov'ring and hooked it."
|
|
|
|
"Well!" says Mr. Bucket slightly, "we haven't got much good out of
|
|
YOU. But, however, here's five shillings for you. Take care how you
|
|
spend it, and don't get yourself into trouble." Bucket stealthily
|
|
tells the coins from one hand into the other like counters--which is
|
|
a way he has, his principal use of them being in these games of
|
|
skill--and then puts them, in a little pile, into the boy's hand and
|
|
takes him out to the door, leaving Mr. Snagsby, not by any means
|
|
comfortable under these mysterious circumstances, alone with the
|
|
veiled figure. But on Mr. Tulkinghorn's coming into the room, the
|
|
veil is raised and a sufficiently good-looking Frenchwoman is
|
|
revealed, though her expression is something of the intensest.
|
|
|
|
"Thank you, Mademoiselle Hortense," says Mr. Tulkinghorn with his
|
|
usual equanimity. "I will give you no further trouble about this
|
|
little wager."
|
|
|
|
"You will do me the kindness to remember, sir, that I am not at
|
|
present placed?" says mademoiselle.
|
|
|
|
"Certainly, certainly!"
|
|
|
|
"And to confer upon me the favour of your distinguished
|
|
recommendation?"
|
|
|
|
"By all means, Mademoiselle Hortense."
|
|
|
|
"A word from Mr. Tulkinghorn is so powerful."
|
|
|
|
"It shall not be wanting, mademoiselle."
|
|
|
|
"Receive the assurance of my devoted gratitude, dear sir."
|
|
|
|
"Good night."
|
|
|
|
Mademoiselle goes out with an air of native gentility; and Mr.
|
|
Bucket, to whom it is, on an emergency, as natural to be groom of the
|
|
ceremonies as it is to be anything else, shows her downstairs, not
|
|
without gallantry.
|
|
|
|
"Well, Bucket?" quoth Mr. Tulkinghorn on his return.
|
|
|
|
"It's all squared, you see, as I squared it myself, sir. There an't a
|
|
doubt that it was the other one with this one's dress on. The boy was
|
|
exact respecting colours and everything. Mr. Snagsby, I promised you
|
|
as a man that he should be sent away all right. Don't say it wasn't
|
|
done!"
|
|
|
|
"You have kept your word, sir," returns the stationer; "and if I can
|
|
be of no further use, Mr. Tulkinghorn, I think, as my little woman
|
|
will be getting anxious--"
|
|
|
|
"Thank you, Snagsby, no further use," says Mr. Tulkinghorn. "I am
|
|
quite indebted to you for the trouble you have taken already."
|
|
|
|
"Not at all, sir. I wish you good night."
|
|
|
|
"You see, Mr. Snagsby," says Mr. Bucket, accompanying him to the door
|
|
and shaking hands with him over and over again, "what I like in you
|
|
is that you're a man it's of no use pumping; that's what YOU are.
|
|
When you know you have done a right thing, you put it away, and it's
|
|
done with and gone, and there's an end of it. That's what YOU do."
|
|
|
|
"That is certainly what I endeavour to do, sir," returns Mr. Snagsby.
|
|
|
|
"No, you don't do yourself justice. It an't what you endeavour to
|
|
do," says Mr. Bucket, shaking hands with him and blessing him in the
|
|
tenderest manner, "it's what you DO. That's what I estimate in a man
|
|
in your way of business."
|
|
|
|
Mr. Snagsby makes a suitable response and goes homeward so confused
|
|
by the events of the evening that he is doubtful of his being awake
|
|
and out--doubtful of the reality of the streets through which he
|
|
goes--doubtful of the reality of the moon that shines above him. He
|
|
is presently reassured on these subjects by the unchallengeable
|
|
reality of Mrs. Snagsby, sitting up with her head in a perfect
|
|
beehive of curl-papers and night-cap, who has dispatched Guster to
|
|
the police-station with official intelligence of her husband's being
|
|
made away with, and who within the last two hours has passed through
|
|
every stage of swooning with the greatest decorum. But as the little
|
|
woman feelingly says, many thanks she gets for it!
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIII
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
We came home from Mr. Boythorn's after six pleasant weeks. We were
|
|
often in the park and in the woods and seldom passed the lodge where
|
|
we had taken shelter without looking in to speak to the keeper's
|
|
wife; but we saw no more of Lady Dedlock, except at church on
|
|
Sundays. There was company at Chesney Wold; and although several
|
|
beautiful faces surrounded her, her face retained the same influence
|
|
on me as at first. I do not quite know even now whether it was
|
|
painful or pleasurable, whether it drew me towards her or made me
|
|
shrink from her. I think I admired her with a kind of fear, and I
|
|
know that in her presence my thoughts always wandered back, as they
|
|
had done at first, to that old time of my life.
|
|
|
|
I had a fancy, on more than one of these Sundays, that what this lady
|
|
so curiously was to me, I was to her--I mean that I disturbed her
|
|
thoughts as she influenced mine, though in some different way. But
|
|
when I stole a glance at her and saw her so composed and distant and
|
|
unapproachable, I felt this to be a foolish weakness. Indeed, I felt
|
|
the whole state of my mind in reference to her to be weak and
|
|
unreasonable, and I remonstrated with myself about it as much as I
|
|
could.
|
|
|
|
One incident that occurred before we quitted Mr. Boythorn's house, I
|
|
had better mention in this place.
|
|
|
|
I was walking in the garden with Ada when I was told that some one
|
|
wished to see me. Going into the breakfast-room where this person was
|
|
waiting, I found it to be the French maid who had cast off her shoes
|
|
and walked through the wet grass on the day when it thundered and
|
|
lightened.
|
|
|
|
"Mademoiselle," she began, looking fixedly at me with her too-eager
|
|
eyes, though otherwise presenting an agreeable appearance and
|
|
speaking neither with boldness nor servility, "I have taken a great
|
|
liberty in coming here, but you know how to excuse it, being so
|
|
amiable, mademoiselle."
|
|
|
|
"No excuse is necessary," I returned, "if you wish to speak to me."
|
|
|
|
"That is my desire, mademoiselle. A thousand thanks for the
|
|
permission. I have your leave to speak. Is it not?" she said in a
|
|
quick, natural way.
|
|
|
|
"Certainly," said I.
|
|
|
|
"Mademoiselle, you are so amiable! Listen then, if you please. I have
|
|
left my Lady. We could not agree. My Lady is so high, so very high.
|
|
Pardon! Mademoiselle, you are right!" Her quickness anticipated what
|
|
I might have said presently but as yet had only thought. "It is not
|
|
for me to come here to complain of my Lady. But I say she is so high,
|
|
so very high. I will not say a word more. All the world knows that."
|
|
|
|
"Go on, if you please," said I.
|
|
|
|
"Assuredly; mademoiselle, I am thankful for your politeness.
|
|
Mademoiselle, I have an inexpressible desire to find service with a
|
|
young lady who is good, accomplished, beautiful. You are good,
|
|
accomplished, and beautiful as an angel. Ah, could I have the honour
|
|
of being your domestic!"
|
|
|
|
"I am sorry--" I began.
|
|
|
|
"Do not dismiss me so soon, mademoiselle!" she said with an
|
|
involuntary contraction of her fine black eyebrows. "Let me hope a
|
|
moment! Mademoiselle, I know this service would be more retired than
|
|
that which I have quitted. Well! I wish that. I know this service
|
|
would be less distinguished than that which I have quitted. Well! I
|
|
wish that, I know that I should win less, as to wages here. Good. I
|
|
am content."
|
|
|
|
"I assure you," said I, quite embarrassed by the mere idea of having
|
|
such an attendant, "that I keep no maid--"
|
|
|
|
"Ah, mademoiselle, but why not? Why not, when you can have one so
|
|
devoted to you! Who would be enchanted to serve you; who would be so
|
|
true, so zealous, and so faithful every day! Mademoiselle, I wish
|
|
with all my heart to serve you. Do not speak of money at present.
|
|
Take me as I am. For nothing!"
|
|
|
|
She was so singularly earnest that I drew back, almost afraid of her.
|
|
Without appearing to notice it, in her ardour she still pressed
|
|
herself upon me, speaking in a rapid subdued voice, though always
|
|
with a certain grace and propriety.
|
|
|
|
"Mademoiselle, I come from the South country where we are quick and
|
|
where we like and dislike very strong. My Lady was too high for me; I
|
|
was too high for her. It is done--past--finished! Receive me as your
|
|
domestic, and I will serve you well. I will do more for you than you
|
|
figure to yourself now. Chut! Mademoiselle, I will--no matter, I will
|
|
do my utmost possible in all things. If you accept my service, you
|
|
will not repent it. Mademoiselle, you will not repent it, and I will
|
|
serve you well. You don't know how well!"
|
|
|
|
There was a lowering energy in her face as she stood looking at me
|
|
while I explained the impossibility of my engaging her (without
|
|
thinking it necessary to say how very little I desired to do so),
|
|
which seemed to bring visibly before me some woman from the streets
|
|
of Paris in the reign of terror.
|
|
|
|
She heard me out without interruption and then said with her pretty
|
|
accent and in her mildest voice, "Hey, mademoiselle, I have received
|
|
my answer! I am sorry of it. But I must go elsewhere and seek what I
|
|
have not found here. Will you graciously let me kiss your hand?"
|
|
|
|
She looked at me more intently as she took it, and seemed to take
|
|
note, with her momentary touch, of every vein in it. "I fear I
|
|
surprised you, mademoiselle, on the day of the storm?" she said with
|
|
a parting curtsy.
|
|
|
|
I confessed that she had surprised us all.
|
|
|
|
"I took an oath, mademoiselle," she said, smiling, "and I wanted to
|
|
stamp it on my mind so that I might keep it faithfully. And I will!
|
|
Adieu, mademoiselle!"
|
|
|
|
So ended our conference, which I was very glad to bring to a close. I
|
|
supposed she went away from the village, for I saw her no more; and
|
|
nothing else occurred to disturb our tranquil summer pleasures until
|
|
six weeks were out and we returned home as I began just now by
|
|
saying.
|
|
|
|
At that time, and for a good many weeks after that time, Richard was
|
|
constant in his visits. Besides coming every Saturday or Sunday and
|
|
remaining with us until Monday morning, he sometimes rode out on
|
|
horseback unexpectedly and passed the evening with us and rode back
|
|
again early next day. He was as vivacious as ever and told us he was
|
|
very industrious, but I was not easy in my mind about him. It
|
|
appeared to me that his industry was all misdirected. I could not
|
|
find that it led to anything but the formation of delusive hopes in
|
|
connexion with the suit already the pernicious cause of so much
|
|
sorrow and ruin. He had got at the core of that mystery now, he told
|
|
us, and nothing could be plainer than that the will under which he
|
|
and Ada were to take I don't know how many thousands of pounds must
|
|
be finally established if there were any sense or justice in the
|
|
Court of Chancery--but oh, what a great IF that sounded in my
|
|
ears--and that this happy conclusion could not be much longer
|
|
delayed. He proved this to himself by all the weary arguments on that
|
|
side he had read, and every one of them sunk him deeper in the
|
|
infatuation. He had even begun to haunt the court. He told us how he
|
|
saw Miss Flite there daily, how they talked together, and how he did
|
|
her little kindnesses, and how, while he laughed at her, he pitied
|
|
her from his heart. But he never thought--never, my poor, dear,
|
|
sanguine Richard, capable of so much happiness then, and with such
|
|
better things before him--what a fatal link was riveting between his
|
|
fresh youth and her faded age, between his free hopes and her caged
|
|
birds, and her hungry garret, and her wandering mind.
|
|
|
|
Ada loved him too well to mistrust him much in anything he said or
|
|
did, and my guardian, though he frequently complained of the east
|
|
wind and read more than usual in the growlery, preserved a strict
|
|
silence on the subject. So I thought one day when I went to London to
|
|
meet Caddy Jellyby, at her solicitation, I would ask Richard to be in
|
|
waiting for me at the coach-office, that we might have a little talk
|
|
together. I found him there when I arrived, and we walked away arm in
|
|
arm.
|
|
|
|
"Well, Richard," said I as soon as I could begin to be grave with
|
|
him, "are you beginning to feel more settled now?"
|
|
|
|
"Oh, yes, my dear!" returned Richard. "I'm all right enough."
|
|
|
|
"But settled?" said I.
|
|
|
|
"How do you mean, settled?" returned Richard with his gay laugh.
|
|
|
|
"Settled in the law," said I.
|
|
|
|
"Oh, aye," replied Richard, "I'm all right enough."
|
|
|
|
"You said that before, my dear Richard."
|
|
|
|
"And you don't think it's an answer, eh? Well! Perhaps it's not.
|
|
Settled? You mean, do I feel as if I were settling down?"
|
|
|
|
"Yes."
|
|
|
|
"Why, no, I can't say I am settling down," said Richard, strongly
|
|
emphasizing "down," as if that expressed the difficulty, "because one
|
|
can't settle down while this business remains in such an unsettled
|
|
state. When I say this business, of course I mean the--forbidden
|
|
subject."
|
|
|
|
"Do you think it will ever be in a settled state?" said I.
|
|
|
|
"Not the least doubt of it," answered Richard.
|
|
|
|
We walked a little way without speaking, and presently Richard
|
|
addressed me in his frankest and most feeling manner, thus: "My dear
|
|
Esther, I understand you, and I wish to heaven I were a more constant
|
|
sort of fellow. I don't mean constant to Ada, for I love her
|
|
dearly--better and better every day--but constant to myself.
|
|
(Somehow, I mean something that I can't very well express, but you'll
|
|
make it out.) If I were a more constant sort of fellow, I should have
|
|
held on either to Badger or to Kenge and Carboy like grim death, and
|
|
should have begun to be steady and systematic by this time, and
|
|
shouldn't be in debt, and--"
|
|
|
|
"ARE you in debt, Richard?"
|
|
|
|
"Yes," said Richard, "I am a little so, my dear. Also, I have taken
|
|
rather too much to billiards and that sort of thing. Now the murder's
|
|
out; you despise me, Esther, don't you?"
|
|
|
|
"You know I don't," said I.
|
|
|
|
"You are kinder to me than I often am to myself," he returned. "My
|
|
dear Esther, I am a very unfortunate dog not to be more settled, but
|
|
how CAN I be more settled? If you lived in an unfinished house, you
|
|
couldn't settle down in it; if you were condemned to leave everything
|
|
you undertook unfinished, you would find it hard to apply yourself to
|
|
anything; and yet that's my unhappy case. I was born into this
|
|
unfinished contention with all its chances and changes, and it began
|
|
to unsettle me before I quite knew the difference between a suit at
|
|
law and a suit of clothes; and it has gone on unsettling me ever
|
|
since; and here I am now, conscious sometimes that I am but a
|
|
worthless fellow to love my confiding cousin Ada."
|
|
|
|
We were in a solitary place, and he put his hands before his eyes and
|
|
sobbed as he said the words.
|
|
|
|
"Oh, Richard!" said I. "Do not be so moved. You have a noble nature,
|
|
and Ada's love may make you worthier every day."
|
|
|
|
"I know, my dear," he replied, pressing my arm, "I know all that. You
|
|
mustn't mind my being a little soft now, for I have had all this upon
|
|
my mind for a long time, and have often meant to speak to you, and
|
|
have sometimes wanted opportunity and sometimes courage. I know what
|
|
the thought of Ada ought to do for me, but it doesn't do it. I am too
|
|
unsettled even for that. I love her most devotedly, and yet I do her
|
|
wrong, in doing myself wrong, every day and hour. But it can't last
|
|
for ever. We shall come on for a final hearing and get judgment in
|
|
our favour, and then you and Ada shall see what I can really be!"
|
|
|
|
It had given me a pang to hear him sob and see the tears start out
|
|
between his fingers, but that was infinitely less affecting to me
|
|
than the hopeful animation with which he said these words.
|
|
|
|
"I have looked well into the papers, Esther. I have been deep in them
|
|
for months," he continued, recovering his cheerfulness in a moment,
|
|
"and you may rely upon it that we shall come out triumphant. As to
|
|
years of delay, there has been no want of them, heaven knows! And
|
|
there is the greater probability of our bringing the matter to a
|
|
speedy close; in fact, it's on the paper now. It will be all right at
|
|
last, and then you shall see!"
|
|
|
|
Recalling how he had just now placed Messrs. Kenge and Carboy in the
|
|
same category with Mr. Badger, I asked him when he intended to be
|
|
articled in Lincoln's Inn.
|
|
|
|
"There again! I think not at all, Esther," he returned with an
|
|
effort. "I fancy I have had enough of it. Having worked at Jarndyce
|
|
and Jarndyce like a galley slave, I have slaked my thirst for the law
|
|
and satisfied myself that I shouldn't like it. Besides, I find it
|
|
unsettles me more and more to be so constantly upon the scene of
|
|
action. So what," continued Richard, confident again by this time,
|
|
"do I naturally turn my thoughts to?"
|
|
|
|
"I can't imagine," said I.
|
|
|
|
"Don't look so serious," returned Richard, "because it's the best
|
|
thing I can do, my dear Esther, I am certain. It's not as if I wanted
|
|
a profession for life. These proceedings will come to a termination,
|
|
and then I am provided for. No. I look upon it as a pursuit which is
|
|
in its nature more or less unsettled, and therefore suited to my
|
|
temporary condition--I may say, precisely suited. What is it that I
|
|
naturally turn my thoughts to?"
|
|
|
|
I looked at him and shook my head.
|
|
|
|
"What," said Richard, in a tone of perfect conviction, "but the
|
|
army!"
|
|
|
|
"The army?" said I.
|
|
|
|
"The army, of course. What I have to do is to get a commission;
|
|
and--there I am, you know!" said Richard.
|
|
|
|
And then he showed me, proved by elaborate calculations in his
|
|
pocket-book, that supposing he had contracted, say, two hundred
|
|
pounds of debt in six months out of the army; and that he contracted
|
|
no debt at all within a corresponding period in the army--as to which
|
|
he had quite made up his mind; this step must involve a saving of
|
|
four hundred pounds in a year, or two thousand pounds in five years,
|
|
which was a considerable sum. And then he spoke so ingenuously and
|
|
sincerely of the sacrifice he made in withdrawing himself for a time
|
|
from Ada, and of the earnestness with which he aspired--as in thought
|
|
he always did, I know full well--to repay her love, and to ensure her
|
|
happiness, and to conquer what was amiss in himself, and to acquire
|
|
the very soul of decision, that he made my heart ache keenly, sorely.
|
|
For, I thought, how would this end, how could this end, when so soon
|
|
and so surely all his manly qualities were touched by the fatal
|
|
blight that ruined everything it rested on!
|
|
|
|
I spoke to Richard with all the earnestness I felt, and all the hope
|
|
I could not quite feel then, and implored him for Ada's sake not to
|
|
put any trust in Chancery. To all I said, Richard readily assented,
|
|
riding over the court and everything else in his easy way and drawing
|
|
the brightest pictures of the character he was to settle into--alas,
|
|
when the grievous suit should loose its hold upon him! We had a long
|
|
talk, but it always came back to that, in substance.
|
|
|
|
At last we came to Soho Square, where Caddy Jellyby had appointed to
|
|
wait for me, as a quiet place in the neighbourhood of Newman Street.
|
|
Caddy was in the garden in the centre and hurried out as soon as I
|
|
appeared. After a few cheerful words, Richard left us together.
|
|
|
|
"Prince has a pupil over the way, Esther," said Caddy, "and got the
|
|
key for us. So if you will walk round and round here with me, we can
|
|
lock ourselves in and I can tell you comfortably what I wanted to see
|
|
your dear good face about."
|
|
|
|
"Very well, my dear," said I. "Nothing could be better." So Caddy,
|
|
after affectionately squeezing the dear good face as she called it,
|
|
locked the gate, and took my arm, and we began to walk round the
|
|
garden very cosily.
|
|
|
|
"You see, Esther," said Caddy, who thoroughly enjoyed a little
|
|
confidence, "after you spoke to me about its being wrong to marry
|
|
without Ma's knowledge, or even to keep Ma long in the dark
|
|
respecting our engagement--though I don't believe Ma cares much for
|
|
me, I must say--I thought it right to mention your opinions to
|
|
Prince. In the first place because I want to profit by everything you
|
|
tell me, and in the second place because I have no secrets from
|
|
Prince."
|
|
|
|
"I hope he approved, Caddy?"
|
|
|
|
"Oh, my dear! I assure you he would approve of anything you could
|
|
say. You have no idea what an opinion he has of you!"
|
|
|
|
"Indeed!"
|
|
|
|
"Esther, it's enough to make anybody but me jealous," said Caddy,
|
|
laughing and shaking her head; "but it only makes me joyful, for you
|
|
are the first friend I ever had, and the best friend I ever can have,
|
|
and nobody can respect and love you too much to please me."
|
|
|
|
"Upon my word, Caddy," said I, "you are in the general conspiracy to
|
|
keep me in a good humour. Well, my dear?"
|
|
|
|
"Well! I am going to tell you," replied Caddy, crossing her hands
|
|
confidentially upon my arm. "So we talked a good deal about it, and
|
|
so I said to Prince, 'Prince, as Miss Summerson--'"
|
|
|
|
"I hope you didn't say 'Miss Summerson'?"
|
|
|
|
"No. I didn't!" cried Caddy, greatly pleased and with the brightest
|
|
of faces. "I said, 'Esther.' I said to Prince, 'As Esther is
|
|
decidedly of that opinion, Prince, and has expressed it to me, and
|
|
always hints it when she writes those kind notes, which you are so
|
|
fond of hearing me read to you, I am prepared to disclose the truth
|
|
to Ma whenever you think proper. And I think, Prince,' said I, 'that
|
|
Esther thinks that I should be in a better, and truer, and more
|
|
honourable position altogether if you did the same to your papa.'"
|
|
|
|
"Yes, my dear," said I. "Esther certainly does think so."
|
|
|
|
"So I was right, you see!" exclaimed Caddy. "Well! This troubled
|
|
Prince a good deal, not because he had the least doubt about it, but
|
|
because he is so considerate of the feelings of old Mr. Turveydrop;
|
|
and he had his apprehensions that old Mr. Turveydrop might break his
|
|
heart, or faint away, or be very much overcome in some affecting
|
|
manner or other if he made such an announcement. He feared old Mr.
|
|
Turveydrop might consider it undutiful and might receive too great a
|
|
shock. For old Mr. Turveydrop's deportment is very beautiful, you
|
|
know, Esther," said Caddy, "and his feelings are extremely
|
|
sensitive."
|
|
|
|
"Are they, my dear?"
|
|
|
|
"Oh, extremely sensitive. Prince says so. Now, this has caused my
|
|
darling child--I didn't mean to use the expression to you, Esther,"
|
|
Caddy apologized, her face suffused with blushes, "but I generally
|
|
call Prince my darling child."
|
|
|
|
I laughed; and Caddy laughed and blushed, and went on.
|
|
|
|
"This has caused him, Esther--"
|
|
|
|
"Caused whom, my dear?"
|
|
|
|
"Oh, you tiresome thing!" said Caddy, laughing, with her pretty face
|
|
on fire. "My darling child, if you insist upon it! This has caused
|
|
him weeks of uneasiness and has made him delay, from day to day, in a
|
|
very anxious manner. At last he said to me, 'Caddy, if Miss
|
|
Summerson, who is a great favourite with my father, could be
|
|
prevailed upon to be present when I broke the subject, I think I
|
|
could do it.' So I promised I would ask you. And I made up my mind,
|
|
besides," said Caddy, looking at me hopefully but timidly, "that if
|
|
you consented, I would ask you afterwards to come with me to Ma. This
|
|
is what I meant when I said in my note that I had a great favour and
|
|
a great assistance to beg of you. And if you thought you could grant
|
|
it, Esther, we should both be very grateful."
|
|
|
|
"Let me see, Caddy," said I, pretending to consider. "Really, I think
|
|
I could do a greater thing than that if the need were pressing. I am
|
|
at your service and the darling child's, my dear, whenever you like."
|
|
|
|
Caddy was quite transported by this reply of mine, being, I believe,
|
|
as susceptible to the least kindness or encouragement as any tender
|
|
heart that ever beat in this world; and after another turn or two
|
|
round the garden, during which she put on an entirely new pair of
|
|
gloves and made herself as resplendent as possible that she might do
|
|
no avoidable discredit to the Master of Deportment, we went to Newman
|
|
Street direct.
|
|
|
|
Prince was teaching, of course. We found him engaged with a not very
|
|
hopeful pupil--a stubborn little girl with a sulky forehead, a deep
|
|
voice, and an inanimate, dissatisfied mama--whose case was certainly
|
|
not rendered more hopeful by the confusion into which we threw her
|
|
preceptor. The lesson at last came to an end, after proceeding as
|
|
discordantly as possible; and when the little girl had changed her
|
|
shoes and had had her white muslin extinguished in shawls, she was
|
|
taken away. After a few words of preparation, we then went in search
|
|
of Mr. Turveydrop, whom we found, grouped with his hat and gloves, as
|
|
a model of deportment, on the sofa in his private apartment--the only
|
|
comfortable room in the house. He appeared to have dressed at his
|
|
leisure in the intervals of a light collation, and his dressing-case,
|
|
brushes, and so forth, all of quite an elegant kind, lay about.
|
|
|
|
"Father, Miss Summerson; Miss Jellyby."
|
|
|
|
"Charmed! Enchanted!" said Mr. Turveydrop, rising with his
|
|
high-shouldered bow. "Permit me!" Handing chairs. "Be seated!"
|
|
Kissing the tips of his left fingers. "Overjoyed!" Shutting his eyes
|
|
and rolling. "My little retreat is made a paradise." Recomposing
|
|
himself on the sofa like the second gentleman in Europe.
|
|
|
|
"Again you find us, Miss Summerson," said he, "using our little arts
|
|
to polish, polish! Again the sex stimulates us and rewards us by the
|
|
condescension of its lovely presence. It is much in these times (and
|
|
we have made an awfully degenerating business of it since the days of
|
|
his Royal Highness the Prince Regent--my patron, if I may presume to
|
|
say so) to experience that deportment is not wholly trodden under
|
|
foot by mechanics. That it can yet bask in the smile of beauty, my
|
|
dear madam."
|
|
|
|
I said nothing, which I thought a suitable reply; and he took a pinch
|
|
of snuff.
|
|
|
|
"My dear son," said Mr. Turveydrop, "you have four schools this
|
|
afternoon. I would recommend a hasty sandwich."
|
|
|
|
"Thank you, father," returned Prince, "I will be sure to be punctual.
|
|
My dear father, may I beg you to prepare your mind for what I am
|
|
going to say?"
|
|
|
|
"Good heaven!" exclaimed the model, pale and aghast as Prince and
|
|
Caddy, hand in hand, bent down before him. "What is this? Is this
|
|
lunacy! Or what is this?"
|
|
|
|
"Father," returned Prince with great submission, "I love this young
|
|
lady, and we are engaged."
|
|
|
|
"Engaged!" cried Mr. Turveydrop, reclining on the sofa and shutting
|
|
out the sight with his hand. "An arrow launched at my brain by my own
|
|
child!"
|
|
|
|
"We have been engaged for some time, father," faltered Prince, "and
|
|
Miss Summerson, hearing of it, advised that we should declare the
|
|
fact to you and was so very kind as to attend on the present
|
|
occasion. Miss Jellyby is a young lady who deeply respects you,
|
|
father."
|
|
|
|
Mr. Turveydrop uttered a groan.
|
|
|
|
"No, pray don't! Pray don't, father," urged his son. "Miss Jellyby is
|
|
a young lady who deeply respects you, and our first desire is to
|
|
consider your comfort."
|
|
|
|
Mr. Turveydrop sobbed.
|
|
|
|
"No, pray don't, father!" cried his son.
|
|
|
|
"Boy," said Mr. Turveydrop, "it is well that your sainted mother is
|
|
spared this pang. Strike deep, and spare not. Strike home, sir,
|
|
strike home!"
|
|
|
|
"Pray don't say so, father," implored Prince, in tears. "It goes to
|
|
my heart. I do assure you, father, that our first wish and intention
|
|
is to consider your comfort. Caroline and I do not forget our
|
|
duty--what is my duty is Caroline's, as we have often said
|
|
together--and with your approval and consent, father, we will devote
|
|
ourselves to making your life agreeable."
|
|
|
|
"Strike home," murmured Mr. Turveydrop. "Strike home!" But he seemed
|
|
to listen, I thought, too.
|
|
|
|
"My dear father," returned Prince, "we well know what little comforts
|
|
you are accustomed to and have a right to, and it will always be our
|
|
study and our pride to provide those before anything. If you will
|
|
bless us with your approval and consent, father, we shall not think
|
|
of being married until it is quite agreeable to you; and when we ARE
|
|
married, we shall always make you--of course--our first
|
|
consideration. You must ever be the head and master here, father; and
|
|
we feel how truly unnatural it would be in us if we failed to know it
|
|
or if we failed to exert ourselves in every possible way to please
|
|
you."
|
|
|
|
Mr. Turveydrop underwent a severe internal struggle and came upright
|
|
on the sofa again with his cheeks puffing over his stiff cravat, a
|
|
perfect model of parental deportment.
|
|
|
|
"My son!" said Mr. Turveydrop. "My children! I cannot resist your
|
|
prayer. Be happy!"
|
|
|
|
His benignity as he raised his future daughter-in-law and stretched
|
|
out his hand to his son (who kissed it with affectionate respect and
|
|
gratitude) was the most confusing sight I ever saw.
|
|
|
|
"My children," said Mr. Turveydrop, paternally encircling Caddy with
|
|
his left arm as she sat beside him, and putting his right hand
|
|
gracefully on his hip. "My son and daughter, your happiness shall be
|
|
my care. I will watch over you. You shall always live with
|
|
me"--meaning, of course, I will always live with you--"this house is
|
|
henceforth as much yours as mine; consider it your home. May you long
|
|
live to share it with me!"
|
|
|
|
The power of his deportment was such that they really were as much
|
|
overcome with thankfulness as if, instead of quartering himself upon
|
|
them for the rest of his life, he were making some munificent
|
|
sacrifice in their favour.
|
|
|
|
"For myself, my children," said Mr. Turveydrop, "I am falling into
|
|
the sear and yellow leaf, and it is impossible to say how long the
|
|
last feeble traces of gentlemanly deportment may linger in this
|
|
weaving and spinning age. But, so long, I will do my duty to society
|
|
and will show myself, as usual, about town. My wants are few and
|
|
simple. My little apartment here, my few essentials for the toilet,
|
|
my frugal morning meal, and my little dinner will suffice. I charge
|
|
your dutiful affection with the supply of these requirements, and I
|
|
charge myself with all the rest."
|
|
|
|
They were overpowered afresh by his uncommon generosity.
|
|
|
|
"My son," said Mr. Turveydrop, "for those little points in which you
|
|
are deficient--points of deportment, which are born with a man, which
|
|
may be improved by cultivation, but can never be originated--you may
|
|
still rely on me. I have been faithful to my post since the days of
|
|
his Royal Highness the Prince Regent, and I will not desert it now.
|
|
No, my son. If you have ever contemplated your father's poor position
|
|
with a feeling of pride, you may rest assured that he will do nothing
|
|
to tarnish it. For yourself, Prince, whose character is different (we
|
|
cannot be all alike, nor is it advisable that we should), work, be
|
|
industrious, earn money, and extend the connexion as much as
|
|
possible."
|
|
|
|
"That you may depend I will do, dear father, with all my heart,"
|
|
replied Prince.
|
|
|
|
"I have no doubt of it," said Mr. Turveydrop. "Your qualities are not
|
|
shining, my dear child, but they are steady and useful. And to both
|
|
of you, my children, I would merely observe, in the spirit of a
|
|
sainted wooman on whose path I had the happiness of casting, I
|
|
believe, SOME ray of light, take care of the establishment, take care
|
|
of my simple wants, and bless you both!"
|
|
|
|
Old Mr. Turveydrop then became so very gallant, in honour of the
|
|
occasion, that I told Caddy we must really go to Thavies Inn at once
|
|
if we were to go at all that day. So we took our departure after a
|
|
very loving farewell between Caddy and her betrothed, and during our
|
|
walk she was so happy and so full of old Mr. Turveydrop's praises
|
|
that I would not have said a word in his disparagement for any
|
|
consideration.
|
|
|
|
The house in Thavies Inn had bills in the windows announcing that it
|
|
was to let, and it looked dirtier and gloomier and ghastlier than
|
|
ever. The name of poor Mr. Jellyby had appeared in the list of
|
|
bankrupts but a day or two before, and he was shut up in the
|
|
dining-room with two gentlemen and a heap of blue bags,
|
|
account-books, and papers, making the most desperate endeavours to
|
|
understand his affairs. They appeared to me to be quite beyond his
|
|
comprehension, for when Caddy took me into the dining-room by mistake
|
|
and we came upon Mr. Jellyby in his spectacles, forlornly fenced into
|
|
a corner by the great dining-table and the two gentlemen, he seemed
|
|
to have given up the whole thing and to be speechless and insensible.
|
|
|
|
Going upstairs to Mrs. Jellyby's room (the children were all
|
|
screaming in the kitchen, and there was no servant to be seen), we
|
|
found that lady in the midst of a voluminous correspondence, opening,
|
|
reading, and sorting letters, with a great accumulation of torn
|
|
covers on the floor. She was so preoccupied that at first she did not
|
|
know me, though she sat looking at me with that curious, bright-eyed,
|
|
far-off look of hers.
|
|
|
|
"Ah! Miss Summerson!" she said at last. "I was thinking of something
|
|
so different! I hope you are well. I am happy to see you. Mr.
|
|
Jarndyce and Miss Clare quite well?"
|
|
|
|
I hoped in return that Mr. Jellyby was quite well.
|
|
|
|
"Why, not quite, my dear," said Mrs. Jellyby in the calmest manner.
|
|
"He has been unfortunate in his affairs and is a little out of
|
|
spirits. Happily for me, I am so much engaged that I have no time to
|
|
think about it. We have, at the present moment, one hundred and
|
|
seventy families, Miss Summerson, averaging five persons in each,
|
|
either gone or going to the left bank of the Niger."
|
|
|
|
I thought of the one family so near us who were neither gone nor
|
|
going to the left bank of the Niger, and wondered how she could be so
|
|
placid.
|
|
|
|
"You have brought Caddy back, I see," observed Mrs. Jellyby with a
|
|
glance at her daughter. "It has become quite a novelty to see her
|
|
here. She has almost deserted her old employment and in fact obliges
|
|
me to employ a boy."
|
|
|
|
"I am sure, Ma--" began Caddy.
|
|
|
|
"Now you know, Caddy," her mother mildly interposed, "that I DO
|
|
employ a boy, who is now at his dinner. What is the use of your
|
|
contradicting?"
|
|
|
|
"I was not going to contradict, Ma," returned Caddy. "I was only
|
|
going to say that surely you wouldn't have me be a mere drudge all my
|
|
life."
|
|
|
|
"I believe, my dear," said Mrs. Jellyby, still opening her letters,
|
|
casting her bright eyes smilingly over them, and sorting them as she
|
|
spoke, "that you have a business example before you in your mother.
|
|
Besides. A mere drudge? If you had any sympathy with the destinies of
|
|
the human race, it would raise you high above any such idea. But you
|
|
have none. I have often told you, Caddy, you have no such sympathy."
|
|
|
|
"Not if it's Africa, Ma, I have not."
|
|
|
|
"Of course you have not. Now, if I were not happily so much engaged,
|
|
Miss Summerson," said Mrs. Jellyby, sweetly casting her eyes for a
|
|
moment on me and considering where to put the particular letter she
|
|
had just opened, "this would distress and disappoint me. But I have
|
|
so much to think of, in connexion with Borrioboola-Gha and it is so
|
|
necessary I should concentrate myself that there is my remedy, you
|
|
see."
|
|
|
|
As Caddy gave me a glance of entreaty, and as Mrs. Jellyby was
|
|
looking far away into Africa straight through my bonnet and head, I
|
|
thought it a good opportunity to come to the subject of my visit and
|
|
to attract Mrs. Jellyby's attention.
|
|
|
|
"Perhaps," I began, "you will wonder what has brought me here to
|
|
interrupt you."
|
|
|
|
"I am always delighted to see Miss Summerson," said Mrs. Jellyby,
|
|
pursuing her employment with a placid smile. "Though I wish," and she
|
|
shook her head, "she was more interested in the Borrioboolan
|
|
project."
|
|
|
|
"I have come with Caddy," said I, "because Caddy justly thinks she
|
|
ought not to have a secret from her mother and fancies I shall
|
|
encourage and aid her (though I am sure I don't know how) in
|
|
imparting one."
|
|
|
|
"Caddy," said Mrs. Jellyby, pausing for a moment in her occupation
|
|
and then serenely pursuing it after shaking her head, "you are going
|
|
to tell me some nonsense."
|
|
|
|
Caddy untied the strings of her bonnet, took her bonnet off, and
|
|
letting it dangle on the floor by the strings, and crying heartily,
|
|
said, "Ma, I am engaged."
|
|
|
|
"Oh, you ridiculous child!" observed Mrs. Jellyby with an abstracted
|
|
air as she looked over the dispatch last opened; "what a goose you
|
|
are!"
|
|
|
|
"I am engaged, Ma," sobbed Caddy, "to young Mr. Turveydrop, at the
|
|
academy; and old Mr. Turveydrop (who is a very gentlemanly man
|
|
indeed) has given his consent, and I beg and pray you'll give us
|
|
yours, Ma, because I never could be happy without it. I never, never
|
|
could!" sobbed Caddy, quite forgetful of her general complainings and
|
|
of everything but her natural affection.
|
|
|
|
"You see again, Miss Summerson," observed Mrs. Jellyby serenely,
|
|
"what a happiness it is to be so much occupied as I am and to have
|
|
this necessity for self-concentration that I have. Here is Caddy
|
|
engaged to a dancing-master's son--mixed up with people who have no
|
|
more sympathy with the destinies of the human race than she has
|
|
herself! This, too, when Mr. Quale, one of the first philanthropists
|
|
of our time, has mentioned to me that he was really disposed to be
|
|
interested in her!"
|
|
|
|
"Ma, I always hated and detested Mr. Quale!" sobbed Caddy.
|
|
|
|
"Caddy, Caddy!" returned Mrs. Jellyby, opening another letter with
|
|
the greatest complacency. "I have no doubt you did. How could you do
|
|
otherwise, being totally destitute of the sympathies with which he
|
|
overflows! Now, if my public duties were not a favourite child to me,
|
|
if I were not occupied with large measures on a vast scale, these
|
|
petty details might grieve me very much, Miss Summerson. But can I
|
|
permit the film of a silly proceeding on the part of Caddy (from whom
|
|
I expect nothing else) to interpose between me and the great African
|
|
continent? No. No," repeated Mrs. Jellyby in a calm clear voice, and
|
|
with an agreeable smile, as she opened more letters and sorted them.
|
|
"No, indeed."
|
|
|
|
I was so unprepared for the perfect coolness of this reception,
|
|
though I might have expected it, that I did not know what to say.
|
|
Caddy seemed equally at a loss. Mrs. Jellyby continued to open and
|
|
sort letters and to repeat occasionally in quite a charming tone of
|
|
voice and with a smile of perfect composure, "No, indeed."
|
|
|
|
"I hope, Ma," sobbed poor Caddy at last, "you are not angry?"
|
|
|
|
"Oh, Caddy, you really are an absurd girl," returned Mrs. Jellyby,
|
|
"to ask such questions after what I have said of the preoccupation of
|
|
my mind."
|
|
|
|
"And I hope, Ma, you give us your consent and wish us well?" said
|
|
Caddy.
|
|
|
|
"You are a nonsensical child to have done anything of this kind,"
|
|
said Mrs. Jellyby; "and a degenerate child, when you might have
|
|
devoted yourself to the great public measure. But the step is taken,
|
|
and I have engaged a boy, and there is no more to be said. Now, pray,
|
|
Caddy," said Mrs. Jellyby, for Caddy was kissing her, "don't delay me
|
|
in my work, but let me clear off this heavy batch of papers before
|
|
the afternoon post comes in!"
|
|
|
|
I thought I could not do better than take my leave; I was detained
|
|
for a moment by Caddy's saying, "You won't object to my bringing him
|
|
to see you, Ma?"
|
|
|
|
"Oh, dear me, Caddy," cried Mrs. Jellyby, who had relapsed into that
|
|
distant contemplation, "have you begun again? Bring whom?"
|
|
|
|
"Him, Ma."
|
|
|
|
"Caddy, Caddy!" said Mrs. Jellyby, quite weary of such little
|
|
matters. "Then you must bring him some evening which is not a Parent
|
|
Society night, or a Branch night, or a Ramification night. You must
|
|
accommodate the visit to the demands upon my time. My dear Miss
|
|
Summerson, it was very kind of you to come here to help out this
|
|
silly chit. Good-bye! When I tell you that I have fifty-eight new
|
|
letters from manufacturing families anxious to understand the details
|
|
of the native and coffee-cultivation question this morning, I need
|
|
not apologize for having very little leisure."
|
|
|
|
I was not surprised by Caddy's being in low spirits when we went
|
|
downstairs, or by her sobbing afresh on my neck, or by her saying she
|
|
would far rather have been scolded than treated with such
|
|
indifference, or by her confiding to me that she was so poor in
|
|
clothes that how she was ever to be married creditably she didn't
|
|
know. I gradually cheered her up by dwelling on the many things she
|
|
would do for her unfortunate father and for Peepy when she had a home
|
|
of her own; and finally we went downstairs into the damp dark
|
|
kitchen, where Peepy and his little brothers and sisters were
|
|
grovelling on the stone floor and where we had such a game of play
|
|
with them that to prevent myself from being quite torn to pieces I
|
|
was obliged to fall back on my fairy-tales. From time to time I heard
|
|
loud voices in the parlour overhead, and occasionally a violent
|
|
tumbling about of the furniture. The last effect I am afraid was
|
|
caused by poor Mr. Jellyby's breaking away from the dining-table and
|
|
making rushes at the window with the intention of throwing himself
|
|
into the area whenever he made any new attempt to understand his
|
|
affairs.
|
|
|
|
As I rode quietly home at night after the day's bustle, I thought a
|
|
good deal of Caddy's engagement and felt confirmed in my hopes (in
|
|
spite of the elder Mr. Turveydrop) that she would be the happier and
|
|
better for it. And if there seemed to be but a slender chance of her
|
|
and her husband ever finding out what the model of deportment really
|
|
was, why that was all for the best too, and who would wish them to be
|
|
wiser? I did not wish them to be any wiser and indeed was half
|
|
ashamed of not entirely believing in him myself. And I looked up at
|
|
the stars, and thought about travellers in distant countries and the
|
|
stars THEY saw, and hoped I might always be so blest and happy as to
|
|
be useful to some one in my small way.
|
|
|
|
They were so glad to see me when I got home, as they always were,
|
|
that I could have sat down and cried for joy if that had not been a
|
|
method of making myself disagreeable. Everybody in the house, from
|
|
the lowest to the highest, showed me such a bright face of welcome,
|
|
and spoke so cheerily, and was so happy to do anything for me, that I
|
|
suppose there never was such a fortunate little creature in the
|
|
world.
|
|
|
|
We got into such a chatty state that night, through Ada and my
|
|
guardian drawing me out to tell them all about Caddy, that I went on
|
|
prose, prose, prosing for a length of time. At last I got up to my
|
|
own room, quite red to think how I had been holding forth, and then I
|
|
heard a soft tap at my door. So I said, "Come in!" and there came in
|
|
a pretty little girl, neatly dressed in mourning, who dropped a
|
|
curtsy.
|
|
|
|
"If you please, miss," said the little girl in a soft voice, "I am
|
|
Charley."
|
|
|
|
"Why, so you are," said I, stooping down in astonishment and giving
|
|
her a kiss. "How glad am I to see you, Charley!"
|
|
|
|
"If you please, miss," pursued Charley in the same soft voice, "I'm
|
|
your maid."
|
|
|
|
"Charley?"
|
|
|
|
"If you please, miss, I'm a present to you, with Mr. Jarndyce's
|
|
love."
|
|
|
|
I sat down with my hand on Charley's neck and looked at Charley.
|
|
|
|
"And oh, miss," says Charley, clapping her hands, with the tears
|
|
starting down her dimpled cheeks, "Tom's at school, if you please,
|
|
and learning so good! And little Emma, she's with Mrs. Blinder, miss,
|
|
a-being took such care of! And Tom, he would have been at school--and
|
|
Emma, she would have been left with Mrs. Blinder--and me, I should
|
|
have been here--all a deal sooner, miss; only Mr. Jarndyce thought
|
|
that Tom and Emma and me had better get a little used to parting
|
|
first, we was so small. Don't cry, if you please, miss!"
|
|
|
|
"I can't help it, Charley."
|
|
|
|
"No, miss, nor I can't help it," says Charley. "And if you please,
|
|
miss, Mr. Jarndyce's love, and he thinks you'll like to teach me now
|
|
and then. And if you please, Tom and Emma and me is to see each other
|
|
once a month. And I'm so happy and so thankful, miss," cried Charley
|
|
with a heaving heart, "and I'll try to be such a good maid!"
|
|
|
|
"Oh, Charley dear, never forget who did all this!"
|
|
|
|
"No, miss, I never will. Nor Tom won't. Nor yet Emma. It was all you,
|
|
miss."
|
|
|
|
"I have known nothing of it. It was Mr. Jarndyce, Charley."
|
|
|
|
"Yes, miss, but it was all done for the love of you and that you
|
|
might be my mistress. If you please, miss, I am a little present with
|
|
his love, and it was all done for the love of you. Me and Tom was to
|
|
be sure to remember it."
|
|
|
|
Charley dried her eyes and entered on her functions, going in her
|
|
matronly little way about and about the room and folding up
|
|
everything she could lay her hands upon. Presently Charley came
|
|
creeping back to my side and said, "Oh, don't cry, if you please,
|
|
miss."
|
|
|
|
And I said again, "I can't help it, Charley."
|
|
|
|
And Charley said again, "No, miss, nor I can't help it." And so,
|
|
after all, I did cry for joy indeed, and so did she.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIV
|
|
|
|
An Appeal Case
|
|
|
|
|
|
As soon as Richard and I had held the conversation of which I have
|
|
given an account, Richard communicated the state of his mind to Mr.
|
|
Jarndyce. I doubt if my guardian were altogether taken by surprise
|
|
when he received the representation, though it caused him much
|
|
uneasiness and disappointment. He and Richard were often closeted
|
|
together, late at night and early in the morning, and passed whole
|
|
days in London, and had innumerable appointments with Mr. Kenge, and
|
|
laboured through a quantity of disagreeable business. While they were
|
|
thus employed, my guardian, though he underwent considerable
|
|
inconvenience from the state of the wind and rubbed his head so
|
|
constantly that not a single hair upon it ever rested in its right
|
|
place, was as genial with Ada and me as at any other time, but
|
|
maintained a steady reserve on these matters. And as our utmost
|
|
endeavours could only elicit from Richard himself sweeping assurances
|
|
that everything was going on capitally and that it really was all
|
|
right at last, our anxiety was not much relieved by him.
|
|
|
|
We learnt, however, as the time went on, that a new application was
|
|
made to the Lord Chancellor on Richard's behalf as an infant and a
|
|
ward, and I don't know what, and that there was a quantity of
|
|
talking, and that the Lord Chancellor described him in open court as
|
|
a vexatious and capricious infant, and that the matter was adjourned
|
|
and readjourned, and referred, and reported on, and petitioned about
|
|
until Richard began to doubt (as he told us) whether, if he entered
|
|
the army at all, it would not be as a veteran of seventy or eighty
|
|
years of age. At last an appointment was made for him to see the Lord
|
|
Chancellor again in his private room, and there the Lord Chancellor
|
|
very seriously reproved him for trifling with time and not knowing
|
|
his mind--"a pretty good joke, I think," said Richard, "from that
|
|
quarter!"--and at last it was settled that his application should be
|
|
granted. His name was entered at the Horse Guards as an applicant for
|
|
an ensign's commission; the purchase-money was deposited at an
|
|
agent's; and Richard, in his usual characteristic way, plunged into a
|
|
violent course of military study and got up at five o'clock every
|
|
morning to practise the broadsword exercise.
|
|
|
|
Thus, vacation succeeded term, and term succeeded vacation. We
|
|
sometimes heard of Jarndyce and Jarndyce as being in the paper or out
|
|
of the paper, or as being to be mentioned, or as being to be spoken
|
|
to; and it came on, and it went off. Richard, who was now in a
|
|
professor's house in London, was able to be with us less frequently
|
|
than before; my guardian still maintained the same reserve; and so
|
|
time passed until the commission was obtained and Richard received
|
|
directions with it to join a regiment in Ireland.
|
|
|
|
He arrived post-haste with the intelligence one evening, and had a
|
|
long conference with my guardian. Upwards of an hour elapsed before
|
|
my guardian put his head into the room where Ada and I were sitting
|
|
and said, "Come in, my dears!" We went in and found Richard, whom we
|
|
had last seen in high spirits, leaning on the chimney-piece looking
|
|
mortified and angry.
|
|
|
|
"Rick and I, Ada," said Mr. Jarndyce, "are not quite of one mind.
|
|
Come, come, Rick, put a brighter face upon it!"
|
|
|
|
"You are very hard with me, sir," said Richard. "The harder because
|
|
you have been so considerate to me in all other respects and have
|
|
done me kindnesses that I can never acknowledge. I never could have
|
|
been set right without you, sir."
|
|
|
|
"Well, well!" said Mr. Jarndyce. "I want to set you more right yet. I
|
|
want to set you more right with yourself."
|
|
|
|
"I hope you will excuse my saying, sir," returned Richard in a fiery
|
|
way, but yet respectfully, "that I think I am the best judge about
|
|
myself."
|
|
|
|
"I hope you will excuse my saying, my dear Rick," observed Mr.
|
|
Jarndyce with the sweetest cheerfulness and good humour, "that it's
|
|
quite natural in you to think so, but I don't think so. I must do my
|
|
duty, Rick, or you could never care for me in cool blood; and I hope
|
|
you will always care for me, cool and hot."
|
|
|
|
Ada had turned so pale that he made her sit down in his reading-chair
|
|
and sat beside her.
|
|
|
|
"It's nothing, my dear," he said, "it's nothing. Rick and I have only
|
|
had a friendly difference, which we must state to you, for you are
|
|
the theme. Now you are afraid of what's coming."
|
|
|
|
"I am not indeed, cousin John," replied Ada with a smile, "if it is
|
|
to come from you."
|
|
|
|
"Thank you, my dear. Do you give me a minute's calm attention,
|
|
without looking at Rick. And, little woman, do you likewise. My dear
|
|
girl," putting his hand on hers as it lay on the side of the
|
|
easy-chair, "you recollect the talk we had, we four when the little
|
|
woman told me of a little love affair?"
|
|
|
|
"It is not likely that either Richard or I can ever forget your
|
|
kindness that day, cousin John."
|
|
|
|
"I can never forget it," said Richard.
|
|
|
|
"And I can never forget it," said Ada.
|
|
|
|
"So much the easier what I have to say, and so much the easier for us
|
|
to agree," returned my guardian, his face irradiated by the
|
|
gentleness and honour of his heart. "Ada, my bird, you should know
|
|
that Rick has now chosen his profession for the last time. All that
|
|
he has of certainty will be expended when he is fully equipped. He
|
|
has exhausted his resources and is bound henceforward to the tree he
|
|
has planted."
|
|
|
|
"Quite true that I have exhausted my present resources, and I am
|
|
quite content to know it. But what I have of certainty, sir," said
|
|
Richard, "is not all I have."
|
|
|
|
"Rick, Rick!" cried my guardian with a sudden terror in his manner,
|
|
and in an altered voice, and putting up his hands as if he would have
|
|
stopped his ears. "For the love of God, don't found a hope or
|
|
expectation on the family curse! Whatever you do on this side the
|
|
grave, never give one lingering glance towards the horrible phantom
|
|
that has haunted us so many years. Better to borrow, better to beg,
|
|
better to die!"
|
|
|
|
We were all startled by the fervour of this warning. Richard bit his
|
|
lip and held his breath, and glanced at me as if he felt, and knew
|
|
that I felt too, how much he needed it.
|
|
|
|
"Ada, my dear," said Mr. Jarndyce, recovering his cheerfulness,
|
|
"these are strong words of advice, but I live in Bleak House and have
|
|
seen a sight here. Enough of that. All Richard had to start him in
|
|
the race of life is ventured. I recommend to him and you, for his
|
|
sake and your own, that he should depart from us with the
|
|
understanding that there is no sort of contract between you. I must
|
|
go further. I will be plain with you both. You were to confide freely
|
|
in me, and I will confide freely in you. I ask you wholly to
|
|
relinquish, for the present, any tie but your relationship."
|
|
|
|
"Better to say at once, sir," returned Richard, "that you renounce
|
|
all confidence in me and that you advise Ada to do the same."
|
|
|
|
"Better to say nothing of the sort, Rick, because I don't mean it."
|
|
|
|
"You think I have begun ill, sir," retorted Richard. "I HAVE, I
|
|
know."
|
|
|
|
"How I hoped you would begin, and how go on, I told you when we spoke
|
|
of these things last," said Mr. Jarndyce in a cordial and encouraging
|
|
manner. "You have not made that beginning yet, but there is a time
|
|
for all things, and yours is not gone by; rather, it is just now
|
|
fully come. Make a clear beginning altogether. You two (very young,
|
|
my dears) are cousins. As yet, you are nothing more. What more may
|
|
come must come of being worked out, Rick, and no sooner."
|
|
|
|
"You are very hard with me, sir," said Richard. "Harder than I could
|
|
have supposed you would be."
|
|
|
|
"My dear boy," said Mr. Jarndyce, "I am harder with myself when I do
|
|
anything that gives you pain. You have your remedy in your own hands.
|
|
Ada, it is better for him that he should be free and that there
|
|
should be no youthful engagement between you. Rick, it is better for
|
|
her, much better; you owe it to her. Come! Each of you will do what
|
|
is best for the other, if not what is best for yourselves."
|
|
|
|
"Why is it best, sir?" returned Richard hastily. "It was not when we
|
|
opened our hearts to you. You did not say so then."
|
|
|
|
"I have had experience since. I don't blame you, Rick, but I have had
|
|
experience since."
|
|
|
|
"You mean of me, sir."
|
|
|
|
"Well! Yes, of both of you," said Mr. Jarndyce kindly. "The time is
|
|
not come for your standing pledged to one another. It is not right,
|
|
and I must not recognize it. Come, come, my young cousins, begin
|
|
afresh! Bygones shall be bygones, and a new page turned for you to
|
|
write your lives in."
|
|
|
|
Richard gave an anxious glance at Ada but said nothing.
|
|
|
|
"I have avoided saying one word to either of you or to Esther," said
|
|
Mr. Jarndyce, "until now, in order that we might be open as the day,
|
|
and all on equal terms. I now affectionately advise, I now most
|
|
earnestly entreat, you two to part as you came here. Leave all else
|
|
to time, truth, and steadfastness. If you do otherwise, you will do
|
|
wrong, and you will have made me do wrong in ever bringing you
|
|
together."
|
|
|
|
A long silence succeeded.
|
|
|
|
"Cousin Richard," said Ada then, raising her blue eyes tenderly to
|
|
his face, "after what our cousin John has said, I think no choice is
|
|
left us. Your mind may be quite at ease about me, for you will leave
|
|
me here under his care and will be sure that I can have nothing to
|
|
wish for--quite sure if I guide myself by his advice. I--I don't
|
|
doubt, cousin Richard," said Ada, a little confused, "that you are
|
|
very fond of me, and I--I don't think you will fall in love with
|
|
anybody else. But I should like you to consider well about it too, as
|
|
I should like you to be in all things very happy. You may trust in
|
|
me, cousin Richard. I am not at all changeable; but I am not
|
|
unreasonable, and should never blame you. Even cousins may be sorry
|
|
to part; and in truth I am very, very sorry, Richard, though I know
|
|
it's for your welfare. I shall always think of you affectionately,
|
|
and often talk of you with Esther, and--and perhaps you will
|
|
sometimes think a little of me, cousin Richard. So now," said Ada,
|
|
going up to him and giving him her trembling hand, "we are only
|
|
cousins again, Richard--for the time perhaps--and I pray for a
|
|
blessing on my dear cousin, wherever he goes!"
|
|
|
|
It was strange to me that Richard should not be able to forgive my
|
|
guardian for entertaining the very same opinion of him which he
|
|
himself had expressed of himself in much stronger terms to me. But it
|
|
was certainly the case. I observed with great regret that from this
|
|
hour he never was as free and open with Mr. Jarndyce as he had been
|
|
before. He had every reason given him to be so, but he was not; and
|
|
solely on his side, an estrangement began to arise between them.
|
|
|
|
In the business of preparation and equipment he soon lost himself,
|
|
and even his grief at parting from Ada, who remained in Hertfordshire
|
|
while he, Mr. Jarndyce, and I went up to London for a week. He
|
|
remembered her by fits and starts, even with bursts of tears, and at
|
|
such times would confide to me the heaviest self-reproaches. But in a
|
|
few minutes he would recklessly conjure up some undefinable means by
|
|
which they were both to be made rich and happy for ever, and would
|
|
become as gay as possible.
|
|
|
|
It was a busy time, and I trotted about with him all day long, buying
|
|
a variety of things of which he stood in need. Of the things he would
|
|
have bought if he had been left to his own ways I say nothing. He was
|
|
perfectly confidential with me, and often talked so sensibly and
|
|
feelingly about his faults and his vigorous resolutions, and dwelt so
|
|
much upon the encouragement he derived from these conversations that
|
|
I could never have been tired if I had tried.
|
|
|
|
There used, in that week, to come backward and forward to our lodging
|
|
to fence with Richard a person who had formerly been a cavalry
|
|
soldier; he was a fine bluff-looking man, of a frank free bearing,
|
|
with whom Richard had practised for some months. I heard so much
|
|
about him, not only from Richard, but from my guardian too, that I
|
|
was purposely in the room with my work one morning after breakfast
|
|
when he came.
|
|
|
|
"Good morning, Mr. George," said my guardian, who happened to be
|
|
alone with me. "Mr. Carstone will be here directly. Meanwhile, Miss
|
|
Summerson is very happy to see you, I know. Sit down."
|
|
|
|
He sat down, a little disconcerted by my presence, I thought, and
|
|
without looking at me, drew his heavy sunburnt hand across and across
|
|
his upper lip.
|
|
|
|
"You are as punctual as the sun," said Mr. Jarndyce.
|
|
|
|
"Military time, sir," he replied. "Force of habit. A mere habit in
|
|
me, sir. I am not at all business-like."
|
|
|
|
"Yet you have a large establishment, too, I am told?" said Mr.
|
|
Jarndyce.
|
|
|
|
"Not much of a one, sir. I keep a shooting gallery, but not much of a
|
|
one."
|
|
|
|
"And what kind of a shot and what kind of a swordsman do you make of
|
|
Mr. Carstone?" said my guardian.
|
|
|
|
"Pretty good, sir," he replied, folding his arms upon his broad chest
|
|
and looking very large. "If Mr. Carstone was to give his full mind to
|
|
it, he would come out very good."
|
|
|
|
"But he don't, I suppose?" said my guardian.
|
|
|
|
"He did at first, sir, but not afterwards. Not his full mind. Perhaps
|
|
he has something else upon it--some young lady, perhaps." His bright
|
|
dark eyes glanced at me for the first time.
|
|
|
|
"He has not me upon his mind, I assure you, Mr. George," said I,
|
|
laughing, "though you seem to suspect me."
|
|
|
|
He reddened a little through his brown and made me a trooper's bow.
|
|
"No offence, I hope, miss. I am one of the roughs."
|
|
|
|
"Not at all," said I. "I take it as a compliment."
|
|
|
|
If he had not looked at me before, he looked at me now in three or
|
|
four quick successive glances. "I beg your pardon, sir," he said to
|
|
my guardian with a manly kind of diffidence, "but you did me the
|
|
honour to mention the young lady's name--"
|
|
|
|
"Miss Summerson."
|
|
|
|
"Miss Summerson," he repeated, and looked at me again.
|
|
|
|
"Do you know the name?" I asked.
|
|
|
|
"No, miss. To my knowledge I never heard it. I thought I had seen you
|
|
somewhere."
|
|
|
|
"I think not," I returned, raising my head from my work to look at
|
|
him; and there was something so genuine in his speech and manner that
|
|
I was glad of the opportunity. "I remember faces very well."
|
|
|
|
"So do I, miss!" he returned, meeting my look with the fullness of
|
|
his dark eyes and broad forehead. "Humph! What set me off, now, upon
|
|
that!"
|
|
|
|
His once more reddening through his brown and being disconcerted by
|
|
his efforts to remember the association brought my guardian to his
|
|
relief.
|
|
|
|
"Have you many pupils, Mr. George?"
|
|
|
|
"They vary in their number, sir. Mostly they're but a small lot to
|
|
live by."
|
|
|
|
"And what classes of chance people come to practise at your gallery?"
|
|
|
|
"All sorts, sir. Natives and foreigners. From gentlemen to
|
|
'prentices. I have had Frenchwomen come, before now, and show
|
|
themselves dabs at pistol-shooting. Mad people out of number, of
|
|
course, but THEY go everywhere where the doors stand open."
|
|
|
|
"People don't come with grudges and schemes of finishing their
|
|
practice with live targets, I hope?" said my guardian, smiling.
|
|
|
|
"Not much of that, sir, though that HAS happened. Mostly they come
|
|
for skill--or idleness. Six of one, and half-a-dozen of the other. I
|
|
beg your pardon," said Mr. George, sitting stiffly upright and
|
|
squaring an elbow on each knee, "but I believe you're a Chancery
|
|
suitor, if I have heard correct?"
|
|
|
|
"I am sorry to say I am."
|
|
|
|
"I have had one of YOUR compatriots in my time, sir."
|
|
|
|
"A Chancery suitor?" returned my guardian. "How was that?"
|
|
|
|
"Why, the man was so badgered and worried and tortured by being
|
|
knocked about from post to pillar, and from pillar to post," said Mr.
|
|
George, "that he got out of sorts. I don't believe he had any idea of
|
|
taking aim at anybody, but he was in that condition of resentment and
|
|
violence that he would come and pay for fifty shots and fire away
|
|
till he was red hot. One day I said to him when there was nobody by
|
|
and he had been talking to me angrily about his wrongs, 'If this
|
|
practice is a safety-valve, comrade, well and good; but I don't
|
|
altogether like your being so bent upon it in your present state of
|
|
mind; I'd rather you took to something else.' I was on my guard for a
|
|
blow, he was that passionate; but he received it in very good part
|
|
and left off directly. We shook hands and struck up a sort of
|
|
friendship."
|
|
|
|
"What was that man?" asked my guardian in a new tone of interest.
|
|
|
|
"Why, he began by being a small Shropshire farmer before they made a
|
|
baited bull of him," said Mr. George.
|
|
|
|
"Was his name Gridley?"
|
|
|
|
"It was, sir."
|
|
|
|
Mr. George directed another succession of quick bright glances at me
|
|
as my guardian and I exchanged a word or two of surprise at the
|
|
coincidence, and I therefore explained to him how we knew the name.
|
|
He made me another of his soldierly bows in acknowledgment of what he
|
|
called my condescension.
|
|
|
|
"I don't know," he said as he looked at me, "what it is that sets me
|
|
off again--but--bosh! What's my head running against!" He passed one
|
|
of his heavy hands over his crisp dark hair as if to sweep the broken
|
|
thoughts out of his mind and sat a little forward, with one arm
|
|
akimbo and the other resting on his leg, looking in a brown study at
|
|
the ground.
|
|
|
|
"I am sorry to learn that the same state of mind has got this Gridley
|
|
into new troubles and that he is in hiding," said my guardian.
|
|
|
|
"So I am told, sir," returned Mr. George, still musing and looking on
|
|
the ground. "So I am told."
|
|
|
|
"You don't know where?"
|
|
|
|
"No, sir," returned the trooper, lifting up his eyes and coming out
|
|
of his reverie. "I can't say anything about him. He will be worn out
|
|
soon, I expect. You may file a strong man's heart away for a good
|
|
many years, but it will tell all of a sudden at last."
|
|
|
|
Richard's entrance stopped the conversation. Mr. George rose, made me
|
|
another of his soldierly bows, wished my guardian a good day, and
|
|
strode heavily out of the room.
|
|
|
|
This was the morning of the day appointed for Richard's departure. We
|
|
had no more purchases to make now; I had completed all his packing
|
|
early in the afternoon; and our time was disengaged until night, when
|
|
he was to go to Liverpool for Holyhead. Jarndyce and Jarndyce being
|
|
again expected to come on that day, Richard proposed to me that we
|
|
should go down to the court and hear what passed. As it was his last
|
|
day, and he was eager to go, and I had never been there, I gave my
|
|
consent and we walked down to Westminster, where the court was then
|
|
sitting. We beguiled the way with arrangements concerning the letters
|
|
that Richard was to write to me and the letters that I was to write
|
|
to him and with a great many hopeful projects. My guardian knew where
|
|
we were going and therefore was not with us.
|
|
|
|
When we came to the court, there was the Lord Chancellor--the same
|
|
whom I had seen in his private room in Lincoln's Inn--sitting in
|
|
great state and gravity on the bench, with the mace and seals on a
|
|
red table below him and an immense flat nosegay, like a little
|
|
garden, which scented the whole court. Below the table, again, was a
|
|
long row of solicitors, with bundles of papers on the matting at
|
|
their feet; and then there were the gentlemen of the bar in wigs and
|
|
gowns--some awake and some asleep, and one talking, and nobody paying
|
|
much attention to what he said. The Lord Chancellor leaned back in
|
|
his very easy chair with his elbow on the cushioned arm and his
|
|
forehead resting on his hand; some of those who were present dozed;
|
|
some read the newspapers; some walked about or whispered in groups:
|
|
all seemed perfectly at their ease, by no means in a hurry, very
|
|
unconcerned, and extremely comfortable.
|
|
|
|
To see everything going on so smoothly and to think of the roughness
|
|
of the suitors' lives and deaths; to see all that full dress and
|
|
ceremony and to think of the waste, and want, and beggared misery it
|
|
represented; to consider that while the sickness of hope deferred was
|
|
raging in so many hearts this polite show went calmly on from day to
|
|
day, and year to year, in such good order and composure; to behold
|
|
the Lord Chancellor and the whole array of practitioners under him
|
|
looking at one another and at the spectators as if nobody had ever
|
|
heard that all over England the name in which they were assembled was
|
|
a bitter jest, was held in universal horror, contempt, and
|
|
indignation, was known for something so flagrant and bad that little
|
|
short of a miracle could bring any good out of it to any one--this
|
|
was so curious and self-contradictory to me, who had no experience of
|
|
it, that it was at first incredible, and I could not comprehend it. I
|
|
sat where Richard put me, and tried to listen, and looked about me;
|
|
but there seemed to be no reality in the whole scene except poor
|
|
little Miss Flite, the madwoman, standing on a bench and nodding at
|
|
it.
|
|
|
|
Miss Flite soon espied us and came to where we sat. She gave me a
|
|
gracious welcome to her domain and indicated, with much gratification
|
|
and pride, its principal attractions. Mr. Kenge also came to speak to
|
|
us and did the honours of the place in much the same way, with the
|
|
bland modesty of a proprietor. It was not a very good day for a
|
|
visit, he said; he would have preferred the first day of term; but it
|
|
was imposing, it was imposing.
|
|
|
|
When we had been there half an hour or so, the case in progress--if I
|
|
may use a phrase so ridiculous in such a connexion--seemed to die out
|
|
of its own vapidity, without coming, or being by anybody expected to
|
|
come, to any result. The Lord Chancellor then threw down a bundle of
|
|
papers from his desk to the gentlemen below him, and somebody said,
|
|
"Jarndyce and Jarndyce." Upon this there was a buzz, and a laugh, and
|
|
a general withdrawal of the bystanders, and a bringing in of great
|
|
heaps, and piles, and bags and bags full of papers.
|
|
|
|
I think it came on "for further directions"--about some bill of
|
|
costs, to the best of my understanding, which was confused enough.
|
|
But I counted twenty-three gentlemen in wigs who said they were "in
|
|
it," and none of them appeared to understand it much better than I.
|
|
They chatted about it with the Lord Chancellor, and contradicted and
|
|
explained among themselves, and some of them said it was this way,
|
|
and some of them said it was that way, and some of them jocosely
|
|
proposed to read huge volumes of affidavits, and there was more
|
|
buzzing and laughing, and everybody concerned was in a state of idle
|
|
entertainment, and nothing could be made of it by anybody. After an
|
|
hour or so of this, and a good many speeches being begun and cut
|
|
short, it was "referred back for the present," as Mr. Kenge said, and
|
|
the papers were bundled up again before the clerks had finished
|
|
bringing them in.
|
|
|
|
I glanced at Richard on the termination of these hopeless proceedings
|
|
and was shocked to see the worn look of his handsome young face. "It
|
|
can't last for ever, Dame Durden. Better luck next time!" was all he
|
|
said.
|
|
|
|
I had seen Mr. Guppy bringing in papers and arranging them for Mr.
|
|
Kenge; and he had seen me and made me a forlorn bow, which rendered
|
|
me desirous to get out of the court. Richard had given me his arm and
|
|
was taking me away when Mr. Guppy came up.
|
|
|
|
"I beg your pardon, Mr. Carstone," said he in a whisper, "and Miss
|
|
Summerson's also, but there's a lady here, a friend of mine, who
|
|
knows her and wishes to have the pleasure of shaking hands." As he
|
|
spoke, I saw before me, as if she had started into bodily shape from
|
|
my remembrance, Mrs. Rachael of my godmother's house.
|
|
|
|
"How do you do, Esther?" said she. "Do you recollect me?"
|
|
|
|
I gave her my hand and told her yes and that she was very little
|
|
altered.
|
|
|
|
"I wonder you remember those times, Esther," she returned with her
|
|
old asperity. "They are changed now. Well! I am glad to see you, and
|
|
glad you are not too proud to know me." But indeed she seemed
|
|
disappointed that I was not.
|
|
|
|
"Proud, Mrs. Rachael!" I remonstrated.
|
|
|
|
"I am married, Esther," she returned, coldly correcting me, "and am
|
|
Mrs. Chadband. Well! I wish you good day, and I hope you'll do well."
|
|
|
|
Mr. Guppy, who had been attentive to this short dialogue, heaved a
|
|
sigh in my ear and elbowed his own and Mrs. Rachael's way through the
|
|
confused little crowd of people coming in and going out, which we
|
|
were in the midst of and which the change in the business had brought
|
|
together. Richard and I were making our way through it, and I was yet
|
|
in the first chill of the late unexpected recognition when I saw,
|
|
coming towards us, but not seeing us, no less a person than Mr.
|
|
George. He made nothing of the people about him as he tramped on,
|
|
staring over their heads into the body of the court.
|
|
|
|
"George!" said Richard as I called his attention to him.
|
|
|
|
"You are well met, sir," he returned. "And you, miss. Could you point
|
|
a person out for me, I want? I don't understand these places."
|
|
|
|
Turning as he spoke and making an easy way for us, he stopped when we
|
|
were out of the press in a corner behind a great red curtain.
|
|
|
|
"There's a little cracked old woman," he began, "that--"
|
|
|
|
I put up my finger, for Miss Flite was close by me, having kept
|
|
beside me all the time and having called the attention of several of
|
|
her legal acquaintance to me (as I had overheard to my confusion) by
|
|
whispering in their ears, "Hush! Fitz Jarndyce on my left!"
|
|
|
|
"Hem!" said Mr. George. "You remember, miss, that we passed some
|
|
conversation on a certain man this morning? Gridley," in a low
|
|
whisper behind his hand.
|
|
|
|
"Yes," said I.
|
|
|
|
"He is hiding at my place. I couldn't mention it. Hadn't his
|
|
authority. He is on his last march, miss, and has a whim to see her.
|
|
He says they can feel for one another, and she has been almost as
|
|
good as a friend to him here. I came down to look for her, for when I
|
|
sat by Gridley this afternoon, I seemed to hear the roll of the
|
|
muffled drums."
|
|
|
|
"Shall I tell her?" said I.
|
|
|
|
"Would you be so good?" he returned with a glance of something like
|
|
apprehension at Miss Flite. "It's a providence I met you, miss; I
|
|
doubt if I should have known how to get on with that lady." And he
|
|
put one hand in his breast and stood upright in a martial attitude as
|
|
I informed little Miss Flite, in her ear, of the purport of his kind
|
|
errand.
|
|
|
|
"My angry friend from Shropshire! Almost as celebrated as myself!"
|
|
she exclaimed. "Now really! My dear, I will wait upon him with the
|
|
greatest pleasure."
|
|
|
|
"He is living concealed at Mr. George's," said I. "Hush! This is Mr.
|
|
George."
|
|
|
|
"In--deed!" returned Miss Flite. "Very proud to have the honour! A
|
|
military man, my dear. You know, a perfect general!" she whispered to
|
|
me.
|
|
|
|
Poor Miss Flite deemed it necessary to be so courtly and polite, as a
|
|
mark of her respect for the army, and to curtsy so very often that it
|
|
was no easy matter to get her out of the court. When this was at last
|
|
done, and addressing Mr. George as "General," she gave him her arm,
|
|
to the great entertainment of some idlers who were looking on, he was
|
|
so discomposed and begged me so respectfully "not to desert him" that
|
|
I could not make up my mind to do it, especially as Miss Flite was
|
|
always tractable with me and as she too said, "Fitz Jarndyce, my
|
|
dear, you will accompany us, of course." As Richard seemed quite
|
|
willing, and even anxious, that we should see them safely to their
|
|
destination, we agreed to do so. And as Mr. George informed us that
|
|
Gridley's mind had run on Mr. Jarndyce all the afternoon after
|
|
hearing of their interview in the morning, I wrote a hasty note in
|
|
pencil to my guardian to say where we were gone and why. Mr. George
|
|
sealed it at a coffee-house, that it might lead to no discovery, and
|
|
we sent it off by a ticket-porter.
|
|
|
|
We then took a hackney-coach and drove away to the neighbourhood of
|
|
Leicester Square. We walked through some narrow courts, for which Mr.
|
|
George apologized, and soon came to the shooting gallery, the door of
|
|
which was closed. As he pulled a bell-handle which hung by a chain to
|
|
the door-post, a very respectable old gentleman with grey hair,
|
|
wearing spectacles, and dressed in a black spencer and gaiters and a
|
|
broad-brimmed hat, and carrying a large gold-beaded cane, addressed
|
|
him.
|
|
|
|
"I ask your pardon, my good friend," said he, "but is this George's
|
|
Shooting Gallery?"
|
|
|
|
"It is, sir," returned Mr. George, glancing up at the great letters
|
|
in which that inscription was painted on the whitewashed wall.
|
|
|
|
"Oh! To be sure!" said the old gentleman, following his eyes. "Thank
|
|
you. Have you rung the bell?"
|
|
|
|
"My name is George, sir, and I have rung the bell."
|
|
|
|
"Oh, indeed?" said the old gentleman. "Your name is George? Then I am
|
|
here as soon as you, you see. You came for me, no doubt?"
|
|
|
|
"No, sir. You have the advantage of me."
|
|
|
|
"Oh, indeed?" said the old gentleman. "Then it was your young man who
|
|
came for me. I am a physician and was requested--five minutes ago--to
|
|
come and visit a sick man at George's Shooting Gallery."
|
|
|
|
"The muffled drums," said Mr. George, turning to Richard and me and
|
|
gravely shaking his head. "It's quite correct, sir. Will you please
|
|
to walk in."
|
|
|
|
The door being at that moment opened by a very singular-looking
|
|
little man in a green-baize cap and apron, whose face and hands and
|
|
dress were blackened all over, we passed along a dreary passage into
|
|
a large building with bare brick walls where there were targets, and
|
|
guns, and swords, and other things of that kind. When we had all
|
|
arrived here, the physician stopped, and taking off his hat, appeared
|
|
to vanish by magic and to leave another and quite a different man in
|
|
his place.
|
|
|
|
"Now lookee here, George," said the man, turning quickly round upon
|
|
him and tapping him on the breast with a large forefinger. "You know
|
|
me, and I know you. You're a man of the world, and I'm a man of the
|
|
world. My name's Bucket, as you are aware, and I have got a
|
|
peace-warrant against Gridley. You have kept him out of the way a
|
|
long time, and you have been artful in it, and it does you credit."
|
|
|
|
Mr. George, looking hard at him, bit his lip and shook his head.
|
|
|
|
"Now, George," said the other, keeping close to him, "you're a
|
|
sensible man and a well-conducted man; that's what YOU are, beyond a
|
|
doubt. And mind you, I don't talk to you as a common character,
|
|
because you have served your country and you know that when duty
|
|
calls we must obey. Consequently you're very far from wanting to give
|
|
trouble. If I required assistance, you'd assist me; that's what YOU'D
|
|
do. Phil Squod, don't you go a-sidling round the gallery like
|
|
that"--the dirty little man was shuffling about with his shoulder
|
|
against the wall, and his eyes on the intruder, in a manner that
|
|
looked threatening--"because I know you and won't have it."
|
|
|
|
"Phil!" said Mr. George.
|
|
|
|
"Yes, guv'ner."
|
|
|
|
"Be quiet."
|
|
|
|
The little man, with a low growl, stood still.
|
|
|
|
"Ladies and gentlemen," said Mr. Bucket, "you'll excuse anything that
|
|
may appear to be disagreeable in this, for my name's Inspector Bucket
|
|
of the Detective, and I have a duty to perform. George, I know where
|
|
my man is because I was on the roof last night and saw him through
|
|
the skylight, and you along with him. He is in there, you know,"
|
|
pointing; "that's where HE is--on a sofy. Now I must see my man, and
|
|
I must tell my man to consider himself in custody; but you know me,
|
|
and you know I don't want to take any uncomfortable measures. You
|
|
give me your word, as from one man to another (and an old soldier,
|
|
mind you, likewise), that it's honourable between us two, and I'll
|
|
accommodate you to the utmost of my power."
|
|
|
|
"I give it," was the reply. "But it wasn't handsome in you, Mr.
|
|
Bucket."
|
|
|
|
"Gammon, George! Not handsome?" said Mr. Bucket, tapping him on his
|
|
broad breast again and shaking hands with him. "I don't say it wasn't
|
|
handsome in you to keep my man so close, do I? Be equally
|
|
good-tempered to me, old boy! Old William Tell, Old Shaw, the Life
|
|
Guardsman! Why, he's a model of the whole British army in himself,
|
|
ladies and gentlemen. I'd give a fifty-pun' note to be such a figure
|
|
of a man!"
|
|
|
|
The affair being brought to this head, Mr. George, after a little
|
|
consideration, proposed to go in first to his comrade (as he called
|
|
him), taking Miss Flite with him. Mr. Bucket agreeing, they went away
|
|
to the further end of the gallery, leaving us sitting and standing by
|
|
a table covered with guns. Mr. Bucket took this opportunity of
|
|
entering into a little light conversation, asking me if I were afraid
|
|
of fire-arms, as most young ladies were; asking Richard if he were a
|
|
good shot; asking Phil Squod which he considered the best of those
|
|
rifles and what it might be worth first-hand, telling him in return
|
|
that it was a pity he ever gave way to his temper, for he was
|
|
naturally so amiable that he might have been a young woman, and
|
|
making himself generally agreeable.
|
|
|
|
After a time he followed us to the further end of the gallery, and
|
|
Richard and I were going quietly away when Mr. George came after us.
|
|
He said that if we had no objection to see his comrade, he would take
|
|
a visit from us very kindly. The words had hardly passed his lips
|
|
when the bell was rung and my guardian appeared, "on the chance," he
|
|
slightly observed, "of being able to do any little thing for a poor
|
|
fellow involved in the same misfortune as himself." We all four went
|
|
back together and went into the place where Gridley was.
|
|
|
|
It was a bare room, partitioned off from the gallery with unpainted
|
|
wood. As the screening was not more than eight or ten feet high and
|
|
only enclosed the sides, not the top, the rafters of the high gallery
|
|
roof were overhead, and the skylight through which Mr. Bucket had
|
|
looked down. The sun was low--near setting--and its light came redly
|
|
in above, without descending to the ground. Upon a plain
|
|
canvas-covered sofa lay the man from Shropshire, dressed much as we
|
|
had seen him last, but so changed that at first I recognized no
|
|
likeness in his colourless face to what I recollected.
|
|
|
|
He had been still writing in his hiding-place, and still dwelling on
|
|
his grievances, hour after hour. A table and some shelves were
|
|
covered with manuscript papers and with worn pens and a medley of
|
|
such tokens. Touchingly and awfully drawn together, he and the little
|
|
mad woman were side by side and, as it were, alone. She sat on a
|
|
chair holding his hand, and none of us went close to them.
|
|
|
|
His voice had faded, with the old expression of his face, with his
|
|
strength, with his anger, with his resistance to the wrongs that had
|
|
at last subdued him. The faintest shadow of an object full of form
|
|
and colour is such a picture of it as he was of the man from
|
|
Shropshire whom we had spoken with before.
|
|
|
|
He inclined his head to Richard and me and spoke to my guardian.
|
|
|
|
"Mr. Jarndyce, it is very kind of you to come to see me. I am not
|
|
long to be seen, I think. I am very glad to take your hand, sir. You
|
|
are a good man, superior to injustice, and God knows I honour you."
|
|
|
|
They shook hands earnestly, and my guardian said some words of
|
|
comfort to him.
|
|
|
|
"It may seem strange to you, sir," returned Gridley; "I should not
|
|
have liked to see you if this had been the first time of our meeting.
|
|
But you know I made a fight for it, you know I stood up with my
|
|
single hand against them all, you know I told them the truth to the
|
|
last, and told them what they were, and what they had done to me; so
|
|
I don't mind your seeing me, this wreck."
|
|
|
|
"You have been courageous with them many and many a time," returned
|
|
my guardian.
|
|
|
|
"Sir, I have been," with a faint smile. "I told you what would come
|
|
of it when I ceased to be so, and see here! Look at us--look at us!"
|
|
He drew the hand Miss Flite held through her arm and brought her
|
|
something nearer to him.
|
|
|
|
"This ends it. Of all my old associations, of all my old pursuits and
|
|
hopes, of all the living and the dead world, this one poor soul alone
|
|
comes natural to me, and I am fit for. There is a tie of many
|
|
suffering years between us two, and it is the only tie I ever had on
|
|
earth that Chancery has not broken."
|
|
|
|
"Accept my blessing, Gridley," said Miss Flite in tears. "Accept my
|
|
blessing!"
|
|
|
|
"I thought, boastfully, that they never could break my heart, Mr.
|
|
Jarndyce. I was resolved that they should not. I did believe that I
|
|
could, and would, charge them with being the mockery they were until
|
|
I died of some bodily disorder. But I am worn out. How long I have
|
|
been wearing out, I don't know; I seemed to break down in an hour. I
|
|
hope they may never come to hear of it. I hope everybody here will
|
|
lead them to believe that I died defying them, consistently and
|
|
perseveringly, as I did through so many years."
|
|
|
|
Here Mr. Bucket, who was sitting in a corner by the door,
|
|
good-naturedly offered such consolation as he could administer.
|
|
|
|
"Come, come!" he said from his corner. "Don't go on in that way, Mr.
|
|
Gridley. You are only a little low. We are all of us a little low
|
|
sometimes. I am. Hold up, hold up! You'll lose your temper with the
|
|
whole round of 'em, again and again; and I shall take you on a score
|
|
of warrants yet, if I have luck."
|
|
|
|
He only shook his head.
|
|
|
|
"Don't shake your head," said Mr. Bucket. "Nod it; that's what I want
|
|
to see you do. Why, Lord bless your soul, what times we have had
|
|
together! Haven't I seen you in the Fleet over and over again for
|
|
contempt? Haven't I come into court, twenty afternoons for no other
|
|
purpose than to see you pin the Chancellor like a bull-dog? Don't you
|
|
remember when you first began to threaten the lawyers, and the peace
|
|
was sworn against you two or three times a week? Ask the little old
|
|
lady there; she has been always present. Hold up, Mr. Gridley, hold
|
|
up, sir!"
|
|
|
|
"What are you going to do about him?" asked George in a low voice.
|
|
|
|
"I don't know yet," said Bucket in the same tone. Then resuming his
|
|
encouragement, he pursued aloud: "Worn out, Mr. Gridley? After
|
|
dodging me for all these weeks and forcing me to climb the roof here
|
|
like a tom cat and to come to see you as a doctor? That ain't like
|
|
being worn out. I should think not! Now I tell you what you want. You
|
|
want excitement, you know, to keep YOU up; that's what YOU want.
|
|
You're used to it, and you can't do without it. I couldn't myself.
|
|
Very well, then; here's this warrant got by Mr. Tulkinghorn of
|
|
Lincoln's Inn Fields, and backed into half-a-dozen counties since.
|
|
What do you say to coming along with me, upon this warrant, and
|
|
having a good angry argument before the magistrates? It'll do you
|
|
good; it'll freshen you up and get you into training for another turn
|
|
at the Chancellor. Give in? Why, I am surprised to hear a man of your
|
|
energy talk of giving in. You mustn't do that. You're half the fun of
|
|
the fair in the Court of Chancery. George, you lend Mr. Gridley a
|
|
hand, and let's see now whether he won't be better up than down."
|
|
|
|
"He is very weak," said the trooper in a low voice.
|
|
|
|
"Is he?" returned Bucket anxiously. "I only want to rouse him. I
|
|
don't like to see an old acquaintance giving in like this. It would
|
|
cheer him up more than anything if I could make him a little waxy
|
|
with me. He's welcome to drop into me, right and left, if he likes. I
|
|
shall never take advantage of it."
|
|
|
|
The roof rang with a scream from Miss Flite, which still rings in my
|
|
ears.
|
|
|
|
"Oh, no, Gridley!" she cried as he fell heavily and calmly back from
|
|
before her. "Not without my blessing. After so many years!"
|
|
|
|
The sun was down, the light had gradually stolen from the roof, and
|
|
the shadow had crept upward. But to me the shadow of that pair, one
|
|
living and one dead, fell heavier on Richard's departure than the
|
|
darkness of the darkest night. And through Richard's farewell words I
|
|
heard it echoed: "Of all my old associations, of all my old pursuits
|
|
and hopes, of all the living and the dead world, this one poor soul
|
|
alone comes natural to me, and I am fit for. There is a tie of many
|
|
suffering years between us two, and it is the only tie I ever had on
|
|
earth that Chancery has not broken!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XXV
|
|
|
|
Mrs. Snagsby Sees It All
|
|
|
|
|
|
There is disquietude in Cook's Court, Cursitor Street. Black
|
|
suspicion hides in that peaceful region. The mass of Cook's Courtiers
|
|
are in their usual state of mind, no better and no worse; but Mr.
|
|
Snagsby is changed, and his little woman knows it.
|
|
|
|
For Tom-all-Alone's and Lincoln's Inn Fields persist in harnessing
|
|
themselves, a pair of ungovernable coursers, to the chariot of Mr.
|
|
Snagsby's imagination; and Mr. Bucket drives; and the passengers are
|
|
Jo and Mr. Tulkinghorn; and the complete equipage whirls though the
|
|
law-stationery business at wild speed all round the clock. Even in
|
|
the little front kitchen where the family meals are taken, it rattles
|
|
away at a smoking pace from the dinner-table, when Mr. Snagsby pauses
|
|
in carving the first slice of the leg of mutton baked with potatoes
|
|
and stares at the kitchen wall.
|
|
|
|
Mr. Snagsby cannot make out what it is that he has had to do with.
|
|
Something is wrong somewhere, but what something, what may come of
|
|
it, to whom, when, and from which unthought of and unheard of quarter
|
|
is the puzzle of his life. His remote impressions of the robes and
|
|
coronets, the stars and garters, that sparkle through the
|
|
surface-dust of Mr. Tulkinghorn's chambers; his veneration for the
|
|
mysteries presided over by that best and closest of his customers,
|
|
whom all the Inns of Court, all Chancery Lane, and all the legal
|
|
neighbourhood agree to hold in awe; his remembrance of Detective Mr.
|
|
Bucket with his forefinger and his confidential manner, impossible to
|
|
be evaded or declined, persuade him that he is a party to some
|
|
dangerous secret without knowing what it is. And it is the fearful
|
|
peculiarity of this condition that, at any hour of his daily life, at
|
|
any opening of the shop-door, at any pull of the bell, at any
|
|
entrance of a messenger, or any delivery of a letter, the secret may
|
|
take air and fire, explode, and blow up--Mr. Bucket only knows whom.
|
|
|
|
For which reason, whenever a man unknown comes into the shop (as many
|
|
men unknown do) and says, "Is Mr. Snagsby in?" or words to that
|
|
innocent effect, Mr. Snagsby's heart knocks hard at his guilty
|
|
breast. He undergoes so much from such inquiries that when they are
|
|
made by boys he revenges himself by flipping at their ears over the
|
|
counter and asking the young dogs what they mean by it and why they
|
|
can't speak out at once? More impracticable men and boys persist in
|
|
walking into Mr. Snagsby's sleep and terrifying him with
|
|
unaccountable questions, so that often when the cock at the little
|
|
dairy in Cursitor Street breaks out in his usual absurd way about the
|
|
morning, Mr. Snagsby finds himself in a crisis of nightmare, with his
|
|
little woman shaking him and saying "What's the matter with the man!"
|
|
|
|
The little woman herself is not the least item in his difficulty. To
|
|
know that he is always keeping a secret from her, that he has under
|
|
all circumstances to conceal and hold fast a tender double tooth,
|
|
which her sharpness is ever ready to twist out of his head, gives Mr.
|
|
Snagsby, in her dentistical presence, much of the air of a dog who
|
|
has a reservation from his master and will look anywhere rather than
|
|
meet his eye.
|
|
|
|
These various signs and tokens, marked by the little woman, are not
|
|
lost upon her. They impel her to say, "Snagsby has something on his
|
|
mind!" And thus suspicion gets into Cook's Court, Cursitor Street.
|
|
From suspicion to jealousy, Mrs. Snagsby finds the road as natural
|
|
and short as from Cook's Court to Chancery Lane. And thus jealousy
|
|
gets into Cook's Court, Cursitor Street. Once there (and it was
|
|
always lurking thereabout), it is very active and nimble in Mrs.
|
|
Snagsby's breast, prompting her to nocturnal examinations of Mr.
|
|
Snagsby's pockets; to secret perusals of Mr. Snagsby's letters; to
|
|
private researches in the day book and ledger, till, cash-box, and
|
|
iron safe; to watchings at windows, listenings behind doors, and a
|
|
general putting of this and that together by the wrong end.
|
|
|
|
Mrs. Snagsby is so perpetually on the alert that the house becomes
|
|
ghostly with creaking boards and rustling garments. The 'prentices
|
|
think somebody may have been murdered there in bygone times. Guster
|
|
holds certain loose atoms of an idea (picked up at Tooting, where
|
|
they were found floating among the orphans) that there is buried
|
|
money underneath the cellar, guarded by an old man with a white
|
|
beard, who cannot get out for seven thousand years because he said
|
|
the Lord's Prayer backwards.
|
|
|
|
"Who was Nimrod?" Mrs. Snagsby repeatedly inquires of herself. "Who
|
|
was that lady--that creature? And who is that boy?" Now, Nimrod being
|
|
as dead as the mighty hunter whose name Mrs. Snagsby has
|
|
appropriated, and the lady being unproducible, she directs her mental
|
|
eye, for the present, with redoubled vigilance to the boy. "And who,"
|
|
quoth Mrs. Snagsby for the thousand and first time, "is that boy? Who
|
|
is that--!" And there Mrs. Snagsby is seized with an inspiration.
|
|
|
|
He has no respect for Mr. Chadband. No, to be sure, and he wouldn't
|
|
have, of course. Naturally he wouldn't, under those contagious
|
|
circumstances. He was invited and appointed by Mr. Chadband--why,
|
|
Mrs. Snagsby heard it herself with her own ears!--to come back, and
|
|
be told where he was to go, to be addressed by Mr. Chadband; and he
|
|
never came! Why did he never come? Because he was told not to come.
|
|
Who told him not to come? Who? Ha, ha! Mrs. Snagsby sees it all.
|
|
|
|
But happily (and Mrs. Snagsby tightly shakes her head and tightly
|
|
smiles) that boy was met by Mr. Chadband yesterday in the streets;
|
|
and that boy, as affording a subject which Mr. Chadband desires to
|
|
improve for the spiritual delight of a select congregation, was
|
|
seized by Mr. Chadband and threatened with being delivered over to
|
|
the police unless he showed the reverend gentleman where he lived and
|
|
unless he entered into, and fulfilled, an undertaking to appear in
|
|
Cook's Court to-morrow night, "to--mor--row--night," Mrs. Snagsby
|
|
repeats for mere emphasis with another tight smile and another tight
|
|
shake of her head; and to-morrow night that boy will be here, and
|
|
to-morrow night Mrs. Snagsby will have her eye upon him and upon some
|
|
one else; and oh, you may walk a long while in your secret ways (says
|
|
Mrs. Snagsby with haughtiness and scorn), but you can't blind ME!
|
|
|
|
Mrs. Snagsby sounds no timbrel in anybody's ears, but holds her
|
|
purpose quietly, and keeps her counsel. To-morrow comes, the savoury
|
|
preparations for the Oil Trade come, the evening comes. Comes Mr.
|
|
Snagsby in his black coat; come the Chadbands; come (when the gorging
|
|
vessel is replete) the 'prentices and Guster, to be edified; comes at
|
|
last, with his slouching head, and his shuffle backward, and his
|
|
shuffle forward, and his shuffle to the right, and his shuffle to the
|
|
left, and his bit of fur cap in his muddy hand, which he picks as if
|
|
it were some mangy bird he had caught and was plucking before eating
|
|
raw, Jo, the very, very tough subject Mr. Chadband is to improve.
|
|
|
|
Mrs. Snagsby screws a watchful glance on Jo as he is brought into the
|
|
little drawing-room by Guster. He looks at Mr. Snagsby the moment he
|
|
comes in. Aha! Why does he look at Mr. Snagsby? Mr. Snagsby looks at
|
|
him. Why should he do that, but that Mrs. Snagsby sees it all? Why
|
|
else should that look pass between them, why else should Mr. Snagsby
|
|
be confused and cough a signal cough behind his hand? It is as clear
|
|
as crystal that Mr. Snagsby is that boy's father.
|
|
|
|
"Peace, my friends," says Chadband, rising and wiping the oily
|
|
exudations from his reverend visage. "Peace be with us! My friends,
|
|
why with us? Because," with his fat smile, "it cannot be against us,
|
|
because it must be for us; because it is not hardening, because it is
|
|
softening; because it does not make war like the hawk, but comes home
|
|
unto us like the dove. Therefore, my friends, peace be with us! My
|
|
human boy, come forward!"
|
|
|
|
Stretching forth his flabby paw, Mr. Chadband lays the same on Jo's
|
|
arm and considers where to station him. Jo, very doubtful of his
|
|
reverend friend's intentions and not at all clear but that something
|
|
practical and painful is going to be done to him, mutters, "You let
|
|
me alone. I never said nothink to you. You let me alone."
|
|
|
|
"No, my young friend," says Chadband smoothly, "I will not let you
|
|
alone. And why? Because I am a harvest-labourer, because I am a
|
|
toiler and a moiler, because you are delivered over unto me and are
|
|
become as a precious instrument in my hands. My friends, may I so
|
|
employ this instrument as to use it to your advantage, to your
|
|
profit, to your gain, to your welfare, to your enrichment! My young
|
|
friend, sit upon this stool."
|
|
|
|
Jo, apparently possessed by an impression that the reverend gentleman
|
|
wants to cut his hair, shields his head with both arms and is got
|
|
into the required position with great difficulty and every possible
|
|
manifestation of reluctance.
|
|
|
|
When he is at last adjusted like a lay-figure, Mr. Chadband, retiring
|
|
behind the table, holds up his bear's-paw and says, "My friends!"
|
|
This is the signal for a general settlement of the audience. The
|
|
'prentices giggle internally and nudge each other. Guster falls into
|
|
a staring and vacant state, compounded of a stunned admiration of Mr.
|
|
Chadband and pity for the friendless outcast whose condition touches
|
|
her nearly. Mrs. Snagsby silently lays trains of gunpowder. Mrs.
|
|
Chadband composes herself grimly by the fire and warms her knees,
|
|
finding that sensation favourable to the reception of eloquence.
|
|
|
|
It happens that Mr. Chadband has a pulpit habit of fixing some member
|
|
of his congregation with his eye and fatly arguing his points with
|
|
that particular person, who is understood to be expected to be moved
|
|
to an occasional grunt, groan, gasp, or other audible expression of
|
|
inward working, which expression of inward working, being echoed by
|
|
some elderly lady in the next pew and so communicated like a game of
|
|
forfeits through a circle of the more fermentable sinners present,
|
|
serves the purpose of parliamentary cheering and gets Mr. Chadband's
|
|
steam up. From mere force of habit, Mr. Chadband in saying "My
|
|
friends!" has rested his eye on Mr. Snagsby and proceeds to make that
|
|
ill-starred stationer, already sufficiently confused, the immediate
|
|
recipient of his discourse.
|
|
|
|
"We have here among us, my friends," says Chadband, "a Gentile and a
|
|
heathen, a dweller in the tents of Tom-all-Alone's and a mover-on
|
|
upon the surface of the earth. We have here among us, my friends,"
|
|
and Mr. Chadband, untwisting the point with his dirty thumb-nail,
|
|
bestows an oily smile on Mr. Snagsby, signifying that he will throw
|
|
him an argumentative back-fall presently if he be not already down,
|
|
"a brother and a boy. Devoid of parents, devoid of relations, devoid
|
|
of flocks and herds, devoid of gold and silver and of precious
|
|
stones. Now, my friends, why do I say he is devoid of these
|
|
possessions? Why? Why is he?" Mr. Chadband states the question as if
|
|
he were propounding an entirely new riddle of much ingenuity and
|
|
merit to Mr. Snagsby and entreating him not to give it up.
|
|
|
|
Mr. Snagsby, greatly perplexed by the mysterious look he received
|
|
just now from his little woman--at about the period when Mr. Chadband
|
|
mentioned the word parents--is tempted into modestly remarking, "I
|
|
don't know, I'm sure, sir." On which interruption Mrs. Chadband
|
|
glares and Mrs. Snagsby says, "For shame!"
|
|
|
|
"I hear a voice," says Chadband; "is it a still small voice, my
|
|
friends? I fear not, though I fain would hope so--"
|
|
|
|
"Ah--h!" from Mrs. Snagsby.
|
|
|
|
"Which says, 'I don't know.' Then I will tell you why. I say this
|
|
brother present here among us is devoid of parents, devoid of
|
|
relations, devoid of flocks and herds, devoid of gold, of silver, and
|
|
of precious stones because he is devoid of the light that shines in
|
|
upon some of us. What is that light? What is it? I ask you, what is
|
|
that light?"
|
|
|
|
Mr. Chadband draws back his head and pauses, but Mr. Snagsby is not
|
|
to be lured on to his destruction again. Mr. Chadband, leaning
|
|
forward over the table, pierces what he has got to follow directly
|
|
into Mr. Snagsby with the thumb-nail already mentioned.
|
|
|
|
"It is," says Chadband, "the ray of rays, the sun of suns, the moon
|
|
of moons, the star of stars. It is the light of Terewth."
|
|
|
|
Mr. Chadband draws himself up again and looks triumphantly at Mr.
|
|
Snagsby as if he would be glad to know how he feels after that.
|
|
|
|
"Of Terewth," says Mr. Chadband, hitting him again. "Say not to me
|
|
that it is NOT the lamp of lamps. I say to you it is. I say to you, a
|
|
million of times over, it is. It is! I say to you that I will
|
|
proclaim it to you, whether you like it or not; nay, that the less
|
|
you like it, the more I will proclaim it to you. With a
|
|
speaking-trumpet! I say to you that if you rear yourself against it,
|
|
you shall fall, you shall be bruised, you shall be battered, you
|
|
shall be flawed, you shall be smashed."
|
|
|
|
The present effect of this flight of oratory--much admired for its
|
|
general power by Mr. Chadband's followers--being not only to make Mr.
|
|
Chadband unpleasantly warm, but to represent the innocent Mr. Snagsby
|
|
in the light of a determined enemy to virtue, with a forehead of
|
|
brass and a heart of adamant, that unfortunate tradesman becomes yet
|
|
more disconcerted and is in a very advanced state of low spirits and
|
|
false position when Mr. Chadband accidentally finishes him.
|
|
|
|
"My friends," he resumes after dabbing his fat head for some
|
|
time--and it smokes to such an extent that he seems to light his
|
|
pocket-handkerchief at it, which smokes, too, after every dab--"to
|
|
pursue the subject we are endeavouring with our lowly gifts to
|
|
improve, let us in a spirit of love inquire what is that Terewth to
|
|
which I have alluded. For, my young friends," suddenly addressing the
|
|
'prentices and Guster, to their consternation, "if I am told by the
|
|
doctor that calomel or castor-oil is good for me, I may naturally ask
|
|
what is calomel, and what is castor-oil. I may wish to be informed of
|
|
that before I dose myself with either or with both. Now, my young
|
|
friends, what is this Terewth then? Firstly (in a spirit of love),
|
|
what is the common sort of Terewth--the working clothes--the
|
|
every-day wear, my young friends? Is it deception?"
|
|
|
|
"Ah--h!" from Mrs. Snagsby.
|
|
|
|
"Is it suppression?"
|
|
|
|
A shiver in the negative from Mrs. Snagsby.
|
|
|
|
"Is it reservation?"
|
|
|
|
A shake of the head from Mrs. Snagsby--very long and very tight.
|
|
|
|
"No, my friends, it is neither of these. Neither of these names
|
|
belongs to it. When this young heathen now among us--who is now, my
|
|
friends, asleep, the seal of indifference and perdition being set
|
|
upon his eyelids; but do not wake him, for it is right that I should
|
|
have to wrestle, and to combat and to struggle, and to conquer, for
|
|
his sake--when this young hardened heathen told us a story of a cock,
|
|
and of a bull, and of a lady, and of a sovereign, was THAT the
|
|
Terewth? No. Or if it was partly, was it wholly and entirely? No, my
|
|
friends, no!"
|
|
|
|
If Mr. Snagsby could withstand his little woman's look as it enters
|
|
at his eyes, the windows of his soul, and searches the whole
|
|
tenement, he were other than the man he is. He cowers and droops.
|
|
|
|
"Or, my juvenile friends," says Chadband, descending to the level of
|
|
their comprehension with a very obtrusive demonstration in his
|
|
greasily meek smile of coming a long way downstairs for the purpose,
|
|
"if the master of this house was to go forth into the city and there
|
|
see an eel, and was to come back, and was to call unto him the
|
|
mistress of this house, and was to say, 'Sarah, rejoice with me, for
|
|
I have seen an elephant!' would THAT be Terewth?"
|
|
|
|
Mrs. Snagsby in tears.
|
|
|
|
"Or put it, my juvenile friends, that he saw an elephant, and
|
|
returning said 'Lo, the city is barren, I have seen but an eel,'
|
|
would THAT be Terewth?"
|
|
|
|
Mrs. Snagsby sobbing loudly.
|
|
|
|
"Or put it, my juvenile friends," said Chadband, stimulated by the
|
|
sound, "that the unnatural parents of this slumbering heathen--for
|
|
parents he had, my juvenile friends, beyond a doubt--after casting
|
|
him forth to the wolves and the vultures, and the wild dogs and the
|
|
young gazelles, and the serpents, went back to their dwellings and
|
|
had their pipes, and their pots, and their flutings and their
|
|
dancings, and their malt liquors, and their butcher's meat and
|
|
poultry, would THAT be Terewth?"
|
|
|
|
Mrs. Snagsby replies by delivering herself a prey to spasms, not an
|
|
unresisting prey, but a crying and a tearing one, so that Cook's
|
|
Court re-echoes with her shrieks. Finally, becoming cataleptic, she
|
|
has to be carried up the narrow staircase like a grand piano. After
|
|
unspeakable suffering, productive of the utmost consternation, she is
|
|
pronounced, by expresses from the bedroom, free from pain, though
|
|
much exhausted, in which state of affairs Mr. Snagsby, trampled and
|
|
crushed in the piano-forte removal, and extremely timid and feeble,
|
|
ventures to come out from behind the door in the drawing-room.
|
|
|
|
All this time Jo has been standing on the spot where he woke up, ever
|
|
picking his cap and putting bits of fur in his mouth. He spits them
|
|
out with a remorseful air, for he feels that it is in his nature to
|
|
be an unimprovable reprobate and that it's no good HIS trying to keep
|
|
awake, for HE won't never know nothink. Though it may be, Jo, that
|
|
there is a history so interesting and affecting even to minds as near
|
|
the brutes as thine, recording deeds done on this earth for common
|
|
men, that if the Chadbands, removing their own persons from the
|
|
light, would but show it thee in simple reverence, would but leave it
|
|
unimproved, would but regard it as being eloquent enough without
|
|
their modest aid--it might hold thee awake, and thou might learn from
|
|
it yet!
|
|
|
|
Jo never heard of any such book. Its compilers and the Reverend
|
|
Chadband are all one to him, except that he knows the Reverend
|
|
Chadband and would rather run away from him for an hour than hear him
|
|
talk for five minutes. "It an't no good my waiting here no longer,"
|
|
thinks Jo. "Mr. Snagsby an't a-going to say nothink to me to-night."
|
|
And downstairs he shuffles.
|
|
|
|
But downstairs is the charitable Guster, holding by the handrail of
|
|
the kitchen stairs and warding off a fit, as yet doubtfully, the same
|
|
having been induced by Mrs. Snagsby's screaming. She has her own
|
|
supper of bread and cheese to hand to Jo, with whom she ventures to
|
|
interchange a word or so for the first time.
|
|
|
|
"Here's something to eat, poor boy," says Guster.
|
|
|
|
"Thank'ee, mum," says Jo.
|
|
|
|
"Are you hungry?"
|
|
|
|
"Jist!" says Jo.
|
|
|
|
"What's gone of your father and your mother, eh?"
|
|
|
|
Jo stops in the middle of a bite and looks petrified. For this orphan
|
|
charge of the Christian saint whose shrine was at Tooting has patted
|
|
him on the shoulder, and it is the first time in his life that any
|
|
decent hand has been so laid upon him.
|
|
|
|
"I never know'd nothink about 'em," says Jo.
|
|
|
|
"No more didn't I of mine," cries Guster. She is repressing symptoms
|
|
favourable to the fit when she seems to take alarm at something and
|
|
vanishes down the stairs.
|
|
|
|
"Jo," whispers the law-stationer softly as the boy lingers on the
|
|
step.
|
|
|
|
"Here I am, Mr. Snagsby!"
|
|
|
|
"I didn't know you were gone--there's another half-crown, Jo. It was
|
|
quite right of you to say nothing about the lady the other night when
|
|
we were out together. It would breed trouble. You can't be too quiet,
|
|
Jo."
|
|
|
|
"I am fly, master!"
|
|
|
|
And so, good night.
|
|
|
|
A ghostly shade, frilled and night-capped, follows the law-stationer
|
|
to the room he came from and glides higher up. And henceforth he
|
|
begins, go where he will, to be attended by another shadow than his
|
|
own, hardly less constant than his own, hardly less quiet than his
|
|
own. And into whatsoever atmosphere of secrecy his own shadow may
|
|
pass, let all concerned in the secrecy beware! For the watchful Mrs.
|
|
Snagsby is there too--bone of his bone, flesh of his flesh, shadow of
|
|
his shadow.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVI
|
|
|
|
Sharpshooters
|
|
|
|
|
|
Wintry morning, looking with dull eyes and sallow face upon the
|
|
neighbourhood of Leicester Square, finds its inhabitants unwilling to
|
|
get out of bed. Many of them are not early risers at the brightest of
|
|
times, being birds of night who roost when the sun is high and are
|
|
wide awake and keen for prey when the stars shine out. Behind dingy
|
|
blind and curtain, in upper story and garret, skulking more or less
|
|
under false names, false hair, false titles, false jewellery, and
|
|
false histories, a colony of brigands lie in their first sleep.
|
|
Gentlemen of the green-baize road who could discourse from personal
|
|
experience of foreign galleys and home treadmills; spies of strong
|
|
governments that eternally quake with weakness and miserable fear,
|
|
broken traitors, cowards, bullies, gamesters, shufflers, swindlers,
|
|
and false witnesses; some not unmarked by the branding-iron beneath
|
|
their dirty braid; all with more cruelty in them than was in Nero,
|
|
and more crime than is in Newgate. For howsoever bad the devil can be
|
|
in fustian or smock-frock (and he can be very bad in both), he is a
|
|
more designing, callous, and intolerable devil when he sticks a pin
|
|
in his shirt-front, calls himself a gentleman, backs a card or
|
|
colour, plays a game or so of billiards, and knows a little about
|
|
bills and promissory notes than in any other form he wears. And in
|
|
such form Mr. Bucket shall find him, when he will, still pervading
|
|
the tributary channels of Leicester Square.
|
|
|
|
But the wintry morning wants him not and wakes him not. It wakes Mr.
|
|
George of the shooting gallery and his familiar. They arise, roll up
|
|
and stow away their mattresses. Mr. George, having shaved himself
|
|
before a looking-glass of minute proportions, then marches out,
|
|
bare-headed and bare-chested, to the pump in the little yard and anon
|
|
comes back shining with yellow soap, friction, drifting rain, and
|
|
exceedingly cold water. As he rubs himself upon a large jack-towel,
|
|
blowing like a military sort of diver just come up, his hair curling
|
|
tighter and tighter on his sunburnt temples the more he rubs it so
|
|
that it looks as if it never could be loosened by any less coercive
|
|
instrument than an iron rake or a curry-comb--as he rubs, and puffs,
|
|
and polishes, and blows, turning his head from side to side the more
|
|
conveniently to excoriate his throat, and standing with his body well
|
|
bent forward to keep the wet from his martial legs, Phil, on his
|
|
knees lighting a fire, looks round as if it were enough washing for
|
|
him to see all that done, and sufficient renovation for one day to
|
|
take in the superfluous health his master throws off.
|
|
|
|
When Mr. George is dry, he goes to work to brush his head with two
|
|
hard brushes at once, to that unmerciful degree that Phil,
|
|
shouldering his way round the gallery in the act of sweeping it,
|
|
winks with sympathy. This chafing over, the ornamental part of Mr.
|
|
George's toilet is soon performed. He fills his pipe, lights it, and
|
|
marches up and down smoking, as his custom is, while Phil, raising a
|
|
powerful odour of hot rolls and coffee, prepares breakfast. He smokes
|
|
gravely and marches in slow time. Perhaps this morning's pipe is
|
|
devoted to the memory of Gridley in his grave.
|
|
|
|
"And so, Phil," says George of the shooting gallery after several
|
|
turns in silence, "you were dreaming of the country last night?"
|
|
|
|
Phil, by the by, said as much in a tone of surprise as he scrambled
|
|
out of bed.
|
|
|
|
"Yes, guv'ner."
|
|
|
|
"What was it like?"
|
|
|
|
"I hardly know what it was like, guv'ner," said Phil, considering.
|
|
|
|
"How did you know it was the country?"
|
|
|
|
"On account of the grass, I think. And the swans upon it," says Phil
|
|
after further consideration.
|
|
|
|
"What were the swans doing on the grass?"
|
|
|
|
"They was a-eating of it, I expect," says Phil.
|
|
|
|
The master resumes his march, and the man resumes his preparation of
|
|
breakfast. It is not necessarily a lengthened preparation, being
|
|
limited to the setting forth of very simple breakfast requisites for
|
|
two and the broiling of a rasher of bacon at the fire in the rusty
|
|
grate; but as Phil has to sidle round a considerable part of the
|
|
gallery for every object he wants, and never brings two objects at
|
|
once, it takes time under the circumstances. At length the breakfast
|
|
is ready. Phil announcing it, Mr. George knocks the ashes out of his
|
|
pipe on the hob, stands his pipe itself in the chimney corner, and
|
|
sits down to the meal. When he has helped himself, Phil follows suit,
|
|
sitting at the extreme end of the little oblong table and taking his
|
|
plate on his knees. Either in humility, or to hide his blackened
|
|
hands, or because it is his natural manner of eating.
|
|
|
|
"The country," says Mr. George, plying his knife and fork; "why, I
|
|
suppose you never clapped your eyes on the country, Phil?"
|
|
|
|
"I see the marshes once," says Phil, contentedly eating his
|
|
breakfast.
|
|
|
|
"What marshes?"
|
|
|
|
"THE marshes, commander," returns Phil.
|
|
|
|
"Where are they?"
|
|
|
|
"I don't know where they are," says Phil; "but I see 'em, guv'ner.
|
|
They was flat. And miste."
|
|
|
|
Governor and commander are interchangeable terms with Phil,
|
|
expressive of the same respect and deference and applicable to nobody
|
|
but Mr. George.
|
|
|
|
"I was born in the country, Phil."
|
|
|
|
"Was you indeed, commander?"
|
|
|
|
"Yes. And bred there."
|
|
|
|
Phil elevates his one eyebrow, and after respectfully staring at his
|
|
master to express interest, swallows a great gulp of coffee, still
|
|
staring at him.
|
|
|
|
"There's not a bird's note that I don't know," says Mr. George. "Not
|
|
many an English leaf or berry that I couldn't name. Not many a tree
|
|
that I couldn't climb yet if I was put to it. I was a real country
|
|
boy, once. My good mother lived in the country."
|
|
|
|
"She must have been a fine old lady, guv'ner," Phil observes.
|
|
|
|
"Aye! And not so old either, five and thirty years ago," says Mr.
|
|
George. "But I'll wager that at ninety she would be near as upright
|
|
as me, and near as broad across the shoulders."
|
|
|
|
"Did she die at ninety, guv'ner?" inquires Phil.
|
|
|
|
"No. Bosh! Let her rest in peace, God bless her!" says the
|
|
trooper. "What set me on about country boys, and runaways, and
|
|
good-for-nothings? You, to be sure! So you never clapped your eyes
|
|
upon the country--marshes and dreams excepted. Eh?"
|
|
|
|
Phil shakes his head.
|
|
|
|
"Do you want to see it?"
|
|
|
|
"N-no, I don't know as I do, particular," says Phil.
|
|
|
|
"The town's enough for you, eh?"
|
|
|
|
"Why, you see, commander," says Phil, "I ain't acquainted with
|
|
anythink else, and I doubt if I ain't a-getting too old to take to
|
|
novelties."
|
|
|
|
"How old ARE you, Phil?" asks the trooper, pausing as he conveys his
|
|
smoking saucer to his lips.
|
|
|
|
"I'm something with a eight in it," says Phil. "It can't be eighty.
|
|
Nor yet eighteen. It's betwixt 'em, somewheres."
|
|
|
|
Mr. George, slowly putting down his saucer without tasting its
|
|
contents, is laughingly beginning, "Why, what the deuce, Phil--" when
|
|
he stops, seeing that Phil is counting on his dirty fingers.
|
|
|
|
"I was just eight," says Phil, "agreeable to the parish calculation,
|
|
when I went with the tinker. I was sent on a errand, and I see him
|
|
a-sittin under a old buildin with a fire all to himself wery
|
|
comfortable, and he says, 'Would you like to come along a me, my
|
|
man?' I says 'Yes,' and him and me and the fire goes home to
|
|
Clerkenwell together. That was April Fool Day. I was able to count up
|
|
to ten; and when April Fool Day come round again, I says to myself,
|
|
'Now, old chap, you're one and a eight in it.' April Fool Day after
|
|
that, I says, 'Now, old chap, you're two and a eight in it.' In
|
|
course of time, I come to ten and a eight in it; two tens and a eight
|
|
in it. When it got so high, it got the upper hand of me, but this is
|
|
how I always know there's a eight in it."
|
|
|
|
"Ah!" says Mr. George, resuming his breakfast. "And where's the
|
|
tinker?"
|
|
|
|
"Drink put him in the hospital, guv'ner, and the hospital put him--in
|
|
a glass-case, I HAVE heerd," Phil replies mysteriously.
|
|
|
|
"By that means you got promotion? Took the business, Phil?"
|
|
|
|
"Yes, commander, I took the business. Such as it was. It wasn't much
|
|
of a beat--round Saffron Hill, Hatton Garden, Clerkenwell, Smiffeld,
|
|
and there--poor neighbourhood, where they uses up the kettles till
|
|
they're past mending. Most of the tramping tinkers used to come and
|
|
lodge at our place; that was the best part of my master's earnings.
|
|
But they didn't come to me. I warn't like him. He could sing 'em a
|
|
good song. I couldn't! He could play 'em a tune on any sort of pot
|
|
you please, so as it was iron or block tin. I never could do nothing
|
|
with a pot but mend it or bile it--never had a note of music in me.
|
|
Besides, I was too ill-looking, and their wives complained of me."
|
|
|
|
"They were mighty particular. You would pass muster in a crowd,
|
|
Phil!" says the trooper with a pleasant smile.
|
|
|
|
"No, guv'ner," returns Phil, shaking his head. "No, I shouldn't. I
|
|
was passable enough when I went with the tinker, though nothing to
|
|
boast of then; but what with blowing the fire with my mouth when I
|
|
was young, and spileing my complexion, and singeing my hair off, and
|
|
swallering the smoke, and what with being nat'rally unfort'nate in
|
|
the way of running against hot metal and marking myself by sich
|
|
means, and what with having turn-ups with the tinker as I got older,
|
|
almost whenever he was too far gone in drink--which was almost
|
|
always--my beauty was queer, wery queer, even at that time. As to
|
|
since, what with a dozen years in a dark forge where the men was
|
|
given to larking, and what with being scorched in a accident at a
|
|
gas-works, and what with being blowed out of winder case-filling at
|
|
the firework business, I am ugly enough to be made a show on!"
|
|
|
|
Resigning himself to which condition with a perfectly satisfied
|
|
manner, Phil begs the favour of another cup of coffee. While drinking
|
|
it, he says, "It was after the case-filling blow-up when I first see
|
|
you, commander. You remember?"
|
|
|
|
"I remember, Phil. You were walking along in the sun."
|
|
|
|
"Crawling, guv'ner, again a wall--"
|
|
|
|
"True, Phil--shouldering your way on--"
|
|
|
|
"In a night-cap!" exclaims Phil, excited.
|
|
|
|
"In a night-cap--"
|
|
|
|
"And hobbling with a couple of sticks!" cries Phil, still more
|
|
excited.
|
|
|
|
"With a couple of sticks. When--"
|
|
|
|
"When you stops, you know," cries Phil, putting down his cup and
|
|
saucer and hastily removing his plate from his knees, "and says to
|
|
me, 'What, comrade! You have been in the wars!' I didn't say much to
|
|
you, commander, then, for I was took by surprise that a person so
|
|
strong and healthy and bold as you was should stop to speak to such a
|
|
limping bag of bones as I was. But you says to me, says you,
|
|
delivering it out of your chest as hearty as possible, so that it was
|
|
like a glass of something hot, 'What accident have you met with? You
|
|
have been badly hurt. What's amiss, old boy? Cheer up, and tell us
|
|
about it!' Cheer up! I was cheered already! I says as much to you,
|
|
you says more to me, I says more to you, you says more to me, and
|
|
here I am, commander! Here I am, commander!" cries Phil, who has
|
|
started from his chair and unaccountably begun to sidle away. "If a
|
|
mark's wanted, or if it will improve the business, let the customers
|
|
take aim at me. They can't spoil MY beauty. I'M all right. Come on!
|
|
If they want a man to box at, let 'em box at me. Let 'em knock me
|
|
well about the head. I don't mind. If they want a light-weight to be
|
|
throwed for practice, Cornwall, Devonshire, or Lancashire, let 'em
|
|
throw me. They won't hurt ME. I have been throwed, all sorts of
|
|
styles, all my life!"
|
|
|
|
With this unexpected speech, energetically delivered and accompanied
|
|
by action illustrative of the various exercises referred to, Phil
|
|
Squod shoulders his way round three sides of the gallery, and
|
|
abruptly tacking off at his commander, makes a butt at him with his
|
|
head, intended to express devotion to his service. He then begins to
|
|
clear away the breakfast.
|
|
|
|
Mr. George, after laughing cheerfully and clapping him on the
|
|
shoulder, assists in these arrangements and helps to get the gallery
|
|
into business order. That done, he takes a turn at the dumb-bells,
|
|
and afterwards weighing himself and opining that he is getting "too
|
|
fleshy," engages with great gravity in solitary broadsword practice.
|
|
Meanwhile Phil has fallen to work at his usual table, where he screws
|
|
and unscrews, and cleans, and files, and whistles into small
|
|
apertures, and blackens himself more and more, and seems to do and
|
|
undo everything that can be done and undone about a gun.
|
|
|
|
Master and man are at length disturbed by footsteps in the passage,
|
|
where they make an unusual sound, denoting the arrival of unusual
|
|
company. These steps, advancing nearer and nearer to the gallery,
|
|
bring into it a group at first sight scarcely reconcilable with any
|
|
day in the year but the fifth of November.
|
|
|
|
It consists of a limp and ugly figure carried in a chair by two
|
|
bearers and attended by a lean female with a face like a pinched
|
|
mask, who might be expected immediately to recite the popular verses
|
|
commemorative of the time when they did contrive to blow Old England
|
|
up alive but for her keeping her lips tightly and defiantly closed as
|
|
the chair is put down. At which point the figure in it gasping, "O
|
|
Lord! Oh, dear me! I am shaken!" adds, "How de do, my dear friend,
|
|
how de do?" Mr. George then descries, in the procession, the
|
|
venerable Mr. Smallweed out for an airing, attended by his
|
|
granddaughter Judy as body-guard.
|
|
|
|
"Mr. George, my dear friend," says Grandfather Smallweed, removing
|
|
his right arm from the neck of one of his bearers, whom he has nearly
|
|
throttled coming along, "how de do? You're surprised to see me, my
|
|
dear friend."
|
|
|
|
"I should hardly have been more surprised to have seen your friend in
|
|
the city," returns Mr. George.
|
|
|
|
"I am very seldom out," pants Mr. Smallweed. "I haven't been out for
|
|
many months. It's inconvenient--and it comes expensive. But I longed
|
|
so much to see you, my dear Mr. George. How de do, sir?"
|
|
|
|
"I am well enough," says Mr. George. "I hope you are the same."
|
|
|
|
"You can't be too well, my dear friend." Mr. Smallweed takes him by
|
|
both hands. "I have brought my granddaughter Judy. I couldn't keep
|
|
her away. She longed so much to see you."
|
|
|
|
"Hum! She bears it calmly!" mutters Mr. George.
|
|
|
|
"So we got a hackney-cab, and put a chair in it, and just round the
|
|
corner they lifted me out of the cab and into the chair, and carried
|
|
me here that I might see my dear friend in his own establishment!
|
|
This," says Grandfather Smallweed, alluding to the bearer, who has
|
|
been in danger of strangulation and who withdraws adjusting his
|
|
windpipe, "is the driver of the cab. He has nothing extra. It is by
|
|
agreement included in his fare. This person," the other bearer, "we
|
|
engaged in the street outside for a pint of beer. Which is twopence.
|
|
Judy, give the person twopence. I was not sure you had a workman of
|
|
your own here, my dear friend, or we needn't have employed this
|
|
person."
|
|
|
|
Grandfather Smallweed refers to Phil with a glance of considerable
|
|
terror and a half-subdued "O Lord! Oh, dear me!" Nor in his
|
|
apprehension, on the surface of things, without some reason, for
|
|
Phil, who has never beheld the apparition in the black-velvet cap
|
|
before, has stopped short with a gun in his hand with much of the air
|
|
of a dead shot intent on picking Mr. Smallweed off as an ugly old
|
|
bird of the crow species.
|
|
|
|
"Judy, my child," says Grandfather Smallweed, "give the person his
|
|
twopence. It's a great deal for what he has done."
|
|
|
|
The person, who is one of those extraordinary specimens of human
|
|
fungus that spring up spontaneously in the western streets of London,
|
|
ready dressed in an old red jacket, with a "mission" for holding
|
|
horses and calling coaches, received his twopence with anything but
|
|
transport, tosses the money into the air, catches it over-handed, and
|
|
retires.
|
|
|
|
"My dear Mr. George," says Grandfather Smallweed, "would you be so
|
|
kind as help to carry me to the fire? I am accustomed to a fire, and
|
|
I am an old man, and I soon chill. Oh, dear me!"
|
|
|
|
His closing exclamation is jerked out of the venerable gentleman by
|
|
the suddenness with which Mr. Squod, like a genie, catches him up,
|
|
chair and all, and deposits him on the hearth-stone.
|
|
|
|
"O Lord!" says Mr. Smallweed, panting. "Oh, dear me! Oh, my stars! My
|
|
dear friend, your workman is very strong--and very prompt. O Lord, he
|
|
is very prompt! Judy, draw me back a little. I'm being scorched in
|
|
the legs," which indeed is testified to the noses of all present by
|
|
the smell of his worsted stockings.
|
|
|
|
The gentle Judy, having backed her grandfather a little way from the
|
|
fire, and having shaken him up as usual, and having released his
|
|
overshadowed eye from its black-velvet extinguisher, Mr. Smallweed
|
|
again says, "Oh, dear me! O Lord!" and looking about and meeting Mr.
|
|
George's glance, again stretches out both hands.
|
|
|
|
"My dear friend! So happy in this meeting! And this is your
|
|
establishment? It's a delightful place. It's a picture! You never
|
|
find that anything goes off here accidentally, do you, my dear
|
|
friend?" adds Grandfather Smallweed, very ill at ease.
|
|
|
|
"No, no. No fear of that."
|
|
|
|
"And your workman. He--Oh, dear me!--he never lets anything off
|
|
without meaning it, does he, my dear friend?"
|
|
|
|
"He has never hurt anybody but himself," says Mr. George, smiling.
|
|
|
|
"But he might, you know. He seems to have hurt himself a good deal,
|
|
and he might hurt somebody else," the old gentleman returns. "He
|
|
mightn't mean it--or he even might. Mr. George, will you order him to
|
|
leave his infernal fire-arms alone and go away?"
|
|
|
|
Obedient to a nod from the trooper, Phil retires, empty-handed, to
|
|
the other end of the gallery. Mr. Smallweed, reassured, falls to
|
|
rubbing his legs.
|
|
|
|
"And you're doing well, Mr. George?" he says to the trooper, squarely
|
|
standing faced about towards him with his broadsword in his hand.
|
|
"You are prospering, please the Powers?"
|
|
|
|
Mr. George answers with a cool nod, adding, "Go on. You have not come
|
|
to say that, I know."
|
|
|
|
"You are so sprightly, Mr. George," returns the venerable
|
|
grandfather. "You are such good company."
|
|
|
|
"Ha ha! Go on!" says Mr. George.
|
|
|
|
"My dear friend! But that sword looks awful gleaming and sharp. It
|
|
might cut somebody, by accident. It makes me shiver, Mr. George.
|
|
Curse him!" says the excellent old gentleman apart to Judy as the
|
|
trooper takes a step or two away to lay it aside. "He owes me money,
|
|
and might think of paying off old scores in this murdering place. I
|
|
wish your brimstone grandmother was here, and he'd shave her head
|
|
off."
|
|
|
|
Mr. George, returning, folds his arms, and looking down at the old
|
|
man, sliding every moment lower and lower in his chair, says quietly,
|
|
"Now for it!"
|
|
|
|
"Ho!" cries Mr. Smallweed, rubbing his hands with an artful chuckle.
|
|
"Yes. Now for it. Now for what, my dear friend?"
|
|
|
|
"For a pipe," says Mr. George, who with great composure sets his
|
|
chair in the chimney-corner, takes his pipe from the grate, fills it
|
|
and lights it, and falls to smoking peacefully.
|
|
|
|
This tends to the discomfiture of Mr. Smallweed, who finds it so
|
|
difficult to resume his object, whatever it may be, that he becomes
|
|
exasperated and secretly claws the air with an impotent
|
|
vindictiveness expressive of an intense desire to tear and rend the
|
|
visage of Mr. George. As the excellent old gentleman's nails are long
|
|
and leaden, and his hands lean and veinous, and his eyes green and
|
|
watery; and, over and above this, as he continues, while he claws, to
|
|
slide down in his chair and to collapse into a shapeless bundle, he
|
|
becomes such a ghastly spectacle, even in the accustomed eyes of
|
|
Judy, that that young virgin pounces at him with something more than
|
|
the ardour of affection and so shakes him up and pats and pokes him
|
|
in divers parts of his body, but particularly in that part which the
|
|
science of self-defence would call his wind, that in his grievous
|
|
distress he utters enforced sounds like a paviour's rammer.
|
|
|
|
When Judy has by these means set him up again in his chair, with a
|
|
white face and a frosty nose (but still clawing), she stretches out
|
|
her weazen forefinger and gives Mr. George one poke in the back. The
|
|
trooper raising his head, she makes another poke at her esteemed
|
|
grandfather, and having thus brought them together, stares rigidly at
|
|
the fire.
|
|
|
|
"Aye, aye! Ho, ho! U--u--u--ugh!" chatters Grandfather Smallweed,
|
|
swallowing his rage. "My dear friend!" (still clawing).
|
|
|
|
"I tell you what," says Mr. George. "If you want to converse with me,
|
|
you must speak out. I am one of the roughs, and I can't go about and
|
|
about. I haven't the art to do it. I am not clever enough. It don't
|
|
suit me. When you go winding round and round me," says the trooper,
|
|
putting his pipe between his lips again, "damme, if I don't feel as
|
|
if I was being smothered!"
|
|
|
|
And he inflates his broad chest to its utmost extent as if to assure
|
|
himself that he is not smothered yet.
|
|
|
|
"If you have come to give me a friendly call," continues Mr. George,
|
|
"I am obliged to you; how are you? If you have come to see whether
|
|
there's any property on the premises, look about you; you are
|
|
welcome. If you want to out with something, out with it!"
|
|
|
|
The blooming Judy, without removing her gaze from the fire, gives her
|
|
grandfather one ghostly poke.
|
|
|
|
"You see! It's her opinion too. And why the devil that young woman
|
|
won't sit down like a Christian," says Mr. George with his eyes
|
|
musingly fixed on Judy, "I can't comprehend."
|
|
|
|
"She keeps at my side to attend to me, sir," says Grandfather
|
|
Smallweed. "I am an old man, my dear Mr. George, and I need some
|
|
attention. I can carry my years; I am not a brimstone poll-parrot"
|
|
(snarling and looking unconsciously for the cushion), "but I need
|
|
attention, my dear friend."
|
|
|
|
"Well!" returns the trooper, wheeling his chair to face the old man.
|
|
"Now then?"
|
|
|
|
"My friend in the city, Mr. George, has done a little business with a
|
|
pupil of yours."
|
|
|
|
"Has he?" says Mr. George. "I am sorry to hear it."
|
|
|
|
"Yes, sir." Grandfather Smallweed rubs his legs. "He is a fine young
|
|
soldier now, Mr. George, by the name of Carstone. Friends came
|
|
forward and paid it all up, honourable."
|
|
|
|
"Did they?" returns Mr. George. "Do you think your friend in the city
|
|
would like a piece of advice?"
|
|
|
|
"I think he would, my dear friend. From you."
|
|
|
|
"I advise him, then, to do no more business in that quarter. There's
|
|
no more to be got by it. The young gentleman, to my knowledge, is
|
|
brought to a dead halt."
|
|
|
|
"No, no, my dear friend. No, no, Mr. George. No, no, no, sir,"
|
|
remonstrates Grandfather Smallweed, cunningly rubbing his spare legs.
|
|
"Not quite a dead halt, I think. He has good friends, and he is good
|
|
for his pay, and he is good for the selling price of his commission,
|
|
and he is good for his chance in a lawsuit, and he is good for his
|
|
chance in a wife, and--oh, do you know, Mr. George, I think my friend
|
|
would consider the young gentleman good for something yet?" says
|
|
Grandfather Smallweed, turning up his velvet cap and scratching his
|
|
ear like a monkey.
|
|
|
|
Mr. George, who has put aside his pipe and sits with an arm on his
|
|
chair-back, beats a tattoo on the ground with his right foot as if he
|
|
were not particularly pleased with the turn the conversation has
|
|
taken.
|
|
|
|
"But to pass from one subject to another," resumes Mr. Smallweed.
|
|
"'To promote the conversation,' as a joker might say. To pass, Mr.
|
|
George, from the ensign to the captain."
|
|
|
|
"What are you up to, now?" asks Mr. George, pausing with a frown in
|
|
stroking the recollection of his moustache. "What captain?"
|
|
|
|
"Our captain. The captain we know of. Captain Hawdon."
|
|
|
|
"Oh! That's it, is it?" says Mr. George with a low whistle as he sees
|
|
both grandfather and granddaughter looking hard at him. "You are
|
|
there! Well? What about it? Come, I won't be smothered any more.
|
|
Speak!"
|
|
|
|
"My dear friend," returns the old man, "I was applied--Judy, shake me
|
|
up a little!--I was applied to yesterday about the captain, and my
|
|
opinion still is that the captain is not dead."
|
|
|
|
"Bosh!" observes Mr. George.
|
|
|
|
"What was your remark, my dear friend?" inquires the old man with his
|
|
hand to his ear.
|
|
|
|
"Bosh!"
|
|
|
|
"Ho!" says Grandfather Smallweed. "Mr. George, of my opinion you can
|
|
judge for yourself according to the questions asked of me and the
|
|
reasons given for asking 'em. Now, what do you think the lawyer
|
|
making the inquiries wants?"
|
|
|
|
"A job," says Mr. George.
|
|
|
|
"Nothing of the kind!"
|
|
|
|
"Can't be a lawyer, then," says Mr. George, folding his arms with an
|
|
air of confirmed resolution.
|
|
|
|
"My dear friend, he is a lawyer, and a famous one. He wants to see
|
|
some fragment in Captain Hawdon's writing. He don't want to keep it.
|
|
He only wants to see it and compare it with a writing in his
|
|
possession."
|
|
|
|
"Well?"
|
|
|
|
"Well, Mr. George. Happening to remember the advertisement concerning
|
|
Captain Hawdon and any information that could be given respecting
|
|
him, he looked it up and came to me--just as you did, my dear friend.
|
|
WILL you shake hands? So glad you came that day! I should have missed
|
|
forming such a friendship if you hadn't come!"
|
|
|
|
"Well, Mr. Smallweed?" says Mr. George again after going through the
|
|
ceremony with some stiffness.
|
|
|
|
"I had no such thing. I have nothing but his signature. Plague
|
|
pestilence and famine, battle murder and sudden death upon him," says
|
|
the old man, making a curse out of one of his few remembrances of a
|
|
prayer and squeezing up his velvet cap between his angry hands, "I
|
|
have half a million of his signatures, I think! But you,"
|
|
breathlessly recovering his mildness of speech as Judy re-adjusts the
|
|
cap on his skittle-ball of a head, "you, my dear Mr. George, are
|
|
likely to have some letter or paper that would suit the purpose.
|
|
Anything would suit the purpose, written in the hand."
|
|
|
|
"Some writing in that hand," says the trooper, pondering; "may be, I
|
|
have."
|
|
|
|
"My dearest friend!"
|
|
|
|
"May be, I have not."
|
|
|
|
"Ho!" says Grandfather Smallweed, crest-fallen.
|
|
|
|
"But if I had bushels of it, I would not show as much as would make a
|
|
cartridge without knowing why."
|
|
|
|
"Sir, I have told you why. My dear Mr. George, I have told you why."
|
|
|
|
"Not enough," says the trooper, shaking his head. "I must know more,
|
|
and approve it."
|
|
|
|
"Then, will you come to the lawyer? My dear friend, will you come and
|
|
see the gentleman?" urges Grandfather Smallweed, pulling out a lean
|
|
old silver watch with hands like the leg of a skeleton. "I told him
|
|
it was probable I might call upon him between ten and eleven this
|
|
forenoon, and it's now half after ten. Will you come and see the
|
|
gentleman, Mr. George?"
|
|
|
|
"Hum!" says he gravely. "I don't mind that. Though why this should
|
|
concern you so much, I don't know."
|
|
|
|
"Everything concerns me that has a chance in it of bringing anything
|
|
to light about him. Didn't he take us all in? Didn't he owe us
|
|
immense sums, all round? Concern me? Who can anything about him
|
|
concern more than me? Not, my dear friend," says Grandfather
|
|
Smallweed, lowering his tone, "that I want YOU to betray anything.
|
|
Far from it. Are you ready to come, my dear friend?"
|
|
|
|
"Aye! I'll come in a moment. I promise nothing, you know."
|
|
|
|
"No, my dear Mr. George; no."
|
|
|
|
"And you mean to say you're going to give me a lift to this place,
|
|
wherever it is, without charging for it?" Mr. George inquires,
|
|
getting his hat and thick wash-leather gloves.
|
|
|
|
This pleasantry so tickles Mr. Smallweed that he laughs, long and
|
|
low, before the fire. But ever while he laughs, he glances over his
|
|
paralytic shoulder at Mr. George and eagerly watches him as he
|
|
unlocks the padlock of a homely cupboard at the distant end of the
|
|
gallery, looks here and there upon the higher shelves, and ultimately
|
|
takes something out with a rustling of paper, folds it, and puts it
|
|
in his breast. Then Judy pokes Mr. Smallweed once, and Mr. Smallweed
|
|
pokes Judy once.
|
|
|
|
"I am ready," says the trooper, coming back. "Phil, you can carry
|
|
this old gentleman to his coach, and make nothing of him."
|
|
|
|
"Oh, dear me! O Lord! Stop a moment!" says Mr. Smallweed. "He's so
|
|
very prompt! Are you sure you can do it carefully, my worthy man?"
|
|
|
|
Phil makes no reply, but seizing the chair and its load, sidles away,
|
|
tightly hugged by the now speechless Mr. Smallweed, and bolts along
|
|
the passage as if he had an acceptable commission to carry the old
|
|
gentleman to the nearest volcano. His shorter trust, however,
|
|
terminating at the cab, he deposits him there; and the fair Judy
|
|
takes her place beside him, and the chair embellishes the roof, and
|
|
Mr. George takes the vacant place upon the box.
|
|
|
|
Mr. George is quite confounded by the spectacle he beholds from time
|
|
to time as he peeps into the cab through the window behind him, where
|
|
the grim Judy is always motionless, and the old gentleman with his
|
|
cap over one eye is always sliding off the seat into the straw and
|
|
looking upward at him out of his other eye with a helpless expression
|
|
of being jolted in the back.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVII
|
|
|
|
More Old Soldiers Than One
|
|
|
|
|
|
Mr. George has not far to ride with folded arms upon the box, for
|
|
their destination is Lincoln's Inn Fields. When the driver stops his
|
|
horses, Mr. George alights, and looking in at the window, says,
|
|
"What, Mr. Tulkinghorn's your man, is he?"
|
|
|
|
"Yes, my dear friend. Do you know him, Mr. George?"
|
|
|
|
"Why, I have heard of him--seen him too, I think. But I don't know
|
|
him, and he don't know me."
|
|
|
|
There ensues the carrying of Mr. Smallweed upstairs, which is done to
|
|
perfection with the trooper's help. He is borne into Mr.
|
|
Tulkinghorn's great room and deposited on the Turkey rug before the
|
|
fire. Mr. Tulkinghorn is not within at the present moment but will be
|
|
back directly. The occupant of the pew in the hall, having said thus
|
|
much, stirs the fire and leaves the triumvirate to warm themselves.
|
|
|
|
Mr. George is mightily curious in respect of the room. He looks up at
|
|
the painted ceiling, looks round at the old law-books, contemplates
|
|
the portraits of the great clients, reads aloud the names on the
|
|
boxes.
|
|
|
|
"'Sir Leicester Dedlock, Baronet,'" Mr. George reads thoughtfully.
|
|
"Ha! 'Manor of Chesney Wold.' Humph!" Mr. George stands looking at
|
|
these boxes a long while--as if they were pictures--and comes back to
|
|
the fire repeating, "Sir Leicester Dedlock, Baronet, and Manor of
|
|
Chesney Wold, hey?"
|
|
|
|
"Worth a mint of money, Mr. George!" whispers Grandfather Smallweed,
|
|
rubbing his legs. "Powerfully rich!"
|
|
|
|
"Who do you mean? This old gentleman, or the Baronet?"
|
|
|
|
"This gentleman, this gentleman."
|
|
|
|
"So I have heard; and knows a thing or two, I'll hold a wager. Not
|
|
bad quarters, either," says Mr. George, looking round again. "See the
|
|
strong-box yonder!"
|
|
|
|
This reply is cut short by Mr. Tulkinghorn's arrival. There is no
|
|
change in him, of course. Rustily drest, with his spectacles in his
|
|
hand, and their very case worn threadbare. In manner, close and dry.
|
|
In voice, husky and low. In face, watchful behind a blind; habitually
|
|
not uncensorious and contemptuous perhaps. The peerage may have
|
|
warmer worshippers and faithfuller believers than Mr. Tulkinghorn,
|
|
after all, if everything were known.
|
|
|
|
"Good morning, Mr. Smallweed, good morning!" he says as he comes in.
|
|
"You have brought the sergeant, I see. Sit down, sergeant."
|
|
|
|
As Mr. Tulkinghorn takes off his gloves and puts them in his hat, he
|
|
looks with half-closed eyes across the room to where the trooper
|
|
stands and says within himself perchance, "You'll do, my friend!"
|
|
|
|
"Sit down, sergeant," he repeats as he comes to his table, which is
|
|
set on one side of the fire, and takes his easy-chair. "Cold and raw
|
|
this morning, cold and raw!" Mr. Tulkinghorn warms before the bars,
|
|
alternately, the palms and knuckles of his hands and looks (from
|
|
behind that blind which is always down) at the trio sitting in a
|
|
little semicircle before him.
|
|
|
|
"Now, I can feel what I am about" (as perhaps he can in two senses),
|
|
"Mr. Smallweed." The old gentleman is newly shaken up by Judy to bear
|
|
his part in the conversation. "You have brought our good friend the
|
|
sergeant, I see."
|
|
|
|
"Yes, sir," returns Mr. Smallweed, very servile to the lawyer's
|
|
wealth and influence.
|
|
|
|
"And what does the sergeant say about this business?"
|
|
|
|
"Mr. George," says Grandfather Smallweed with a tremulous wave of his
|
|
shrivelled hand, "this is the gentleman, sir."
|
|
|
|
Mr. George salutes the gentleman but otherwise sits bolt upright and
|
|
profoundly silent--very forward in his chair, as if the full
|
|
complement of regulation appendages for a field-day hung about him.
|
|
|
|
Mr. Tulkinghorn proceeds, "Well, George--I believe your name is
|
|
George?"
|
|
|
|
"It is so, Sir."
|
|
|
|
"What do you say, George?"
|
|
|
|
"I ask your pardon, sir," returns the trooper, "but I should wish to
|
|
know what YOU say?"
|
|
|
|
"Do you mean in point of reward?"
|
|
|
|
"I mean in point of everything, sir."
|
|
|
|
This is so very trying to Mr. Smallweed's temper that he suddenly
|
|
breaks out with "You're a brimstone beast!" and as suddenly asks
|
|
pardon of Mr. Tulkinghorn, excusing himself for this slip of the
|
|
tongue by saying to Judy, "I was thinking of your grandmother, my
|
|
dear."
|
|
|
|
"I supposed, sergeant," Mr. Tulkinghorn resumes as he leans on one
|
|
side of his chair and crosses his legs, "that Mr. Smallweed might
|
|
have sufficiently explained the matter. It lies in the smallest
|
|
compass, however. You served under Captain Hawdon at one time, and
|
|
were his attendant in illness, and rendered him many little services,
|
|
and were rather in his confidence, I am told. That is so, is it not?"
|
|
|
|
"Yes, sir, that is so," says Mr. George with military brevity.
|
|
|
|
"Therefore you may happen to have in your possession
|
|
something--anything, no matter what; accounts, instructions, orders,
|
|
a letter, anything--in Captain Hawdon's writing. I wish to compare
|
|
his writing with some that I have. If you can give me the
|
|
opportunity, you shall be rewarded for your trouble. Three, four,
|
|
five, guineas, you would consider handsome, I dare say."
|
|
|
|
"Noble, my dear friend!" cries Grandfather Smallweed, screwing up his
|
|
eyes.
|
|
|
|
"If not, say how much more, in your conscience as a soldier, you can
|
|
demand. There is no need for you to part with the writing, against
|
|
your inclination--though I should prefer to have it."
|
|
|
|
Mr. George sits squared in exactly the same attitude, looks at the
|
|
painted ceiling, and says never a word. The irascible Mr. Smallweed
|
|
scratches the air.
|
|
|
|
"The question is," says Mr. Tulkinghorn in his methodical, subdued,
|
|
uninterested way, "first, whether you have any of Captain Hawdon's
|
|
writing?"
|
|
|
|
"First, whether I have any of Captain Hawdon's writing, sir," repeats
|
|
Mr. George.
|
|
|
|
"Secondly, what will satisfy you for the trouble of producing it?"
|
|
|
|
"Secondly, what will satisfy me for the trouble of producing it,
|
|
sir," repeats Mr. George.
|
|
|
|
"Thirdly, you can judge for yourself whether it is at all like that,"
|
|
says Mr. Tulkinghorn, suddenly handing him some sheets of written
|
|
paper tied together.
|
|
|
|
"Whether it is at all like that, sir. Just so," repeats Mr. George.
|
|
|
|
All three repetitions Mr. George pronounces in a mechanical manner,
|
|
looking straight at Mr. Tulkinghorn; nor does he so much as glance at
|
|
the affidavit in Jarndyce and Jarndyce, that has been given to him
|
|
for his inspection (though he still holds it in his hand), but
|
|
continues to look at the lawyer with an air of troubled meditation.
|
|
|
|
"Well?" says Mr. Tulkinghorn. "What do you say?"
|
|
|
|
"Well, sir," replies Mr. George, rising erect and looking immense, "I
|
|
would rather, if you'll excuse me, have nothing to do with this."
|
|
|
|
Mr. Tulkinghorn, outwardly quite undisturbed, demands, "Why not?"
|
|
|
|
"Why, sir," returns the trooper. "Except on military compulsion, I am
|
|
not a man of business. Among civilians I am what they call in
|
|
Scotland a ne'er-do-weel. I have no head for papers, sir. I can stand
|
|
any fire better than a fire of cross questions. I mentioned to Mr.
|
|
Smallweed, only an hour or so ago, that when I come into things of
|
|
this kind I feel as if I was being smothered. And that is my
|
|
sensation," says Mr. George, looking round upon the company, "at the
|
|
present moment."
|
|
|
|
With that, he takes three strides forward to replace the papers on
|
|
the lawyer's table and three strides backward to resume his former
|
|
station, where he stands perfectly upright, now looking at the ground
|
|
and now at the painted ceiling, with his hands behind him as if to
|
|
prevent himself from accepting any other document whatever.
|
|
|
|
Under this provocation, Mr. Smallweed's favourite adjective of
|
|
disparagement is so close to his tongue that he begins the words "my
|
|
dear friend" with the monosyllable "brim," thus converting the
|
|
possessive pronoun into brimmy and appearing to have an impediment in
|
|
his speech. Once past this difficulty, however, he exhorts his dear
|
|
friend in the tenderest manner not to be rash, but to do what so
|
|
eminent a gentleman requires, and to do it with a good grace,
|
|
confident that it must be unobjectionable as well as profitable. Mr.
|
|
Tulkinghorn merely utters an occasional sentence, as, "You are the
|
|
best judge of your own interest, sergeant." "Take care you do no harm
|
|
by this." "Please yourself, please yourself." "If you know what you
|
|
mean, that's quite enough." These he utters with an appearance of
|
|
perfect indifference as he looks over the papers on his table and
|
|
prepares to write a letter.
|
|
|
|
Mr. George looks distrustfully from the painted ceiling to the
|
|
ground, from the ground to Mr. Smallweed, from Mr. Smallweed to Mr.
|
|
Tulkinghorn, and from Mr. Tulkinghorn to the painted ceiling again,
|
|
often in his perplexity changing the leg on which he rests.
|
|
|
|
"I do assure you, sir," says Mr. George, "not to say it offensively,
|
|
that between you and Mr. Smallweed here, I really am being smothered
|
|
fifty times over. I really am, sir. I am not a match for you
|
|
gentlemen. Will you allow me to ask why you want to see the captain's
|
|
hand, in the case that I could find any specimen of it?"
|
|
|
|
Mr. Tulkinghorn quietly shakes his head. "No. If you were a man of
|
|
business, sergeant, you would not need to be informed that there are
|
|
confidential reasons, very harmless in themselves, for many such
|
|
wants in the profession to which I belong. But if you are afraid of
|
|
doing any injury to Captain Hawdon, you may set your mind at rest
|
|
about that."
|
|
|
|
"Aye! He is dead, sir."
|
|
|
|
"IS he?" Mr. Tulkinghorn quietly sits down to write.
|
|
|
|
"Well, sir," says the trooper, looking into his hat after another
|
|
disconcerted pause, "I am sorry not to have given you more
|
|
satisfaction. If it would be any satisfaction to any one that I
|
|
should be confirmed in my judgment that I would rather have nothing
|
|
to do with this by a friend of mine who has a better head for
|
|
business than I have, and who is an old soldier, I am willing to
|
|
consult with him. I--I really am so completely smothered myself at
|
|
present," says Mr. George, passing his hand hopelessly across his
|
|
brow, "that I don't know but what it might be a satisfaction to me."
|
|
|
|
Mr. Smallweed, hearing that this authority is an old soldier, so
|
|
strongly inculcates the expediency of the trooper's taking counsel
|
|
with him, and particularly informing him of its being a question of
|
|
five guineas or more, that Mr. George engages to go and see him. Mr.
|
|
Tulkinghorn says nothing either way.
|
|
|
|
"I'll consult my friend, then, by your leave, sir," says the trooper,
|
|
"and I'll take the liberty of looking in again with the final answer
|
|
in the course of the day. Mr. Smallweed, if you wish to be carried
|
|
downstairs--"
|
|
|
|
"In a moment, my dear friend, in a moment. Will you first let me
|
|
speak half a word with this gentleman in private?"
|
|
|
|
"Certainly, sir. Don't hurry yourself on my account." The trooper
|
|
retires to a distant part of the room and resumes his curious
|
|
inspection of the boxes, strong and otherwise.
|
|
|
|
"If I wasn't as weak as a brimstone baby, sir," whispers Grandfather
|
|
Smallweed, drawing the lawyer down to his level by the lapel of his
|
|
coat and flashing some half-quenched green fire out of his angry
|
|
eyes, "I'd tear the writing away from him. He's got it buttoned in
|
|
his breast. I saw him put it there. Judy saw him put it there. Speak
|
|
up, you crabbed image for the sign of a walking-stick shop, and say
|
|
you saw him put it there!"
|
|
|
|
This vehement conjuration the old gentleman accompanies with such a
|
|
thrust at his granddaughter that it is too much for his strength, and
|
|
he slips away out of his chair, drawing Mr. Tulkinghorn with him,
|
|
until he is arrested by Judy, and well shaken.
|
|
|
|
"Violence will not do for me, my friend," Mr. Tulkinghorn then
|
|
remarks coolly.
|
|
|
|
"No, no, I know, I know, sir. But it's chafing and
|
|
galling--it's--it's worse than your smattering chattering magpie of a
|
|
grandmother," to the imperturbable Judy, who only looks at the fire,
|
|
"to know he has got what's wanted and won't give it up. He, not to
|
|
give it up! HE! A vagabond! But never mind, sir, never mind. At the
|
|
most, he has only his own way for a little while. I have him
|
|
periodically in a vice. I'll twist him, sir. I'll screw him, sir. If
|
|
he won't do it with a good grace, I'll make him do it with a bad one,
|
|
sir! Now, my dear Mr. George," says Grandfather Smallweed, winking at
|
|
the lawyer hideously as he releases him, "I am ready for your kind
|
|
assistance, my excellent friend!"
|
|
|
|
Mr. Tulkinghorn, with some shadowy sign of amusement manifesting
|
|
itself through his self-possession, stands on the hearth-rug with his
|
|
back to the fire, watching the disappearance of Mr. Smallweed and
|
|
acknowledging the trooper's parting salute with one slight nod.
|
|
|
|
It is more difficult to get rid of the old gentleman, Mr. George
|
|
finds, than to bear a hand in carrying him downstairs, for when he is
|
|
replaced in his conveyance, he is so loquacious on the subject of the
|
|
guineas and retains such an affectionate hold of his button--having,
|
|
in truth, a secret longing to rip his coat open and rob him--that
|
|
some degree of force is necessary on the trooper's part to effect a
|
|
separation. It is accomplished at last, and he proceeds alone in
|
|
quest of his adviser.
|
|
|
|
By the cloisterly Temple, and by Whitefriars (there, not without a
|
|
glance at Hanging-Sword Alley, which would seem to be something in
|
|
his way), and by Blackfriars Bridge, and Blackfriars Road, Mr. George
|
|
sedately marches to a street of little shops lying somewhere in that
|
|
ganglion of roads from Kent and Surrey, and of streets from the
|
|
bridges of London, centring in the far-famed elephant who has lost
|
|
his castle formed of a thousand four-horse coaches to a stronger iron
|
|
monster than he, ready to chop him into mince-meat any day he dares.
|
|
To one of the little shops in this street, which is a musician's
|
|
shop, having a few fiddles in the window, and some Pan's pipes and a
|
|
tambourine, and a triangle, and certain elongated scraps of music,
|
|
Mr. George directs his massive tread. And halting at a few paces from
|
|
it, as he sees a soldierly looking woman, with her outer skirts
|
|
tucked up, come forth with a small wooden tub, and in that tub
|
|
commence a-whisking and a-splashing on the margin of the pavement,
|
|
Mr. George says to himself, "She's as usual, washing greens. I never
|
|
saw her, except upon a baggage-waggon, when she wasn't washing
|
|
greens!"
|
|
|
|
The subject of this reflection is at all events so occupied in
|
|
washing greens at present that she remains unsuspicious of Mr.
|
|
George's approach until, lifting up herself and her tub together when
|
|
she has poured the water off into the gutter, she finds him standing
|
|
near her. Her reception of him is not flattering.
|
|
|
|
"George, I never see you but I wish you was a hundred mile away!"
|
|
|
|
The trooper, without remarking on this welcome, follows into the
|
|
musical-instrument shop, where the lady places her tub of greens upon
|
|
the counter, and having shaken hands with him, rests her arms upon
|
|
it.
|
|
|
|
"I never," she says, "George, consider Matthew Bagnet safe a minute
|
|
when you're near him. You are that restless and that roving--"
|
|
|
|
"Yes! I know I am, Mrs. Bagnet. I know I am."
|
|
|
|
"You know you are!" says Mrs. Bagnet. "What's the use of that? WHY
|
|
are you?"
|
|
|
|
"The nature of the animal, I suppose," returns the trooper
|
|
good-humouredly.
|
|
|
|
"Ah!" cries Mrs. Bagnet, something shrilly. "But what satisfaction
|
|
will the nature of the animal be to me when the animal shall have
|
|
tempted my Mat away from the musical business to New Zealand or
|
|
Australey?"
|
|
|
|
Mrs. Bagnet is not at all an ill-looking woman. Rather large-boned, a
|
|
little coarse in the grain, and freckled by the sun and wind which
|
|
have tanned her hair upon the forehead, but healthy, wholesome, and
|
|
bright-eyed. A strong, busy, active, honest-faced woman of from
|
|
forty-five to fifty. Clean, hardy, and so economically dressed
|
|
(though substantially) that the only article of ornament of which she
|
|
stands possessed appear's to be her wedding-ring, around which her
|
|
finger has grown to be so large since it was put on that it will
|
|
never come off again until it shall mingle with Mrs. Bagnet's dust.
|
|
|
|
"Mrs. Bagnet," says the trooper, "I am on my parole with you. Mat
|
|
will get no harm from me. You may trust me so far."
|
|
|
|
"Well, I think I may. But the very looks of you are unsettling," Mrs.
|
|
Bagnet rejoins. "Ah, George, George! If you had only settled down and
|
|
married Joe Pouch's widow when he died in North America, SHE'D have
|
|
combed your hair for you."
|
|
|
|
"It was a chance for me, certainly," returns the trooper half
|
|
laughingly, half seriously, "but I shall never settle down into a
|
|
respectable man now. Joe Pouch's widow might have done me good--there
|
|
was something in her, and something of her--but I couldn't make up my
|
|
mind to it. If I had had the luck to meet with such a wife as Mat
|
|
found!"
|
|
|
|
Mrs. Bagnet, who seems in a virtuous way to be under little reserve
|
|
with a good sort of fellow, but to be another good sort of fellow
|
|
herself for that matter, receives this compliment by flicking Mr.
|
|
George in the face with a head of greens and taking her tub into the
|
|
little room behind the shop.
|
|
|
|
"Why, Quebec, my poppet," says George, following, on invitation, into
|
|
that department. "And little Malta, too! Come and kiss your Bluffy!"
|
|
|
|
These young ladies--not supposed to have been actually christened by
|
|
the names applied to them, though always so called in the family from
|
|
the places of their birth in barracks--are respectively employed on
|
|
three-legged stools, the younger (some five or six years old) in
|
|
learning her letters out of a penny primer, the elder (eight or nine
|
|
perhaps) in teaching her and sewing with great assiduity. Both hail
|
|
Mr. George with acclamations as an old friend and after some kissing
|
|
and romping plant their stools beside him.
|
|
|
|
"And how's young Woolwich?" says Mr. George.
|
|
|
|
"Ah! There now!" cries Mrs. Bagnet, turning about from her saucepans
|
|
(for she is cooking dinner) with a bright flush on her face. "Would
|
|
you believe it? Got an engagement at the theayter, with his father,
|
|
to play the fife in a military piece."
|
|
|
|
"Well done, my godson!" cries Mr. George, slapping his thigh.
|
|
|
|
"I believe you!" says Mrs. Bagnet. "He's a Briton. That's what
|
|
Woolwich is. A Briton!"
|
|
|
|
"And Mat blows away at his bassoon, and you're respectable civilians
|
|
one and all," says Mr. George. "Family people. Children growing up.
|
|
Mat's old mother in Scotland, and your old father somewhere else,
|
|
corresponded with, and helped a little, and--well, well! To be sure,
|
|
I don't know why I shouldn't be wished a hundred mile away, for I
|
|
have not much to do with all this!"
|
|
|
|
Mr. George is becoming thoughtful, sitting before the fire in the
|
|
whitewashed room, which has a sanded floor and a barrack smell and
|
|
contains nothing superfluous and has not a visible speck of dirt or
|
|
dust in it, from the faces of Quebec and Malta to the bright tin pots
|
|
and pannikins upon the dresser shelves--Mr. George is becoming
|
|
thoughtful, sitting here while Mrs. Bagnet is busy, when Mr. Bagnet
|
|
and young Woolwich opportunely come home. Mr. Bagnet is an
|
|
ex-artilleryman, tall and upright, with shaggy eyebrows and whiskers
|
|
like the fibres of a coco-nut, not a hair upon his head, and a torrid
|
|
complexion. His voice, short, deep, and resonant, is not at all
|
|
unlike the tones of the instrument to which he is devoted. Indeed
|
|
there may be generally observed in him an unbending, unyielding,
|
|
brass-bound air, as if he were himself the bassoon of the human
|
|
orchestra. Young Woolwich is the type and model of a young drummer.
|
|
|
|
Both father and son salute the trooper heartily. He saying, in due
|
|
season, that he has come to advise with Mr. Bagnet, Mr. Bagnet
|
|
hospitably declares that he will hear of no business until after
|
|
dinner and that his friend shall not partake of his counsel without
|
|
first partaking of boiled pork and greens. The trooper yielding to
|
|
this invitation, he and Mr. Bagnet, not to embarrass the domestic
|
|
preparations, go forth to take a turn up and down the little street,
|
|
which they promenade with measured tread and folded arms, as if it
|
|
were a rampart.
|
|
|
|
"George," says Mr. Bagnet. "You know me. It's my old girl that
|
|
advises. She has the head. But I never own to it before her.
|
|
Discipline must be maintained. Wait till the greens is off her mind.
|
|
Then we'll consult. Whatever the old girl says, do--do it!"
|
|
|
|
"I intend to, Mat," replies the other. "I would sooner take her
|
|
opinion than that of a college."
|
|
|
|
"College," returns Mr. Bagnet in short sentences, bassoon-like. "What
|
|
college could you leave--in another quarter of the world--with
|
|
nothing but a grey cloak and an umbrella--to make its way home to
|
|
Europe? The old girl would do it to-morrow. Did it once!"
|
|
|
|
"You are right," says Mr. George.
|
|
|
|
"What college," pursues Bagnet, "could you set up in life--with two
|
|
penn'orth of white lime--a penn'orth of fuller's earth--a ha'porth of
|
|
sand--and the rest of the change out of sixpence in money? That's
|
|
what the old girl started on. In the present business."
|
|
|
|
"I am rejoiced to hear it's thriving, Mat."
|
|
|
|
"The old girl," says Mr. Bagnet, acquiescing, "saves. Has a stocking
|
|
somewhere. With money in it. I never saw it. But I know she's got it.
|
|
Wait till the greens is off her mind. Then she'll set you up."
|
|
|
|
"She is a treasure!" exclaims Mr. George.
|
|
|
|
"She's more. But I never own to it before her. Discipline must be
|
|
maintained. It was the old girl that brought out my musical
|
|
abilities. I should have been in the artillery now but for the old
|
|
girl. Six years I hammered at the fiddle. Ten at the flute. The old
|
|
girl said it wouldn't do; intention good, but want of flexibility;
|
|
try the bassoon. The old girl borrowed a bassoon from the bandmaster
|
|
of the Rifle Regiment. I practised in the trenches. Got on, got
|
|
another, get a living by it!"
|
|
|
|
George remarks that she looks as fresh as a rose and as sound as an
|
|
apple.
|
|
|
|
"The old girl," says Mr. Bagnet in reply, "is a thoroughly fine
|
|
woman. Consequently she is like a thoroughly fine day. Gets finer as
|
|
she gets on. I never saw the old girl's equal. But I never own to it
|
|
before her. Discipline must be maintained!"
|
|
|
|
Proceeding to converse on indifferent matters, they walk up and down
|
|
the little street, keeping step and time, until summoned by Quebec
|
|
and Malta to do justice to the pork and greens, over which Mrs.
|
|
Bagnet, like a military chaplain, says a short grace. In the
|
|
distribution of these comestibles, as in every other household duty,
|
|
Mrs. Bagnet developes an exact system, sitting with every dish before
|
|
her, allotting to every portion of pork its own portion of
|
|
pot-liquor, greens, potatoes, and even mustard, and serving it out
|
|
complete. Having likewise served out the beer from a can and thus
|
|
supplied the mess with all things necessary, Mrs. Bagnet proceeds to
|
|
satisfy her own hunger, which is in a healthy state. The kit of the
|
|
mess, if the table furniture may be so denominated, is chiefly
|
|
composed of utensils of horn and tin that have done duty in several
|
|
parts of the world. Young Woolwich's knife, in particular, which is
|
|
of the oyster kind, with the additional feature of a strong
|
|
shutting-up movement which frequently balks the appetite of that
|
|
young musician, is mentioned as having gone in various hands the
|
|
complete round of foreign service.
|
|
|
|
The dinner done, Mrs. Bagnet, assisted by the younger branches (who
|
|
polish their own cups and platters, knives and forks), makes all the
|
|
dinner garniture shine as brightly as before and puts it all away,
|
|
first sweeping the hearth, to the end that Mr. Bagnet and the visitor
|
|
may not be retarded in the smoking of their pipes. These household
|
|
cares involve much pattening and counter-pattening in the backyard
|
|
and considerable use of a pail, which is finally so happy as to
|
|
assist in the ablutions of Mrs. Bagnet herself. That old girl
|
|
reappearing by and by, quite fresh, and sitting down to her
|
|
needlework, then and only then--the greens being only then to be
|
|
considered as entirely off her mind--Mr. Bagnet requests the trooper
|
|
to state his case.
|
|
|
|
This Mr. George does with great discretion, appearing to address
|
|
himself to Mr. Bagnet, but having an eye solely on the old girl all
|
|
the time, as Bagnet has himself. She, equally discreet, busies
|
|
herself with her needlework. The case fully stated, Mr. Bagnet
|
|
resorts to his standard artifice for the maintenance of discipline.
|
|
|
|
"That's the whole of it, is it, George?" says he.
|
|
|
|
"That's the whole of it."
|
|
|
|
"You act according to my opinion?"
|
|
|
|
"I shall be guided," replies George, "entirely by it."
|
|
|
|
"Old girl," says Mr. Bagnet, "give him my opinion. You know it. Tell
|
|
him what it is."
|
|
|
|
It is that he cannot have too little to do with people who are too
|
|
deep for him and cannot be too careful of interference with matters
|
|
he does not understand--that the plain rule is to do nothing in the
|
|
dark, to be a party to nothing underhanded or mysterious, and never
|
|
to put his foot where he cannot see the ground. This, in effect, is
|
|
Mr. Bagnet's opinion, as delivered through the old girl, and it so
|
|
relieves Mr. George's mind by confirming his own opinion and
|
|
banishing his doubts that he composes himself to smoke another pipe
|
|
on that exceptional occasion and to have a talk over old times with
|
|
the whole Bagnet family, according to their various ranges of
|
|
experience.
|
|
|
|
Through these means it comes to pass that Mr. George does not again
|
|
rise to his full height in that parlour until the time is drawing on
|
|
when the bassoon and fife are expected by a British public at the
|
|
theatre; and as it takes time even then for Mr. George, in his
|
|
domestic character of Bluffy, to take leave of Quebec and Malta and
|
|
insinuate a sponsorial shilling into the pocket of his godson with
|
|
felicitations on his success in life, it is dark when Mr. George
|
|
again turns his face towards Lincoln's Inn Fields.
|
|
|
|
"A family home," he ruminates as he marches along, "however small it
|
|
is, makes a man like me look lonely. But it's well I never made that
|
|
evolution of matrimony. I shouldn't have been fit for it. I am such a
|
|
vagabond still, even at my present time of life, that I couldn't hold
|
|
to the gallery a month together if it was a regular pursuit or if I
|
|
didn't camp there, gipsy fashion. Come! I disgrace nobody and cumber
|
|
nobody; that's something. I have not done that for many a long year!"
|
|
|
|
So he whistles it off and marches on.
|
|
|
|
Arrived in Lincoln's Inn Fields and mounting Mr. Tulkinghorn's stair,
|
|
he finds the outer door closed and the chambers shut, but the trooper
|
|
not knowing much about outer doors, and the staircase being dark
|
|
besides, he is yet fumbling and groping about, hoping to discover a
|
|
bell-handle or to open the door for himself, when Mr. Tulkinghorn
|
|
comes up the stairs (quietly, of course) and angrily asks, "Who is
|
|
that? What are you doing there?"
|
|
|
|
"I ask your pardon, sir. It's George. The sergeant."
|
|
|
|
"And couldn't George, the sergeant, see that my door was locked?"
|
|
|
|
"Why, no, sir, I couldn't. At any rate, I didn't," says the trooper,
|
|
rather nettled.
|
|
|
|
"Have you changed your mind? Or are you in the same mind?" Mr.
|
|
Tulkinghorn demands. But he knows well enough at a glance.
|
|
|
|
"In the same mind, sir."
|
|
|
|
"I thought so. That's sufficient. You can go. So you are the man,"
|
|
says Mr. Tulkinghorn, opening his door with the key, "in whose
|
|
hiding-place Mr. Gridley was found?"
|
|
|
|
"Yes, I AM the man," says the trooper, stopping two or three stairs
|
|
down. "What then, sir?"
|
|
|
|
"What then? I don't like your associates. You should not have seen
|
|
the inside of my door this morning if I had thought of your being
|
|
that man. Gridley? A threatening, murderous, dangerous fellow."
|
|
|
|
With these words, spoken in an unusually high tone for him, the
|
|
lawyer goes into his rooms and shuts the door with a thundering
|
|
noise.
|
|
|
|
Mr. George takes his dismissal in great dudgeon, the greater because
|
|
a clerk coming up the stairs has heard the last words of all and
|
|
evidently applies them to him. "A pretty character to bear," the
|
|
trooper growls with a hasty oath as he strides downstairs. "A
|
|
threatening, murderous, dangerous fellow!" And looking up, he sees
|
|
the clerk looking down at him and marking him as he passes a lamp.
|
|
This so intensifies his dudgeon that for five minutes he is in an ill
|
|
humour. But he whistles that off like the rest of it and marches home
|
|
to the shooting gallery.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVIII
|
|
|
|
The Ironmaster
|
|
|
|
|
|
Sir Leicester Dedlock has got the better, for the time being, of the
|
|
family gout and is once more, in a literal no less than in a
|
|
figurative point of view, upon his legs. He is at his place in
|
|
Lincolnshire; but the waters are out again on the low-lying grounds,
|
|
and the cold and damp steal into Chesney Wold, though well defended,
|
|
and eke into Sir Leicester's bones. The blazing fires of faggot and
|
|
coal--Dedlock timber and antediluvian forest--that blaze upon the
|
|
broad wide hearths and wink in the twilight on the frowning woods,
|
|
sullen to see how trees are sacrificed, do not exclude the enemy. The
|
|
hot-water pipes that trail themselves all over the house, the
|
|
cushioned doors and windows, and the screens and curtains fail to
|
|
supply the fires' deficiencies and to satisfy Sir Leicester's need.
|
|
Hence the fashionable intelligence proclaims one morning to the
|
|
listening earth that Lady Dedlock is expected shortly to return to
|
|
town for a few weeks.
|
|
|
|
It is a melancholy truth that even great men have their poor
|
|
relations. Indeed great men have often more than their fair share of
|
|
poor relations, inasmuch as very red blood of the superior quality,
|
|
like inferior blood unlawfully shed, WILL cry aloud and WILL be
|
|
heard. Sir Leicester's cousins, in the remotest degree, are so many
|
|
murders in the respect that they "will out." Among whom there are
|
|
cousins who are so poor that one might almost dare to think it would
|
|
have been the happier for them never to have been plated links upon
|
|
the Dedlock chain of gold, but to have been made of common iron at
|
|
first and done base service.
|
|
|
|
Service, however (with a few limited reservations, genteel but not
|
|
profitable), they may not do, being of the Dedlock dignity. So they
|
|
visit their richer cousins, and get into debt when they can, and live
|
|
but shabbily when they can't, and find--the women no husbands, and
|
|
the men no wives--and ride in borrowed carriages, and sit at feasts
|
|
that are never of their own making, and so go through high life. The
|
|
rich family sum has been divided by so many figures, and they are the
|
|
something over that nobody knows what to do with.
|
|
|
|
Everybody on Sir Leicester Dedlock's side of the question and of his
|
|
way of thinking would appear to be his cousin more or less. From my
|
|
Lord Boodle, through the Duke of Foodle, down to Noodle, Sir
|
|
Leicester, like a glorious spider, stretches his threads of
|
|
relationship. But while he is stately in the cousinship of the
|
|
Everybodys, he is a kind and generous man, according to his dignified
|
|
way, in the cousinship of the Nobodys; and at the present time, in
|
|
despite of the damp, he stays out the visit of several such cousins
|
|
at Chesney Wold with the constancy of a martyr.
|
|
|
|
Of these, foremost in the front rank stands Volumnia Dedlock, a young
|
|
lady (of sixty) who is doubly highly related, having the honour to be
|
|
a poor relation, by the mother's side, to another great family. Miss
|
|
Volumnia, displaying in early life a pretty talent for cutting
|
|
ornaments out of coloured paper, and also for singing to the guitar
|
|
in the Spanish tongue, and propounding French conundrums in country
|
|
houses, passed the twenty years of her existence between twenty and
|
|
forty in a sufficiently agreeable manner. Lapsing then out of date
|
|
and being considered to bore mankind by her vocal performances in the
|
|
Spanish language, she retired to Bath, where she lives slenderly on
|
|
an annual present from Sir Leicester and whence she makes occasional
|
|
resurrections in the country houses of her cousins. She has an
|
|
extensive acquaintance at Bath among appalling old gentlemen with
|
|
thin legs and nankeen trousers, and is of high standing in that
|
|
dreary city. But she is a little dreaded elsewhere in consequence of
|
|
an indiscreet profusion in the article of rouge and persistency in an
|
|
obsolete pearl necklace like a rosary of little bird's-eggs.
|
|
|
|
In any country in a wholesome state, Volumnia would be a clear case
|
|
for the pension list. Efforts have been made to get her on it, and
|
|
when William Buffy came in, it was fully expected that her name would
|
|
be put down for a couple of hundred a year. But William Buffy somehow
|
|
discovered, contrary to all expectation, that these were not the
|
|
times when it could be done, and this was the first clear indication
|
|
Sir Leicester Dedlock had conveyed to him that the country was going
|
|
to pieces.
|
|
|
|
There is likewise the Honourable Bob Stables, who can make warm
|
|
mashes with the skill of a veterinary surgeon and is a better shot
|
|
than most gamekeepers. He has been for some time particularly
|
|
desirous to serve his country in a post of good emoluments,
|
|
unaccompanied by any trouble or responsibility. In a well-regulated
|
|
body politic this natural desire on the part of a spirited young
|
|
gentleman so highly connected would be speedily recognized, but
|
|
somehow William Buffy found when he came in that these were not times
|
|
in which he could manage that little matter either, and this was the
|
|
second indication Sir Leicester Dedlock had conveyed to him that the
|
|
country was going to pieces.
|
|
|
|
The rest of the cousins are ladies and gentlemen of various ages and
|
|
capacities, the major part amiable and sensible and likely to have
|
|
done well enough in life if they could have overcome their
|
|
cousinship; as it is, they are almost all a little worsted by it, and
|
|
lounge in purposeless and listless paths, and seem to be quite as
|
|
much at a loss how to dispose of themselves as anybody else can be
|
|
how to dispose of them.
|
|
|
|
In this society, and where not, my Lady Dedlock reigns supreme.
|
|
Beautiful, elegant, accomplished, and powerful in her little world
|
|
(for the world of fashion does not stretch ALL the way from pole to
|
|
pole), her influence in Sir Leicester's house, however haughty and
|
|
indifferent her manner, is greatly to improve it and refine it. The
|
|
cousins, even those older cousins who were paralysed when Sir
|
|
Leicester married her, do her feudal homage; and the Honourable Bob
|
|
Stables daily repeats to some chosen person between breakfast and
|
|
lunch his favourite original remark, that she is the best-groomed
|
|
woman in the whole stud.
|
|
|
|
Such the guests in the long drawing-room at Chesney Wold this dismal
|
|
night when the step on the Ghost's Walk (inaudible here, however)
|
|
might be the step of a deceased cousin shut out in the cold. It is
|
|
near bed-time. Bedroom fires blaze brightly all over the house,
|
|
raising ghosts of grim furniture on wall and ceiling. Bedroom
|
|
candlesticks bristle on the distant table by the door, and cousins
|
|
yawn on ottomans. Cousins at the piano, cousins at the soda-water
|
|
tray, cousins rising from the card-table, cousins gathered round the
|
|
fire. Standing on one side of his own peculiar fire (for there are
|
|
two), Sir Leicester. On the opposite side of the broad hearth, my
|
|
Lady at her table. Volumnia, as one of the more privileged cousins,
|
|
in a luxurious chair between them. Sir Leicester glancing, with
|
|
magnificent displeasure, at the rouge and the pearl necklace.
|
|
|
|
"I occasionally meet on my staircase here," drawls Volumnia, whose
|
|
thoughts perhaps are already hopping up it to bed, after a long
|
|
evening of very desultory talk, "one of the prettiest girls, I think,
|
|
that I ever saw in my life."
|
|
|
|
"A PROTEGEE of my Lady's," observes Sir Leicester.
|
|
|
|
"I thought so. I felt sure that some uncommon eye must have picked
|
|
that girl out. She really is a marvel. A dolly sort of beauty
|
|
perhaps," says Miss Volumnia, reserving her own sort, "but in its
|
|
way, perfect; such bloom I never saw!"
|
|
|
|
Sir Leicester, with his magnificent glance of displeasure at the
|
|
rouge, appears to say so too.
|
|
|
|
"Indeed," remarks my Lady languidly, "if there is any uncommon eye in
|
|
the case, it is Mrs. Rouncewell's, and not mine. Rosa is her
|
|
discovery."
|
|
|
|
"Your maid, I suppose?"
|
|
|
|
"No. My anything; pet--secretary--messenger--I don't know what."
|
|
|
|
"You like to have her about you, as you would like to have a flower,
|
|
or a bird, or a picture, or a poodle--no, not a poodle, though--or
|
|
anything else that was equally pretty?" says Volumnia, sympathizing.
|
|
"Yes, how charming now! And how well that delightful old soul Mrs.
|
|
Rouncewell is looking. She must be an immense age, and yet she is as
|
|
active and handsome! She is the dearest friend I have, positively!"
|
|
|
|
Sir Leicester feels it to be right and fitting that the housekeeper
|
|
of Chesney Wold should be a remarkable person. Apart from that, he
|
|
has a real regard for Mrs. Rouncewell and likes to hear her praised.
|
|
So he says, "You are right, Volumnia," which Volumnia is extremely
|
|
glad to hear.
|
|
|
|
"She has no daughter of her own, has she?"
|
|
|
|
"Mrs. Rouncewell? No, Volumnia. She has a son. Indeed, she had two."
|
|
|
|
My Lady, whose chronic malady of boredom has been sadly aggravated by
|
|
Volumnia this evening, glances wearily towards the candlesticks and
|
|
heaves a noiseless sigh.
|
|
|
|
"And it is a remarkable example of the confusion into which the
|
|
present age has fallen; of the obliteration of landmarks, the opening
|
|
of floodgates, and the uprooting of distinctions," says Sir Leicester
|
|
with stately gloom, "that I have been informed by Mr. Tulkinghorn
|
|
that Mrs. Rouncewell's son has been invited to go into Parliament."
|
|
|
|
Miss Volumnia utters a little sharp scream.
|
|
|
|
"Yes, indeed," repeats Sir Leicester. "Into Parliament."
|
|
|
|
"I never heard of such a thing! Good gracious, what is the man?"
|
|
exclaims Volumnia.
|
|
|
|
"He is called, I believe--an--ironmaster." Sir Leicester says it
|
|
slowly and with gravity and doubt, as not being sure but that he is
|
|
called a lead-mistress or that the right word may be some other word
|
|
expressive of some other relationship to some other metal.
|
|
|
|
Volumnia utters another little scream.
|
|
|
|
"He has declined the proposal, if my information from Mr. Tulkinghorn
|
|
be correct, as I have no doubt it is. Mr. Tulkinghorn being always
|
|
correct and exact; still that does not," says Sir Leicester, "that
|
|
does not lessen the anomaly, which is fraught with strange
|
|
considerations--startling considerations, as it appears to me."
|
|
|
|
Miss Volumnia rising with a look candlestick-wards, Sir Leicester
|
|
politely performs the grand tour of the drawing-room, brings one, and
|
|
lights it at my Lady's shaded lamp.
|
|
|
|
"I must beg you, my Lady," he says while doing so, "to remain a few
|
|
moments, for this individual of whom I speak arrived this evening
|
|
shortly before dinner and requested in a very becoming note"--Sir
|
|
Leicester, with his habitual regard to truth, dwells upon it--"I am
|
|
bound to say, in a very becoming and well-expressed note, the favour
|
|
of a short interview with yourself and MYself on the subject of this
|
|
young girl. As it appeared that he wished to depart to-night, I
|
|
replied that we would see him before retiring."
|
|
|
|
Miss Volumnia with a third little scream takes flight, wishing her
|
|
hosts--O Lud!--well rid of the--what is it?--ironmaster!
|
|
|
|
The other cousins soon disperse, to the last cousin there. Sir
|
|
Leicester rings the bell, "Make my compliments to Mr. Rouncewell, in
|
|
the housekeeper's apartments, and say I can receive him now."
|
|
|
|
My Lady, who has heard all this with slight attention outwardly,
|
|
looks towards Mr. Rouncewell as he comes in. He is a little over
|
|
fifty perhaps, of a good figure, like his mother, and has a clear
|
|
voice, a broad forehead from which his dark hair has retired, and a
|
|
shrewd though open face. He is a responsible-looking gentleman
|
|
dressed in black, portly enough, but strong and active. Has a
|
|
perfectly natural and easy air and is not in the least embarrassed by
|
|
the great presence into which he comes.
|
|
|
|
"Sir Leicester and Lady Dedlock, as I have already apologized for
|
|
intruding on you, I cannot do better than be very brief. I thank you,
|
|
Sir Leicester."
|
|
|
|
The head of the Dedlocks has motioned towards a sofa between himself
|
|
and my Lady. Mr. Rouncewell quietly takes his seat there.
|
|
|
|
"In these busy times, when so many great undertakings are in
|
|
progress, people like myself have so many workmen in so many places
|
|
that we are always on the flight."
|
|
|
|
Sir Leicester is content enough that the ironmaster should feel that
|
|
there is no hurry there; there, in that ancient house, rooted in that
|
|
quiet park, where the ivy and the moss have had time to mature, and
|
|
the gnarled and warted elms and the umbrageous oaks stand deep in the
|
|
fern and leaves of a hundred years; and where the sun-dial on the
|
|
terrace has dumbly recorded for centuries that time which was as much
|
|
the property of every Dedlock--while he lasted--as the house and
|
|
lands. Sir Leicester sits down in an easy-chair, opposing his repose
|
|
and that of Chesney Wold to the restless flights of ironmasters.
|
|
|
|
"Lady Dedlock has been so kind," proceeds Mr. Rouncewell with a
|
|
respectful glance and a bow that way, "as to place near her a young
|
|
beauty of the name of Rosa. Now, my son has fallen in love with Rosa
|
|
and has asked my consent to his proposing marriage to her and to
|
|
their becoming engaged if she will take him--which I suppose she
|
|
will. I have never seen Rosa until to-day, but I have some confidence
|
|
in my son's good sense--even in love. I find her what he represents
|
|
her, to the best of my judgment; and my mother speaks of her with
|
|
great commendation."
|
|
|
|
"She in all respects deserves it," says my Lady.
|
|
|
|
"I am happy, Lady Dedlock, that you say so, and I need not comment on
|
|
the value to me of your kind opinion of her."
|
|
|
|
"That," observes Sir Leicester with unspeakable grandeur, for he
|
|
thinks the ironmaster a little too glib, "must be quite unnecessary."
|
|
|
|
"Quite unnecessary, Sir Leicester. Now, my son is a very young man,
|
|
and Rosa is a very young woman. As I made my way, so my son must make
|
|
his; and his being married at present is out of the question. But
|
|
supposing I gave my consent to his engaging himself to this pretty
|
|
girl, if this pretty girl will engage herself to him, I think it a
|
|
piece of candour to say at once--I am sure, Sir Leicester and Lady
|
|
Dedlock, you will understand and excuse me--I should make it a
|
|
condition that she did not remain at Chesney Wold. Therefore, before
|
|
communicating further with my son, I take the liberty of saying that
|
|
if her removal would be in any way inconvenient or objectionable, I
|
|
will hold the matter over with him for any reasonable time and leave
|
|
it precisely where it is."
|
|
|
|
Not remain at Chesney Wold! Make it a condition! All Sir Leicester's
|
|
old misgivings relative to Wat Tyler and the people in the iron
|
|
districts who do nothing but turn out by torchlight come in a shower
|
|
upon his head, the fine grey hair of which, as well as of his
|
|
whiskers, actually stirs with indignation.
|
|
|
|
"Am I to understand, sir," says Sir Leicester, "and is my Lady to
|
|
understand"--he brings her in thus specially, first as a point of
|
|
gallantry, and next as a point of prudence, having great reliance on
|
|
her sense--"am I to understand, Mr. Rouncewell, and is my Lady to
|
|
understand, sir, that you consider this young woman too good for
|
|
Chesney Wold or likely to be injured by remaining here?"
|
|
|
|
"Certainly not, Sir Leicester,"
|
|
|
|
"I am glad to hear it." Sir Leicester very lofty indeed.
|
|
|
|
"Pray, Mr. Rouncewell," says my Lady, warning Sir Leicester off with
|
|
the slightest gesture of her pretty hand, as if he were a fly,
|
|
"explain to me what you mean."
|
|
|
|
"Willingly, Lady Dedlock. There is nothing I could desire more."
|
|
|
|
Addressing her composed face, whose intelligence, however, is too
|
|
quick and active to be concealed by any studied impassiveness,
|
|
however habitual, to the strong Saxon face of the visitor, a picture
|
|
of resolution and perseverance, my Lady listens with attention,
|
|
occasionally slightly bending her head.
|
|
|
|
"I am the son of your housekeeper, Lady Dedlock, and passed my
|
|
childhood about this house. My mother has lived here half a
|
|
century and will die here I have no doubt. She is one of those
|
|
examples--perhaps as good a one as there is--of love, and attachment,
|
|
and fidelity in such a nation, which England may well be proud of,
|
|
but of which no order can appropriate the whole pride or the whole
|
|
merit, because such an instance bespeaks high worth on two sides--on
|
|
the great side assuredly, on the small one no less assuredly."
|
|
|
|
Sir Leicester snorts a little to hear the law laid down in this way,
|
|
but in his honour and his love of truth, he freely, though silently,
|
|
admits the justice of the ironmaster's proposition.
|
|
|
|
"Pardon me for saying what is so obvious, but I wouldn't have it
|
|
hastily supposed," with the least turn of his eyes towards Sir
|
|
Leicester, "that I am ashamed of my mother's position here, or
|
|
wanting in all just respect for Chesney Wold and the family.
|
|
I certainly may have desired--I certainly have desired, Lady
|
|
Dedlock--that my mother should retire after so many years and end
|
|
her days with me. But as I have found that to sever this strong bond
|
|
would be to break her heart, I have long abandoned that idea."
|
|
|
|
Sir Leicester very magnificent again at the notion of Mrs. Rouncewell
|
|
being spirited off from her natural home to end her days with an
|
|
ironmaster.
|
|
|
|
"I have been," proceeds the visitor in a modest, clear way, "an
|
|
apprentice and a workman. I have lived on workman's wages, years and
|
|
years, and beyond a certain point have had to educate myself. My wife
|
|
was a foreman's daughter, and plainly brought up. We have three
|
|
daughters besides this son of whom I have spoken, and being
|
|
fortunately able to give them greater advantages than we have had
|
|
ourselves, we have educated them well, very well. It has been one of
|
|
our great cares and pleasures to make them worthy of any station."
|
|
|
|
A little boastfulness in his fatherly tone here, as if he added in
|
|
his heart, "even of the Chesney Wold station." Not a little more
|
|
magnificence, therefore, on the part of Sir Leicester.
|
|
|
|
"All this is so frequent, Lady Dedlock, where I live, and among the
|
|
class to which I belong, that what would be generally called unequal
|
|
marriages are not of such rare occurrence with us as elsewhere. A son
|
|
will sometimes make it known to his father that he has fallen in
|
|
love, say, with a young woman in the factory. The father, who once
|
|
worked in a factory himself, will be a little disappointed at first
|
|
very possibly. It may be that he had other views for his son.
|
|
However, the chances are that having ascertained the young woman to
|
|
be of unblemished character, he will say to his son, 'I must be quite
|
|
sure you are in earnest here. This is a serious matter for both of
|
|
you. Therefore I shall have this girl educated for two years,' or it
|
|
may be, 'I shall place this girl at the same school with your sisters
|
|
for such a time, during which you will give me your word and honour
|
|
to see her only so often. If at the expiration of that time, when she
|
|
has so far profited by her advantages as that you may be upon a fair
|
|
equality, you are both in the same mind, I will do my part to make
|
|
you happy.' I know of several cases such as I describe, my Lady, and
|
|
I think they indicate to me my own course now."
|
|
|
|
Sir Leicester's magnificence explodes. Calmly, but terribly.
|
|
|
|
"Mr. Rouncewell," says Sir Leicester with his right hand in the
|
|
breast of his blue coat, the attitude of state in which he is painted
|
|
in the gallery, "do you draw a parallel between Chesney Wold and a--"
|
|
Here he resists a disposition to choke, "a factory?"
|
|
|
|
"I need not reply, Sir Leicester, that the two places are very
|
|
different; but for the purposes of this case, I think a parallel may
|
|
be justly drawn between them."
|
|
|
|
Sir Leicester directs his majestic glance down one side of the long
|
|
drawing-room and up the other before he can believe that he is awake.
|
|
|
|
"Are you aware, sir, that this young woman whom my Lady--my Lady--has
|
|
placed near her person was brought up at the village school outside
|
|
the gates?"
|
|
|
|
"Sir Leicester, I am quite aware of it. A very good school it is, and
|
|
handsomely supported by this family."
|
|
|
|
"Then, Mr. Rouncewell," returns Sir Leicester, "the application of
|
|
what you have said is, to me, incomprehensible."
|
|
|
|
"Will it be more comprehensible, Sir Leicester, if I say," the
|
|
ironmaster is reddening a little, "that I do not regard the village
|
|
school as teaching everything desirable to be known by my son's
|
|
wife?"
|
|
|
|
From the village school of Chesney Wold, intact as it is this minute,
|
|
to the whole framework of society; from the whole framework of
|
|
society, to the aforesaid framework receiving tremendous cracks in
|
|
consequence of people (iron-masters, lead-mistresses, and what not)
|
|
not minding their catechism, and getting out of the station unto
|
|
which they are called--necessarily and for ever, according to Sir
|
|
Leicester's rapid logic, the first station in which they happen to
|
|
find themselves; and from that, to their educating other people out
|
|
of THEIR stations, and so obliterating the landmarks, and opening the
|
|
floodgates, and all the rest of it; this is the swift progress of the
|
|
Dedlock mind.
|
|
|
|
"My Lady, I beg your pardon. Permit me, for one moment!" She has
|
|
given a faint indication of intending to speak. "Mr. Rouncewell, our
|
|
views of duty, and our views of station, and our views of education,
|
|
and our views of--in short, ALL our views--are so diametrically
|
|
opposed, that to prolong this discussion must be repellent to your
|
|
feelings and repellent to my own. This young woman is honoured with
|
|
my Lady's notice and favour. If she wishes to withdraw herself from
|
|
that notice and favour or if she chooses to place herself under the
|
|
influence of any one who may in his peculiar opinions--you will allow
|
|
me to say, in his peculiar opinions, though I readily admit that he
|
|
is not accountable for them to me--who may, in his peculiar opinions,
|
|
withdraw her from that notice and favour, she is at any time at
|
|
liberty to do so. We are obliged to you for the plainness with which
|
|
you have spoken. It will have no effect of itself, one way or other,
|
|
on the young woman's position here. Beyond this, we can make no
|
|
terms; and here we beg--if you will be so good--to leave the
|
|
subject."
|
|
|
|
The visitor pauses a moment to give my Lady an opportunity, but she
|
|
says nothing. He then rises and replies, "Sir Leicester and Lady
|
|
Dedlock, allow me to thank you for your attention and only to observe
|
|
that I shall very seriously recommend my son to conquer his present
|
|
inclinations. Good night!"
|
|
|
|
"Mr. Rouncewell," says Sir Leicester with all the nature of a
|
|
gentleman shining in him, "it is late, and the roads are dark. I hope
|
|
your time is not so precious but that you will allow my Lady and
|
|
myself to offer you the hospitality of Chesney Wold, for to-night at
|
|
least."
|
|
|
|
"I hope so," adds my Lady.
|
|
|
|
"I am much obliged to you, but I have to travel all night in order to
|
|
reach a distant part of the country punctually at an appointed time
|
|
in the morning."
|
|
|
|
Therewith the ironmaster takes his departure, Sir Leicester ringing
|
|
the bell and my Lady rising as he leaves the room.
|
|
|
|
When my Lady goes to her boudoir, she sits down thoughtfully by the
|
|
fire, and inattentive to the Ghost's Walk, looks at Rosa, writing in
|
|
an inner room. Presently my Lady calls her.
|
|
|
|
"Come to me, child. Tell me the truth. Are you in love?"
|
|
|
|
"Oh! My Lady!"
|
|
|
|
My Lady, looking at the downcast and blushing face, says smiling,
|
|
"Who is it? Is it Mrs. Rouncewell's grandson?"
|
|
|
|
"Yes, if you please, my Lady. But I don't know that I am in love with
|
|
him--yet."
|
|
|
|
"Yet, you silly little thing! Do you know that he loves YOU, yet?"
|
|
|
|
"I think he likes me a little, my Lady." And Rosa bursts into tears.
|
|
|
|
Is this Lady Dedlock standing beside the village beauty, smoothing
|
|
her dark hair with that motherly touch, and watching her with eyes so
|
|
full of musing interest? Aye, indeed it is!
|
|
|
|
"Listen to me, child. You are young and true, and I believe you are
|
|
attached to me."
|
|
|
|
"Indeed I am, my Lady. Indeed there is nothing in the world I
|
|
wouldn't do to show how much."
|
|
|
|
"And I don't think you would wish to leave me just yet, Rosa, even
|
|
for a lover?"
|
|
|
|
"No, my Lady! Oh, no!" Rosa looks up for the first time, quite
|
|
frightened at the thought.
|
|
|
|
"Confide in me, my child. Don't fear me. I wish you to be happy, and
|
|
will make you so--if I can make anybody happy on this earth."
|
|
|
|
Rosa, with fresh tears, kneels at her feet and kisses her hand. My
|
|
Lady takes the hand with which she has caught it, and standing with
|
|
her eyes fixed on the fire, puts it about and about between her own
|
|
two hands, and gradually lets it fall. Seeing her so absorbed, Rosa
|
|
softly withdraws; but still my Lady's eyes are on the fire.
|
|
|
|
In search of what? Of any hand that is no more, of any hand that
|
|
never was, of any touch that might have magically changed her life?
|
|
Or does she listen to the Ghost's Walk and think what step does it
|
|
most resemble? A man's? A woman's? The pattering of a little child's
|
|
feet, ever coming on--on--on? Some melancholy influence is upon her,
|
|
or why should so proud a lady close the doors and sit alone upon the
|
|
hearth so desolate?
|
|
|
|
Volumnia is away next day, and all the cousins are scattered before
|
|
dinner. Not a cousin of the batch but is amazed to hear from Sir
|
|
Leicester at breakfast-time of the obliteration of landmarks, and
|
|
opening of floodgates, and cracking of the framework of society,
|
|
manifested through Mrs. Rouncewell's son. Not a cousin of the batch
|
|
but is really indignant, and connects it with the feebleness of
|
|
William Buffy when in office, and really does feel deprived of a
|
|
stake in the country--or the pension list--or something--by fraud and
|
|
wrong. As to Volumnia, she is handed down the great staircase by Sir
|
|
Leicester, as eloquent upon the theme as if there were a general
|
|
rising in the north of England to obtain her rouge-pot and pearl
|
|
necklace. And thus, with a clatter of maids and valets--for it is one
|
|
appurtenance of their cousinship that however difficult they may find
|
|
it to keep themselves, they MUST keep maids and valets--the cousins
|
|
disperse to the four winds of heaven; and the one wintry wind that
|
|
blows to-day shakes a shower from the trees near the deserted house,
|
|
as if all the cousins had been changed into leaves.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIX
|
|
|
|
The Young Man
|
|
|
|
|
|
Chesney Wold is shut up, carpets are rolled into great scrolls in
|
|
corners of comfortless rooms, bright damask does penance in brown
|
|
holland, carving and gilding puts on mortification, and the Dedlock
|
|
ancestors retire from the light of day again. Around and around the
|
|
house the leaves fall thick, but never fast, for they come circling
|
|
down with a dead lightness that is sombre and slow. Let the gardener
|
|
sweep and sweep the turf as he will, and press the leaves into full
|
|
barrows, and wheel them off, still they lie ankle-deep. Howls the
|
|
shrill wind round Chesney Wold; the sharp rain beats, the windows
|
|
rattle, and the chimneys growl. Mists hide in the avenues, veil the
|
|
points of view, and move in funeral-wise across the rising grounds.
|
|
On all the house there is a cold, blank smell like the smell of a
|
|
little church, though something dryer, suggesting that the dead and
|
|
buried Dedlocks walk there in the long nights and leave the flavour
|
|
of their graves behind them.
|
|
|
|
But the house in town, which is rarely in the same mind as Chesney
|
|
Wold at the same time, seldom rejoicing when it rejoices or mourning
|
|
when it mourns, excepting when a Dedlock dies--the house in town
|
|
shines out awakened. As warm and bright as so much state may be, as
|
|
delicately redolent of pleasant scents that bear no trace of winter
|
|
as hothouse flowers can make it, soft and hushed so that the ticking
|
|
of the clocks and the crisp burning of the fires alone disturb the
|
|
stillness in the rooms, it seems to wrap those chilled bones of Sir
|
|
Leicester's in rainbow-coloured wool. And Sir Leicester is glad to
|
|
repose in dignified contentment before the great fire in the library,
|
|
condescendingly perusing the backs of his books or honouring the fine
|
|
arts with a glance of approbation. For he has his pictures, ancient
|
|
and modern. Some of the Fancy Ball School in which art occasionally
|
|
condescends to become a master, which would be best catalogued like
|
|
the miscellaneous articles in a sale. As "Three high-backed chairs, a
|
|
table and cover, long-necked bottle (containing wine), one flask, one
|
|
Spanish female's costume, three-quarter face portrait of Miss Jogg
|
|
the model, and a suit of armour containing Don Quixote." Or "One
|
|
stone terrace (cracked), one gondola in distance, one Venetian
|
|
senator's dress complete, richly embroidered white satin costume with
|
|
profile portrait of Miss Jogg the model, one Scimitar superbly
|
|
mounted in gold with jewelled handle, elaborate Moorish dress (very
|
|
rare), and Othello."
|
|
|
|
Mr. Tulkinghorn comes and goes pretty often, there being estate
|
|
business to do, leases to be renewed, and so on. He sees my Lady
|
|
pretty often, too; and he and she are as composed, and as
|
|
indifferent, and take as little heed of one another, as ever. Yet it
|
|
may be that my Lady fears this Mr. Tulkinghorn and that he knows it.
|
|
It may be that he pursues her doggedly and steadily, with no touch of
|
|
compunction, remorse, or pity. It may be that her beauty and all the
|
|
state and brilliancy surrounding her only gives him the greater zest
|
|
for what he is set upon and makes him the more inflexible in it.
|
|
Whether he be cold and cruel, whether immovable in what he has made
|
|
his duty, whether absorbed in love of power, whether determined
|
|
to have nothing hidden from him in ground where he has burrowed
|
|
among secrets all his life, whether he in his heart despises the
|
|
splendour of which he is a distant beam, whether he is always
|
|
treasuring up slights and offences in the affability of his gorgeous
|
|
clients--whether he be any of this, or all of this, it may be that my
|
|
Lady had better have five thousand pairs of fashionable eyes upon
|
|
her, in distrustful vigilance, than the two eyes of this rusty lawyer
|
|
with his wisp of neckcloth and his dull black breeches tied with
|
|
ribbons at the knees.
|
|
|
|
Sir Leicester sits in my Lady's room--that room in which Mr.
|
|
Tulkinghorn read the affidavit in Jarndyce and Jarndyce--particularly
|
|
complacent. My Lady, as on that day, sits before the fire with her
|
|
screen in her hand. Sir Leicester is particularly complacent because
|
|
he has found in his newspaper some congenial remarks bearing directly
|
|
on the floodgates and the framework of society. They apply so happily
|
|
to the late case that Sir Leicester has come from the library to my
|
|
Lady's room expressly to read them aloud. "The man who wrote this
|
|
article," he observes by way of preface, nodding at the fire as if he
|
|
were nodding down at the man from a mount, "has a well-balanced
|
|
mind."
|
|
|
|
The man's mind is not so well balanced but that he bores my Lady,
|
|
who, after a languid effort to listen, or rather a languid
|
|
resignation of herself to a show of listening, becomes distraught and
|
|
falls into a contemplation of the fire as if it were her fire at
|
|
Chesney Wold, and she had never left it. Sir Leicester, quite
|
|
unconscious, reads on through his double eye-glass, occasionally
|
|
stopping to remove his glass and express approval, as "Very true
|
|
indeed," "Very properly put," "I have frequently made the same remark
|
|
myself," invariably losing his place after each observation, and
|
|
going up and down the column to find it again.
|
|
|
|
Sir Leicester is reading with infinite gravity and state when the
|
|
door opens, and the Mercury in powder makes this strange
|
|
announcement, "The young man, my Lady, of the name of Guppy."
|
|
|
|
Sir Leicester pauses, stares, repeats in a killing voice, "The young
|
|
man of the name of Guppy?"
|
|
|
|
Looking round, he beholds the young man of the name of Guppy, much
|
|
discomfited and not presenting a very impressive letter of
|
|
introduction in his manner and appearance.
|
|
|
|
"Pray," says Sir Leicester to Mercury, "what do you mean by
|
|
announcing with this abruptness a young man of the name of Guppy?"
|
|
|
|
"I beg your pardon, Sir Leicester, but my Lady said she would see the
|
|
young man whenever he called. I was not aware that you were here, Sir
|
|
Leicester."
|
|
|
|
With this apology, Mercury directs a scornful and indignant look at
|
|
the young man of the name of Guppy which plainly says, "What do you
|
|
come calling here for and getting ME into a row?"
|
|
|
|
"It's quite right. I gave him those directions," says my Lady. "Let
|
|
the young man wait."
|
|
|
|
"By no means, my Lady. Since he has your orders to come, I will not
|
|
interrupt you." Sir Leicester in his gallantry retires, rather
|
|
declining to accept a bow from the young man as he goes out and
|
|
majestically supposing him to be some shoemaker of intrusive
|
|
appearance.
|
|
|
|
Lady Dedlock looks imperiously at her visitor when the servant has
|
|
left the room, casting her eyes over him from head to foot. She
|
|
suffers him to stand by the door and asks him what he wants.
|
|
|
|
"That your ladyship would have the kindness to oblige me with a
|
|
little conversation," returns Mr. Guppy, embarrassed.
|
|
|
|
"You are, of course, the person who has written me so many letters?"
|
|
|
|
"Several, your ladyship. Several before your ladyship condescended to
|
|
favour me with an answer."
|
|
|
|
"And could you not take the same means of rendering a Conversation
|
|
unnecessary? Can you not still?"
|
|
|
|
Mr. Guppy screws his mouth into a silent "No!" and shakes his head.
|
|
|
|
"You have been strangely importunate. If it should appear, after all,
|
|
that what you have to say does not concern me--and I don't know how
|
|
it can, and don't expect that it will--you will allow me to cut you
|
|
short with but little ceremony. Say what you have to say, if you
|
|
please."
|
|
|
|
My Lady, with a careless toss of her screen, turns herself towards
|
|
the fire again, sitting almost with her back to the young man of the
|
|
name of Guppy.
|
|
|
|
"With your ladyship's permission, then," says the young man, "I will
|
|
now enter on my business. Hem! I am, as I told your ladyship in my
|
|
first letter, in the law. Being in the law, I have learnt the habit
|
|
of not committing myself in writing, and therefore I did not mention
|
|
to your ladyship the name of the firm with which I am connected and
|
|
in which my standing--and I may add income--is tolerably good. I may
|
|
now state to your ladyship, in confidence, that the name of that firm
|
|
is Kenge and Carboy, of Lincoln's Inn, which may not be altogether
|
|
unknown to your ladyship in connexion with the case in Chancery of
|
|
Jarndyce and Jarndyce."
|
|
|
|
My Lady's figure begins to be expressive of some attention. She has
|
|
ceased to toss the screen and holds it as if she were listening.
|
|
|
|
"Now, I may say to your ladyship at once," says Mr. Guppy, a little
|
|
emboldened, "it is no matter arising out of Jarndyce and Jarndyce
|
|
that made me so desirous to speak to your ladyship, which conduct I
|
|
have no doubt did appear, and does appear, obtrusive--in fact, almost
|
|
blackguardly."
|
|
|
|
After waiting for a moment to receive some assurance to the contrary,
|
|
and not receiving any, Mr. Guppy proceeds, "If it had been Jarndyce
|
|
and Jarndyce, I should have gone at once to your ladyship's
|
|
solicitor, Mr. Tulkinghorn, of the Fields. I have the pleasure of
|
|
being acquainted with Mr. Tulkinghorn--at least we move when we meet
|
|
one another--and if it had been any business of that sort, I should
|
|
have gone to him."
|
|
|
|
My Lady turns a little round and says, "You had better sit down."
|
|
|
|
"Thank your ladyship." Mr. Guppy does so. "Now, your ladyship"--Mr.
|
|
Guppy refers to a little slip of paper on which he has made small
|
|
notes of his line of argument and which seems to involve him in the
|
|
densest obscurity whenever he looks at it--"I--Oh, yes!--I place
|
|
myself entirely in your ladyship's hands. If your ladyship was to
|
|
make any complaint to Kenge and Carboy or to Mr. Tulkinghorn of the
|
|
present visit, I should be placed in a very disagreeable situation.
|
|
That, I openly admit. Consequently, I rely upon your ladyship's
|
|
honour."
|
|
|
|
My Lady, with a disdainful gesture of the hand that holds the screen,
|
|
assures him of his being worth no complaint from her.
|
|
|
|
"Thank your ladyship," says Mr. Guppy; "quite satisfactory.
|
|
Now--I--dash it!--The fact is that I put down a head or two here of
|
|
the order of the points I thought of touching upon, and they're
|
|
written short, and I can't quite make out what they mean. If your
|
|
ladyship will excuse me taking it to the window half a moment, I--"
|
|
|
|
Mr. Guppy, going to the window, tumbles into a pair of love-birds, to
|
|
whom he says in his confusion, "I beg your pardon, I am sure." This
|
|
does not tend to the greater legibility of his notes. He murmurs,
|
|
growing warm and red and holding the slip of paper now close to his
|
|
eyes, now a long way off, "C.S. What's C.S. for? Oh! C.S.! Oh, I
|
|
know! Yes, to be sure!" And comes back enlightened.
|
|
|
|
"I am not aware," says Mr. Guppy, standing midway between my Lady and
|
|
his chair, "whether your ladyship ever happened to hear of, or to
|
|
see, a young lady of the name of Miss Esther Summerson."
|
|
|
|
My Lady's eyes look at him full. "I saw a young lady of that name not
|
|
long ago. This past autumn."
|
|
|
|
"Now, did it strike your ladyship that she was like anybody?" asks
|
|
Mr. Guppy, crossing his arms, holding his head on one side, and
|
|
scratching the corner of his mouth with his memoranda.
|
|
|
|
My Lady removes her eyes from him no more.
|
|
|
|
"No."
|
|
|
|
"Not like your ladyship's family?"
|
|
|
|
"No."
|
|
|
|
"I think your ladyship," says Mr. Guppy, "can hardly remember Miss
|
|
Summerson's face?"
|
|
|
|
"I remember the young lady very well. What has this to do with me?"
|
|
|
|
"Your ladyship, I do assure you that having Miss Summerson's image
|
|
imprinted on my 'eart--which I mention in confidence--I found, when I
|
|
had the honour of going over your ladyship's mansion of Chesney Wold
|
|
while on a short out in the county of Lincolnshire with a friend,
|
|
such a resemblance between Miss Esther Summerson and your ladyship's
|
|
own portrait that it completely knocked me over, so much so that I
|
|
didn't at the moment even know what it WAS that knocked me over. And
|
|
now I have the honour of beholding your ladyship near (I have often,
|
|
since that, taken the liberty of looking at your ladyship in your
|
|
carriage in the park, when I dare say you was not aware of me, but I
|
|
never saw your ladyship so near), it's really more surprising than I
|
|
thought it."
|
|
|
|
Young man of the name of Guppy! There have been times, when ladies
|
|
lived in strongholds and had unscrupulous attendants within call,
|
|
when that poor life of yours would NOT have been worth a minute's
|
|
purchase, with those beautiful eyes looking at you as they look at
|
|
this moment.
|
|
|
|
My Lady, slowly using her little hand-screen as a fan, asks him again
|
|
what he supposes that his taste for likenesses has to do with her.
|
|
|
|
"Your ladyship," replies Mr. Guppy, again referring to his paper, "I
|
|
am coming to that. Dash these notes! Oh! 'Mrs. Chadband.' Yes." Mr.
|
|
Guppy draws his chair a little forward and seats himself again. My
|
|
Lady reclines in her chair composedly, though with a trifle less of
|
|
graceful ease than usual perhaps, and never falters in her steady
|
|
gaze. "A--stop a minute, though!" Mr. Guppy refers again. "E.S.
|
|
twice? Oh, yes! Yes, I see my way now, right on."
|
|
|
|
Rolling up the slip of paper as an instrument to point his speech
|
|
with, Mr. Guppy proceeds.
|
|
|
|
"Your ladyship, there is a mystery about Miss Esther Summerson's
|
|
birth and bringing up. I am informed of that fact because--which I
|
|
mention in confidence--I know it in the way of my profession at Kenge
|
|
and Carboy's. Now, as I have already mentioned to your ladyship, Miss
|
|
Summerson's image is imprinted on my 'eart. If I could clear this
|
|
mystery for her, or prove her to be well related, or find that having
|
|
the honour to be a remote branch of your ladyship's family she had a
|
|
right to be made a party in Jarndyce and Jarndyce, why, I might make
|
|
a sort of a claim upon Miss Summerson to look with an eye of more
|
|
dedicated favour on my proposals than she has exactly done as yet. In
|
|
fact, as yet she hasn't favoured them at all."
|
|
|
|
A kind of angry smile just dawns upon my Lady's face.
|
|
|
|
"Now, it's a very singular circumstance, your ladyship," says Mr.
|
|
Guppy, "though one of those circumstances that do fall in the way of
|
|
us professional men--which I may call myself, for though not
|
|
admitted, yet I have had a present of my articles made to me by Kenge
|
|
and Carboy, on my mother's advancing from the principal of her little
|
|
income the money for the stamp, which comes heavy--that I have
|
|
encountered the person who lived as servant with the lady who brought
|
|
Miss Summerson up before Mr. Jarndyce took charge of her. That lady
|
|
was a Miss Barbary, your ladyship."
|
|
|
|
Is the dead colour on my Lady's face reflected from the screen which
|
|
has a green silk ground and which she holds in her raised hand as if
|
|
she had forgotten it, or is it a dreadful paleness that has fallen on
|
|
her?
|
|
|
|
"Did your ladyship," says Mr. Guppy, "ever happen to hear of Miss
|
|
Barbary?"
|
|
|
|
"I don't know. I think so. Yes."
|
|
|
|
"Was Miss Barbary at all connected with your ladyship's family?"
|
|
|
|
My Lady's lips move, but they utter nothing. She shakes her head.
|
|
|
|
"NOT connected?" says Mr. Guppy. "Oh! Not to your ladyship's
|
|
knowledge, perhaps? Ah! But might be? Yes." After each of these
|
|
interrogatories, she has inclined her head. "Very good! Now, this
|
|
Miss Barbary was extremely close--seems to have been extraordinarily
|
|
close for a female, females being generally (in common life at least)
|
|
rather given to conversation--and my witness never had an idea
|
|
whether she possessed a single relative. On one occasion, and only
|
|
one, she seems to have been confidential to my witness on a single
|
|
point, and she then told her that the little girl's real name was not
|
|
Esther Summerson, but Esther Hawdon."
|
|
|
|
"My God!"
|
|
|
|
Mr. Guppy stares. Lady Dedlock sits before him looking him through,
|
|
with the same dark shade upon her face, in the same attitude even to
|
|
the holding of the screen, with her lips a little apart, her brow a
|
|
little contracted, but for the moment dead. He sees her consciousness
|
|
return, sees a tremor pass across her frame like a ripple over water,
|
|
sees her lips shake, sees her compose them by a great effort, sees
|
|
her force herself back to the knowledge of his presence and of what
|
|
he has said. All this, so quickly, that her exclamation and her dead
|
|
condition seem to have passed away like the features of those
|
|
long-preserved dead bodies sometimes opened up in tombs, which,
|
|
struck by the air like lightning, vanish in a breath.
|
|
|
|
"Your ladyship is acquainted with the name of Hawdon?"
|
|
|
|
"I have heard it before."
|
|
|
|
"Name of any collateral or remote branch of your ladyship's family?"
|
|
|
|
"No."
|
|
|
|
"Now, your ladyship," says Mr. Guppy, "I come to the last point of
|
|
the case, so far as I have got it up. It's going on, and I shall
|
|
gather it up closer and closer as it goes on. Your ladyship must
|
|
know--if your ladyship don't happen, by any chance, to know
|
|
already--that there was found dead at the house of a person named
|
|
Krook, near Chancery Lane, some time ago, a law-writer in great
|
|
distress. Upon which law-writer there was an inquest, and which
|
|
law-writer was an anonymous character, his name being unknown. But,
|
|
your ladyship, I have discovered very lately that that law-writer's
|
|
name was Hawdon."
|
|
|
|
"And what is THAT to me?"
|
|
|
|
"Aye, your ladyship, that's the question! Now, your ladyship, a queer
|
|
thing happened after that man's death. A lady started up, a disguised
|
|
lady, your ladyship, who went to look at the scene of action and went
|
|
to look at his grave. She hired a crossing-sweeping boy to show it
|
|
her. If your ladyship would wish to have the boy produced in
|
|
corroboration of this statement, I can lay my hand upon him at any
|
|
time."
|
|
|
|
The wretched boy is nothing to my Lady, and she does NOT wish to have
|
|
him produced.
|
|
|
|
"Oh, I assure your ladyship it's a very queer start indeed," says Mr.
|
|
Guppy. "If you was to hear him tell about the rings that sparkled on
|
|
her fingers when she took her glove off, you'd think it quite
|
|
romantic."
|
|
|
|
There are diamonds glittering on the hand that holds the screen. My
|
|
Lady trifles with the screen and makes them glitter more, again with
|
|
that expression which in other times might have been so dangerous to
|
|
the young man of the name of Guppy.
|
|
|
|
"It was supposed, your ladyship, that he left no rag or scrap behind
|
|
him by which he could be possibly identified. But he did. He left a
|
|
bundle of old letters."
|
|
|
|
The screen still goes, as before. All this time her eyes never once
|
|
release him.
|
|
|
|
"They were taken and secreted. And to-morrow night, your ladyship,
|
|
they will come into my possession."
|
|
|
|
"Still I ask you, what is this to me?"
|
|
|
|
"Your ladyship, I conclude with that." Mr. Guppy rises. "If you think
|
|
there's enough in this chain of circumstances put together--in the
|
|
undoubted strong likeness of this young lady to your ladyship, which
|
|
is a positive fact for a jury; in her having been brought up by Miss
|
|
Barbary; in Miss Barbary stating Miss Summerson's real name to be
|
|
Hawdon; in your ladyship's knowing both these names VERY WELL; and in
|
|
Hawdon's dying as he did--to give your ladyship a family interest in
|
|
going further into the case, I will bring these papers here. I don't
|
|
know what they are, except that they are old letters: I have never
|
|
had them in my possession yet. I will bring those papers here as soon
|
|
as I get them and go over them for the first time with your ladyship.
|
|
I have told your ladyship my object. I have told your ladyship that I
|
|
should be placed in a very disagreeable situation if any complaint
|
|
was made, and all is in strict confidence."
|
|
|
|
Is this the full purpose of the young man of the name of Guppy, or
|
|
has he any other? Do his words disclose the length, breadth, depth,
|
|
of his object and suspicion in coming here; or if not, what do they
|
|
hide? He is a match for my Lady there. She may look at him, but he
|
|
can look at the table and keep that witness-box face of his from
|
|
telling anything.
|
|
|
|
"You may bring the letters," says my Lady, "if you choose."
|
|
|
|
"Your ladyship is not very encouraging, upon my word and honour,"
|
|
says Mr. Guppy, a little injured.
|
|
|
|
"You may bring the letters," she repeats in the same tone, "if
|
|
you--please."
|
|
|
|
"It shall be done. I wish your ladyship good day."
|
|
|
|
On a table near her is a rich bauble of a casket, barred and clasped
|
|
like an old strong-chest. She, looking at him still, takes it to her
|
|
and unlocks it.
|
|
|
|
"Oh! I assure your ladyship I am not actuated by any motives of that
|
|
sort," says Mr. Guppy, "and I couldn't accept anything of the kind. I
|
|
wish your ladyship good day, and am much obliged to you all the
|
|
same."
|
|
|
|
So the young man makes his bow and goes downstairs, where the
|
|
supercilious Mercury does not consider himself called upon to leave
|
|
his Olympus by the hall-fire to let the young man out.
|
|
|
|
As Sir Leicester basks in his library and dozes over his newspaper,
|
|
is there no influence in the house to startle him, not to say to make
|
|
the very trees at Chesney Wold fling up their knotted arms, the very
|
|
portraits frown, the very armour stir?
|
|
|
|
No. Words, sobs, and cries are but air, and air is so shut in and
|
|
shut out throughout the house in town that sounds need be uttered
|
|
trumpet-tongued indeed by my Lady in her chamber to carry any faint
|
|
vibration to Sir Leicester's ears; and yet this cry is in the house,
|
|
going upward from a wild figure on its knees.
|
|
|
|
"O my child, my child! Not dead in the first hours of her life, as my
|
|
cruel sister told me, but sternly nurtured by her, after she had
|
|
renounced me and my name! O my child, O my child!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XXX
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
Richard had been gone away some time when a visitor came to pass a
|
|
few days with us. It was an elderly lady. It was Mrs. Woodcourt, who,
|
|
having come from Wales to stay with Mrs. Bayham Badger and having
|
|
written to my guardian, "by her son Allan's desire," to report that
|
|
she had heard from him and that he was well "and sent his kind
|
|
remembrances to all of us," had been invited by my guardian to make a
|
|
visit to Bleak House. She stayed with us nearly three weeks. She took
|
|
very kindly to me and was extremely confidential, so much so that
|
|
sometimes she almost made me uncomfortable. I had no right, I knew
|
|
very well, to be uncomfortable because she confided in me, and I felt
|
|
it was unreasonable; still, with all I could do, I could not quite
|
|
help it.
|
|
|
|
She was such a sharp little lady and used to sit with her hands
|
|
folded in each other looking so very watchful while she talked to me
|
|
that perhaps I found that rather irksome. Or perhaps it was her being
|
|
so upright and trim, though I don't think it was that, because I
|
|
thought that quaintly pleasant. Nor can it have been the general
|
|
expression of her face, which was very sparkling and pretty for an
|
|
old lady. I don't know what it was. Or at least if I do now, I
|
|
thought I did not then. Or at least--but it don't matter.
|
|
|
|
Of a night when I was going upstairs to bed, she would invite me
|
|
into her room, where she sat before the fire in a great chair;
|
|
and, dear me, she would tell me about Morgan ap-Kerrig until I
|
|
was quite low-spirited! Sometimes she recited a few verses from
|
|
Crumlinwallinwer and the Mewlinnwillinwodd (if those are the right
|
|
names, which I dare say they are not), and would become quite fiery
|
|
with the sentiments they expressed. Though I never knew what they
|
|
were (being in Welsh), further than that they were highly eulogistic
|
|
of the lineage of Morgan ap-Kerrig.
|
|
|
|
"So, Miss Summerson," she would say to me with stately triumph,
|
|
"this, you see, is the fortune inherited by my son. Wherever my son
|
|
goes, he can claim kindred with Ap-Kerrig. He may not have money, but
|
|
he always has what is much better--family, my dear."
|
|
|
|
I had my doubts of their caring so very much for Morgan ap-Kerrig in
|
|
India and China, but of course I never expressed them. I used to say
|
|
it was a great thing to be so highly connected.
|
|
|
|
"It IS, my dear, a great thing," Mrs. Woodcourt would reply. "It has
|
|
its disadvantages; my son's choice of a wife, for instance, is
|
|
limited by it, but the matrimonial choice of the royal family is
|
|
limited in much the same manner."
|
|
|
|
Then she would pat me on the arm and smooth my dress, as much as to
|
|
assure me that she had a good opinion of me, the distance between us
|
|
notwithstanding.
|
|
|
|
"Poor Mr. Woodcourt, my dear," she would say, and always with some
|
|
emotion, for with her lofty pedigree she had a very affectionate
|
|
heart, "was descended from a great Highland family, the MacCoorts of
|
|
MacCoort. He served his king and country as an officer in the Royal
|
|
Highlanders, and he died on the field. My son is one of the last
|
|
representatives of two old families. With the blessing of heaven he
|
|
will set them up again and unite them with another old family."
|
|
|
|
It was in vain for me to try to change the subject, as I used to try,
|
|
only for the sake of novelty or perhaps because--but I need not be so
|
|
particular. Mrs. Woodcourt never would let me change it.
|
|
|
|
"My dear," she said one night, "you have so much sense and you look
|
|
at the world in a quiet manner so superior to your time of life that
|
|
it is a comfort to me to talk to you about these family matters of
|
|
mine. You don't know much of my son, my dear; but you know enough of
|
|
him, I dare say, to recollect him?"
|
|
|
|
"Yes, ma'am. I recollect him."
|
|
|
|
"Yes, my dear. Now, my dear, I think you are a judge of character,
|
|
and I should like to have your opinion of him."
|
|
|
|
"Oh, Mrs. Woodcourt," said I, "that is so difficult!"
|
|
|
|
"Why is it so difficult, my dear?" she returned. "I don't see it
|
|
myself."
|
|
|
|
"To give an opinion--"
|
|
|
|
"On so slight an acquaintance, my dear. THAT'S true."
|
|
|
|
I didn't mean that, because Mr. Woodcourt had been at our house a
|
|
good deal altogether and had become quite intimate with my guardian.
|
|
I said so, and added that he seemed to be very clever in his
|
|
profession--we thought--and that his kindness and gentleness to Miss
|
|
Flite were above all praise.
|
|
|
|
"You do him justice!" said Mrs. Woodcourt, pressing my hand. "You
|
|
define him exactly. Allan is a dear fellow, and in his profession
|
|
faultless. I say it, though I am his mother. Still, I must confess he
|
|
is not without faults, love."
|
|
|
|
"None of us are," said I.
|
|
|
|
"Ah! But his really are faults that he might correct, and ought to
|
|
correct," returned the sharp old lady, sharply shaking her head. "I
|
|
am so much attached to you that I may confide in you, my dear, as a
|
|
third party wholly disinterested, that he is fickleness itself."
|
|
|
|
I said I should have thought it hardly possible that he could have
|
|
been otherwise than constant to his profession and zealous in the
|
|
pursuit of it, judging from the reputation he had earned.
|
|
|
|
"You are right again, my dear," the old lady retorted, "but I don't
|
|
refer to his profession, look you."
|
|
|
|
"Oh!" said I.
|
|
|
|
"No," said she. "I refer, my dear, to his social conduct. He is
|
|
always paying trivial attentions to young ladies, and always has
|
|
been, ever since he was eighteen. Now, my dear, he has never really
|
|
cared for any one of them and has never meant in doing this to do any
|
|
harm or to express anything but politeness and good nature. Still,
|
|
it's not right, you know; is it?"
|
|
|
|
"No," said I, as she seemed to wait for me.
|
|
|
|
"And it might lead to mistaken notions, you see, my dear."
|
|
|
|
I supposed it might.
|
|
|
|
"Therefore, I have told him many times that he really should be more
|
|
careful, both in justice to himself and in justice to others. And he
|
|
has always said, 'Mother, I will be; but you know me better than
|
|
anybody else does, and you know I mean no harm--in short, mean
|
|
nothing.' All of which is very true, my dear, but is no
|
|
justification. However, as he is now gone so far away and for an
|
|
indefinite time, and as he will have good opportunities and
|
|
introductions, we may consider this past and gone. And you, my dear,"
|
|
said the old lady, who was now all nods and smiles, "regarding your
|
|
dear self, my love?"
|
|
|
|
"Me, Mrs. Woodcourt?"
|
|
|
|
"Not to be always selfish, talking of my son, who has gone to seek
|
|
his fortune and to find a wife--when do you mean to seek YOUR fortune
|
|
and to find a husband, Miss Summerson? Hey, look you! Now you blush!"
|
|
|
|
I don't think I did blush--at all events, it was not important if I
|
|
did--and I said my present fortune perfectly contented me and I had
|
|
no wish to change it.
|
|
|
|
"Shall I tell you what I always think of you and the fortune yet to
|
|
come for you, my love?" said Mrs. Woodcourt.
|
|
|
|
"If you believe you are a good prophet," said I.
|
|
|
|
"Why, then, it is that you will marry some one very rich and very
|
|
worthy, much older--five and twenty years, perhaps--than yourself.
|
|
And you will be an excellent wife, and much beloved, and very happy."
|
|
|
|
"That is a good fortune," said I. "But why is it to be mine?"
|
|
|
|
"My dear," she returned, "there's suitability in it--you are so busy,
|
|
and so neat, and so peculiarly situated altogether that there's
|
|
suitability in it, and it will come to pass. And nobody, my love,
|
|
will congratulate you more sincerely on such a marriage than I
|
|
shall."
|
|
|
|
It was curious that this should make me uncomfortable, but I think it
|
|
did. I know it did. It made me for some part of that night
|
|
uncomfortable. I was so ashamed of my folly that I did not like to
|
|
confess it even to Ada, and that made me more uncomfortable still. I
|
|
would have given anything not to have been so much in the bright old
|
|
lady's confidence if I could have possibly declined it. It gave me
|
|
the most inconsistent opinions of her. At one time I thought she was
|
|
a story-teller, and at another time that she was the pink of truth.
|
|
Now I suspected that she was very cunning, next moment I believed her
|
|
honest Welsh heart to be perfectly innocent and simple. And after
|
|
all, what did it matter to me, and why did it matter to me? Why could
|
|
not I, going up to bed with my basket of keys, stop to sit down by
|
|
her fire and accommodate myself for a little while to her, at least
|
|
as well as to anybody else, and not trouble myself about the harmless
|
|
things she said to me? Impelled towards her, as I certainly was, for
|
|
I was very anxious that she should like me and was very glad indeed
|
|
that she did, why should I harp afterwards, with actual distress and
|
|
pain, on every word she said and weigh it over and over again in
|
|
twenty scales? Why was it so worrying to me to have her in our house,
|
|
and confidential to me every night, when I yet felt that it was
|
|
better and safer somehow that she should be there than anywhere else?
|
|
These were perplexities and contradictions that I could not account
|
|
for. At least, if I could--but I shall come to all that by and by,
|
|
and it is mere idleness to go on about it now.
|
|
|
|
So when Mrs. Woodcourt went away, I was sorry to lose her but was
|
|
relieved too. And then Caddy Jellyby came down, and Caddy brought
|
|
such a packet of domestic news that it gave us abundant occupation.
|
|
|
|
First Caddy declared (and would at first declare nothing else) that I
|
|
was the best adviser that ever was known. This, my pet said, was no
|
|
news at all; and this, I said, of course, was nonsense. Then Caddy
|
|
told us that she was going to be married in a month and that if Ada
|
|
and I would be her bridesmaids, she was the happiest girl in the
|
|
world. To be sure, this was news indeed; and I thought we never
|
|
should have done talking about it, we had so much to say to Caddy,
|
|
and Caddy had so much to say to us.
|
|
|
|
It seemed that Caddy's unfortunate papa had got over his
|
|
bankruptcy--"gone through the Gazette," was the expression Caddy
|
|
used, as if it were a tunnel--with the general clemency and
|
|
commiseration of his creditors, and had got rid of his affairs in
|
|
some blessed manner without succeeding in understanding them, and had
|
|
given up everything he possessed (which was not worth much, I should
|
|
think, to judge from the state of the furniture), and had satisfied
|
|
every one concerned that he could do no more, poor man. So, he had
|
|
been honourably dismissed to "the office" to begin the world again.
|
|
What he did at the office, I never knew; Caddy said he was a
|
|
"custom-house and general agent," and the only thing I ever
|
|
understood about that business was that when he wanted money more
|
|
than usual he went to the docks to look for it, and hardly ever found
|
|
it.
|
|
|
|
As soon as her papa had tranquillized his mind by becoming this shorn
|
|
lamb, and they had removed to a furnished lodging in Hatton Garden
|
|
(where I found the children, when I afterwards went there, cutting
|
|
the horse hair out of the seats of the chairs and choking themselves
|
|
with it), Caddy had brought about a meeting between him and old Mr.
|
|
Turveydrop; and poor Mr. Jellyby, being very humble and meek, had
|
|
deferred to Mr. Turveydrop's deportment so submissively that they had
|
|
become excellent friends. By degrees, old Mr. Turveydrop, thus
|
|
familiarized with the idea of his son's marriage, had worked up his
|
|
parental feelings to the height of contemplating that event as being
|
|
near at hand and had given his gracious consent to the young couple
|
|
commencing housekeeping at the academy in Newman Street when they
|
|
would.
|
|
|
|
"And your papa, Caddy. What did he say?"
|
|
|
|
"Oh! Poor Pa," said Caddy, "only cried and said he hoped we might get
|
|
on better than he and Ma had got on. He didn't say so before Prince,
|
|
he only said so to me. And he said, 'My poor girl, you have not been
|
|
very well taught how to make a home for your husband, but unless you
|
|
mean with all your heart to strive to do it, you had better murder
|
|
him than marry him--if you really love him.'"
|
|
|
|
"And how did you reassure him, Caddy?"
|
|
|
|
"Why, it was very distressing, you know, to see poor Pa so low and
|
|
hear him say such terrible things, and I couldn't help crying myself.
|
|
But I told him that I DID mean it with all my heart and that I hoped
|
|
our house would be a place for him to come and find some comfort in
|
|
of an evening and that I hoped and thought I could be a better
|
|
daughter to him there than at home. Then I mentioned Peepy's coming
|
|
to stay with me, and then Pa began to cry again and said the children
|
|
were Indians."
|
|
|
|
"Indians, Caddy?"
|
|
|
|
"Yes," said Caddy, "wild Indians. And Pa said"--here she began to
|
|
sob, poor girl, not at all like the happiest girl in the world--"that
|
|
he was sensible the best thing that could happen to them was their
|
|
being all tomahawked together."
|
|
|
|
Ada suggested that it was comfortable to know that Mr. Jellyby did
|
|
not mean these destructive sentiments.
|
|
|
|
"No, of course I know Pa wouldn't like his family to be weltering in
|
|
their blood," said Caddy, "but he means that they are very
|
|
unfortunate in being Ma's children and that he is very unfortunate in
|
|
being Ma's husband; and I am sure that's true, though it seems
|
|
unnatural to say so."
|
|
|
|
I asked Caddy if Mrs. Jellyby knew that her wedding-day was fixed.
|
|
|
|
"Oh! You know what Ma is, Esther," she returned. "It's impossible to
|
|
say whether she knows it or not. She has been told it often enough;
|
|
and when she IS told it, she only gives me a placid look, as if I was
|
|
I don't know what--a steeple in the distance," said Caddy with a
|
|
sudden idea; "and then she shakes her head and says 'Oh, Caddy,
|
|
Caddy, what a tease you are!' and goes on with the Borrioboola
|
|
letters."
|
|
|
|
"And about your wardrobe, Caddy?" said I. For she was under no
|
|
restraint with us.
|
|
|
|
"Well, my dear Esther," she returned, drying her eyes, "I must do the
|
|
best I can and trust to my dear Prince never to have an unkind
|
|
remembrance of my coming so shabbily to him. If the question
|
|
concerned an outfit for Borrioboola, Ma would know all about it and
|
|
would be quite excited. Being what it is, she neither knows nor
|
|
cares."
|
|
|
|
Caddy was not at all deficient in natural affection for her mother,
|
|
but mentioned this with tears as an undeniable fact, which I am
|
|
afraid it was. We were sorry for the poor dear girl and found so much
|
|
to admire in the good disposition which had survived under such
|
|
discouragement that we both at once (I mean Ada and I) proposed a
|
|
little scheme that made her perfectly joyful. This was her staying
|
|
with us for three weeks, my staying with her for one, and our all
|
|
three contriving and cutting out, and repairing, and sewing, and
|
|
saving, and doing the very best we could think of to make the most of
|
|
her stock. My guardian being as pleased with the idea as Caddy was,
|
|
we took her home next day to arrange the matter and brought her out
|
|
again in triumph with her boxes and all the purchases that could be
|
|
squeezed out of a ten-pound note, which Mr. Jellyby had found in the
|
|
docks I suppose, but which he at all events gave her. What my
|
|
guardian would not have given her if we had encouraged him, it would
|
|
be difficult to say, but we thought it right to compound for no more
|
|
than her wedding-dress and bonnet. He agreed to this compromise, and
|
|
if Caddy had ever been happy in her life, she was happy when we sat
|
|
down to work.
|
|
|
|
She was clumsy enough with her needle, poor girl, and pricked her
|
|
fingers as much as she had been used to ink them. She could not help
|
|
reddening a little now and then, partly with the smart and partly
|
|
with vexation at being able to do no better, but she soon got over
|
|
that and began to improve rapidly. So day after day she, and my
|
|
darling, and my little maid Charley, and a milliner out of the town,
|
|
and I, sat hard at work, as pleasantly as possible.
|
|
|
|
Over and above this, Caddy was very anxious "to learn housekeeping,"
|
|
as she said. Now, mercy upon us! The idea of her learning
|
|
housekeeping of a person of my vast experience was such a joke that I
|
|
laughed, and coloured up, and fell into a comical confusion when she
|
|
proposed it. However, I said, "Caddy, I am sure you are very welcome
|
|
to learn anything that you can learn of ME, my dear," and I showed
|
|
her all my books and methods and all my fidgety ways. You would have
|
|
supposed that I was showing her some wonderful inventions, by her
|
|
study of them; and if you had seen her, whenever I jingled my
|
|
housekeeping keys, get up and attend me, certainly you might have
|
|
thought that there never was a greater imposter than I with a blinder
|
|
follower than Caddy Jellyby.
|
|
|
|
So what with working and housekeeping, and lessons to Charley, and
|
|
backgammon in the evening with my guardian, and duets with Ada, the
|
|
three weeks slipped fast away. Then I went home with Caddy to see
|
|
what could be done there, and Ada and Charley remained behind to take
|
|
care of my guardian.
|
|
|
|
When I say I went home with Caddy, I mean to the furnished lodging in
|
|
Hatton Garden. We went to Newman Street two or three times, where
|
|
preparations were in progress too--a good many, I observed, for
|
|
enhancing the comforts of old Mr. Turveydrop, and a few for putting
|
|
the newly married couple away cheaply at the top of the house--but
|
|
our great point was to make the furnished lodging decent for the
|
|
wedding-breakfast and to imbue Mrs. Jellyby beforehand with some
|
|
faint sense of the occasion.
|
|
|
|
The latter was the more difficult thing of the two because Mrs.
|
|
Jellyby and an unwholesome boy occupied the front sitting-room (the
|
|
back one was a mere closet), and it was littered down with
|
|
waste-paper and Borrioboolan documents, as an untidy stable might be
|
|
littered with straw. Mrs. Jellyby sat there all day drinking strong
|
|
coffee, dictating, and holding Borrioboolan interviews by
|
|
appointment. The unwholesome boy, who seemed to me to be going into a
|
|
decline, took his meals out of the house. When Mr. Jellyby came home,
|
|
he usually groaned and went down into the kitchen. There he got
|
|
something to eat if the servant would give him anything, and then,
|
|
feeling that he was in the way, went out and walked about Hatton
|
|
Garden in the wet. The poor children scrambled up and tumbled down
|
|
the house as they had always been accustomed to do.
|
|
|
|
The production of these devoted little sacrifices in any presentable
|
|
condition being quite out of the question at a week's notice, I
|
|
proposed to Caddy that we should make them as happy as we could on
|
|
her marriage morning in the attic where they all slept, and should
|
|
confine our greatest efforts to her mama and her mama's room, and a
|
|
clean breakfast. In truth Mrs. Jellyby required a good deal of
|
|
attention, the lattice-work up her back having widened considerably
|
|
since I first knew her and her hair looking like the mane of a
|
|
dustman's horse.
|
|
|
|
Thinking that the display of Caddy's wardrobe would be the best means
|
|
of approaching the subject, I invited Mrs. Jellyby to come and look
|
|
at it spread out on Caddy's bed in the evening after the unwholesome
|
|
boy was gone.
|
|
|
|
"My dear Miss Summerson," said she, rising from her desk with her
|
|
usual sweetness of temper, "these are really ridiculous preparations,
|
|
though your assisting them is a proof of your kindness. There is
|
|
something so inexpressibly absurd to me in the idea of Caddy being
|
|
married! Oh, Caddy, you silly, silly, silly puss!"
|
|
|
|
She came upstairs with us notwithstanding and looked at the clothes
|
|
in her customary far-off manner. They suggested one distinct idea to
|
|
her, for she said with her placid smile, and shaking her head, "My
|
|
good Miss Summerson, at half the cost, this weak child might have
|
|
been equipped for Africa!"
|
|
|
|
On our going downstairs again, Mrs. Jellyby asked me whether this
|
|
troublesome business was really to take place next Wednesday. And on
|
|
my replying yes, she said, "Will my room be required, my dear Miss
|
|
Summerson? For it's quite impossible that I can put my papers away."
|
|
|
|
I took the liberty of saying that the room would certainly be wanted
|
|
and that I thought we must put the papers away somewhere. "Well, my
|
|
dear Miss Summerson," said Mrs. Jellyby, "you know best, I dare say.
|
|
But by obliging me to employ a boy, Caddy has embarrassed me to that
|
|
extent, overwhelmed as I am with public business, that I don't know
|
|
which way to turn. We have a Ramification meeting, too, on Wednesday
|
|
afternoon, and the inconvenience is very serious."
|
|
|
|
"It is not likely to occur again," said I, smiling. "Caddy will be
|
|
married but once, probably."
|
|
|
|
"That's true," Mrs. Jellyby replied; "that's true, my dear. I suppose
|
|
we must make the best of it!"
|
|
|
|
The next question was how Mrs. Jellyby should be dressed on the
|
|
occasion. I thought it very curious to see her looking on serenely
|
|
from her writing-table while Caddy and I discussed it, occasionally
|
|
shaking her head at us with a half-reproachful smile like a superior
|
|
spirit who could just bear with our trifling.
|
|
|
|
The state in which her dresses were, and the extraordinary confusion
|
|
in which she kept them, added not a little to our difficulty; but at
|
|
length we devised something not very unlike what a common-place
|
|
mother might wear on such an occasion. The abstracted manner in which
|
|
Mrs. Jellyby would deliver herself up to having this attire tried on
|
|
by the dressmaker, and the sweetness with which she would then
|
|
observe to me how sorry she was that I had not turned my thoughts to
|
|
Africa, were consistent with the rest of her behaviour.
|
|
|
|
The lodging was rather confined as to space, but I fancied that if
|
|
Mrs. Jellyby's household had been the only lodgers in Saint Paul's or
|
|
Saint Peter's, the sole advantage they would have found in the size
|
|
of the building would have been its affording a great deal of room to
|
|
be dirty in. I believe that nothing belonging to the family which it
|
|
had been possible to break was unbroken at the time of those
|
|
preparations for Caddy's marriage, that nothing which it had been
|
|
possible to spoil in any way was unspoilt, and that no domestic
|
|
object which was capable of collecting dirt, from a dear child's knee
|
|
to the door-plate, was without as much dirt as could well accumulate
|
|
upon it.
|
|
|
|
Poor Mr. Jellyby, who very seldom spoke and almost always sat when he
|
|
was at home with his head against the wall, became interested when he
|
|
saw that Caddy and I were attempting to establish some order among
|
|
all this waste and ruin and took off his coat to help. But such
|
|
wonderful things came tumbling out of the closets when they were
|
|
opened--bits of mouldy pie, sour bottles, Mrs. Jellyby's caps,
|
|
letters, tea, forks, odd boots and shoes of children, firewood,
|
|
wafers, saucepan-lids, damp sugar in odds and ends of paper bags,
|
|
footstools, blacklead brushes, bread, Mrs. Jellyby's bonnets, books
|
|
with butter sticking to the binding, guttered candle ends put out
|
|
by being turned upside down in broken candlesticks, nutshells,
|
|
heads and tails of shrimps, dinner-mats, gloves, coffee-grounds,
|
|
umbrellas--that he looked frightened, and left off again. But he came
|
|
regularly every evening and sat without his coat, with his head
|
|
against the wall, as though he would have helped us if he had known
|
|
how.
|
|
|
|
"Poor Pa!" said Caddy to me on the night before the great day, when
|
|
we really had got things a little to rights. "It seems unkind to
|
|
leave him, Esther. But what could I do if I stayed! Since I first
|
|
knew you, I have tidied and tidied over and over again, but it's
|
|
useless. Ma and Africa, together, upset the whole house directly. We
|
|
never have a servant who don't drink. Ma's ruinous to everything."
|
|
|
|
Mr. Jellyby could not hear what she said, but he seemed very low
|
|
indeed and shed tears, I thought.
|
|
|
|
"My heart aches for him; that it does!" sobbed Caddy. "I can't help
|
|
thinking to-night, Esther, how dearly I hope to be happy with Prince,
|
|
and how dearly Pa hoped, I dare say, to be happy with Ma. What a
|
|
disappointed life!"
|
|
|
|
"My dear Caddy!" said Mr. Jellyby, looking slowly round from the
|
|
wail. It was the first time, I think, I ever heard him say three
|
|
words together.
|
|
|
|
"Yes, Pa!" cried Caddy, going to him and embracing him
|
|
affectionately.
|
|
|
|
"My dear Caddy," said Mr. Jellyby. "Never have--"
|
|
|
|
"Not Prince, Pa?" faltered Caddy. "Not have Prince?"
|
|
|
|
"Yes, my dear," said Mr. Jellyby. "Have him, certainly. But, never
|
|
have--"
|
|
|
|
I mentioned in my account of our first visit in Thavies Inn that
|
|
Richard described Mr. Jellyby as frequently opening his mouth after
|
|
dinner without saying anything. It was a habit of his. He opened his
|
|
mouth now a great many times and shook his head in a melancholy
|
|
manner.
|
|
|
|
"What do you wish me not to have? Don't have what, dear Pa?" asked
|
|
Caddy, coaxing him, with her arms round his neck.
|
|
|
|
"Never have a mission, my dear child."
|
|
|
|
Mr. Jellyby groaned and laid his head against the wall again, and
|
|
this was the only time I ever heard him make any approach to
|
|
expressing his sentiments on the Borrioboolan question. I suppose he
|
|
had been more talkative and lively once, but he seemed to have been
|
|
completely exhausted long before I knew him.
|
|
|
|
I thought Mrs. Jellyby never would have left off serenely looking
|
|
over her papers and drinking coffee that night. It was twelve o'clock
|
|
before we could obtain possession of the room, and the clearance it
|
|
required then was so discouraging that Caddy, who was almost tired
|
|
out, sat down in the middle of the dust and cried. But she soon
|
|
cheered up, and we did wonders with it before we went to bed.
|
|
|
|
In the morning it looked, by the aid of a few flowers and a quantity
|
|
of soap and water and a little arrangement, quite gay. The plain
|
|
breakfast made a cheerful show, and Caddy was perfectly charming. But
|
|
when my darling came, I thought--and I think now--that I never had
|
|
seen such a dear face as my beautiful pet's.
|
|
|
|
We made a little feast for the children upstairs, and we put Peepy at
|
|
the head of the table, and we showed them Caddy in her bridal dress,
|
|
and they clapped their hands and hurrahed, and Caddy cried to think
|
|
that she was going away from them and hugged them over and over again
|
|
until we brought Prince up to fetch her away--when, I am sorry to
|
|
say, Peepy bit him. Then there was old Mr. Turveydrop downstairs, in
|
|
a state of deportment not to be expressed, benignly blessing Caddy
|
|
and giving my guardian to understand that his son's happiness was his
|
|
own parental work and that he sacrificed personal considerations to
|
|
ensure it. "My dear sir," said Mr. Turveydrop, "these young people
|
|
will live with me; my house is large enough for their accommodation,
|
|
and they shall not want the shelter of my roof. I could have
|
|
wished--you will understand the allusion, Mr. Jarndyce, for you
|
|
remember my illustrious patron the Prince Regent--I could have
|
|
wished that my son had married into a family where there was more
|
|
deportment, but the will of heaven be done!"
|
|
|
|
Mr. and Mrs. Pardiggle were of the party--Mr. Pardiggle, an
|
|
obstinate-looking man with a large waistcoat and stubbly hair, who
|
|
was always talking in a loud bass voice about his mite, or Mrs.
|
|
Pardiggle's mite, or their five boys' mites. Mr. Quale, with his hair
|
|
brushed back as usual and his knobs of temples shining very much, was
|
|
also there, not in the character of a disappointed lover, but as the
|
|
accepted of a young--at least, an unmarried--lady, a Miss Wisk, who
|
|
was also there. Miss Wisk's mission, my guardian said, was to show
|
|
the world that woman's mission was man's mission and that the only
|
|
genuine mission of both man and woman was to be always moving
|
|
declaratory resolutions about things in general at public meetings.
|
|
The guests were few, but were, as one might expect at Mrs. Jellyby's,
|
|
all devoted to public objects only. Besides those I have mentioned,
|
|
there was an extremely dirty lady with her bonnet all awry and the
|
|
ticketed price of her dress still sticking on it, whose neglected
|
|
home, Caddy told me, was like a filthy wilderness, but whose church
|
|
was like a fancy fair. A very contentious gentleman, who said it was
|
|
his mission to be everybody's brother but who appeared to be on terms
|
|
of coolness with the whole of his large family, completed the party.
|
|
|
|
A party, having less in common with such an occasion, could hardly
|
|
have been got together by any ingenuity. Such a mean mission as the
|
|
domestic mission was the very last thing to be endured among them;
|
|
indeed, Miss Wisk informed us, with great indignation, before we sat
|
|
down to breakfast, that the idea of woman's mission lying chiefly in
|
|
the narrow sphere of home was an outrageous slander on the part of
|
|
her tyrant, man. One other singularity was that nobody with a
|
|
mission--except Mr. Quale, whose mission, as I think I have formerly
|
|
said, was to be in ecstasies with everybody's mission--cared at all
|
|
for anybody's mission. Mrs. Pardiggle being as clear that the only
|
|
one infallible course was her course of pouncing upon the poor and
|
|
applying benevolence to them like a strait-waistcoat; as Miss Wisk
|
|
was that the only practical thing for the world was the emancipation
|
|
of woman from the thraldom of her tyrant, man. Mrs. Jellyby, all the
|
|
while, sat smiling at the limited vision that could see anything but
|
|
Borrioboola-Gha.
|
|
|
|
But I am anticipating now the purport of our conversation on the ride
|
|
home instead of first marrying Caddy. We all went to church, and Mr.
|
|
Jellyby gave her away. Of the air with which old Mr. Turveydrop, with
|
|
his hat under his left arm (the inside presented at the clergyman
|
|
like a cannon) and his eyes creasing themselves up into his wig,
|
|
stood stiff and high-shouldered behind us bridesmaids during the
|
|
ceremony, and afterwards saluted us, I could never say enough to do
|
|
it justice. Miss Wisk, whom I cannot report as prepossessing in
|
|
appearance, and whose manner was grim, listened to the proceedings,
|
|
as part of woman's wrongs, with a disdainful face. Mrs. Jellyby, with
|
|
her calm smile and her bright eyes, looked the least concerned of all
|
|
the company.
|
|
|
|
We duly came back to breakfast, and Mrs. Jellyby sat at the head of
|
|
the table and Mr. Jellyby at the foot. Caddy had previously stolen
|
|
upstairs to hug the children again and tell them that her name was
|
|
Turveydrop. But this piece of information, instead of being an
|
|
agreeable surprise to Peepy, threw him on his back in such transports
|
|
of kicking grief that I could do nothing on being sent for but accede
|
|
to the proposal that he should be admitted to the breakfast table. So
|
|
he came down and sat in my lap; and Mrs. Jellyby, after saying, in
|
|
reference to the state of his pinafore, "Oh, you naughty Peepy, what
|
|
a shocking little pig you are!" was not at all discomposed. He was
|
|
very good except that he brought down Noah with him (out of an ark I
|
|
had given him before we went to church) and WOULD dip him head first
|
|
into the wine-glasses and then put him in his mouth.
|
|
|
|
My guardian, with his sweet temper and his quick perception and his
|
|
amiable face, made something agreeable even out of the ungenial
|
|
company. None of them seemed able to talk about anything but his, or
|
|
her, own one subject, and none of them seemed able to talk about even
|
|
that as part of a world in which there was anything else; but my
|
|
guardian turned it all to the merry encouragement of Caddy and the
|
|
honour of the occasion, and brought us through the breakfast nobly.
|
|
What we should have done without him, I am afraid to think, for all
|
|
the company despising the bride and bridegroom and old Mr.
|
|
Turveydrop--and old Mr. Thurveydrop, in virtue of his deportment,
|
|
considering himself vastly superior to all the company--it was a very
|
|
unpromising case.
|
|
|
|
At last the time came when poor Caddy was to go and when all her
|
|
property was packed on the hired coach and pair that was to take her
|
|
and her husband to Gravesend. It affected us to see Caddy clinging,
|
|
then, to her deplorable home and hanging on her mother's neck with
|
|
the greatest tenderness.
|
|
|
|
"I am very sorry I couldn't go on writing from dictation, Ma," sobbed
|
|
Caddy. "I hope you forgive me now."
|
|
|
|
"Oh, Caddy, Caddy!" said Mrs. Jellyby. "I have told you over and over
|
|
again that I have engaged a boy, and there's an end of it."
|
|
|
|
"You are sure you are not the least angry with me, Ma? Say you are
|
|
sure before I go away, Ma?"
|
|
|
|
"You foolish Caddy," returned Mrs. Jellyby, "do I look angry, or have
|
|
I inclination to be angry, or time to be angry? How CAN you?"
|
|
|
|
"Take a little care of Pa while I am gone, Mama!"
|
|
|
|
Mrs. Jellyby positively laughed at the fancy. "You romantic child,"
|
|
said she, lightly patting Caddy's back. "Go along. I am excellent
|
|
friends with you. Now, good-bye, Caddy, and be very happy!"
|
|
|
|
Then Caddy hung upon her father and nursed his cheek against hers as
|
|
if he were some poor dull child in pain. All this took place in the
|
|
hall. Her father released her, took out his pocket handkerchief, and
|
|
sat down on the stairs with his head against the wall. I hope he
|
|
found some consolation in walls. I almost think he did.
|
|
|
|
And then Prince took her arm in his and turned with great emotion and
|
|
respect to his father, whose deportment at that moment was
|
|
overwhelming.
|
|
|
|
"Thank you over and over again, father!" said Prince, kissing his
|
|
hand. "I am very grateful for all your kindness and consideration
|
|
regarding our marriage, and so, I can assure you, is Caddy."
|
|
|
|
"Very," sobbed Caddy. "Ve-ry!"
|
|
|
|
"My dear son," said Mr. Turveydrop, "and dear daughter, I have done
|
|
my duty. If the spirit of a sainted wooman hovers above us and looks
|
|
down on the occasion, that, and your constant affection, will be my
|
|
recompense. You will not fail in YOUR duty, my son and daughter, I
|
|
believe?"
|
|
|
|
"Dear father, never!" cried Prince.
|
|
|
|
"Never, never, dear Mr. Turveydrop!" said Caddy.
|
|
|
|
"This," returned Mr. Turveydrop, "is as it should be. My children, my
|
|
home is yours, my heart is yours, my all is yours. I will never leave
|
|
you; nothing but death shall part us. My dear son, you contemplate an
|
|
absence of a week, I think?"
|
|
|
|
"A week, dear father. We shall return home this day week."
|
|
|
|
"My dear child," said Mr. Turveydrop, "let me, even under the present
|
|
exceptional circumstances, recommend strict punctuality. It is highly
|
|
important to keep the connexion together; and schools, if at all
|
|
neglected, are apt to take offence."
|
|
|
|
"This day week, father, we shall be sure to be home to dinner."
|
|
|
|
"Good!" said Mr. Turveydrop. "You will find fires, my dear Caroline,
|
|
in your own room, and dinner prepared in my apartment. Yes, yes,
|
|
Prince!" anticipating some self-denying objection on his son's part
|
|
with a great air. "You and our Caroline will be strange in the upper
|
|
part of the premises and will, therefore, dine that day in my
|
|
apartment. Now, bless ye!"
|
|
|
|
They drove away, and whether I wondered most at Mrs. Jellyby or at
|
|
Mr. Turveydrop, I did not know. Ada and my guardian were in the same
|
|
condition when we came to talk it over. But before we drove away too,
|
|
I received a most unexpected and eloquent compliment from Mr.
|
|
Jellyby. He came up to me in the hall, took both my hands, pressed
|
|
them earnestly, and opened his mouth twice. I was so sure of his
|
|
meaning that I said, quite flurried, "You are very welcome, sir. Pray
|
|
don't mention it!"
|
|
|
|
"I hope this marriage is for the best, guardian," said I when we
|
|
three were on our road home.
|
|
|
|
"I hope it is, little woman. Patience. We shall see."
|
|
|
|
"Is the wind in the east to-day?" I ventured to ask him.
|
|
|
|
He laughed heartily and answered, "No."
|
|
|
|
"But it must have been this morning, I think," said I.
|
|
|
|
He answered "No" again, and this time my dear girl confidently
|
|
answered "No" too and shook the lovely head which, with its blooming
|
|
flowers against the golden hair, was like the very spring. "Much YOU
|
|
know of east winds, my ugly darling," said I, kissing her in my
|
|
admiration--I couldn't help it.
|
|
|
|
Well! It was only their love for me, I know very well, and it is a
|
|
long time ago. I must write it even if I rub it out again, because it
|
|
gives me so much pleasure. They said there could be no east wind
|
|
where Somebody was; they said that wherever Dame Durden went, there
|
|
was sunshine and summer air.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXI
|
|
|
|
Nurse and Patient
|
|
|
|
|
|
I had not been at home again many days when one evening I went
|
|
upstairs into my own room to take a peep over Charley's shoulder and
|
|
see how she was getting on with her copy-book. Writing was a trying
|
|
business to Charley, who seemed to have no natural power over a pen,
|
|
but in whose hand every pen appeared to become perversely animated,
|
|
and to go wrong and crooked, and to stop, and splash, and sidle into
|
|
corners like a saddle-donkey. It was very odd to see what old letters
|
|
Charley's young hand had made, they so wrinkled, and shrivelled, and
|
|
tottering, it so plump and round. Yet Charley was uncommonly expert
|
|
at other things and had as nimble little fingers as I ever watched.
|
|
|
|
"Well, Charley," said I, looking over a copy of the letter O in which
|
|
it was represented as square, triangular, pear-shaped, and collapsed
|
|
in all kinds of ways, "we are improving. If we only get to make it
|
|
round, we shall be perfect, Charley."
|
|
|
|
Then I made one, and Charley made one, and the pen wouldn't join
|
|
Charley's neatly, but twisted it up into a knot.
|
|
|
|
"Never mind, Charley. We shall do it in time."
|
|
|
|
Charley laid down her pen, the copy being finished, opened and shut
|
|
her cramped little hand, looked gravely at the page, half in pride
|
|
and half in doubt, and got up, and dropped me a curtsy.
|
|
|
|
"Thank you, miss. If you please, miss, did you know a poor person of
|
|
the name of Jenny?"
|
|
|
|
"A brickmaker's wife, Charley? Yes."
|
|
|
|
"She came and spoke to me when I was out a little while ago, and said
|
|
you knew her, miss. She asked me if I wasn't the young lady's little
|
|
maid--meaning you for the young lady, miss--and I said yes, miss."
|
|
|
|
"I thought she had left this neighbourhood altogether, Charley."
|
|
|
|
"So she had, miss, but she's come back again to where she used to
|
|
live--she and Liz. Did you know another poor person of the name of
|
|
Liz, miss?"
|
|
|
|
"I think I do, Charley, though not by name."
|
|
|
|
"That's what she said!" returned Charley. "They have both come back,
|
|
miss, and have been tramping high and low."
|
|
|
|
"Tramping high and low, have they, Charley?"
|
|
|
|
"Yes, miss." If Charley could only have made the letters in her copy
|
|
as round as the eyes with which she looked into my face, they would
|
|
have been excellent. "And this poor person came about the house three
|
|
or four days, hoping to get a glimpse of you, miss--all she wanted,
|
|
she said--but you were away. That was when she saw me. She saw me
|
|
a-going about, miss," said Charley with a short laugh of the greatest
|
|
delight and pride, "and she thought I looked like your maid!"
|
|
|
|
"Did she though, really, Charley?"
|
|
|
|
"Yes, miss!" said Charley. "Really and truly." And Charley, with
|
|
another short laugh of the purest glee, made her eyes very round
|
|
again and looked as serious as became my maid. I was never tired of
|
|
seeing Charley in the full enjoyment of that great dignity, standing
|
|
before me with her youthful face and figure, and her steady manner,
|
|
and her childish exultation breaking through it now and then in the
|
|
pleasantest way.
|
|
|
|
"And where did you see her, Charley?" said I.
|
|
|
|
My little maid's countenance fell as she replied, "By the doctor's
|
|
shop, miss." For Charley wore her black frock yet.
|
|
|
|
I asked if the brickmaker's wife were ill, but Charley said no. It
|
|
was some one else. Some one in her cottage who had tramped down to
|
|
Saint Albans and was tramping he didn't know where. A poor boy,
|
|
Charley said. No father, no mother, no any one. "Like as Tom might
|
|
have been, miss, if Emma and me had died after father," said Charley,
|
|
her round eyes filling with tears.
|
|
|
|
"And she was getting medicine for him, Charley?"
|
|
|
|
"She said, miss," returned Charley, "how that he had once done as
|
|
much for her."
|
|
|
|
My little maid's face was so eager and her quiet hands were folded so
|
|
closely in one another as she stood looking at me that I had no great
|
|
difficulty in reading her thoughts. "Well, Charley," said I, "it
|
|
appears to me that you and I can do no better than go round to
|
|
Jenny's and see what's the matter."
|
|
|
|
The alacrity with which Charley brought my bonnet and veil, and
|
|
having dressed me, quaintly pinned herself into her warm shawl and
|
|
made herself look like a little old woman, sufficiently expressed her
|
|
readiness. So Charley and I, without saying anything to any one, went
|
|
out.
|
|
|
|
It was a cold, wild night, and the trees shuddered in the wind. The
|
|
rain had been thick and heavy all day, and with little intermission
|
|
for many days. None was falling just then, however. The sky had
|
|
partly cleared, but was very gloomy--even above us, where a few stars
|
|
were shining. In the north and north-west, where the sun had set
|
|
three hours before, there was a pale dead light both beautiful and
|
|
awful; and into it long sullen lines of cloud waved up like a sea
|
|
stricken immovable as it was heaving. Towards London a lurid glare
|
|
overhung the whole dark waste, and the contrast between these two
|
|
lights, and the fancy which the redder light engendered of an
|
|
unearthly fire, gleaming on all the unseen buildings of the city and
|
|
on all the faces of its many thousands of wondering inhabitants, was
|
|
as solemn as might be.
|
|
|
|
I had no thought that night--none, I am quite sure--of what was soon
|
|
to happen to me. But I have always remembered since that when we had
|
|
stopped at the garden-gate to look up at the sky, and when we went
|
|
upon our way, I had for a moment an undefinable impression of myself
|
|
as being something different from what I then was. I know it was then
|
|
and there that I had it. I have ever since connected the feeling with
|
|
that spot and time and with everything associated with that spot and
|
|
time, to the distant voices in the town, the barking of a dog, and
|
|
the sound of wheels coming down the miry hill.
|
|
|
|
It was Saturday night, and most of the people belonging to the place
|
|
where we were going were drinking elsewhere. We found it quieter than
|
|
I had previously seen it, though quite as miserable. The kilns were
|
|
burning, and a stifling vapour set towards us with a pale-blue glare.
|
|
|
|
We came to the cottage, where there was a feeble candle in the
|
|
patched window. We tapped at the door and went in. The mother of the
|
|
little child who had died was sitting in a chair on one side of the
|
|
poor fire by the bed; and opposite to her, a wretched boy, supported
|
|
by the chimney-piece, was cowering on the floor. He held under his
|
|
arm, like a little bundle, a fragment of a fur cap; and as he tried
|
|
to warm himself, he shook until the crazy door and window shook. The
|
|
place was closer than before and had an unhealthy and a very peculiar
|
|
smell.
|
|
|
|
I had not lifted my veil when I first spoke to the woman, which was
|
|
at the moment of our going in. The boy staggered up instantly and
|
|
stared at me with a remarkable expression of surprise and terror.
|
|
|
|
His action was so quick and my being the cause of it was so evident
|
|
that I stood still instead of advancing nearer.
|
|
|
|
"I won't go no more to the berryin ground," muttered the boy; "I
|
|
ain't a-going there, so I tell you!"
|
|
|
|
I lifted my veil and spoke to the woman. She said to me in a low
|
|
voice, "Don't mind him, ma'am. He'll soon come back to his head," and
|
|
said to him, "Jo, Jo, what's the matter?"
|
|
|
|
"I know wot she's come for!" cried the boy.
|
|
|
|
"Who?"
|
|
|
|
"The lady there. She's come to get me to go along with her to the
|
|
berryin ground. I won't go to the berryin ground. I don't like the
|
|
name on it. She might go a-berryin ME." His shivering came on again,
|
|
and as he leaned against the wall, he shook the hovel.
|
|
|
|
"He has been talking off and on about such like all day, ma'am," said
|
|
Jenny softly. "Why, how you stare! This is MY lady, Jo."
|
|
|
|
"Is it?" returned the boy doubtfully, and surveying me with his arm
|
|
held out above his burning eyes. "She looks to me the t'other one. It
|
|
ain't the bonnet, nor yet it ain't the gownd, but she looks to me the
|
|
t'other one."
|
|
|
|
My little Charley, with her premature experience of illness and
|
|
trouble, had pulled off her bonnet and shawl and now went quietly up
|
|
to him with a chair and sat him down in it like an old sick nurse.
|
|
Except that no such attendant could have shown him Charley's youthful
|
|
face, which seemed to engage his confidence.
|
|
|
|
"I say!" said the boy. "YOU tell me. Ain't the lady the t'other
|
|
lady?"
|
|
|
|
Charley shook her head as she methodically drew his rags about him
|
|
and made him as warm as she could.
|
|
|
|
"Oh!" the boy muttered. "Then I s'pose she ain't."
|
|
|
|
"I came to see if I could do you any good," said I. "What is the
|
|
matter with you?"
|
|
|
|
"I'm a-being froze," returned the boy hoarsely, with his haggard gaze
|
|
wandering about me, "and then burnt up, and then froze, and then
|
|
burnt up, ever so many times in a hour. And my head's all sleepy, and
|
|
all a-going mad-like--and I'm so dry--and my bones isn't half so much
|
|
bones as pain.
|
|
|
|
"When did he come here?" I asked the woman.
|
|
|
|
"This morning, ma'am, I found him at the corner of the town. I had
|
|
known him up in London yonder. Hadn't I, Jo?"
|
|
|
|
"Tom-all-Alone's," the boy replied.
|
|
|
|
Whenever he fixed his attention or his eyes, it was only for a very
|
|
little while. He soon began to droop his head again, and roll it
|
|
heavily, and speak as if he were half awake.
|
|
|
|
"When did he come from London?" I asked.
|
|
|
|
"I come from London yes'day," said the boy himself, now flushed and
|
|
hot. "I'm a-going somewheres."
|
|
|
|
"Where is he going?" I asked.
|
|
|
|
"Somewheres," repeated the boy in a louder tone. "I have been moved
|
|
on, and moved on, more nor ever I was afore, since the t'other one
|
|
give me the sov'ring. Mrs. Snagsby, she's always a-watching, and
|
|
a-driving of me--what have I done to her?--and they're all a-watching
|
|
and a-driving of me. Every one of 'em's doing of it, from the time
|
|
when I don't get up, to the time when I don't go to bed. And I'm
|
|
a-going somewheres. That's where I'm a-going. She told me, down in
|
|
Tom-all-Alone's, as she came from Stolbuns, and so I took the
|
|
Stolbuns Road. It's as good as another."
|
|
|
|
He always concluded by addressing Charley.
|
|
|
|
"What is to be done with him?" said I, taking the woman aside. "He
|
|
could not travel in this state even if he had a purpose and knew
|
|
where he was going!"
|
|
|
|
"I know no more, ma'am, than the dead," she replied, glancing
|
|
compassionately at him. "Perhaps the dead know better, if they could
|
|
only tell us. I've kept him here all day for pity's sake, and I've
|
|
given him broth and physic, and Liz has gone to try if any one will
|
|
take him in (here's my pretty in the bed--her child, but I call it
|
|
mine); but I can't keep him long, for if my husband was to come home
|
|
and find him here, he'd be rough in putting him out and might do him
|
|
a hurt. Hark! Here comes Liz back!"
|
|
|
|
The other woman came hurriedly in as she spoke, and the boy got up
|
|
with a half-obscured sense that he was expected to be going. When the
|
|
little child awoke, and when and how Charley got at it, took it out
|
|
of bed, and began to walk about hushing it, I don't know. There she
|
|
was, doing all this in a quiet motherly manner as if she were living
|
|
in Mrs. Blinder's attic with Tom and Emma again.
|
|
|
|
The friend had been here and there, and had been played about from
|
|
hand to hand, and had come back as she went. At first it was too
|
|
early for the boy to be received into the proper refuge, and at last
|
|
it was too late. One official sent her to another, and the other sent
|
|
her back again to the first, and so backward and forward, until it
|
|
appeared to me as if both must have been appointed for their skill in
|
|
evading their duties instead of performing them. And now, after all,
|
|
she said, breathing quickly, for she had been running and was
|
|
frightened too, "Jenny, your master's on the road home, and mine's
|
|
not far behind, and the Lord help the boy, for we can do no more for
|
|
him!" They put a few halfpence together and hurried them into his
|
|
hand, and so, in an oblivious, half-thankful, half-insensible way, he
|
|
shuffled out of the house.
|
|
|
|
"Give me the child, my dear," said its mother to Charley, "and thank
|
|
you kindly too! Jenny, woman dear, good night! Young lady, if my
|
|
master don't fall out with me, I'll look down by the kiln by and by,
|
|
where the boy will be most like, and again in the morning!" She
|
|
hurried off, and presently we passed her hushing and singing to her
|
|
child at her own door and looking anxiously along the road for her
|
|
drunken husband.
|
|
|
|
I was afraid of staying then to speak to either woman, lest I should
|
|
bring her into trouble. But I said to Charley that we must not leave
|
|
the boy to die. Charley, who knew what to do much better than I did,
|
|
and whose quickness equalled her presence of mind, glided on before
|
|
me, and presently we came up with Jo, just short of the brick-kiln.
|
|
|
|
I think he must have begun his journey with some small bundle under
|
|
his arm and must have had it stolen or lost it. For he still carried
|
|
his wretched fragment of fur cap like a bundle, though he went
|
|
bare-headed through the rain, which now fell fast. He stopped when we
|
|
called to him and again showed a dread of me when I came up, standing
|
|
with his lustrous eyes fixed upon me, and even arrested in his
|
|
shivering fit.
|
|
|
|
I asked him to come with us, and we would take care that he had some
|
|
shelter for the night.
|
|
|
|
"I don't want no shelter," he said; "I can lay amongst the warm
|
|
bricks."
|
|
|
|
"But don't you know that people die there?" replied Charley.
|
|
|
|
"They dies everywheres," said the boy. "They dies in their
|
|
lodgings--she knows where; I showed her--and they dies down in
|
|
Tom-all-Alone's in heaps. They dies more than they lives, according
|
|
to what I see." Then he hoarsely whispered Charley, "If she ain't the
|
|
t'other one, she ain't the forrenner. Is there THREE of 'em then?"
|
|
|
|
Charley looked at me a little frightened. I felt half frightened at
|
|
myself when the boy glared on me so.
|
|
|
|
But he turned and followed when I beckoned to him, and finding that
|
|
he acknowledged that influence in me, I led the way straight home. It
|
|
was not far, only at the summit of the hill. We passed but one man. I
|
|
doubted if we should have got home without assistance, the boy's
|
|
steps were so uncertain and tremulous. He made no complaint, however,
|
|
and was strangely unconcerned about himself, if I may say so strange
|
|
a thing.
|
|
|
|
Leaving him in the hall for a moment, shrunk into the corner of the
|
|
window-seat and staring with an indifference that scarcely could be
|
|
called wonder at the comfort and brightness about him, I went into
|
|
the drawing-room to speak to my guardian. There I found Mr. Skimpole,
|
|
who had come down by the coach, as he frequently did without notice,
|
|
and never bringing any clothes with him, but always borrowing
|
|
everything he wanted.
|
|
|
|
They came out with me directly to look at the boy. The servants had
|
|
gathered in the hall too, and he shivered in the window-seat with
|
|
Charley standing by him, like some wounded animal that had been found
|
|
in a ditch.
|
|
|
|
"This is a sorrowful case," said my guardian after asking him a
|
|
question or two and touching him and examining his eyes. "What do you
|
|
say, Harold?"
|
|
|
|
"You had better turn him out," said Mr. Skimpole.
|
|
|
|
"What do you mean?" inquired my guardian, almost sternly.
|
|
|
|
"My dear Jarndyce," said Mr. Skimpole, "you know what I am: I am a
|
|
child. Be cross to me if I deserve it. But I have a constitutional
|
|
objection to this sort of thing. I always had, when I was a medical
|
|
man. He's not safe, you know. There's a very bad sort of fever about
|
|
him."
|
|
|
|
Mr. Skimpole had retreated from the hall to the drawing-room again
|
|
and said this in his airy way, seated on the music-stool as we stood
|
|
by.
|
|
|
|
"You'll say it's childish," observed Mr. Skimpole, looking gaily at
|
|
us. "Well, I dare say it may be; but I AM a child, and I never
|
|
pretend to be anything else. If you put him out in the road, you only
|
|
put him where he was before. He will be no worse off than he was, you
|
|
know. Even make him better off, if you like. Give him sixpence, or
|
|
five shillings, or five pound ten--you are arithmeticians, and I am
|
|
not--and get rid of him!"
|
|
|
|
"And what is he to do then?" asked my guardian.
|
|
|
|
"Upon my life," said Mr. Skimpole, shrugging his shoulders with his
|
|
engaging smile, "I have not the least idea what he is to do then. But
|
|
I have no doubt he'll do it."
|
|
|
|
"Now, is it not a horrible reflection," said my guardian, to whom I
|
|
had hastily explained the unavailing efforts of the two women, "is it
|
|
not a horrible reflection," walking up and down and rumpling his
|
|
hair, "that if this wretched creature were a convicted prisoner, his
|
|
hospital would be wide open to him, and he would be as well taken
|
|
care of as any sick boy in the kingdom?"
|
|
|
|
"My dear Jarndyce," returned Mr. Skimpole, "you'll pardon the
|
|
simplicity of the question, coming as it does from a creature who is
|
|
perfectly simple in worldly matters, but why ISN'T he a prisoner
|
|
then?"
|
|
|
|
My guardian stopped and looked at him with a whimsical mixture of
|
|
amusement and indignation in his face.
|
|
|
|
"Our young friend is not to be suspected of any delicacy, I should
|
|
imagine," said Mr. Skimpole, unabashed and candid. "It seems to me
|
|
that it would be wiser, as well as in a certain kind of way more
|
|
respectable, if he showed some misdirected energy that got him into
|
|
prison. There would be more of an adventurous spirit in it, and
|
|
consequently more of a certain sort of poetry."
|
|
|
|
"I believe," returned my guardian, resuming his uneasy walk, "that
|
|
there is not such another child on earth as yourself."
|
|
|
|
"Do you really?" said Mr. Skimpole. "I dare say! But I confess I
|
|
don't see why our young friend, in his degree, should not seek to
|
|
invest himself with such poetry as is open to him. He is no doubt
|
|
born with an appetite--probably, when he is in a safer state of
|
|
health, he has an excellent appetite. Very well. At our young
|
|
friend's natural dinner hour, most likely about noon, our young
|
|
friend says in effect to society, 'I am hungry; will you have the
|
|
goodness to produce your spoon and feed me?' Society, which has taken
|
|
upon itself the general arrangement of the whole system of spoons and
|
|
professes to have a spoon for our young friend, does NOT produce that
|
|
spoon; and our young friend, therefore, says 'You really must excuse
|
|
me if I seize it.' Now, this appears to me a case of misdirected
|
|
energy, which has a certain amount of reason in it and a certain
|
|
amount of romance; and I don't know but what I should be more
|
|
interested in our young friend, as an illustration of such a case,
|
|
than merely as a poor vagabond--which any one can be."
|
|
|
|
"In the meantime," I ventured to observe, "he is getting worse."
|
|
|
|
"In the meantime," said Mr. Skimpole cheerfully, "as Miss Summerson,
|
|
with her practical good sense, observes, he is getting worse.
|
|
Therefore I recommend your turning him out before he gets still
|
|
worse."
|
|
|
|
The amiable face with which he said it, I think I shall never forget.
|
|
|
|
"Of course, little woman," observed my guardian, turning to me, "I
|
|
can ensure his admission into the proper place by merely going there
|
|
to enforce it, though it's a bad state of things when, in his
|
|
condition, that is necessary. But it's growing late, and is a very
|
|
bad night, and the boy is worn out already. There is a bed in the
|
|
wholesome loft-room by the stable; we had better keep him there till
|
|
morning, when he can be wrapped up and removed. We'll do that."
|
|
|
|
"Oh!" said Mr. Skimpole, with his hands upon the keys of the piano as
|
|
we moved away. "Are you going back to our young friend?"
|
|
|
|
"Yes," said my guardian.
|
|
|
|
"How I envy you your constitution, Jarndyce!" returned Mr. Skimpole
|
|
with playful admiration. "You don't mind these things; neither does
|
|
Miss Summerson. You are ready at all times to go anywhere, and do
|
|
anything. Such is will! I have no will at all--and no won't--simply
|
|
can't."
|
|
|
|
"You can't recommend anything for the boy, I suppose?" said my
|
|
guardian, looking back over his shoulder half angrily; only half
|
|
angrily, for he never seemed to consider Mr. Skimpole an accountable
|
|
being.
|
|
|
|
"My dear Jarndyce, I observed a bottle of cooling medicine in his
|
|
pocket, and it's impossible for him to do better than take it. You
|
|
can tell them to sprinkle a little vinegar about the place where he
|
|
sleeps and to keep it moderately cool and him moderately warm. But it
|
|
is mere impertinence in me to offer any recommendation. Miss
|
|
Summerson has such a knowledge of detail and such a capacity for the
|
|
administration of detail that she knows all about it."
|
|
|
|
We went back into the hall and explained to Jo what we proposed to
|
|
do, which Charley explained to him again and which he received with
|
|
the languid unconcern I had already noticed, wearily looking on at
|
|
what was done as if it were for somebody else. The servants
|
|
compassionating his miserable state and being very anxious to help,
|
|
we soon got the loft-room ready; and some of the men about the house
|
|
carried him across the wet yard, well wrapped up. It was pleasant to
|
|
observe how kind they were to him and how there appeared to be a
|
|
general impression among them that frequently calling him "Old Chap"
|
|
was likely to revive his spirits. Charley directed the operations and
|
|
went to and fro between the loft-room and the house with such little
|
|
stimulants and comforts as we thought it safe to give him. My
|
|
guardian himself saw him before he was left for the night and
|
|
reported to me when he returned to the growlery to write a letter on
|
|
the boy's behalf, which a messenger was charged to deliver at
|
|
day-light in the morning, that he seemed easier and inclined to
|
|
sleep. They had fastened his door on the outside, he said, in case of
|
|
his being delirious, but had so arranged that he could not make any
|
|
noise without being heard.
|
|
|
|
Ada being in our room with a cold, Mr. Skimpole was left alone all
|
|
this time and entertained himself by playing snatches of pathetic
|
|
airs and sometimes singing to them (as we heard at a distance) with
|
|
great expression and feeling. When we rejoined him in the
|
|
drawing-room he said he would give us a little ballad which had come
|
|
into his head "apropos of our young friend," and he sang one about a
|
|
peasant boy,
|
|
|
|
"Thrown on the wide world, doomed to wander and roam,
|
|
Bereft of his parents, bereft of a home."
|
|
|
|
quite exquisitely. It was a song that always made him cry, he told
|
|
us.
|
|
|
|
He was extremely gay all the rest of the evening, for he absolutely
|
|
chirped--those were his delighted words--when he thought by what a
|
|
happy talent for business he was surrounded. He gave us, in his glass
|
|
of negus, "Better health to our young friend!" and supposed and gaily
|
|
pursued the case of his being reserved like Whittington to become
|
|
Lord Mayor of London. In that event, no doubt, he would establish the
|
|
Jarndyce Institution and the Summerson Almshouses, and a little
|
|
annual Corporation Pilgrimage to St. Albans. He had no doubt, he
|
|
said, that our young friend was an excellent boy in his way, but his
|
|
way was not the Harold Skimpole way; what Harold Skimpole was, Harold
|
|
Skimpole had found himself, to his considerable surprise, when he
|
|
first made his own acquaintance; he had accepted himself with all his
|
|
failings and had thought it sound philosophy to make the best of the
|
|
bargain; and he hoped we would do the same.
|
|
|
|
Charley's last report was that the boy was quiet. I could see, from
|
|
my window, the lantern they had left him burning quietly; and I went
|
|
to bed very happy to think that he was sheltered.
|
|
|
|
There was more movement and more talking than usual a little before
|
|
daybreak, and it awoke me. As I was dressing, I looked out of my
|
|
window and asked one of our men who had been among the active
|
|
sympathizers last night whether there was anything wrong about the
|
|
house. The lantern was still burning in the loft-window.
|
|
|
|
"It's the boy, miss," said he.
|
|
|
|
"Is he worse?" I inquired.
|
|
|
|
"Gone, miss.
|
|
|
|
"Dead!"
|
|
|
|
"Dead, miss? No. Gone clean off."
|
|
|
|
At what time of the night he had gone, or how, or why, it seemed
|
|
hopeless ever to divine. The door remaining as it had been left, and
|
|
the lantern standing in the window, it could only be supposed that he
|
|
had got out by a trap in the floor which communicated with an empty
|
|
cart-house below. But he had shut it down again, if that were so; and
|
|
it looked as if it had not been raised. Nothing of any kind was
|
|
missing. On this fact being clearly ascertained, we all yielded to
|
|
the painful belief that delirium had come upon him in the night and
|
|
that, allured by some imaginary object or pursued by some imaginary
|
|
horror, he had strayed away in that worse than helpless state; all of
|
|
us, that is to say, but Mr. Skimpole, who repeatedly suggested, in
|
|
his usual easy light style, that it had occurred to our young friend
|
|
that he was not a safe inmate, having a bad kind of fever upon him,
|
|
and that he had with great natural politeness taken himself off.
|
|
|
|
Every possible inquiry was made, and every place was searched. The
|
|
brick-kilns were examined, the cottages were visited, the two women
|
|
were particularly questioned, but they knew nothing of him, and
|
|
nobody could doubt that their wonder was genuine. The weather had for
|
|
some time been too wet and the night itself had been too wet to admit
|
|
of any tracing by footsteps. Hedge and ditch, and wall, and rick and
|
|
stack, were examined by our men for a long distance round, lest the
|
|
boy should be lying in such a place insensible or dead; but nothing
|
|
was seen to indicate that he had ever been near. From the time when
|
|
he was left in the loft-room, he vanished.
|
|
|
|
The search continued for five days. I do not mean that it ceased even
|
|
then, but that my attention was then diverted into a current very
|
|
memorable to me.
|
|
|
|
As Charley was at her writing again in my room in the evening, and as
|
|
I sat opposite to her at work, I felt the table tremble. Looking up,
|
|
I saw my little maid shivering from head to foot.
|
|
|
|
"Charley," said I, "are you so cold?"
|
|
|
|
"I think I am, miss," she replied. "I don't know what it is. I can't
|
|
hold myself still. I felt so yesterday at about this same time, miss.
|
|
Don't be uneasy, I think I'm ill."
|
|
|
|
I heard Ada's voice outside, and I hurried to the door of
|
|
communication between my room and our pretty sitting-room, and locked
|
|
it. Just in time, for she tapped at it while my hand was yet upon the
|
|
key.
|
|
|
|
Ada called to me to let her in, but I said, "Not now, my dearest. Go
|
|
away. There's nothing the matter; I will come to you presently." Ah!
|
|
It was a long, long time before my darling girl and I were companions
|
|
again.
|
|
|
|
Charley fell ill. In twelve hours she was very ill. I moved her to my
|
|
room, and laid her in my bed, and sat down quietly to nurse her. I
|
|
told my guardian all about it, and why I felt it was necessary that I
|
|
should seclude myself, and my reason for not seeing my darling above
|
|
all. At first she came very often to the door, and called to me, and
|
|
even reproached me with sobs and tears; but I wrote her a long letter
|
|
saying that she made me anxious and unhappy and imploring her, as she
|
|
loved me and wished my mind to be at peace, to come no nearer than
|
|
the garden. After that she came beneath the window even oftener than
|
|
she had come to the door, and if I had learnt to love her dear sweet
|
|
voice before when we were hardly ever apart, how did I learn to love
|
|
it then, when I stood behind the window-curtain listening and
|
|
replying, but not so much as looking out! How did I learn to love it
|
|
afterwards, when the harder time came!
|
|
|
|
They put a bed for me in our sitting-room; and by keeping the door
|
|
wide open, I turned the two rooms into one, now that Ada had vacated
|
|
that part of the house, and kept them always fresh and airy. There
|
|
was not a servant in or about the house but was so good that they
|
|
would all most gladly have come to me at any hour of the day or night
|
|
without the least fear or unwillingness, but I thought it best to
|
|
choose one worthy woman who was never to see Ada and whom I could
|
|
trust to come and go with all precaution. Through her means I got out
|
|
to take the air with my guardian when there was no fear of meeting
|
|
Ada, and wanted for nothing in the way of attendance, any more than
|
|
in any other respect.
|
|
|
|
And thus poor Charley sickened and grew worse, and fell into heavy
|
|
danger of death, and lay severely ill for many a long round of day
|
|
and night. So patient she was, so uncomplaining, and inspired by such
|
|
a gentle fortitude that very often as I sat by Charley holding her
|
|
head in my arms--repose would come to her, so, when it would come to
|
|
her in no other attitude--I silently prayed to our Father in heaven
|
|
that I might not forget the lesson which this little sister taught
|
|
me.
|
|
|
|
I was very sorrowful to think that Charley's pretty looks would
|
|
change and be disfigured, even if she recovered--she was such a child
|
|
with her dimpled face--but that thought was, for the greater part,
|
|
lost in her greater peril. When she was at the worst, and her mind
|
|
rambled again to the cares of her father's sick bed and the little
|
|
children, she still knew me so far as that she would be quiet in my
|
|
arms when she could lie quiet nowhere else, and murmur out the
|
|
wanderings of her mind less restlessly. At those times I used to
|
|
think, how should I ever tell the two remaining babies that the baby
|
|
who had learned of her faithful heart to be a mother to them in their
|
|
need was dead!
|
|
|
|
There were other times when Charley knew me well and talked to me,
|
|
telling me that she sent her love to Tom and Emma and that she was
|
|
sure Tom would grow up to be a good man. At those times Charley would
|
|
speak to me of what she had read to her father as well as she could
|
|
to comfort him, of that young man carried out to be buried who was
|
|
the only son of his mother and she was a widow, of the ruler's
|
|
daughter raised up by the gracious hand upon her bed of death. And
|
|
Charley told me that when her father died she had kneeled down and
|
|
prayed in her first sorrow that he likewise might be raised up and
|
|
given back to his poor children, and that if she should never get
|
|
better and should die too, she thought it likely that it might come
|
|
into Tom's mind to offer the same prayer for her. Then would I show
|
|
Tom how these people of old days had been brought back to life on
|
|
earth, only that we might know our hope to be restored to heaven!
|
|
|
|
But of all the various times there were in Charley's illness, there
|
|
was not one when she lost the gentle qualities I have spoken of. And
|
|
there were many, many when I thought in the night of the last high
|
|
belief in the watching angel, and the last higher trust in God, on
|
|
the part of her poor despised father.
|
|
|
|
And Charley did not die. She flutteringly and slowly turned the
|
|
dangerous point, after long lingering there, and then began to mend.
|
|
The hope that never had been given, from the first, of Charley being
|
|
in outward appearance Charley any more soon began to be encouraged;
|
|
and even that prospered, and I saw her growing into her old childish
|
|
likeness again.
|
|
|
|
It was a great morning when I could tell Ada all this as she stood
|
|
out in the garden; and it was a great evening when Charley and I at
|
|
last took tea together in the next room. But on that same evening, I
|
|
felt that I was stricken cold.
|
|
|
|
Happily for both of us, it was not until Charley was safe in bed
|
|
again and placidly asleep that I began to think the contagion of her
|
|
illness was upon me. I had been able easily to hide what I felt at
|
|
tea-time, but I was past that already now, and I knew that I was
|
|
rapidly following in Charley's steps.
|
|
|
|
I was well enough, however, to be up early in the morning, and to
|
|
return my darling's cheerful blessing from the garden, and to talk
|
|
with her as long as usual. But I was not free from an impression that
|
|
I had been walking about the two rooms in the night, a little beside
|
|
myself, though knowing where I was; and I felt confused at
|
|
times--with a curious sense of fullness, as if I were becoming too
|
|
large altogether.
|
|
|
|
In the evening I was so much worse that I resolved to prepare
|
|
Charley, with which view I said, "You're getting quite strong,
|
|
Charley, are you not?'
|
|
|
|
"Oh, quite!" said Charley.
|
|
|
|
"Strong enough to be told a secret, I think, Charley?"
|
|
|
|
"Quite strong enough for that, miss!" cried Charley. But Charley's
|
|
face fell in the height of her delight, for she saw the secret in MY
|
|
face; and she came out of the great chair, and fell upon my bosom,
|
|
and said "Oh, miss, it's my doing! It's my doing!" and a great deal
|
|
more out of the fullness of her grateful heart.
|
|
|
|
"Now, Charley," said I after letting her go on for a little while,
|
|
"if I am to be ill, my great trust, humanly speaking, is in you. And
|
|
unless you are as quiet and composed for me as you always were for
|
|
yourself, you can never fulfil it, Charley."
|
|
|
|
"If you'll let me cry a little longer, miss," said Charley. "Oh, my
|
|
dear, my dear! If you'll only let me cry a little longer. Oh, my
|
|
dear!"--how affectionately and devotedly she poured this out as she
|
|
clung to my neck, I never can remember without tears--"I'll be good."
|
|
|
|
So I let Charley cry a little longer, and it did us both good.
|
|
|
|
"Trust in me now, if you please, miss," said Charley quietly. "I am
|
|
listening to everything you say."
|
|
|
|
"It's very little at present, Charley. I shall tell your doctor
|
|
to-night that I don't think I am well and that you are going to nurse
|
|
me."
|
|
|
|
For that the poor child thanked me with her whole heart. "And in the
|
|
morning, when you hear Miss Ada in the garden, if I should not be
|
|
quite able to go to the window-curtain as usual, do you go, Charley,
|
|
and say I am asleep--that I have rather tired myself, and am asleep.
|
|
At all times keep the room as I have kept it, Charley, and let no one
|
|
come."
|
|
|
|
Charley promised, and I lay down, for I was very heavy. I saw the
|
|
doctor that night and asked the favour of him that I wished to ask
|
|
relative to his saying nothing of my illness in the house as yet. I
|
|
have a very indistinct remembrance of that night melting into day,
|
|
and of day melting into night again; but I was just able on the first
|
|
morning to get to the window and speak to my darling.
|
|
|
|
On the second morning I heard her dear voice--Oh, how dear
|
|
now!--outside; and I asked Charley, with some difficulty (speech
|
|
being painful to me), to go and say I was asleep. I heard her answer
|
|
softly, "Don't disturb her, Charley, for the world!"
|
|
|
|
"How does my own Pride look, Charley?" I inquired.
|
|
|
|
"Disappointed, miss," said Charley, peeping through the curtain.
|
|
|
|
"But I know she is very beautiful this morning."
|
|
|
|
"She is indeed, miss," answered Charley, peeping. "Still looking up
|
|
at the window."
|
|
|
|
With her blue clear eyes, God bless them, always loveliest when
|
|
raised like that!
|
|
|
|
I called Charley to me and gave her her last charge.
|
|
|
|
"Now, Charley, when she knows I am ill, she will try to make her way
|
|
into the room. Keep her out, Charley, if you love me truly, to the
|
|
last! Charley, if you let her in but once, only to look upon me for
|
|
one moment as I lie here, I shall die."
|
|
|
|
"I never will! I never will!" she promised me.
|
|
|
|
"I believe it, my dear Charley. And now come and sit beside me for a
|
|
little while, and touch me with your hand. For I cannot see you,
|
|
Charley; I am blind."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXII
|
|
|
|
The Appointed Time
|
|
|
|
|
|
It is night in Lincoln's Inn--perplexed and troublous valley of the
|
|
shadow of the law, where suitors generally find but little day--and
|
|
fat candles are snuffed out in offices, and clerks have rattled down
|
|
the crazy wooden stairs and dispersed. The bell that rings at nine
|
|
o'clock has ceased its doleful clangour about nothing; the gates are
|
|
shut; and the night-porter, a solemn warder with a mighty power of
|
|
sleep, keeps guard in his lodge. From tiers of staircase windows
|
|
clogged lamps like the eyes of Equity, bleared Argus with a
|
|
fathomless pocket for every eye and an eye upon it, dimly blink at
|
|
the stars. In dirty upper casements, here and there, hazy little
|
|
patches of candlelight reveal where some wise draughtsman and
|
|
conveyancer yet toils for the entanglement of real estate in meshes
|
|
of sheep-skin, in the average ratio of about a dozen of sheep to an
|
|
acre of land. Over which bee-like industry these benefactors of their
|
|
species linger yet, though office-hours be past, that they may give,
|
|
for every day, some good account at last.
|
|
|
|
In the neighbouring court, where the Lord Chancellor of the rag and
|
|
bottle shop dwells, there is a general tendency towards beer and
|
|
supper. Mrs. Piper and Mrs. Perkins, whose respective sons, engaged
|
|
with a circle of acquaintance in the game of hide and seek, have been
|
|
lying in ambush about the by-ways of Chancery Lane for some hours and
|
|
scouring the plain of the same thoroughfare to the confusion of
|
|
passengers--Mrs. Piper and Mrs. Perkins have but now exchanged
|
|
congratulations on the children being abed, and they still linger on
|
|
a door-step over a few parting words. Mr. Krook and his lodger, and
|
|
the fact of Mr. Krook's being "continually in liquor," and the
|
|
testamentary prospects of the young man are, as usual, the staple of
|
|
their conversation. But they have something to say, likewise, of the
|
|
Harmonic Meeting at the Sol's Arms, where the sound of the piano
|
|
through the partly opened windows jingles out into the court, and
|
|
where Little Swills, after keeping the lovers of harmony in a roar
|
|
like a very Yorick, may now be heard taking the gruff line in a
|
|
concerted piece and sentimentally adjuring his friends and patrons to
|
|
"Listen, listen, listen, tew the wa-ter fall!" Mrs. Perkins and Mrs.
|
|
Piper compare opinions on the subject of the young lady of
|
|
professional celebrity who assists at the Harmonic Meetings and who
|
|
has a space to herself in the manuscript announcement in the window,
|
|
Mrs. Perkins possessing information that she has been married a year
|
|
and a half, though announced as Miss M. Melvilleson, the noted siren,
|
|
and that her baby is clandestinely conveyed to the Sol's Arms every
|
|
night to receive its natural nourishment during the entertainments.
|
|
"Sooner than which, myself," says Mrs. Perkins, "I would get my
|
|
living by selling lucifers." Mrs. Piper, as in duty bound, is of the
|
|
same opinion, holding that a private station is better than public
|
|
applause, and thanking heaven for her own (and, by implication, Mrs.
|
|
Perkins') respectability. By this time the pot-boy of the Sol's Arms
|
|
appearing with her supper-pint well frothed, Mrs. Piper accepts that
|
|
tankard and retires indoors, first giving a fair good night to Mrs.
|
|
Perkins, who has had her own pint in her hand ever since it was
|
|
fetched from the same hostelry by young Perkins before he was sent to
|
|
bed. Now there is a sound of putting up shop-shutters in the court
|
|
and a smell as of the smoking of pipes; and shooting stars are seen
|
|
in upper windows, further indicating retirement to rest. Now, too,
|
|
the policeman begins to push at doors; to try fastenings; to be
|
|
suspicious of bundles; and to administer his beat, on the hypothesis
|
|
that every one is either robbing or being robbed.
|
|
|
|
It is a close night, though the damp cold is searching too, and there
|
|
is a laggard mist a little way up in the air. It is a fine steaming
|
|
night to turn the slaughter-houses, the unwholesome trades, the
|
|
sewerage, bad water, and burial-grounds to account, and give the
|
|
registrar of deaths some extra business. It may be something in the
|
|
air--there is plenty in it--or it may be something in himself that is
|
|
in fault; but Mr. Weevle, otherwise Jobling, is very ill at ease. He
|
|
comes and goes between his own room and the open street door twenty
|
|
times an hour. He has been doing so ever since it fell dark. Since
|
|
the Chancellor shut up his shop, which he did very early to-night,
|
|
Mr. Weevle has been down and up, and down and up (with a cheap tight
|
|
velvet skull-cap on his head, making his whiskers look out of all
|
|
proportion), oftener than before.
|
|
|
|
It is no phenomenon that Mr. Snagsby should be ill at ease too, for
|
|
he always is so, more or less, under the oppressive influence of the
|
|
secret that is upon him. Impelled by the mystery of which he is a
|
|
partaker and yet in which he is not a sharer, Mr. Snagsby haunts what
|
|
seems to be its fountain-head--the rag and bottle shop in the court.
|
|
It has an irresistible attraction for him. Even now, coming round by
|
|
the Sol's Arms with the intention of passing down the court, and out
|
|
at the Chancery Lane end, and so terminating his unpremeditated
|
|
after-supper stroll of ten minutes' long from his own door and back
|
|
again, Mr. Snagsby approaches.
|
|
|
|
"What, Mr. Weevle?" says the stationer, stopping to speak. "Are YOU
|
|
there?"
|
|
|
|
"Aye!" says Weevle, "Here I am, Mr. Snagsby."
|
|
|
|
"Airing yourself, as I am doing, before you go to bed?" the stationer
|
|
inquires.
|
|
|
|
"Why, there's not much air to be got here; and what there is, is not
|
|
very freshening," Weevle answers, glancing up and down the court.
|
|
|
|
"Very true, sir. Don't you observe," says Mr. Snagsby, pausing to
|
|
sniff and taste the air a little, "don't you observe, Mr. Weevle,
|
|
that you're--not to put too fine a point upon it--that you're rather
|
|
greasy here, sir?"
|
|
|
|
"Why, I have noticed myself that there is a queer kind of flavour in
|
|
the place to-night," Mr. Weevle rejoins. "I suppose it's chops at the
|
|
Sol's Arms."
|
|
|
|
"Chops, do you think? Oh! Chops, eh?" Mr. Snagsby sniffs and tastes
|
|
again. "Well, sir, I suppose it is. But I should say their cook at
|
|
the Sol wanted a little looking after. She has been burning 'em, sir!
|
|
And I don't think"--Mr. Snagsby sniffs and tastes again and then
|
|
spits and wipes his mouth--"I don't think--not to put too fine a
|
|
point upon it--that they were quite fresh when they were shown the
|
|
gridiron."
|
|
|
|
"That's very likely. It's a tainting sort of weather."
|
|
|
|
"It IS a tainting sort of weather," says Mr. Snagsby, "and I find it
|
|
sinking to the spirits."
|
|
|
|
"By George! I find it gives me the horrors," returns Mr. Weevle.
|
|
|
|
"Then, you see, you live in a lonesome way, and in a lonesome room,
|
|
with a black circumstance hanging over it," says Mr. Snagsby, looking
|
|
in past the other's shoulder along the dark passage and then falling
|
|
back a step to look up at the house. "I couldn't live in that room
|
|
alone, as you do, sir. I should get so fidgety and worried of an
|
|
evening, sometimes, that I should be driven to come to the door and
|
|
stand here sooner than sit there. But then it's very true that you
|
|
didn't see, in your room, what I saw there. That makes a difference."
|
|
|
|
"I know quite enough about it," returns Tony.
|
|
|
|
"It's not agreeable, is it?" pursues Mr. Snagsby, coughing his cough
|
|
of mild persuasion behind his hand. "Mr. Krook ought to consider it
|
|
in the rent. I hope he does, I am sure."
|
|
|
|
"I hope he does," says Tony. "But I doubt it."
|
|
|
|
"You find the rent too high, do you, sir?" returns the stationer.
|
|
"Rents ARE high about here. I don't know how it is exactly, but the
|
|
law seems to put things up in price. Not," adds Mr. Snagsby with his
|
|
apologetic cough, "that I mean to say a word against the profession I
|
|
get my living by."
|
|
|
|
Mr. Weevle again glances up and down the court and then looks at the
|
|
stationer. Mr. Snagsby, blankly catching his eye, looks upward for a
|
|
star or so and coughs a cough expressive of not exactly seeing his
|
|
way out of this conversation.
|
|
|
|
"It's a curious fact, sir," he observes, slowly rubbing his hands,
|
|
"that he should have been--"
|
|
|
|
"Who's he?" interrupts Mr. Weevle.
|
|
|
|
"The deceased, you know," says Mr. Snagsby, twitching his head and
|
|
right eyebrow towards the staircase and tapping his acquaintance on
|
|
the button.
|
|
|
|
"Ah, to be sure!" returns the other as if he were not over-fond of
|
|
the subject. "I thought we had done with him."
|
|
|
|
"I was only going to say it's a curious fact, sir, that he should
|
|
have come and lived here, and been one of my writers, and then that
|
|
you should come and live here, and be one of my writers too. Which
|
|
there is nothing derogatory, but far from it in the appellation,"
|
|
says Mr. Snagsby, breaking off with a mistrust that he may have
|
|
unpolitely asserted a kind of proprietorship in Mr. Weevle, "because
|
|
I have known writers that have gone into brewers' houses and done
|
|
really very respectable indeed. Eminently respectable, sir," adds Mr.
|
|
Snagsby with a misgiving that he has not improved the matter.
|
|
|
|
"It's a curious coincidence, as you say," answers Weevle, once more
|
|
glancing up and down the court.
|
|
|
|
"Seems a fate in it, don't there?" suggests the stationer.
|
|
|
|
"There does."
|
|
|
|
"Just so," observes the stationer with his confirmatory cough. "Quite
|
|
a fate in it. Quite a fate. Well, Mr. Weevle, I am afraid I must bid
|
|
you good night"--Mr. Snagsby speaks as if it made him desolate to go,
|
|
though he has been casting about for any means of escape ever since
|
|
he stopped to speak--"my little woman will be looking for me else.
|
|
Good night, sir!"
|
|
|
|
If Mr. Snagsby hastens home to save his little woman the trouble of
|
|
looking for him, he might set his mind at rest on that score. His
|
|
little woman has had her eye upon him round the Sol's Arms all this
|
|
time and now glides after him with a pocket handkerchief wrapped over
|
|
her head, honouring Mr. Weevle and his doorway with a searching
|
|
glance as she goes past.
|
|
|
|
"You'll know me again, ma'am, at all events," says Mr. Weevle to
|
|
himself; "and I can't compliment you on your appearance, whoever you
|
|
are, with your head tied up in a bundle. Is this fellow NEVER
|
|
coming!"
|
|
|
|
This fellow approaches as he speaks. Mr. Weevle softly holds up his
|
|
finger, and draws him into the passage, and closes the street door.
|
|
Then they go upstairs, Mr. Weevle heavily, and Mr. Guppy (for it is
|
|
he) very lightly indeed. When they are shut into the back room, they
|
|
speak low.
|
|
|
|
"I thought you had gone to Jericho at least instead of coming here,"
|
|
says Tony.
|
|
|
|
"Why, I said about ten."
|
|
|
|
"You said about ten," Tony repeats. "Yes, so you did say about ten.
|
|
But according to my count, it's ten times ten--it's a hundred
|
|
o'clock. I never had such a night in my life!"
|
|
|
|
"What has been the matter?"
|
|
|
|
"That's it!" says Tony. "Nothing has been the matter. But here have I
|
|
been stewing and fuming in this jolly old crib till I have had the
|
|
horrors falling on me as thick as hail. THERE'S a blessed-looking
|
|
candle!" says Tony, pointing to the heavily burning taper on his
|
|
table with a great cabbage head and a long winding-sheet.
|
|
|
|
"That's easily improved," Mr. Guppy observes as he takes the snuffers
|
|
in hand.
|
|
|
|
"IS it?" returns his friend. "Not so easily as you think. It has been
|
|
smouldering like that ever since it was lighted."
|
|
|
|
"Why, what's the matter with you, Tony?" inquires Mr. Guppy, looking
|
|
at him, snuffers in hand, as he sits down with his elbow on the
|
|
table.
|
|
|
|
"William Guppy," replies the other, "I am in the downs. It's this
|
|
unbearably dull, suicidal room--and old Boguey downstairs, I
|
|
suppose." Mr. Weevle moodily pushes the snuffers-tray from him with
|
|
his elbow, leans his head on his hand, puts his feet on the fender,
|
|
and looks at the fire. Mr. Guppy, observing him, slightly tosses his
|
|
head and sits down on the other side of the table in an easy
|
|
attitude.
|
|
|
|
"Wasn't that Snagsby talking to you, Tony?"
|
|
|
|
"Yes, and he--yes, it was Snagsby," said Mr. Weevle, altering the
|
|
construction of his sentence.
|
|
|
|
"On business?"
|
|
|
|
"No. No business. He was only sauntering by and stopped to prose."
|
|
|
|
"I thought it was Snagsby," says Mr. Guppy, "and thought it as well
|
|
that he shouldn't see me, so I waited till he was gone."
|
|
|
|
"There we go again, William G.!" cried Tony, looking up for an
|
|
instant. "So mysterious and secret! By George, if we were going to
|
|
commit a murder, we couldn't have more mystery about it!"
|
|
|
|
Mr. Guppy affects to smile, and with the view of changing the
|
|
conversation, looks with an admiration, real or pretended, round the
|
|
room at the Galaxy Gallery of British Beauty, terminating his survey
|
|
with the portrait of Lady Dedlock over the mantelshelf, in which she
|
|
is represented on a terrace, with a pedestal upon the terrace, and a
|
|
vase upon the pedestal, and her shawl upon the vase, and a prodigious
|
|
piece of fur upon the shawl, and her arm on the prodigious piece of
|
|
fur, and a bracelet on her arm.
|
|
|
|
"That's very like Lady Dedlock," says Mr. Guppy. "It's a speaking
|
|
likeness."
|
|
|
|
"I wish it was," growls Tony, without changing his position. "I
|
|
should have some fashionable conversation, here, then."
|
|
|
|
Finding by this time that his friend is not to be wheedled into a
|
|
more sociable humour, Mr. Guppy puts about upon the ill-used tack and
|
|
remonstrates with him.
|
|
|
|
"Tony," says he, "I can make allowances for lowness of spirits, for
|
|
no man knows what it is when it does come upon a man better than I
|
|
do, and no man perhaps has a better right to know it than a man who
|
|
has an unrequited image imprinted on his 'eart. But there are bounds
|
|
to these things when an unoffending party is in question, and I will
|
|
acknowledge to you, Tony, that I don't think your manner on the
|
|
present occasion is hospitable or quite gentlemanly."
|
|
|
|
"This is strong language, William Guppy," returns Mr. Weevle.
|
|
|
|
"Sir, it may be," retorts Mr. William Guppy, "but I feel strongly
|
|
when I use it."
|
|
|
|
Mr. Weevle admits that he has been wrong and begs Mr. William Guppy
|
|
to think no more about it. Mr. William Guppy, however, having got the
|
|
advantage, cannot quite release it without a little more injured
|
|
remonstrance.
|
|
|
|
"No! Dash it, Tony," says that gentleman, "you really ought to be
|
|
careful how you wound the feelings of a man who has an unrequited
|
|
image imprinted on his 'eart and who is NOT altogether happy in those
|
|
chords which vibrate to the tenderest emotions. You, Tony, possess in
|
|
yourself all that is calculated to charm the eye and allure the
|
|
taste. It is not--happily for you, perhaps, and I may wish that I
|
|
could say the same--it is not your character to hover around one
|
|
flower. The ole garden is open to you, and your airy pinions carry
|
|
you through it. Still, Tony, far be it from me, I am sure, to wound
|
|
even your feelings without a cause!"
|
|
|
|
Tony again entreats that the subject may be no longer pursued, saying
|
|
emphatically, "William Guppy, drop it!" Mr. Guppy acquiesces, with
|
|
the reply, "I never should have taken it up, Tony, of my own accord."
|
|
|
|
"And now," says Tony, stirring the fire, "touching this same bundle
|
|
of letters. Isn't it an extraordinary thing of Krook to have
|
|
appointed twelve o'clock to-night to hand 'em over to me?"
|
|
|
|
"Very. What did he do it for?"
|
|
|
|
"What does he do anything for? HE don't know. Said to-day was his
|
|
birthday and he'd hand 'em over to-night at twelve o'clock. He'll
|
|
have drunk himself blind by that time. He has been at it all day."
|
|
|
|
"He hasn't forgotten the appointment, I hope?"
|
|
|
|
"Forgotten? Trust him for that. He never forgets anything. I saw him
|
|
to-night, about eight--helped him to shut up his shop--and he had got
|
|
the letters then in his hairy cap. He pulled it off and showed 'em
|
|
me. When the shop was closed, he took them out of his cap, hung his
|
|
cap on the chair-back, and stood turning them over before the fire. I
|
|
heard him a little while afterwards, through the floor here, humming
|
|
like the wind, the only song he knows--about Bibo, and old Charon,
|
|
and Bibo being drunk when he died, or something or other. He has been
|
|
as quiet since as an old rat asleep in his hole."
|
|
|
|
"And you are to go down at twelve?"
|
|
|
|
"At twelve. And as I tell you, when you came it seemed to me a
|
|
hundred."
|
|
|
|
"Tony," says Mr. Guppy after considering a little with his legs
|
|
crossed, "he can't read yet, can he?"
|
|
|
|
"Read! He'll never read. He can make all the letters separately, and
|
|
he knows most of them separately when he sees them; he has got on
|
|
that much, under me; but he can't put them together. He's too old to
|
|
acquire the knack of it now--and too drunk."
|
|
|
|
"Tony," says Mr. Guppy, uncrossing and recrossing his legs, "how do
|
|
you suppose he spelt out that name of Hawdon?"
|
|
|
|
"He never spelt it out. You know what a curious power of eye he has
|
|
and how he has been used to employ himself in copying things by eye
|
|
alone. He imitated it, evidently from the direction of a letter, and
|
|
asked me what it meant."
|
|
|
|
"Tony," says Mr. Guppy, uncrossing and recrossing his legs again,
|
|
"should you say that the original was a man's writing or a woman's?"
|
|
|
|
"A woman's. Fifty to one a lady's--slopes a good deal, and the end of
|
|
the letter 'n,' long and hasty."
|
|
|
|
Mr. Guppy has been biting his thumb-nail during this dialogue,
|
|
generally changing the thumb when he has changed the cross leg. As he
|
|
is going to do so again, he happens to look at his coat-sleeve. It
|
|
takes his attention. He stares at it, aghast.
|
|
|
|
"Why, Tony, what on earth is going on in this house to-night? Is
|
|
there a chimney on fire?"
|
|
|
|
"Chimney on fire!"
|
|
|
|
"Ah!" returns Mr. Guppy. "See how the soot's falling. See here, on my
|
|
arm! See again, on the table here! Confound the stuff, it won't blow
|
|
off--smears like black fat!"
|
|
|
|
They look at one another, and Tony goes listening to the door, and a
|
|
little way upstairs, and a little way downstairs. Comes back and says
|
|
it's all right and all quiet, and quotes the remark he lately made to
|
|
Mr. Snagsby about their cooking chops at the Sol's Arms.
|
|
|
|
"And it was then," resumes Mr. Guppy, still glancing with remarkable
|
|
aversion at the coat-sleeve, as they pursue their conversation before
|
|
the fire, leaning on opposite sides of the table, with their heads
|
|
very near together, "that he told you of his having taken the bundle
|
|
of letters from his lodger's portmanteau?"
|
|
|
|
"That was the time, sir," answers Tony, faintly adjusting his
|
|
whiskers. "Whereupon I wrote a line to my dear boy, the Honourable
|
|
William Guppy, informing him of the appointment for to-night and
|
|
advising him not to call before, Boguey being a slyboots."
|
|
|
|
The light vivacious tone of fashionable life which is usually assumed
|
|
by Mr. Weevle sits so ill upon him to-night that he abandons that and
|
|
his whiskers together, and after looking over his shoulder, appears
|
|
to yield himself up a prey to the horrors again.
|
|
|
|
"You are to bring the letters to your room to read and compare, and
|
|
to get yourself into a position to tell him all about them. That's
|
|
the arrangement, isn't it, Tony?" asks Mr. Guppy, anxiously biting
|
|
his thumb-nail.
|
|
|
|
"You can't speak too low. Yes. That's what he and I agreed."
|
|
|
|
"I tell you what, Tony--"
|
|
|
|
"You can't speak too low," says Tony once more. Mr. Guppy nods his
|
|
sagacious head, advances it yet closer, and drops into a whisper.
|
|
|
|
"I tell you what. The first thing to be done is to make another
|
|
packet like the real one so that if he should ask to see the real one
|
|
while it's in my possession, you can show him the dummy."
|
|
|
|
"And suppose he detects the dummy as soon as he sees it, which with
|
|
his biting screw of an eye is about five hundred times more likely
|
|
than not," suggests Tony.
|
|
|
|
"Then we'll face it out. They don't belong to him, and they never
|
|
did. You found that, and you placed them in my hands--a legal friend
|
|
of yours--for security. If he forces us to it, they'll be producible,
|
|
won't they?"
|
|
|
|
"Ye-es," is Mr. Weevle's reluctant admission.
|
|
|
|
"Why, Tony," remonstrates his friend, "how you look! You don't doubt
|
|
William Guppy? You don't suspect any harm?"
|
|
|
|
"I don't suspect anything more than I know, William," returns the
|
|
other gravely.
|
|
|
|
"And what do you know?" urges Mr. Guppy, raising his voice a little;
|
|
but on his friend's once more warning him, "I tell you, you can't
|
|
speak too low," he repeats his question without any sound at all,
|
|
forming with his lips only the words, "What do you know?"
|
|
|
|
"I know three things. First, I know that here we are whispering in
|
|
secrecy, a pair of conspirators."
|
|
|
|
"Well!" says Mr. Guppy. "And we had better be that than a pair of
|
|
noodles, which we should be if we were doing anything else, for it's
|
|
the only way of doing what we want to do. Secondly?"
|
|
|
|
"Secondly, it's not made out to me how it's likely to be profitable,
|
|
after all."
|
|
|
|
Mr. Guppy casts up his eyes at the portrait of Lady Dedlock over the
|
|
mantelshelf and replies, "Tony, you are asked to leave that to the
|
|
honour of your friend. Besides its being calculated to serve that
|
|
friend in those chords of the human mind which--which need not be
|
|
called into agonizing vibration on the present occasion--your friend
|
|
is no fool. What's that?"
|
|
|
|
"It's eleven o'clock striking by the bell of Saint Paul's. Listen and
|
|
you'll hear all the bells in the city jangling."
|
|
|
|
Both sit silent, listening to the metal voices, near and distant,
|
|
resounding from towers of various heights, in tones more various than
|
|
their situations. When these at length cease, all seems more
|
|
mysterious and quiet than before. One disagreeable result of
|
|
whispering is that it seems to evoke an atmosphere of silence,
|
|
haunted by the ghosts of sound--strange cracks and tickings, the
|
|
rustling of garments that have no substance in them, and the tread of
|
|
dreadful feet that would leave no mark on the sea-sand or the winter
|
|
snow. So sensitive the two friends happen to be that the air is full
|
|
of these phantoms, and the two look over their shoulders by one
|
|
consent to see that the door is shut.
|
|
|
|
"Yes, Tony?" says Mr. Guppy, drawing nearer to the fire and biting
|
|
his unsteady thumb-nail. "You were going to say, thirdly?"
|
|
|
|
"It's far from a pleasant thing to be plotting about a dead man in
|
|
the room where he died, especially when you happen to live in it."
|
|
|
|
"But we are plotting nothing against him, Tony."
|
|
|
|
"May be not, still I don't like it. Live here by yourself and see how
|
|
YOU like it."
|
|
|
|
"As to dead men, Tony," proceeds Mr. Guppy, evading this proposal,
|
|
"there have been dead men in most rooms."
|
|
|
|
"I know there have, but in most rooms you let them alone, and--and
|
|
they let you alone," Tony answers.
|
|
|
|
The two look at each other again. Mr. Guppy makes a hurried remark to
|
|
the effect that they may be doing the deceased a service, that he
|
|
hopes so. There is an oppressive blank until Mr. Weevle, by stirring
|
|
the fire suddenly, makes Mr. Guppy start as if his heart had been
|
|
stirred instead.
|
|
|
|
"Fah! Here's more of this hateful soot hanging about," says he. "Let
|
|
us open the window a bit and get a mouthful of air. It's too close."
|
|
|
|
He raises the sash, and they both rest on the window-sill, half in
|
|
and half out of the room. The neighbouring houses are too near to
|
|
admit of their seeing any sky without craning their necks and looking
|
|
up, but lights in frowsy windows here and there, and the rolling of
|
|
distant carriages, and the new expression that there is of the stir
|
|
of men, they find to be comfortable. Mr. Guppy, noiselessly tapping
|
|
on the window-sill, resumes his whispering in quite a light-comedy
|
|
tone.
|
|
|
|
"By the by, Tony, don't forget old Smallweed," meaning the younger of
|
|
that name. "I have not let him into this, you know. That grandfather
|
|
of his is too keen by half. It runs in the family."
|
|
|
|
"I remember," says Tony. "I am up to all that."
|
|
|
|
"And as to Krook," resumes Mr. Guppy. "Now, do you suppose he really
|
|
has got hold of any other papers of importance, as he has boasted to
|
|
you, since you have been such allies?"
|
|
|
|
Tony shakes his head. "I don't know. Can't Imagine. If we get through
|
|
this business without rousing his suspicions, I shall be better
|
|
informed, no doubt. How can I know without seeing them, when he don't
|
|
know himself? He is always spelling out words from them, and chalking
|
|
them over the table and the shop-wall, and asking what this is and
|
|
what that is; but his whole stock from beginning to end may easily be
|
|
the waste-paper he bought it as, for anything I can say. It's a
|
|
monomania with him to think he is possessed of documents. He has been
|
|
going to learn to read them this last quarter of a century, I should
|
|
judge, from what he tells me."
|
|
|
|
"How did he first come by that idea, though? That's the question,"
|
|
Mr. Guppy suggests with one eye shut, after a little forensic
|
|
meditation. "He may have found papers in something he bought, where
|
|
papers were not supposed to be, and may have got it into his shrewd
|
|
head from the manner and place of their concealment that they are
|
|
worth something."
|
|
|
|
"Or he may have been taken in, in some pretended bargain. Or he may
|
|
have been muddled altogether by long staring at whatever he HAS got,
|
|
and by drink, and by hanging about the Lord Chancellor's Court and
|
|
hearing of documents for ever," returns Mr. Weevle.
|
|
|
|
Mr. Guppy sitting on the window-sill, nodding his head and balancing
|
|
all these possibilities in his mind, continues thoughtfully to tap
|
|
it, and clasp it, and measure it with his hand, until he hastily
|
|
draws his hand away.
|
|
|
|
"What, in the devil's name," he says, "is this! Look at my fingers!"
|
|
|
|
A thick, yellow liquor defiles them, which is offensive to the touch
|
|
and sight and more offensive to the smell. A stagnant, sickening oil
|
|
with some natural repulsion in it that makes them both shudder.
|
|
|
|
"What have you been doing here? What have you been pouring out of
|
|
window?"
|
|
|
|
"I pouring out of window! Nothing, I swear! Never, since I have been
|
|
here!" cries the lodger.
|
|
|
|
And yet look here--and look here! When he brings the candle here,
|
|
from the corner of the window-sill, it slowly drips and creeps away
|
|
down the bricks, here lies in a little thick nauseous pool.
|
|
|
|
"This is a horrible house," says Mr. Guppy, shutting down the window.
|
|
"Give me some water or I shall cut my hand off."
|
|
|
|
He so washes, and rubs, and scrubs, and smells, and washes, that he
|
|
has not long restored himself with a glass of brandy and stood
|
|
silently before the fire when Saint Paul's bell strikes twelve and
|
|
all those other bells strike twelve from their towers of various
|
|
heights in the dark air, and in their many tones. When all is quiet
|
|
again, the lodger says, "It's the appointed time at last. Shall I
|
|
go?"
|
|
|
|
Mr. Guppy nods and gives him a "lucky touch" on the back, but not
|
|
with the washed hand, though it is his right hand.
|
|
|
|
He goes downstairs, and Mr. Guppy tries to compose himself before the
|
|
fire for waiting a long time. But in no more than a minute or two the
|
|
stairs creak and Tony comes swiftly back.
|
|
|
|
"Have you got them?"
|
|
|
|
"Got them! No. The old man's not there."
|
|
|
|
He has been so horribly frightened in the short interval that his
|
|
terror seizes the other, who makes a rush at him and asks loudly,
|
|
"What's the matter?"
|
|
|
|
"I couldn't make him hear, and I softly opened the door and looked
|
|
in. And the burning smell is there--and the soot is there, and the
|
|
oil is there--and he is not there!" Tony ends this with a groan.
|
|
|
|
Mr. Guppy takes the light. They go down, more dead than alive, and
|
|
holding one another, push open the door of the back shop. The cat has
|
|
retreated close to it and stands snarling, not at them, at something
|
|
on the ground before the fire. There is a very little fire left in
|
|
the grate, but there is a smouldering, suffocating vapour in the room
|
|
and a dark, greasy coating on the walls and ceiling. The chairs and
|
|
table, and the bottle so rarely absent from the table, all stand as
|
|
usual. On one chair-back hang the old man's hairy cap and coat.
|
|
|
|
"Look!" whispers the lodger, pointing his friend's attention to these
|
|
objects with a trembling finger. "I told you so. When I saw him last,
|
|
he took his cap off, took out the little bundle of old letters, hung
|
|
his cap on the back of the chair--his coat was there already, for he
|
|
had pulled that off before he went to put the shutters up--and I left
|
|
him turning the letters over in his hand, standing just where that
|
|
crumbled black thing is upon the floor."
|
|
|
|
Is he hanging somewhere? They look up. No.
|
|
|
|
"See!" whispers Tony. "At the foot of the same chair there lies a
|
|
dirty bit of thin red cord that they tie up pens with. That went
|
|
round the letters. He undid it slowly, leering and laughing at me,
|
|
before he began to turn them over, and threw it there. I saw it
|
|
fall."
|
|
|
|
"What's the matter with the cat?" says Mr. Guppy. "Look at her!"
|
|
|
|
"Mad, I think. And no wonder in this evil place."
|
|
|
|
They advance slowly, looking at all these things. The cat remains
|
|
where they found her, still snarling at the something on the ground
|
|
before the fire and between the two chairs. What is it? Hold up the
|
|
light.
|
|
|
|
Here is a small burnt patch of flooring; here is the tinder from a
|
|
little bundle of burnt paper, but not so light as usual, seeming to
|
|
be steeped in something; and here is--is it the cinder of a small
|
|
charred and broken log of wood sprinkled with white ashes, or is it
|
|
coal? Oh, horror, he IS here! And this from which we run away,
|
|
striking out the light and overturning one another into the street,
|
|
is all that represents him.
|
|
|
|
Help, help, help! Come into this house for heaven's sake! Plenty will
|
|
come in, but none can help. The Lord Chancellor of that court, true
|
|
to his title in his last act, has died the death of all lord
|
|
chancellors in all courts and of all authorities in all places under
|
|
all names soever, where false pretences are made, and where injustice
|
|
is done. Call the death by any name your Highness will, attribute
|
|
it to whom you will, or say it might have been prevented how you
|
|
will, it is the same death eternally--inborn, inbred, engendered
|
|
in the corrupted humours of the vicious body itself, and that
|
|
only--spontaneous combustion, and none other of all the deaths that
|
|
can be died.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXIII
|
|
|
|
Interlopers
|
|
|
|
|
|
Now do those two gentlemen not very neat about the cuffs and buttons
|
|
who attended the last coroner's inquest at the Sol's Arms reappear in
|
|
the precincts with surprising swiftness (being, in fact, breathlessly
|
|
fetched by the active and intelligent beadle), and institute
|
|
perquisitions through the court, and dive into the Sol's parlour, and
|
|
write with ravenous little pens on tissue-paper. Now do they note
|
|
down, in the watches of the night, how the neighbourhood of Chancery
|
|
Lane was yesterday, at about midnight, thrown into a state of the
|
|
most intense agitation and excitement by the following alarming and
|
|
horrible discovery. Now do they set forth how it will doubtless be
|
|
remembered that some time back a painful sensation was created in the
|
|
public mind by a case of mysterious death from opium occurring in the
|
|
first floor of the house occupied as a rag, bottle, and general
|
|
marine store shop, by an eccentric individual of intemperate habits,
|
|
far advanced in life, named Krook; and how, by a remarkable
|
|
coincidence, Krook was examined at the inquest, which it may be
|
|
recollected was held on that occasion at the Sol's Arms, a
|
|
well-conducted tavern immediately adjoining the premises in question
|
|
on the west side and licensed to a highly respectable landlord, Mr.
|
|
James George Bogsby. Now do they show (in as many words as possible)
|
|
how during some hours of yesterday evening a very peculiar smell was
|
|
observed by the inhabitants of the court, in which the tragical
|
|
occurrence which forms the subject of that present account
|
|
transpired; and which odour was at one time so powerful that Mr.
|
|
Swills, a comic vocalist professionally engaged by Mr. J. G. Bogsby,
|
|
has himself stated to our reporter that he mentioned to Miss M.
|
|
Melvilleson, a lady of some pretensions to musical ability, likewise
|
|
engaged by Mr. J. G. Bogsby to sing at a series of concerts called
|
|
Harmonic Assemblies, or Meetings, which it would appear are held at
|
|
the Sol's Arms under Mr. Bogsby's direction pursuant to the Act of
|
|
George the Second, that he (Mr. Swills) found his voice seriously
|
|
affected by the impure state of the atmosphere, his jocose expression
|
|
at the time being that he was like an empty post-office, for he
|
|
hadn't a single note in him. How this account of Mr. Swills is
|
|
entirely corroborated by two intelligent married females residing in
|
|
the same court and known respectively by the names of Mrs. Piper and
|
|
Mrs. Perkins, both of whom observed the foetid effluvia and regarded
|
|
them as being emitted from the premises in the occupation of Krook,
|
|
the unfortunate deceased. All this and a great deal more the two
|
|
gentlemen who have formed an amicable partnership in the melancholy
|
|
catastrophe write down on the spot; and the boy population of the
|
|
court (out of bed in a moment) swarm up the shutters of the Sol's
|
|
Arms parlour, to behold the tops of their heads while they are about
|
|
it.
|
|
|
|
The whole court, adult as well as boy, is sleepless for that night,
|
|
and can do nothing but wrap up its many heads, and talk of the
|
|
ill-fated house, and look at it. Miss Flite has been bravely rescued
|
|
from her chamber, as if it were in flames, and accommodated with a
|
|
bed at the Sol's Arms. The Sol neither turns off its gas nor shuts
|
|
its door all night, for any kind of public excitement makes good for
|
|
the Sol and causes the court to stand in need of comfort. The house
|
|
has not done so much in the stomachic article of cloves or in
|
|
brandy-and-water warm since the inquest. The moment the pot-boy heard
|
|
what had happened, he rolled up his shirt-sleeves tight to his
|
|
shoulders and said, "There'll be a run upon us!" In the first outcry,
|
|
young Piper dashed off for the fire-engines and returned in triumph
|
|
at a jolting gallop perched up aloft on the Phoenix and holding on to
|
|
that fabulous creature with all his might in the midst of helmets and
|
|
torches. One helmet remains behind after careful investigation of all
|
|
chinks and crannies and slowly paces up and down before the house in
|
|
company with one of the two policemen who have likewise been left in
|
|
charge thereof. To this trio everybody in the court possessed of
|
|
sixpence has an insatiate desire to exhibit hospitality in a liquid
|
|
form.
|
|
|
|
Mr. Weevle and his friend Mr. Guppy are within the bar at the Sol and
|
|
are worth anything to the Sol that the bar contains if they will only
|
|
stay there. "This is not a time," says Mr. Bogsby, "to haggle about
|
|
money," though he looks something sharply after it, over the counter;
|
|
"give your orders, you two gentlemen, and you're welcome to whatever
|
|
you put a name to."
|
|
|
|
Thus entreated, the two gentlemen (Mr. Weevle especially) put names
|
|
to so many things that in course of time they find it difficult to
|
|
put a name to anything quite distinctly, though they still relate to
|
|
all new-comers some version of the night they have had of it, and of
|
|
what they said, and what they thought, and what they saw. Meanwhile,
|
|
one or other of the policemen often flits about the door, and pushing
|
|
it open a little way at the full length of his arm, looks in from
|
|
outer gloom. Not that he has any suspicions, but that he may as well
|
|
know what they are up to in there.
|
|
|
|
Thus night pursues its leaden course, finding the court still out of
|
|
bed through the unwonted hours, still treating and being treated,
|
|
still conducting itself similarly to a court that has had a little
|
|
money left it unexpectedly. Thus night at length with slow-retreating
|
|
steps departs, and the lamp-lighter going his rounds, like an
|
|
executioner to a despotic king, strikes off the little heads of fire
|
|
that have aspired to lessen the darkness. Thus the day cometh,
|
|
whether or no.
|
|
|
|
And the day may discern, even with its dim London eye, that the court
|
|
has been up all night. Over and above the faces that have fallen
|
|
drowsily on tables and the heels that lie prone on hard floors
|
|
instead of beds, the brick and mortar physiognomy of the very court
|
|
itself looks worn and jaded. And now the neighbourhood, waking up and
|
|
beginning to hear of what has happened, comes streaming in, half
|
|
dressed, to ask questions; and the two policemen and the helmet (who
|
|
are far less impressible externally than the court) have enough to do
|
|
to keep the door.
|
|
|
|
"Good gracious, gentlemen!" says Mr. Snagsby, coming up. "What's this
|
|
I hear!"
|
|
|
|
"Why, it's true," returns one of the policemen. "That's what it is.
|
|
Now move on here, come!"
|
|
|
|
"Why, good gracious, gentlemen," says Mr. Snagsby, somewhat promptly
|
|
backed away, "I was at this door last night betwixt ten and eleven
|
|
o'clock in conversation with the young man who lodges here."
|
|
|
|
"Indeed?" returns the policeman. "You will find the young man next
|
|
door then. Now move on here, some of you."
|
|
|
|
"Not hurt, I hope?" says Mr. Snagsby.
|
|
|
|
"Hurt? No. What's to hurt him!"
|
|
|
|
Mr. Snagsby, wholly unable to answer this or any question in his
|
|
troubled mind, repairs to the Sol's Arms and finds Mr. Weevle
|
|
languishing over tea and toast with a considerable expression on him
|
|
of exhausted excitement and exhausted tobacco-smoke.
|
|
|
|
"And Mr. Guppy likewise!" quoth Mr. Snagsby. "Dear, dear, dear! What
|
|
a fate there seems in all this! And my lit--"
|
|
|
|
Mr. Snagsby's power of speech deserts him in the formation of the
|
|
words "my little woman." For to see that injured female walk into the
|
|
Sol's Arms at that hour of the morning and stand before the
|
|
beer-engine, with her eyes fixed upon him like an accusing spirit,
|
|
strikes him dumb.
|
|
|
|
"My dear," says Mr. Snagsby when his tongue is loosened, "will you
|
|
take anything? A little--not to put too fine a point upon it--drop of
|
|
shrub?"
|
|
|
|
"No," says Mrs. Snagsby.
|
|
|
|
"My love, you know these two gentlemen?"
|
|
|
|
"Yes!" says Mrs. Snagsby, and in a rigid manner acknowledges their
|
|
presence, still fixing Mr. Snagsby with her eye.
|
|
|
|
The devoted Mr. Snagsby cannot bear this treatment. He takes Mrs.
|
|
Snagsby by the hand and leads her aside to an adjacent cask.
|
|
|
|
"My little woman, why do you look at me in that way? Pray don't do
|
|
it."
|
|
|
|
"I can't help my looks," says Mrs. Snagsby, "and if I could I
|
|
wouldn't."
|
|
|
|
Mr. Snagsby, with his cough of meekness, rejoins, "Wouldn't you
|
|
really, my dear?" and meditates. Then coughs his cough of trouble and
|
|
says, "This is a dreadful mystery, my love!" still fearfully
|
|
disconcerted by Mrs. Snagsby's eye.
|
|
|
|
"It IS," returns Mrs. Snagsby, shaking her head, "a dreadful
|
|
mystery."
|
|
|
|
"My little woman," urges Mr. Snagsby in a piteous manner, "don't for
|
|
goodness' sake speak to me with that bitter expression and look at me
|
|
in that searching way! I beg and entreat of you not to do it. Good
|
|
Lord, you don't suppose that I would go spontaneously combusting any
|
|
person, my dear?"
|
|
|
|
"I can't say," returns Mrs. Snagsby.
|
|
|
|
On a hasty review of his unfortunate position, Mr. Snagsby "can't
|
|
say" either. He is not prepared positively to deny that he may have
|
|
had something to do with it. He has had something--he don't know
|
|
what--to do with so much in this connexion that is mysterious that it
|
|
is possible he may even be implicated, without knowing it, in the
|
|
present transaction. He faintly wipes his forehead with his
|
|
handkerchief and gasps.
|
|
|
|
"My life," says the unhappy stationer, "would you have any objections
|
|
to mention why, being in general so delicately circumspect in your
|
|
conduct, you come into a wine-vaults before breakfast?"
|
|
|
|
"Why do YOU come here?" inquires Mrs. Snagsby.
|
|
|
|
"My dear, merely to know the rights of the fatal accident which has
|
|
happened to the venerable party who has been--combusted." Mr. Snagsby
|
|
has made a pause to suppress a groan. "I should then have related
|
|
them to you, my love, over your French roll."
|
|
|
|
"I dare say you would! You relate everything to me, Mr. Snagsby."
|
|
|
|
"Every--my lit--"
|
|
|
|
"I should be glad," says Mrs. Snagsby after contemplating his
|
|
increased confusion with a severe and sinister smile, "if you would
|
|
come home with me; I think you may be safer there, Mr. Snagsby, than
|
|
anywhere else."
|
|
|
|
"My love, I don't know but what I may be, I am sure. I am ready to
|
|
go."
|
|
|
|
Mr. Snagsby casts his eye forlornly round the bar, gives Messrs.
|
|
Weevle and Guppy good morning, assures them of the satisfaction with
|
|
which he sees them uninjured, and accompanies Mrs. Snagsby from the
|
|
Sol's Arms. Before night his doubt whether he may not be responsible
|
|
for some inconceivable part in the catastrophe which is the talk of
|
|
the whole neighbourhood is almost resolved into certainty by Mrs.
|
|
Snagsby's pertinacity in that fixed gaze. His mental sufferings are
|
|
so great that he entertains wandering ideas of delivering himself up
|
|
to justice and requiring to be cleared if innocent and punished with
|
|
the utmost rigour of the law if guilty.
|
|
|
|
Mr. Weevle and Mr. Guppy, having taken their breakfast, step into
|
|
Lincoln's Inn to take a little walk about the square and clear as
|
|
many of the dark cobwebs out of their brains as a little walk may.
|
|
|
|
"There can be no more favourable time than the present, Tony," says
|
|
Mr. Guppy after they have broodingly made out the four sides of the
|
|
square, "for a word or two between us upon a point on which we must,
|
|
with very little delay, come to an understanding."
|
|
|
|
"Now, I tell you what, William G.!" returns the other, eyeing his
|
|
companion with a bloodshot eye. "If it's a point of conspiracy, you
|
|
needn't take the trouble to mention it. I have had enough of that,
|
|
and I ain't going to have any more. We shall have YOU taking fire
|
|
next or blowing up with a bang."
|
|
|
|
This supposititious phenomenon is so very disagreeable to Mr. Guppy
|
|
that his voice quakes as he says in a moral way, "Tony, I should have
|
|
thought that what we went through last night would have been a lesson
|
|
to you never to be personal any more as long as you lived." To which
|
|
Mr. Weevle returns, "William, I should have thought it would have
|
|
been a lesson to YOU never to conspire any more as long as you
|
|
lived." To which Mr. Guppy says, "Who's conspiring?" To which Mr.
|
|
Jobling replies, "Why, YOU are!" To which Mr. Guppy retorts, "No, I
|
|
am not." To which Mr. Jobling retorts again, "Yes, you are!" To which
|
|
Mr. Guppy retorts, "Who says so?" To which Mr. Jobling retorts, "I
|
|
say so!" To which Mr. Guppy retorts, "Oh, indeed?" To which Mr.
|
|
Jobling retorts, "Yes, indeed!" And both being now in a heated state,
|
|
they walk on silently for a while to cool down again.
|
|
|
|
"Tony," says Mr. Guppy then, "if you heard your friend out instead of
|
|
flying at him, you wouldn't fall into mistakes. But your temper is
|
|
hasty and you are not considerate. Possessing in yourself, Tony, all
|
|
that is calculated to charm the eye--"
|
|
|
|
"Oh! Blow the eye!" cries Mr. Weevle, cutting him short. "Say what
|
|
you have got to say!"
|
|
|
|
Finding his friend in this morose and material condition, Mr. Guppy
|
|
only expresses the finer feelings of his soul through the tone of
|
|
injury in which he recommences, "Tony, when I say there is a point on
|
|
which we must come to an understanding pretty soon, I say so quite
|
|
apart from any kind of conspiring, however innocent. You know it is
|
|
professionally arranged beforehand in all cases that are tried what
|
|
facts the witnesses are to prove. Is it or is it not desirable that
|
|
we should know what facts we are to prove on the inquiry into the
|
|
death of this unfortunate old mo--gentleman?" (Mr. Guppy was going to
|
|
say "mogul," but thinks "gentleman" better suited to the
|
|
circumstances.)
|
|
|
|
"What facts? THE facts."
|
|
|
|
"The facts bearing on that inquiry. Those are"--Mr. Guppy tells them
|
|
off on his fingers--"what we knew of his habits, when you saw him
|
|
last, what his condition was then, the discovery that we made, and
|
|
how we made it."
|
|
|
|
"Yes," says Mr. Weevle. "Those are about the facts."
|
|
|
|
"We made the discovery in consequence of his having, in his eccentric
|
|
way, an appointment with you at twelve o'clock at night, when you
|
|
were to explain some writing to him as you had often done before on
|
|
account of his not being able to read. I, spending the evening with
|
|
you, was called down--and so forth. The inquiry being only into the
|
|
circumstances touching the death of the deceased, it's not necessary
|
|
to go beyond these facts, I suppose you'll agree?"
|
|
|
|
"No!" returns Mr. Weevle. "I suppose not."
|
|
|
|
"And this is not a conspiracy, perhaps?" says the injured Guppy.
|
|
|
|
"No," returns his friend; "if it's nothing worse than this, I
|
|
withdraw the observation."
|
|
|
|
"Now, Tony," says Mr. Guppy, taking his arm again and walking him
|
|
slowly on, "I should like to know, in a friendly way, whether you
|
|
have yet thought over the many advantages of your continuing to live
|
|
at that place?"
|
|
|
|
"What do you mean?" says Tony, stopping.
|
|
|
|
"Whether you have yet thought over the many advantages of your
|
|
continuing to live at that place?" repeats Mr. Guppy, walking him on
|
|
again.
|
|
|
|
"At what place? THAT place?" pointing in the direction of the rag and
|
|
bottle shop.
|
|
|
|
Mr. Guppy nods.
|
|
|
|
"Why, I wouldn't pass another night there for any consideration that
|
|
you could offer me," says Mr. Weevle, haggardly staring.
|
|
|
|
"Do you mean it though, Tony?"
|
|
|
|
"Mean it! Do I look as if I mean it? I feel as if I do; I know that,"
|
|
says Mr. Weevle with a very genuine shudder.
|
|
|
|
"Then the possibility or probability--for such it must be
|
|
considered--of your never being disturbed in possession of those
|
|
effects lately belonging to a lone old man who seemed to have no
|
|
relation in the world, and the certainty of your being able to find
|
|
out what he really had got stored up there, don't weigh with you at
|
|
all against last night, Tony, if I understand you?" says Mr. Guppy,
|
|
biting his thumb with the appetite of vexation.
|
|
|
|
"Certainly not. Talk in that cool way of a fellow's living there?"
|
|
cries Mr. Weevle indignantly. "Go and live there yourself."
|
|
|
|
"Oh! I, Tony!" says Mr. Guppy, soothing him. "I have never lived
|
|
there and couldn't get a lodging there now, whereas you have got
|
|
one."
|
|
|
|
"You are welcome to it," rejoins his friend, "and--ugh!--you may make
|
|
yourself at home in it."
|
|
|
|
"Then you really and truly at this point," says Mr. Guppy, "give up
|
|
the whole thing, if I understand you, Tony?"
|
|
|
|
"You never," returns Tony with a most convincing steadfastness, "said
|
|
a truer word in all your life. I do!"
|
|
|
|
While they are so conversing, a hackney-coach drives into the square,
|
|
on the box of which vehicle a very tall hat makes itself manifest to
|
|
the public. Inside the coach, and consequently not so manifest to the
|
|
multitude, though sufficiently so to the two friends, for the coach
|
|
stops almost at their feet, are the venerable Mr. Smallweed and Mrs.
|
|
Smallweed, accompanied by their granddaughter Judy.
|
|
|
|
An air of haste and excitement pervades the party, and as the tall
|
|
hat (surmounting Mr. Smallweed the younger) alights, Mr. Smallweed
|
|
the elder pokes his head out of window and bawls to Mr. Guppy, "How
|
|
de do, sir! How de do!"
|
|
|
|
"What do Chick and his family want here at this time of the morning,
|
|
I wonder!" says Mr. Guppy, nodding to his familiar.
|
|
|
|
"My dear sir," cries Grandfather Smallweed, "would you do me a
|
|
favour? Would you and your friend be so very obleeging as to carry me
|
|
into the public-house in the court, while Bart and his sister bring
|
|
their grandmother along? Would you do an old man that good turn,
|
|
sir?"
|
|
|
|
Mr. Guppy looks at his friend, repeating inquiringly, "The
|
|
public-house in the court?" And they prepare to bear the venerable
|
|
burden to the Sol's Arms.
|
|
|
|
"There's your fare!" says the patriarch to the coachman with a fierce
|
|
grin and shaking his incapable fist at him. "Ask me for a penny more,
|
|
and I'll have my lawful revenge upon you. My dear young men, be easy
|
|
with me, if you please. Allow me to catch you round the neck. I won't
|
|
squeeze you tighter than I can help. Oh, Lord! Oh, dear me! Oh, my
|
|
bones!"
|
|
|
|
It is well that the Sol is not far off, for Mr. Weevle presents an
|
|
apoplectic appearance before half the distance is accomplished. With
|
|
no worse aggravation of his symptoms, however, than the utterance of
|
|
divers croaking sounds expressive of obstructed respiration, he
|
|
fulfils his share of the porterage and the benevolent old gentleman
|
|
is deposited by his own desire in the parlour of the Sol's Arms.
|
|
|
|
"Oh, Lord!" gasps Mr. Smallweed, looking about him, breathless, from
|
|
an arm-chair. "Oh, dear me! Oh, my bones and back! Oh, my aches and
|
|
pains! Sit down, you dancing, prancing, shambling, scrambling
|
|
poll-parrot! Sit down!"
|
|
|
|
This little apostrophe to Mrs. Smallweed is occasioned by a
|
|
propensity on the part of that unlucky old lady whenever she finds
|
|
herself on her feet to amble about and "set" to inanimate objects,
|
|
accompanying herself with a chattering noise, as in a witch dance. A
|
|
nervous affection has probably as much to do with these
|
|
demonstrations as any imbecile intention in the poor old woman, but
|
|
on the present occasion they are so particularly lively in connexion
|
|
with the Windsor arm-chair, fellow to that in which Mr. Smallweed is
|
|
seated, that she only quite desists when her grandchildren have held
|
|
her down in it, her lord in the meanwhile bestowing upon her, with
|
|
great volubility, the endearing epithet of "a pig-headed jackdaw,"
|
|
repeated a surprising number of times.
|
|
|
|
"My dear sir," Grandfather Smallweed then proceeds, addressing Mr.
|
|
Guppy, "there has been a calamity here. Have you heard of it, either
|
|
of you?"
|
|
|
|
"Heard of it, sir! Why, we discovered it."
|
|
|
|
"You discovered it. You two discovered it! Bart, THEY discovered it!"
|
|
|
|
The two discoverers stare at the Smallweeds, who return the
|
|
compliment.
|
|
|
|
"My dear friends," whines Grandfather Smallweed, putting out both his
|
|
hands, "I owe you a thousand thanks for discharging the melancholy
|
|
office of discovering the ashes of Mrs. Smallweed's brother."
|
|
|
|
"Eh?" says Mr. Guppy.
|
|
|
|
"Mrs. Smallweed's brother, my dear friend--her only relation. We were
|
|
not on terms, which is to be deplored now, but he never WOULD be on
|
|
terms. He was not fond of us. He was eccentric--he was very
|
|
eccentric. Unless he has left a will (which is not at all likely) I
|
|
shall take out letters of administration. I have come down to look
|
|
after the property; it must be sealed up, it must be protected. I
|
|
have come down," repeats Grandfather Smallweed, hooking the air
|
|
towards him with all his ten fingers at once, "to look after the
|
|
property."
|
|
|
|
"I think, Small," says the disconsolate Mr. Guppy, "you might have
|
|
mentioned that the old man was your uncle."
|
|
|
|
"You two were so close about him that I thought you would like me to
|
|
be the same," returns that old bird with a secretly glistening eye.
|
|
"Besides, I wasn't proud of him."
|
|
|
|
"Besides which, it was nothing to you, you know, whether he was or
|
|
not," says Judy. Also with a secretly glistening eye.
|
|
|
|
"He never saw me in his life to know me," observed Small; "I don't
|
|
know why I should introduce HIM, I am sure!"
|
|
|
|
"No, he never communicated with us, which is to be deplored," the old
|
|
gentleman strikes in, "but I have come to look after the property--to
|
|
look over the papers, and to look after the property. We shall make
|
|
good our title. It is in the hands of my solicitor. Mr. Tulkinghorn,
|
|
of Lincoln's Inn Fields, over the way there, is so good as to act as
|
|
my solicitor; and grass don't grow under HIS feet, I can tell ye.
|
|
Krook was Mrs. Smallweed's only brother; she had no relation but
|
|
Krook, and Krook had no relation but Mrs. Smallweed. I am speaking of
|
|
your brother, you brimstone black-beetle, that was seventy-six years
|
|
of age."
|
|
|
|
Mrs. Smallweed instantly begins to shake her head and pipe up,
|
|
"Seventy-six pound seven and sevenpence! Seventy-six thousand bags of
|
|
money! Seventy-six hundred thousand million of parcels of
|
|
bank-notes!"
|
|
|
|
"Will somebody give me a quart pot?" exclaims her exasperated
|
|
husband, looking helplessly about him and finding no missile within
|
|
his reach. "Will somebody obleege me with a spittoon? Will somebody
|
|
hand me anything hard and bruising to pelt at her? You hag, you cat,
|
|
you dog, you brimstone barker!" Here Mr. Smallweed, wrought up to the
|
|
highest pitch by his own eloquence, actually throws Judy at her
|
|
grandmother in default of anything else, by butting that young virgin
|
|
at the old lady with such force as he can muster and then dropping
|
|
into his chair in a heap.
|
|
|
|
"Shake me up, somebody, if you'll be so good," says the voice from
|
|
within the faintly struggling bundle into which he has collapsed. "I
|
|
have come to look after the property. Shake me up, and call in the
|
|
police on duty at the next house to be explained to about the
|
|
property. My solicitor will be here presently to protect the
|
|
property. Transportation or the gallows for anybody who shall touch
|
|
the property!" As his dutiful grandchildren set him up, panting, and
|
|
putting him through the usual restorative process of shaking and
|
|
punching, he still repeats like an echo, "The--the property! The
|
|
property! Property!"
|
|
|
|
Mr. Weevle and Mr. Guppy look at each other, the former as having
|
|
relinquished the whole affair, the latter with a discomfited
|
|
countenance as having entertained some lingering expectations yet.
|
|
But there is nothing to be done in opposition to the Smallweed
|
|
interest. Mr. Tulkinghorn's clerk comes down from his official pew in
|
|
the chambers to mention to the police that Mr. Tulkinghorn is
|
|
answerable for its being all correct about the next of kin and that
|
|
the papers and effects will be formally taken possession of in due
|
|
time and course. Mr. Smallweed is at once permitted so far to assert
|
|
his supremacy as to be carried on a visit of sentiment into the next
|
|
house and upstairs into Miss Flite's deserted room, where he looks
|
|
like a hideous bird of prey newly added to her aviary.
|
|
|
|
The arrival of this unexpected heir soon taking wind in the court
|
|
still makes good for the Sol and keeps the court upon its mettle.
|
|
Mrs. Piper and Mrs. Perkins think it hard upon the young man if there
|
|
really is no will, and consider that a handsome present ought to be
|
|
made him out of the estate. Young Piper and young Perkins, as members
|
|
of that restless juvenile circle which is the terror of the
|
|
foot-passengers in Chancery Lane, crumble into ashes behind the pump
|
|
and under the archway all day long, where wild yells and hootings
|
|
take place over their remains. Little Swills and Miss M. Melvilleson
|
|
enter into affable conversation with their patrons, feeling that
|
|
these unusual occurrences level the barriers between professionals
|
|
and non-professionals. Mr. Bogsby puts up "The popular song of King
|
|
Death, with chorus by the whole strength of the company," as the
|
|
great Harmonic feature of the week and announces in the bill that "J.
|
|
G. B. is induced to do so at a considerable extra expense in
|
|
consequence of a wish which has been very generally expressed at the
|
|
bar by a large body of respectable individuals and in homage to a
|
|
late melancholy event which has aroused so much sensation." There is
|
|
one point connected with the deceased upon which the court is
|
|
particularly anxious, namely, that the fiction of a full-sized coffin
|
|
should be preserved, though there is so little to put in it. Upon the
|
|
undertaker's stating in the Sol's bar in the course of the day that
|
|
he has received orders to construct "a six-footer," the general
|
|
solicitude is much relieved, and it is considered that Mr.
|
|
Smallweed's conduct does him great honour.
|
|
|
|
Out of the court, and a long way out of it, there is considerable
|
|
excitement too, for men of science and philosophy come to look, and
|
|
carriages set down doctors at the corner who arrive with the same
|
|
intent, and there is more learned talk about inflammable gases and
|
|
phosphuretted hydrogen than the court has ever imagined. Some of
|
|
these authorities (of course the wisest) hold with indignation that
|
|
the deceased had no business to die in the alleged manner; and being
|
|
reminded by other authorities of a certain inquiry into the evidence
|
|
for such deaths reprinted in the sixth volume of the Philosophical
|
|
Transactions; and also of a book not quite unknown on English medical
|
|
jurisprudence; and likewise of the Italian case of the Countess
|
|
Cornelia Baudi as set forth in detail by one Bianchini, prebendary of
|
|
Verona, who wrote a scholarly work or so and was occasionally heard
|
|
of in his time as having gleams of reason in him; and also of the
|
|
testimony of Messrs. Fodere and Mere, two pestilent Frenchmen who
|
|
WOULD investigate the subject; and further, of the corroborative
|
|
testimony of Monsieur Le Cat, a rather celebrated French surgeon once
|
|
upon a time, who had the unpoliteness to live in a house where such a
|
|
case occurred and even to write an account of it--still they regard
|
|
the late Mr. Krook's obstinacy in going out of the world by any such
|
|
by-way as wholly unjustifiable and personally offensive. The less the
|
|
court understands of all this, the more the court likes it, and the
|
|
greater enjoyment it has in the stock in trade of the Sol's Arms.
|
|
Then there comes the artist of a picture newspaper, with a foreground
|
|
and figures ready drawn for anything from a wreck on the Cornish
|
|
coast to a review in Hyde Park or a meeting in Manchester, and in
|
|
Mrs. Perkins' own room, memorable evermore, he then and there throws
|
|
in upon the block Mr. Krook's house, as large as life; in fact,
|
|
considerably larger, making a very temple of it. Similarly, being
|
|
permitted to look in at the door of the fatal chamber, he depicts
|
|
that apartment as three-quarters of a mile long by fifty yards high,
|
|
at which the court is particularly charmed. All this time the two
|
|
gentlemen before mentioned pop in and out of every house and assist
|
|
at the philosophical disputations--go everywhere and listen to
|
|
everybody--and yet are always diving into the Sol's parlour and
|
|
writing with the ravenous little pens on the tissue-paper.
|
|
|
|
At last come the coroner and his inquiry, like as before, except that
|
|
the coroner cherishes this case as being out of the common way and
|
|
tells the gentlemen of the jury, in his private capacity, that "that
|
|
would seem to be an unlucky house next door, gentlemen, a destined
|
|
house; but so we sometimes find it, and these are mysteries we can't
|
|
account for!" After which the six-footer comes into action and is
|
|
much admired.
|
|
|
|
In all these proceedings Mr. Guppy has so slight a part, except when
|
|
he gives his evidence, that he is moved on like a private individual
|
|
and can only haunt the secret house on the outside, where he has the
|
|
mortification of seeing Mr. Smallweed padlocking the door, and of
|
|
bitterly knowing himself to be shut out. But before these proceedings
|
|
draw to a close, that is to say, on the night next after the
|
|
catastrophe, Mr. Guppy has a thing to say that must be said to Lady
|
|
Dedlock.
|
|
|
|
For which reason, with a sinking heart and with that hang-dog sense
|
|
of guilt upon him which dread and watching enfolded in the Sol's Arms
|
|
have produced, the young man of the name of Guppy presents himself at
|
|
the town mansion at about seven o'clock in the evening and requests
|
|
to see her ladyship. Mercury replies that she is going out to dinner;
|
|
don't he see the carriage at the door? Yes, he does see the carriage
|
|
at the door; but he wants to see my Lady too.
|
|
|
|
Mercury is disposed, as he will presently declare to a
|
|
fellow-gentleman in waiting, "to pitch into the young man"; but his
|
|
instructions are positive. Therefore he sulkily supposes that the
|
|
young man must come up into the library. There he leaves the young
|
|
man in a large room, not over-light, while he makes report of him.
|
|
|
|
Mr. Guppy looks into the shade in all directions, discovering
|
|
everywhere a certain charred and whitened little heap of coal or
|
|
wood. Presently he hears a rustling. Is it--? No, it's no ghost, but
|
|
fair flesh and blood, most brilliantly dressed.
|
|
|
|
"I have to beg your ladyship's pardon," Mr. Guppy stammers, very
|
|
downcast. "This is an inconvenient time--"
|
|
|
|
"I told you, you could come at any time." She takes a chair, looking
|
|
straight at him as on the last occasion.
|
|
|
|
"Thank your ladyship. Your ladyship is very affable."
|
|
|
|
"You can sit down." There is not much affability in her tone.
|
|
|
|
"I don't know, your ladyship, that it's worth while my sitting down
|
|
and detaining you, for I--I have not got the letters that I mentioned
|
|
when I had the honour of waiting on your ladyship."
|
|
|
|
"Have you come merely to say so?"
|
|
|
|
"Merely to say so, your ladyship." Mr. Guppy besides being depressed,
|
|
disappointed, and uneasy, is put at a further disadvantage by the
|
|
splendour and beauty of her appearance.
|
|
|
|
She knows its influence perfectly, has studied it too well to miss a
|
|
grain of its effect on any one. As she looks at him so steadily and
|
|
coldly, he not only feels conscious that he has no guide in the least
|
|
perception of what is really the complexion of her thoughts, but also
|
|
that he is being every moment, as it were, removed further and
|
|
further from her.
|
|
|
|
She will not speak, it is plain. So he must.
|
|
|
|
"In short, your ladyship," says Mr. Guppy like a meanly penitent
|
|
thief, "the person I was to have had the letters of, has come to a
|
|
sudden end, and--" He stops. Lady Dedlock calmly finishes the
|
|
sentence.
|
|
|
|
"And the letters are destroyed with the person?"
|
|
|
|
Mr. Guppy would say no if he could--as he is unable to hide.
|
|
|
|
"I believe so, your ladyship."
|
|
|
|
If he could see the least sparkle of relief in her face now? No, he
|
|
could see no such thing, even if that brave outside did not utterly
|
|
put him away, and he were not looking beyond it and about it.
|
|
|
|
He falters an awkward excuse or two for his failure.
|
|
|
|
"Is this all you have to say?" inquires Lady Dedlock, having heard
|
|
him out--or as nearly out as he can stumble.
|
|
|
|
Mr. Guppy thinks that's all.
|
|
|
|
"You had better be sure that you wish to say nothing more to me, this
|
|
being the last time you will have the opportunity."
|
|
|
|
Mr. Guppy is quite sure. And indeed he has no such wish at present,
|
|
by any means.
|
|
|
|
"That is enough. I will dispense with excuses. Good evening to you!"
|
|
And she rings for Mercury to show the young man of the name of Guppy
|
|
out.
|
|
|
|
But in that house, in that same moment, there happens to be an old
|
|
man of the name of Tulkinghorn. And that old man, coming with his
|
|
quiet footstep to the library, has his hand at that moment on the
|
|
handle of the door--comes in--and comes face to face with the young
|
|
man as he is leaving the room.
|
|
|
|
One glance between the old man and the lady, and for an instant the
|
|
blind that is always down flies up. Suspicion, eager and sharp, looks
|
|
out. Another instant, close again.
|
|
|
|
"I beg your pardon, Lady Dedlock. I beg your pardon a thousand times.
|
|
It is so very unusual to find you here at this hour. I supposed the
|
|
room was empty. I beg your pardon!"
|
|
|
|
"Stay!" She negligently calls him back. "Remain here, I beg. I am
|
|
going out to dinner. I have nothing more to say to this young man!"
|
|
|
|
The disconcerted young man bows, as he goes out, and cringingly hopes
|
|
that Mr. Tulkinghorn of the Fields is well.
|
|
|
|
"Aye, aye?" says the lawyer, looking at him from under his bent
|
|
brows, though he has no need to look again--not he. "From Kenge and
|
|
Carboy's, surely?"
|
|
|
|
"Kenge and Carboy's, Mr. Tulkinghorn. Name of Guppy, sir."
|
|
|
|
"To be sure. Why, thank you, Mr. Guppy, I am very well!"
|
|
|
|
"Happy to hear it, sir. You can't be too well, sir, for the credit of
|
|
the profession."
|
|
|
|
"Thank you, Mr. Guppy!"
|
|
|
|
Mr. Guppy sneaks away. Mr. Tulkinghorn, such a foil in his
|
|
old-fashioned rusty black to Lady Dedlock's brightness, hands her
|
|
down the staircase to her carriage. He returns rubbing his chin, and
|
|
rubs it a good deal in the course of the evening.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXIV
|
|
|
|
A Turn of the Screw
|
|
|
|
|
|
"Now, what," says Mr. George, "may this be? Is it blank cartridge or
|
|
ball? A flash in the pan or a shot?"
|
|
|
|
An open letter is the subject of the trooper's speculations, and it
|
|
seems to perplex him mightily. He looks at it at arm's length, brings
|
|
it close to him, holds it in his right hand, holds it in his left
|
|
hand, reads it with his head on this side, with his head on that
|
|
side, contracts his eyebrows, elevates them, still cannot satisfy
|
|
himself. He smooths it out upon the table with his heavy palm, and
|
|
thoughtfully walking up and down the gallery, makes a halt before it
|
|
every now and then to come upon it with a fresh eye. Even that won't
|
|
do. "Is it," Mr. George still muses, "blank cartridge or ball?"
|
|
|
|
Phil Squod, with the aid of a brush and paint-pot, is employed in the
|
|
distance whitening the targets, softly whistling in quick-march time
|
|
and in drum-and-fife manner that he must and will go back again to
|
|
the girl he left behind him.
|
|
|
|
"Phil!" The trooper beckons as he calls him.
|
|
|
|
Phil approaches in his usual way, sidling off at first as if he were
|
|
going anywhere else and then bearing down upon his commander like a
|
|
bayonet-charge. Certain splashes of white show in high relief upon
|
|
his dirty face, and he scrapes his one eyebrow with the handle of the
|
|
brush.
|
|
|
|
"Attention, Phil! Listen to this."
|
|
|
|
"Steady, commander, steady."
|
|
|
|
"'Sir. Allow me to remind you (though there is no legal necessity for
|
|
my doing so, as you are aware) that the bill at two months' date
|
|
drawn on yourself by Mr. Matthew Bagnet, and by you accepted, for the
|
|
sum of ninety-seven pounds four shillings and ninepence, will become
|
|
due to-morrow, when you will please be prepared to take up the same
|
|
on presentation. Yours, Joshua Smallweed.' What do you make of that,
|
|
Phil?"
|
|
|
|
"Mischief, guv'ner."
|
|
|
|
"Why?"
|
|
|
|
"I think," replies Phil after pensively tracing out a cross-wrinkle
|
|
in his forehead with the brush-handle, "that mischeevious
|
|
consequences is always meant when money's asked for."
|
|
|
|
"Lookye, Phil," says the trooper, sitting on the table. "First and
|
|
last, I have paid, I may say, half as much again as this principal in
|
|
interest and one thing and another."
|
|
|
|
Phil intimates by sidling back a pace or two, with a very
|
|
unaccountable wrench of his wry face, that he does not regard the
|
|
transaction as being made more promising by this incident.
|
|
|
|
"And lookye further, Phil," says the trooper, staying his premature
|
|
conclusions with a wave of his hand. "There has always been an
|
|
understanding that this bill was to be what they call renewed. And it
|
|
has been renewed no end of times. What do you say now?"
|
|
|
|
"I say that I think the times is come to a end at last."
|
|
|
|
"You do? Humph! I am much of the same mind myself."
|
|
|
|
"Joshua Smallweed is him that was brought here in a chair?"
|
|
|
|
"The same."
|
|
|
|
"Guv'ner," says Phil with exceeding gravity, "he's a leech in his
|
|
dispositions, he's a screw and a wice in his actions, a snake in his
|
|
twistings, and a lobster in his claws."
|
|
|
|
Having thus expressively uttered his sentiments, Mr. Squod, after
|
|
waiting a little to ascertain if any further remark be expected of
|
|
him, gets back by his usual series of movements to the target he has
|
|
in hand and vigorously signifies through his former musical medium
|
|
that he must and he will return to that ideal young lady. George,
|
|
having folded the letter, walks in that direction.
|
|
|
|
"There IS a way, commander," says Phil, looking cunningly at him, "of
|
|
settling this."
|
|
|
|
"Paying the money, I suppose? I wish I could."
|
|
|
|
Phil shakes his head. "No, guv'ner, no; not so bad as that. There IS
|
|
a way," says Phil with a highly artistic turn of his brush; "what I'm
|
|
a-doing at present."
|
|
|
|
"Whitewashing."
|
|
|
|
Phil nods.
|
|
|
|
"A pretty way that would be! Do you know what would become of the
|
|
Bagnets in that case? Do you know they would be ruined to pay off my
|
|
old scores? YOU'RE a moral character," says the trooper, eyeing him
|
|
in his large way with no small indignation; "upon my life you are,
|
|
Phil!"
|
|
|
|
Phil, on one knee at the target, is in course of protesting
|
|
earnestly, though not without many allegorical scoops of his brush
|
|
and smoothings of the white surface round the rim with his thumb,
|
|
that he had forgotten the Bagnet responsibility and would not so much
|
|
as injure a hair of the head of any member of that worthy family when
|
|
steps are audible in the long passage without, and a cheerful voice
|
|
is heard to wonder whether George is at home. Phil, with a look at
|
|
his master, hobbles up, saying, "Here's the guv'ner, Mrs. Bagnet!
|
|
Here he is!" and the old girl herself, accompanied by Mr. Bagnet,
|
|
appears.
|
|
|
|
The old girl never appears in walking trim, in any season of the
|
|
year, without a grey cloth cloak, coarse and much worn but very
|
|
clean, which is, undoubtedly, the identical garment rendered so
|
|
interesting to Mr. Bagnet by having made its way home to Europe from
|
|
another quarter of the globe in company with Mrs. Bagnet and an
|
|
umbrella. The latter faithful appendage is also invariably a part of
|
|
the old girl's presence out of doors. It is of no colour known in
|
|
this life and has a corrugated wooden crook for a handle, with a
|
|
metallic object let into its prow, or beak, resembling a little model
|
|
of a fanlight over a street door or one of the oval glasses out of a
|
|
pair of spectacles, which ornamental object has not that tenacious
|
|
capacity of sticking to its post that might be desired in an article
|
|
long associated with the British army. The old girl's umbrella is of
|
|
a flabby habit of waist and seems to be in need of stays--an
|
|
appearance that is possibly referable to its having served through a
|
|
series of years at home as a cupboard and on journeys as a carpet
|
|
bag. She never puts it up, having the greatest reliance on her
|
|
well-proved cloak with its capacious hood, but generally uses the
|
|
instrument as a wand with which to point out joints of meat or
|
|
bunches of greens in marketing or to arrest the attention of
|
|
tradesmen by a friendly poke. Without her market-basket, which is a
|
|
sort of wicker well with two flapping lids, she never stirs abroad.
|
|
Attended by these her trusty companions, therefore, her honest
|
|
sunburnt face looking cheerily out of a rough straw bonnet, Mrs.
|
|
Bagnet now arrives, fresh-coloured and bright, in George's Shooting
|
|
Gallery.
|
|
|
|
"Well, George, old fellow," says she, "and how do YOU do, this
|
|
sunshiny morning?"
|
|
|
|
Giving him a friendly shake of the hand, Mrs. Bagnet draws a long
|
|
breath after her walk and sits down to enjoy a rest. Having a
|
|
faculty, matured on the tops of baggage-waggons and in other such
|
|
positions, of resting easily anywhere, she perches on a rough bench,
|
|
unties her bonnet-strings, pushes back her bonnet, crosses her arms,
|
|
and looks perfectly comfortable.
|
|
|
|
Mr. Bagnet in the meantime has shaken hands with his old comrade and
|
|
with Phil, on whom Mrs. Bagnet likewise bestows a good-humoured nod
|
|
and smile.
|
|
|
|
"Now, George," said Mrs. Bagnet briskly, "here we are, Lignum and
|
|
myself"--she often speaks of her husband by this appellation, on
|
|
account, as it is supposed, of Lignum Vitae having been his old
|
|
regimental nickname when they first became acquainted, in compliment
|
|
to the extreme hardness and toughness of his physiognomy--"just
|
|
looked in, we have, to make it all correct as usual about that
|
|
security. Give him the new bill to sign, George, and he'll sign it
|
|
like a man."
|
|
|
|
"I was coming to you this morning," observes the trooper reluctantly.
|
|
|
|
"Yes, we thought you'd come to us this morning, but we turned out
|
|
early and left Woolwich, the best of boys, to mind his sisters and
|
|
came to you instead--as you see! For Lignum, he's tied so close now,
|
|
and gets so little exercise, that a walk does him good. But what's
|
|
the matter, George?" asks Mrs. Bagnet, stopping in her cheerful talk.
|
|
"You don't look yourself."
|
|
|
|
"I am not quite myself," returns the trooper; "I have been a little
|
|
put out, Mrs. Bagnet."
|
|
|
|
Her bright quick eye catches the truth directly. "George!" holding up
|
|
her forefinger. "Don't tell me there's anything wrong about that
|
|
security of Lignum's! Don't do it, George, on account of the
|
|
children!"
|
|
|
|
The trooper looks at her with a troubled visage.
|
|
|
|
"George," says Mrs. Bagnet, using both her arms for emphasis and
|
|
occasionally bringing down her open hands upon her knees. "If you
|
|
have allowed anything wrong to come to that security of Lignum's, and
|
|
if you have let him in for it, and if you have put us in danger of
|
|
being sold up--and I see sold up in your face, George, as plain as
|
|
print--you have done a shameful action and have deceived us cruelly.
|
|
I tell you, cruelly, George. There!"
|
|
|
|
Mr. Bagnet, otherwise as immovable as a pump or a lamp-post, puts his
|
|
large right hand on the top of his bald head as if to defend it from
|
|
a shower-bath and looks with great uneasiness at Mrs. Bagnet.
|
|
|
|
"George," says that old girl, "I wonder at you! George, I am ashamed
|
|
of you! George, I couldn't have believed you would have done it! I
|
|
always knew you to be a rolling stone that gathered no moss, but I
|
|
never thought you would have taken away what little moss there was
|
|
for Bagnet and the children to lie upon. You know what a
|
|
hard-working, steady-going chap he is. You know what Quebec and Malta
|
|
and Woolwich are, and I never did think you would, or could, have had
|
|
the heart to serve us so. Oh, George!" Mrs. Bagnet gathers up her
|
|
cloak to wipe her eyes on in a very genuine manner, "How could you do
|
|
it?"
|
|
|
|
Mrs. Bagnet ceasing, Mr. Bagnet removes his hand from his head as if
|
|
the shower-bath were over and looks disconsolately at Mr. George, who
|
|
has turned quite white and looks distressfully at the grey cloak and
|
|
straw bonnet.
|
|
|
|
"Mat," says the trooper in a subdued voice, addressing him but still
|
|
looking at his wife, "I am sorry you take it so much to heart,
|
|
because I do hope it's not so bad as that comes to. I certainly have,
|
|
this morning, received this letter"--which he reads aloud--"but I
|
|
hope it may be set right yet. As to a rolling stone, why, what you
|
|
say is true. I AM a rolling stone, and I never rolled in anybody's
|
|
way, I fully believe, that I rolled the least good to. But it's
|
|
impossible for an old vagabond comrade to like your wife and family
|
|
better than I like 'em, Mat, and I trust you'll look upon me as
|
|
forgivingly as you can. Don't think I've kept anything from you. I
|
|
haven't had the letter more than a quarter of an hour."
|
|
|
|
"Old girl," murmurs Mr. Bagnet after a short silence, "will you tell
|
|
him my opinion?"
|
|
|
|
"Oh! Why didn't he marry," Mrs. Bagnet answers, half laughing and
|
|
half crying, "Joe Pouch's widder in North America? Then he wouldn't
|
|
have got himself into these troubles."
|
|
|
|
"The old girl," says Mr. Bagnet, "puts it correct--why didn't you?"
|
|
|
|
"Well, she has a better husband by this time, I hope," returns the
|
|
trooper. "Anyhow, here I stand, this present day, NOT married to Joe
|
|
Pouch's widder. What shall I do? You see all I have got about me.
|
|
It's not mine; it's yours. Give the word, and I'll sell off every
|
|
morsel. If I could have hoped it would have brought in nearly the sum
|
|
wanted, I'd have sold all long ago. Don't believe that I'll leave you
|
|
or yours in the lurch, Mat. I'd sell myself first. I only wish," says
|
|
the trooper, giving himself a disparaging blow in the chest, "that I
|
|
knew of any one who'd buy such a second-hand piece of old stores."
|
|
|
|
"Old girl," murmurs Mr. Bagnet, "give him another bit of my mind."
|
|
|
|
"George," says the old girl, "you are not so much to be blamed, on
|
|
full consideration, except for ever taking this business without the
|
|
means."
|
|
|
|
"And that was like me!" observes the penitent trooper, shaking his
|
|
head. "Like me, I know."
|
|
|
|
"Silence! The old girl," says Mr. Bagnet, "is correct--in her way of
|
|
giving my opinions--hear me out!"
|
|
|
|
"That was when you never ought to have asked for the security,
|
|
George, and when you never ought to have got it, all things
|
|
considered. But what's done can't be undone. You are always an
|
|
honourable and straightforward fellow, as far as lays in your power,
|
|
though a little flighty. On the other hand, you can't admit but what
|
|
it's natural in us to be anxious with such a thing hanging over our
|
|
heads. So forget and forgive all round, George. Come! Forget and
|
|
forgive all round!"
|
|
|
|
Mrs. Bagnet, giving him one of her honest hands and giving her
|
|
husband the other, Mr. George gives each of them one of his and holds
|
|
them while he speaks.
|
|
|
|
"I do assure you both, there's nothing I wouldn't do to discharge
|
|
this obligation. But whatever I have been able to scrape together has
|
|
gone every two months in keeping it up. We have lived plainly enough
|
|
here, Phil and I. But the gallery don't quite do what was expected of
|
|
it, and it's not--in short, it's not the mint. It was wrong in me to
|
|
take it? Well, so it was. But I was in a manner drawn into that step,
|
|
and I thought it might steady me, and set me up, and you'll try to
|
|
overlook my having such expectations, and upon my soul, I am very
|
|
much obliged to you, and very much ashamed of myself." With these
|
|
concluding words, Mr. George gives a shake to each of the hands he
|
|
holds, and relinquishing them, backs a pace or two in a
|
|
broad-chested, upright attitude, as if he had made a final confession
|
|
and were immediately going to be shot with all military honours.
|
|
|
|
"George, hear me out!" says Mr. Bagnet, glancing at his wife. "Old
|
|
girl, go on!"
|
|
|
|
Mr. Bagnet, being in this singular manner heard out, has merely to
|
|
observe that the letter must be attended to without any delay, that
|
|
it is advisable that George and he should immediately wait on Mr.
|
|
Smallweed in person, and that the primary object is to save and hold
|
|
harmless Mr. Bagnet, who had none of the money. Mr. George, entirely
|
|
assenting, puts on his hat and prepares to march with Mr. Bagnet to
|
|
the enemy's camp.
|
|
|
|
"Don't you mind a woman's hasty word, George," says Mrs. Bagnet,
|
|
patting him on the shoulder. "I trust my old Lignum to you, and I am
|
|
sure you'll bring him through it."
|
|
|
|
The trooper returns that this is kindly said and that he WILL bring
|
|
Lignum through it somehow. Upon which Mrs. Bagnet, with her cloak,
|
|
basket, and umbrella, goes home, bright-eyed again, to the rest of
|
|
her family, and the comrades sally forth on the hopeful errand of
|
|
mollifying Mr. Smallweed.
|
|
|
|
Whether there are two people in England less likely to come
|
|
satisfactorily out of any negotiation with Mr. Smallweed than Mr.
|
|
George and Mr. Matthew Bagnet may be very reasonably questioned.
|
|
Also, notwithstanding their martial appearance, broad square
|
|
shoulders, and heavy tread, whether there are within the same limits
|
|
two more simple and unaccustomed children in all the Smallweedy
|
|
affairs of life. As they proceed with great gravity through the
|
|
streets towards the region of Mount Pleasant, Mr. Bagnet, observing
|
|
his companion to be thoughtful, considers it a friendly part to refer
|
|
to Mrs. Bagnet's late sally.
|
|
|
|
"George, you know the old girl--she's as sweet and as mild as milk.
|
|
But touch her on the children--or myself--and she's off like
|
|
gunpowder."
|
|
|
|
"It does her credit, Mat!"
|
|
|
|
"George," says Mr. Bagnet, looking straight before him, "the old
|
|
girl--can't do anything--that don't do her credit. More or less. I
|
|
never say so. Discipline must be maintained."
|
|
|
|
"She's worth her weight in gold," says the trooper.
|
|
|
|
"In gold?" says Mr. Bagnet. "I'll tell you what. The old girl's
|
|
weight--is twelve stone six. Would I take that weight--in any
|
|
metal--for the old girl? No. Why not? Because the old girl's metal is
|
|
far more precious--than the preciousest metal. And she's ALL metal!"
|
|
|
|
"You are right, Mat!"
|
|
|
|
"When she took me--and accepted of the ring--she 'listed under me and
|
|
the children--heart and head, for life. She's that earnest," says Mr.
|
|
Bagnet, "and true to her colours--that, touch us with a finger--and
|
|
she turns out--and stands to her arms. If the old girl fires
|
|
wide--once in a way--at the call of duty--look over it, George. For
|
|
she's loyal!"
|
|
|
|
"Why, bless her, Mat," returns the trooper, "I think the higher of
|
|
her for it!"
|
|
|
|
"You are right!" says Mr. Bagnet with the warmest enthusiasm, though
|
|
without relaxing the rigidity of a single muscle. "Think as high of
|
|
the old girl--as the rock of Gibraltar--and still you'll be thinking
|
|
low--of such merits. But I never own to it before her. Discipline
|
|
must be maintained."
|
|
|
|
These encomiums bring them to Mount Pleasant and to Grandfather
|
|
Smallweed's house. The door is opened by the perennial Judy, who,
|
|
having surveyed them from top to toe with no particular favour, but
|
|
indeed with a malignant sneer, leaves them standing there while she
|
|
consults the oracle as to their admission. The oracle may be inferred
|
|
to give consent from the circumstance of her returning with the words
|
|
on her honey lips that they can come in if they want to it. Thus
|
|
privileged, they come in and find Mr. Smallweed with his feet in the
|
|
drawer of his chair as if it were a paper foot-bath and Mrs.
|
|
Smallweed obscured with the cushion like a bird that is not to sing.
|
|
|
|
"My dear friend," says Grandfather Smallweed with those two lean
|
|
affectionate arms of his stretched forth. "How de do? How de do? Who
|
|
is our friend, my dear friend?"
|
|
|
|
"Why this," returns George, not able to be very conciliatory at
|
|
first, "is Matthew Bagnet, who has obliged me in that matter of ours,
|
|
you know."
|
|
|
|
"Oh! Mr. Bagnet? Surely!" The old man looks at him under his hand.
|
|
|
|
"Hope you're well, Mr. Bagnet? Fine man, Mr. George! Military air,
|
|
sir!"
|
|
|
|
No chairs being offered, Mr. George brings one forward for Bagnet and
|
|
one for himself. They sit down, Mr. Bagnet as if he had no power of
|
|
bending himself, except at the hips, for that purpose.
|
|
|
|
"Judy," says Mr. Smallweed, "bring the pipe."
|
|
|
|
"Why, I don't know," Mr. George interposes, "that the young woman
|
|
need give herself that trouble, for to tell you the truth, I am not
|
|
inclined to smoke it to-day."
|
|
|
|
"Ain't you?" returns the old man. "Judy, bring the pipe."
|
|
|
|
"The fact is, Mr. Smallweed," proceeds George, "that I find myself in
|
|
rather an unpleasant state of mind. It appears to me, sir, that your
|
|
friend in the city has been playing tricks."
|
|
|
|
"Oh, dear no!" says Grandfather Smallweed. "He never does that!"
|
|
|
|
"Don't he? Well, I am glad to hear it, because I thought it might be
|
|
HIS doing. This, you know, I am speaking of. This letter."
|
|
|
|
Grandfather Smallweed smiles in a very ugly way in recognition of the
|
|
letter.
|
|
|
|
"What does it mean?" asks Mr. George.
|
|
|
|
"Judy," says the old man. "Have you got the pipe? Give it to me. Did
|
|
you say what does it mean, my good friend?"
|
|
|
|
"Aye! Now, come, come, you know, Mr. Smallweed," urges the trooper,
|
|
constraining himself to speak as smoothly and confidentially as he
|
|
can, holding the open letter in one hand and resting the broad
|
|
knuckles of the other on his thigh, "a good lot of money has passed
|
|
between us, and we are face to face at the present moment, and are
|
|
both well aware of the understanding there has always been. I am
|
|
prepared to do the usual thing which I have done regularly and to
|
|
keep this matter going. I never got a letter like this from you
|
|
before, and I have been a little put about by it this morning,
|
|
because here's my friend Matthew Bagnet, who, you know, had none of
|
|
the money--"
|
|
|
|
"I DON'T know it, you know," says the old man quietly.
|
|
|
|
"Why, con-found you--it, I mean--I tell you so, don't I?"
|
|
|
|
"Oh, yes, you tell me so," returns Grandfather Smallweed. "But I
|
|
don't know it."
|
|
|
|
"Well!" says the trooper, swallowing his fire. "I know it."
|
|
|
|
Mr. Smallweed replies with excellent temper, "Ah! That's quite
|
|
another thing!" And adds, "But it don't matter. Mr. Bagnet's
|
|
situation is all one, whether or no."
|
|
|
|
The unfortunate George makes a great effort to arrange the affair
|
|
comfortably and to propitiate Mr. Smallweed by taking him upon his
|
|
own terms.
|
|
|
|
"That's just what I mean. As you say, Mr. Smallweed, here's Matthew
|
|
Bagnet liable to be fixed whether or no. Now, you see, that makes his
|
|
good lady very uneasy in her mind, and me too, for whereas I'm a
|
|
harum-scarum sort of a good-for-nought that more kicks than halfpence
|
|
come natural to, why he's a steady family man, don't you see? Now,
|
|
Mr. Smallweed," says the trooper, gaining confidence as he proceeds
|
|
in his soldierly mode of doing business, "although you and I are good
|
|
friends enough in a certain sort of a way, I am well aware that I
|
|
can't ask you to let my friend Bagnet off entirely."
|
|
|
|
"Oh, dear, you are too modest. You can ASK me anything, Mr. George."
|
|
(There is an ogreish kind of jocularity in Grandfather Smallweed
|
|
to-day.)
|
|
|
|
"And you can refuse, you mean, eh? Or not you so much, perhaps, as
|
|
your friend in the city? Ha ha ha!"
|
|
|
|
"Ha ha ha!" echoes Grandfather Smallweed. In such a very hard manner
|
|
and with eyes so particularly green that Mr. Bagnet's natural gravity
|
|
is much deepened by the contemplation of that venerable man.
|
|
|
|
"Come!" says the sanguine George. "I am glad to find we can be
|
|
pleasant, because I want to arrange this pleasantly. Here's my friend
|
|
Bagnet, and here am I. We'll settle the matter on the spot, if you
|
|
please, Mr. Smallweed, in the usual way. And you'll ease my friend
|
|
Bagnet's mind, and his family's mind, a good deal if you'll just
|
|
mention to him what our understanding is."
|
|
|
|
Here some shrill spectre cries out in a mocking manner, "Oh, good
|
|
gracious! Oh!" Unless, indeed, it be the sportive Judy, who is found
|
|
to be silent when the startled visitors look round, but whose chin
|
|
has received a recent toss, expressive of derision and contempt. Mr.
|
|
Bagnet's gravity becomes yet more profound.
|
|
|
|
"But I think you asked me, Mr. George"--old Smallweed, who all this
|
|
time has had the pipe in his hand, is the speaker now--"I think you
|
|
asked me, what did the letter mean?"
|
|
|
|
"Why, yes, I did," returns the trooper in his off-hand way, "but I
|
|
don't care to know particularly, if it's all correct and pleasant."
|
|
|
|
Mr. Smallweed, purposely balking himself in an aim at the trooper's
|
|
head, throws the pipe on the ground and breaks it to pieces.
|
|
|
|
"That's what it means, my dear friend. I'll smash you. I'll crumble
|
|
you. I'll powder you. Go to the devil!"
|
|
|
|
The two friends rise and look at one another. Mr. Bagnet's gravity
|
|
has now attained its profoundest point.
|
|
|
|
"Go to the devil!" repeats the old man. "I'll have no more of your
|
|
pipe-smokings and swaggerings. What? You're an independent dragoon,
|
|
too! Go to my lawyer (you remember where; you have been there before)
|
|
and show your independence now, will you? Come, my dear friend,
|
|
there's a chance for you. Open the street door, Judy; put these
|
|
blusterers out! Call in help if they don't go. Put 'em out!"
|
|
|
|
He vociferates this so loudly that Mr. Bagnet, laying his hands on
|
|
the shoulders of his comrade before the latter can recover from his
|
|
amazement, gets him on the outside of the street door, which is
|
|
instantly slammed by the triumphant Judy. Utterly confounded, Mr.
|
|
George awhile stands looking at the knocker. Mr. Bagnet, in a perfect
|
|
abyss of gravity, walks up and down before the little parlour window
|
|
like a sentry and looks in every time he passes, apparently revolving
|
|
something in his mind.
|
|
|
|
"Come, Mat," says Mr. George when he has recovered himself, "we must
|
|
try the lawyer. Now, what do you think of this rascal?"
|
|
|
|
Mr. Bagnet, stopping to take a farewell look into the parlour,
|
|
replies with one shake of his head directed at the interior, "If my
|
|
old girl had been here--I'd have told him!" Having so discharged
|
|
himself of the subject of his cogitations, he falls into step and
|
|
marches off with the trooper, shoulder to shoulder.
|
|
|
|
When they present themselves in Lincoln's Inn Fields, Mr. Tulkinghorn
|
|
is engaged and not to be seen. He is not at all willing to see them,
|
|
for when they have waited a full hour, and the clerk, on his bell
|
|
being rung, takes the opportunity of mentioning as much, he brings
|
|
forth no more encouraging message than that Mr. Tulkinghorn has
|
|
nothing to say to them and they had better not wait. They do wait,
|
|
however, with the perseverance of military tactics, and at last the
|
|
bell rings again and the client in possession comes out of Mr.
|
|
Tulkinghorn's room.
|
|
|
|
The client is a handsome old lady, no other than Mrs. Rouncewell,
|
|
housekeeper at Chesney Wold. She comes out of the sanctuary with a
|
|
fair old-fashioned curtsy and softly shuts the door. She is treated
|
|
with some distinction there, for the clerk steps out of his pew to
|
|
show her through the outer office and to let her out. The old lady is
|
|
thanking him for his attention when she observes the comrades in
|
|
waiting.
|
|
|
|
"I beg your pardon, sir, but I think those gentlemen are military?"
|
|
|
|
The clerk referring the question to them with his eye, and Mr. George
|
|
not turning round from the almanac over the fire-place. Mr. Bagnet
|
|
takes upon himself to reply, "Yes, ma'am. Formerly."
|
|
|
|
"I thought so. I was sure of it. My heart warms, gentlemen, at the
|
|
sight of you. It always does at the sight of such. God bless you,
|
|
gentlemen! You'll excuse an old woman, but I had a son once who went
|
|
for a soldier. A fine handsome youth he was, and good in his bold
|
|
way, though some people did disparage him to his poor mother. I ask
|
|
your pardon for troubling you, sir. God bless you, gentlemen!"
|
|
|
|
"Same to you, ma'am!" returns Mr. Bagnet with right good will.
|
|
|
|
There is something very touching in the earnestness of the old lady's
|
|
voice and in the tremble that goes through her quaint old figure. But
|
|
Mr. George is so occupied with the almanac over the fire-place
|
|
(calculating the coming months by it perhaps) that he does not look
|
|
round until she has gone away and the door is closed upon her.
|
|
|
|
"George," Mr. Bagnet gruffly whispers when he does turn from the
|
|
almanac at last. "Don't be cast down! 'Why, soldiers, why--should we
|
|
be melancholy, boys?' Cheer up, my hearty!"
|
|
|
|
The clerk having now again gone in to say that they are still there
|
|
and Mr. Tulkinghorn being heard to return with some irascibility,
|
|
"Let 'em come in then!" they pass into the great room with the
|
|
painted ceiling and find him standing before the fire.
|
|
|
|
"Now, you men, what do you want? Sergeant, I told you the last time I
|
|
saw you that I don't desire your company here."
|
|
|
|
Sergeant replies--dashed within the last few minutes as to his usual
|
|
manner of speech, and even as to his usual carriage--that he has
|
|
received this letter, has been to Mr. Smallweed about it, and has
|
|
been referred there.
|
|
|
|
"I have nothing to say to you," rejoins Mr. Tulkinghorn. "If you get
|
|
into debt, you must pay your debts or take the consequences. You have
|
|
no occasion to come here to learn that, I suppose?"
|
|
|
|
Sergeant is sorry to say that he is not prepared with the money.
|
|
|
|
"Very well! Then the other man--this man, if this is he--must pay it
|
|
for you."
|
|
|
|
Sergeant is sorry to add that the other man is not prepared with the
|
|
money either.
|
|
|
|
"Very well! Then you must pay it between you or you must both be sued
|
|
for it and both suffer. You have had the money and must refund it.
|
|
You are not to pocket other people's pounds, shillings, and pence and
|
|
escape scot-free."
|
|
|
|
The lawyer sits down in his easy-chair and stirs the fire. Mr. George
|
|
hopes he will have the goodness to--"I tell you, sergeant, I have
|
|
nothing to say to you. I don't like your associates and don't want
|
|
you here. This matter is not at all in my course of practice and is
|
|
not in my office. Mr. Smallweed is good enough to offer these affairs
|
|
to me, but they are not in my way. You must go to Melchisedech's in
|
|
Clifford's Inn."
|
|
|
|
"I must make an apology to you, sir," says Mr. George, "for pressing
|
|
myself upon you with so little encouragement--which is almost as
|
|
unpleasant to me as it can be to you--but would you let me say a
|
|
private word to you?"
|
|
|
|
Mr. Tulkinghorn rises with his hands in his pockets and walks into
|
|
one of the window recesses. "Now! I have no time to waste." In the
|
|
midst of his perfect assumption of indifference, he directs a sharp
|
|
look at the trooper, taking care to stand with his own back to the
|
|
light and to have the other with his face towards it.
|
|
|
|
"Well, sir," says Mr. George, "this man with me is the other party
|
|
implicated in this unfortunate affair--nominally, only nominally--and
|
|
my sole object is to prevent his getting into trouble on my account.
|
|
He is a most respectable man with a wife and family, formerly in the
|
|
Royal Artillery--"
|
|
|
|
"My friend, I don't care a pinch of snuff for the whole Royal
|
|
Artillery establishment--officers, men, tumbrils, waggons, horses,
|
|
guns, and ammunition."
|
|
|
|
"'Tis likely, sir. But I care a good deal for Bagnet and his wife and
|
|
family being injured on my account. And if I could bring them through
|
|
this matter, I should have no help for it but to give up without any
|
|
other consideration what you wanted of me the other day."
|
|
|
|
"Have you got it here?"
|
|
|
|
"I have got it here, sir."
|
|
|
|
"Sergeant," the lawyer proceeds in his dry passionless manner, far
|
|
more hopeless in the dealing with than any amount of vehemence, "make
|
|
up your mind while I speak to you, for this is final. After I have
|
|
finished speaking I have closed the subject, and I won't re-open it.
|
|
Understand that. You can leave here, for a few days, what you say you
|
|
have brought here if you choose; you can take it away at once if you
|
|
choose. In case you choose to leave it here, I can do this for you--I
|
|
can replace this matter on its old footing, and I can go so far
|
|
besides as to give you a written undertaking that this man Bagnet
|
|
shall never be troubled in any way until you have been proceeded
|
|
against to the utmost, that your means shall be exhausted before the
|
|
creditor looks to his. This is in fact all but freeing him. Have you
|
|
decided?"
|
|
|
|
The trooper puts his hand into his breast and answers with a long
|
|
breath, "I must do it, sir."
|
|
|
|
So Mr. Tulkinghorn, putting on his spectacles, sits down and writes
|
|
the undertaking, which he slowly reads and explains to Bagnet, who
|
|
has all this time been staring at the ceiling and who puts his hand
|
|
on his bald head again, under this new verbal shower-bath, and seems
|
|
exceedingly in need of the old girl through whom to express his
|
|
sentiments. The trooper then takes from his breast-pocket a folded
|
|
paper, which he lays with an unwilling hand at the lawyer's elbow.
|
|
"'Tis only a letter of instructions, sir. The last I ever had from
|
|
him."
|
|
|
|
Look at a millstone, Mr. George, for some change in its expression,
|
|
and you will find it quite as soon as in the face of Mr. Tulkinghorn
|
|
when he opens and reads the letter! He refolds it and lays it in his
|
|
desk with a countenance as unperturbable as death.
|
|
|
|
Nor has he anything more to say or do but to nod once in the same
|
|
frigid and discourteous manner and to say briefly, "You can go. Show
|
|
these men out, there!" Being shown out, they repair to Mr. Bagnet's
|
|
residence to dine.
|
|
|
|
Boiled beef and greens constitute the day's variety on the former
|
|
repast of boiled pork and greens, and Mrs. Bagnet serves out the meal
|
|
in the same way and seasons it with the best of temper, being that
|
|
rare sort of old girl that she receives Good to her arms without a
|
|
hint that it might be Better and catches light from any little spot
|
|
of darkness near her. The spot on this occasion is the darkened brow
|
|
of Mr. George; he is unusually thoughtful and depressed. At first
|
|
Mrs. Bagnet trusts to the combined endearments of Quebec and Malta to
|
|
restore him, but finding those young ladies sensible that their
|
|
existing Bluffy is not the Bluffy of their usual frolicsome
|
|
acquaintance, she winks off the light infantry and leaves him to
|
|
deploy at leisure on the open ground of the domestic hearth.
|
|
|
|
But he does not. He remains in close order, clouded and depressed.
|
|
During the lengthy cleaning up and pattening process, when he and Mr.
|
|
Bagnet are supplied with their pipes, he is no better than he was at
|
|
dinner. He forgets to smoke, looks at the fire and ponders, lets his
|
|
pipe out, fills the breast of Mr. Bagnet with perturbation and dismay
|
|
by showing that he has no enjoyment of tobacco.
|
|
|
|
Therefore when Mrs. Bagnet at last appears, rosy from the
|
|
invigorating pail, and sits down to her work, Mr. Bagnet growls, "Old
|
|
girl!" and winks monitions to her to find out what's the matter.
|
|
|
|
"Why, George!" says Mrs. Bagnet, quietly threading her needle. "How
|
|
low you are!"
|
|
|
|
"Am I? Not good company? Well, I am afraid I am not."
|
|
|
|
"He ain't at all like Bluffy, mother!" cries little Malta.
|
|
|
|
"Because he ain't well, I think, mother," adds Quebec.
|
|
|
|
"Sure that's a bad sign not to be like Bluffy, too!" returns the
|
|
trooper, kissing the young damsels. "But it's true," with a sigh,
|
|
"true, I am afraid. These little ones are always right!"
|
|
|
|
"George," says Mrs. Bagnet, working busily, "if I thought you cross
|
|
enough to think of anything that a shrill old soldier's wife--who
|
|
could have bitten her tongue off afterwards and ought to have done it
|
|
almost--said this morning, I don't know what I shouldn't say to you
|
|
now."
|
|
|
|
"My kind soul of a darling," returns the trooper. "Not a morsel of
|
|
it."
|
|
|
|
"Because really and truly, George, what I said and meant to say was
|
|
that I trusted Lignum to you and was sure you'd bring him through it.
|
|
And you HAVE brought him through it, noble!"
|
|
|
|
"Thankee, my dear!" says George. "I am glad of your good opinion."
|
|
|
|
In giving Mrs. Bagnet's hand, with her work in it, a friendly
|
|
shake--for she took her seat beside him--the trooper's attention is
|
|
attracted to her face. After looking at it for a little while as she
|
|
plies her needle, he looks to young Woolwich, sitting on his stool in
|
|
the corner, and beckons that fifer to him.
|
|
|
|
"See there, my boy," says George, very gently smoothing the mother's
|
|
hair with his hand, "there's a good loving forehead for you! All
|
|
bright with love of you, my boy. A little touched by the sun and the
|
|
weather through following your father about and taking care of you,
|
|
but as fresh and wholesome as a ripe apple on a tree."
|
|
|
|
Mr. Bagnet's face expresses, so far as in its wooden material lies,
|
|
the highest approbation and acquiescence.
|
|
|
|
"The time will come, my boy," pursues the trooper, "when this hair of
|
|
your mother's will be grey, and this forehead all crossed and
|
|
re-crossed with wrinkles, and a fine old lady she'll be then. Take
|
|
care, while you are young, that you can think in those days, 'I never
|
|
whitened a hair of her dear head--I never marked a sorrowful line in
|
|
her face!' For of all the many things that you can think of when you
|
|
are a man, you had better have THAT by you, Woolwich!"
|
|
|
|
Mr. George concludes by rising from his chair, seating the boy beside
|
|
his mother in it, and saying, with something of a hurry about him,
|
|
that he'll smoke his pipe in the street a bit.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXV
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
I lay ill through several weeks, and the usual tenor of my life
|
|
became like an old remembrance. But this was not the effect of time
|
|
so much as of the change in all my habits made by the helplessness
|
|
and inaction of a sick-room. Before I had been confined to it many
|
|
days, everything else seemed to have retired into a remote distance
|
|
where there was little or no separation between the various stages of
|
|
my life which had been really divided by years. In falling ill, I
|
|
seemed to have crossed a dark lake and to have left all my
|
|
experiences, mingled together by the great distance, on the healthy
|
|
shore.
|
|
|
|
My housekeeping duties, though at first it caused me great anxiety to
|
|
think that they were unperformed, were soon as far off as the oldest
|
|
of the old duties at Greenleaf or the summer afternoons when I went
|
|
home from school with my portfolio under my arm, and my childish
|
|
shadow at my side, to my godmother's house. I had never known before
|
|
how short life really was and into how small a space the mind could
|
|
put it.
|
|
|
|
While I was very ill, the way in which these divisions of time became
|
|
confused with one another distressed my mind exceedingly. At once a
|
|
child, an elder girl, and the little woman I had been so happy as, I
|
|
was not only oppressed by cares and difficulties adapted to each
|
|
station, but by the great perplexity of endlessly trying to reconcile
|
|
them. I suppose that few who have not been in such a condition can
|
|
quite understand what I mean or what painful unrest arose from this
|
|
source.
|
|
|
|
For the same reason I am almost afraid to hint at that time in my
|
|
disorder--it seemed one long night, but I believe there were both
|
|
nights and days in it--when I laboured up colossal staircases, ever
|
|
striving to reach the top, and ever turned, as I have seen a worm in
|
|
a garden path, by some obstruction, and labouring again. I knew
|
|
perfectly at intervals, and I think vaguely at most times, that I was
|
|
in my bed; and I talked with Charley, and felt her touch, and knew
|
|
her very well; yet I would find myself complaining, "Oh, more of
|
|
these never-ending stairs, Charley--more and more--piled up to the
|
|
sky', I think!" and labouring on again.
|
|
|
|
Dare I hint at that worse time when, strung together somewhere in
|
|
great black space, there was a flaming necklace, or ring, or starry
|
|
circle of some kind, of which I was one of the beads! And when my
|
|
only prayer was to be taken off from the rest and when it was such
|
|
inexplicable agony and misery to be a part of the dreadful thing?
|
|
|
|
Perhaps the less I say of these sick experiences, the less tedious
|
|
and the more intelligible I shall be. I do not recall them to make
|
|
others unhappy or because I am now the least unhappy in remembering
|
|
them. It may be that if we knew more of such strange afflictions we
|
|
might be the better able to alleviate their intensity.
|
|
|
|
The repose that succeeded, the long delicious sleep, the blissful
|
|
rest, when in my weakness I was too calm to have any care for myself
|
|
and could have heard (or so I think now) that I was dying, with no
|
|
other emotion than with a pitying love for those I left behind--this
|
|
state can be perhaps more widely understood. I was in this state when
|
|
I first shrunk from the light as it twinkled on me once more, and
|
|
knew with a boundless joy for which no words are rapturous enough
|
|
that I should see again.
|
|
|
|
I had heard my Ada crying at the door, day and night; I had heard her
|
|
calling to me that I was cruel and did not love her; I had heard her
|
|
praying and imploring to be let in to nurse and comfort me and to
|
|
leave my bedside no more; but I had only said, when I could speak,
|
|
"Never, my sweet girl, never!" and I had over and over again reminded
|
|
Charley that she was to keep my darling from the room whether I lived
|
|
or died. Charley had been true to me in that time of need, and with
|
|
her little hand and her great heart had kept the door fast.
|
|
|
|
But now, my sight strengthening and the glorious light coming every
|
|
day more fully and brightly on me, I could read the letters that my
|
|
dear wrote to me every morning and evening and could put them to my
|
|
lips and lay my cheek upon them with no fear of hurting her. I could
|
|
see my little maid, so tender and so careful, going about the two
|
|
rooms setting everything in order and speaking cheerfully to Ada from
|
|
the open window again. I could understand the stillness in the house
|
|
and the thoughtfulness it expressed on the part of all those who had
|
|
always been so good to me. I could weep in the exquisite felicity of
|
|
my heart and be as happy in my weakness as ever I had been in my
|
|
strength.
|
|
|
|
By and by my strength began to be restored. Instead of lying, with so
|
|
strange a calmness, watching what was done for me, as if it were done
|
|
for some one else whom I was quietly sorry for, I helped it a little,
|
|
and so on to a little more and much more, until I became useful to
|
|
myself, and interested, and attached to life again.
|
|
|
|
How well I remember the pleasant afternoon when I was raised in bed
|
|
with pillows for the first time to enjoy a great tea-drinking with
|
|
Charley! The little creature--sent into the world, surely, to
|
|
minister to the weak and sick--was so happy, and so busy, and stopped
|
|
so often in her preparations to lay her head upon my bosom, and
|
|
fondle me, and cry with joyful tears she was so glad, she was so
|
|
glad, that I was obliged to say, "Charley, if you go on in this way,
|
|
I must lie down again, my darling, for I am weaker than I thought I
|
|
was!" So Charley became as quiet as a mouse and took her bright face
|
|
here and there across and across the two rooms, out of the shade into
|
|
the divine sunshine, and out of the sunshine into the shade, while I
|
|
watched her peacefully. When all her preparations were concluded and
|
|
the pretty tea-table with its little delicacies to tempt me, and its
|
|
white cloth, and its flowers, and everything so lovingly and
|
|
beautifully arranged for me by Ada downstairs, was ready at the
|
|
bedside, I felt sure I was steady enough to say something to Charley
|
|
that was not new to my thoughts.
|
|
|
|
First I complimented Charley on the room, and indeed it was so fresh
|
|
and airy, so spotless and neat, that I could scarce believe I had
|
|
been lying there so long. This delighted Charley, and her face was
|
|
brighter than before.
|
|
|
|
"Yet, Charley," said I, looking round, "I miss something, surely,
|
|
that I am accustomed to?"
|
|
|
|
Poor little Charley looked round too and pretended to shake her head
|
|
as if there were nothing absent.
|
|
|
|
"Are the pictures all as they used to be?" I asked her.
|
|
|
|
"Every one of them, miss," said Charley.
|
|
|
|
"And the furniture, Charley?"
|
|
|
|
"Except where I have moved it about to make more room, miss."
|
|
|
|
"And yet," said I, "I miss some familiar object. Ah, I know what it
|
|
is, Charley! It's the looking-glass."
|
|
|
|
Charley got up from the table, making as if she had forgotten
|
|
something, and went into the next room; and I heard her sob there.
|
|
|
|
I had thought of this very often. I was now certain of it. I could
|
|
thank God that it was not a shock to me now. I called Charley back,
|
|
and when she came--at first pretending to smile, but as she drew
|
|
nearer to me, looking grieved--I took her in my arms and said, "It
|
|
matters very little, Charley. I hope I can do without my old face
|
|
very well."
|
|
|
|
I was presently so far advanced as to be able to sit up in a great
|
|
chair and even giddily to walk into the adjoining room, leaning on
|
|
Charley. The mirror was gone from its usual place in that room too,
|
|
but what I had to bear was none the harder to bear for that.
|
|
|
|
My guardian had throughout been earnest to visit me, and there was
|
|
now no good reason why I should deny myself that happiness. He came
|
|
one morning, and when he first came in, could only hold me in his
|
|
embrace and say, "My dear, dear girl!" I had long known--who could
|
|
know better?--what a deep fountain of affection and generosity his
|
|
heart was; and was it not worth my trivial suffering and change to
|
|
fill such a place in it? "Oh, yes!" I thought. "He has seen me, and
|
|
he loves me better than he did; he has seen me and is even fonder of
|
|
me than he was before; and what have I to mourn for!"
|
|
|
|
He sat down by me on the sofa, supporting me with his arm. For a
|
|
little while he sat with his hand over his face, but when he removed
|
|
it, fell into his usual manner. There never can have been, there
|
|
never can be, a pleasanter manner.
|
|
|
|
"My little woman," said he, "what a sad time this has been. Such an
|
|
inflexible little woman, too, through all!"
|
|
|
|
"Only for the best, guardian," said I.
|
|
|
|
"For the best?" he repeated tenderly. "Of course, for the best. But
|
|
here have Ada and I been perfectly forlorn and miserable; here has
|
|
your friend Caddy been coming and going late and early; here has
|
|
every one about the house been utterly lost and dejected; here has
|
|
even poor Rick been writing--to ME too--in his anxiety for you!"
|
|
|
|
I had read of Caddy in Ada's letters, but not of Richard. I told him
|
|
so.
|
|
|
|
"Why, no, my dear," he replied. "I have thought it better not to
|
|
mention it to her."
|
|
|
|
"And you speak of his writing to YOU," said I, repeating his
|
|
emphasis. "As if it were not natural for him to do so, guardian; as
|
|
if he could write to a better friend!"
|
|
|
|
"He thinks he could, my love," returned my guardian, "and to many a
|
|
better. The truth is, he wrote to me under a sort of protest while
|
|
unable to write to you with any hope of an answer--wrote coldly,
|
|
haughtily, distantly, resentfully. Well, dearest little woman, we
|
|
must look forbearingly on it. He is not to blame. Jarndyce and
|
|
Jarndyce has warped him out of himself and perverted me in his eyes.
|
|
I have known it do as bad deeds, and worse, many a time. If two
|
|
angels could be concerned in it, I believe it would change their
|
|
nature."
|
|
|
|
"It has not changed yours, guardian."
|
|
|
|
"Oh, yes, it has, my dear," he said laughingly. "It has made the
|
|
south wind easterly, I don't know how often. Rick mistrusts and
|
|
suspects me--goes to lawyers, and is taught to mistrust and suspect
|
|
me. Hears I have conflicting interests, claims clashing against his
|
|
and what not. Whereas, heaven knows that if I could get out of the
|
|
mountains of wiglomeration on which my unfortunate name has been so
|
|
long bestowed (which I can't) or could level them by the extinction
|
|
of my own original right (which I can't either, and no human power
|
|
ever can, anyhow, I believe, to such a pass have we got), I would do
|
|
it this hour. I would rather restore to poor Rick his proper nature
|
|
than be endowed with all the money that dead suitors, broken, heart
|
|
and soul, upon the wheel of Chancery, have left unclaimed with the
|
|
Accountant-General--and that's money enough, my dear, to be cast into
|
|
a pyramid, in memory of Chancery's transcendent wickedness."
|
|
|
|
"IS it possible, guardian," I asked, amazed, "that Richard can be
|
|
suspicious of you?"
|
|
|
|
"Ah, my love, my love," he said, "it is in the subtle poison of such
|
|
abuses to breed such diseases. His blood is infected, and objects
|
|
lose their natural aspects in his sight. It is not HIS fault."
|
|
|
|
"But it is a terrible misfortune, guardian."
|
|
|
|
"It is a terrible misfortune, little woman, to be ever drawn within
|
|
the influences of Jarndyce and Jarndyce. I know none greater. By
|
|
little and little he has been induced to trust in that rotten reed,
|
|
and it communicates some portion of its rottenness to everything
|
|
around him. But again I say with all my soul, we must be patient with
|
|
poor Rick and not blame him. What a troop of fine fresh hearts like
|
|
his have I seen in my time turned by the same means!"
|
|
|
|
I could not help expressing something of my wonder and regret that
|
|
his benevolent, disinterested intentions had prospered so little.
|
|
|
|
"We must not say so, Dame Durden," he cheerfully replied; "Ada is the
|
|
happier, I hope, and that is much. I did think that I and both these
|
|
young creatures might be friends instead of distrustful foes and that
|
|
we might so far counter-act the suit and prove too strong for it. But
|
|
it was too much to expect. Jarndyce and Jarndyce was the curtain of
|
|
Rick's cradle."
|
|
|
|
"But, guardian, may we not hope that a little experience will teach
|
|
him what a false and wretched thing it is?"
|
|
|
|
"We WILL hope so, my Esther," said Mr. Jarndyce, "and that it may not
|
|
teach him so too late. In any case we must not be hard on him. There
|
|
are not many grown and matured men living while we speak, good men
|
|
too, who if they were thrown into this same court as suitors would
|
|
not be vitally changed and depreciated within three years--within
|
|
two--within one. How can we stand amazed at poor Rick? A young man so
|
|
unfortunate," here he fell into a lower tone, as if he were thinking
|
|
aloud, "cannot at first believe (who could?) that Chancery is what it
|
|
is. He looks to it, flushed and fitfully, to do something with his
|
|
interests and bring them to some settlement. It procrastinates,
|
|
disappoints, tries, tortures him; wears out his sanguine hopes and
|
|
patience, thread by thread; but he still looks to it, and hankers
|
|
after it, and finds his whole world treacherous and hollow. Well,
|
|
well, well! Enough of this, my dear!"
|
|
|
|
He had supported me, as at first, all this time, and his tenderness
|
|
was so precious to me that I leaned my head upon his shoulder and
|
|
loved him as if he had been my father. I resolved in my own mind in
|
|
this little pause, by some means, to see Richard when I grew strong
|
|
and try to set him right.
|
|
|
|
"There are better subjects than these," said my guardian, "for such a
|
|
joyful time as the time of our dear girl's recovery. And I had a
|
|
commission to broach one of them as soon as I should begin to talk.
|
|
When shall Ada come to see you, my love?"
|
|
|
|
I had been thinking of that too. A little in connexion with the
|
|
absent mirrors, but not much, for I knew my loving girl would be
|
|
changed by no change in my looks.
|
|
|
|
"Dear guardian," said I, "as I have shut her out so long--though
|
|
indeed, indeed, she is like the light to me--"
|
|
|
|
"I know it well, Dame Durden, well."
|
|
|
|
He was so good, his touch expressed such endearing compassion and
|
|
affection, and the tone of his voice carried such comfort into my
|
|
heart that I stopped for a little while, quite unable to go on. "Yes,
|
|
yes, you are tired," said he. "Rest a little."
|
|
|
|
"As I have kept Ada out so long," I began afresh after a short while,
|
|
"I think I should like to have my own way a little longer, guardian.
|
|
It would be best to be away from here before I see her. If Charley
|
|
and I were to go to some country lodging as soon as I can move, and
|
|
if I had a week there in which to grow stronger and to be revived by
|
|
the sweet air and to look forward to the happiness of having Ada with
|
|
me again, I think it would be better for us."
|
|
|
|
I hope it was not a poor thing in me to wish to be a little more used
|
|
to my altered self before I met the eyes of the dear girl I longed so
|
|
ardently to see, but it is the truth. I did. He understood me, I was
|
|
sure; but I was not afraid of that. If it were a poor thing, I knew
|
|
he would pass it over.
|
|
|
|
"Our spoilt little woman," said my guardian, "shall have her own way
|
|
even in her inflexibility, though at the price, I know, of tears
|
|
downstairs. And see here! Here is Boythorn, heart of chivalry,
|
|
breathing such ferocious vows as never were breathed on paper before,
|
|
that if you don't go and occupy his whole house, he having already
|
|
turned out of it expressly for that purpose, by heaven and by earth
|
|
he'll pull it down and not leave one brick standing on another!"
|
|
|
|
And my guardian put a letter in my hand, without any ordinary
|
|
beginning such as "My dear Jarndyce," but rushing at once into the
|
|
words, "I swear if Miss Summerson do not come down and take
|
|
possession of my house, which I vacate for her this day at one
|
|
o'clock, P.M.," and then with the utmost seriousness, and in the most
|
|
emphatic terms, going on to make the extraordinary declaration he had
|
|
quoted. We did not appreciate the writer the less for laughing
|
|
heartily over it, and we settled that I should send him a letter of
|
|
thanks on the morrow and accept his offer. It was a most agreeable
|
|
one to me, for all the places I could have thought of, I should have
|
|
liked to go to none so well as Chesney Wold.
|
|
|
|
"Now, little housewife," said my guardian, looking at his watch, "I
|
|
was strictly timed before I came upstairs, for you must not be tired
|
|
too soon; and my time has waned away to the last minute. I have one
|
|
other petition. Little Miss Flite, hearing a rumour that you were
|
|
ill, made nothing of walking down here--twenty miles, poor soul, in a
|
|
pair of dancing shoes--to inquire. It was heaven's mercy we were at
|
|
home, or she would have walked back again."
|
|
|
|
The old conspiracy to make me happy! Everybody seemed to be in it!
|
|
|
|
"Now, pet," said my guardian, "if it would not be irksome to you to
|
|
admit the harmless little creature one afternoon before you save
|
|
Boythorn's otherwise devoted house from demolition, I believe you
|
|
would make her prouder and better pleased with herself than I--though
|
|
my eminent name is Jarndyce--could do in a lifetime."
|
|
|
|
I have no doubt he knew there would be something in the simple image
|
|
of the poor afflicted creature that would fall like a gentle lesson
|
|
on my mind at that time. I felt it as he spoke to me. I could not
|
|
tell him heartily enough how ready I was to receive her. I had always
|
|
pitied her, never so much as now. I had always been glad of my little
|
|
power to soothe her under her calamity, but never, never, half so
|
|
glad before.
|
|
|
|
We arranged a time for Miss Flite to come out by the coach and share
|
|
my early dinner. When my guardian left me, I turned my face away upon
|
|
my couch and prayed to be forgiven if I, surrounded by such
|
|
blessings, had magnified to myself the little trial that I had to
|
|
undergo. The childish prayer of that old birthday when I had aspired
|
|
to be industrious, contented, and true-hearted and to do good to some
|
|
one and win some love to myself if I could came back into my mind
|
|
with a reproachful sense of all the happiness I had since enjoyed and
|
|
all the affectionate hearts that had been turned towards me. If I
|
|
were weak now, what had I profited by those mercies? I repeated the
|
|
old childish prayer in its old childish words and found that its old
|
|
peace had not departed from it.
|
|
|
|
My guardian now came every day. In a week or so more I could walk
|
|
about our rooms and hold long talks with Ada from behind the
|
|
window-curtain. Yet I never saw her, for I had not as yet the courage
|
|
to look at the dear face, though I could have done so easily without
|
|
her seeing me.
|
|
|
|
On the appointed day Miss Flite arrived. The poor little creature ran
|
|
into my room quite forgetful of her usual dignity, and crying from
|
|
her very heart of hearts, "My dear Fitz Jarndyce!" fell upon my neck
|
|
and kissed me twenty times.
|
|
|
|
"Dear me!" said she, putting her hand into her reticule, "I have
|
|
nothing here but documents, my dear Fitz Jarndyce; I must borrow a
|
|
pocket handkerchief."
|
|
|
|
Charley gave her one, and the good creature certainly made use of it,
|
|
for she held it to her eyes with both hands and sat so, shedding
|
|
tears for the next ten minutes.
|
|
|
|
"With pleasure, my dear Fitz Jarndyce," she was careful to explain.
|
|
"Not the least pain. Pleasure to see you well again. Pleasure at
|
|
having the honour of being admitted to see you. I am so much fonder
|
|
of you, my love, than of the Chancellor. Though I DO attend court
|
|
regularly. By the by, my dear, mentioning pocket handkerchiefs--"
|
|
|
|
Miss Flite here looked at Charley, who had been to meet her at the
|
|
place where the coach stopped. Charley glanced at me and looked
|
|
unwilling to pursue the suggestion.
|
|
|
|
"Ve-ry right!" said Miss Flite, "Ve-ry correct. Truly! Highly
|
|
indiscreet of me to mention it; but my dear Miss Fitz Jarndyce, I am
|
|
afraid I am at times (between ourselves, you wouldn't think it) a
|
|
little--rambling you know," said Miss Flite, touching her forehead.
|
|
"Nothing more."
|
|
|
|
"What were you going to tell me?" said I, smiling, for I saw she
|
|
wanted to go on. "You have roused my curiosity, and now you must
|
|
gratify it."
|
|
|
|
Miss Flite looked at Charley for advice in this important crisis, who
|
|
said, "If you please, ma'am, you had better tell then," and therein
|
|
gratified Miss Flite beyond measure.
|
|
|
|
"So sagacious, our young friend," said she to me in her mysterious
|
|
way. "Diminutive. But ve-ry sagacious! Well, my dear, it's a pretty
|
|
anecdote. Nothing more. Still I think it charming. Who should follow
|
|
us down the road from the coach, my dear, but a poor person in a very
|
|
ungenteel bonnet--"
|
|
|
|
"Jenny, if you please, miss," said Charley.
|
|
|
|
"Just so!" Miss Flite acquiesced with the greatest suavity. "Jenny.
|
|
Ye-es! And what does she tell our young friend but that there has
|
|
been a lady with a veil inquiring at her cottage after my dear Fitz
|
|
Jarndyce's health and taking a handkerchief away with her as a little
|
|
keepsake merely because it was my amiable Fitz Jarndyce's! Now, you
|
|
know, so very prepossessing in the lady with the veil!"
|
|
|
|
"If you please, miss," said Charley, to whom I looked in some
|
|
astonishment, "Jenny says that when her baby died, you left a
|
|
handkerchief there, and that she put it away and kept it with the
|
|
baby's little things. I think, if you please, partly because it was
|
|
yours, miss, and partly because it had covered the baby."
|
|
|
|
"Diminutive," whispered Miss Flite, making a variety of motions about
|
|
her own forehead to express intellect in Charley. "But exceedingly
|
|
sagacious! And so dear! My love, she's clearer than any counsel I
|
|
ever heard!"
|
|
|
|
"Yes, Charley," I returned. "I remember it. Well?"
|
|
|
|
"Well, miss," said Charley, "and that's the handkerchief the lady
|
|
took. And Jenny wants you to know that she wouldn't have made away
|
|
with it herself for a heap of money but that the lady took it and
|
|
left some money instead. Jenny don't know her at all, if you please,
|
|
miss!"
|
|
|
|
"Why, who can she be?" said I.
|
|
|
|
"My love," Miss Flite suggested, advancing her lips to my ear with
|
|
her most mysterious look, "in MY opinion--don't mention this to our
|
|
diminutive friend--she's the Lord Chancellor's wife. He's married,
|
|
you know. And I understand she leads him a terrible life. Throws his
|
|
lordship's papers into the fire, my dear, if he won't pay the
|
|
jeweller!"
|
|
|
|
I did not think very much about this lady then, for I had an
|
|
impression that it might be Caddy. Besides, my attention was diverted
|
|
by my visitor, who was cold after her ride and looked hungry and who,
|
|
our dinner being brought in, required some little assistance in
|
|
arraying herself with great satisfaction in a pitiable old scarf and
|
|
a much-worn and often-mended pair of gloves, which she had brought
|
|
down in a paper parcel. I had to preside, too, over the
|
|
entertainment, consisting of a dish of fish, a roast fowl, a
|
|
sweetbread, vegetables, pudding, and Madeira; and it was so pleasant
|
|
to see how she enjoyed it, and with what state and ceremony she did
|
|
honour to it, that I was soon thinking of nothing else.
|
|
|
|
When we had finished and had our little dessert before us,
|
|
embellished by the hands of my dear, who would yield the
|
|
superintendence of everything prepared for me to no one, Miss Flite
|
|
was so very chatty and happy that I thought I would lead her to her
|
|
own history, as she was always pleased to talk about herself. I began
|
|
by saying "You have attended on the Lord Chancellor many years, Miss
|
|
Flite?"
|
|
|
|
"Oh, many, many, many years, my dear. But I expect a judgment.
|
|
Shortly."
|
|
|
|
There was an anxiety even in her hopefulness that made me doubtful if
|
|
I had done right in approaching the subject. I thought I would say no
|
|
more about it.
|
|
|
|
"My father expected a judgment," said Miss Flite. "My brother. My
|
|
sister. They all expected a judgment. The same that I expect."
|
|
|
|
"They are all--"
|
|
|
|
"Ye-es. Dead of course, my dear," said she.
|
|
|
|
As I saw she would go on, I thought it best to try to be serviceable
|
|
to her by meeting the theme rather than avoiding it.
|
|
|
|
"Would it not be wiser," said I, "to expect this judgment no more?"
|
|
|
|
"Why, my dear," she answered promptly, "of course it would!"
|
|
|
|
"And to attend the court no more?"
|
|
|
|
"Equally of course," said she. "Very wearing to be always in
|
|
expectation of what never comes, my dear Fitz Jarndyce! Wearing, I
|
|
assure you, to the bone!"
|
|
|
|
She slightly showed me her arm, and it was fearfully thin indeed.
|
|
|
|
"But, my dear," she went on in her mysterious way, "there's a
|
|
dreadful attraction in the place. Hush! Don't mention it to our
|
|
diminutive friend when she comes in. Or it may frighten her. With
|
|
good reason. There's a cruel attraction in the place. You CAN'T leave
|
|
it. And you MUST expect."
|
|
|
|
I tried to assure her that this was not so. She heard me patiently
|
|
and smilingly, but was ready with her own answer.
|
|
|
|
"Aye, aye, aye! You think so because I am a little rambling. Ve-ry
|
|
absurd, to be a little rambling, is it not? Ve-ry confusing, too. To
|
|
the head. I find it so. But, my dear, I have been there many years,
|
|
and I have noticed. It's the mace and seal upon the table."
|
|
|
|
What could they do, did she think? I mildly asked her.
|
|
|
|
"Draw," returned Miss Flite. "Draw people on, my dear. Draw peace out
|
|
of them. Sense out of them. Good looks out of them. Good qualities
|
|
out of them. I have felt them even drawing my rest away in the night.
|
|
Cold and glittering devils!"
|
|
|
|
She tapped me several times upon the arm and nodded good-humouredly
|
|
as if she were anxious I should understand that I had no cause to
|
|
fear her, though she spoke so gloomily, and confided these awful
|
|
secrets to me.
|
|
|
|
"Let me see," said she. "I'll tell you my own case. Before they ever
|
|
drew me--before I had ever seen them--what was it I used to do?
|
|
Tambourine playing? No. Tambour work. I and my sister worked at
|
|
tambour work. Our father and our brother had a builder's business.
|
|
We all lived together. Ve-ry respectably, my dear! First, our father
|
|
was drawn--slowly. Home was drawn with him. In a few years he
|
|
was a fierce, sour, angry bankrupt without a kind word or a kind
|
|
look for any one. He had been so different, Fitz Jarndyce. He was
|
|
drawn to a debtors' prison. There he died. Then our brother was
|
|
drawn--swiftly--to drunkenness. And rags. And death. Then my sister
|
|
was drawn. Hush! Never ask to what! Then I was ill and in misery, and
|
|
heard, as I had often heard before, that this was all the work of
|
|
Chancery. When I got better, I went to look at the monster. And then
|
|
I found out how it was, and I was drawn to stay there."
|
|
|
|
Having got over her own short narrative, in the delivery of which she
|
|
had spoken in a low, strained voice, as if the shock were fresh upon
|
|
her, she gradually resumed her usual air of amiable importance.
|
|
|
|
"You don't quite credit me, my dear! Well, well! You will, some day.
|
|
I am a little rambling. But I have noticed. I have seen many new
|
|
faces come, unsuspicious, within the influence of the mace and seal
|
|
in these many years. As my father's came there. As my brother's. As
|
|
my sister's. As my own. I hear Conversation Kenge and the rest of
|
|
them say to the new faces, 'Here's little Miss Flite. Oh, you are new
|
|
here; and you must come and be presented to little Miss Flite!' Ve-ry
|
|
good. Proud I am sure to have the honour! And we all laugh. But, Fitz
|
|
Jarndyce, I know what will happen. I know, far better than they do,
|
|
when the attraction has begun. I know the signs, my dear. I saw them
|
|
begin in Gridley. And I saw them end. Fitz Jarndyce, my love,"
|
|
speaking low again, "I saw them beginning in our friend the ward in
|
|
Jarndyce. Let some one hold him back. Or he'll be drawn to ruin."
|
|
|
|
She looked at me in silence for some moments, with her face gradually
|
|
softening into a smile. Seeming to fear that she had been too gloomy,
|
|
and seeming also to lose the connexion in her mind, she said politely
|
|
as she sipped her glass of wine, "Yes, my dear, as I was saying, I
|
|
expect a judgment shortly. Then I shall release my birds, you know,
|
|
and confer estates."
|
|
|
|
I was much impressed by her allusion to Richard and by the sad
|
|
meaning, so sadly illustrated in her poor pinched form, that made its
|
|
way through all her incoherence. But happily for her, she was quite
|
|
complacent again now and beamed with nods and smiles.
|
|
|
|
"But, my dear," she said, gaily, reaching another hand to put it upon
|
|
mine. "You have not congratulated me on my physician. Positively not
|
|
once, yet!"
|
|
|
|
I was obliged to confess that I did not quite know what she meant.
|
|
|
|
"My physician, Mr. Woodcourt, my dear, who was so exceedingly
|
|
attentive to me. Though his services were rendered quite
|
|
gratuitously. Until the Day of Judgment. I mean THE judgment that
|
|
will dissolve the spell upon me of the mace and seal."
|
|
|
|
"Mr. Woodcourt is so far away, now," said I, "that I thought the time
|
|
for such congratulation was past, Miss Flite."
|
|
|
|
"But, my child," she returned, "is it possible that you don't know
|
|
what has happened?"
|
|
|
|
"No," said I.
|
|
|
|
"Not what everybody has been talking of, my beloved Fitz Jarndyce!"
|
|
|
|
"No," said I. "You forget how long I have been here."
|
|
|
|
"True! My dear, for the moment--true. I blame myself. But my memory
|
|
has been drawn out of me, with everything else, by what I mentioned.
|
|
Ve-ry strong influence, is it not? Well, my dear, there has been a
|
|
terrible shipwreck over in those East Indian seas."
|
|
|
|
"Mr. Woodcourt shipwrecked!"
|
|
|
|
"Don't be agitated, my dear. He is safe. An awful scene. Death in all
|
|
shapes. Hundreds of dead and dying. Fire, storm, and darkness.
|
|
Numbers of the drowning thrown upon a rock. There, and through it
|
|
all, my dear physician was a hero. Calm and brave through everything.
|
|
Saved many lives, never complained in hunger and thirst, wrapped
|
|
naked people in his spare clothes, took the lead, showed them what to
|
|
do, governed them, tended the sick, buried the dead, and brought the
|
|
poor survivors safely off at last! My dear, the poor emaciated
|
|
creatures all but worshipped him. They fell down at his feet when
|
|
they got to the land and blessed him. The whole country rings with
|
|
it. Stay! Where's my bag of documents? I have got it there, and you
|
|
shall read it, you shall read it!"
|
|
|
|
And I DID read all the noble history, though very slowly and
|
|
imperfectly then, for my eyes were so dimmed that I could not see the
|
|
words, and I cried so much that I was many times obliged to lay down
|
|
the long account she had cut out of the newspaper. I felt so
|
|
triumphant ever to have known the man who had done such generous and
|
|
gallant deeds, I felt such glowing exultation in his renown, I so
|
|
admired and loved what he had done, that I envied the storm-worn
|
|
people who had fallen at his feet and blessed him as their preserver.
|
|
I could myself have kneeled down then, so far away, and blessed him
|
|
in my rapture that he should be so truly good and brave. I felt that
|
|
no one--mother, sister, wife--could honour him more than I. I did,
|
|
indeed!
|
|
|
|
My poor little visitor made me a present of the account, and when as
|
|
the evening began to close in she rose to take her leave, lest she
|
|
should miss the coach by which she was to return, she was still full
|
|
of the shipwreck, which I had not yet sufficiently composed myself to
|
|
understand in all its details.
|
|
|
|
"My dear," said she as she carefully folded up her scarf and gloves,
|
|
"my brave physician ought to have a title bestowed upon him. And no
|
|
doubt he will. You are of that opinion?"
|
|
|
|
That he well deserved one, yes. That he would ever have one, no.
|
|
|
|
"Why not, Fitz Jarndyce?" she asked rather sharply.
|
|
|
|
I said it was not the custom in England to confer titles on men
|
|
distinguished by peaceful services, however good and great, unless
|
|
occasionally when they consisted of the accumulation of some very
|
|
large amount of money.
|
|
|
|
"Why, good gracious," said Miss Flite, "how can you say that? Surely
|
|
you know, my dear, that all the greatest ornaments of England in
|
|
knowledge, imagination, active humanity, and improvement of every
|
|
sort are added to its nobility! Look round you, my dear, and
|
|
consider. YOU must be rambling a little now, I think, if you don't
|
|
know that this is the great reason why titles will always last in the
|
|
land!"
|
|
|
|
I am afraid she believed what she said, for there were moments when
|
|
she was very mad indeed.
|
|
|
|
And now I must part with the little secret I have thus far tried to
|
|
keep. I had thought, sometimes, that Mr. Woodcourt loved me and that
|
|
if he had been richer he would perhaps have told me that he loved me
|
|
before he went away. I had thought, sometimes, that if he had done
|
|
so, I should have been glad of it. But how much better it was now
|
|
that this had never happened! What should I have suffered if I had
|
|
had to write to him and tell him that the poor face he had known as
|
|
mine was quite gone from me and that I freely released him from his
|
|
bondage to one whom he had never seen!
|
|
|
|
Oh, it was so much better as it was! With a great pang mercifully
|
|
spared me, I could take back to my heart my childish prayer to be all
|
|
he had so brightly shown himself; and there was nothing to be undone:
|
|
no chain for me to break or for him to drag; and I could go, please
|
|
God, my lowly way along the path of duty, and he could go his nobler
|
|
way upon its broader road; and though we were apart upon the journey,
|
|
I might aspire to meet him, unselfishly, innocently, better far than
|
|
he had thought me when I found some favour in his eyes, at the
|
|
journey's end.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVI
|
|
|
|
Chesney Wold
|
|
|
|
|
|
Charley and I did not set off alone upon our expedition into
|
|
Lincolnshire. My guardian had made up his mind not to lose sight of
|
|
me until I was safe in Mr. Boythorn's house, so he accompanied us,
|
|
and we were two days upon the road. I found every breath of air, and
|
|
every scent, and every flower and leaf and blade of grass, and every
|
|
passing cloud, and everything in nature, more beautiful and wonderful
|
|
to me than I had ever found it yet. This was my first gain from my
|
|
illness. How little I had lost, when the wide world was so full of
|
|
delight for me.
|
|
|
|
My guardian intending to go back immediately, we appointed, on our
|
|
way down, a day when my dear girl should come. I wrote her a letter,
|
|
of which he took charge, and he left us within half an hour of our
|
|
arrival at our destination, on a delightful evening in the early
|
|
summer-time.
|
|
|
|
If a good fairy had built the house for me with a wave of her wand,
|
|
and I had been a princess and her favoured god-child, I could not
|
|
have been more considered in it. So many preparations were made for
|
|
me and such an endearing remembrance was shown of all my little
|
|
tastes and likings that I could have sat down, overcome, a dozen
|
|
times before I had revisited half the rooms. I did better than that,
|
|
however, by showing them all to Charley instead. Charley's delight
|
|
calmed mine; and after we had had a walk in the garden, and Charley
|
|
had exhausted her whole vocabulary of admiring expressions, I was as
|
|
tranquilly happy as I ought to have been. It was a great comfort to
|
|
be able to say to myself after tea, "Esther, my dear, I think you are
|
|
quite sensible enough to sit down now and write a note of thanks to
|
|
your host." He had left a note of welcome for me, as sunny as his own
|
|
face, and had confided his bird to my care, which I knew to be his
|
|
highest mark of confidence. Accordingly I wrote a little note to him
|
|
in London, telling him how all his favourite plants and trees were
|
|
looking, and how the most astonishing of birds had chirped the
|
|
honours of the house to me in the most hospitable manner, and how,
|
|
after singing on my shoulder, to the inconceivable rapture of my
|
|
little maid, he was then at roost in the usual corner of his cage,
|
|
but whether dreaming or no I could not report. My note finished and
|
|
sent off to the post, I made myself very busy in unpacking and
|
|
arranging; and I sent Charley to bed in good time and told her I
|
|
should want her no more that night.
|
|
|
|
For I had not yet looked in the glass and had never asked to have my
|
|
own restored to me. I knew this to be a weakness which must be
|
|
overcome, but I had always said to myself that I would begin afresh
|
|
when I got to where I now was. Therefore I had wanted to be alone,
|
|
and therefore I said, now alone, in my own room, "Esther, if you are
|
|
to be happy, if you are to have any right to pray to be true-hearted,
|
|
you must keep your word, my dear." I was quite resolved to keep it,
|
|
but I sat down for a little while first to reflect upon all my
|
|
blessings. And then I said my prayers and thought a little more.
|
|
|
|
My hair had not been cut off, though it had been in danger more than
|
|
once. It was long and thick. I let it down, and shook it out, and
|
|
went up to the glass upon the dressing-table. There was a little
|
|
muslin curtain drawn across it. I drew it back and stood for a moment
|
|
looking through such a veil of my own hair that I could see nothing
|
|
else. Then I put my hair aside and looked at the reflection in the
|
|
mirror, encouraged by seeing how placidly it looked at me. I was very
|
|
much changed--oh, very, very much. At first my face was so strange to
|
|
me that I think I should have put my hands before it and started back
|
|
but for the encouragement I have mentioned. Very soon it became more
|
|
familiar, and then I knew the extent of the alteration in it better
|
|
than I had done at first. It was not like what I had expected, but I
|
|
had expected nothing definite, and I dare say anything definite would
|
|
have surprised me.
|
|
|
|
I had never been a beauty and had never thought myself one, but I had
|
|
been very different from this. It was all gone now. Heaven was so
|
|
good to me that I could let it go with a few not bitter tears and
|
|
could stand there arranging my hair for the night quite thankfully.
|
|
|
|
One thing troubled me, and I considered it for a long time before I
|
|
went to sleep. I had kept Mr. Woodcourt's flowers. When they were
|
|
withered I had dried them and put them in a book that I was fond of.
|
|
Nobody knew this, not even Ada. I was doubtful whether I had a right
|
|
to preserve what he had sent to one so different--whether it was
|
|
generous towards him to do it. I wished to be generous to him, even
|
|
in the secret depths of my heart, which he would never know, because
|
|
I could have loved him--could have been devoted to him. At last I
|
|
came to the conclusion that I might keep them if I treasured them
|
|
only as a remembrance of what was irrevocably past and gone, never to
|
|
be looked back on any more, in any other light. I hope this may not
|
|
seem trivial. I was very much in earnest.
|
|
|
|
I took care to be up early in the morning and to be before the glass
|
|
when Charley came in on tiptoe.
|
|
|
|
"Dear, dear, miss!" cried Charley, starting. "Is that you?"
|
|
|
|
"Yes, Charley," said I, quietly putting up my hair. "And I am very
|
|
well indeed, and very happy."
|
|
|
|
I saw it was a weight off Charley's mind, but it was a greater weight
|
|
off mine. I knew the worst now and was composed to it. I shall not
|
|
conceal, as I go on, the weaknesses I could not quite conquer, but
|
|
they always passed from me soon and the happier frame of mind stayed
|
|
by me faithfully.
|
|
|
|
Wishing to be fully re-established in my strength and my good spirits
|
|
before Ada came, I now laid down a little series of plans with
|
|
Charley for being in the fresh air all day long. We were to be out
|
|
before breakfast, and were to dine early, and were to be out again
|
|
before and after dinner, and were to talk in the garden after tea,
|
|
and were to go to rest betimes, and were to climb every hill and
|
|
explore every road, lane, and field in the neighbourhood. As to
|
|
restoratives and strengthening delicacies, Mr. Boythorn's good
|
|
housekeeper was for ever trotting about with something to eat or
|
|
drink in her hand; I could not even be heard of as resting in the
|
|
park but she would come trotting after me with a basket, her cheerful
|
|
face shining with a lecture on the importance of frequent
|
|
nourishment. Then there was a pony expressly for my riding, a chubby
|
|
pony with a short neck and a mane all over his eyes who could
|
|
canter--when he would--so easily and quietly that he was a treasure.
|
|
In a very few days he would come to me in the paddock when I called
|
|
him, and eat out of my hand, and follow me about. We arrived at such
|
|
a capital understanding that when he was jogging with me lazily, and
|
|
rather obstinately, down some shady lane, if I patted his neck and
|
|
said, "Stubbs, I am surprised you don't canter when you know how much
|
|
I like it; and I think you might oblige me, for you are only getting
|
|
stupid and going to sleep," he would give his head a comical shake or
|
|
two and set off directly, while Charley would stand still and laugh
|
|
with such enjoyment that her laughter was like music. I don't know
|
|
who had given Stubbs his name, but it seemed to belong to him as
|
|
naturally as his rough coat. Once we put him in a little chaise and
|
|
drove him triumphantly through the green lanes for five miles; but
|
|
all at once, as we were extolling him to the skies, he seemed to take
|
|
it ill that he should have been accompanied so far by the circle of
|
|
tantalizing little gnats that had been hovering round and round his
|
|
ears the whole way without appearing to advance an inch, and stopped
|
|
to think about it. I suppose he came to the decision that it was not
|
|
to be borne, for he steadily refused to move until I gave the reins
|
|
to Charley and got out and walked, when he followed me with a sturdy
|
|
sort of good humour, putting his head under my arm and rubbing his
|
|
ear against my sleeve. It was in vain for me to say, "Now, Stubbs, I
|
|
feel quite sure from what I know of you that you will go on if I ride
|
|
a little while," for the moment I left him, he stood stock still
|
|
again. Consequently I was obliged to lead the way, as before; and in
|
|
this order we returned home, to the great delight of the village.
|
|
|
|
Charley and I had reason to call it the most friendly of villages, I
|
|
am sure, for in a week's time the people were so glad to see us go
|
|
by, though ever so frequently in the course of a day, that there were
|
|
faces of greeting in every cottage. I had known many of the grown
|
|
people before and almost all the children, but now the very steeple
|
|
began to wear a familiar and affectionate look. Among my new friends
|
|
was an old old woman who lived in such a little thatched and
|
|
whitewashed dwelling that when the outside shutter was turned up on
|
|
its hinges, it shut up the whole house-front. This old lady had a
|
|
grandson who was a sailor, and I wrote a letter to him for her and
|
|
drew at the top of it the chimney-corner in which she had brought him
|
|
up and where his old stool yet occupied its old place. This was
|
|
considered by the whole village the most wonderful achievement in the
|
|
world, but when an answer came back all the way from Plymouth, in
|
|
which he mentioned that he was going to take the picture all the way
|
|
to America, and from America would write again, I got all the credit
|
|
that ought to have been given to the post-office and was invested
|
|
with the merit of the whole system.
|
|
|
|
Thus, what with being so much in the air, playing with so many
|
|
children, gossiping with so many people, sitting on invitation in so
|
|
many cottages, going on with Charley's education, and writing long
|
|
letters to Ada every day, I had scarcely any time to think about that
|
|
little loss of mine and was almost always cheerful. If I did think of
|
|
it at odd moments now and then, I had only to be busy and forget it.
|
|
I felt it more than I had hoped I should once when a child said,
|
|
"Mother, why is the lady not a pretty lady now like she used to be?"
|
|
But when I found the child was not less fond of me, and drew its soft
|
|
hand over my face with a kind of pitying protection in its touch,
|
|
that soon set me up again. There were many little occurrences which
|
|
suggested to me, with great consolation, how natural it is to gentle
|
|
hearts to be considerate and delicate towards any inferiority. One of
|
|
these particularly touched me. I happened to stroll into the little
|
|
church when a marriage was just concluded, and the young couple had
|
|
to sign the register.
|
|
|
|
The bridegroom, to whom the pen was handed first, made a rude cross
|
|
for his mark; the bride, who came next, did the same. Now, I had
|
|
known the bride when I was last there, not only as the prettiest girl
|
|
in the place, but as having quite distinguished herself in the
|
|
school, and I could not help looking at her with some surprise. She
|
|
came aside and whispered to me, while tears of honest love and
|
|
admiration stood in her bright eyes, "He's a dear good fellow, miss;
|
|
but he can't write yet--he's going to learn of me--and I wouldn't
|
|
shame him for the world!" Why, what had I to fear, I thought, when
|
|
there was this nobility in the soul of a labouring man's daughter!
|
|
|
|
The air blew as freshly and revivingly upon me as it had ever blown,
|
|
and the healthy colour came into my new face as it had come into my
|
|
old one. Charley was wonderful to see, she was so radiant and so
|
|
rosy; and we both enjoyed the whole day and slept soundly the whole
|
|
night.
|
|
|
|
There was a favourite spot of mine in the park-woods of Chesney Wold
|
|
where a seat had been erected commanding a lovely view. The wood had
|
|
been cleared and opened to improve this point of sight, and the
|
|
bright sunny landscape beyond was so beautiful that I rested there at
|
|
least once every day. A picturesque part of the Hall, called the
|
|
Ghost's Walk, was seen to advantage from this higher ground; and the
|
|
startling name, and the old legend in the Dedlock family which I had
|
|
heard from Mr. Boythorn accounting for it, mingled with the view and
|
|
gave it something of a mysterious interest in addition to its real
|
|
charms. There was a bank here, too, which was a famous one for
|
|
violets; and as it was a daily delight of Charley's to gather wild
|
|
flowers, she took as much to the spot as I did.
|
|
|
|
It would be idle to inquire now why I never went close to the house
|
|
or never went inside it. The family were not there, I had heard on my
|
|
arrival, and were not expected. I was far from being incurious or
|
|
uninterested about the building; on the contrary, I often sat in this
|
|
place wondering how the rooms ranged and whether any echo like a
|
|
footstep really did resound at times, as the story said, upon the
|
|
lonely Ghost's Walk. The indefinable feeling with which Lady Dedlock
|
|
had impressed me may have had some influence in keeping me from the
|
|
house even when she was absent. I am not sure. Her face and figure
|
|
were associated with it, naturally; but I cannot say that they
|
|
repelled me from it, though something did. For whatever reason or no
|
|
reason, I had never once gone near it, down to the day at which my
|
|
story now arrives.
|
|
|
|
I was resting at my favourite point after a long ramble, and Charley
|
|
was gathering violets at a little distance from me. I had been
|
|
looking at the Ghost's Walk lying in a deep shade of masonry afar off
|
|
and picturing to myself the female shape that was said to haunt it
|
|
when I became aware of a figure approaching through the wood. The
|
|
perspective was so long and so darkened by leaves, and the shadows of
|
|
the branches on the ground made it so much more intricate to the eye,
|
|
that at first I could not discern what figure it was. By little and
|
|
little it revealed itself to be a woman's--a lady's--Lady Dedlock's.
|
|
She was alone and coming to where I sat with a much quicker step, I
|
|
observed to my surprise, than was usual with her.
|
|
|
|
I was fluttered by her being unexpectedly so near (she was almost
|
|
within speaking distance before I knew her) and would have risen to
|
|
continue my walk. But I could not. I was rendered motionless. Not so
|
|
much by her hurried gesture of entreaty, not so much by her quick
|
|
advance and outstretched hands, not so much by the great change in
|
|
her manner and the absence of her haughty self-restraint, as by a
|
|
something in her face that I had pined for and dreamed of when I was
|
|
a little child, something I had never seen in any face, something I
|
|
had never seen in hers before.
|
|
|
|
A dread and faintness fell upon me, and I called to Charley. Lady
|
|
Dedlock stopped upon the instant and changed back almost to what I
|
|
had known her.
|
|
|
|
"Miss Summerson, I am afraid I have startled you," she said, now
|
|
advancing slowly. "You can scarcely be strong yet. You have been very
|
|
ill, I know. I have been much concerned to hear it."
|
|
|
|
I could no more have removed my eyes from her pale face than I could
|
|
have stirred from the bench on which I sat. She gave me her hand, and
|
|
its deadly coldness, so at variance with the enforced composure of
|
|
her features, deepened the fascination that overpowered me. I cannot
|
|
say what was in my whirling thoughts.
|
|
|
|
"You are recovering again?" she asked kindly.
|
|
|
|
"I was quite well but a moment ago, Lady Dedlock."
|
|
|
|
"Is this your young attendant?"
|
|
|
|
"Yes."
|
|
|
|
"Will you send her on before and walk towards your house with me?"
|
|
|
|
"Charley," said I, "take your flowers home, and I will follow you
|
|
directly."
|
|
|
|
Charley, with her best curtsy, blushingly tied on her bonnet and went
|
|
her way. When she was gone, Lady Dedlock sat down on the seat beside
|
|
me.
|
|
|
|
I cannot tell in any words what the state of my mind was when I saw
|
|
in her hand my handkerchief with which I had covered the dead baby.
|
|
|
|
I looked at her, but I could not see her, I could not hear her, I
|
|
could not draw my breath. The beating of my heart was so violent and
|
|
wild that I felt as if my life were breaking from me. But when she
|
|
caught me to her breast, kissed me, wept over me, compassionated me,
|
|
and called me back to myself; when she fell down on her knees and
|
|
cried to me, "Oh, my child, my child, I am your wicked and unhappy
|
|
mother! Oh, try to forgive me!"--when I saw her at my feet on the
|
|
bare earth in her great agony of mind, I felt, through all my tumult
|
|
of emotion, a burst of gratitude to the providence of God that I was
|
|
so changed as that I never could disgrace her by any trace of
|
|
likeness, as that nobody could ever now look at me and look at her
|
|
and remotely think of any near tie between us.
|
|
|
|
I raised my mother up, praying and beseeching her not to stoop before
|
|
me in such affliction and humiliation. I did so in broken, incoherent
|
|
words, for besides the trouble I was in, it frightened me to see her
|
|
at MY feet. I told her--or I tried to tell her--that if it were for
|
|
me, her child, under any circumstances to take upon me to forgive
|
|
her, I did it, and had done it, many, many years. I told her that my
|
|
heart overflowed with love for her, that it was natural love which
|
|
nothing in the past had changed or could change. That it was not for
|
|
me, then resting for the first time on my mother's bosom, to take her
|
|
to account for having given me life, but that my duty was to bless
|
|
her and receive her, though the whole world turned from her, and that
|
|
I only asked her leave to do it. I held my mother in my embrace, and
|
|
she held me in hers, and among the still woods in the silence of the
|
|
summer day there seemed to be nothing but our two troubled minds that
|
|
was not at peace.
|
|
|
|
"To bless and receive me," groaned my mother, "it is far too late. I
|
|
must travel my dark road alone, and it will lead me where it will.
|
|
From day to day, sometimes from hour to hour, I do not see the way
|
|
before my guilty feet. This is the earthly punishment I have brought
|
|
upon myself. I bear it, and I hide it."
|
|
|
|
Even in the thinking of her endurance, she drew her habitual air of
|
|
proud indifference about her like a veil, though she soon cast it off
|
|
again.
|
|
|
|
"I must keep this secret, if by any means it can be kept, not wholly
|
|
for myself. I have a husband, wretched and dishonouring creature that
|
|
I am!"
|
|
|
|
These words she uttered with a suppressed cry of despair, more
|
|
terrible in its sound than any shriek. Covering her face with her
|
|
hands, she shrank down in my embrace as if she were unwilling that I
|
|
should touch her; nor could I, by my utmost persuasions or by any
|
|
endearments I could use, prevail upon her to rise. She said, no, no,
|
|
no, she could only speak to me so; she must be proud and disdainful
|
|
everywhere else; she would be humbled and ashamed there, in the only
|
|
natural moments of her life.
|
|
|
|
My unhappy mother told me that in my illness she had been nearly
|
|
frantic. She had but then known that her child was living. She could
|
|
not have suspected me to be that child before. She had followed me
|
|
down here to speak to me but once in all her life. We never could
|
|
associate, never could communicate, never probably from that time
|
|
forth could interchange another word on earth. She put into my hands
|
|
a letter she had written for my reading only and said when I had read
|
|
it and destroyed it--but not so much for her sake, since she asked
|
|
nothing, as for her husband's and my own--I must evermore consider
|
|
her as dead. If I could believe that she loved me, in this agony in
|
|
which I saw her, with a mother's love, she asked me to do that, for
|
|
then I might think of her with a greater pity, imagining what she
|
|
suffered. She had put herself beyond all hope and beyond all help.
|
|
Whether she preserved her secret until death or it came to be
|
|
discovered and she brought dishonour and disgrace upon the name she
|
|
had taken, it was her solitary struggle always; and no affection
|
|
could come near her, and no human creature could render her any aid.
|
|
|
|
"But is the secret safe so far?" I asked. "Is it safe now, dearest
|
|
mother?"
|
|
|
|
"No," replied my mother. "It has been very near discovery. It was
|
|
saved by an accident. It may be lost by another accident--to-morrow,
|
|
any day."
|
|
|
|
"Do you dread a particular person?"
|
|
|
|
"Hush! Do not tremble and cry so much for me. I am not worthy of
|
|
these tears," said my mother, kissing my hands. "I dread one person
|
|
very much."
|
|
|
|
"An enemy?"
|
|
|
|
"Not a friend. One who is too passionless to be either. He is Sir
|
|
Leicester Dedlock's lawyer, mechanically faithful without attachment,
|
|
and very jealous of the profit, privilege, and reputation of being
|
|
master of the mysteries of great houses."
|
|
|
|
"Has he any suspicions?"
|
|
|
|
"Many."
|
|
|
|
"Not of you?" I said alarmed.
|
|
|
|
"Yes! He is always vigilant and always near me. I may keep him at a
|
|
standstill, but I can never shake him off."
|
|
|
|
"Has he so little pity or compunction?"
|
|
|
|
"He has none, and no anger. He is indifferent to everything but his
|
|
calling. His calling is the acquisition of secrets and the holding
|
|
possession of such power as they give him, with no sharer or opponent
|
|
in it."
|
|
|
|
"Could you trust in him?"
|
|
|
|
"I shall never try. The dark road I have trodden for so many years
|
|
will end where it will. I follow it alone to the end, whatever the
|
|
end be. It may be near, it may be distant; while the road lasts,
|
|
nothing turns me."
|
|
|
|
"Dear mother, are you so resolved?"
|
|
|
|
"I AM resolved. I have long outbidden folly with folly, pride with
|
|
pride, scorn with scorn, insolence with insolence, and have outlived
|
|
many vanities with many more. I will outlive this danger, and outdie
|
|
it, if I can. It has closed around me almost as awfully as if these
|
|
woods of Chesney Wold had closed around the house, but my course
|
|
through it is the same. I have but one; I can have but one."
|
|
|
|
"Mr. Jarndyce--" I was beginning when my mother hurriedly inquired,
|
|
"Does HE suspect?"
|
|
|
|
"No," said I. "No, indeed! Be assured that he does not!" And I told
|
|
her what he had related to me as his knowledge of my story. "But he
|
|
is so good and sensible," said I, "that perhaps if he knew--"
|
|
|
|
My mother, who until this time had made no change in her position,
|
|
raised her hand up to my lips and stopped me.
|
|
|
|
"Confide fully in him," she said after a little while. "You have my
|
|
free consent--a small gift from such a mother to her injured
|
|
child!--but do not tell me of it. Some pride is left in me even yet."
|
|
|
|
I explained, as nearly as I could then, or can recall now--for my
|
|
agitation and distress throughout were so great that I scarcely
|
|
understood myself, though every word that was uttered in the mother's
|
|
voice, so unfamiliar and so melancholy to me, which in my childhood I
|
|
had never learned to love and recognize, had never been sung to sleep
|
|
with, had never heard a blessing from, had never had a hope inspired
|
|
by, made an enduring impression on my memory--I say I explained, or
|
|
tried to do it, how I had only hoped that Mr. Jarndyce, who had been
|
|
the best of fathers to me, might be able to afford some counsel and
|
|
support to her. But my mother answered no, it was impossible; no one
|
|
could help her. Through the desert that lay before her, she must go
|
|
alone.
|
|
|
|
"My child, my child!" she said. "For the last time! These kisses for
|
|
the last time! These arms upon my neck for the last time! We shall
|
|
meet no more. To hope to do what I seek to do, I must be what I have
|
|
been so long. Such is my reward and doom. If you hear of Lady
|
|
Dedlock, brilliant, prosperous, and flattered, think of your wretched
|
|
mother, conscience-stricken, underneath that mask! Think that the
|
|
reality is in her suffering, in her useless remorse, in her murdering
|
|
within her breast the only love and truth of which it is capable! And
|
|
then forgive her if you can, and cry to heaven to forgive her, which
|
|
it never can!"
|
|
|
|
We held one another for a little space yet, but she was so firm that
|
|
she took my hands away, and put them back against my breast, and with
|
|
a last kiss as she held them there, released them, and went from me
|
|
into the wood. I was alone, and calm and quiet below me in the sun
|
|
and shade lay the old house, with its terraces and turrets, on which
|
|
there had seemed to me to be such complete repose when I first saw
|
|
it, but which now looked like the obdurate and unpitying watcher of
|
|
my mother's misery.
|
|
|
|
Stunned as I was, as weak and helpless at first as I had ever been in
|
|
my sick chamber, the necessity of guarding against the danger of
|
|
discovery, or even of the remotest suspicion, did me service. I took
|
|
such precautions as I could to hide from Charley that I had been
|
|
crying, and I constrained myself to think of every sacred obligation
|
|
that there was upon me to be careful and collected. It was not a
|
|
little while before I could succeed or could even restrain bursts of
|
|
grief, but after an hour or so I was better and felt that I might
|
|
return. I went home very slowly and told Charley, whom I found at the
|
|
gate looking for me, that I had been tempted to extend my walk after
|
|
Lady Dedlock had left me and that I was over-tired and would lie
|
|
down. Safe in my own room, I read the letter. I clearly derived from
|
|
it--and that was much then--that I had not been abandoned by my
|
|
mother. Her elder and only sister, the godmother of my childhood,
|
|
discovering signs of life in me when I had been laid aside as dead,
|
|
had in her stern sense of duty, with no desire or willingness that I
|
|
should live, reared me in rigid secrecy and had never again beheld my
|
|
mother's face from within a few hours of my birth. So strangely did I
|
|
hold my place in this world that until within a short time back I had
|
|
never, to my own mother's knowledge, breathed--had been buried--had
|
|
never been endowed with life--had never borne a name. When she had
|
|
first seen me in the church she had been startled and had thought of
|
|
what would have been like me if it had ever lived, and had lived on,
|
|
but that was all then.
|
|
|
|
What more the letter told me needs not to be repeated here. It has
|
|
its own times and places in my story.
|
|
|
|
My first care was to burn what my mother had written and to consume
|
|
even its ashes. I hope it may not appear very unnatural or bad in me
|
|
that I then became heavily sorrowful to think I had ever been reared.
|
|
That I felt as if I knew it would have been better and happier for
|
|
many people if indeed I had never breathed. That I had a terror of
|
|
myself as the danger and the possible disgrace of my own mother and
|
|
of a proud family name. That I was so confused and shaken as to be
|
|
possessed by a belief that it was right and had been intended that I
|
|
should die in my birth, and that it was wrong and not intended that I
|
|
should be then alive.
|
|
|
|
These are the real feelings that I had. I fell asleep worn out, and
|
|
when I awoke I cried afresh to think that I was back in the world
|
|
with my load of trouble for others. I was more than ever frightened
|
|
of myself, thinking anew of her against whom I was a witness, of the
|
|
owner of Chesney Wold, of the new and terrible meaning of the old
|
|
words now moaning in my ear like a surge upon the shore, "Your
|
|
mother, Esther, was your disgrace, and you are hers. The time will
|
|
come--and soon enough--when you will understand this better, and will
|
|
feel it too, as no one save a woman can." With them, those other
|
|
words returned, "Pray daily that the sins of others be not visited
|
|
upon your head." I could not disentangle all that was about me, and I
|
|
felt as if the blame and the shame were all in me, and the visitation
|
|
had come down.
|
|
|
|
The day waned into a gloomy evening, overcast and sad, and I still
|
|
contended with the same distress. I went out alone, and after walking
|
|
a little in the park, watching the dark shades falling on the trees
|
|
and the fitful flight of the bats, which sometimes almost touched me,
|
|
was attracted to the house for the first time. Perhaps I might not
|
|
have gone near it if I had been in a stronger frame of mind. As it
|
|
was, I took the path that led close by it.
|
|
|
|
I did not dare to linger or to look up, but I passed before the
|
|
terrace garden with its fragrant odours, and its broad walks, and its
|
|
well-kept beds and smooth turf; and I saw how beautiful and grave it
|
|
was, and how the old stone balustrades and parapets, and wide flights
|
|
of shallow steps, were seamed by time and weather; and how the
|
|
trained moss and ivy grew about them, and around the old stone
|
|
pedestal of the sun-dial; and I heard the fountain falling. Then the
|
|
way went by long lines of dark windows diversified by turreted towers
|
|
and porches of eccentric shapes, where old stone lions and grotesque
|
|
monsters bristled outside dens of shadow and snarled at the evening
|
|
gloom over the escutcheons they held in their grip. Thence the path
|
|
wound underneath a gateway, and through a court-yard where the
|
|
principal entrance was (I hurried quickly on), and by the stables
|
|
where none but deep voices seemed to be, whether in the murmuring of
|
|
the wind through the strong mass of ivy holding to a high red wall,
|
|
or in the low complaining of the weathercock, or in the barking of
|
|
the dogs, or in the slow striking of a clock. So, encountering
|
|
presently a sweet smell of limes, whose rustling I could hear, I
|
|
turned with the turning of the path to the south front, and there
|
|
above me were the balustrades of the Ghost's Walk and one lighted
|
|
window that might be my mother's.
|
|
|
|
The way was paved here, like the terrace overhead, and my footsteps
|
|
from being noiseless made an echoing sound upon the flags. Stopping
|
|
to look at nothing, but seeing all I did see as I went, I was passing
|
|
quickly on, and in a few moments should have passed the lighted
|
|
window, when my echoing footsteps brought it suddenly into my mind
|
|
that there was a dreadful truth in the legend of the Ghost's Walk,
|
|
that it was I who was to bring calamity upon the stately house and
|
|
that my warning feet were haunting it even then. Seized with an
|
|
augmented terror of myself which turned me cold, I ran from myself
|
|
and everything, retraced the way by which I had come, and never
|
|
paused until I had gained the lodge-gate, and the park lay sullen and
|
|
black behind me.
|
|
|
|
Not before I was alone in my own room for the night and had again
|
|
been dejected and unhappy there did I begin to know how wrong and
|
|
thankless this state was. But from my darling who was coming on the
|
|
morrow, I found a joyful letter, full of such loving anticipation
|
|
that I must have been of marble if it had not moved me; from my
|
|
guardian, too, I found another letter, asking me to tell Dame Durden,
|
|
if I should see that little woman anywhere, that they had moped most
|
|
pitiably without her, that the housekeeping was going to rack and
|
|
ruin, that nobody else could manage the keys, and that everybody in
|
|
and about the house declared it was not the same house and was
|
|
becoming rebellious for her return. Two such letters together made me
|
|
think how far beyond my deserts I was beloved and how happy I ought
|
|
to be. That made me think of all my past life; and that brought me,
|
|
as it ought to have done before, into a better condition.
|
|
|
|
For I saw very well that I could not have been intended to die, or I
|
|
should never have lived; not to say should never have been reserved
|
|
for such a happy life. I saw very well how many things had worked
|
|
together for my welfare, and that if the sins of the fathers were
|
|
sometimes visited upon the children, the phrase did not mean what I
|
|
had in the morning feared it meant. I knew I was as innocent of my
|
|
birth as a queen of hers and that before my Heavenly Father I should
|
|
not be punished for birth nor a queen rewarded for it. I had had
|
|
experience, in the shock of that very day, that I could, even thus
|
|
soon, find comforting reconcilements to the change that had fallen on
|
|
me. I renewed my resolutions and prayed to be strengthened in them,
|
|
pouring out my heart for myself and for my unhappy mother and feeling
|
|
that the darkness of the morning was passing away. It was not upon my
|
|
sleep; and when the next day's light awoke me, it was gone.
|
|
|
|
My dear girl was to arrive at five o'clock in the afternoon. How to
|
|
help myself through the intermediate time better than by taking a
|
|
long walk along the road by which she was to come, I did not know; so
|
|
Charley and I and Stubbs--Stubbs saddled, for we never drove him
|
|
after the one great occasion--made a long expedition along that road
|
|
and back. On our return, we held a great review of the house and
|
|
garden and saw that everything was in its prettiest condition, and
|
|
had the bird out ready as an important part of the establishment.
|
|
|
|
There were more than two full hours yet to elapse before she could
|
|
come, and in that interval, which seemed a long one, I must confess I
|
|
was nervously anxious about my altered looks. I loved my darling so
|
|
well that I was more concerned for their effect on her than on any
|
|
one. I was not in this slight distress because I at all repined--I am
|
|
quite certain I did not, that day--but, I thought, would she be
|
|
wholly prepared? When she first saw me, might she not be a little
|
|
shocked and disappointed? Might it not prove a little worse than she
|
|
expected? Might she not look for her old Esther and not find her?
|
|
Might she not have to grow used to me and to begin all over again?
|
|
|
|
I knew the various expressions of my sweet girl's face so well, and
|
|
it was such an honest face in its loveliness, that I was sure
|
|
beforehand she could not hide that first look from me. And I
|
|
considered whether, if it should signify any one of these meanings,
|
|
which was so very likely, could I quite answer for myself?
|
|
|
|
Well, I thought I could. After last night, I thought I could. But to
|
|
wait and wait, and expect and expect, and think and think, was such
|
|
bad preparation that I resolved to go along the road again and meet
|
|
her.
|
|
|
|
So I said to Charley, "Charley, I will go by myself and walk along
|
|
the road until she comes." Charley highly approving of anything that
|
|
pleased me, I went and left her at home.
|
|
|
|
But before I got to the second milestone, I had been in so many
|
|
palpitations from seeing dust in the distance (though I knew it was
|
|
not, and could not, be the coach yet) that I resolved to turn back
|
|
and go home again. And when I had turned, I was in such fear of the
|
|
coach coming up behind me (though I still knew that it neither would,
|
|
nor could, do any such thing) that I ran the greater part of the way
|
|
to avoid being overtaken.
|
|
|
|
Then, I considered, when I had got safe back again, this was a nice
|
|
thing to have done! Now I was hot and had made the worst of it
|
|
instead of the best.
|
|
|
|
At last, when I believed there was at least a quarter of an hour more
|
|
yet, Charley all at once cried out to me as I was trembling in the
|
|
garden, "Here she comes, miss! Here she is!"
|
|
|
|
I did not mean to do it, but I ran upstairs into my room and hid
|
|
myself behind the door. There I stood trembling, even when I heard my
|
|
darling calling as she came upstairs, "Esther, my dear, my love,
|
|
where are you? Little woman, dear Dame Durden!"
|
|
|
|
She ran in, and was running out again when she saw me. Ah, my angel
|
|
girl! The old dear look, all love, all fondness, all affection.
|
|
Nothing else in it--no, nothing, nothing!
|
|
|
|
Oh, how happy I was, down upon the floor, with my sweet beautiful
|
|
girl down upon the floor too, holding my scarred face to her lovely
|
|
cheek, bathing it with tears and kisses, rocking me to and fro like a
|
|
child, calling me by every tender name that she could think of, and
|
|
pressing me to her faithful heart.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVII
|
|
|
|
Jarndyce and Jarndyce
|
|
|
|
|
|
If the secret I had to keep had been mine, I must have confided it to
|
|
Ada before we had been long together. But it was not mine, and I did
|
|
not feel that I had a right to tell it, even to my guardian, unless
|
|
some great emergency arose. It was a weight to bear alone; still my
|
|
present duty appeared to be plain, and blest in the attachment of my
|
|
dear, I did not want an impulse and encouragement to do it. Though
|
|
often when she was asleep and all was quiet, the remembrance of my
|
|
mother kept me waking and made the night sorrowful, I did not yield
|
|
to it at another time; and Ada found me what I used to be--except, of
|
|
course, in that particular of which I have said enough and which I
|
|
have no intention of mentioning any more just now, if I can help it.
|
|
|
|
The difficulty that I felt in being quite composed that first evening
|
|
when Ada asked me, over our work, if the family were at the house,
|
|
and when I was obliged to answer yes, I believed so, for Lady Dedlock
|
|
had spoken to me in the woods the day before yesterday, was great.
|
|
Greater still when Ada asked me what she had said, and when I replied
|
|
that she had been kind and interested, and when Ada, while admitting
|
|
her beauty and elegance, remarked upon her proud manner and her
|
|
imperious chilling air. But Charley helped me through, unconsciously,
|
|
by telling us that Lady Dedlock had only stayed at the house two
|
|
nights on her way from London to visit at some other great house in
|
|
the next county and that she had left early on the morning after we
|
|
had seen her at our view, as we called it. Charley verified the adage
|
|
about little pitchers, I am sure, for she heard of more sayings and
|
|
doings in a day than would have come to my ears in a month.
|
|
|
|
We were to stay a month at Mr. Boythorn's. My pet had scarcely been
|
|
there a bright week, as I recollect the time, when one evening after
|
|
we had finished helping the gardener in watering his flowers, and
|
|
just as the candles were lighted, Charley, appearing with a very
|
|
important air behind Ada's chair, beckoned me mysteriously out of the
|
|
room.
|
|
|
|
"Oh! If you please, miss," said Charley in a whisper, with her eyes
|
|
at their roundest and largest. "You're wanted at the Dedlock Arms."
|
|
|
|
"Why, Charley," said I, "who can possibly want me at the
|
|
public-house?"
|
|
|
|
"I don't know, miss," returned Charley, putting her head forward and
|
|
folding her hands tight upon the band of her little apron, which she
|
|
always did in the enjoyment of anything mysterious or confidential,
|
|
"but it's a gentleman, miss, and his compliments, and will you please
|
|
to come without saying anything about it."
|
|
|
|
"Whose compliments, Charley?"
|
|
|
|
"His'n, miss," returned Charley, whose grammatical education was
|
|
advancing, but not very rapidly.
|
|
|
|
"And how do you come to be the messenger, Charley?"
|
|
|
|
"I am not the messenger, if you please, miss," returned my little
|
|
maid. "It was W. Grubble, miss."
|
|
|
|
"And who is W. Grubble, Charley?"
|
|
|
|
"Mister Grubble, miss," returned Charley. "Don't you know, miss? The
|
|
Dedlock Arms, by W. Grubble," which Charley delivered as if she were
|
|
slowly spelling out the sign.
|
|
|
|
"Aye? The landlord, Charley?"
|
|
|
|
"Yes, miss. If you please, miss, his wife is a beautiful woman, but
|
|
she broke her ankle, and it never joined. And her brother's the
|
|
sawyer that was put in the cage, miss, and they expect he'll drink
|
|
himself to death entirely on beer," said Charley.
|
|
|
|
Not knowing what might be the matter, and being easily apprehensive
|
|
now, I thought it best to go to this place by myself. I bade Charley
|
|
be quick with my bonnet and veil and my shawl, and having put them
|
|
on, went away down the little hilly street, where I was as much at
|
|
home as in Mr. Boythorn's garden.
|
|
|
|
Mr. Grubble was standing in his shirt-sleeves at the door of his very
|
|
clean little tavern waiting for me. He lifted off his hat with both
|
|
hands when he saw me coming, and carrying it so, as if it were an
|
|
iron vessel (it looked as heavy), preceded me along the sanded
|
|
passage to his best parlour, a neat carpeted room with more plants in
|
|
it than were quite convenient, a coloured print of Queen Caroline,
|
|
several shells, a good many tea-trays, two stuffed and dried fish in
|
|
glass cases, and either a curious egg or a curious pumpkin (but I
|
|
don't know which, and I doubt if many people did) hanging from his
|
|
ceiling. I knew Mr. Grubble very well by sight, from his often
|
|
standing at his door. A pleasant-looking, stoutish, middle-aged man
|
|
who never seemed to consider himself cozily dressed for his own
|
|
fire-side without his hat and top-boots, but who never wore a coat
|
|
except at church.
|
|
|
|
He snuffed the candle, and backing away a little to see how it
|
|
looked, backed out of the room--unexpectedly to me, for I was going
|
|
to ask him by whom he had been sent. The door of the opposite parlour
|
|
being then opened, I heard some voices, familiar in my ears I
|
|
thought, which stopped. A quick light step approached the room in
|
|
which I was, and who should stand before me but Richard!
|
|
|
|
"My dear Esther!" he said. "My best friend!" And he really was so
|
|
warm-hearted and earnest that in the first surprise and pleasure of
|
|
his brotherly greeting I could scarcely find breath to tell him that
|
|
Ada was well.
|
|
|
|
"Answering my very thoughts--always the same dear girl!" said
|
|
Richard, leading me to a chair and seating himself beside me.
|
|
|
|
I put my veil up, but not quite.
|
|
|
|
"Always the same dear girl!" said Richard just as heartily as before.
|
|
|
|
I put up my veil altogether, and laying my hand on Richard's sleeve
|
|
and looking in his face, told him how much I thanked him for his kind
|
|
welcome and how greatly I rejoiced to see him, the more so because of
|
|
the determination I had made in my illness, which I now conveyed to
|
|
him.
|
|
|
|
"My love," said Richard, "there is no one with whom I have a greater
|
|
wish to talk than you, for I want you to understand me."
|
|
|
|
"And I want you, Richard," said I, shaking my head, "to understand
|
|
some one else."
|
|
|
|
"Since you refer so immediately to John Jarndyce," said Richard, "--I
|
|
suppose you mean him?"
|
|
|
|
"Of course I do."
|
|
|
|
"Then I may say at once that I am glad of it, because it is on that
|
|
subject that I am anxious to be understood. By you, mind--you, my
|
|
dear! I am not accountable to Mr. Jarndyce or Mr. Anybody."
|
|
|
|
I was pained to find him taking this tone, and he observed it.
|
|
|
|
"Well, well, my dear," said Richard, "we won't go into that now. I
|
|
want to appear quietly in your country-house here, with you under my
|
|
arm, and give my charming cousin a surprise. I suppose your loyalty
|
|
to John Jarndyce will allow that?"
|
|
|
|
"My dear Richard," I returned, "you know you would be heartily
|
|
welcome at his house--your home, if you will but consider it so; and
|
|
you are as heartily welcome here!"
|
|
|
|
"Spoken like the best of little women!" cried Richard gaily.
|
|
|
|
I asked him how he liked his profession.
|
|
|
|
"Oh, I like it well enough!" said Richard. "It's all right. It does
|
|
as well as anything else, for a time. I don't know that I shall care
|
|
about it when I come to be settled, but I can sell out then
|
|
and--however, never mind all that botheration at present."
|
|
|
|
So young and handsome, and in all respects so perfectly the opposite
|
|
of Miss Flite! And yet, in the clouded, eager, seeking look that
|
|
passed over him, so dreadfully like her!
|
|
|
|
"I am in town on leave just now," said Richard.
|
|
|
|
"Indeed?"
|
|
|
|
"Yes. I have run over to look after my--my Chancery interests before
|
|
the long vacation," said Richard, forcing a careless laugh. "We are
|
|
beginning to spin along with that old suit at last, I promise you."
|
|
|
|
No wonder that I shook my head!
|
|
|
|
"As you say, it's not a pleasant subject." Richard spoke with the
|
|
same shade crossing his face as before. "Let it go to the four winds
|
|
for to-night. Puff! Gone! Who do you suppose is with me?"
|
|
|
|
"Was it Mr. Skimpole's voice I heard?"
|
|
|
|
"That's the man! He does me more good than anybody. What a
|
|
fascinating child it is!"
|
|
|
|
I asked Richard if any one knew of their coming down together. He
|
|
answered, no, nobody. He had been to call upon the dear old
|
|
infant--so he called Mr. Skimpole--and the dear old infant had told
|
|
him where we were, and he had told the dear old infant he was bent on
|
|
coming to see us, and the dear old infant had directly wanted to come
|
|
too; and so he had brought him. "And he is worth--not to say his
|
|
sordid expenses--but thrice his weight in gold," said Richard. "He is
|
|
such a cheery fellow. No worldliness about him. Fresh and
|
|
green-hearted!"
|
|
|
|
I certainly did not see the proof of Mr. Skimpole's worldliness in
|
|
his having his expenses paid by Richard, but I made no remark about
|
|
that. Indeed, he came in and turned our conversation. He was charmed
|
|
to see me, said he had been shedding delicious tears of joy and
|
|
sympathy at intervals for six weeks on my account, had never been so
|
|
happy as in hearing of my progress, began to understand the mixture
|
|
of good and evil in the world now, felt that he appreciated health
|
|
the more when somebody else was ill, didn't know but what it might be
|
|
in the scheme of things that A should squint to make B happier in
|
|
looking straight or that C should carry a wooden leg to make D better
|
|
satisfied with his flesh and blood in a silk stocking.
|
|
|
|
"My dear Miss Summerson, here is our friend Richard," said Mr.
|
|
Skimpole, "full of the brightest visions of the future, which he
|
|
evokes out of the darkness of Chancery. Now that's delightful, that's
|
|
inspiriting, that's full of poetry! In old times the woods and
|
|
solitudes were made joyous to the shepherd by the imaginary piping
|
|
and dancing of Pan and the nymphs. This present shepherd, our
|
|
pastoral Richard, brightens the dull Inns of Court by making Fortune
|
|
and her train sport through them to the melodious notes of a judgment
|
|
from the bench. That's very pleasant, you know! Some ill-conditioned
|
|
growling fellow may say to me, 'What's the use of these legal and
|
|
equitable abuses? How do you defend them?' I reply, 'My growling
|
|
friend, I DON'T defend them, but they are very agreeable to me. There
|
|
is a shepherd--youth, a friend of mine, who transmutes them into
|
|
something highly fascinating to my simplicity. I don't say it is for
|
|
this that they exist--for I am a child among you worldly grumblers,
|
|
and not called upon to account to you or myself for anything--but it
|
|
may be so.'"
|
|
|
|
I began seriously to think that Richard could scarcely have found a
|
|
worse friend than this. It made me uneasy that at such a time when he
|
|
most required some right principle and purpose he should have this
|
|
captivating looseness and putting-off of everything, this airy
|
|
dispensing with all principle and purpose, at his elbow. I thought I
|
|
could understand how such a nature as my guardian's, experienced in
|
|
the world and forced to contemplate the miserable evasions and
|
|
contentions of the family misfortune, found an immense relief in Mr.
|
|
Skimpole's avowal of his weaknesses and display of guileless candour;
|
|
but I could not satisfy myself that it was as artless as it seemed or
|
|
that it did not serve Mr. Skimpole's idle turn quite as well as any
|
|
other part, and with less trouble.
|
|
|
|
They both walked back with me, and Mr. Skimpole leaving us at the
|
|
gate, I walked softly in with Richard and said, "Ada, my love, I have
|
|
brought a gentleman to visit you." It was not difficult to read the
|
|
blushing, startled face. She loved him dearly, and he knew it, and I
|
|
knew it. It was a very transparent business, that meeting as cousins
|
|
only.
|
|
|
|
I almost mistrusted myself as growing quite wicked in my suspicions,
|
|
but I was not so sure that Richard loved her dearly. He admired her
|
|
very much--any one must have done that--and I dare say would have
|
|
renewed their youthful engagement with great pride and ardour but
|
|
that he knew how she would respect her promise to my guardian. Still
|
|
I had a tormenting idea that the influence upon him extended even
|
|
here, that he was postponing his best truth and earnestness in this
|
|
as in all things until Jarndyce and Jarndyce should be off his mind.
|
|
Ah me! What Richard would have been without that blight, I never
|
|
shall know now!
|
|
|
|
He told Ada, in his most ingenuous way, that he had not come to make
|
|
any secret inroad on the terms she had accepted (rather too
|
|
implicitly and confidingly, he thought) from Mr. Jarndyce, that he
|
|
had come openly to see her and to see me and to justify himself for
|
|
the present terms on which he stood with Mr. Jarndyce. As the dear
|
|
old infant would be with us directly, he begged that I would make an
|
|
appointment for the morning, when he might set himself right through
|
|
the means of an unreserved conversation with me. I proposed to walk
|
|
with him in the park at seven o'clock, and this was arranged. Mr.
|
|
Skimpole soon afterwards appeared and made us merry for an hour. He
|
|
particularly requested to see little Coavinses (meaning Charley) and
|
|
told her, with a patriarchal air, that he had given her late father
|
|
all the business in his power and that if one of her little brothers
|
|
would make haste to get set up in the same profession, he hoped he
|
|
should still be able to put a good deal of employment in his way.
|
|
|
|
"For I am constantly being taken in these nets," said Mr. Skimpole,
|
|
looking beamingly at us over a glass of wine-and-water, "and am
|
|
constantly being bailed out--like a boat. Or paid off--like a ship's
|
|
company. Somebody always does it for me. I can't do it, you know, for
|
|
I never have any money. But somebody does it. I get out by somebody's
|
|
means; I am not like the starling; I get out. If you were to ask me
|
|
who somebody is, upon my word I couldn't tell you. Let us drink to
|
|
somebody. God bless him!"
|
|
|
|
Richard was a little late in the morning, but I had not to wait for
|
|
him long, and we turned into the park. The air was bright and dewy
|
|
and the sky without a cloud. The birds sang delightfully; the
|
|
sparkles in the fern, the grass, and trees, were exquisite to see;
|
|
the richness of the woods seemed to have increased twenty-fold since
|
|
yesterday, as if, in the still night when they had looked so
|
|
massively hushed in sleep, Nature, through all the minute details of
|
|
every wonderful leaf, had been more wakeful than usual for the glory
|
|
of that day.
|
|
|
|
"This is a lovely place," said Richard, looking round. "None of the
|
|
jar and discord of law-suits here!"
|
|
|
|
But there was other trouble.
|
|
|
|
"I tell you what, my dear girl," said Richard, "when I get affairs in
|
|
general settled, I shall come down here, I think, and rest."
|
|
|
|
"Would it not be better to rest now?" I asked.
|
|
|
|
"Oh, as to resting NOW," said Richard, "or as to doing anything very
|
|
definite NOW, that's not easy. In short, it can't be done; I can't do
|
|
it at least."
|
|
|
|
"Why not?" said I.
|
|
|
|
"You know why not, Esther. If you were living in an unfinished house,
|
|
liable to have the roof put on or taken off--to be from top to bottom
|
|
pulled down or built up--to-morrow, next day, next week, next month,
|
|
next year--you would find it hard to rest or settle. So do I. Now?
|
|
There's no now for us suitors."
|
|
|
|
I could almost have believed in the attraction on which my poor
|
|
little wandering friend had expatiated when I saw again the darkened
|
|
look of last night. Terrible to think it had in it also a shade of
|
|
that unfortunate man who had died.
|
|
|
|
"My dear Richard," said I, "this is a bad beginning of our
|
|
conversation."
|
|
|
|
"I knew you would tell me so, Dame Durden."
|
|
|
|
"And not I alone, dear Richard. It was not I who cautioned you once
|
|
never to found a hope or expectation on the family curse."
|
|
|
|
"There you come back to John Jarndyce!" said Richard impatiently.
|
|
"Well! We must approach him sooner or later, for he is the staple of
|
|
what I have to say, and it's as well at once. My dear Esther, how can
|
|
you be so blind? Don't you see that he is an interested party and
|
|
that it may be very well for him to wish me to know nothing of the
|
|
suit, and care nothing about it, but that it may not be quite so well
|
|
for me?"
|
|
|
|
"Oh, Richard," I remonstrated, "is it possible that you can ever have
|
|
seen him and heard him, that you can ever have lived under his roof
|
|
and known him, and can yet breathe, even to me in this solitary place
|
|
where there is no one to hear us, such unworthy suspicions?"
|
|
|
|
He reddened deeply, as if his natural generosity felt a pang of
|
|
reproach. He was silent for a little while before he replied in a
|
|
subdued voice, "Esther, I am sure you know that I am not a mean
|
|
fellow and that I have some sense of suspicion and distrust being
|
|
poor qualities in one of my years."
|
|
|
|
"I know it very well," said I. "I am not more sure of anything."
|
|
|
|
"That's a dear girl," retorted Richard, "and like you, because it
|
|
gives me comfort. I had need to get some scrap of comfort out of all
|
|
this business, for it's a bad one at the best, as I have no occasion
|
|
to tell you."
|
|
|
|
"I know perfectly," said I. "I know as well, Richard--what shall I
|
|
say? as well as you do--that such misconstructions are foreign to
|
|
your nature. And I know, as well as you know, what so changes it."
|
|
|
|
"Come, sister, come," said Richard a little more gaily, "you will be
|
|
fair with me at all events. If I have the misfortune to be under that
|
|
influence, so has he. If it has a little twisted me, it may have a
|
|
little twisted him too. I don't say that he is not an honourable man,
|
|
out of all this complication and uncertainty; I am sure he is. But it
|
|
taints everybody. You know it taints everybody. You have heard him
|
|
say so fifty times. Then why should HE escape?"
|
|
|
|
"Because," said I, "his is an uncommon character, and he has
|
|
resolutely kept himself outside the circle, Richard."
|
|
|
|
"Oh, because and because!" replied Richard in his vivacious way. "I
|
|
am not sure, my dear girl, but that it may be wise and specious to
|
|
preserve that outward indifference. It may cause other parties
|
|
interested to become lax about their interests; and people may die
|
|
off, and points may drag themselves out of memory, and many things
|
|
may smoothly happen that are convenient enough."
|
|
|
|
I was so touched with pity for Richard that I could not reproach him
|
|
any more, even by a look. I remembered my guardian's gentleness
|
|
towards his errors and with what perfect freedom from resentment he
|
|
had spoken of them.
|
|
|
|
"Esther," Richard resumed, "you are not to suppose that I have come
|
|
here to make underhanded charges against John Jarndyce. I have only
|
|
come to justify myself. What I say is, it was all very well and we
|
|
got on very well while I was a boy, utterly regardless of this same
|
|
suit; but as soon as I began to take an interest in it and to look
|
|
into it, then it was quite another thing. Then John Jarndyce
|
|
discovers that Ada and I must break off and that if I don't amend
|
|
that very objectionable course, I am not fit for her. Now, Esther, I
|
|
don't mean to amend that very objectionable course: I will not hold
|
|
John Jarndyce's favour on those unfair terms of compromise, which he
|
|
has no right to dictate. Whether it pleases him or displeases him, I
|
|
must maintain my rights and Ada's. I have been thinking about it a
|
|
good deal, and this is the conclusion I have come to."
|
|
|
|
Poor dear Richard! He had indeed been thinking about it a good deal.
|
|
His face, his voice, his manner, all showed that too plainly.
|
|
|
|
"So I tell him honourably (you are to know I have written to him
|
|
about all this) that we are at issue and that we had better be at
|
|
issue openly than covertly. I thank him for his goodwill and his
|
|
protection, and he goes his road, and I go mine. The fact is, our
|
|
roads are not the same. Under one of the wills in dispute, I should
|
|
take much more than he. I don't mean to say that it is the one to be
|
|
established, but there it is, and it has its chance."
|
|
|
|
"I have not to learn from you, my dear Richard," said I, "of your
|
|
letter. I had heard of it already without an offended or angry word."
|
|
|
|
"Indeed?" replied Richard, softening. "I am glad I said he was an
|
|
honourable man, out of all this wretched affair. But I always say
|
|
that and have never doubted it. Now, my dear Esther, I know these
|
|
views of mine appear extremely harsh to you, and will to Ada when you
|
|
tell her what has passed between us. But if you had gone into the
|
|
case as I have, if you had only applied yourself to the papers as I
|
|
did when I was at Kenge's, if you only knew what an accumulation of
|
|
charges and counter-charges, and suspicions and cross-suspicions,
|
|
they involve, you would think me moderate in comparison."
|
|
|
|
"Perhaps so," said I. "But do you think that, among those many
|
|
papers, there is much truth and justice, Richard?"
|
|
|
|
"There is truth and justice somewhere in the case, Esther--"
|
|
|
|
"Or was once, long ago," said I.
|
|
|
|
"Is--is--must be somewhere," pursued Richard impetuously, "and must
|
|
be brought out. To allow Ada to be made a bribe and hush-money of is
|
|
not the way to bring it out. You say the suit is changing me; John
|
|
Jarndyce says it changes, has changed, and will change everybody who
|
|
has any share in it. Then the greater right I have on my side when I
|
|
resolve to do all I can to bring it to an end."
|
|
|
|
"All you can, Richard! Do you think that in these many years no
|
|
others have done all they could? Has the difficulty grown easier
|
|
because of so many failures?"
|
|
|
|
"It can't last for ever," returned Richard with a fierceness kindling
|
|
in him which again presented to me that last sad reminder. "I am
|
|
young and earnest, and energy and determination have done wonders
|
|
many a time. Others have only half thrown themselves into it. I
|
|
devote myself to it. I make it the object of my life."
|
|
|
|
"Oh, Richard, my dear, so much the worse, so much the worse!"
|
|
|
|
"No, no, no, don't you be afraid for me," he returned affectionately.
|
|
"You're a dear, good, wise, quiet, blessed girl; but you have your
|
|
prepossessions. So I come round to John Jarndyce. I tell you, my good
|
|
Esther, when he and I were on those terms which he found so
|
|
convenient, we were not on natural terms."
|
|
|
|
"Are division and animosity your natural terms, Richard?"
|
|
|
|
"No, I don't say that. I mean that all this business puts us on
|
|
unnatural terms, with which natural relations are incompatible. See
|
|
another reason for urging it on! I may find out when it's over that I
|
|
have been mistaken in John Jarndyce. My head may be clearer when I am
|
|
free of it, and I may then agree with what you say to-day. Very well.
|
|
Then I shall acknowledge it and make him reparation."
|
|
|
|
Everything postponed to that imaginary time! Everything held in
|
|
confusion and indecision until then!
|
|
|
|
"Now, my best of confidantes," said Richard, "I want my cousin Ada to
|
|
understand that I am not captious, fickle, and wilful about John
|
|
Jarndyce, but that I have this purpose and reason at my back. I wish
|
|
to represent myself to her through you, because she has a great
|
|
esteem and respect for her cousin John; and I know you will soften
|
|
the course I take, even though you disapprove of it; and--and in
|
|
short," said Richard, who had been hesitating through these words,
|
|
"I--I don't like to represent myself in this litigious, contentious,
|
|
doubting character to a confiding girl like Ada."
|
|
|
|
I told him that he was more like himself in those latter words than
|
|
in anything he had said yet.
|
|
|
|
"Why," acknowledged Richard, "that may be true enough, my love. I
|
|
rather feel it to be so. But I shall be able to give myself fair-play
|
|
by and by. I shall come all right again, then, don't you be afraid."
|
|
|
|
I asked him if this were all he wished me to tell Ada.
|
|
|
|
"Not quite," said Richard. "I am bound not to withhold from her that
|
|
John Jarndyce answered my letter in his usual manner, addressing me
|
|
as 'My dear Rick,' trying to argue me out of my opinions, and telling
|
|
me that they should make no difference in him. (All very well of
|
|
course, but not altering the case.) I also want Ada to know that if I
|
|
see her seldom just now, I am looking after her interests as well as
|
|
my own--we two being in the same boat exactly--and that I hope she
|
|
will not suppose from any flying rumours she may hear that I am at
|
|
all light-headed or imprudent; on the contrary, I am always looking
|
|
forward to the termination of the suit, and always planning in that
|
|
direction. Being of age now and having taken the step I have taken, I
|
|
consider myself free from any accountability to John Jarndyce; but
|
|
Ada being still a ward of the court, I don't yet ask her to renew our
|
|
engagement. When she is free to act for herself, I shall be myself
|
|
once more and we shall both be in very different worldly
|
|
circumstances, I believe. If you tell her all this with the advantage
|
|
of your considerate way, you will do me a very great and a very kind
|
|
service, my dear Esther; and I shall knock Jarndyce and Jarndyce on
|
|
the head with greater vigour. Of course I ask for no secrecy at Bleak
|
|
House."
|
|
|
|
"Richard," said I, "you place great confidence in me, but I fear you
|
|
will not take advice from me?"
|
|
|
|
"It's impossible that I can on this subject, my dear girl. On any
|
|
other, readily."
|
|
|
|
As if there were any other in his life! As if his whole career and
|
|
character were not being dyed one colour!
|
|
|
|
"But I may ask you a question, Richard?"
|
|
|
|
"I think so," said he, laughing. "I don't know who may not, if you
|
|
may not."
|
|
|
|
"You say, yourself, you are not leading a very settled life."
|
|
|
|
"How can I, my dear Esther, with nothing settled!"
|
|
|
|
"Are you in debt again?"
|
|
|
|
"Why, of course I am," said Richard, astonished at my simplicity.
|
|
|
|
"Is it of course?"
|
|
|
|
"My dear child, certainly. I can't throw myself into an object so
|
|
completely without expense. You forget, or perhaps you don't know,
|
|
that under either of the wills Ada and I take something. It's only a
|
|
question between the larger sum and the smaller. I shall be within
|
|
the mark any way. Bless your heart, my excellent girl," said Richard,
|
|
quite amused with me, "I shall be all right! I shall pull through, my
|
|
dear!"
|
|
|
|
I felt so deeply sensible of the danger in which he stood that I
|
|
tried, in Ada's name, in my guardian's, in my own, by every fervent
|
|
means that I could think of, to warn him of it and to show him some
|
|
of his mistakes. He received everything I said with patience and
|
|
gentleness, but it all rebounded from him without taking the least
|
|
effect. I could not wonder at this after the reception his
|
|
preoccupied mind had given to my guardian's letter, but I determined
|
|
to try Ada's influence yet.
|
|
|
|
So when our walk brought us round to the village again, and I went
|
|
home to breakfast, I prepared Ada for the account I was going to give
|
|
her and told her exactly what reason we had to dread that Richard was
|
|
losing himself and scattering his whole life to the winds. It made
|
|
her very unhappy, of course, though she had a far, far greater
|
|
reliance on his correcting his errors than I could have--which was so
|
|
natural and loving in my dear!--and she presently wrote him this
|
|
little letter:
|
|
|
|
|
|
My dearest cousin,
|
|
|
|
Esther has told me all you said to her this morning. I
|
|
write this to repeat most earnestly for myself all that
|
|
she said to you and to let you know how sure I am that
|
|
you will sooner or later find our cousin John a pattern
|
|
of truth, sincerity, and goodness, when you will deeply,
|
|
deeply grieve to have done him (without intending it) so
|
|
much wrong.
|
|
|
|
I do not quite know how to write what I wish to say next,
|
|
but I trust you will understand it as I mean it. I have
|
|
some fears, my dearest cousin, that it may be partly for
|
|
my sake you are now laying up so much unhappiness for
|
|
yourself--and if for yourself, for me. In case this should
|
|
be so, or in case you should entertain much thought of me
|
|
in what you are doing, I most earnestly entreat and beg
|
|
you to desist. You can do nothing for my sake that will
|
|
make me half so happy as for ever turning your back upon
|
|
the shadow in which we both were born. Do not be angry
|
|
with me for saying this. Pray, pray, dear Richard, for my
|
|
sake, and for your own, and in a natural repugnance for
|
|
that source of trouble which had its share in making us
|
|
both orphans when we were very young, pray, pray, let it
|
|
go for ever. We have reason to know by this time that
|
|
there is no good in it and no hope, that there is nothing
|
|
to be got from it but sorrow.
|
|
|
|
My dearest cousin, it is needless for me to say that you
|
|
are quite free and that it is very likely you may find
|
|
some one whom you will love much better than your first
|
|
fancy. I am quite sure, if you will let me say so, that
|
|
the object of your choice would greatly prefer to follow
|
|
your fortunes far and wide, however moderate or poor, and
|
|
see you happy, doing your duty and pursuing your chosen
|
|
way, than to have the hope of being, or even to be, very
|
|
rich with you (if such a thing were possible) at the cost
|
|
of dragging years of procrastination and anxiety and of
|
|
your indifference to other aims. You may wonder at my
|
|
saying this so confidently with so little knowledge or
|
|
experience, but I know it for a certainty from my own
|
|
heart.
|
|
|
|
Ever, my dearest cousin, your most affectionate
|
|
|
|
Ada
|
|
|
|
|
|
This note brought Richard to us very soon, but it made little change
|
|
in him if any. We would fairly try, he said, who was right and who
|
|
was wrong--he would show us--we should see! He was animated and
|
|
glowing, as if Ada's tenderness had gratified him; but I could only
|
|
hope, with a sigh, that the letter might have some stronger effect
|
|
upon his mind on re-perusal than it assuredly had then.
|
|
|
|
As they were to remain with us that day and had taken their places to
|
|
return by the coach next morning, I sought an opportunity of speaking
|
|
to Mr. Skimpole. Our out-of-door life easily threw one in my way, and
|
|
I delicately said that there was a responsibility in encouraging
|
|
Richard.
|
|
|
|
"Responsibility, my dear Miss Summerson?" he repeated, catching at
|
|
the word with the pleasantest smile. "I am the last man in the world
|
|
for such a thing. I never was responsible in my life--I can't be."
|
|
|
|
"I am afraid everybody is obliged to be," said I timidly enough, he
|
|
being so much older and more clever than I.
|
|
|
|
"No, really?" said Mr. Skimpole, receiving this new light with a most
|
|
agreeable jocularity of surprise. "But every man's not obliged to be
|
|
solvent? I am not. I never was. See, my dear Miss Summerson," he took
|
|
a handful of loose silver and halfpence from his pocket, "there's so
|
|
much money. I have not an idea how much. I have not the power of
|
|
counting. Call it four and ninepence--call it four pound nine. They
|
|
tell me I owe more than that. I dare say I do. I dare say I owe as
|
|
much as good-natured people will let me owe. If they don't stop, why
|
|
should I? There you have Harold Skimpole in little. If that's
|
|
responsibility, I am responsible."
|
|
|
|
The perfect ease of manner with which he put the money up again and
|
|
looked at me with a smile on his refined face, as if he had been
|
|
mentioning a curious little fact about somebody else, almost made me
|
|
feel as if he really had nothing to do with it.
|
|
|
|
"Now, when you mention responsibility," he resumed, "I am disposed to
|
|
say that I never had the happiness of knowing any one whom I should
|
|
consider so refreshingly responsible as yourself. You appear to me
|
|
to be the very touchstone of responsibility. When I see you, my
|
|
dear Miss Summerson, intent upon the perfect working of the whole
|
|
little orderly system of which you are the centre, I feel inclined
|
|
to say to myself--in fact I do say to myself very often--THAT'S
|
|
responsibility!"
|
|
|
|
It was difficult, after this, to explain what I meant; but I
|
|
persisted so far as to say that we all hoped he would check and not
|
|
confirm Richard in the sanguine views he entertained just then.
|
|
|
|
"Most willingly," he retorted, "if I could. But, my dear Miss
|
|
Summerson, I have no art, no disguise. If he takes me by the hand and
|
|
leads me through Westminster Hall in an airy procession after
|
|
fortune, I must go. If he says, 'Skimpole, join the dance!' I must
|
|
join it. Common sense wouldn't, I know, but I have NO common sense."
|
|
|
|
It was very unfortunate for Richard, I said.
|
|
|
|
"Do you think so!" returned Mr. Skimpole. "Don't say that, don't say
|
|
that. Let us suppose him keeping company with Common Sense--an
|
|
excellent man--a good deal wrinkled--dreadfully practical--change for
|
|
a ten-pound note in every pocket--ruled account-book in his
|
|
hand--say, upon the whole, resembling a tax-gatherer. Our dear
|
|
Richard, sanguine, ardent, overleaping obstacles, bursting with
|
|
poetry like a young bud, says to this highly respectable companion,
|
|
'I see a golden prospect before me; it's very bright, it's very
|
|
beautiful, it's very joyous; here I go, bounding over the landscape
|
|
to come at it!' The respectable companion instantly knocks him down
|
|
with the ruled account-book; tells him in a literal, prosaic way that
|
|
he sees no such thing; shows him it's nothing but fees, fraud,
|
|
horsehair wigs, and black gowns. Now you know that's a painful
|
|
change--sensible in the last degree, I have no doubt, but
|
|
disagreeable. I can't do it. I haven't got the ruled account-book, I
|
|
have none of the tax-gathering elements in my composition, I am not
|
|
at all respectable, and I don't want to be. Odd perhaps, but so it
|
|
is!"
|
|
|
|
It was idle to say more, so I proposed that we should join Ada and
|
|
Richard, who were a little in advance, and I gave up Mr. Skimpole in
|
|
despair. He had been over the Hall in the course of the morning and
|
|
whimsically described the family pictures as we walked. There were
|
|
such portentous shepherdesses among the Ladies Dedlock dead and gone,
|
|
he told us, that peaceful crooks became weapons of assault in their
|
|
hands. They tended their flocks severely in buckram and powder and
|
|
put their sticking-plaster patches on to terrify commoners as the
|
|
chiefs of some other tribes put on their war-paint. There was a Sir
|
|
Somebody Dedlock, with a battle, a sprung-mine, volumes of smoke,
|
|
flashes of lightning, a town on fire, and a stormed fort, all in full
|
|
action between his horse's two hind legs, showing, he supposed, how
|
|
little a Dedlock made of such trifles. The whole race he represented
|
|
as having evidently been, in life, what he called "stuffed people"--a
|
|
large collection, glassy eyed, set up in the most approved manner on
|
|
their various twigs and perches, very correct, perfectly free from
|
|
animation, and always in glass cases.
|
|
|
|
I was not so easy now during any reference to the name but that I
|
|
felt it a relief when Richard, with an exclamation of surprise,
|
|
hurried away to meet a stranger whom he first descried coming slowly
|
|
towards us.
|
|
|
|
"Dear me!" said Mr. Skimpole. "Vholes!"
|
|
|
|
We asked if that were a friend of Richard's.
|
|
|
|
"Friend and legal adviser," said Mr. Skimpole. "Now, my dear Miss
|
|
Summerson, if you want common sense, responsibility, and
|
|
respectability, all united--if you want an exemplary man--Vholes is
|
|
THE man."
|
|
|
|
We had not known, we said, that Richard was assisted by any gentleman
|
|
of that name.
|
|
|
|
"When he emerged from legal infancy," returned Mr. Skimpole, "he
|
|
parted from our conversational friend Kenge and took up, I believe,
|
|
with Vholes. Indeed, I know he did, because I introduced him to
|
|
Vholes."
|
|
|
|
"Had you known him long?" asked Ada.
|
|
|
|
"Vholes? My dear Miss Clare, I had had that kind of acquaintance with
|
|
him which I have had with several gentlemen of his profession. He had
|
|
done something or other in a very agreeable, civil manner--taken
|
|
proceedings, I think, is the expression--which ended in the
|
|
proceeding of his taking ME. Somebody was so good as to step in and
|
|
pay the money--something and fourpence was the amount; I forget the
|
|
pounds and shillings, but I know it ended with fourpence, because it
|
|
struck me at the time as being so odd that I could owe anybody
|
|
fourpence--and after that I brought them together. Vholes asked me
|
|
for the introduction, and I gave it. Now I come to think of it," he
|
|
looked inquiringly at us with his frankest smile as he made the
|
|
discovery, "Vholes bribed me, perhaps? He gave me something and
|
|
called it commission. Was it a five-pound note? Do you know, I think
|
|
it MUST have been a five-pound note!"
|
|
|
|
His further consideration of the point was prevented by Richard's
|
|
coming back to us in an excited state and hastily representing Mr.
|
|
Vholes--a sallow man with pinched lips that looked as if they were
|
|
cold, a red eruption here and there upon his face, tall and thin,
|
|
about fifty years of age, high-shouldered, and stooping. Dressed in
|
|
black, black-gloved, and buttoned to the chin, there was nothing so
|
|
remarkable in him as a lifeless manner and a slow, fixed way he had
|
|
of looking at Richard.
|
|
|
|
"I hope I don't disturb you, ladies," said Mr. Vholes, and now I
|
|
observed that he was further remarkable for an inward manner of
|
|
speaking. "I arranged with Mr. Carstone that he should always know
|
|
when his cause was in the Chancellor's paper, and being informed by
|
|
one of my clerks last night after post time that it stood, rather
|
|
unexpectedly, in the paper for to-morrow, I put myself into the coach
|
|
early this morning and came down to confer with him."
|
|
|
|
"Yes," said Richard, flushed, and looking triumphantly at Ada and me,
|
|
"we don't do these things in the old slow way now. We spin along now!
|
|
Mr. Vholes, we must hire something to get over to the post town in,
|
|
and catch the mail to-night, and go up by it!"
|
|
|
|
"Anything you please, sir," returned Mr. Vholes. "I am quite at your
|
|
service."
|
|
|
|
"Let me see," said Richard, looking at his watch. "If I run down to
|
|
the Dedlock, and get my portmanteau fastened up, and order a gig, or
|
|
a chaise, or whatever's to be got, we shall have an hour then before
|
|
starting. I'll come back to tea. Cousin Ada, will you and Esther take
|
|
care of Mr. Vholes when I am gone?"
|
|
|
|
He was away directly, in his heat and hurry, and was soon lost in the
|
|
dusk of evening. We who were left walked on towards the house.
|
|
|
|
"Is Mr. Carstone's presence necessary to-morrow, Sir?" said I. "Can
|
|
it do any good?"
|
|
|
|
"No, miss," Mr. Vholes replied. "I am not aware that it can."
|
|
|
|
Both Ada and I expressed our regret that he should go, then, only to
|
|
be disappointed.
|
|
|
|
"Mr. Carstone has laid down the principle of watching his own
|
|
interests," said Mr. Vholes, "and when a client lays down his own
|
|
principle, and it is not immoral, it devolves upon me to carry it
|
|
out. I wish in business to be exact and open. I am a widower with
|
|
three daughters--Emma, Jane, and Caroline--and my desire is so to
|
|
discharge the duties of life as to leave them a good name. This
|
|
appears to be a pleasant spot, miss."
|
|
|
|
The remark being made to me in consequence of my being next him as we
|
|
walked, I assented and enumerated its chief attractions.
|
|
|
|
"Indeed?" said Mr. Vholes. "I have the privilege of supporting an
|
|
aged father in the Vale of Taunton--his native place--and I admire
|
|
that country very much. I had no idea there was anything so
|
|
attractive here."
|
|
|
|
To keep up the conversation, I asked Mr. Vholes if he would like to
|
|
live altogether in the country.
|
|
|
|
"There, miss," said he, "you touch me on a tender string. My health
|
|
is not good (my digestion being much impaired), and if I had only
|
|
myself to consider, I should take refuge in rural habits, especially
|
|
as the cares of business have prevented me from ever coming much into
|
|
contact with general society, and particularly with ladies' society,
|
|
which I have most wished to mix in. But with my three daughters,
|
|
Emma, Jane, and Caroline--and my aged father--I cannot afford to be
|
|
selfish. It is true I have no longer to maintain a dear grandmother
|
|
who died in her hundred and second year, but enough remains to render
|
|
it indispensable that the mill should be always going."
|
|
|
|
It required some attention to hear him on account of his inward
|
|
speaking and his lifeless manner.
|
|
|
|
"You will excuse my having mentioned my daughters," he said. "They
|
|
are my weak point. I wish to leave the poor girls some little
|
|
independence, as well as a good name."
|
|
|
|
We now arrived at Mr. Boythorn's house, where the tea-table, all
|
|
prepared, was awaiting us. Richard came in restless and hurried
|
|
shortly afterwards, and leaning over Mr. Vholes's chair, whispered
|
|
something in his ear. Mr. Vholes replied aloud--or as nearly aloud I
|
|
suppose as he had ever replied to anything--"You will drive me, will
|
|
you, sir? It is all the same to me, sir. Anything you please. I am
|
|
quite at your service."
|
|
|
|
We understood from what followed that Mr. Skimpole was to be left
|
|
until the morning to occupy the two places which had been already
|
|
paid for. As Ada and I were both in low spirits concerning Richard
|
|
and very sorry so to part with him, we made it as plain as we
|
|
politely could that we should leave Mr. Skimpole to the Dedlock Arms
|
|
and retire when the night-travellers were gone.
|
|
|
|
Richard's high spirits carrying everything before them, we all went
|
|
out together to the top of the hill above the village, where he had
|
|
ordered a gig to wait and where we found a man with a lantern
|
|
standing at the head of the gaunt pale horse that had been harnessed
|
|
to it.
|
|
|
|
I never shall forget those two seated side by side in the lantern's
|
|
light, Richard all flush and fire and laughter, with the reins in his
|
|
hand; Mr. Vholes quite still, black-gloved, and buttoned up, looking
|
|
at him as if he were looking at his prey and charming it. I have
|
|
before me the whole picture of the warm dark night, the summer
|
|
lightning, the dusty track of road closed in by hedgerows and high
|
|
trees, the gaunt pale horse with his ears pricked up, and the driving
|
|
away at speed to Jarndyce and Jarndyce.
|
|
|
|
My dear girl told me that night how Richard's being thereafter
|
|
prosperous or ruined, befriended or deserted, could only make this
|
|
difference to her, that the more he needed love from one unchanging
|
|
heart, the more love that unchanging heart would have to give him;
|
|
how he thought of her through his present errors, and she would think
|
|
of him at all times--never of herself if she could devote herself to
|
|
him, never of her own delights if she could minister to his.
|
|
|
|
And she kept her word?
|
|
|
|
I look along the road before me, where the distance already shortens
|
|
and the journey's end is growing visible; and true and good above the
|
|
dead sea of the Chancery suit and all the ashy fruit it cast ashore,
|
|
I think I see my darling.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVIII
|
|
|
|
A Struggle
|
|
|
|
|
|
When our time came for returning to Bleak House again, we were
|
|
punctual to the day and were received with an overpowering welcome. I
|
|
was perfectly restored to health and strength, and finding my
|
|
housekeeping keys laid ready for me in my room, rang myself in as if
|
|
I had been a new year, with a merry little peal. "Once more, duty,
|
|
duty, Esther," said I; "and if you are not overjoyed to do it, more
|
|
than cheerfully and contentedly, through anything and everything, you
|
|
ought to be. That's all I have to say to you, my dear!"
|
|
|
|
The first few mornings were mornings of so much bustle and business,
|
|
devoted to such settlements of accounts, such repeated journeys to
|
|
and fro between the growlery and all other parts of the house, so
|
|
many rearrangements of drawers and presses, and such a general new
|
|
beginning altogether, that I had not a moment's leisure. But when
|
|
these arrangements were completed and everything was in order, I paid
|
|
a visit of a few hours to London, which something in the letter I had
|
|
destroyed at Chesney Wold had induced me to decide upon in my own
|
|
mind.
|
|
|
|
I made Caddy Jellyby--her maiden name was so natural to me that I
|
|
always called her by it--the pretext for this visit and wrote her a
|
|
note previously asking the favour of her company on a little business
|
|
expedition. Leaving home very early in the morning, I got to London
|
|
by stage-coach in such good time that I got to Newman Street with the
|
|
day before me.
|
|
|
|
Caddy, who had not seen me since her wedding-day, was so glad and so
|
|
affectionate that I was half inclined to fear I should make her
|
|
husband jealous. But he was, in his way, just as bad--I mean as good;
|
|
and in short it was the old story, and nobody would leave me any
|
|
possibility of doing anything meritorious.
|
|
|
|
The elder Mr. Turveydrop was in bed, I found, and Caddy was
|
|
milling his chocolate, which a melancholy little boy who was an
|
|
apprentice--it seemed such a curious thing to be apprenticed to the
|
|
trade of dancing--was waiting to carry upstairs. Her father-in-law
|
|
was extremely kind and considerate, Caddy told me, and they lived
|
|
most happily together. (When she spoke of their living together, she
|
|
meant that the old gentleman had all the good things and all the good
|
|
lodging, while she and her husband had what they could get, and were
|
|
poked into two corner rooms over the Mews.)
|
|
|
|
"And how is your mama, Caddy?" said I.
|
|
|
|
"Why, I hear of her, Esther," replied Caddy, "through Pa, but I see
|
|
very little of her. We are good friends, I am glad to say, but Ma
|
|
thinks there is something absurd in my having married a
|
|
dancing-master, and she is rather afraid of its extending to her."
|
|
|
|
It struck me that if Mrs. Jellyby had discharged her own natural
|
|
duties and obligations before she swept the horizon with a telescope
|
|
in search of others, she would have taken the best precautions
|
|
against becoming absurd, but I need scarcely observe that I kept this
|
|
to myself.
|
|
|
|
"And your papa, Caddy?"
|
|
|
|
"He comes here every evening," returned Caddy, "and is so fond of
|
|
sitting in the corner there that it's a treat to see him."
|
|
|
|
Looking at the corner, I plainly perceived the mark of Mr. Jellyby's
|
|
head against the wall. It was consolatory to know that he had found
|
|
such a resting-place for it.
|
|
|
|
"And you, Caddy," said I, "you are always busy, I'll be bound?"
|
|
|
|
"Well, my dear," returned Caddy, "I am indeed, for to tell you a
|
|
grand secret, I am qualifying myself to give lessons. Prince's health
|
|
is not strong, and I want to be able to assist him. What with
|
|
schools, and classes here, and private pupils, AND the apprentices,
|
|
he really has too much to do, poor fellow!"
|
|
|
|
The notion of the apprentices was still so odd to me that I asked
|
|
Caddy if there were many of them.
|
|
|
|
"Four," said Caddy. "One in-door, and three out. They are
|
|
very good children; only when they get together they WILL
|
|
play--children-like--instead of attending to their work. So the
|
|
little boy you saw just now waltzes by himself in the empty kitchen,
|
|
and we distribute the others over the house as well as we can."
|
|
|
|
"That is only for their steps, of course?" said I.
|
|
|
|
"Only for their steps," said Caddy. "In that way they practise, so
|
|
many hours at a time, whatever steps they happen to be upon. They
|
|
dance in the academy, and at this time of year we do figures at five
|
|
every morning."
|
|
|
|
"Why, what a laborious life!" I exclaimed.
|
|
|
|
"I assure you, my dear," returned Caddy, smiling, "when the out-door
|
|
apprentices ring us up in the morning (the bell rings into our room,
|
|
not to disturb old Mr. Turveydrop), and when I put up the window and
|
|
see them standing on the door-step with their little pumps under
|
|
their arms, I am actually reminded of the Sweeps."
|
|
|
|
All this presented the art to me in a singular light, to be sure.
|
|
Caddy enjoyed the effect of her communication and cheerfully
|
|
recounted the particulars of her own studies.
|
|
|
|
"You see, my dear, to save expense I ought to know something of the
|
|
piano, and I ought to know something of the kit too, and consequently
|
|
I have to practise those two instruments as well as the details of
|
|
our profession. If Ma had been like anybody else, I might have had
|
|
some little musical knowledge to begin upon. However, I hadn't any;
|
|
and that part of the work is, at first, a little discouraging, I must
|
|
allow. But I have a very good ear, and I am used to drudgery--I have
|
|
to thank Ma for that, at all events--and where there's a will there's
|
|
a way, you know, Esther, the world over." Saying these words, Caddy
|
|
laughingly sat down at a little jingling square piano and really
|
|
rattled off a quadrille with great spirit. Then she good-humouredly
|
|
and blushingly got up again, and while she still laughed herself,
|
|
said, "Don't laugh at me, please; that's a dear girl!"
|
|
|
|
I would sooner have cried, but I did neither. I encouraged her and
|
|
praised her with all my heart. For I conscientiously believed,
|
|
dancing-master's wife though she was, and dancing-mistress though in
|
|
her limited ambition she aspired to be, she had struck out a natural,
|
|
wholesome, loving course of industry and perseverance that was quite
|
|
as good as a mission.
|
|
|
|
"My dear," said Caddy, delighted, "you can't think how you cheer me.
|
|
I shall owe you, you don't know how much. What changes, Esther, even
|
|
in my small world! You recollect that first night, when I was so
|
|
unpolite and inky? Who would have thought, then, of my ever teaching
|
|
people to dance, of all other possibilities and impossibilities!"
|
|
|
|
Her husband, who had left us while we had this chat, now coming back,
|
|
preparatory to exercising the apprentices in the ball-room, Caddy
|
|
informed me she was quite at my disposal. But it was not my time yet,
|
|
I was glad to tell her, for I should have been vexed to take her away
|
|
then. Therefore we three adjourned to the apprentices together, and I
|
|
made one in the dance.
|
|
|
|
The apprentices were the queerest little people. Besides the
|
|
melancholy boy, who, I hoped, had not been made so by waltzing alone
|
|
in the empty kitchen, there were two other boys and one dirty little
|
|
limp girl in a gauzy dress. Such a precocious little girl, with such
|
|
a dowdy bonnet on (that, too, of a gauzy texture), who brought her
|
|
sandalled shoes in an old threadbare velvet reticule. Such mean
|
|
little boys, when they were not dancing, with string, and marbles,
|
|
and cramp-bones in their pockets, and the most untidy legs and
|
|
feet--and heels particularly.
|
|
|
|
I asked Caddy what had made their parents choose this profession for
|
|
them. Caddy said she didn't know; perhaps they were designed for
|
|
teachers, perhaps for the stage. They were all people in humble
|
|
circumstances, and the melancholy boy's mother kept a ginger-beer
|
|
shop.
|
|
|
|
We danced for an hour with great gravity, the melancholy child doing
|
|
wonders with his lower extremities, in which there appeared to be
|
|
some sense of enjoyment though it never rose above his waist. Caddy,
|
|
while she was observant of her husband and was evidently founded upon
|
|
him, had acquired a grace and self-possession of her own, which,
|
|
united to her pretty face and figure, was uncommonly agreeable. She
|
|
already relieved him of much of the instruction of these young
|
|
people, and he seldom interfered except to walk his part in the
|
|
figure if he had anything to do in it. He always played the tune. The
|
|
affectation of the gauzy child, and her condescension to the boys,
|
|
was a sight. And thus we danced an hour by the clock.
|
|
|
|
When the practice was concluded, Caddy's husband made himself ready
|
|
to go out of town to a school, and Caddy ran away to get ready to go
|
|
out with me. I sat in the ball-room in the interval, contemplating
|
|
the apprentices. The two out-door boys went upon the staircase to put
|
|
on their half-boots and pull the in-door boy's hair, as I judged from
|
|
the nature of his objections. Returning with their jackets buttoned
|
|
and their pumps stuck in them, they then produced packets of cold
|
|
bread and meat and bivouacked under a painted lyre on the wall. The
|
|
little gauzy child, having whisked her sandals into the reticule and
|
|
put on a trodden-down pair of shoes, shook her head into the dowdy
|
|
bonnet at one shake, and answering my inquiry whether she liked
|
|
dancing by replying, "Not with boys," tied it across her chin, and
|
|
went home contemptuous.
|
|
|
|
"Old Mr. Turveydrop is so sorry," said Caddy, "that he has not
|
|
finished dressing yet and cannot have the pleasure of seeing you
|
|
before you go. You are such a favourite of his, Esther."
|
|
|
|
I expressed myself much obliged to him, but did not think it
|
|
necessary to add that I readily dispensed with this attention.
|
|
|
|
"It takes him a long time to dress," said Caddy, "because he is very
|
|
much looked up to in such things, you know, and has a reputation to
|
|
support. You can't think how kind he is to Pa. He talks to Pa of an
|
|
evening about the Prince Regent, and I never saw Pa so interested."
|
|
|
|
There was something in the picture of Mr. Turveydrop bestowing his
|
|
deportment on Mr. Jellyby that quite took my fancy. I asked Caddy if
|
|
he brought her papa out much.
|
|
|
|
"No," said Caddy, "I don't know that he does that, but he talks to
|
|
Pa, and Pa greatly admires him, and listens, and likes it. Of course
|
|
I am aware that Pa has hardly any claims to deportment, but they get
|
|
on together delightfully. You can't think what good companions they
|
|
make. I never saw Pa take snuff before in my life, but he takes one
|
|
pinch out of Mr. Turveydrop's box regularly and keeps putting it to
|
|
his nose and taking it away again all the evening."
|
|
|
|
That old Mr. Turveydrop should ever, in the chances and changes of
|
|
life, have come to the rescue of Mr. Jellyby from Borrioboola-Gha
|
|
appeared to me to be one of the pleasantest of oddities.
|
|
|
|
"As to Peepy," said Caddy with a little hesitation, "whom I was most
|
|
afraid of--next to having any family of my own, Esther--as an
|
|
inconvenience to Mr. Turveydrop, the kindness of the old gentleman to
|
|
that child is beyond everything. He asks to see him, my dear! He lets
|
|
him take the newspaper up to him in bed; he gives him the crusts of
|
|
his toast to eat; he sends him on little errands about the house; he
|
|
tells him to come to me for sixpences. In short," said Caddy
|
|
cheerily, "and not to prose, I am a very fortunate girl and ought to
|
|
be very grateful. Where are we going, Esther?"
|
|
|
|
"To the Old Street Road," said I, "where I have a few words to say to
|
|
the solicitor's clerk who was sent to meet me at the coach-office on
|
|
the very day when I came to London and first saw you, my dear. Now I
|
|
think of it, the gentleman who brought us to your house."
|
|
|
|
"Then, indeed, I seem to be naturally the person to go with you,"
|
|
returned Caddy.
|
|
|
|
To the Old Street Road we went and there inquired at Mrs. Guppy's
|
|
residence for Mrs. Guppy. Mrs. Guppy, occupying the parlours and
|
|
having indeed been visibly in danger of cracking herself like a nut
|
|
in the front-parlour door by peeping out before she was asked for,
|
|
immediately presented herself and requested us to walk in. She was an
|
|
old lady in a large cap, with rather a red nose and rather an
|
|
unsteady eye, but smiling all over. Her close little sitting-room was
|
|
prepared for a visit, and there was a portrait of her son in it
|
|
which, I had almost written here, was more like than life: it
|
|
insisted upon him with such obstinacy, and was so determined not to
|
|
let him off.
|
|
|
|
Not only was the portrait there, but we found the original there too.
|
|
He was dressed in a great many colours and was discovered at a table
|
|
reading law-papers with his forefinger to his forehead.
|
|
|
|
"Miss Summerson," said Mr. Guppy, rising, "this is indeed an oasis.
|
|
Mother, will you be so good as to put a chair for the other lady and
|
|
get out of the gangway."
|
|
|
|
Mrs. Guppy, whose incessant smiling gave her quite a waggish
|
|
appearance, did as her son requested and then sat down in a corner,
|
|
holding her pocket handkerchief to her chest, like a fomentation,
|
|
with both hands.
|
|
|
|
I presented Caddy, and Mr. Guppy said that any friend of mine was
|
|
more than welcome. I then proceeded to the object of my visit.
|
|
|
|
"I took the liberty of sending you a note, sir," said I.
|
|
|
|
Mr. Guppy acknowledged the receipt by taking it out of his
|
|
breast-pocket, putting it to his lips, and returning it to his pocket
|
|
with a bow. Mr. Guppy's mother was so diverted that she rolled her
|
|
head as she smiled and made a silent appeal to Caddy with her elbow.
|
|
|
|
"Could I speak to you alone for a moment?" said I.
|
|
|
|
Anything like the jocoseness of Mr. Guppy's mother just now, I think
|
|
I never saw. She made no sound of laughter, but she rolled her head,
|
|
and shook it, and put her handkerchief to her mouth, and appealed to
|
|
Caddy with her elbow, and her hand, and her shoulder, and was so
|
|
unspeakably entertained altogether that it was with some difficulty
|
|
she could marshal Caddy through the little folding-door into her
|
|
bedroom adjoining.
|
|
|
|
"Miss Summerson," said Mr. Guppy, "you will excuse the waywardness of
|
|
a parent ever mindful of a son's appiness. My mother, though highly
|
|
exasperating to the feelings, is actuated by maternal dictates."
|
|
|
|
I could hardly have believed that anybody could in a moment have
|
|
turned so red or changed so much as Mr. Guppy did when I now put up
|
|
my veil.
|
|
|
|
"I asked the favour of seeing you for a few moments here," said I,
|
|
"in preference to calling at Mr. Kenge's because, remembering what
|
|
you said on an occasion when you spoke to me in confidence, I feared
|
|
I might otherwise cause you some embarrassment, Mr. Guppy."
|
|
|
|
I caused him embarrassment enough as it was, I am sure. I never saw
|
|
such faltering, such confusion, such amazement and apprehension.
|
|
|
|
"Miss Summerson," stammered Mr. Guppy, "I--I--beg your pardon, but in
|
|
our profession--we--we--find it necessary to be explicit. You have
|
|
referred to an occasion, miss, when I--when I did myself the honour
|
|
of making a declaration which--"
|
|
|
|
Something seemed to rise in his throat that he could not possibly
|
|
swallow. He put his hand there, coughed, made faces, tried again to
|
|
swallow it, coughed again, made faces again, looked all round the
|
|
room, and fluttered his papers.
|
|
|
|
"A kind of giddy sensation has come upon me, miss," he explained,
|
|
"which rather knocks me over. I--er--a little subject to this sort of
|
|
thing--er--by George!"
|
|
|
|
I gave him a little time to recover. He consumed it in putting his
|
|
hand to his forehead and taking it away again, and in backing his
|
|
chair into the corner behind him.
|
|
|
|
"My intention was to remark, miss," said Mr. Guppy, "dear
|
|
me--something bronchial, I think--hem!--to remark that you was so
|
|
good on that occasion as to repel and repudiate that declaration.
|
|
You--you wouldn't perhaps object to admit that? Though no witnesses
|
|
are present, it might be a satisfaction to--to your mind--if you was
|
|
to put in that admission."
|
|
|
|
"There can be no doubt," said I, "that I declined your proposal
|
|
without any reservation or qualification whatever, Mr. Guppy."
|
|
|
|
"Thank you, miss," he returned, measuring the table with his troubled
|
|
hands. "So far that's satisfactory, and it does you credit. Er--this
|
|
is certainly bronchial!--must be in the tubes--er--you wouldn't
|
|
perhaps be offended if I was to mention--not that it's necessary, for
|
|
your own good sense or any person's sense must show 'em that--if I
|
|
was to mention that such declaration on my part was final, and there
|
|
terminated?"
|
|
|
|
"I quite understand that," said I.
|
|
|
|
"Perhaps--er--it may not be worth the form, but it might be a
|
|
satisfaction to your mind--perhaps you wouldn't object to admit that,
|
|
miss?" said Mr. Guppy.
|
|
|
|
"I admit it most fully and freely," said I.
|
|
|
|
"Thank you," returned Mr. Guppy. "Very honourable, I am sure. I
|
|
regret that my arrangements in life, combined with circumstances over
|
|
which I have no control, will put it out of my power ever to fall
|
|
back upon that offer or to renew it in any shape or form whatever,
|
|
but it will ever be a retrospect entwined--er--with friendship's
|
|
bowers." Mr. Guppy's bronchitis came to his relief and stopped his
|
|
measurement of the table.
|
|
|
|
"I may now perhaps mention what I wished to say to you?" I began.
|
|
|
|
"I shall be honoured, I am sure," said Mr. Guppy. "I am so persuaded
|
|
that your own good sense and right feeling, miss, will--will keep you
|
|
as square as possible--that I can have nothing but pleasure, I am
|
|
sure, in hearing any observations you may wish to offer."
|
|
|
|
"You were so good as to imply, on that occasion--"
|
|
|
|
"Excuse me, miss," said Mr. Guppy, "but we had better not travel out
|
|
of the record into implication. I cannot admit that I implied
|
|
anything."
|
|
|
|
"You said on that occasion," I recommenced, "that you might possibly
|
|
have the means of advancing my interests and promoting my fortunes by
|
|
making discoveries of which I should be the subject. I presume that
|
|
you founded that belief upon your general knowledge of my being an
|
|
orphan girl, indebted for everything to the benevolence of Mr.
|
|
Jarndyce. Now, the beginning and the end of what I have come to beg
|
|
of you is, Mr. Guppy, that you will have the kindness to relinquish
|
|
all idea of so serving me. I have thought of this sometimes, and I
|
|
have thought of it most lately--since I have been ill. At length I
|
|
have decided, in case you should at any time recall that purpose and
|
|
act upon it in any way, to come to you and assure you that you are
|
|
altogether mistaken. You could make no discovery in reference to me
|
|
that would do me the least service or give me the least pleasure. I
|
|
am acquainted with my personal history, and I have it in my power to
|
|
assure you that you never can advance my welfare by such means. You
|
|
may, perhaps, have abandoned this project a long time. If so, excuse
|
|
my giving you unnecessary trouble. If not, I entreat you, on the
|
|
assurance I have given you, henceforth to lay it aside. I beg you to
|
|
do this, for my peace."
|
|
|
|
"I am bound to confess," said Mr. Guppy, "that you express yourself,
|
|
miss, with that good sense and right feeling for which I gave you
|
|
credit. Nothing can be more satisfactory than such right feeling, and
|
|
if I mistook any intentions on your part just now, I am prepared to
|
|
tender a full apology. I should wish to be understood, miss, as
|
|
hereby offering that apology--limiting it, as your own good sense and
|
|
right feeling will point out the necessity of, to the present
|
|
proceedings."
|
|
|
|
I must say for Mr. Guppy that the snuffling manner he had had upon
|
|
him improved very much. He seemed truly glad to be able to do
|
|
something I asked, and he looked ashamed.
|
|
|
|
"If you will allow me to finish what I have to say at once so that I
|
|
may have no occasion to resume," I went on, seeing him about to
|
|
speak, "you will do me a kindness, sir. I come to you as privately as
|
|
possible because you announced this impression of yours to me in a
|
|
confidence which I have really wished to respect--and which I always
|
|
have respected, as you remember. I have mentioned my illness. There
|
|
really is no reason why I should hesitate to say that I know very
|
|
well that any little delicacy I might have had in making a request to
|
|
you is quite removed. Therefore I make the entreaty I have now
|
|
preferred, and I hope you will have sufficient consideration for me
|
|
to accede to it."
|
|
|
|
I must do Mr. Guppy the further justice of saying that he had looked
|
|
more and more ashamed and that he looked most ashamed and very
|
|
earnest when he now replied with a burning face, "Upon my word and
|
|
honour, upon my life, upon my soul, Miss Summerson, as I am a living
|
|
man, I'll act according to your wish! I'll never go another step in
|
|
opposition to it. I'll take my oath to it if it will be any
|
|
satisfaction to you. In what I promise at this present time touching
|
|
the matters now in question," continued Mr. Guppy rapidly, as if he
|
|
were repeating a familiar form of words, "I speak the truth, the
|
|
whole truth, and nothing but the truth, so--"
|
|
|
|
"I am quite satisfied," said I, rising at this point, "and I thank
|
|
you very much. Caddy, my dear, I am ready!"
|
|
|
|
Mr. Guppy's mother returned with Caddy (now making me the recipient
|
|
of her silent laughter and her nudges), and we took our leave. Mr.
|
|
Guppy saw us to the door with the air of one who was either
|
|
imperfectly awake or walking in his sleep; and we left him there,
|
|
staring.
|
|
|
|
But in a minute he came after us down the street without any hat, and
|
|
with his long hair all blown about, and stopped us, saying fervently,
|
|
"Miss Summerson, upon my honour and soul, you may depend upon me!"
|
|
|
|
"I do," said I, "quite confidently."
|
|
|
|
"I beg your pardon, miss," said Mr. Guppy, going with one leg and
|
|
staying with the other, "but this lady being present--your own
|
|
witness--it might be a satisfaction to your mind (which I should wish
|
|
to set at rest) if you was to repeat those admissions."
|
|
|
|
"Well, Caddy," said I, turning to her, "perhaps you will not be
|
|
surprised when I tell you, my dear, that there never has been any
|
|
engagement--"
|
|
|
|
"No proposal or promise of marriage whatsoever," suggested Mr. Guppy.
|
|
|
|
"No proposal or promise of marriage whatsoever," said I, "between
|
|
this gentleman--"
|
|
|
|
"William Guppy, of Penton Place, Pentonville, in the county of
|
|
Middlesex," he murmured.
|
|
|
|
"Between this gentleman, Mr. William Guppy, of Penton Place,
|
|
Pentonville, in the county of Middlesex, and myself."
|
|
|
|
"Thank you, miss," said Mr. Guppy. "Very full--er--excuse me--lady's
|
|
name, Christian and surname both?"
|
|
|
|
I gave them.
|
|
|
|
"Married woman, I believe?" said Mr. Guppy. "Married woman. Thank
|
|
you. Formerly Caroline Jellyby, spinster, then of Thavies Inn, within
|
|
the city of London, but extra-parochial; now of Newman Street, Oxford
|
|
Street. Much obliged."
|
|
|
|
He ran home and came running back again.
|
|
|
|
"Touching that matter, you know, I really and truly am very sorry
|
|
that my arrangements in life, combined with circumstances over which
|
|
I have no control, should prevent a renewal of what was wholly
|
|
terminated some time back," said Mr. Guppy to me forlornly and
|
|
despondently, "but it couldn't be. Now COULD it, you know! I only put
|
|
it to you."
|
|
|
|
I replied it certainly could not. The subject did not admit of a
|
|
doubt. He thanked me and ran to his mother's again--and back again.
|
|
|
|
"It's very honourable of you, miss, I am sure," said Mr. Guppy. "If
|
|
an altar could be erected in the bowers of friendship--but, upon my
|
|
soul, you may rely upon me in every respect save and except the
|
|
tender passion only!"
|
|
|
|
The struggle in Mr. Guppy's breast and the numerous oscillations it
|
|
occasioned him between his mother's door and us were sufficiently
|
|
conspicuous in the windy street (particularly as his hair wanted
|
|
cutting) to make us hurry away. I did so with a lightened heart; but
|
|
when we last looked back, Mr. Guppy was still oscillating in the same
|
|
troubled state of mind.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXIX
|
|
|
|
Attorney and Client
|
|
|
|
|
|
The name of Mr. Vholes, preceded by the legend Ground-Floor, is
|
|
inscribed upon a door-post in Symond's Inn, Chancery Lane--a little,
|
|
pale, wall-eyed, woebegone inn like a large dust-binn of two
|
|
compartments and a sifter. It looks as if Symond were a sparing man
|
|
in his way and constructed his inn of old building materials which
|
|
took kindly to the dry rot and to dirt and all things decaying and
|
|
dismal, and perpetuated Symond's memory with congenial shabbiness.
|
|
Quartered in this dingy hatchment commemorative of Symond are the
|
|
legal bearings of Mr. Vholes.
|
|
|
|
Mr. Vholes's office, in disposition retiring and in situation
|
|
retired, is squeezed up in a corner and blinks at a dead wall. Three
|
|
feet of knotty-floored dark passage bring the client to Mr. Vholes's
|
|
jet-black door, in an angle profoundly dark on the brightest
|
|
midsummer morning and encumbered by a black bulk-head of cellarage
|
|
staircase against which belated civilians generally strike their
|
|
brows. Mr. Vholes's chambers are on so small a scale that one clerk
|
|
can open the door without getting off his stool, while the other who
|
|
elbows him at the same desk has equal facilities for poking the fire.
|
|
A smell as of unwholesome sheep blending with the smell of must and
|
|
dust is referable to the nightly (and often daily) consumption of
|
|
mutton fat in candles and to the fretting of parchment forms and
|
|
skins in greasy drawers. The atmosphere is otherwise stale and close.
|
|
The place was last painted or whitewashed beyond the memory of man,
|
|
and the two chimneys smoke, and there is a loose outer surface of
|
|
soot everywhere, and the dull cracked windows in their heavy frames
|
|
have but one piece of character in them, which is a determination to
|
|
be always dirty and always shut unless coerced. This accounts for the
|
|
phenomenon of the weaker of the two usually having a bundle of
|
|
firewood thrust between its jaws in hot weather.
|
|
|
|
Mr. Vholes is a very respectable man. He has not a large business,
|
|
but he is a very respectable man. He is allowed by the greater
|
|
attorneys who have made good fortunes or are making them to be a most
|
|
respectable man. He never misses a chance in his practice, which is a
|
|
mark of respectability. He never takes any pleasure, which is another
|
|
mark of respectability. He is reserved and serious, which is another
|
|
mark of respectability. His digestion is impaired, which is highly
|
|
respectable. And he is making hay of the grass which is flesh, for
|
|
his three daughters. And his father is dependent on him in the Vale
|
|
of Taunton.
|
|
|
|
The one great principle of the English law is to make business for
|
|
itself. There is no other principle distinctly, certainly, and
|
|
consistently maintained through all its narrow turnings. Viewed by
|
|
this light it becomes a coherent scheme and not the monstrous maze
|
|
the laity are apt to think it. Let them but once clearly perceive
|
|
that its grand principle is to make business for itself at their
|
|
expense, and surely they will cease to grumble.
|
|
|
|
But not perceiving this quite plainly--only seeing it by halves in a
|
|
confused way--the laity sometimes suffer in peace and pocket, with a
|
|
bad grace, and DO grumble very much. Then this respectability of Mr.
|
|
Vholes is brought into powerful play against them. "Repeal this
|
|
statute, my good sir?" says Mr. Kenge to a smarting client. "Repeal
|
|
it, my dear sir? Never, with my consent. Alter this law, sir, and
|
|
what will be the effect of your rash proceeding on a class of
|
|
practitioners very worthily represented, allow me to say to you, by
|
|
the opposite attorney in the case, Mr. Vholes? Sir, that class of
|
|
practitioners would be swept from the face of the earth. Now you
|
|
cannot afford--I will say, the social system cannot afford--to lose
|
|
an order of men like Mr. Vholes. Diligent, persevering, steady, acute
|
|
in business. My dear sir, I understand your present feelings against
|
|
the existing state of things, which I grant to be a little hard in
|
|
your case; but I can never raise my voice for the demolition of a
|
|
class of men like Mr. Vholes." The respectability of Mr. Vholes has
|
|
even been cited with crushing effect before Parliamentary committees,
|
|
as in the following blue minutes of a distinguished attorney's
|
|
evidence. "Question (number five hundred and seventeen thousand eight
|
|
hundred and sixty-nine): If I understand you, these forms of practice
|
|
indisputably occasion delay? Answer: Yes, some delay. Question: And
|
|
great expense? Answer: Most assuredly they cannot be gone through for
|
|
nothing. Question: And unspeakable vexation? Answer: I am not
|
|
prepared to say that. They have never given ME any vexation; quite
|
|
the contrary. Question: But you think that their abolition would
|
|
damage a class of practitioners? Answer: I have no doubt of it.
|
|
Question: Can you instance any type of that class? Answer: Yes. I
|
|
would unhesitatingly mention Mr. Vholes. He would be ruined.
|
|
Question: Mr. Vholes is considered, in the profession, a respectable
|
|
man? Answer:"--which proved fatal to the inquiry for ten years--"Mr.
|
|
Vholes is considered, in the profession, a MOST respectable man."
|
|
|
|
So in familiar conversation, private authorities no less
|
|
disinterested will remark that they don't know what this age is
|
|
coming to, that we are plunging down precipices, that now here is
|
|
something else gone, that these changes are death to people like
|
|
Vholes--a man of undoubted respectability, with a father in the Vale
|
|
of Taunton, and three daughters at home. Take a few steps more in
|
|
this direction, say they, and what is to become of Vholes's father?
|
|
Is he to perish? And of Vholes's daughters? Are they to be
|
|
shirt-makers, or governesses? As though, Mr. Vholes and his relations
|
|
being minor cannibal chiefs and it being proposed to abolish
|
|
cannibalism, indignant champions were to put the case thus: Make
|
|
man-eating unlawful, and you starve the Vholeses!
|
|
|
|
In a word, Mr. Vholes, with his three daughters and his father in the
|
|
Vale of Taunton, is continually doing duty, like a piece of timber,
|
|
to shore up some decayed foundation that has become a pitfall and a
|
|
nuisance. And with a great many people in a great many instances, the
|
|
question is never one of a change from wrong to right (which is quite
|
|
an extraneous consideration), but is always one of injury or
|
|
advantage to that eminently respectable legion, Vholes.
|
|
|
|
The Chancellor is, within these ten minutes, "up" for the long
|
|
vacation. Mr. Vholes, and his young client, and several blue bags
|
|
hastily stuffed out of all regularity of form, as the larger sort of
|
|
serpents are in their first gorged state, have returned to the
|
|
official den. Mr. Vholes, quiet and unmoved, as a man of so much
|
|
respectability ought to be, takes off his close black gloves as if he
|
|
were skinning his hands, lifts off his tight hat as if he were
|
|
scalping himself, and sits down at his desk. The client throws his
|
|
hat and gloves upon the ground--tosses them anywhere, without looking
|
|
after them or caring where they go; flings himself into a chair, half
|
|
sighing and half groaning; rests his aching head upon his hand and
|
|
looks the portrait of young despair.
|
|
|
|
"Again nothing done!" says Richard. "Nothing, nothing done!"
|
|
|
|
"Don't say nothing done, sir," returns the placid Vholes. "That is
|
|
scarcely fair, sir, scarcely fair!"
|
|
|
|
"Why, what IS done?" says Richard, turning gloomily upon him.
|
|
|
|
"That may not be the whole question," returns Vholes, "The question
|
|
may branch off into what is doing, what is doing?"
|
|
|
|
"And what is doing?" asks the moody client.
|
|
|
|
Vholes, sitting with his arms on the desk, quietly bringing the tips
|
|
of his five right fingers to meet the tips of his five left fingers,
|
|
and quietly separating them again, and fixedly and slowly looking at
|
|
his client, replies, "A good deal is doing, sir. We have put our
|
|
shoulders to the wheel, Mr. Carstone, and the wheel is going round."
|
|
|
|
"Yes, with Ixion on it. How am I to get through the next four or five
|
|
accursed months?" exclaims the young man, rising from his chair and
|
|
walking about the room.
|
|
|
|
"Mr. C.," returns Vholes, following him close with his eyes wherever
|
|
he goes, "your spirits are hasty, and I am sorry for it on your
|
|
account. Excuse me if I recommend you not to chafe so much, not to be
|
|
so impetuous, not to wear yourself out so. You should have more
|
|
patience. You should sustain yourself better."
|
|
|
|
"I ought to imitate you, in fact, Mr. Vholes?" says Richard, sitting
|
|
down again with an impatient laugh and beating the devil's tattoo
|
|
with his boot on the patternless carpet.
|
|
|
|
"Sir," returns Vholes, always looking at the client as if he were
|
|
making a lingering meal of him with his eyes as well as with his
|
|
professional appetite. "Sir," returns Vholes with his inward manner
|
|
of speech and his bloodless quietude, "I should not have had the
|
|
presumption to propose myself as a model for your imitation or any
|
|
man's. Let me but leave the good name to my three daughters, and that
|
|
is enough for me; I am not a self-seeker. But since you mention me so
|
|
pointedly, I will acknowledge that I should like to impart to you a
|
|
little of my--come, sir, you are disposed to call it insensibility,
|
|
and I am sure I have no objection--say insensibility--a little of my
|
|
insensibility."
|
|
|
|
"Mr. Vholes," explains the client, somewhat abashed, "I had no
|
|
intention to accuse you of insensibility."
|
|
|
|
"I think you had, sir, without knowing it," returns the equable
|
|
Vholes. "Very naturally. It is my duty to attend to your interests
|
|
with a cool head, and I can quite understand that to your excited
|
|
feelings I may appear, at such times as the present, insensible. My
|
|
daughters may know me better; my aged father may know me better. But
|
|
they have known me much longer than you have, and the confiding eye
|
|
of affection is not the distrustful eye of business. Not that I
|
|
complain, sir, of the eye of business being distrustful; quite the
|
|
contrary. In attending to your interests, I wish to have all possible
|
|
checks upon me; it is right that I should have them; I court inquiry.
|
|
But your interests demand that I should be cool and methodical, Mr.
|
|
Carstone; and I cannot be otherwise--no, sir, not even to please
|
|
you."
|
|
|
|
Mr. Vholes, after glancing at the official cat who is patiently
|
|
watching a mouse's hole, fixes his charmed gaze again on his young
|
|
client and proceeds in his buttoned-up, half-audible voice as if
|
|
there were an unclean spirit in him that will neither come out nor
|
|
speak out, "What are you to do, sir, you inquire, during the
|
|
vacation. I should hope you gentlemen of the army may find many means
|
|
of amusing yourselves if you give your minds to it. If you had asked
|
|
me what I was to do during the vacation, I could have answered you
|
|
more readily. I am to attend to your interests. I am to be found
|
|
here, day by day, attending to your interests. That is my duty, Mr.
|
|
C., and term-time or vacation makes no difference to me. If you wish
|
|
to consult me as to your interests, you will find me here at all
|
|
times alike. Other professional men go out of town. I don't. Not that
|
|
I blame them for going; I merely say I don't go. This desk is your
|
|
rock, sir!"
|
|
|
|
Mr. Vholes gives it a rap, and it sounds as hollow as a coffin. Not
|
|
to Richard, though. There is encouragement in the sound to him.
|
|
Perhaps Mr. Vholes knows there is.
|
|
|
|
"I am perfectly aware, Mr. Vholes," says Richard, more familiarly and
|
|
good-humouredly, "that you are the most reliable fellow in the world
|
|
and that to have to do with you is to have to do with a man of
|
|
business who is not to be hoodwinked. But put yourself in my case,
|
|
dragging on this dislocated life, sinking deeper and deeper into
|
|
difficulty every day, continually hoping and continually
|
|
disappointed, conscious of change upon change for the worse in
|
|
myself, and of no change for the better in anything else, and you
|
|
will find it a dark-looking case sometimes, as I do."
|
|
|
|
"You know," says Mr. Vholes, "that I never give hopes, sir. I told
|
|
you from the first, Mr. C., that I never give hopes. Particularly in
|
|
a case like this, where the greater part of the costs comes out of
|
|
the estate, I should not be considerate of my good name if I gave
|
|
hopes. It might seem as if costs were my object. Still, when you say
|
|
there is no change for the better, I must, as a bare matter of fact,
|
|
deny that."
|
|
|
|
"Aye?" returns Richard, brightening. "But how do you make it out?"
|
|
|
|
"Mr. Carstone, you are represented by--"
|
|
|
|
"You said just now--a rock."
|
|
|
|
"Yes, sir," says Mr. Vholes, gently shaking his head and rapping the
|
|
hollow desk, with a sound as if ashes were falling on ashes, and dust
|
|
on dust, "a rock. That's something. You are separately represented,
|
|
and no longer hidden and lost in the interests of others. THAT'S
|
|
something. The suit does not sleep; we wake it up, we air it, we walk
|
|
it about. THAT'S something. It's not all Jarndyce, in fact as well as
|
|
in name. THAT'S something. Nobody has it all his own way now, sir.
|
|
And THAT'S something, surely."
|
|
|
|
Richard, his face flushing suddenly, strikes the desk with his
|
|
clenched hand.
|
|
|
|
"Mr. Vholes! If any man had told me when I first went to John
|
|
Jarndyce's house that he was anything but the disinterested friend he
|
|
seemed--that he was what he has gradually turned out to be--I could
|
|
have found no words strong enough to repel the slander; I could not
|
|
have defended him too ardently. So little did I know of the world!
|
|
Whereas now I do declare to you that he becomes to me the embodiment
|
|
of the suit; that in place of its being an abstraction, it is John
|
|
Jarndyce; that the more I suffer, the more indignant I am with him;
|
|
that every new delay and every new disappointment is only a new
|
|
injury from John Jarndyce's hand."
|
|
|
|
"No, no," says Vholes. "Don't say so. We ought to have patience, all
|
|
of us. Besides, I never disparage, sir. I never disparage."
|
|
|
|
"Mr. Vholes," returns the angry client. "You know as well as I that
|
|
he would have strangled the suit if he could."
|
|
|
|
"He was not active in it," Mr. Vholes admits with an appearance of
|
|
reluctance. "He certainly was not active in it. But however, but
|
|
however, he might have had amiable intentions. Who can read the
|
|
heart, Mr. C.!"
|
|
|
|
"You can," returns Richard.
|
|
|
|
"I, Mr. C.?"
|
|
|
|
"Well enough to know what his intentions were. Are or are not our
|
|
interests conflicting? Tell--me--that!" says Richard, accompanying
|
|
his last three words with three raps on his rock of trust.
|
|
|
|
"Mr. C.," returns Vholes, immovable in attitude and never winking his
|
|
hungry eyes, "I should be wanting in my duty as your professional
|
|
adviser, I should be departing from my fidelity to your interests, if
|
|
I represented those interests as identical with the interests of Mr.
|
|
Jarndyce. They are no such thing, sir. I never impute motives; I both
|
|
have and am a father, and I never impute motives. But I must not
|
|
shrink from a professional duty, even if it sows dissensions in
|
|
families. I understand you to be now consulting me professionally as
|
|
to your interests? You are so? I reply, then, they are not identical
|
|
with those of Mr. Jarndyce."
|
|
|
|
"Of course they are not!" cries Richard. "You found that out long
|
|
ago."
|
|
|
|
"Mr. C.," returns Vholes, "I wish to say no more of any third party
|
|
than is necessary. I wish to leave my good name unsullied, together
|
|
with any little property of which I may become possessed through
|
|
industry and perseverance, to my daughters Emma, Jane, and Caroline.
|
|
I also desire to live in amity with my professional brethren. When
|
|
Mr. Skimpole did me the honour, sir--I will not say the very high
|
|
honour, for I never stoop to flattery--of bringing us together in
|
|
this room, I mentioned to you that I could offer no opinion or advice
|
|
as to your interests while those interests were entrusted to another
|
|
member of the profession. And I spoke in such terms as I was bound to
|
|
speak of Kenge and Carboy's office, which stands high. You, sir,
|
|
thought fit to withdraw your interests from that keeping nevertheless
|
|
and to offer them to me. You brought them with clean hands, sir, and
|
|
I accepted them with clean hands. Those interests are now paramount
|
|
in this office. My digestive functions, as you may have heard me
|
|
mention, are not in a good state, and rest might improve them; but I
|
|
shall not rest, sir, while I am your representative. Whenever you
|
|
want me, you will find me here. Summon me anywhere, and I will come.
|
|
During the long vacation, sir, I shall devote my leisure to studying
|
|
your interests more and more closely and to making arrangements for
|
|
moving heaven and earth (including, of course, the Chancellor) after
|
|
Michaelmas term; and when I ultimately congratulate you, sir," says
|
|
Mr. Vholes with the severity of a determined man, "when I ultimately
|
|
congratulate you, sir, with all my heart, on your accession to
|
|
fortune--which, but that I never give hopes, I might say something
|
|
further about--you will owe me nothing beyond whatever little balance
|
|
may be then outstanding of the costs as between solicitor and client
|
|
not included in the taxed costs allowed out of the estate. I pretend
|
|
to no claim upon you, Mr. C., but for the zealous and active
|
|
discharge--not the languid and routine discharge, sir: that much
|
|
credit I stipulate for--of my professional duty. My duty prosperously
|
|
ended, all between us is ended."
|
|
|
|
Vholes finally adds, by way of rider to this declaration of his
|
|
principles, that as Mr. Carstone is about to rejoin his regiment,
|
|
perhaps Mr. C. will favour him with an order on his agent for twenty
|
|
pounds on account.
|
|
|
|
"For there have been many little consultations and attendances of
|
|
late, sir," observes Vholes, turning over the leaves of his diary,
|
|
"and these things mount up, and I don't profess to be a man of
|
|
capital. When we first entered on our present relations I stated to
|
|
you openly--it is a principle of mine that there never can be too
|
|
much openness between solicitor and client--that I was not a man of
|
|
capital and that if capital was your object you had better leave your
|
|
papers in Kenge's office. No, Mr. C., you will find none of the
|
|
advantages or disadvantages of capital here, sir. This," Vholes gives
|
|
the desk one hollow blow again, "is your rock; it pretends to be
|
|
nothing more."
|
|
|
|
The client, with his dejection insensibly relieved and his vague
|
|
hopes rekindled, takes pen and ink and writes the draft, not without
|
|
perplexed consideration and calculation of the date it may bear,
|
|
implying scant effects in the agent's hands. All the while, Vholes,
|
|
buttoned up in body and mind, looks at him attentively. All the
|
|
while, Vholes's official cat watches the mouse's hole.
|
|
|
|
Lastly, the client, shaking hands, beseeches Mr. Vholes, for heaven's
|
|
sake and earth's sake, to do his utmost to "pull him through" the
|
|
Court of Chancery. Mr. Vholes, who never gives hopes, lays his palm
|
|
upon the client's shoulder and answers with a smile, "Always here,
|
|
sir. Personally, or by letter, you will always find me here, sir,
|
|
with my shoulder to the wheel." Thus they part, and Vholes, left
|
|
alone, employs himself in carrying sundry little matters out of his
|
|
diary into his draft bill book for the ultimate behoof of his three
|
|
daughters. So might an industrious fox or bear make up his account of
|
|
chickens or stray travellers with an eye to his cubs, not to
|
|
disparage by that word the three raw-visaged, lank, and buttoned-up
|
|
maidens who dwell with the parent Vholes in an earthy cottage
|
|
situated in a damp garden at Kennington.
|
|
|
|
Richard, emerging from the heavy shade of Symond's Inn into the
|
|
sunshine of Chancery Lane--for there happens to be sunshine there
|
|
to-day--walks thoughtfully on, and turns into Lincoln's Inn, and
|
|
passes under the shadow of the Lincoln's Inn trees. On many such
|
|
loungers have the speckled shadows of those trees often fallen; on
|
|
the like bent head, the bitten nail, the lowering eye, the lingering
|
|
step, the purposeless and dreamy air, the good consuming and
|
|
consumed, the life turned sour. This lounger is not shabby yet, but
|
|
that may come. Chancery, which knows no wisdom but in precedent, is
|
|
very rich in such precedents; and why should one be different from
|
|
ten thousand?
|
|
|
|
Yet the time is so short since his depreciation began that as he
|
|
saunters away, reluctant to leave the spot for some long months
|
|
together, though he hates it, Richard himself may feel his own case
|
|
as if it were a startling one. While his heart is heavy with
|
|
corroding care, suspense, distrust, and doubt, it may have room for
|
|
some sorrowful wonder when he recalls how different his first visit
|
|
there, how different he, how different all the colours of his mind.
|
|
But injustice breeds injustice; the fighting with shadows and being
|
|
defeated by them necessitates the setting up of substances to combat;
|
|
from the impalpable suit which no man alive can understand, the time
|
|
for that being long gone by, it has become a gloomy relief to turn to
|
|
the palpable figure of the friend who would have saved him from this
|
|
ruin and make HIM his enemy. Richard has told Vholes the truth. Is he
|
|
in a hardened or a softened mood, he still lays his injuries equally
|
|
at that door; he was thwarted, in that quarter, of a set purpose, and
|
|
that purpose could only originate in the one subject that is
|
|
resolving his existence into itself; besides, it is a justification
|
|
to him in his own eyes to have an embodied antagonist and oppressor.
|
|
|
|
Is Richard a monster in all this, or would Chancery be found rich in
|
|
such precedents too if they could be got for citation from the
|
|
Recording Angel?
|
|
|
|
Two pairs of eyes not unused to such people look after him, as,
|
|
biting his nails and brooding, he crosses the square and is swallowed
|
|
up by the shadow of the southern gateway. Mr. Guppy and Mr. Weevle
|
|
are the possessors of those eyes, and they have been leaning in
|
|
conversation against the low stone parapet under the trees. He passes
|
|
close by them, seeing nothing but the ground.
|
|
|
|
"William," says Mr. Weevle, adjusting his whiskers, "there's
|
|
combustion going on there! It's not a case of spontaneous, but it's
|
|
smouldering combustion it is."
|
|
|
|
"Ah!" says Mr. Guppy. "He wouldn't keep out of Jarndyce, and I
|
|
suppose he's over head and ears in debt. I never knew much of him. He
|
|
was as high as the monument when he was on trial at our place. A good
|
|
riddance to me, whether as clerk or client! Well, Tony, that as I was
|
|
mentioning is what they're up to."
|
|
|
|
Mr. Guppy, refolding his arms, resettles himself against the parapet,
|
|
as resuming a conversation of interest.
|
|
|
|
"They are still up to it, sir," says Mr. Guppy, "still taking stock,
|
|
still examining papers, still going over the heaps and heaps of
|
|
rubbish. At this rate they'll be at it these seven years."
|
|
|
|
"And Small is helping?"
|
|
|
|
"Small left us at a week's notice. Told Kenge his grandfather's
|
|
business was too much for the old gentleman and he could better
|
|
himself by undertaking it. There had been a coolness between myself
|
|
and Small on account of his being so close. But he said you and I
|
|
began it, and as he had me there--for we did--I put our acquaintance
|
|
on the old footing. That's how I come to know what they're up to."
|
|
|
|
"You haven't looked in at all?"
|
|
|
|
"Tony," says Mr. Guppy, a little disconcerted, "to be unreserved with
|
|
you, I don't greatly relish the house, except in your company, and
|
|
therefore I have not; and therefore I proposed this little
|
|
appointment for our fetching away your things. There goes the hour by
|
|
the clock! Tony"--Mr. Guppy becomes mysteriously and tenderly
|
|
eloquent--"it is necessary that I should impress upon your mind once
|
|
more that circumstances over which I have no control have made a
|
|
melancholy alteration in my most cherished plans and in that
|
|
unrequited image which I formerly mentioned to you as a friend. That
|
|
image is shattered, and that idol is laid low. My only wish now in
|
|
connexion with the objects which I had an idea of carrying out in the
|
|
court with your aid as a friend is to let 'em alone and bury 'em in
|
|
oblivion. Do you think it possible, do you think it at all likely (I
|
|
put it to you, Tony, as a friend), from your knowledge of that
|
|
capricious and deep old character who fell a prey to the--spontaneous
|
|
element, do you, Tony, think it at all likely that on second thoughts
|
|
he put those letters away anywhere, after you saw him alive, and that
|
|
they were not destroyed that night?"
|
|
|
|
Mr. Weevle reflects for some time. Shakes his head. Decidedly thinks
|
|
not.
|
|
|
|
"Tony," says Mr. Guppy as they walk towards the court, "once again
|
|
understand me, as a friend. Without entering into further
|
|
explanations, I may repeat that the idol is down. I have no purpose
|
|
to serve now but burial in oblivion. To that I have pledged myself. I
|
|
owe it to myself, and I owe it to the shattered image, as also to the
|
|
circumstances over which I have no control. If you was to express to
|
|
me by a gesture, by a wink, that you saw lying anywhere in your late
|
|
lodgings any papers that so much as looked like the papers in
|
|
question, I would pitch them into the fire, sir, on my own
|
|
responsibility."
|
|
|
|
Mr. Weevle nods. Mr. Guppy, much elevated in his own opinion by
|
|
having delivered these observations, with an air in part forensic and
|
|
in part romantic--this gentleman having a passion for conducting
|
|
anything in the form of an examination, or delivering anything in the
|
|
form of a summing up or a speech--accompanies his friend with dignity
|
|
to the court.
|
|
|
|
Never since it has been a court has it had such a Fortunatus' purse
|
|
of gossip as in the proceedings at the rag and bottle shop.
|
|
Regularly, every morning at eight, is the elder Mr. Smallweed brought
|
|
down to the corner and carried in, accompanied by Mrs. Smallweed,
|
|
Judy, and Bart; and regularly, all day, do they all remain there
|
|
until nine at night, solaced by gipsy dinners, not abundant in
|
|
quantity, from the cook's shop, rummaging and searching, digging,
|
|
delving, and diving among the treasures of the late lamented. What
|
|
those treasures are they keep so secret that the court is maddened.
|
|
In its delirium it imagines guineas pouring out of tea-pots,
|
|
crown-pieces overflowing punch-bowls, old chairs and mattresses
|
|
stuffed with Bank of England notes. It possesses itself of the
|
|
sixpenny history (with highly coloured folding frontispiece) of Mr.
|
|
Daniel Dancer and his sister, and also of Mr. Elwes, of Suffolk, and
|
|
transfers all the facts from those authentic narratives to Mr. Krook.
|
|
Twice when the dustman is called in to carry off a cartload of old
|
|
paper, ashes, and broken bottles, the whole court assembles and pries
|
|
into the baskets as they come forth. Many times the two gentlemen who
|
|
write with the ravenous little pens on the tissue-paper are seen
|
|
prowling in the neighbourhood--shy of each other, their late
|
|
partnership being dissolved. The Sol skilfully carries a vein of the
|
|
prevailing interest through the Harmonic nights. Little Swills, in
|
|
what are professionally known as "patter" allusions to the subject,
|
|
is received with loud applause; and the same vocalist "gags" in the
|
|
regular business like a man inspired. Even Miss M. Melvilleson, in
|
|
the revived Caledonian melody of "We're a-Nodding," points the
|
|
sentiment that "the dogs love broo" (whatever the nature of that
|
|
refreshment may be) with such archness and such a turn of the head
|
|
towards next door that she is immediately understood to mean Mr.
|
|
Smallweed loves to find money, and is nightly honoured with a double
|
|
encore. For all this, the court discovers nothing; and as Mrs. Piper
|
|
and Mrs. Perkins now communicate to the late lodger whose appearance
|
|
is the signal for a general rally, it is in one continual ferment to
|
|
discover everything, and more.
|
|
|
|
Mr. Weevle and Mr. Guppy, with every eye in the court's head upon
|
|
them, knock at the closed door of the late lamented's house, in a
|
|
high state of popularity. But being contrary to the court's
|
|
expectation admitted, they immediately become unpopular and are
|
|
considered to mean no good.
|
|
|
|
The shutters are more or less closed all over the house, and the
|
|
ground-floor is sufficiently dark to require candles. Introduced into
|
|
the back shop by Mr. Smallweed the younger, they, fresh from the
|
|
sunlight, can at first see nothing save darkness and shadows; but
|
|
they gradually discern the elder Mr. Smallweed seated in his chair
|
|
upon the brink of a well or grave of waste-paper, the virtuous Judy
|
|
groping therein like a female sexton, and Mrs. Smallweed on the level
|
|
ground in the vicinity snowed up in a heap of paper fragments, print,
|
|
and manuscript which would appear to be the accumulated compliments
|
|
that have been sent flying at her in the course of the day. The whole
|
|
party, Small included, are blackened with dust and dirt and present a
|
|
fiendish appearance not relieved by the general aspect of the room.
|
|
There is more litter and lumber in it than of old, and it is dirtier
|
|
if possible; likewise, it is ghostly with traces of its dead
|
|
inhabitant and even with his chalked writing on the wall.
|
|
|
|
On the entrance of visitors, Mr. Smallweed and Judy simultaneously
|
|
fold their arms and stop in their researches.
|
|
|
|
"Aha!" croaks the old gentleman. "How de do, gentlemen, how de do!
|
|
Come to fetch your property, Mr. Weevle? That's well, that's well.
|
|
Ha! Ha! We should have been forced to sell you up, sir, to pay your
|
|
warehouse room if you had left it here much longer. You feel quite at
|
|
home here again, I dare say? Glad to see you, glad to see you!"
|
|
|
|
Mr. Weevle, thanking him, casts an eye about. Mr. Guppy's eye follows
|
|
Mr. Weevle's eye. Mr. Weevle's eye comes back without any new
|
|
intelligence in it. Mr. Guppy's eye comes back and meets Mr.
|
|
Smallweed's eye. That engaging old gentleman is still murmuring, like
|
|
some wound-up instrument running down, "How de do, sir--how
|
|
de--how--" And then having run down, he lapses into grinning silence,
|
|
as Mr. Guppy starts at seeing Mr. Tulkinghorn standing in the
|
|
darkness opposite with his hands behind him.
|
|
|
|
"Gentleman so kind as to act as my solicitor," says Grandfather
|
|
Smallweed. "I am not the sort of client for a gentleman of such note,
|
|
but he is so good!"
|
|
|
|
Mr. Guppy, slightly nudging his friend to take another look, makes a
|
|
shuffling bow to Mr. Tulkinghorn, who returns it with an easy nod.
|
|
Mr. Tulkinghorn is looking on as if he had nothing else to do and
|
|
were rather amused by the novelty.
|
|
|
|
"A good deal of property here, sir, I should say," Mr. Guppy observes
|
|
to Mr. Smallweed.
|
|
|
|
"Principally rags and rubbish, my dear friend! Rags and rubbish! Me
|
|
and Bart and my granddaughter Judy are endeavouring to make out an
|
|
inventory of what's worth anything to sell. But we haven't come to
|
|
much as yet; we--haven't--come--to--hah!"
|
|
|
|
Mr. Smallweed has run down again, while Mr. Weevle's eye, attended by
|
|
Mr. Guppy's eye, has again gone round the room and come back.
|
|
|
|
"Well, sir," says Mr. Weevle. "We won't intrude any longer if you'll
|
|
allow us to go upstairs."
|
|
|
|
"Anywhere, my dear sir, anywhere! You're at home. Make yourself so,
|
|
pray!"
|
|
|
|
As they go upstairs, Mr. Guppy lifts his eyebrows inquiringly and
|
|
looks at Tony. Tony shakes his head. They find the old room very dull
|
|
and dismal, with the ashes of the fire that was burning on that
|
|
memorable night yet in the discoloured grate. They have a great
|
|
disinclination to touch any object, and carefully blow the dust from
|
|
it first. Nor are they desirous to prolong their visit, packing the
|
|
few movables with all possible speed and never speaking above a
|
|
whisper.
|
|
|
|
"Look here," says Tony, recoiling. "Here's that horrible cat coming
|
|
in!"
|
|
|
|
Mr. Guppy retreats behind a chair. "Small told me of her. She went
|
|
leaping and bounding and tearing about that night like a dragon, and
|
|
got out on the house-top, and roamed about up there for a fortnight,
|
|
and then came tumbling down the chimney very thin. Did you ever see
|
|
such a brute? Looks as if she knew all about it, don't she? Almost
|
|
looks as if she was Krook. Shoohoo! Get out, you goblin!"
|
|
|
|
Lady Jane, in the doorway, with her tiger snarl from ear to ear and
|
|
her club of a tail, shows no intention of obeying; but Mr.
|
|
Tulkinghorn stumbling over her, she spits at his rusty legs, and
|
|
swearing wrathfully, takes her arched back upstairs. Possibly to roam
|
|
the house-tops again and return by the chimney.
|
|
|
|
"Mr. Guppy," says Mr. Tulkinghorn, "could I have a word with you?"
|
|
|
|
Mr. Guppy is engaged in collecting the Galaxy Gallery of British
|
|
Beauty from the wall and depositing those works of art in their old
|
|
ignoble band-box. "Sir," he returns, reddening, "I wish to act with
|
|
courtesy towards every member of the profession, and especially, I am
|
|
sure, towards a member of it so well known as yourself--I will truly
|
|
add, sir, so distinguished as yourself. Still, Mr. Tulkinghorn, sir,
|
|
I must stipulate that if you have any word with me, that word is
|
|
spoken in the presence of my friend."
|
|
|
|
"Oh, indeed?" says Mr. Tulkinghorn.
|
|
|
|
"Yes, sir. My reasons are not of a personal nature at all, but they
|
|
are amply sufficient for myself."
|
|
|
|
"No doubt, no doubt." Mr. Tulkinghorn is as imperturbable as the
|
|
hearthstone to which he has quietly walked. "The matter is not of
|
|
that consequence that I need put you to the trouble of making any
|
|
conditions, Mr. Guppy." He pauses here to smile, and his smile is as
|
|
dull and rusty as his pantaloons. "You are to be congratulated, Mr.
|
|
Guppy; you are a fortunate young man, sir."
|
|
|
|
"Pretty well so, Mr. Tulkinghorn; I don't complain."
|
|
|
|
"Complain? High friends, free admission to great houses, and access
|
|
to elegant ladies! Why, Mr. Guppy, there are people in London who
|
|
would give their ears to be you."
|
|
|
|
Mr. Guppy, looking as if he would give his own reddening and still
|
|
reddening ears to be one of those people at present instead of
|
|
himself, replies, "Sir, if I attend to my profession and do what is
|
|
right by Kenge and Carboy, my friends and acquaintances are of no
|
|
consequence to them nor to any member of the profession, not
|
|
excepting Mr. Tulkinghorn of the Fields. I am not under any
|
|
obligation to explain myself further; and with all respect for you,
|
|
sir, and without offence--I repeat, without offence--"
|
|
|
|
"Oh, certainly!"
|
|
|
|
"--I don't intend to do it."
|
|
|
|
"Quite so," says Mr. Tulkinghorn with a calm nod. "Very good; I see
|
|
by these portraits that you take a strong interest in the fashionable
|
|
great, sir?"
|
|
|
|
He addresses this to the astounded Tony, who admits the soft
|
|
impeachment.
|
|
|
|
"A virtue in which few Englishmen are deficient," observes Mr.
|
|
Tulkinghorn. He has been standing on the hearthstone with his back to
|
|
the smoked chimney-piece, and now turns round with his glasses to his
|
|
eyes. "Who is this? 'Lady Dedlock.' Ha! A very good likeness in its
|
|
way, but it wants force of character. Good day to you, gentlemen;
|
|
good day!"
|
|
|
|
When he has walked out, Mr. Guppy, in a great perspiration, nerves
|
|
himself to the hasty completion of the taking down of the Galaxy
|
|
Gallery, concluding with Lady Dedlock.
|
|
|
|
"Tony," he says hurriedly to his astonished companion, "let us be
|
|
quick in putting the things together and in getting out of this
|
|
place. It were in vain longer to conceal from you, Tony, that between
|
|
myself and one of the members of a swan-like aristocracy whom I now
|
|
hold in my hand, there has been undivulged communication and
|
|
association. The time might have been when I might have revealed it
|
|
to you. It never will be more. It is due alike to the oath I have
|
|
taken, alike to the shattered idol, and alike to circumstances over
|
|
which I have no control, that the whole should be buried in oblivion.
|
|
I charge you as a friend, by the interest you have ever testified in
|
|
the fashionable intelligence, and by any little advances with which I
|
|
may have been able to accommodate you, so to bury it without a word
|
|
of inquiry!"
|
|
|
|
This charge Mr. Guppy delivers in a state little short of forensic
|
|
lunacy, while his friend shows a dazed mind in his whole head of hair
|
|
and even in his cultivated whiskers.
|
|
|
|
|
|
|
|
|
|
CHAPTER XL
|
|
|
|
National and Domestic
|
|
|
|
|
|
England has been in a dreadful state for some weeks. Lord Coodle
|
|
would go out, Sir Thomas Doodle wouldn't come in, and there being
|
|
nobody in Great Britain (to speak of) except Coodle and Doodle, there
|
|
has been no government. It is a mercy that the hostile meeting
|
|
between those two great men, which at one time seemed inevitable, did
|
|
not come off, because if both pistols had taken effect, and Coodle
|
|
and Doodle had killed each other, it is to be presumed that England
|
|
must have waited to be governed until young Coodle and young Doodle,
|
|
now in frocks and long stockings, were grown up. This stupendous
|
|
national calamity, however, was averted by Lord Coodle's making the
|
|
timely discovery that if in the heat of debate he had said that he
|
|
scorned and despised the whole ignoble career of Sir Thomas Doodle,
|
|
he had merely meant to say that party differences should never induce
|
|
him to withhold from it the tribute of his warmest admiration; while
|
|
it as opportunely turned out, on the other hand, that Sir Thomas
|
|
Doodle had in his own bosom expressly booked Lord Coodle to go down
|
|
to posterity as the mirror of virtue and honour. Still England has
|
|
been some weeks in the dismal strait of having no pilot (as was well
|
|
observed by Sir Leicester Dedlock) to weather the storm; and the
|
|
marvellous part of the matter is that England has not appeared to
|
|
care very much about it, but has gone on eating and drinking and
|
|
marrying and giving in marriage as the old world did in the days
|
|
before the flood. But Coodle knew the danger, and Doodle knew the
|
|
danger, and all their followers and hangers-on had the clearest
|
|
possible perception of the danger. At last Sir Thomas Doodle has not
|
|
only condescended to come in, but has done it handsomely, bringing in
|
|
with him all his nephews, all his male cousins, and all his
|
|
brothers-in-law. So there is hope for the old ship yet.
|
|
|
|
Doodle has found that he must throw himself upon the country, chiefly
|
|
in the form of sovereigns and beer. In this metamorphosed state he is
|
|
available in a good many places simultaneously and can throw himself
|
|
upon a considerable portion of the country at one time. Britannia
|
|
being much occupied in pocketing Doodle in the form of sovereigns,
|
|
and swallowing Doodle in the form of beer, and in swearing herself
|
|
black in the face that she does neither--plainly to the advancement
|
|
of her glory and morality--the London season comes to a sudden end,
|
|
through all the Doodleites and Coodleites dispersing to assist
|
|
Britannia in those religious exercises.
|
|
|
|
Hence Mrs. Rouncewell, housekeeper at Chesney Wold, foresees, though
|
|
no instructions have yet come down, that the family may shortly be
|
|
expected, together with a pretty large accession of cousins and
|
|
others who can in any way assist the great Constitutional work. And
|
|
hence the stately old dame, taking Time by the forelock, leads him up
|
|
and down the staircases, and along the galleries and passages, and
|
|
through the rooms, to witness before he grows any older that
|
|
everything is ready, that floors are rubbed bright, carpets spread,
|
|
curtains shaken out, beds puffed and patted, still-room and kitchen
|
|
cleared for action--all things prepared as beseems the Dedlock
|
|
dignity.
|
|
|
|
This present summer evening, as the sun goes down, the preparations
|
|
are complete. Dreary and solemn the old house looks, with so many
|
|
appliances of habitation and with no inhabitants except the pictured
|
|
forms upon the walls. So did these come and go, a Dedlock in
|
|
possession might have ruminated passing along; so did they see this
|
|
gallery hushed and quiet, as I see it now; so think, as I think, of
|
|
the gap that they would make in this domain when they were gone; so
|
|
find it, as I find it, difficult to believe that it could be without
|
|
them; so pass from my world, as I pass from theirs, now closing the
|
|
reverberating door; so leave no blank to miss them, and so die.
|
|
|
|
Through some of the fiery windows beautiful from without, and set, at
|
|
this sunset hour, not in dull-grey stone but in a glorious house of
|
|
gold, the light excluded at other windows pours in rich, lavish,
|
|
overflowing like the summer plenty in the land. Then do the frozen
|
|
Dedlocks thaw. Strange movements come upon their features as the
|
|
shadows of leaves play there. A dense justice in a corner is beguiled
|
|
into a wink. A staring baronet, with a truncheon, gets a dimple in
|
|
his chin. Down into the bosom of a stony shepherdess there steals a
|
|
fleck of light and warmth that would have done it good a hundred
|
|
years ago. One ancestress of Volumnia, in high-heeled shoes, very
|
|
like her--casting the shadow of that virgin event before her full two
|
|
centuries--shoots out into a halo and becomes a saint. A maid of
|
|
honour of the court of Charles the Second, with large round eyes (and
|
|
other charms to correspond), seems to bathe in glowing water, and it
|
|
ripples as it glows.
|
|
|
|
But the fire of the sun is dying. Even now the floor is dusky, and
|
|
shadow slowly mounts the walls, bringing the Dedlocks down like age
|
|
and death. And now, upon my Lady's picture over the great
|
|
chimney-piece, a weird shade falls from some old tree, that turns it
|
|
pale, and flutters it, and looks as if a great arm held a veil or
|
|
hood, watching an opportunity to draw it over her. Higher and darker
|
|
rises shadow on the wall--now a red gloom on the ceiling--now the
|
|
fire is out.
|
|
|
|
All that prospect, which from the terrace looked so near, has moved
|
|
solemnly away and changed--not the first nor the last of beautiful
|
|
things that look so near and will so change--into a distant phantom.
|
|
Light mists arise, and the dew falls, and all the sweet scents in the
|
|
garden are heavy in the air. Now the woods settle into great masses
|
|
as if they were each one profound tree. And now the moon rises to
|
|
separate them, and to glimmer here and there in horizontal lines
|
|
behind their stems, and to make the avenue a pavement of light among
|
|
high cathedral arches fantastically broken.
|
|
|
|
Now the moon is high; and the great house, needing habitation more
|
|
than ever, is like a body without life. Now it is even awful,
|
|
stealing through it, to think of the live people who have slept in
|
|
the solitary bedrooms, to say nothing of the dead. Now is the time
|
|
for shadow, when every corner is a cavern and every downward step a
|
|
pit, when the stained glass is reflected in pale and faded hues upon
|
|
the floors, when anything and everything can be made of the heavy
|
|
staircase beams excepting their own proper shapes, when the armour
|
|
has dull lights upon it not easily to be distinguished from stealthy
|
|
movement, and when barred helmets are frightfully suggestive of heads
|
|
inside. But of all the shadows in Chesney Wold, the shadow in the
|
|
long drawing-room upon my Lady's picture is the first to come, the
|
|
last to be disturbed. At this hour and by this light it changes into
|
|
threatening hands raised up and menacing the handsome face with every
|
|
breath that stirs.
|
|
|
|
"She is not well, ma'am," says a groom in Mrs. Rouncewell's
|
|
audience-chamber.
|
|
|
|
"My Lady not well! What's the matter?"
|
|
|
|
"Why, my Lady has been but poorly, ma'am, since she was last here--I
|
|
don't mean with the family, ma'am, but when she was here as a bird of
|
|
passage like. My Lady has not been out much, for her, and has kept
|
|
her room a good deal."
|
|
|
|
"Chesney Wold, Thomas," rejoins the housekeeper with proud
|
|
complacency, "will set my Lady up! There is no finer air and no
|
|
healthier soil in the world!"
|
|
|
|
Thomas may have his own personal opinions on this subject, probably
|
|
hints them in his manner of smoothing his sleek head from the nape of
|
|
his neck to his temples, but he forbears to express them further and
|
|
retires to the servants' hall to regale on cold meat-pie and ale.
|
|
|
|
This groom is the pilot-fish before the nobler shark. Next evening,
|
|
down come Sir Leicester and my Lady with their largest retinue, and
|
|
down come the cousins and others from all the points of the compass.
|
|
Thenceforth for some weeks backward and forward rush mysterious men
|
|
with no names, who fly about all those particular parts of the
|
|
country on which Doodle is at present throwing himself in an
|
|
auriferous and malty shower, but who are merely persons of a restless
|
|
disposition and never do anything anywhere.
|
|
|
|
On these national occasions Sir Leicester finds the cousins useful. A
|
|
better man than the Honourable Bob Stables to meet the Hunt at
|
|
dinner, there could not possibly be. Better got up gentlemen than the
|
|
other cousins to ride over to polling-booths and hustings here and
|
|
there, and show themselves on the side of England, it would be hard
|
|
to find. Volumnia is a little dim, but she is of the true descent;
|
|
and there are many who appreciate her sprightly conversation, her
|
|
French conundrums so old as to have become in the cycles of time
|
|
almost new again, the honour of taking the fair Dedlock in to dinner,
|
|
or even the privilege of her hand in the dance. On these national
|
|
occasions dancing may be a patriotic service, and Volumnia is
|
|
constantly seen hopping about for the good of an ungrateful and
|
|
unpensioning country.
|
|
|
|
My Lady takes no great pains to entertain the numerous guests, and
|
|
being still unwell, rarely appears until late in the day. But at all
|
|
the dismal dinners, leaden lunches, basilisk balls, and other
|
|
melancholy pageants, her mere appearance is a relief. As to Sir
|
|
Leicester, he conceives it utterly impossible that anything can be
|
|
wanting, in any direction, by any one who has the good fortune to be
|
|
received under that roof; and in a state of sublime satisfaction, he
|
|
moves among the company, a magnificent refrigerator.
|
|
|
|
Daily the cousins trot through dust and canter over roadside turf,
|
|
away to hustings and polling-booths (with leather gloves and
|
|
hunting-whips for the counties and kid gloves and riding-canes for
|
|
the boroughs), and daily bring back reports on which Sir Leicester
|
|
holds forth after dinner. Daily the restless men who have no
|
|
occupation in life present the appearance of being rather busy. Daily
|
|
Volumnia has a little cousinly talk with Sir Leicester on the state
|
|
of the nation, from which Sir Leicester is disposed to conclude that
|
|
Volumnia is a more reflecting woman than he had thought her.
|
|
|
|
"How are we getting on?" says Miss Volumnia, clasping her hands. "ARE
|
|
we safe?"
|
|
|
|
The mighty business is nearly over by this time, and Doodle will
|
|
throw himself off the country in a few days more. Sir Leicester has
|
|
just appeared in the long drawing-room after dinner, a bright
|
|
particular star surrounded by clouds of cousins.
|
|
|
|
"Volumnia," replies Sir Leicester, who has a list in his hand, "we
|
|
are doing tolerably."
|
|
|
|
"Only tolerably!"
|
|
|
|
Although it is summer weather, Sir Leicester always has his own
|
|
particular fire in the evening. He takes his usual screened seat near
|
|
it and repeats with much firmness and a little displeasure, as who
|
|
should say, I am not a common man, and when I say tolerably, it must
|
|
not be understood as a common expression, "Volumnia, we are doing
|
|
tolerably."
|
|
|
|
"At least there is no opposition to YOU," Volumnia asserts with
|
|
confidence.
|
|
|
|
"No, Volumnia. This distracted country has lost its senses in many
|
|
respects, I grieve to say, but--"
|
|
|
|
"It is not so mad as that. I am glad to hear it!"
|
|
|
|
Volumnia's finishing the sentence restores her to favour. Sir
|
|
Leicester, with a gracious inclination of his head, seems to say to
|
|
himself, "A sensible woman this, on the whole, though occasionally
|
|
precipitate."
|
|
|
|
In fact, as to this question of opposition, the fair Dedlock's
|
|
observation was superfluous, Sir Leicester on these occasions always
|
|
delivering in his own candidateship, as a kind of handsome wholesale
|
|
order to be promptly executed. Two other little seats that belong to
|
|
him he treats as retail orders of less importance, merely sending
|
|
down the men and signifying to the tradespeople, "You will have the
|
|
goodness to make these materials into two members of Parliament and
|
|
to send them home when done."
|
|
|
|
"I regret to say, Volumnia, that in many places the people have shown
|
|
a bad spirit, and that this opposition to the government has been of
|
|
a most determined and most implacable description."
|
|
|
|
"W-r-retches!" says Volumnia.
|
|
|
|
"Even," proceeds Sir Leicester, glancing at the circumjacent cousins
|
|
on sofas and ottomans, "even in many--in fact, in most--of those
|
|
places in which the government has carried it against a faction--"
|
|
|
|
(Note, by the way, that the Coodleites are always a faction with the
|
|
Doodleites, and that the Doodleites occupy exactly the same position
|
|
towards the Coodleites.)
|
|
|
|
"--Even in them I am shocked, for the credit of Englishmen, to be
|
|
constrained to inform you that the party has not triumphed without
|
|
being put to an enormous expense. Hundreds," says Sir Leicester,
|
|
eyeing the cousins with increasing dignity and swelling indignation,
|
|
"hundreds of thousands of pounds!"
|
|
|
|
If Volumnia have a fault, it is the fault of being a trifle too
|
|
innocent, seeing that the innocence which would go extremely well
|
|
with a sash and tucker is a little out of keeping with the rouge and
|
|
pearl necklace. Howbeit, impelled by innocence, she asks, "What for?"
|
|
|
|
"Volumnia," remonstrates Sir Leicester with his utmost severity.
|
|
"Volumnia!"
|
|
|
|
"No, no, I don't mean what for," cries Volumnia with her favourite
|
|
little scream. "How stupid I am! I mean what a pity!"
|
|
|
|
"I am glad," returns Sir Leicester, "that you do mean what a pity."
|
|
|
|
Volumnia hastens to express her opinion that the shocking people
|
|
ought to be tried as traitors and made to support the party.
|
|
|
|
"I am glad, Volumnia," repeats Sir Leicester, unmindful of these
|
|
mollifying sentiments, "that you do mean what a pity. It is
|
|
disgraceful to the electors. But as you, though inadvertently and
|
|
without intending so unreasonable a question, asked me 'what for?'
|
|
let me reply to you. For necessary expenses. And I trust to your good
|
|
sense, Volumnia, not to pursue the subject, here or elsewhere."
|
|
|
|
Sir Leicester feels it incumbent on him to observe a crushing aspect
|
|
towards Volumnia because it is whispered abroad that these necessary
|
|
expenses will, in some two hundred election petitions, be
|
|
unpleasantly connected with the word bribery, and because some
|
|
graceless jokers have consequently suggested the omission from the
|
|
Church service of the ordinary supplication in behalf of the High
|
|
Court of Parliament and have recommended instead that the prayers of
|
|
the congregation be requested for six hundred and fifty-eight
|
|
gentlemen in a very unhealthy state.
|
|
|
|
"I suppose," observes Volumnia, having taken a little time to recover
|
|
her spirits after her late castigation, "I suppose Mr. Tulkinghorn
|
|
has been worked to death."
|
|
|
|
"I don't know," says Sir Leicester, opening his eyes, "why Mr.
|
|
Tulkinghorn should be worked to death. I don't know what Mr.
|
|
Tulkinghorn's engagements may be. He is not a candidate."
|
|
|
|
Volumnia had thought he might have been employed. Sir Leicester could
|
|
desire to know by whom, and what for. Volumnia, abashed again,
|
|
suggests, by somebody--to advise and make arrangements. Sir Leicester
|
|
is not aware that any client of Mr. Tulkinghorn has been in need of
|
|
his assistance.
|
|
|
|
Lady Dedlock, seated at an open window with her arm upon its
|
|
cushioned ledge and looking out at the evening shadows falling on the
|
|
park, has seemed to attend since the lawyer's name was mentioned.
|
|
|
|
A languid cousin with a moustache in a state of extreme debility now
|
|
observes from his couch that man told him ya'as'dy that Tulkinghorn
|
|
had gone down t' that iron place t' give legal 'pinion 'bout
|
|
something, and that contest being over t' day, 'twould be highly
|
|
jawlly thing if Tulkinghorn should 'pear with news that Coodle man
|
|
was floored.
|
|
|
|
Mercury in attendance with coffee informs Sir Leicester, hereupon,
|
|
that Mr. Tulkinghorn has arrived and is taking dinner. My Lady turns
|
|
her head inward for the moment, then looks out again as before.
|
|
|
|
Volumnia is charmed to hear that her delight is come. He is so
|
|
original, such a stolid creature, such an immense being for knowing
|
|
all sorts of things and never telling them! Volumnia is persuaded
|
|
that he must be a Freemason. Is sure he is at the head of a lodge,
|
|
and wears short aprons, and is made a perfect idol of with
|
|
candlesticks and trowels. These lively remarks the fair Dedlock
|
|
delivers in her youthful manner, while making a purse.
|
|
|
|
"He has not been here once," she adds, "since I came. I really had
|
|
some thoughts of breaking my heart for the inconstant creature. I had
|
|
almost made up my mind that he was dead."
|
|
|
|
It may be the gathering gloom of evening, or it may be the darker
|
|
gloom within herself, but a shade is on my Lady's face, as if she
|
|
thought, "I would he were!"
|
|
|
|
"Mr. Tulkinghorn," says Sir Leicester, "is always welcome here and
|
|
always discreet wheresoever he is. A very valuable person, and
|
|
deservedly respected."
|
|
|
|
The debilitated cousin supposes he is "'normously rich fler."
|
|
|
|
"He has a stake in the country," says Sir Leicester, "I have no
|
|
doubt. He is, of course, handsomely paid, and he associates almost on
|
|
a footing of equality with the highest society."
|
|
|
|
Everybody starts. For a gun is fired close by.
|
|
|
|
"Good gracious, what's that?" cries Volumnia with her little withered
|
|
scream.
|
|
|
|
"A rat," says my Lady. "And they have shot him."
|
|
|
|
Enter Mr. Tulkinghorn, followed by Mercuries with lamps and candles.
|
|
|
|
"No, no," says Sir Leicester, "I think not. My Lady, do you object to
|
|
the twilight?"
|
|
|
|
On the contrary, my Lady prefers it.
|
|
|
|
"Volumnia?"
|
|
|
|
Oh! Nothing is so delicious to Volumnia as to sit and talk in the
|
|
dark.
|
|
|
|
"Then take them away," says Sir Leicester. "Tulkinghorn, I beg your
|
|
pardon. How do you do?"
|
|
|
|
Mr. Tulkinghorn with his usual leisurely ease advances, renders his
|
|
passing homage to my Lady, shakes Sir Leicester's hand, and subsides
|
|
into the chair proper to him when he has anything to communicate, on
|
|
the opposite side of the Baronet's little newspaper-table. Sir
|
|
Leicester is apprehensive that my Lady, not being very well, will
|
|
take cold at that open window. My Lady is obliged to him, but would
|
|
rather sit there for the air. Sir Leicester rises, adjusts her scarf
|
|
about her, and returns to his seat. Mr. Tulkinghorn in the meanwhile
|
|
takes a pinch of snuff.
|
|
|
|
"Now," says Sir Leicester. "How has that contest gone?"
|
|
|
|
"Oh, hollow from the beginning. Not a chance. They have brought in
|
|
both their people. You are beaten out of all reason. Three to one."
|
|
|
|
It is a part of Mr. Tulkinghorn's policy and mastery to have no
|
|
political opinions; indeed, NO opinions. Therefore he says "you" are
|
|
beaten, and not "we."
|
|
|
|
Sir Leicester is majestically wroth. Volumnia never heard of such a
|
|
thing. 'The debilitated cousin holds that it's sort of thing that's
|
|
sure tapn slongs votes--giv'n--Mob.
|
|
|
|
"It's the place, you know," Mr. Tulkinghorn goes on to say in the
|
|
fast-increasing darkness when there is silence again, "where they
|
|
wanted to put up Mrs. Rouncewell's son."
|
|
|
|
"A proposal which, as you correctly informed me at the time, he had
|
|
the becoming taste and perception," observes Sir Leicester, "to
|
|
decline. I cannot say that I by any means approve of the sentiments
|
|
expressed by Mr. Rouncewell when he was here for some half-hour in
|
|
this room, but there was a sense of propriety in his decision which I
|
|
am glad to acknowledge."
|
|
|
|
"Ha!" says Mr. Tulkinghorn. "It did not prevent him from being very
|
|
active in this election, though."
|
|
|
|
Sir Leicester is distinctly heard to gasp before speaking. "Did I
|
|
understand you? Did you say that Mr. Rouncewell had been very active
|
|
in this election?"
|
|
|
|
"Uncommonly active."
|
|
|
|
"Against--"
|
|
|
|
"Oh, dear yes, against you. He is a very good speaker. Plain and
|
|
emphatic. He made a damaging effect, and has great influence. In the
|
|
business part of the proceedings he carried all before him."
|
|
|
|
It is evident to the whole company, though nobody can see him, that
|
|
Sir Leicester is staring majestically.
|
|
|
|
"And he was much assisted," says Mr. Tulkinghorn as a wind-up, "by
|
|
his son."
|
|
|
|
"By his son, sir?" repeats Sir Leicester with awful politeness.
|
|
|
|
"By his son."
|
|
|
|
"The son who wished to marry the young woman in my Lady's service?"
|
|
|
|
"That son. He has but one."
|
|
|
|
"Then upon my honour," says Sir Leicester after a terrific pause
|
|
during which he has been heard to snort and felt to stare, "then
|
|
upon my honour, upon my life, upon my reputation and principles,
|
|
the floodgates of society are burst open, and the waters
|
|
have--a--obliterated the landmarks of the framework of the cohesion
|
|
by which things are held together!"
|
|
|
|
General burst of cousinly indignation. Volumnia thinks it is
|
|
really high time, you know, for somebody in power to step in
|
|
and do something strong. Debilitated cousin thinks--country's
|
|
going--Dayvle--steeple-chase pace.
|
|
|
|
"I beg," says Sir Leicester in a breathless condition, "that we may
|
|
not comment further on this circumstance. Comment is superfluous. My
|
|
Lady, let me suggest in reference to that young woman--"
|
|
|
|
"I have no intention," observes my Lady from her window in a low but
|
|
decided tone, "of parting with her."
|
|
|
|
"That was not my meaning," returns Sir Leicester. "I am glad to hear
|
|
you say so. I would suggest that as you think her worthy of your
|
|
patronage, you should exert your influence to keep her from these
|
|
dangerous hands. You might show her what violence would be done in
|
|
such association to her duties and principles, and you might preserve
|
|
her for a better fate. You might point out to her that she probably
|
|
would, in good time, find a husband at Chesney Wold by whom she would
|
|
not be--" Sir Leicester adds, after a moment's consideration,
|
|
"dragged from the altars of her forefathers."
|
|
|
|
These remarks he offers with his unvarying politeness and deference
|
|
when he addresses himself to his wife. She merely moves her head in
|
|
reply. The moon is rising, and where she sits there is a little
|
|
stream of cold pale light, in which her head is seen.
|
|
|
|
"It is worthy of remark," says Mr. Tulkinghorn, "however, that these
|
|
people are, in their way, very proud."
|
|
|
|
"Proud?" Sir Leicester doubts his hearing.
|
|
|
|
"I should not be surprised if they all voluntarily abandoned the
|
|
girl--yes, lover and all--instead of her abandoning them, supposing
|
|
she remained at Chesney Wold under such circumstances."
|
|
|
|
"Well!" says Sir Leicester tremulously. "Well! You should know, Mr.
|
|
Tulkinghorn. You have been among them."
|
|
|
|
"Really, Sir Leicester," returns the lawyer, "I state the fact. Why,
|
|
I could tell you a story--with Lady Dedlock's permission."
|
|
|
|
Her head concedes it, and Volumnia is enchanted. A story! Oh, he is
|
|
going to tell something at last! A ghost in it, Volumnia hopes?
|
|
|
|
"No. Real flesh and blood." Mr. Tulkinghorn stops for an instant and
|
|
repeats with some little emphasis grafted upon his usual monotony,
|
|
"Real flesh and blood, Miss Dedlock. Sir Leicester, these particulars
|
|
have only lately become known to me. They are very brief. They
|
|
exemplify what I have said. I suppress names for the present. Lady
|
|
Dedlock will not think me ill-bred, I hope?"
|
|
|
|
By the light of the fire, which is low, he can be seen looking
|
|
towards the moonlight. By the light of the moon Lady Dedlock can be
|
|
seen, perfectly still.
|
|
|
|
"A townsman of this Mrs. Rouncewell, a man in exactly parallel
|
|
circumstances as I am told, had the good fortune to have a daughter
|
|
who attracted the notice of a great lady. I speak of really a great
|
|
lady, not merely great to him, but married to a gentleman of your
|
|
condition, Sir Leicester."
|
|
|
|
Sir Leicester condescendingly says, "Yes, Mr. Tulkinghorn," implying
|
|
that then she must have appeared of very considerable moral
|
|
dimensions indeed in the eyes of an iron-master.
|
|
|
|
"The lady was wealthy and beautiful, and had a liking for the girl,
|
|
and treated her with great kindness, and kept her always near her.
|
|
Now this lady preserved a secret under all her greatness, which she
|
|
had preserved for many years. In fact, she had in early life been
|
|
engaged to marry a young rake--he was a captain in the army--nothing
|
|
connected with whom came to any good. She never did marry him, but
|
|
she gave birth to a child of which he was the father."
|
|
|
|
By the light of the fire he can be seen looking towards the
|
|
moonlight. By the moonlight, Lady Dedlock can be seen in profile,
|
|
perfectly still.
|
|
|
|
"The captain in the army being dead, she believed herself safe; but a
|
|
train of circumstances with which I need not trouble you led to
|
|
discovery. As I received the story, they began in an imprudence on
|
|
her own part one day when she was taken by surprise, which shows how
|
|
difficult it is for the firmest of us (she was very firm) to be
|
|
always guarded. There was great domestic trouble and amazement, you
|
|
may suppose; I leave you to imagine, Sir Leicester, the husband's
|
|
grief. But that is not the present point. When Mr. Rouncewell's
|
|
townsman heard of the disclosure, he no more allowed the girl to be
|
|
patronized and honoured than he would have suffered her to be trodden
|
|
underfoot before his eyes. Such was his pride, that he indignantly
|
|
took her away, as if from reproach and disgrace. He had no sense of
|
|
the honour done him and his daughter by the lady's condescension; not
|
|
the least. He resented the girl's position, as if the lady had been
|
|
the commonest of commoners. That is the story. I hope Lady Dedlock
|
|
will excuse its painful nature."
|
|
|
|
There are various opinions on the merits, more or less conflicting
|
|
with Volumnia's. That fair young creature cannot believe there ever
|
|
was any such lady and rejects the whole history on the threshold. The
|
|
majority incline to the debilitated cousin's sentiment, which is in
|
|
few words--"no business--Rouncewell's fernal townsman." Sir Leicester
|
|
generally refers back in his mind to Wat Tyler and arranges a
|
|
sequence of events on a plan of his own.
|
|
|
|
There is not much conversation in all, for late hours have been kept
|
|
at Chesney Wold since the necessary expenses elsewhere began, and
|
|
this is the first night in many on which the family have been alone.
|
|
It is past ten when Sir Leicester begs Mr. Tulkinghorn to ring for
|
|
candles. Then the stream of moonlight has swelled into a lake, and
|
|
then Lady Dedlock for the first time moves, and rises, and comes
|
|
forward to a table for a glass of water. Winking cousins, bat-like in
|
|
the candle glare, crowd round to give it; Volumnia (always ready for
|
|
something better if procurable) takes another, a very mild sip of
|
|
which contents her; Lady Dedlock, graceful, self-possessed, looked
|
|
after by admiring eyes, passes away slowly down the long perspective
|
|
by the side of that nymph, not at all improving her as a question of
|
|
contrast.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLI
|
|
|
|
In Mr. Tulkinghorn's Room
|
|
|
|
|
|
Mr. Tulkinghorn arrives in his turret-room a little breathed by the
|
|
journey up, though leisurely performed. There is an expression on his
|
|
face as if he had discharged his mind of some grave matter and were,
|
|
in his close way, satisfied. To say of a man so severely and strictly
|
|
self-repressed that he is triumphant would be to do him as great an
|
|
injustice as to suppose him troubled with love or sentiment or any
|
|
romantic weakness. He is sedately satisfied. Perhaps there is a
|
|
rather increased sense of power upon him as he loosely grasps one of
|
|
his veinous wrists with his other hand and holding it behind his back
|
|
walks noiselessly up and down.
|
|
|
|
There is a capacious writing-table in the room on which is a pretty
|
|
large accumulation of papers. The green lamp is lighted, his
|
|
reading-glasses lie upon the desk, the easy-chair is wheeled up to
|
|
it, and it would seem as though he had intended to bestow an hour or
|
|
so upon these claims on his attention before going to bed. But he
|
|
happens not to be in a business mind. After a glance at the documents
|
|
awaiting his notice--with his head bent low over the table, the old
|
|
man's sight for print or writing being defective at night--he opens
|
|
the French window and steps out upon the leads. There he again walks
|
|
slowly up and down in the same attitude, subsiding, if a man so cool
|
|
may have any need to subside, from the story he has related
|
|
downstairs.
|
|
|
|
The time was once when men as knowing as Mr. Tulkinghorn would walk
|
|
on turret-tops in the starlight and look up into the sky to read
|
|
their fortunes there. Hosts of stars are visible to-night, though
|
|
their brilliancy is eclipsed by the splendour of the moon. If he be
|
|
seeking his own star as he methodically turns and turns upon the
|
|
leads, it should be but a pale one to be so rustily represented
|
|
below. If he be tracing out his destiny, that may be written in other
|
|
characters nearer to his hand.
|
|
|
|
As he paces the leads with his eyes most probably as high above his
|
|
thoughts as they are high above the earth, he is suddenly stopped in
|
|
passing the window by two eyes that meet his own. The ceiling of his
|
|
room is rather low; and the upper part of the door, which is opposite
|
|
the window, is of glass. There is an inner baize door, too, but the
|
|
night being warm he did not close it when he came upstairs. These
|
|
eyes that meet his own are looking in through the glass from the
|
|
corridor outside. He knows them well. The blood has not flushed into
|
|
his face so suddenly and redly for many a long year as when he
|
|
recognizes Lady Dedlock.
|
|
|
|
He steps into the room, and she comes in too, closing both the doors
|
|
behind her. There is a wild disturbance--is it fear or anger?--in her
|
|
eyes. In her carriage and all else she looks as she looked downstairs
|
|
two hours ago.
|
|
|
|
Is it fear or is it anger now? He cannot be sure. Both might be as
|
|
pale, both as intent.
|
|
|
|
"Lady Dedlock?"
|
|
|
|
She does not speak at first, nor even when she has slowly dropped
|
|
into the easy-chair by the table. They look at each other, like two
|
|
pictures.
|
|
|
|
"Why have you told my story to so many persons?"
|
|
|
|
"Lady Dedlock, it was necessary for me to inform you that I knew it."
|
|
|
|
"How long have you known it?"
|
|
|
|
"I have suspected it a long while--fully known it a little while."
|
|
|
|
"Months?"
|
|
|
|
"Days."
|
|
|
|
He stands before her with one hand on a chair-back and the other in
|
|
his old-fashioned waistcoat and shirt-frill, exactly as he has stood
|
|
before her at any time since her marriage. The same formal
|
|
politeness, the same composed deference that might as well be
|
|
defiance; the whole man the same dark, cold object, at the same
|
|
distance, which nothing has ever diminished.
|
|
|
|
"Is this true concerning the poor girl?"
|
|
|
|
He slightly inclines and advances his head as not quite understanding
|
|
the question.
|
|
|
|
"You know what you related. Is it true? Do her friends know my story
|
|
also? Is it the town-talk yet? Is it chalked upon the walls and cried
|
|
in the streets?"
|
|
|
|
So! Anger, and fear, and shame. All three contending. What power this
|
|
woman has to keep these raging passions down! Mr. Tulkinghorn's
|
|
thoughts take such form as he looks at her, with his ragged grey
|
|
eyebrows a hair's breadth more contracted than usual under her gaze.
|
|
|
|
"No, Lady Dedlock. That was a hypothetical case, arising out of Sir
|
|
Leicester's unconsciously carrying the matter with so high a hand.
|
|
But it would be a real case if they knew--what we know."
|
|
|
|
"Then they do not know it yet?"
|
|
|
|
"No."
|
|
|
|
"Can I save the poor girl from injury before they know it?"
|
|
|
|
"Really, Lady Dedlock," Mr. Tulkinghorn replies, "I cannot give a
|
|
satisfactory opinion on that point."
|
|
|
|
And he thinks, with the interest of attentive curiosity, as he
|
|
watches the struggle in her breast, "The power and force of this
|
|
woman are astonishing!"
|
|
|
|
"Sir," she says, for the moment obliged to set her lips with all the
|
|
energy she has, that she may speak distinctly, "I will make it
|
|
plainer. I do not dispute your hypothetical case. I anticipated it,
|
|
and felt its truth as strongly as you can do, when I saw Mr.
|
|
Rouncewell here. I knew very well that if he could have had the power
|
|
of seeing me as I was, he would consider the poor girl tarnished by
|
|
having for a moment been, although most innocently, the subject of my
|
|
great and distinguished patronage. But I have an interest in her, or
|
|
I should rather say--no longer belonging to this place--I had, and if
|
|
you can find so much consideration for the woman under your foot as
|
|
to remember that, she will be very sensible of your mercy."
|
|
|
|
Mr. Tulkinghorn, profoundly attentive, throws this off with a shrug
|
|
of self-depreciation and contracts his eyebrows a little more.
|
|
|
|
"You have prepared me for my exposure, and I thank you for that too.
|
|
Is there anything that you require of me? Is there any claim that I
|
|
can release or any charge or trouble that I can spare my husband in
|
|
obtaining HIS release by certifying to the exactness of your
|
|
discovery? I will write anything, here and now, that you will
|
|
dictate. I am ready to do it."
|
|
|
|
And she would do it, thinks the lawyer, watchful of the firm hand
|
|
with which she takes the pen!
|
|
|
|
"I will not trouble you, Lady Dedlock. Pray spare yourself."
|
|
|
|
"I have long expected this, as you know. I neither wish to spare
|
|
myself nor to be spared. You can do nothing worse to me than you have
|
|
done. Do what remains now."
|
|
|
|
"Lady Dedlock, there is nothing to be done. I will take leave to say
|
|
a few words when you have finished."
|
|
|
|
Their need for watching one another should be over now, but they do
|
|
it all this time, and the stars watch them both through the opened
|
|
window. Away in the moonlight lie the woodland fields at rest, and
|
|
the wide house is as quiet as the narrow one. The narrow one! Where
|
|
are the digger and the spade, this peaceful night, destined to add
|
|
the last great secret to the many secrets of the Tulkinghorn
|
|
existence? Is the man born yet, is the spade wrought yet? Curious
|
|
questions to consider, more curious perhaps not to consider, under
|
|
the watching stars upon a summer night.
|
|
|
|
"Of repentance or remorse or any feeling of mine," Lady Dedlock
|
|
presently proceeds, "I say not a word. If I were not dumb, you would
|
|
be deaf. Let that go by. It is not for your ears."
|
|
|
|
He makes a feint of offering a protest, but she sweeps it away with
|
|
her disdainful hand.
|
|
|
|
"Of other and very different things I come to speak to you. My jewels
|
|
are all in their proper places of keeping. They will be found there.
|
|
So, my dresses. So, all the valuables I have. Some ready money I had
|
|
with me, please to say, but no large amount. I did not wear my own
|
|
dress, in order that I might avoid observation. I went to be
|
|
henceforward lost. Make this known. I leave no other charge with
|
|
you."
|
|
|
|
"Excuse me, Lady Dedlock," says Mr. Tulkinghorn, quite unmoved. "I am
|
|
not sure that I understand you. You want--"
|
|
|
|
"To be lost to all here. I leave Chesney Wold to-night. I go this
|
|
hour."
|
|
|
|
Mr. Tulkinghorn shakes his head. She rises, but he, without moving
|
|
hand from chair-back or from old-fashioned waistcoat and shirt-frill,
|
|
shakes his head.
|
|
|
|
"What? Not go as I have said?"
|
|
|
|
"No, Lady Dedlock," he very calmly replies.
|
|
|
|
"Do you know the relief that my disappearance will be? Have you
|
|
forgotten the stain and blot upon this place, and where it is, and
|
|
who it is?"
|
|
|
|
"No, Lady Dedlock, not by any means."
|
|
|
|
Without deigning to rejoin, she moves to the inner door and has it in
|
|
her hand when he says to her, without himself stirring hand or foot
|
|
or raising his voice, "Lady Dedlock, have the goodness to stop and
|
|
hear me, or before you reach the staircase I shall ring the
|
|
alarm-bell and rouse the house. And then I must speak out before
|
|
every guest and servant, every man and woman, in it."
|
|
|
|
He has conquered her. She falters, trembles, and puts her hand
|
|
confusedly to her head. Slight tokens these in any one else, but when
|
|
so practised an eye as Mr. Tulkinghorn's sees indecision for a moment
|
|
in such a subject, he thoroughly knows its value.
|
|
|
|
He promptly says again, "Have the goodness to hear me, Lady Dedlock,"
|
|
and motions to the chair from which she has risen. She hesitates, but
|
|
he motions again, and she sits down.
|
|
|
|
"The relations between us are of an unfortunate description, Lady
|
|
Dedlock; but as they are not of my making, I will not apologize for
|
|
them. The position I hold in reference to Sir Leicester is so well
|
|
known to you that I can hardly imagine but that I must long have
|
|
appeared in your eyes the natural person to make this discovery."
|
|
|
|
"Sir," she returns without looking up from the ground on which her
|
|
eyes are now fixed, "I had better have gone. It would have been far
|
|
better not to have detained me. I have no more to say."
|
|
|
|
"Excuse me, Lady Dedlock, if I add a little more to hear."
|
|
|
|
"I wish to hear it at the window, then. I can't breathe where I am."
|
|
|
|
His jealous glance as she walks that way betrays an instant's
|
|
misgiving that she may have it in her thoughts to leap over, and
|
|
dashing against ledge and cornice, strike her life out upon the
|
|
terrace below. But a moment's observation of her figure as she stands
|
|
in the window without any support, looking out at the stars--not
|
|
up--gloomily out at those stars which are low in the heavens,
|
|
reassures him. By facing round as she has moved, he stands a little
|
|
behind her.
|
|
|
|
"Lady Dedlock, I have not yet been able to come to a decision
|
|
satisfactory to myself on the course before me. I am not clear what
|
|
to do or how to act next. I must request you, in the meantime, to
|
|
keep your secret as you have kept it so long and not to wonder that I
|
|
keep it too."
|
|
|
|
He pauses, but she makes no reply.
|
|
|
|
"Pardon me, Lady Dedlock. This is an important subject. You are
|
|
honouring me with your attention?"
|
|
|
|
"I am."
|
|
|
|
"Thank you. I might have known it from what I have seen of your
|
|
strength of character. I ought not to have asked the question, but I
|
|
have the habit of making sure of my ground, step by step, as I go on.
|
|
The sole consideration in this unhappy case is Sir Leicester."
|
|
|
|
"Then why," she asks in a low voice and without removing her gloomy
|
|
look from those distant stars, "do you detain me in his house?"
|
|
|
|
"Because he IS the consideration. Lady Dedlock, I have no occasion to
|
|
tell you that Sir Leicester is a very proud man, that his reliance
|
|
upon you is implicit, that the fall of that moon out of the sky would
|
|
not amaze him more than your fall from your high position as his
|
|
wife."
|
|
|
|
She breathes quickly and heavily, but she stands as unflinchingly as
|
|
ever he has seen her in the midst of her grandest company.
|
|
|
|
"I declare to you, Lady Dedlock, that with anything short of this
|
|
case that I have, I would as soon have hoped to root up by means of
|
|
my own strength and my own hands the oldest tree on this estate as to
|
|
shake your hold upon Sir Leicester and Sir Leicester's trust and
|
|
confidence in you. And even now, with this case, I hesitate. Not that
|
|
he could doubt (that, even with him, is impossible), but that nothing
|
|
can prepare him for the blow."
|
|
|
|
"Not my flight?" she returned. "Think of it again."
|
|
|
|
"Your flight, Lady Dedlock, would spread the whole truth, and a
|
|
hundred times the whole truth, far and wide. It would be impossible
|
|
to save the family credit for a day. It is not to be thought of."
|
|
|
|
There is a quiet decision in his reply which admits of no
|
|
remonstrance.
|
|
|
|
"When I speak of Sir Leicester being the sole consideration, he and
|
|
the family credit are one. Sir Leicester and the baronetcy, Sir
|
|
Leicester and Chesney Wold, Sir Leicester and his ancestors and his
|
|
patrimony"--Mr. Tulkinghorn very dry here--"are, I need not say to
|
|
you, Lady Dedlock, inseparable."
|
|
|
|
"Go on!"
|
|
|
|
"Therefore," says Mr. Tulkinghorn, pursuing his case in his jog-trot
|
|
style, "I have much to consider. This is to be hushed up if it can
|
|
be. How can it be, if Sir Leicester is driven out of his wits or laid
|
|
upon a death-bed? If I inflicted this shock upon him to-morrow
|
|
morning, how could the immediate change in him be accounted for? What
|
|
could have caused it? What could have divided you? Lady Dedlock, the
|
|
wall-chalking and the street-crying would come on directly, and you
|
|
are to remember that it would not affect you merely (whom I cannot at
|
|
all consider in this business) but your husband, Lady Dedlock, your
|
|
husband."
|
|
|
|
He gets plainer as he gets on, but not an atom more emphatic or
|
|
animated.
|
|
|
|
"There is another point of view," he continues, "in which the case
|
|
presents itself. Sir Leicester is devoted to you almost to
|
|
infatuation. He might not be able to overcome that infatuation, even
|
|
knowing what we know. I am putting an extreme case, but it might be
|
|
so. If so, it were better that he knew nothing. Better for common
|
|
sense, better for him, better for me. I must take all this into
|
|
account, and it combines to render a decision very difficult."
|
|
|
|
She stands looking out at the same stars without a word. They are
|
|
beginning to pale, and she looks as if their coldness froze her.
|
|
|
|
"My experience teaches me," says Mr. Tulkinghorn, who has by this
|
|
time got his hands in his pockets and is going on in his business
|
|
consideration of the matter like a machine. "My experience teaches
|
|
me, Lady Dedlock, that most of the people I know would do far better
|
|
to leave marriage alone. It is at the bottom of three fourths of
|
|
their troubles. So I thought when Sir Leicester married, and so I
|
|
always have thought since. No more about that. I must now be guided
|
|
by circumstances. In the meanwhile I must beg you to keep your own
|
|
counsel, and I will keep mine."
|
|
|
|
"I am to drag my present life on, holding its pains at your pleasure,
|
|
day by day?" she asks, still looking at the distant sky.
|
|
|
|
"Yes, I am afraid so, Lady Dedlock."
|
|
|
|
"It is necessary, you think, that I should be so tied to the stake?"
|
|
|
|
"I am sure that what I recommend is necessary."
|
|
|
|
"I am to remain on this gaudy platform on which my miserable
|
|
deception has been so long acted, and it is to fall beneath me when
|
|
you give the signal?" she said slowly.
|
|
|
|
"Not without notice, Lady Dedlock. I shall take no step without
|
|
forewarning you."
|
|
|
|
She asks all her questions as if she were repeating them from memory
|
|
or calling them over in her sleep.
|
|
|
|
"We are to meet as usual?"
|
|
|
|
"Precisely as usual, if you please."
|
|
|
|
"And I am to hide my guilt, as I have done so many years?"
|
|
|
|
"As you have done so many years. I should not have made that
|
|
reference myself, Lady Dedlock, but I may now remind you that your
|
|
secret can be no heavier to you than it was, and is no worse and no
|
|
better than it was. I know it certainly, but I believe we have never
|
|
wholly trusted each other."
|
|
|
|
She stands absorbed in the same frozen way for some little time
|
|
before asking, "Is there anything more to be said to-night?"
|
|
|
|
"Why," Mr. Tulkinghorn returns methodically as he softly rubs his
|
|
hands, "I should like to be assured of your acquiescence in my
|
|
arrangements, Lady Dedlock."
|
|
|
|
"You may be assured of it."
|
|
|
|
"Good. And I would wish in conclusion to remind you, as a business
|
|
precaution, in case it should be necessary to recall the fact in any
|
|
communication with Sir Leicester, that throughout our interview I
|
|
have expressly stated my sole consideration to be Sir Leicester's
|
|
feelings and honour and the family reputation. I should have been
|
|
happy to have made Lady Dedlock a prominent consideration, too, if
|
|
the case had admitted of it; but unfortunately it does not."
|
|
|
|
"I can attest your fidelity, sir."
|
|
|
|
Both before and after saying it she remains absorbed, but at length
|
|
moves, and turns, unshaken in her natural and acquired presence,
|
|
towards the door. Mr. Tulkinghorn opens both the doors exactly as he
|
|
would have done yesterday, or as he would have done ten years ago,
|
|
and makes his old-fashioned bow as she passes out. It is not an
|
|
ordinary look that he receives from the handsome face as it goes into
|
|
the darkness, and it is not an ordinary movement, though a very
|
|
slight one, that acknowledges his courtesy. But as he reflects when
|
|
he is left alone, the woman has been putting no common constraint
|
|
upon herself.
|
|
|
|
He would know it all the better if he saw the woman pacing her own
|
|
rooms with her hair wildly thrown from her flung-back face, her hands
|
|
clasped behind her head, her figure twisted as if by pain. He would
|
|
think so all the more if he saw the woman thus hurrying up and down
|
|
for hours, without fatigue, without intermission, followed by the
|
|
faithful step upon the Ghost's Walk. But he shuts out the now chilled
|
|
air, draws the window-curtain, goes to bed, and falls asleep. And
|
|
truly when the stars go out and the wan day peeps into the
|
|
turret-chamber, finding him at his oldest, he looks as if the digger
|
|
and the spade were both commissioned and would soon be digging.
|
|
|
|
The same wan day peeps in at Sir Leicester pardoning the repentant
|
|
country in a majestically condescending dream; and at the cousins
|
|
entering on various public employments, principally receipt of
|
|
salary; and at the chaste Volumnia, bestowing a dower of fifty
|
|
thousand pounds upon a hideous old general with a mouth of false
|
|
teeth like a pianoforte too full of keys, long the admiration of Bath
|
|
and the terror of every other community. Also into rooms high in the
|
|
roof, and into offices in court-yards, and over stables, where
|
|
humbler ambition dreams of bliss, in keepers' lodges, and in holy
|
|
matrimony with Will or Sally. Up comes the bright sun, drawing
|
|
everything up with it--the Wills and Sallys, the latent vapour in the
|
|
earth, the drooping leaves and flowers, the birds and beasts and
|
|
creeping things, the gardeners to sweep the dewy turf and unfold
|
|
emerald velvet where the roller passes, the smoke of the great
|
|
kitchen fire wreathing itself straight and high into the lightsome
|
|
air. Lastly, up comes the flag over Mr. Tulkinghorn's unconscious
|
|
head cheerfully proclaiming that Sir Leicester and Lady Dedlock are
|
|
in their happy home and that there is hospitality at the place in
|
|
Lincolnshire.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLII
|
|
|
|
In Mr. Tulkinghorn's Chambers
|
|
|
|
|
|
From the verdant undulations and the spreading oaks of the Dedlock
|
|
property, Mr. Tulkinghorn transfers himself to the stale heat and
|
|
dust of London. His manner of coming and going between the two places
|
|
is one of his impenetrabilities. He walks into Chesney Wold as if it
|
|
were next door to his chambers and returns to his chambers as if he
|
|
had never been out of Lincoln's Inn Fields. He neither changes his
|
|
dress before the journey nor talks of it afterwards. He melted out of
|
|
his turret-room this morning, just as now, in the late twilight, he
|
|
melts into his own square.
|
|
|
|
Like a dingy London bird among the birds at roost in these pleasant
|
|
fields, where the sheep are all made into parchment, the goats into
|
|
wigs, and the pasture into chaff, the lawyer, smoke-dried and faded,
|
|
dwelling among mankind but not consorting with them, aged without
|
|
experience of genial youth, and so long used to make his cramped nest
|
|
in holes and corners of human nature that he has forgotten its
|
|
broader and better range, comes sauntering home. In the oven made by
|
|
the hot pavements and hot buildings, he has baked himself dryer than
|
|
usual; and he has in his thirsty mind his mellowed port-wine half a
|
|
century old.
|
|
|
|
The lamplighter is skipping up and down his ladder on Mr.
|
|
Tulkinghorn's side of the Fields when that high-priest of noble
|
|
mysteries arrives at his own dull court-yard. He ascends the
|
|
door-steps and is gliding into the dusky hall when he encounters, on
|
|
the top step, a bowing and propitiatory little man.
|
|
|
|
"Is that Snagsby?"
|
|
|
|
"Yes, sir. I hope you are well, sir. I was just giving you up, sir,
|
|
and going home."
|
|
|
|
"Aye? What is it? What do you want with me?"
|
|
|
|
"Well, sir," says Mr. Snagsby, holding his hat at the side of his
|
|
head in his deference towards his best customer, "I was wishful to
|
|
say a word to you, sir."
|
|
|
|
"Can you say it here?"
|
|
|
|
"Perfectly, sir."
|
|
|
|
"Say it then." The lawyer turns, leans his arms on the iron railing
|
|
at the top of the steps, and looks at the lamplighter lighting the
|
|
court-yard.
|
|
|
|
"It is relating," says Mr. Snagsby in a mysterious low voice, "it is
|
|
relating--not to put too fine a point upon it--to the foreigner,
|
|
sir!"
|
|
|
|
Mr. Tulkinghorn eyes him with some surprise. "What foreigner?"
|
|
|
|
"The foreign female, sir. French, if I don't mistake? I am not
|
|
acquainted with that language myself, but I should judge from her
|
|
manners and appearance that she was French; anyways, certainly
|
|
foreign. Her that was upstairs, sir, when Mr. Bucket and me had the
|
|
honour of waiting upon you with the sweeping-boy that night."
|
|
|
|
"Oh! Yes, yes. Mademoiselle Hortense."
|
|
|
|
"Indeed, sir?" Mr. Snagsby coughs his cough of submission behind his
|
|
hat. "I am not acquainted myself with the names of foreigners in
|
|
general, but I have no doubt it WOULD be that." Mr. Snagsby appears
|
|
to have set out in this reply with some desperate design of repeating
|
|
the name, but on reflection coughs again to excuse himself.
|
|
|
|
"And what can you have to say, Snagsby," demands Mr. Tulkinghorn,
|
|
"about her?"
|
|
|
|
"Well, sir," returns the stationer, shading his communication with
|
|
his hat, "it falls a little hard upon me. My domestic happiness is
|
|
very great--at least, it's as great as can be expected, I'm sure--but
|
|
my little woman is rather given to jealousy. Not to put too fine a
|
|
point upon it, she is very much given to jealousy. And you see, a
|
|
foreign female of that genteel appearance coming into the shop, and
|
|
hovering--I should be the last to make use of a strong expression if
|
|
I could avoid it, but hovering, sir--in the court--you know it
|
|
is--now ain't it? I only put it to yourself, sir."
|
|
|
|
Mr. Snagsby, having said this in a very plaintive manner, throws in a
|
|
cough of general application to fill up all the blanks.
|
|
|
|
"Why, what do you mean?" asks Mr. Tulkinghorn.
|
|
|
|
"Just so, sir," returns Mr. Snagsby; "I was sure you would feel it
|
|
yourself and would excuse the reasonableness of MY feelings when
|
|
coupled with the known excitableness of my little woman. You see, the
|
|
foreign female--which you mentioned her name just now, with quite a
|
|
native sound I am sure--caught up the word Snagsby that night, being
|
|
uncommon quick, and made inquiry, and got the direction and come at
|
|
dinner-time. Now Guster, our young woman, is timid and has fits, and
|
|
she, taking fright at the foreigner's looks--which are fierce--and at
|
|
a grinding manner that she has of speaking--which is calculated to
|
|
alarm a weak mind--gave way to it, instead of bearing up against it,
|
|
and tumbled down the kitchen stairs out of one into another, such
|
|
fits as I do sometimes think are never gone into, or come out of, in
|
|
any house but ours. Consequently there was by good fortune ample
|
|
occupation for my little woman, and only me to answer the shop. When
|
|
she DID say that Mr. Tulkinghorn, being always denied to her by his
|
|
employer (which I had no doubt at the time was a foreign mode of
|
|
viewing a clerk), she would do herself the pleasure of continually
|
|
calling at my place until she was let in here. Since then she has
|
|
been, as I began by saying, hovering, hovering, sir"--Mr. Snagsby
|
|
repeats the word with pathetic emphasis--"in the court. The effects
|
|
of which movement it is impossible to calculate. I shouldn't wonder
|
|
if it might have already given rise to the painfullest mistakes even
|
|
in the neighbours' minds, not mentioning (if such a thing was
|
|
possible) my little woman. Whereas, goodness knows," says Mr.
|
|
Snagsby, shaking his head, "I never had an idea of a foreign female,
|
|
except as being formerly connected with a bunch of brooms and a baby,
|
|
or at the present time with a tambourine and earrings. I never had, I
|
|
do assure you, sir!"
|
|
|
|
Mr. Tulkinghorn had listened gravely to this complaint and inquires
|
|
when the stationer has finished, "And that's all, is it, Snagsby?"
|
|
|
|
"Why yes, sir, that's all," says Mr. Snagsby, ending with a cough
|
|
that plainly adds, "and it's enough too--for me."
|
|
|
|
"I don't know what Mademoiselle Hortense may want or mean, unless she
|
|
is mad," says the lawyer.
|
|
|
|
"Even if she was, you know, sir," Mr. Snagsby pleads, "it wouldn't be
|
|
a consolation to have some weapon or another in the form of a foreign
|
|
dagger planted in the family."
|
|
|
|
"No," says the other. "Well, well! This shall be stopped. I am sorry
|
|
you have been inconvenienced. If she comes again, send her here."
|
|
|
|
Mr. Snagsby, with much bowing and short apologetic coughing, takes
|
|
his leave, lightened in heart. Mr. Tulkinghorn goes upstairs, saying
|
|
to himself, "These women were created to give trouble the whole earth
|
|
over. The mistress not being enough to deal with, here's the maid
|
|
now! But I will be short with THIS jade at least!"
|
|
|
|
So saying, he unlocks his door, gropes his way into his murky rooms,
|
|
lights his candles, and looks about him. It is too dark to see much
|
|
of the Allegory overhead there, but that importunate Roman, who is
|
|
for ever toppling out of the clouds and pointing, is at his old work
|
|
pretty distinctly. Not honouring him with much attention, Mr.
|
|
Tulkinghorn takes a small key from his pocket, unlocks a drawer in
|
|
which there is another key, which unlocks a chest in which there is
|
|
another, and so comes to the cellar-key, with which he prepares to
|
|
descend to the regions of old wine. He is going towards the door with
|
|
a candle in his hand when a knock comes.
|
|
|
|
"Who's this? Aye, aye, mistress, it's you, is it? You appear at a
|
|
good time. I have just been hearing of you. Now! What do you want?"
|
|
|
|
He stands the candle on the chimney-piece in the clerk's hall and
|
|
taps his dry cheek with the key as he addresses these words of
|
|
welcome to Mademoiselle Hortense. That feline personage, with her
|
|
lips tightly shut and her eyes looking out at him sideways, softly
|
|
closes the door before replying.
|
|
|
|
"I have had great deal of trouble to find you, sir."
|
|
|
|
"HAVE you!"
|
|
|
|
"I have been here very often, sir. It has always been said to me, he
|
|
is not at home, he is engage, he is this and that, he is not for
|
|
you."
|
|
|
|
"Quite right, and quite true."
|
|
|
|
"Not true. Lies!"
|
|
|
|
At times there is a suddenness in the manner of Mademoiselle Hortense
|
|
so like a bodily spring upon the subject of it that such subject
|
|
involuntarily starts and fails back. It is Mr. Tulkinghorn's case at
|
|
present, though Mademoiselle Hortense, with her eyes almost shut up
|
|
(but still looking out sideways), is only smiling contemptuously and
|
|
shaking her head.
|
|
|
|
"Now, mistress," says the lawyer, tapping the key hastily upon the
|
|
chimney-piece. "If you have anything to say, say it, say it."
|
|
|
|
"Sir, you have not use me well. You have been mean and shabby."
|
|
|
|
"Mean and shabby, eh?" returns the lawyer, rubbing his nose with the
|
|
key.
|
|
|
|
"Yes. What is it that I tell you? You know you have. You have
|
|
attrapped me--catched me--to give you information; you have asked me
|
|
to show you the dress of mine my Lady must have wore that night, you
|
|
have prayed me to come in it here to meet that boy. Say! Is it not?"
|
|
Mademoiselle Hortense makes another spring.
|
|
|
|
"You are a vixen, a vixen!" Mr. Tulkinghorn seems to meditate as he
|
|
looks distrustfully at her, then he replies, "Well, wench, well. I
|
|
paid you."
|
|
|
|
"You paid me!" she repeats with fierce disdain. "Two sovereign! I
|
|
have not change them, I re-fuse them, I des-pise them, I throw them
|
|
from me!" Which she literally does, taking them out of her bosom as
|
|
she speaks and flinging them with such violence on the floor that
|
|
they jerk up again into the light before they roll away into corners
|
|
and slowly settle down there after spinning vehemently.
|
|
|
|
"Now!" says Mademoiselle Hortense, darkening her large eyes again.
|
|
"You have paid me? Eh, my God, oh yes!"
|
|
|
|
Mr. Tulkinghorn rubs his head with the key while she entertains
|
|
herself with a sarcastic laugh.
|
|
|
|
"You must be rich, my fair friend," he composedly observes, "to throw
|
|
money about in that way!"
|
|
|
|
"I AM rich," she returns. "I am very rich in hate. I hate my Lady, of
|
|
all my heart. You know that."
|
|
|
|
"Know it? How should I know it?"
|
|
|
|
"Because you have known it perfectly before you prayed me to give you
|
|
that information. Because you have known perfectly that I was
|
|
en-r-r-r-raged!" It appears impossible for mademoiselle to roll the
|
|
letter "r" sufficiently in this word, notwithstanding that she
|
|
assists her energetic delivery by clenching both her hands and
|
|
setting all her teeth.
|
|
|
|
"Oh! I knew that, did I?" says Mr. Tulkinghorn, examining the wards
|
|
of the key.
|
|
|
|
"Yes, without doubt. I am not blind. You have made sure of me because
|
|
you knew that. You had reason! I det-est her." Mademoiselle Hortense folds her
|
|
arms and throws this last remark at him over one of her shoulders.
|
|
|
|
"Having said this, have you anything else to say, mademoiselle?"
|
|
|
|
"I am not yet placed. Place me well. Find me a good condition! If you
|
|
cannot, or do not choose to do that, employ me to pursue her, to
|
|
chase her, to disgrace and to dishonour her. I will help you well,
|
|
and with a good will. It is what YOU do. Do I not know that?"
|
|
|
|
"You appear to know a good deal," Mr. Tulkinghorn retorts.
|
|
|
|
"Do I not? Is it that I am so weak as to believe, like a child, that
|
|
I come here in that dress to rec-eive that boy only to decide a
|
|
little bet, a wager? Eh, my God, oh yes!" In this reply, down to the
|
|
word "wager" inclusive, mademoiselle has been ironically polite and
|
|
tender, then as suddenly dashed into the bitterest and most defiant
|
|
scorn, with her black eyes in one and the same moment very nearly
|
|
shut and staringly wide open.
|
|
|
|
"Now, let us see," says Mr. Tulkinghorn, tapping his chin with the
|
|
key and looking imperturbably at her, "how this matter stands."
|
|
|
|
"Ah! Let us see," mademoiselle assents, with many angry and tight
|
|
nods of her head.
|
|
|
|
"You come here to make a remarkably modest demand, which you have
|
|
just stated, and it not being conceded, you will come again."
|
|
|
|
"And again," says mademoiselle with more tight and angry nods. "And
|
|
yet again. And yet again. And many times again. In effect, for ever!"
|
|
|
|
"And not only here, but you will go to Mr. Snagsby's too, perhaps?
|
|
That visit not succeeding either, you will go again perhaps?"
|
|
|
|
"And again," repeats mademoiselle, cataleptic with determination.
|
|
"And yet again. And yet again. And many times again. In effect, for
|
|
ever!"
|
|
|
|
"Very well. Now, Mademoiselle Hortense, let me recommend you to take
|
|
the candle and pick up that money of yours. I think you will find it
|
|
behind the clerk's partition in the corner yonder."
|
|
|
|
She merely throws a laugh over her shoulder and stands her ground
|
|
with folded arms.
|
|
|
|
"You will not, eh?"
|
|
|
|
"No, I will not!"
|
|
|
|
"So much the poorer you; so much the richer I! Look, mistress, this
|
|
is the key of my wine-cellar. It is a large key, but the keys of
|
|
prisons are larger. In this city there are houses of correction
|
|
(where the treadmills are, for women), the gates of which are very
|
|
strong and heavy, and no doubt the keys too. I am afraid a lady of
|
|
your spirit and activity would find it an inconvenience to have one
|
|
of those keys turned upon her for any length of time. What do you
|
|
think?"
|
|
|
|
"I think," mademoiselle replies without any action and in a clear,
|
|
obliging voice, "that you are a miserable wretch."
|
|
|
|
"Probably," returns Mr. Tulkinghorn, quietly blowing his nose. "But I
|
|
don't ask what you think of myself; I ask what you think of the
|
|
prison."
|
|
|
|
"Nothing. What does it matter to me?"
|
|
|
|
"Why, it matters this much, mistress," says the lawyer, deliberately
|
|
putting away his handkerchief and adjusting his frill; "the law is so
|
|
despotic here that it interferes to prevent any of our good English
|
|
citizens from being troubled, even by a lady's visits against his
|
|
desire. And on his complaining that he is so troubled, it takes hold
|
|
of the troublesome lady and shuts her up in prison under hard
|
|
discipline. Turns the key upon her, mistress." Illustrating with the
|
|
cellar-key.
|
|
|
|
"Truly?" returns mademoiselle in the same pleasant voice. "That is
|
|
droll! But--my faith!--still what does it matter to me?"
|
|
|
|
"My fair friend," says Mr. Tulkinghorn, "make another visit here, or
|
|
at Mr. Snagsby's, and you shall learn."
|
|
|
|
"In that case you will send me to the prison, perhaps?"
|
|
|
|
"Perhaps."
|
|
|
|
It would be contradictory for one in mademoiselle's state of
|
|
agreeable jocularity to foam at the mouth, otherwise a tigerish
|
|
expansion thereabouts might look as if a very little more would make
|
|
her do it.
|
|
|
|
"In a word, mistress," says Mr. Tulkinghorn, "I am sorry to be
|
|
unpolite, but if you ever present yourself uninvited here--or
|
|
there--again, I will give you over to the police. Their gallantry is
|
|
great, but they carry troublesome people through the streets in an
|
|
ignominious manner, strapped down on a board, my good wench."
|
|
|
|
"I will prove you," whispers mademoiselle, stretching out her hand,
|
|
"I will try if you dare to do it!"
|
|
|
|
"And if," pursues the lawyer without minding her, "I place you in
|
|
that good condition of being locked up in jail, it will be some time
|
|
before you find yourself at liberty again."
|
|
|
|
"I will prove you," repeats mademoiselle in her former whisper.
|
|
|
|
"And now," proceeds the lawyer, still without minding her, "you had
|
|
better go. Think twice before you come here again."
|
|
|
|
"Think you," she answers, "twice two hundred times!"
|
|
|
|
"You were dismissed by your lady, you know," Mr. Tulkinghorn
|
|
observes, following her out upon the staircase, "as the most
|
|
implacable and unmanageable of women. Now turn over a new leaf and
|
|
take warning by what I say to you. For what I say, I mean; and what I
|
|
threaten, I will do, mistress."
|
|
|
|
She goes down without answering or looking behind her. When she is
|
|
gone, he goes down too, and returning with his cobweb-covered bottle,
|
|
devotes himself to a leisurely enjoyment of its contents, now and
|
|
then, as he throws his head back in his chair, catching sight of the
|
|
pertinacious Roman pointing from the ceiling.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLIII
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
It matters little now how much I thought of my living mother who had
|
|
told me evermore to consider her dead. I could not venture to
|
|
approach her or to communicate with her in writing, for my sense of
|
|
the peril in which her life was passed was only to be equalled by my
|
|
fears of increasing it. Knowing that my mere existence as a living
|
|
creature was an unforeseen danger in her way, I could not always
|
|
conquer that terror of myself which had seized me when I first knew
|
|
the secret. At no time did I dare to utter her name. I felt as if I
|
|
did not even dare to hear it. If the conversation anywhere, when I
|
|
was present, took that direction, as it sometimes naturally did, I
|
|
tried not to hear: I mentally counted, repeated something that I
|
|
knew, or went out of the room. I am conscious now that I often did
|
|
these things when there can have been no danger of her being spoken
|
|
of, but I did them in the dread I had of hearing anything that might
|
|
lead to her betrayal, and to her betrayal through me.
|
|
|
|
It matters little now how often I recalled the tones of my mother's
|
|
voice, wondered whether I should ever hear it again as I so longed to
|
|
do, and thought how strange and desolate it was that it should be so
|
|
new to me. It matters little that I watched for every public mention
|
|
of my mother's name; that I passed and repassed the door of her house
|
|
in town, loving it, but afraid to look at it; that I once sat in the
|
|
theatre when my mother was there and saw me, and when we were so wide
|
|
asunder before the great company of all degrees that any link or
|
|
confidence between us seemed a dream. It is all, all over. My lot has
|
|
been so blest that I can relate little of myself which is not a story
|
|
of goodness and generosity in others. I may well pass that little and
|
|
go on.
|
|
|
|
When we were settled at home again, Ada and I had many conversations
|
|
with my guardian of which Richard was the theme. My dear girl was
|
|
deeply grieved that he should do their kind cousin so much wrong, but
|
|
she was so faithful to Richard that she could not bear to blame him
|
|
even for that. My guardian was assured of it, and never coupled his
|
|
name with a word of reproof. "Rick is mistaken, my dear," he would
|
|
say to her. "Well, well! We have all been mistaken over and over
|
|
again. We must trust to you and time to set him right."
|
|
|
|
We knew afterwards what we suspected then, that he did not trust to
|
|
time until he had often tried to open Richard's eyes. That he had
|
|
written to him, gone to him, talked with him, tried every gentle and
|
|
persuasive art his kindness could devise. Our poor devoted Richard
|
|
was deaf and blind to all. If he were wrong, he would make amends
|
|
when the Chancery suit was over. If he were groping in the dark,
|
|
he could not do better than do his utmost to clear away those
|
|
clouds in which so much was confused and obscured. Suspicion and
|
|
misunderstanding were the fault of the suit? Then let him work the
|
|
suit out and come through it to his right mind. This was his
|
|
unvarying reply. Jarndyce and Jarndyce had obtained such possession
|
|
of his whole nature that it was impossible to place any consideration
|
|
before him which he did not, with a distorted kind of reason, make a
|
|
new argument in favour of his doing what he did. "So that it is even
|
|
more mischievous," said my guardian once to me, "to remonstrate with
|
|
the poor dear fellow than to leave him alone."
|
|
|
|
I took one of these opportunities of mentioning my doubts of Mr.
|
|
Skimpole as a good adviser for Richard.
|
|
|
|
"Adviser!" returned my guardian, laughing, "My dear, who would advise
|
|
with Skimpole?"
|
|
|
|
"Encourager would perhaps have been a better word," said I.
|
|
|
|
"Encourager!" returned my guardian again. "Who could be encouraged by
|
|
Skimpole?"
|
|
|
|
"Not Richard?" I asked.
|
|
|
|
"No," he replied. "Such an unworldly, uncalculating, gossamer
|
|
creature is a relief to him and an amusement. But as to advising or
|
|
encouraging or occupying a serious station towards anybody or
|
|
anything, it is simply not to be thought of in such a child as
|
|
Skimpole."
|
|
|
|
"Pray, cousin John," said Ada, who had just joined us and now looked
|
|
over my shoulder, "what made him such a child?"
|
|
|
|
"What made him such a child?" inquired my guardian, rubbing his head,
|
|
a little at a loss.
|
|
|
|
"Yes, cousin John."
|
|
|
|
"Why," he slowly replied, roughening his head more and more, "he is
|
|
all sentiment, and--and susceptibility, and--and sensibility,
|
|
and--and imagination. And these qualities are not regulated in him,
|
|
somehow. I suppose the people who admired him for them in his youth
|
|
attached too much importance to them and too little to any training
|
|
that would have balanced and adjusted them, and so he became what he
|
|
is. Hey?" said my guardian, stopping short and looking at us
|
|
hopefully. "What do you think, you two?"
|
|
|
|
Ada, glancing at me, said she thought it was a pity he should be an
|
|
expense to Richard.
|
|
|
|
"So it is, so it is," returned my guardian hurriedly. "That must not
|
|
be. We must arrange that. I must prevent it. That will never do."
|
|
|
|
And I said I thought it was to be regretted that he had ever
|
|
introduced Richard to Mr. Vholes for a present of five pounds.
|
|
|
|
"Did he?" said my guardian with a passing shade of vexation on his
|
|
face. "But there you have the man. There you have the man! There is
|
|
nothing mercenary in that with him. He has no idea of the value of
|
|
money. He introduces Rick, and then he is good friends with Mr.
|
|
Vholes and borrows five pounds of him. He means nothing by it and
|
|
thinks nothing of it. He told you himself, I'll be bound, my dear?"
|
|
|
|
"Oh, yes!" said I.
|
|
|
|
"Exactly!" cried my guardian, quite triumphant. "There you have the
|
|
man! If he had meant any harm by it or was conscious of any harm in
|
|
it, he wouldn't tell it. He tells it as he does it in mere
|
|
simplicity. But you shall see him in his own home, and then you'll
|
|
understand him better. We must pay a visit to Harold Skimpole and
|
|
caution him on these points. Lord bless you, my dears, an infant, an
|
|
infant!"
|
|
|
|
In pursuance of this plan, we went into London on an early day and
|
|
presented ourselves at Mr. Skimpole's door.
|
|
|
|
He lived in a place called the Polygon, in Somers Town, where there
|
|
were at that time a number of poor Spanish refugees walking about in
|
|
cloaks, smoking little paper cigars. Whether he was a better tenant
|
|
than one might have supposed, in consequence of his friend Somebody
|
|
always paying his rent at last, or whether his inaptitude for
|
|
business rendered it particularly difficult to turn him out, I don't
|
|
know; but he had occupied the same house some years. It was in a
|
|
state of dilapidation quite equal to our expectation. Two or three of
|
|
the area railings were gone, the water-butt was broken, the knocker
|
|
was loose, the bell-handle had been pulled off a long time to judge
|
|
from the rusty state of the wire, and dirty footprints on the steps
|
|
were the only signs of its being inhabited.
|
|
|
|
A slatternly full-blown girl who seemed to be bursting out at the
|
|
rents in her gown and the cracks in her shoes like an over-ripe berry
|
|
answered our knock by opening the door a very little way and stopping
|
|
up the gap with her figure. As she knew Mr. Jarndyce (indeed Ada and
|
|
I both thought that she evidently associated him with the receipt of
|
|
her wages), she immediately relented and allowed us to pass in. The
|
|
lock of the door being in a disabled condition, she then applied
|
|
herself to securing it with the chain, which was not in good action
|
|
either, and said would we go upstairs?
|
|
|
|
We went upstairs to the first floor, still seeing no other furniture
|
|
than the dirty footprints. Mr. Jarndyce without further ceremony
|
|
entered a room there, and we followed. It was dingy enough and not at
|
|
all clean, but furnished with an odd kind of shabby luxury, with a
|
|
large footstool, a sofa, and plenty of cushions, an easy-chair, and
|
|
plenty of pillows, a piano, books, drawing materials, music,
|
|
newspapers, and a few sketches and pictures. A broken pane of glass
|
|
in one of the dirty windows was papered and wafered over, but there
|
|
was a little plate of hothouse nectarines on the table, and there was
|
|
another of grapes, and another of sponge-cakes, and there was a
|
|
bottle of light wine. Mr. Skimpole himself reclined upon the sofa in
|
|
a dressing-gown, drinking some fragrant coffee from an old china
|
|
cup--it was then about mid-day--and looking at a collection of
|
|
wallflowers in the balcony.
|
|
|
|
He was not in the least disconcerted by our appearance, but rose and
|
|
received us in his usual airy manner.
|
|
|
|
"Here I am, you see!" he said when we were seated, not without some
|
|
little difficulty, the greater part of the chairs being broken. "Here
|
|
I am! This is my frugal breakfast. Some men want legs of beef and
|
|
mutton for breakfast; I don't. Give me my peach, my cup of coffee,
|
|
and my claret; I am content. I don't want them for themselves, but
|
|
they remind me of the sun. There's nothing solar about legs of beef
|
|
and mutton. Mere animal satisfaction!"
|
|
|
|
"This is our friend's consulting-room (or would be, if he ever
|
|
prescribed), his sanctum, his studio," said my guardian to us.
|
|
|
|
"Yes," said Mr. Skimpole, turning his bright face about, "this is the
|
|
bird's cage. This is where the bird lives and sings. They pluck his
|
|
feathers now and then and clip his wings, but he sings, he sings!"
|
|
|
|
He handed us the grapes, repeating in his radiant way, "He sings! Not
|
|
an ambitious note, but still he sings."
|
|
|
|
"These are very fine," said my guardian. "A present?"
|
|
|
|
"No," he answered. "No! Some amiable gardener sells them. His man
|
|
wanted to know, when he brought them last evening, whether he should
|
|
wait for the money. 'Really, my friend,' I said, 'I think not--if
|
|
your time is of any value to you.' I suppose it was, for he went
|
|
away."
|
|
|
|
My guardian looked at us with a smile, as though he asked us, "Is it
|
|
possible to be worldly with this baby?"
|
|
|
|
"This is a day," said Mr. Skimpole, gaily taking a little claret in a
|
|
tumbler, "that will ever be remembered here. We shall call it Saint
|
|
Clare and Saint Summerson day. You must see my daughters. I have a
|
|
blue-eyed daughter who is my Beauty daughter, I have a Sentiment
|
|
daughter, and I have a Comedy daughter. You must see them all.
|
|
They'll be enchanted."
|
|
|
|
He was going to summon them when my guardian interposed and asked him
|
|
to pause a moment, as he wished to say a word to him first. "My dear
|
|
Jarndyce," he cheerfully replied, going back to his sofa, "as many
|
|
moments as you please. Time is no object here. We never know what
|
|
o'clock it is, and we never care. Not the way to get on in life,
|
|
you'll tell me? Certainly. But we DON'T get on in life. We don't
|
|
pretend to do it."
|
|
|
|
My guardian looked at us again, plainly saying, "You hear him?"
|
|
|
|
"Now, Harold," he began, "the word I have to say relates to Rick."
|
|
|
|
"The dearest friend I have!" returned Mr. Skimpole cordially. "I
|
|
suppose he ought not to be my dearest friend, as he is not on terms
|
|
with you. But he is, I can't help it; he is full of youthful poetry,
|
|
and I love him. If you don't like it, I can't help it. I love him."
|
|
|
|
The engaging frankness with which he made this declaration really had
|
|
a disinterested appearance and captivated my guardian, if not, for
|
|
the moment, Ada too.
|
|
|
|
"You are welcome to love him as much as you like," returned Mr.
|
|
Jarndyce, "but we must save his pocket, Harold."
|
|
|
|
"Oh!" said Mr. Skimpole. "His pocket? Now you are coming to what I
|
|
don't understand." Taking a little more claret and dipping one of the
|
|
cakes in it, he shook his head and smiled at Ada and me with an
|
|
ingenuous foreboding that he never could be made to understand.
|
|
|
|
"If you go with him here or there," said my guardian plainly, "you
|
|
must not let him pay for both."
|
|
|
|
"My dear Jarndyce," returned Mr. Skimpole, his genial face irradiated
|
|
by the comicality of this idea, "what am I to do? If he takes me
|
|
anywhere, I must go. And how can I pay? I never have any money. If I
|
|
had any money, I don't know anything about it. Suppose I say to a
|
|
man, how much? Suppose the man says to me seven and sixpence? I know
|
|
nothing about seven and sixpence. It is impossible for me to pursue
|
|
the subject with any consideration for the man. I don't go about
|
|
asking busy people what seven and sixpence is in Moorish--which I
|
|
don't understand. Why should I go about asking them what seven and
|
|
sixpence is in Money--which I don't understand?"
|
|
|
|
"Well," said my guardian, by no means displeased with this artless
|
|
reply, "if you come to any kind of journeying with Rick, you must
|
|
borrow the money of me (never breathing the least allusion to that
|
|
circumstance), and leave the calculation to him."
|
|
|
|
"My dear Jarndyce," returned Mr. Skimpole, "I will do anything to
|
|
give you pleasure, but it seems an idle form--a superstition.
|
|
Besides, I give you my word, Miss Clare and my dear Miss Summerson, I
|
|
thought Mr. Carstone was immensely rich. I thought he had only to
|
|
make over something, or to sign a bond, or a draft, or a cheque, or a
|
|
bill, or to put something on a file somewhere, to bring down a shower
|
|
of money."
|
|
|
|
"Indeed it is not so, sir," said Ada. "He is poor."
|
|
|
|
"No, really?" returned Mr. Skimpole with his bright smile. "You
|
|
surprise me.
|
|
|
|
"And not being the richer for trusting in a rotten reed," said my
|
|
guardian, laying his hand emphatically on the sleeve of Mr.
|
|
Skimpole's dressing-gown, "be you very careful not to encourage him
|
|
in that reliance, Harold."
|
|
|
|
"My dear good friend," returned Mr. Skimpole, "and my dear Miss
|
|
Simmerson, and my dear Miss Clare, how can I do that? It's business,
|
|
and I don't know business. It is he who encourages me. He emerges
|
|
from great feats of business, presents the brightest prospects before
|
|
me as their result, and calls upon me to admire them. I do admire
|
|
them--as bright prospects. But I know no more about them, and I tell
|
|
him so."
|
|
|
|
The helpless kind of candour with which he presented this before us,
|
|
the light-hearted manner in which he was amused by his innocence, the
|
|
fantastic way in which he took himself under his own protection and
|
|
argued about that curious person, combined with the delightful ease
|
|
of everything he said exactly to make out my guardian's case. The
|
|
more I saw of him, the more unlikely it seemed to me, when he was
|
|
present, that he could design, conceal, or influence anything; and
|
|
yet the less likely that appeared when he was not present, and the
|
|
less agreeable it was to think of his having anything to do with any
|
|
one for whom I cared.
|
|
|
|
Hearing that his examination (as he called it) was now over, Mr.
|
|
Skimpole left the room with a radiant face to fetch his daughters
|
|
(his sons had run away at various times), leaving my guardian quite
|
|
delighted by the manner in which he had vindicated his childish
|
|
character. He soon came back, bringing with him the three young
|
|
ladies and Mrs. Skimpole, who had once been a beauty but was now a
|
|
delicate high-nosed invalid suffering under a complication of
|
|
disorders.
|
|
|
|
"This," said Mr. Skimpole, "is my Beauty daughter, Arethusa--plays
|
|
and sings odds and ends like her father. This is my Sentiment
|
|
daughter, Laura--plays a little but don't sing. This is my Comedy
|
|
daughter, Kitty--sings a little but don't play. We all draw a little
|
|
and compose a little, and none of us have any idea of time or money."
|
|
|
|
Mrs. Skimpole sighed, I thought, as if she would have been glad to
|
|
strike out this item in the family attainments. I also thought that
|
|
she rather impressed her sigh upon my guardian and that she took
|
|
every opportunity of throwing in another.
|
|
|
|
"It is pleasant," said Mr. Skimpole, turning his sprightly eyes from
|
|
one to the other of us, "and it is whimsically interesting to trace
|
|
peculiarities in families. In this family we are all children, and I
|
|
am the youngest."
|
|
|
|
The daughters, who appeared to be very fond of him, were amused by
|
|
this droll fact, particularly the Comedy daughter.
|
|
|
|
"My dears, it is true," said Mr. Skimpole, "is it not? So it is, and
|
|
so it must be, because like the dogs in the hymn, 'it is our nature
|
|
to.' Now, here is Miss Summerson with a fine administrative capacity
|
|
and a knowledge of details perfectly surprising. It will sound very
|
|
strange in Miss Summerson's ears, I dare say, that we know nothing
|
|
about chops in this house. But we don't, not the least. We can't cook
|
|
anything whatever. A needle and thread we don't know how to use. We
|
|
admire the people who possess the practical wisdom we want, but we
|
|
don't quarrel with them. Then why should they quarrel with us? Live
|
|
and let live, we say to them. Live upon your practical wisdom, and
|
|
let us live upon you!"
|
|
|
|
He laughed, but as usual seemed quite candid and really to mean what
|
|
he said.
|
|
|
|
"We have sympathy, my roses," said Mr. Skimpole, "sympathy for
|
|
everything. Have we not?"
|
|
|
|
"Oh, yes, papa!" cried the three daughters.
|
|
|
|
"In fact, that is our family department," said Mr. Skimpole, "in this
|
|
hurly-burly of life. We are capable of looking on and of being
|
|
interested, and we DO look on, and we ARE interested. What more can
|
|
we do? Here is my Beauty daughter, married these three years. Now I
|
|
dare say her marrying another child, and having two more, was all
|
|
wrong in point of political economy, but it was very agreeable. We
|
|
had our little festivities on those occasions and exchanged social
|
|
ideas. She brought her young husband home one day, and they and their
|
|
young fledglings have their nest upstairs. I dare say at some time or
|
|
other Sentiment and Comedy will bring THEIR husbands home and have
|
|
THEIR nests upstairs too. So we get on, we don't know how, but
|
|
somehow."
|
|
|
|
She looked very young indeed to be the mother of two children, and I
|
|
could not help pitying both her and them. It was evident that the
|
|
three daughters had grown up as they could and had had just as little
|
|
haphazard instruction as qualified them to be their father's
|
|
playthings in his idlest hours. His pictorial tastes were consulted,
|
|
I observed, in their respective styles of wearing their hair, the
|
|
Beauty daughter being in the classic manner, the Sentiment daughter
|
|
luxuriant and flowing, and the Comedy daughter in the arch style,
|
|
with a good deal of sprightly forehead, and vivacious little curls
|
|
dotted about the corners of her eyes. They were dressed to
|
|
correspond, though in a most untidy and negligent way.
|
|
|
|
Ada and I conversed with these young ladies and found them
|
|
wonderfully like their father. In the meanwhile Mr. Jarndyce (who had
|
|
been rubbing his head to a great extent, and hinted at a change in
|
|
the wind) talked with Mrs. Skimpole in a corner, where we could not
|
|
help hearing the chink of money. Mr. Skimpole had previously
|
|
volunteered to go home with us and had withdrawn to dress himself for
|
|
the purpose.
|
|
|
|
"My roses," he said when he came back, "take care of mama. She is
|
|
poorly to-day. By going home with Mr. Jarndyce for a day or two, I
|
|
shall hear the larks sing and preserve my amiability. It has been
|
|
tried, you know, and would be tried again if I remained at home."
|
|
|
|
"That bad man!" said the Comedy daughter.
|
|
|
|
"At the very time when he knew papa was lying ill by his wallflowers,
|
|
looking at the blue sky," Laura complained.
|
|
|
|
"And when the smell of hay was in the air!" said Arethusa.
|
|
|
|
"It showed a want of poetry in the man," Mr. Skimpole assented, but
|
|
with perfect good humour. "It was coarse. There was an absence of the
|
|
finer touches of humanity in it! My daughters have taken great
|
|
offence," he explained to us, "at an honest man--"
|
|
|
|
"Not honest, papa. Impossible!" they all three protested.
|
|
|
|
"At a rough kind of fellow--a sort of human hedgehog rolled up," said
|
|
Mr. Skimpole, "who is a baker in this neighbourhood and from whom we
|
|
borrowed a couple of arm-chairs. We wanted a couple of arm-chairs,
|
|
and we hadn't got them, and therefore of course we looked to a man
|
|
who HAD got them, to lend them. Well! This morose person lent them,
|
|
and we wore them out. When they were worn out, he wanted them back.
|
|
He had them back. He was contented, you will say. Not at all. He
|
|
objected to their being worn. I reasoned with him, and pointed out
|
|
his mistake. I said, 'Can you, at your time of life, be so
|
|
headstrong, my friend, as to persist that an arm-chair is a thing to
|
|
put upon a shelf and look at? That it is an object to contemplate, to
|
|
survey from a distance, to consider from a point of sight? Don't you
|
|
KNOW that these arm-chairs were borrowed to be sat upon?' He was
|
|
unreasonable and unpersuadable and used intemperate language. Being
|
|
as patient as I am at this minute, I addressed another appeal to him.
|
|
I said, 'Now, my good man, however our business capacities may vary,
|
|
we are all children of one great mother, Nature. On this blooming
|
|
summer morning here you see me' (I was on the sofa) 'with flowers
|
|
before me, fruit upon the table, the cloudless sky above me, the air
|
|
full of fragrance, contemplating Nature. I entreat you, by our common
|
|
brotherhood, not to interpose between me and a subject so sublime,
|
|
the absurd figure of an angry baker!' But he did," said Mr. Skimpole,
|
|
raising his laughing eyes in playful astonishment; "he did interpose
|
|
that ridiculous figure, and he does, and he will again. And therefore
|
|
I am very glad to get out of his way and to go home with my friend
|
|
Jarndyce."
|
|
|
|
It seemed to escape his consideration that Mrs. Skimpole and the
|
|
daughters remained behind to encounter the baker, but this was so old
|
|
a story to all of them that it had become a matter of course. He took
|
|
leave of his family with a tenderness as airy and graceful as any
|
|
other aspect in which he showed himself and rode away with us in
|
|
perfect harmony of mind. We had an opportunity of seeing through some
|
|
open doors, as we went downstairs, that his own apartment was a
|
|
palace to the rest of the house.
|
|
|
|
I could have no anticipation, and I had none, that something very
|
|
startling to me at the moment, and ever memorable to me in what
|
|
ensued from it, was to happen before this day was out. Our guest was
|
|
in such spirits on the way home that I could do nothing but listen to
|
|
him and wonder at him; nor was I alone in this, for Ada yielded to
|
|
the same fascination. As to my guardian, the wind, which had
|
|
threatened to become fixed in the east when we left Somers Town,
|
|
veered completely round before we were a couple of miles from it.
|
|
|
|
Whether of questionable childishness or not in any other matters, Mr.
|
|
Skimpole had a child's enjoyment of change and bright weather. In no
|
|
way wearied by his sallies on the road, he was in the drawing-room
|
|
before any of us; and I heard him at the piano while I was yet
|
|
looking after my housekeeping, singing refrains of barcaroles and
|
|
drinking songs, Italian and German, by the score.
|
|
|
|
We were all assembled shortly before dinner, and he was still at the
|
|
piano idly picking out in his luxurious way little strains of music,
|
|
and talking between whiles of finishing some sketches of the ruined
|
|
old Verulam wall to-morrow, which he had begun a year or two ago and
|
|
had got tired of, when a card was brought in and my guardian read
|
|
aloud in a surprised voice, "Sir Leicester Dedlock!"
|
|
|
|
The visitor was in the room while it was yet turning round with me
|
|
and before I had the power to stir. If I had had it, I should have
|
|
hurried away. I had not even the presence of mind, in my giddiness,
|
|
to retire to Ada in the window, or to see the window, or to know
|
|
where it was. I heard my name and found that my guardian was
|
|
presenting me before I could move to a chair.
|
|
|
|
"Pray be seated, Sir Leicester."
|
|
|
|
"Mr. Jarndyce," said Sir Leicester in reply as he bowed and seated
|
|
himself, "I do myself the honour of calling here--"
|
|
|
|
"You do ME the honour, Sir Leicester."
|
|
|
|
"Thank you--of calling here on my road from Lincolnshire to express
|
|
my regret that any cause of complaint, however strong, that I may
|
|
have against a gentleman who--who is known to you and has been your
|
|
host, and to whom therefore I will make no farther reference, should
|
|
have prevented you, still more ladies under your escort and charge,
|
|
from seeing whatever little there may be to gratify a polite and
|
|
refined taste at my house, Chesney Wold."
|
|
|
|
"You are exceedingly obliging, Sir Leicester, and on behalf of those
|
|
ladies (who are present) and for myself, I thank you very much."
|
|
|
|
"It is possible, Mr. Jarndyce, that the gentleman to whom, for the
|
|
reasons I have mentioned, I refrain from making further allusion--it
|
|
is possible, Mr. Jarndyce, that that gentleman may have done me the
|
|
honour so far to misapprehend my character as to induce you to
|
|
believe that you would not have been received by my local
|
|
establishment in Lincolnshire with that urbanity, that courtesy,
|
|
which its members are instructed to show to all ladies and gentlemen
|
|
who present themselves at that house. I merely beg to observe, sir,
|
|
that the fact is the reverse."
|
|
|
|
My guardian delicately dismissed this remark without making any
|
|
verbal answer.
|
|
|
|
"It has given me pain, Mr. Jarndyce," Sir Leicester weightily
|
|
proceeded. "I assure you, sir, it has given--me--pain--to learn from
|
|
the housekeeper at Chesney Wold that a gentleman who was in your
|
|
company in that part of the county, and who would appear to possess a
|
|
cultivated taste for the fine arts, was likewise deterred by some
|
|
such cause from examining the family pictures with that leisure, that
|
|
attention, that care, which he might have desired to bestow upon them
|
|
and which some of them might possibly have repaid." Here he produced
|
|
a card and read, with much gravity and a little trouble, through his
|
|
eye-glass, "Mr. Hirrold--Herald--Harold--Skampling--Skumpling--I beg
|
|
your pardon--Skimpole."
|
|
|
|
"This is Mr. Harold Skimpole," said my guardian, evidently surprised.
|
|
|
|
"Oh!" exclaimed Sir Leicester, "I am happy to meet Mr. Skimpole and
|
|
to have the opportunity of tendering my personal regrets. I hope,
|
|
sir, that when you again find yourself in my part of the county, you
|
|
will be under no similar sense of restraint."
|
|
|
|
"You are very obliging, Sir Leicester Dedlock. So encouraged, I shall
|
|
certainly give myself the pleasure and advantage of another visit to
|
|
your beautiful house. The owners of such places as Chesney Wold,"
|
|
said Mr. Skimpole with his usual happy and easy air, "are public
|
|
benefactors. They are good enough to maintain a number of delightful
|
|
objects for the admiration and pleasure of us poor men; and not to
|
|
reap all the admiration and pleasure that they yield is to be
|
|
ungrateful to our benefactors."
|
|
|
|
Sir Leicester seemed to approve of this sentiment highly. "An artist,
|
|
sir?"
|
|
|
|
"No," returned Mr. Skimpole. "A perfectly idle man. A mere amateur."
|
|
|
|
Sir Leicester seemed to approve of this even more. He hoped he might
|
|
have the good fortune to be at Chesney Wold when Mr. Skimpole next
|
|
came down into Lincolnshire. Mr. Skimpole professed himself much
|
|
flattered and honoured.
|
|
|
|
"Mr. Skimpole mentioned," pursued Sir Leicester, addressing himself
|
|
again to my guardian, "mentioned to the housekeeper, who, as he may
|
|
have observed, is an old and attached retainer of the family--"
|
|
|
|
("That is, when I walked through the house the other day, on the
|
|
occasion of my going down to visit Miss Summerson and Miss Clare,"
|
|
Mr. Skimpole airily explained to us.)
|
|
|
|
"--That the friend with whom he had formerly been staying there was
|
|
Mr. Jarndyce." Sir Leicester bowed to the bearer of that name. "And
|
|
hence I became aware of the circumstance for which I have professed
|
|
my regret. That this should have occurred to any gentleman, Mr.
|
|
Jarndyce, but especially a gentleman formerly known to Lady Dedlock,
|
|
and indeed claiming some distant connexion with her, and for whom (as
|
|
I learn from my Lady herself) she entertains a high respect, does, I
|
|
assure you, give--me--pain."
|
|
|
|
"Pray say no more about it, Sir Leicester," returned my guardian. "I
|
|
am very sensible, as I am sure we all are, of your consideration.
|
|
Indeed the mistake was mine, and I ought to apologize for it."
|
|
|
|
I had not once looked up. I had not seen the visitor and had not even
|
|
appeared to myself to hear the conversation. It surprises me to find
|
|
that I can recall it, for it seemed to make no impression on me as it
|
|
passed. I heard them speaking, but my mind was so confused and my
|
|
instinctive avoidance of this gentleman made his presence so
|
|
distressing to me that I thought I understood nothing, through the
|
|
rushing in my head and the beating of my heart.
|
|
|
|
"I mentioned the subject to Lady Dedlock," said Sir Leicester,
|
|
rising, "and my Lady informed me that she had had the pleasure of
|
|
exchanging a few words with Mr. Jarndyce and his wards on the
|
|
occasion of an accidental meeting during their sojourn in the
|
|
vicinity. Permit me, Mr. Jarndyce, to repeat to yourself, and to
|
|
these ladies, the assurance I have already tendered to Mr. Skimpole.
|
|
Circumstances undoubtedly prevent my saying that it would afford me
|
|
any gratification to hear that Mr. Boythorn had favoured my house
|
|
with his presence, but those circumstances are confined to that
|
|
gentleman himself and do not extend beyond him."
|
|
|
|
"You know my old opinion of him," said Mr. Skimpole, lightly
|
|
appealing to us. "An amiable bull who is determined to make every
|
|
colour scarlet!"
|
|
|
|
Sir Leicester Dedlock coughed as if he could not possibly hear
|
|
another word in reference to such an individual and took his leave
|
|
with great ceremony and politeness. I got to my own room with all
|
|
possible speed and remained there until I had recovered my
|
|
self-command. It had been very much disturbed, but I was thankful to
|
|
find when I went downstairs again that they only rallied me for
|
|
having been shy and mute before the great Lincolnshire baronet.
|
|
|
|
By that time I had made up my mind that the period was come when I
|
|
must tell my guardian what I knew. The possibility of my being
|
|
brought into contact with my mother, of my being taken to her house,
|
|
even of Mr. Skimpole's, however distantly associated with me,
|
|
receiving kindnesses and obligations from her husband, was so painful
|
|
that I felt I could no longer guide myself without his assistance.
|
|
|
|
When we had retired for the night, and Ada and I had had our usual
|
|
talk in our pretty room, I went out at my door again and sought my
|
|
guardian among his books. I knew he always read at that hour, and as
|
|
I drew near I saw the light shining out into the passage from his
|
|
reading-lamp.
|
|
|
|
"May I come in, guardian?"
|
|
|
|
"Surely, little woman. What's the matter?"
|
|
|
|
"Nothing is the matter. I thought I would like to take this quiet
|
|
time of saying a word to you about myself."
|
|
|
|
He put a chair for me, shut his book, and put it by, and turned his
|
|
kind attentive face towards me. I could not help observing that it
|
|
wore that curious expression I had observed in it once before--on
|
|
that night when he had said that he was in no trouble which I could
|
|
readily understand.
|
|
|
|
"What concerns you, my dear Esther," said he, "concerns us all. You
|
|
cannot be more ready to speak than I am to hear."
|
|
|
|
"I know that, guardian. But I have such need of your advice and
|
|
support. Oh! You don't know how much need I have to-night."
|
|
|
|
He looked unprepared for my being so earnest, and even a little
|
|
alarmed.
|
|
|
|
"Or how anxious I have been to speak to you," said I, "ever since the
|
|
visitor was here to-day."
|
|
|
|
"The visitor, my dear! Sir Leicester Dedlock?"
|
|
|
|
"Yes."
|
|
|
|
He folded his arms and sat looking at me with an air of the
|
|
profoundest astonishment, awaiting what I should say next. I did not
|
|
know how to prepare him.
|
|
|
|
"Why, Esther," said he, breaking into a smile, "our visitor and you
|
|
are the two last persons on earth I should have thought of connecting
|
|
together!"
|
|
|
|
"Oh, yes, guardian, I know it. And I too, but a little while ago."
|
|
|
|
The smile passed from his face, and he became graver than before. He
|
|
crossed to the door to see that it was shut (but I had seen to that)
|
|
and resumed his seat before me.
|
|
|
|
"Guardian," said I, "do you remember, when we were overtaken by the
|
|
thunder-storm, Lady Dedlock's speaking to you of her sister?"
|
|
|
|
"Of course. Of course I do."
|
|
|
|
"And reminding you that she and her sister had differed, had gone
|
|
their several ways?"
|
|
|
|
"Of course."
|
|
|
|
"Why did they separate, guardian?"
|
|
|
|
His face quite altered as he looked at me. "My child, what questions
|
|
are these! I never knew. No one but themselves ever did know, I
|
|
believe. Who could tell what the secrets of those two handsome and
|
|
proud women were! You have seen Lady Dedlock. If you had ever seen
|
|
her sister, you would know her to have been as resolute and haughty
|
|
as she."
|
|
|
|
"Oh, guardian, I have seen her many and many a time!"
|
|
|
|
"Seen her?"
|
|
|
|
He paused a little, biting his lip. "Then, Esther, when you spoke to
|
|
me long ago of Boythorn, and when I told you that he was all but
|
|
married once, and that the lady did not die, but died to him, and
|
|
that that time had had its influence on his later life--did you know
|
|
it all, and know who the lady was?"
|
|
|
|
"No, guardian," I returned, fearful of the light that dimly broke
|
|
upon me. "Nor do I know yet."
|
|
|
|
"Lady Dedlock's sister."
|
|
|
|
"And why," I could scarcely ask him, "why, guardian, pray tell me why
|
|
were THEY parted?"
|
|
|
|
"It was her act, and she kept its motives in her inflexible heart. He
|
|
afterwards did conjecture (but it was mere conjecture) that some
|
|
injury which her haughty spirit had received in her cause of quarrel
|
|
with her sister had wounded her beyond all reason, but she wrote him
|
|
that from the date of that letter she died to him--as in literal
|
|
truth she did--and that the resolution was exacted from her by her
|
|
knowledge of his proud temper and his strained sense of honour, which
|
|
were both her nature too. In consideration for those master points in
|
|
him, and even in consideration for them in herself, she made the
|
|
sacrifice, she said, and would live in it and die in it. She did
|
|
both, I fear; certainly he never saw her, never heard of her from
|
|
that hour. Nor did any one."
|
|
|
|
"Oh, guardian, what have I done!" I cried, giving way to my grief;
|
|
"what sorrow have I innocently caused!"
|
|
|
|
"You caused, Esther?"
|
|
|
|
"Yes, guardian. Innocently, but most surely. That secluded sister is
|
|
my first remembrance."
|
|
|
|
"No, no!" he cried, starting.
|
|
|
|
"Yes, guardian, yes! And HER sister is my mother!"
|
|
|
|
I would have told him all my mother's letter, but he would not hear
|
|
it then. He spoke so tenderly and wisely to me, and he put so plainly
|
|
before me all I had myself imperfectly thought and hoped in my better
|
|
state of mind, that, penetrated as I had been with fervent gratitude
|
|
towards him through so many years, I believed I had never loved him
|
|
so dearly, never thanked him in my heart so fully, as I did that
|
|
night. And when he had taken me to my room and kissed me at the door,
|
|
and when at last I lay down to sleep, my thought was how could I ever
|
|
be busy enough, how could I ever be good enough, how in my little way
|
|
could I ever hope to be forgetful enough of myself, devoted enough to
|
|
him, and useful enough to others, to show him how I blessed and
|
|
honoured him.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLIV
|
|
|
|
The Letter and the Answer
|
|
|
|
|
|
My guardian called me into his room next morning, and then I told him
|
|
what had been left untold on the previous night. There was nothing to
|
|
be done, he said, but to keep the secret and to avoid another such
|
|
encounter as that of yesterday. He understood my feeling and entirely
|
|
shared it. He charged himself even with restraining Mr. Skimpole from
|
|
improving his opportunity. One person whom he need not name to me, it
|
|
was not now possible for him to advise or help. He wished it were,
|
|
but no such thing could be. If her mistrust of the lawyer whom she
|
|
had mentioned were well-founded, which he scarcely doubted, he
|
|
dreaded discovery. He knew something of him, both by sight and by
|
|
reputation, and it was certain that he was a dangerous man. Whatever
|
|
happened, he repeatedly impressed upon me with anxious affection and
|
|
kindness, I was as innocent of as himself and as unable to influence.
|
|
|
|
"Nor do I understand," said he, "that any doubts tend towards you, my
|
|
dear. Much suspicion may exist without that connexion."
|
|
|
|
"With the lawyer," I returned. "But two other persons have come into
|
|
my mind since I have been anxious. Then I told him all about Mr.
|
|
Guppy, who I feared might have had his vague surmises when I little
|
|
understood his meaning, but in whose silence after our last interview
|
|
I expressed perfect confidence.
|
|
|
|
"Well," said my guardian. "Then we may dismiss him for the present.
|
|
Who is the other?"
|
|
|
|
I called to his recollection the French maid and the eager offer of
|
|
herself she had made to me.
|
|
|
|
"Ha!" he returned thoughtfully. "That is a more alarming person than
|
|
the clerk. But after all, my dear, it was but seeking for a new
|
|
service. She had seen you and Ada a little while before, and it was
|
|
natural that you should come into her head. She merely proposed
|
|
herself for your maid, you know. She did nothing more."
|
|
|
|
"Her manner was strange," said I.
|
|
|
|
"Yes, and her manner was strange when she took her shoes off and
|
|
showed that cool relish for a walk that might have ended in her
|
|
death-bed," said my guardian. "It would be useless self-distress and
|
|
torment to reckon up such chances and possibilities. There are very
|
|
few harmless circumstances that would not seem full of perilous
|
|
meaning, so considered. Be hopeful, little woman. You can be nothing
|
|
better than yourself; be that, through this knowledge, as you were
|
|
before you had it. It is the best you can do for everybody's sake. I,
|
|
sharing the secret with you--"
|
|
|
|
"And lightening it, guardian, so much," said I.
|
|
|
|
"--will be attentive to what passes in that family, so far as I can
|
|
observe it from my distance. And if the time should come when I can
|
|
stretch out a hand to render the least service to one whom it is
|
|
better not to name even here, I will not fail to do it for her dear
|
|
daughter's sake."
|
|
|
|
I thanked him with my whole heart. What could I ever do but thank
|
|
him! I was going out at the door when he asked me to stay a moment.
|
|
Quickly turning round, I saw that same expression on his face again;
|
|
and all at once, I don't know how, it flashed upon me as a new and
|
|
far-off possibility that I understood it.
|
|
|
|
"My dear Esther," said my guardian, "I have long had something in my
|
|
thoughts that I have wished to say to you."
|
|
|
|
"Indeed?"
|
|
|
|
"I have had some difficulty in approaching it, and I still have. I
|
|
should wish it to be so deliberately said, and so deliberately
|
|
considered. Would you object to my writing it?"
|
|
|
|
"Dear guardian, how could I object to your writing anything for ME to
|
|
read?"
|
|
|
|
"Then see, my love," said he with his cheery smile, "am I at this
|
|
moment quite as plain and easy--do I seem as open, as honest and
|
|
old-fashioned--as I am at any time?"
|
|
|
|
I answered in all earnestness, "Quite." With the strictest truth, for
|
|
his momentary hesitation was gone (it had not lasted a minute), and
|
|
his fine, sensible, cordial, sterling manner was restored.
|
|
|
|
"Do I look as if I suppressed anything, meant anything but what I
|
|
said, had any reservation at all, no matter what?" said he with his
|
|
bright clear eyes on mine.
|
|
|
|
I answered, most assuredly he did not.
|
|
|
|
"Can you fully trust me, and thoroughly rely on what I profess,
|
|
Esther?"
|
|
|
|
"Most thoroughly," said I with my whole heart.
|
|
|
|
"My dear girl," returned my guardian, "give me your hand."
|
|
|
|
He took it in his, holding me lightly with his arm, and looking down
|
|
into my face with the same genuine freshness and faithfulness of
|
|
manner--the old protecting manner which had made that house my home
|
|
in a moment--said, "You have wrought changes in me, little woman,
|
|
since the winter day in the stage-coach. First and last you have done
|
|
me a world of good since that time."
|
|
|
|
"Ah, guardian, what have you done for me since that time!"
|
|
|
|
"But," said he, "that is not to be remembered now."
|
|
|
|
"It never can be forgotten."
|
|
|
|
"Yes, Esther," said he with a gentle seriousness, "it is to be
|
|
forgotten now, to be forgotten for a while. You are only to remember
|
|
now that nothing can change me as you know me. Can you feel quite
|
|
assured of that, my dear?"
|
|
|
|
"I can, and I do," I said.
|
|
|
|
"That's much," he answered. "That's everything. But I must not take
|
|
that at a word. I will not write this something in my thoughts until
|
|
you have quite resolved within yourself that nothing can change me as
|
|
you know me. If you doubt that in the least degree, I will never
|
|
write it. If you are sure of that, on good consideration, send
|
|
Charley to me this night week--'for the letter.' But if you are not
|
|
quite certain, never send. Mind, I trust to your truth, in this thing
|
|
as in everything. If you are not quite certain on that one point,
|
|
never send!"
|
|
|
|
"Guardian," said I, "I am already certain, I can no more be changed
|
|
in that conviction than you can be changed towards me. I shall send
|
|
Charley for the letter."
|
|
|
|
He shook my hand and said no more. Nor was any more said in reference
|
|
to this conversation, either by him or me, through the whole week.
|
|
When the appointed night came, I said to Charley as soon as I was
|
|
alone, "Go and knock at Mr. Jarndyce's door, Charley, and say you
|
|
have come from me--'for the letter.'" Charley went up the stairs, and
|
|
down the stairs, and along the passages--the zig-zag way about the
|
|
old-fashioned house seemed very long in my listening ears that
|
|
night--and so came back, along the passages, and down the stairs, and
|
|
up the stairs, and brought the letter. "Lay it on the table,
|
|
Charley," said I. So Charley laid it on the table and went to bed,
|
|
and I sat looking at it without taking it up, thinking of many
|
|
things.
|
|
|
|
I began with my overshadowed childhood, and passed through those
|
|
timid days to the heavy time when my aunt lay dead, with her resolute
|
|
face so cold and set, and when I was more solitary with Mrs. Rachael
|
|
than if I had had no one in the world to speak to or to look at. I
|
|
passed to the altered days when I was so blest as to find friends in
|
|
all around me, and to be beloved. I came to the time when I first saw
|
|
my dear girl and was received into that sisterly affection which was
|
|
the grace and beauty of my life. I recalled the first bright gleam of
|
|
welcome which had shone out of those very windows upon our expectant
|
|
faces on that cold bright night, and which had never paled. I lived
|
|
my happy life there over again, I went through my illness and
|
|
recovery, I thought of myself so altered and of those around me so
|
|
unchanged; and all this happiness shone like a light from one central
|
|
figure, represented before me by the letter on the table.
|
|
|
|
I opened it and read it. It was so impressive in its love for me, and
|
|
in the unselfish caution it gave me, and the consideration it showed
|
|
for me in every word, that my eyes were too often blinded to read
|
|
much at a time. But I read it through three times before I laid it
|
|
down. I had thought beforehand that I knew its purport, and I did. It
|
|
asked me, would I be the mistress of Bleak House.
|
|
|
|
It was not a love letter, though it expressed so much love, but was
|
|
written just as he would at any time have spoken to me. I saw his
|
|
face, and heard his voice, and felt the influence of his kind
|
|
protecting manner in every line. It addressed me as if our places
|
|
were reversed, as if all the good deeds had been mine and all the
|
|
feelings they had awakened his. It dwelt on my being young, and he
|
|
past the prime of life; on his having attained a ripe age, while I
|
|
was a child; on his writing to me with a silvered head, and knowing
|
|
all this so well as to set it in full before me for mature
|
|
deliberation. It told me that I would gain nothing by such a marriage
|
|
and lose nothing by rejecting it, for no new relation could enhance
|
|
the tenderness in which he held me, and whatever my decision was, he
|
|
was certain it would be right. But he had considered this step anew
|
|
since our late confidence and had decided on taking it, if it only
|
|
served to show me through one poor instance that the whole world
|
|
would readily unite to falsify the stern prediction of my childhood.
|
|
I was the last to know what happiness I could bestow upon him, but of
|
|
that he said no more, for I was always to remember that I owed him
|
|
nothing and that he was my debtor, and for very much. He had often
|
|
thought of our future, and foreseeing that the time must come, and
|
|
fearing that it might come soon, when Ada (now very nearly of age)
|
|
would leave us, and when our present mode of life must be broken up,
|
|
had become accustomed to reflect on this proposal. Thus he made it.
|
|
If I felt that I could ever give him the best right he could have to
|
|
be my protector, and if I felt that I could happily and justly become
|
|
the dear companion of his remaining life, superior to all lighter
|
|
chances and changes than death, even then he could not have me bind
|
|
myself irrevocably while this letter was yet so new to me, but even
|
|
then I must have ample time for reconsideration. In that case, or in
|
|
the opposite case, let him be unchanged in his old relation, in his
|
|
old manner, in the old name by which I called him. And as to his
|
|
bright Dame Durden and little housekeeper, she would ever be the
|
|
same, he knew.
|
|
|
|
This was the substance of the letter, written throughout with a
|
|
justice and a dignity as if he were indeed my responsible guardian
|
|
impartially representing the proposal of a friend against whom in his
|
|
integrity he stated the full case.
|
|
|
|
But he did not hint to me that when I had been better looking he had
|
|
had this same proceeding in his thoughts and had refrained from it.
|
|
That when my old face was gone from me, and I had no attractions, he
|
|
could love me just as well as in my fairer days. That the discovery
|
|
of my birth gave him no shock. That his generosity rose above my
|
|
disfigurement and my inheritance of shame. That the more I stood in
|
|
need of such fidelity, the more firmly I might trust in him to the
|
|
last.
|
|
|
|
But I knew it, I knew it well now. It came upon me as the close of
|
|
the benignant history I had been pursuing, and I felt that I had but
|
|
one thing to do. To devote my life to his happiness was to thank him
|
|
poorly, and what had I wished for the other night but some new means
|
|
of thanking him?
|
|
|
|
Still I cried very much, not only in the fullness of my heart after
|
|
reading the letter, not only in the strangeness of the prospect--for
|
|
it was strange though I had expected the contents--but as if
|
|
something for which there was no name or distinct idea were
|
|
indefinitely lost to me. I was very happy, very thankful, very
|
|
hopeful; but I cried very much.
|
|
|
|
By and by I went to my old glass. My eyes were red and swollen, and I
|
|
said, "Oh, Esther, Esther, can that be you!" I am afraid the face in
|
|
the glass was going to cry again at this reproach, but I held up my
|
|
finger at it, and it stopped.
|
|
|
|
"That is more like the composed look you comforted me with, my dear,
|
|
when you showed me such a change!" said I, beginning to let down my
|
|
hair. "When you are mistress of Bleak House, you are to be as
|
|
cheerful as a bird. In fact, you are always to be cheerful; so let us
|
|
begin for once and for all."
|
|
|
|
I went on with my hair now, quite comfortably. I sobbed a little
|
|
still, but that was because I had been crying, not because I was
|
|
crying then.
|
|
|
|
"And so Esther, my dear, you are happy for life. Happy with your best
|
|
friends, happy in your old home, happy in the power of doing a great
|
|
deal of good, and happy in the undeserved love of the best of men."
|
|
|
|
I thought, all at once, if my guardian had married some one else, how
|
|
should I have felt, and what should I have done! That would have been
|
|
a change indeed. It presented my life in such a new and blank form
|
|
that I rang my housekeeping keys and gave them a kiss before I laid
|
|
them down in their basket again.
|
|
|
|
Then I went on to think, as I dressed my hair before the glass, how
|
|
often had I considered within myself that the deep traces of my
|
|
illness and the circumstances of my birth were only new reasons why I
|
|
should be busy, busy, busy--useful, amiable, serviceable, in all
|
|
honest, unpretending ways. This was a good time, to be sure, to sit
|
|
down morbidly and cry! As to its seeming at all strange to me at
|
|
first (if that were any excuse for crying, which it was not) that I
|
|
was one day to be the mistress of Bleak House, why should it seem
|
|
strange? Other people had thought of such things, if I had not.
|
|
"Don't you remember, my plain dear," I asked myself, looking at the
|
|
glass, "what Mrs. Woodcourt said before those scars were there about
|
|
your marrying--"
|
|
|
|
Perhaps the name brought them to my remembrance. The dried remains of
|
|
the flowers. It would be better not to keep them now. They had only
|
|
been preserved in memory of something wholly past and gone, but it
|
|
would be better not to keep them now.
|
|
|
|
They were in a book, and it happened to be in the next room--our
|
|
sitting-room, dividing Ada's chamber from mine. I took a candle and
|
|
went softly in to fetch it from its shelf. After I had it in my hand,
|
|
I saw my beautiful darling, through the open door, lying asleep, and
|
|
I stole in to kiss her.
|
|
|
|
It was weak in me, I know, and I could have no reason for crying; but
|
|
I dropped a tear upon her dear face, and another, and another. Weaker
|
|
than that, I took the withered flowers out and put them for a moment
|
|
to her lips. I thought about her love for Richard, though, indeed,
|
|
the flowers had nothing to do with that. Then I took them into my own
|
|
room and burned them at the candle, and they were dust in an instant.
|
|
|
|
On entering the breakfast-room next morning, I found my guardian just
|
|
as usual, quite as frank, as open, and free. There being not the
|
|
least constraint in his manner, there was none (or I think there was
|
|
none) in mine. I was with him several times in the course of the
|
|
morning, in and out, when there was no one there, and I thought it
|
|
not unlikely that he might speak to me about the letter, but he did
|
|
not say a word.
|
|
|
|
So, on the next morning, and the next, and for at least a week, over
|
|
which time Mr. Skimpole prolonged his stay. I expected, every day,
|
|
that my guardian might speak to me about the letter, but he never
|
|
did.
|
|
|
|
I thought then, growing uneasy, that I ought to write an answer. I
|
|
tried over and over again in my own room at night, but I could not
|
|
write an answer that at all began like a good answer, so I thought
|
|
each night I would wait one more day. And I waited seven more days,
|
|
and he never said a word.
|
|
|
|
At last, Mr. Skimpole having departed, we three were one afternoon
|
|
going out for a ride; and I, being dressed before Ada and going down,
|
|
came upon my guardian, with his back towards me, standing at the
|
|
drawing-room window looking out.
|
|
|
|
He turned on my coming in and said, smiling, "Aye, it's you, little
|
|
woman, is it?" and looked out again.
|
|
|
|
I had made up my mind to speak to him now. In short, I had come down
|
|
on purpose. "Guardian," I said, rather hesitating and trembling,
|
|
"when would you like to have the answer to the letter Charley came
|
|
for?"
|
|
|
|
"When it's ready, my dear," he replied.
|
|
|
|
"I think it is ready," said I.
|
|
|
|
"Is Charley to bring it?" he asked pleasantly.
|
|
|
|
"No. I have brought it myself, guardian," I returned.
|
|
|
|
I put my two arms round his neck and kissed him, and he said was this
|
|
the mistress of Bleak House, and I said yes; and it made no
|
|
difference presently, and we all went out together, and I said
|
|
nothing to my precious pet about it.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLV
|
|
|
|
In Trust
|
|
|
|
|
|
One morning when I had done jingling about with my baskets of keys,
|
|
as my beauty and I were walking round and round the garden I happened
|
|
to turn my eyes towards the house and saw a long thin shadow going in
|
|
which looked like Mr. Vholes. Ada had been telling me only that
|
|
morning of her hopes that Richard might exhaust his ardour in the
|
|
Chancery suit by being so very earnest in it; and therefore, not to
|
|
damp my dear girl's spirits, I said nothing about Mr. Vholes's
|
|
shadow.
|
|
|
|
Presently came Charley, lightly winding among the bushes and tripping
|
|
along the paths, as rosy and pretty as one of Flora's attendants
|
|
instead of my maid, saying, "Oh, if you please, miss, would you step
|
|
and speak to Mr. Jarndyce!"
|
|
|
|
It was one of Charley's peculiarities that whenever she was charged
|
|
with a message she always began to deliver it as soon as she beheld,
|
|
at any distance, the person for whom it was intended. Therefore I saw
|
|
Charley asking me in her usual form of words to "step and speak" to
|
|
Mr. Jarndyce long before I heard her. And when I did hear her, she
|
|
had said it so often that she was out of breath.
|
|
|
|
I told Ada I would make haste back and inquired of Charley as we went
|
|
in whether there was not a gentleman with Mr. Jarndyce. To which
|
|
Charley, whose grammar, I confess to my shame, never did any credit
|
|
to my educational powers, replied, "Yes, miss. Him as come down in
|
|
the country with Mr. Richard."
|
|
|
|
A more complete contrast than my guardian and Mr. Vholes I suppose
|
|
there could not be. I found them looking at one another across a
|
|
table, the one so open and the other so close, the one so broad and
|
|
upright and the other so narrow and stooping, the one giving out what
|
|
he had to say in such a rich ringing voice and the other keeping it
|
|
in in such a cold-blooded, gasping, fish-like manner that I thought I
|
|
never had seen two people so unmatched.
|
|
|
|
"You know Mr. Vholes, my dear," said my guardian. Not with the
|
|
greatest urbanity, I must say.
|
|
|
|
Mr. Vholes rose, gloved and buttoned up as usual, and seated himself
|
|
again, just as he had seated himself beside Richard in the gig. Not
|
|
having Richard to look at, he looked straight before him.
|
|
|
|
"Mr. Vholes," said my guardian, eyeing his black figure as if he were
|
|
a bird of ill omen, "has brought an ugly report of our most
|
|
unfortunate Rick." Laying a marked emphasis on "most unfortunate" as
|
|
if the words were rather descriptive of his connexion with Mr.
|
|
Vholes.
|
|
|
|
I sat down between them; Mr. Vholes remained immovable, except that
|
|
he secretly picked at one of the red pimples on his yellow face with
|
|
his black glove.
|
|
|
|
"And as Rick and you are happily good friends, I should like to
|
|
know," said my guardian, "what you think, my dear. Would you be so
|
|
good as to--as to speak up, Mr. Vholes?"
|
|
|
|
Doing anything but that, Mr. Vholes observed, "I have been saying
|
|
that I have reason to know, Miss Summerson, as Mr. C.'s professional
|
|
adviser, that Mr. C.'s circumstances are at the present moment in an
|
|
embarrassed state. Not so much in point of amount as owing to the
|
|
peculiar and pressing nature of liabilities Mr. C. has incurred and
|
|
the means he has of liquidating or meeting the same. I have staved
|
|
off many little matters for Mr. C., but there is a limit to staving
|
|
off, and we have reached it. I have made some advances out of pocket
|
|
to accommodate these unpleasantnesses, but I necessarily look to
|
|
being repaid, for I do not pretend to be a man of capital, and I have
|
|
a father to support in the Vale of Taunton, besides striving to
|
|
realize some little independence for three dear girls at home. My
|
|
apprehension is, Mr. C.'s circumstances being such, lest it should
|
|
end in his obtaining leave to part with his commission, which at all
|
|
events is desirable to be made known to his connexions."
|
|
|
|
Mr. Vholes, who had looked at me while speaking, here emerged into
|
|
the silence he could hardly be said to have broken, so stifled was
|
|
his tone, and looked before him again.
|
|
|
|
"Imagine the poor fellow without even his present resource," said my
|
|
guardian to me. "Yet what can I do? You know him, Esther. He would
|
|
never accept of help from me now. To offer it or hint at it would be
|
|
to drive him to an extremity, if nothing else did."
|
|
|
|
Mr. Vholes hereupon addressed me again.
|
|
|
|
"What Mr. Jarndyce remarks, miss, is no doubt the case, and is the
|
|
difficulty. I do not see that anything is to be done. I do not say
|
|
that anything is to be done. Far from it. I merely come down here
|
|
under the seal of confidence and mention it in order that everything
|
|
may be openly carried on and that it may not be said afterwards that
|
|
everything was not openly carried on. My wish is that everything
|
|
should be openly carried on. I desire to leave a good name behind me.
|
|
If I consulted merely my own interests with Mr. C., I should not be
|
|
here. So insurmountable, as you must well know, would be his
|
|
objections. This is not a professional attendance. This can he
|
|
charged to nobody. I have no interest in it except as a member of
|
|
society and a father--AND a son," said Mr. Vholes, who had nearly
|
|
forgotten that point.
|
|
|
|
It appeared to us that Mr. Vholes said neither more nor less than the
|
|
truth in intimating that he sought to divide the responsibility, such
|
|
as it was, of knowing Richard's situation. I could only suggest that
|
|
I should go down to Deal, where Richard was then stationed, and see
|
|
him, and try if it were possible to avert the worst. Without
|
|
consulting Mr. Vholes on this point, I took my guardian aside to
|
|
propose it, while Mr. Vholes gauntly stalked to the fire and warmed
|
|
his funeral gloves.
|
|
|
|
The fatigue of the journey formed an immediate objection on my
|
|
guardian's part, but as I saw he had no other, and as I was only too
|
|
happy to go, I got his consent. We had then merely to dispose of Mr.
|
|
Vholes.
|
|
|
|
"Well, sir," said Mr. Jarndyce, "Miss Summerson will communicate with
|
|
Mr. Carstone, and you can only hope that his position may be yet
|
|
retrievable. You will allow me to order you lunch after your journey,
|
|
sir."
|
|
|
|
"I thank you, Mr. Jarndyce," said Mr. Vholes, putting out his long
|
|
black sleeve to check the ringing of the bell, "not any. I thank you,
|
|
no, not a morsel. My digestion is much impaired, and I am but a poor
|
|
knife and fork at any time. If I was to partake of solid food at this
|
|
period of the day, I don't know what the consequences might be.
|
|
Everything having been openly carried on, sir, I will now with your
|
|
permission take my leave."
|
|
|
|
"And I would that you could take your leave, and we could all take
|
|
our leave, Mr. Vholes," returned my guardian bitterly, "of a cause
|
|
you know of."
|
|
|
|
Mr. Vholes, whose black dye was so deep from head to foot that it had
|
|
quite steamed before the fire, diffusing a very unpleasant perfume,
|
|
made a short one-sided inclination of his head from the neck and
|
|
slowly shook it.
|
|
|
|
"We whose ambition it is to be looked upon in the light of
|
|
respectable practitioners, sir, can but put our shoulders to the
|
|
wheel. We do it, sir. At least, I do it myself; and I wish to think
|
|
well of my professional brethren, one and all. You are sensible of an
|
|
obligation not to refer to me, miss, in communicating with Mr. C.?"
|
|
|
|
I said I would be careful not to do it.
|
|
|
|
"Just so, miss. Good morning. Mr. Jarndyce, good morning, sir." Mr.
|
|
Vholes put his dead glove, which scarcely seemed to have any hand in
|
|
it, on my fingers, and then on my guardian's fingers, and took his
|
|
long thin shadow away. I thought of it on the outside of the coach,
|
|
passing over all the sunny landscape between us and London, chilling
|
|
the seed in the ground as it glided along.
|
|
|
|
Of course it became necessary to tell Ada where I was going and why I
|
|
was going, and of course she was anxious and distressed. But she was
|
|
too true to Richard to say anything but words of pity and words of
|
|
excuse, and in a more loving spirit still--my dear devoted girl!--she
|
|
wrote him a long letter, of which I took charge.
|
|
|
|
Charley was to be my travelling companion, though I am sure I wanted
|
|
none and would willingly have left her at home. We all went to London
|
|
that afternoon, and finding two places in the mail, secured them. At
|
|
our usual bed-time, Charley and I were rolling away seaward with the
|
|
Kentish letters.
|
|
|
|
It was a night's journey in those coach times, but we had the mail to
|
|
ourselves and did not find the night very tedious. It passed with me
|
|
as I suppose it would with most people under such circumstances. At
|
|
one while my journey looked hopeful, and at another hopeless. Now I
|
|
thought I should do some good, and now I wondered how I could ever
|
|
have supposed so. Now it seemed one of the most reasonable things in
|
|
the world that I should have come, and now one of the most
|
|
unreasonable. In what state I should find Richard, what I should say
|
|
to him, and what he would say to me occupied my mind by turns with
|
|
these two states of feeling; and the wheels seemed to play one tune
|
|
(to which the burden of my guardian's letter set itself) over and
|
|
over again all night.
|
|
|
|
At last we came into the narrow streets of Deal, and very gloomy they
|
|
were upon a raw misty morning. The long flat beach, with its little
|
|
irregular houses, wooden and brick, and its litter of capstans, and
|
|
great boats, and sheds, and bare upright poles with tackle and
|
|
blocks, and loose gravelly waste places overgrown with grass and
|
|
weeds, wore as dull an appearance as any place I ever saw. The sea
|
|
was heaving under a thick white fog; and nothing else was moving but
|
|
a few early ropemakers, who, with the yarn twisted round their
|
|
bodies, looked as if, tired of their present state of existence, they
|
|
were spinning themselves into cordage.
|
|
|
|
But when we got into a warm room in an excellent hotel and sat down,
|
|
comfortably washed and dressed, to an early breakfast (for it was too
|
|
late to think of going to bed), Deal began to look more cheerful. Our
|
|
little room was like a ship's cabin, and that delighted Charley very
|
|
much. Then the fog began to rise like a curtain, and numbers of ships
|
|
that we had had no idea were near appeared. I don't know how many
|
|
sail the waiter told us were then lying in the downs. Some of these
|
|
vessels were of grand size--one was a large Indiaman just come home;
|
|
and when the sun shone through the clouds, making silvery pools in
|
|
the dark sea, the way in which these ships brightened, and shadowed,
|
|
and changed, amid a bustle of boats pulling off from the shore to
|
|
them and from them to the shore, and a general life and motion in
|
|
themselves and everything around them, was most beautiful.
|
|
|
|
The large Indiaman was our great attraction because she had come into
|
|
the downs in the night. She was surrounded by boats, and we said how
|
|
glad the people on board of her must be to come ashore. Charley was
|
|
curious, too, about the voyage, and about the heat in India, and the
|
|
serpents and the tigers; and as she picked up such information much
|
|
faster than grammar, I told her what I knew on those points. I told
|
|
her, too, how people in such voyages were sometimes wrecked and cast
|
|
on rocks, where they were saved by the intrepidity and humanity of
|
|
one man. And Charley asking how that could be, I told her how we knew
|
|
at home of such a case.
|
|
|
|
I had thought of sending Richard a note saying I was there, but it
|
|
seemed so much better to go to him without preparation. As he lived
|
|
in barracks I was a little doubtful whether this was feasible, but we
|
|
went out to reconnoitre. Peeping in at the gate of the barrack-yard,
|
|
we found everything very quiet at that time in the morning, and I
|
|
asked a sergeant standing on the guardhouse-steps where he lived. He
|
|
sent a man before to show me, who went up some bare stairs, and
|
|
knocked with his knuckles at a door, and left us.
|
|
|
|
"Now then!" cried Richard from within. So I left Charley in the
|
|
little passage, and going on to the half-open door, said, "Can I come
|
|
in, Richard? It's only Dame Durden."
|
|
|
|
He was writing at a table, with a great confusion of clothes, tin
|
|
cases, books, boots, brushes, and portmanteaus strewn all about the
|
|
floor. He was only half dressed--in plain clothes, I observed, not in
|
|
uniform--and his hair was unbrushed, and he looked as wild as his
|
|
room. All this I saw after he had heartily welcomed me and I was
|
|
seated near him, for he started upon hearing my voice and caught me
|
|
in his arms in a moment. Dear Richard! He was ever the same to me.
|
|
Down to--ah, poor poor fellow!--to the end, he never received me but
|
|
with something of his old merry boyish manner.
|
|
|
|
"Good heaven, my dear little woman," said he, "how do you come here?
|
|
Who could have thought of seeing you! Nothing the matter? Ada is
|
|
well?"
|
|
|
|
"Quite well. Lovelier than ever, Richard!"
|
|
|
|
"Ah!" he said, leaning back in his chair. "My poor cousin! I was
|
|
writing to you, Esther."
|
|
|
|
So worn and haggard as he looked, even in the fullness of his
|
|
handsome youth, leaning back in his chair and crushing the closely
|
|
written sheet of paper in his hand!
|
|
|
|
"Have you been at the trouble of writing all that, and am I not to
|
|
read it after all?" I asked.
|
|
|
|
"Oh, my dear," he returned with a hopeless gesture. "You may read it
|
|
in the whole room. It is all over here."
|
|
|
|
I mildly entreated him not to be despondent. I told him that I had
|
|
heard by chance of his being in difficulty and had come to consult
|
|
with him what could best be done.
|
|
|
|
"Like you, Esther, but useless, and so NOT like you!" said he with a
|
|
melancholy smile. "I am away on leave this day--should have been gone
|
|
in another hour--and that is to smooth it over, for my selling out.
|
|
Well! Let bygones be bygones. So this calling follows the rest. I
|
|
only want to have been in the church to have made the round of all
|
|
the professions."
|
|
|
|
"Richard," I urged, "it is not so hopeless as that?"
|
|
|
|
"Esther," he returned, "it is indeed. I am just so near disgrace as
|
|
that those who are put in authority over me (as the catechism goes)
|
|
would far rather be without me than with me. And they are right.
|
|
Apart from debts and duns and all such drawbacks, I am not fit even
|
|
for this employment. I have no care, no mind, no heart, no soul, but
|
|
for one thing. Why, if this bubble hadn't broken now," he said,
|
|
tearing the letter he had written into fragments and moodily casting
|
|
them away, by driblets, "how could I have gone abroad? I must have
|
|
been ordered abroad, but how could I have gone? How could I, with my
|
|
experience of that thing, trust even Vholes unless I was at his
|
|
back!"
|
|
|
|
I suppose he knew by my face what I was about to say, but he caught
|
|
the hand I had laid upon his arm and touched my own lips with it to
|
|
prevent me from going on.
|
|
|
|
"No, Dame Durden! Two subjects I forbid--must forbid. The first is
|
|
John Jarndyce. The second, you know what. Call it madness, and I tell
|
|
you I can't help it now, and can't be sane. But it is no such thing;
|
|
it is the one object I have to pursue. It is a pity I ever was
|
|
prevailed upon to turn out of my road for any other. It would be
|
|
wisdom to abandon it now, after all the time, anxiety, and pains I
|
|
have bestowed upon it! Oh, yes, true wisdom. It would be very
|
|
agreeable, too, to some people; but I never will."
|
|
|
|
He was in that mood in which I thought it best not to increase his
|
|
determination (if anything could increase it) by opposing him. I took
|
|
out Ada's letter and put it in his hand.
|
|
|
|
"Am I to read it now?" he asked.
|
|
|
|
As I told him yes, he laid it on the table, and resting his head upon
|
|
his hand, began. He had not read far when he rested his head upon his
|
|
two hands--to hide his face from me. In a little while he rose as if
|
|
the light were bad and went to the window. He finished reading it
|
|
there, with his back towards me, and after he had finished and had
|
|
folded it up, stood there for some minutes with the letter in his
|
|
hand. When he came back to his chair, I saw tears in his eyes.
|
|
|
|
"Of course, Esther, you know what she says here?" He spoke in a
|
|
softened voice and kissed the letter as he asked me.
|
|
|
|
"Yes, Richard."
|
|
|
|
"Offers me," he went on, tapping his foot upon the floor, "the little
|
|
inheritance she is certain of so soon--just as little and as much as
|
|
I have wasted--and begs and prays me to take it, set myself right
|
|
with it, and remain in the service."
|
|
|
|
"I know your welfare to be the dearest wish of her heart," said I.
|
|
"And, oh, my dear Richard, Ada's is a noble heart."
|
|
|
|
"I am sure it is. I--I wish I was dead!"
|
|
|
|
He went back to the window, and laying his arm across it, leaned his
|
|
head down on his arm. It greatly affected me to see him so, but I
|
|
hoped he might become more yielding, and I remained silent. My
|
|
experience was very limited; I was not at all prepared for his
|
|
rousing himself out of this emotion to a new sense of injury.
|
|
|
|
"And this is the heart that the same John Jarndyce, who is not
|
|
otherwise to be mentioned between us, stepped in to estrange from
|
|
me," said he indignantly. "And the dear girl makes me this generous
|
|
offer from under the same John Jarndyce's roof, and with the same
|
|
John Jarndyce's gracious consent and connivance, I dare say, as a new
|
|
means of buying me off."
|
|
|
|
"Richard!" I cried out, rising hastily. "I will not hear you say such
|
|
shameful words!" I was very angry with him indeed, for the first time
|
|
in my life, but it only lasted a moment. When I saw his worn young
|
|
face looking at me as if he were sorry, I put my hand on his shoulder
|
|
and said, "If you please, my dear Richard, do not speak in such a
|
|
tone to me. Consider!"
|
|
|
|
He blamed himself exceedingly and told me in the most generous manner
|
|
that he had been very wrong and that he begged my pardon a thousand
|
|
times. At that I laughed, but trembled a little too, for I was rather
|
|
fluttered after being so fiery.
|
|
|
|
"To accept this offer, my dear Esther," said he, sitting down beside
|
|
me and resuming our conversation, "--once more, pray, pray forgive
|
|
me; I am deeply grieved--to accept my dearest cousin's offer is, I
|
|
need not say, impossible. Besides, I have letters and papers that I
|
|
could show you which would convince you it is all over here. I have
|
|
done with the red coat, believe me. But it is some satisfaction, in
|
|
the midst of my troubles and perplexities, to know that I am pressing
|
|
Ada's interests in pressing my own. Vholes has his shoulder to the
|
|
wheel, and he cannot help urging it on as much for her as for me,
|
|
thank God!"
|
|
|
|
His sanguine hopes were rising within him and lighting up his
|
|
features, but they made his face more sad to me than it had been
|
|
before.
|
|
|
|
"No, no!" cried Richard exultingly. "If every farthing of Ada's
|
|
little fortune were mine, no part of it should be spent in retaining
|
|
me in what I am not fit for, can take no interest in, and am weary
|
|
of. It should be devoted to what promises a better return, and should
|
|
be used where she has a larger stake. Don't be uneasy for me! I shall
|
|
now have only one thing on my mind, and Vholes and I will work it. I
|
|
shall not be without means. Free of my commission, I shall be able to
|
|
compound with some small usurers who will hear of nothing but their
|
|
bond now--Vholes says so. I should have a balance in my favour
|
|
anyway, but that would swell it. Come, come! You shall carry a letter
|
|
to Ada from me, Esther, and you must both of you be more hopeful of
|
|
me and not believe that I am quite cast away just yet, my dear."
|
|
|
|
I will not repeat what I said to Richard. I know it was tiresome, and
|
|
nobody is to suppose for a moment that it was at all wise. It only
|
|
came from my heart. He heard it patiently and feelingly, but I saw
|
|
that on the two subjects he had reserved it was at present hopeless
|
|
to make any representation to him. I saw too, and had experienced in
|
|
this very interview, the sense of my guardian's remark that it was
|
|
even more mischievous to use persuasion with him than to leave him as
|
|
he was.
|
|
|
|
Therefore I was driven at last to asking Richard if he would mind
|
|
convincing me that it really was all over there, as he had said, and
|
|
that it was not his mere impression. He showed me without hesitation
|
|
a correspondence making it quite plain that his retirement was
|
|
arranged. I found, from what he told me, that Mr. Vholes had copies
|
|
of these papers and had been in consultation with him throughout.
|
|
Beyond ascertaining this, and having been the bearer of Ada's letter,
|
|
and being (as I was going to be) Richard's companion back to London,
|
|
I had done no good by coming down. Admitting this to myself with a
|
|
reluctant heart, I said I would return to the hotel and wait until he
|
|
joined me there, so he threw a cloak over his shoulders and saw me to
|
|
the gate, and Charley and I went back along the beach.
|
|
|
|
There was a concourse of people in one spot, surrounding some naval
|
|
officers who were landing from a boat, and pressing about them with
|
|
unusual interest. I said to Charley this would be one of the great
|
|
Indiaman's boats now, and we stopped to look.
|
|
|
|
The gentlemen came slowly up from the waterside, speaking
|
|
good-humouredly to each other and to the people around and glancing
|
|
about them as if they were glad to be in England again. "Charley,
|
|
Charley," said I, "come away!" And I hurried on so swiftly that my
|
|
little maid was surprised.
|
|
|
|
It was not until we were shut up in our cabin-room and I had had time
|
|
to take breath that I began to think why I had made such haste. In
|
|
one of the sunburnt faces I had recognized Mr. Allan Woodcourt, and I
|
|
had been afraid of his recognizing me. I had been unwilling that he
|
|
should see my altered looks. I had been taken by surprise, and my
|
|
courage had quite failed me.
|
|
|
|
But I knew this would not do, and I now said to myself, "My dear,
|
|
there is no reason--there is and there can be no reason at all--why
|
|
it should be worse for you now than it ever has been. What you were
|
|
last month, you are to-day; you are no worse, you are no better. This
|
|
is not your resolution; call it up, Esther, call it up!" I was in a
|
|
great tremble--with running--and at first was quite unable to calm
|
|
myself; but I got better, and I was very glad to know it.
|
|
|
|
The party came to the hotel. I heard them speaking on the staircase.
|
|
I was sure it was the same gentlemen because I knew their voices
|
|
again--I mean I knew Mr. Woodcourt's. It would still have been a
|
|
great relief to me to have gone away without making myself known, but
|
|
I was determined not to do so. "No, my dear, no. No, no, no!"
|
|
|
|
I untied my bonnet and put my veil half up--I think I mean half down,
|
|
but it matters very little--and wrote on one of my cards that I
|
|
happened to be there with Mr. Richard Carstone, and I sent it in to
|
|
Mr. Woodcourt. He came immediately. I told him I was rejoiced to be
|
|
by chance among the first to welcome him home to England. And I saw
|
|
that he was very sorry for me.
|
|
|
|
"You have been in shipwreck and peril since you left us, Mr.
|
|
Woodcourt," said I, "but we can hardly call that a misfortune which
|
|
enabled you to be so useful and so brave. We read of it with the
|
|
truest interest. It first came to my knowledge through your old
|
|
patient, poor Miss Flite, when I was recovering from my severe
|
|
illness."
|
|
|
|
"Ah! Little Miss Flite!" he said. "She lives the same life yet?"
|
|
|
|
"Just the same."
|
|
|
|
I was so comfortable with myself now as not to mind the veil and to
|
|
be able to put it aside.
|
|
|
|
"Her gratitude to you, Mr. Woodcourt, is delightful. She is a most
|
|
affectionate creature, as I have reason to say."
|
|
|
|
"You--you have found her so?" he returned. "I--I am glad of that." He
|
|
was so very sorry for me that he could scarcely speak.
|
|
|
|
"I assure you," said I, "that I was deeply touched by her sympathy
|
|
and pleasure at the time I have referred to."
|
|
|
|
"I was grieved to hear that you had been very ill."
|
|
|
|
"I was very ill."
|
|
|
|
"But you have quite recovered?"
|
|
|
|
"I have quite recovered my health and my cheerfulness," said I. "You
|
|
know how good my guardian is and what a happy life we lead, and I
|
|
have everything to be thankful for and nothing in the world to
|
|
desire."
|
|
|
|
I felt as if he had greater commiseration for me than I had ever had
|
|
for myself. It inspired me with new fortitude and new calmness to
|
|
find that it was I who was under the necessity of reassuring him. I
|
|
spoke to him of his voyage out and home, and of his future plans, and
|
|
of his probable return to India. He said that was very doubtful. He
|
|
had not found himself more favoured by fortune there than here. He
|
|
had gone out a poor ship's surgeon and had come home nothing better.
|
|
While we were talking, and when I was glad to believe that I had
|
|
alleviated (if I may use such a term) the shock he had had in seeing
|
|
me, Richard came in. He had heard downstairs who was with me, and
|
|
they met with cordial pleasure.
|
|
|
|
I saw that after their first greetings were over, and when they spoke
|
|
of Richard's career, Mr. Woodcourt had a perception that all was not
|
|
going well with him. He frequently glanced at his face as if there
|
|
were something in it that gave him pain, and more than once he looked
|
|
towards me as though he sought to ascertain whether I knew what the
|
|
truth was. Yet Richard was in one of his sanguine states and in good
|
|
spirits and was thoroughly pleased to see Mr. Woodcourt again, whom
|
|
he had always liked.
|
|
|
|
Richard proposed that we all should go to London together; but Mr.
|
|
Woodcourt, having to remain by his ship a little longer, could not
|
|
join us. He dined with us, however, at an early hour, and became so
|
|
much more like what he used to be that I was still more at peace to
|
|
think I had been able to soften his regrets. Yet his mind was not
|
|
relieved of Richard. When the coach was almost ready and Richard ran
|
|
down to look after his luggage, he spoke to me about him.
|
|
|
|
I was not sure that I had a right to lay his whole story open, but I
|
|
referred in a few words to his estrangement from Mr Jarndyce and to
|
|
his being entangled in the ill-fated Chancery suit. Mr. Woodcourt
|
|
listened with interest and expressed his regret.
|
|
|
|
"I saw you observe him rather closely," said I, "Do you think him so
|
|
changed?"
|
|
|
|
"He is changed," he returned, shaking his head.
|
|
|
|
I felt the blood rush into my face for the first time, but it was
|
|
only an instantaneous emotion. I turned my head aside, and it was
|
|
gone.
|
|
|
|
"It is not," said Mr. Woodcourt, "his being so much younger or older,
|
|
or thinner or fatter, or paler or ruddier, as there being upon his
|
|
face such a singular expression. I never saw so remarkable a look in
|
|
a young person. One cannot say that it is all anxiety or all
|
|
weariness; yet it is both, and like ungrown despair."
|
|
|
|
"You do not think he is ill?" said I.
|
|
|
|
No. He looked robust in body.
|
|
|
|
"That he cannot be at peace in mind, we have too much reason to
|
|
know," I proceeded. "Mr. Woodcourt, you are going to London?"
|
|
|
|
"To-morrow or the next day."
|
|
|
|
"There is nothing Richard wants so much as a friend. He always liked
|
|
you. Pray see him when you get there. Pray help him sometimes with
|
|
your companionship if you can. You do not know of what service it
|
|
might be. You cannot think how Ada, and Mr. Jarndyce, and even I--how
|
|
we should all thank you, Mr. Woodcourt!"
|
|
|
|
"Miss Summerson," he said, more moved than he had been from the
|
|
first, "before heaven, I will be a true friend to him! I will accept
|
|
him as a trust, and it shall be a sacred one!"
|
|
|
|
"God bless you!" said I, with my eyes filling fast; but I thought
|
|
they might, when it was not for myself. "Ada loves him--we all love
|
|
him, but Ada loves him as we cannot. I will tell her what you say.
|
|
Thank you, and God bless you, in her name!"
|
|
|
|
Richard came back as we finished exchanging these hurried words and
|
|
gave me his arm to take me to the coach.
|
|
|
|
"Woodcourt," he said, unconscious with what application, "pray let us
|
|
meet in London!"
|
|
|
|
"Meet?" returned the other. "I have scarcely a friend there now but
|
|
you. Where shall I find you?"
|
|
|
|
"Why, I must get a lodging of some sort," said Richard, pondering.
|
|
"Say at Vholes's, Symond's Inn."
|
|
|
|
"Good! Without loss of time."
|
|
|
|
They shook hands heartily. When I was seated in the coach and Richard
|
|
was yet standing in the street, Mr. Woodcourt laid his friendly hand
|
|
on Richard's shoulder and looked at me. I understood him and waved
|
|
mine in thanks.
|
|
|
|
And in his last look as we drove away, I saw that he was very sorry
|
|
for me. I was glad to see it. I felt for my old self as the dead may
|
|
feel if they ever revisit these scenes. I was glad to be tenderly
|
|
remembered, to be gently pitied, not to be quite forgotten.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLVI
|
|
|
|
Stop Him!
|
|
|
|
|
|
Darkness rests upon Tom-All-Alone's. Dilating and dilating since the
|
|
sun went down last night, it has gradually swelled until it fills
|
|
every void in the place. For a time there were some dungeon lights
|
|
burning, as the lamp of life hums in Tom-all-Alone's, heavily,
|
|
heavily, in the nauseous air, and winking--as that lamp, too, winks
|
|
in Tom-all-Alone's--at many horrible things. But they are blotted
|
|
out. The moon has eyed Tom with a dull cold stare, as admitting some
|
|
puny emulation of herself in his desert region unfit for life and
|
|
blasted by volcanic fires; but she has passed on and is gone. The
|
|
blackest nightmare in the infernal stables grazes on Tom-all-Alone's,
|
|
and Tom is fast asleep.
|
|
|
|
Much mighty speech-making there has been, both in and out of
|
|
Parliament, concerning Tom, and much wrathful disputation how Tom
|
|
shall be got right. Whether he shall be put into the main road by
|
|
constables, or by beadles, or by bell-ringing, or by force of
|
|
figures, or by correct principles of taste, or by high church, or by
|
|
low church, or by no church; whether he shall be set to splitting
|
|
trusses of polemical straws with the crooked knife of his mind or
|
|
whether he shall be put to stone-breaking instead. In the midst of
|
|
which dust and noise there is but one thing perfectly clear, to wit,
|
|
that Tom only may and can, or shall and will, be reclaimed according
|
|
to somebody's theory but nobody's practice. And in the hopeful
|
|
meantime, Tom goes to perdition head foremost in his old determined
|
|
spirit.
|
|
|
|
But he has his revenge. Even the winds are his messengers, and they
|
|
serve him in these hours of darkness. There is not a drop of Tom's
|
|
corrupted blood but propagates infection and contagion somewhere. It
|
|
shall pollute, this very night, the choice stream (in which chemists
|
|
on analysis would find the genuine nobility) of a Norman house, and
|
|
his Grace shall not be able to say nay to the infamous alliance.
|
|
There is not an atom of Tom's slime, not a cubic inch of any
|
|
pestilential gas in which he lives, not one obscenity or degradation
|
|
about him, not an ignorance, not a wickedness, not a brutality of his
|
|
committing, but shall work its retribution through every order of
|
|
society up to the proudest of the proud and to the highest of the
|
|
high. Verily, what with tainting, plundering, and spoiling, Tom has
|
|
his revenge.
|
|
|
|
It is a moot point whether Tom-all-Alone's be uglier by day or by
|
|
night, but on the argument that the more that is seen of it the more
|
|
shocking it must be, and that no part of it left to the imagination
|
|
is at all likely to be made so bad as the reality, day carries it.
|
|
The day begins to break now; and in truth it might be better for the
|
|
national glory even that the sun should sometimes set upon the
|
|
British dominions than that it should ever rise upon so vile a wonder
|
|
as Tom.
|
|
|
|
A brown sunburnt gentleman, who appears in some inaptitude for sleep
|
|
to be wandering abroad rather than counting the hours on a restless
|
|
pillow, strolls hitherward at this quiet time. Attracted by
|
|
curiosity, he often pauses and looks about him, up and down the
|
|
miserable by-ways. Nor is he merely curious, for in his bright dark
|
|
eye there is compassionate interest; and as he looks here and there,
|
|
he seems to understand such wretchedness and to have studied it
|
|
before.
|
|
|
|
On the banks of the stagnant channel of mud which is the main street
|
|
of Tom-all-Alone's, nothing is to be seen but the crazy houses, shut
|
|
up and silent. No waking creature save himself appears except in one
|
|
direction, where he sees the solitary figure of a woman sitting on a
|
|
door-step. He walks that way. Approaching, he observes that she has
|
|
journeyed a long distance and is footsore and travel-stained. She
|
|
sits on the door-step in the manner of one who is waiting, with her
|
|
elbow on her knee and her head upon her hand. Beside her is a canvas
|
|
bag, or bundle, she has carried. She is dozing probably, for she
|
|
gives no heed to his steps as he comes toward her.
|
|
|
|
The broken footway is so narrow that when Allan Woodcourt comes to
|
|
where the woman sits, he has to turn into the road to pass her.
|
|
Looking down at her face, his eye meets hers, and he stops.
|
|
|
|
"What is the matter?"
|
|
|
|
"Nothing, sir."
|
|
|
|
"Can't you make them hear? Do you want to be let in?"
|
|
|
|
"I'm waiting till they get up at another house--a lodging-house--not
|
|
here," the woman patiently returns. "I'm waiting here because there
|
|
will be sun here presently to warm me."
|
|
|
|
"I am afraid you are tired. I am sorry to see you sitting in the
|
|
street."
|
|
|
|
"Thank you, sir. It don't matter."
|
|
|
|
A habit in him of speaking to the poor and of avoiding patronage or
|
|
condescension or childishness (which is the favourite device, many
|
|
people deeming it quite a subtlety to talk to them like little
|
|
spelling books) has put him on good terms with the woman easily.
|
|
|
|
"Let me look at your forehead," he says, bending down. "I am a
|
|
doctor. Don't be afraid. I wouldn't hurt you for the world."
|
|
|
|
He knows that by touching her with his skilful and accustomed hand he
|
|
can soothe her yet more readily. She makes a slight objection,
|
|
saying, "It's nothing"; but he has scarcely laid his fingers on the
|
|
wounded place when she lifts it up to the light.
|
|
|
|
"Aye! A bad bruise, and the skin sadly broken. This must be very
|
|
sore."
|
|
|
|
"It do ache a little, sir," returns the woman with a started tear
|
|
upon her cheek.
|
|
|
|
"Let me try to make it more comfortable. My handkerchief won't hurt
|
|
you."
|
|
|
|
"Oh, dear no, sir, I'm sure of that!"
|
|
|
|
He cleanses the injured place and dries it, and having carefully
|
|
examined it and gently pressed it with the palm of his hand, takes a
|
|
small case from his pocket, dresses it, and binds it up. While he is
|
|
thus employed, he says, after laughing at his establishing a surgery
|
|
in the street, "And so your husband is a brickmaker?"
|
|
|
|
"How do you know that, sir?" asks the woman, astonished.
|
|
|
|
"Why, I suppose so from the colour of the clay upon your bag and on
|
|
your dress. And I know brickmakers go about working at piecework in
|
|
different places. And I am sorry to say I have known them cruel to
|
|
their wives too."
|
|
|
|
The woman hastily lifts up her eyes as if she would deny that her
|
|
injury is referable to such a cause. But feeling the hand upon her
|
|
forehead, and seeing his busy and composed face, she quietly drops
|
|
them again.
|
|
|
|
"Where is he now?" asks the surgeon.
|
|
|
|
"He got into trouble last night, sir; but he'll look for me at the
|
|
lodging-house."
|
|
|
|
"He will get into worse trouble if he often misuses his large and
|
|
heavy hand as he has misused it here. But you forgive him, brutal as
|
|
he is, and I say no more of him, except that I wish he deserved it.
|
|
You have no young child?"
|
|
|
|
The woman shakes her head. "One as I calls mine, sir, but it's
|
|
Liz's."
|
|
|
|
"Your own is dead. I see! Poor little thing!"
|
|
|
|
By this time he has finished and is putting up his case. "I suppose
|
|
you have some settled home. Is it far from here?" he asks,
|
|
good-humouredly making light of what he has done as she gets up and
|
|
curtsys.
|
|
|
|
"It's a good two or three and twenty mile from here, sir. At Saint
|
|
Albans. You know Saint Albans, sir? I thought you gave a start like,
|
|
as if you did."
|
|
|
|
"Yes, I know something of it. And now I will ask you a question in
|
|
return. Have you money for your lodging?"
|
|
|
|
"Yes, sir," she says, "really and truly." And she shows it. He tells
|
|
her, in acknowledgment of her many subdued thanks, that she is very
|
|
welcome, gives her good day, and walks away. Tom-all-Alone's is still
|
|
asleep, and nothing is astir.
|
|
|
|
Yes, something is! As he retraces his way to the point from which he
|
|
descried the woman at a distance sitting on the step, he sees a
|
|
ragged figure coming very cautiously along, crouching close to the
|
|
soiled walls--which the wretchedest figure might as well avoid--and
|
|
furtively thrusting a hand before it. It is the figure of a youth
|
|
whose face is hollow and whose eyes have an emaciated glare. He is so
|
|
intent on getting along unseen that even the apparition of a stranger
|
|
in whole garments does not tempt him to look back. He shades his face
|
|
with his ragged elbow as he passes on the other side of the way, and
|
|
goes shrinking and creeping on with his anxious hand before him and
|
|
his shapeless clothes hanging in shreds. Clothes made for what
|
|
purpose, or of what material, it would be impossible to say. They
|
|
look, in colour and in substance, like a bundle of rank leaves of
|
|
swampy growth that rotted long ago.
|
|
|
|
Allan Woodcourt pauses to look after him and note all this, with a
|
|
shadowy belief that he has seen the boy before. He cannot recall how
|
|
or where, but there is some association in his mind with such a form.
|
|
He imagines that he must have seen it in some hospital or refuge,
|
|
still, cannot make out why it comes with any special force on his
|
|
remembrance.
|
|
|
|
He is gradually emerging from Tom-all-Alone's in the morning light,
|
|
thinking about it, when he hears running feet behind him, and looking
|
|
round, sees the boy scouring towards him at great speed, followed by
|
|
the woman.
|
|
|
|
"Stop him, stop him!" cries the woman, almost breathless. "Stop him,
|
|
sir!"
|
|
|
|
He darts across the road into the boy's path, but the boy is quicker
|
|
than he, makes a curve, ducks, dives under his hands, comes up
|
|
half-a-dozen yards beyond him, and scours away again. Still the woman
|
|
follows, crying, "Stop him, sir, pray stop him!" Allan, not knowing
|
|
but that he has just robbed her of her money, follows in chase and
|
|
runs so hard that he runs the boy down a dozen times, but each time
|
|
he repeats the curve, the duck, the dive, and scours away again. To
|
|
strike at him on any of these occasions would be to fell and disable
|
|
him, but the pursuer cannot resolve to do that, and so the grimly
|
|
ridiculous pursuit continues. At last the fugitive, hard-pressed,
|
|
takes to a narrow passage and a court which has no thoroughfare.
|
|
Here, against a hoarding of decaying timber, he is brought to bay and
|
|
tumbles down, lying gasping at his pursuer, who stands and gasps at
|
|
him until the woman comes up.
|
|
|
|
"Oh, you, Jo!" cries the woman. "What? I have found you at last!"
|
|
|
|
"Jo," repeats Allan, looking at him with attention, "Jo! Stay. To be
|
|
sure! I recollect this lad some time ago being brought before the
|
|
coroner."
|
|
|
|
"Yes, I see you once afore at the inkwhich," whimpers Jo. "What of
|
|
that? Can't you never let such an unfortnet as me alone? An't I
|
|
unfortnet enough for you yet? How unfortnet do you want me fur to be?
|
|
I've been a-chivied and a-chivied, fust by one on you and nixt by
|
|
another on you, till I'm worritted to skins and bones. The inkwhich
|
|
warn't MY fault. I done nothink. He wos wery good to me, he wos; he
|
|
wos the only one I knowed to speak to, as ever come across my
|
|
crossing. It ain't wery likely I should want him to be inkwhiched. I
|
|
only wish I wos, myself. I don't know why I don't go and make a hole
|
|
in the water, I'm sure I don't."
|
|
|
|
He says it with such a pitiable air, and his grimy tears appear so
|
|
real, and he lies in the corner up against the hoarding so like a
|
|
growth of fungus or any unwholesome excrescence produced there in
|
|
neglect and impurity, that Allan Woodcourt is softened towards him.
|
|
He says to the woman, "Miserable creature, what has he done?"
|
|
|
|
To which she only replies, shaking her head at the prostrate figure
|
|
more amazedly than angrily, "Oh, you Jo, you Jo. I have found you at
|
|
last!"
|
|
|
|
"What has he done?" says Allan. "Has he robbed you?"
|
|
|
|
"No, sir, no. Robbed me? He did nothing but what was kind-hearted by
|
|
me, and that's the wonder of it."
|
|
|
|
Allan looks from Jo to the woman, and from the woman to Jo, waiting
|
|
for one of them to unravel the riddle.
|
|
|
|
"But he was along with me, sir," says the woman. "Oh, you Jo! He was
|
|
along with me, sir, down at Saint Albans, ill, and a young lady, Lord
|
|
bless her for a good friend to me, took pity on him when I durstn't,
|
|
and took him home--"
|
|
|
|
Allan shrinks back from him with a sudden horror.
|
|
|
|
"Yes, sir, yes. Took him home, and made him comfortable, and like a
|
|
thankless monster he ran away in the night and never has been seen or
|
|
heard of since till I set eyes on him just now. And that young lady
|
|
that was such a pretty dear caught his illness, lost her beautiful
|
|
looks, and wouldn't hardly be known for the same young lady now if it
|
|
wasn't for her angel temper, and her pretty shape, and her sweet
|
|
voice. Do you know it? You ungrateful wretch, do you know that this
|
|
is all along of you and of her goodness to you?" demands the woman,
|
|
beginning to rage at him as she recalls it and breaking into
|
|
passionate tears.
|
|
|
|
The boy, in rough sort stunned by what he hears, falls to smearing
|
|
his dirty forehead with his dirty palm, and to staring at the ground,
|
|
and to shaking from head to foot until the crazy hoarding against
|
|
which he leans rattles.
|
|
|
|
Allan restrains the woman, merely by a quiet gesture, but
|
|
effectually.
|
|
|
|
"Richard told me--" He falters. "I mean, I have heard of this--don't
|
|
mind me for a moment, I will speak presently."
|
|
|
|
He turns away and stands for a while looking out at the covered
|
|
passage. When he comes back, he has recovered his composure, except
|
|
that he contends against an avoidance of the boy, which is so very
|
|
remarkable that it absorbs the woman's attention.
|
|
|
|
"You hear what she says. But get up, get up!"
|
|
|
|
Jo, shaking and chattering, slowly rises and stands, after the manner
|
|
of his tribe in a difficulty, sideways against the hoarding, resting
|
|
one of his high shoulders against it and covertly rubbing his right
|
|
hand over his left and his left foot over his right.
|
|
|
|
"You hear what she says, and I know it's true. Have you been here
|
|
ever since?"
|
|
|
|
"Wishermaydie if I seen Tom-all-Alone's till this blessed morning,"
|
|
replies Jo hoarsely.
|
|
|
|
"Why have you come here now?"
|
|
|
|
Jo looks all round the confined court, looks at his questioner no
|
|
higher than the knees, and finally answers, "I don't know how to do
|
|
nothink, and I can't get nothink to do. I'm wery poor and ill, and I
|
|
thought I'd come back here when there warn't nobody about, and lay
|
|
down and hide somewheres as I knows on till arter dark, and then go
|
|
and beg a trifle of Mr. Snagsby. He wos allus willin fur to give me
|
|
somethink he wos, though Mrs. Snagsby she was allus a-chivying on
|
|
me--like everybody everywheres."
|
|
|
|
"Where have you come from?"
|
|
|
|
Jo looks all round the court again, looks at his questioner's knees
|
|
again, and concludes by laying his profile against the hoarding in a
|
|
sort of resignation.
|
|
|
|
"Did you hear me ask you where you have come from?"
|
|
|
|
"Tramp then," says Jo.
|
|
|
|
"Now tell me," proceeds Allan, making a strong effort to overcome his
|
|
repugnance, going very near to him, and leaning over him with an
|
|
expression of confidence, "tell me how it came about that you left
|
|
that house when the good young lady had been so unfortunate as to
|
|
pity you and take you home."
|
|
|
|
Jo suddenly comes out of his resignation and excitedly declares,
|
|
addressing the woman, that he never known about the young lady, that
|
|
he never heern about it, that he never went fur to hurt her, that he
|
|
would sooner have hurt his own self, that he'd sooner have had his
|
|
unfortnet ed chopped off than ever gone a-nigh her, and that she wos
|
|
wery good to him, she wos. Conducting himself throughout as if in his
|
|
poor fashion he really meant it, and winding up with some very
|
|
miserable sobs.
|
|
|
|
Allan Woodcourt sees that this is not a sham. He constrains himself
|
|
to touch him. "Come, Jo. Tell me."
|
|
|
|
"No. I dustn't," says Jo, relapsing into the profile state. "I
|
|
dustn't, or I would."
|
|
|
|
"But I must know," returns the other, "all the same. Come, Jo."
|
|
|
|
After two or three such adjurations, Jo lifts up his head again,
|
|
looks round the court again, and says in a low voice, "Well, I'll
|
|
tell you something. I was took away. There!"
|
|
|
|
"Took away? In the night?"
|
|
|
|
"Ah!" Very apprehensive of being overheard, Jo looks about him and
|
|
even glances up some ten feet at the top of the hoarding and through
|
|
the cracks in it lest the object of his distrust should be looking
|
|
over or hidden on the other side.
|
|
|
|
"Who took you away?"
|
|
|
|
"I dustn't name him," says Jo. "I dustn't do it, sir.
|
|
|
|
"But I want, in the young lady's name, to know. You may trust me. No
|
|
one else shall hear."
|
|
|
|
"Ah, but I don't know," replies Jo, shaking his head fearfully, "as
|
|
he DON'T hear."
|
|
|
|
"Why, he is not in this place."
|
|
|
|
"Oh, ain't he though?" says Jo. "He's in all manner of places, all at
|
|
wanst."
|
|
|
|
Allan looks at him in perplexity, but discovers some real meaning and
|
|
good faith at the bottom of this bewildering reply. He patiently
|
|
awaits an explicit answer; and Jo, more baffled by his patience than
|
|
by anything else, at last desperately whispers a name in his ear.
|
|
|
|
"Aye!" says Allan. "Why, what had you been doing?"
|
|
|
|
"Nothink, sir. Never done nothink to get myself into no trouble,
|
|
'sept in not moving on and the inkwhich. But I'm a-moving on now. I'm
|
|
a-moving on to the berryin ground--that's the move as I'm up to."
|
|
|
|
"No, no, we will try to prevent that. But what did he do with you?"
|
|
|
|
"Put me in a horsepittle," replied Jo, whispering, "till I was
|
|
discharged, then giv me a little money--four half-bulls, wot you may
|
|
call half-crowns--and ses 'Hook it! Nobody wants you here,' he ses.
|
|
'You hook it. You go and tramp,' he ses. 'You move on,' he ses.
|
|
'Don't let me ever see you nowheres within forty mile of London, or
|
|
you'll repent it.' So I shall, if ever he doos see me, and he'll see
|
|
me if I'm above ground," concludes Jo, nervously repeating all his
|
|
former precautions and investigations.
|
|
|
|
Allan considers a little, then remarks, turning to the woman but
|
|
keeping an encouraging eye on Jo, "He is not so ungrateful as you
|
|
supposed. He had a reason for going away, though it was an
|
|
insufficient one."
|
|
|
|
"Thankee, sir, thankee!" exclaims Jo. "There now! See how hard you
|
|
wos upon me. But ony you tell the young lady wot the genlmn ses, and
|
|
it's all right. For YOU wos wery good to me too, and I knows it."
|
|
|
|
"Now, Jo," says Allan, keeping his eye upon him, "come with me and I
|
|
will find you a better place than this to lie down and hide in. If I
|
|
take one side of the way and you the other to avoid observation, you
|
|
will not run away, I know very well, if you make me a promise."
|
|
|
|
"I won't, not unless I wos to see HIM a-coming, sir."
|
|
|
|
"Very well. I take your word. Half the town is getting up by this
|
|
time, and the whole town will be broad awake in another hour. Come
|
|
along. Good day again, my good woman."
|
|
|
|
"Good day again, sir, and I thank you kindly many times again."
|
|
|
|
She has been sitting on her bag, deeply attentive, and now rises and
|
|
takes it up. Jo, repeating, "Ony you tell the young lady as I never
|
|
went fur to hurt her and wot the genlmn ses!" nods and shambles and
|
|
shivers, and smears and blinks, and half laughs and half cries, a
|
|
farewell to her, and takes his creeping way along after Allan
|
|
Woodcourt, close to the houses on the opposite side of the street. In
|
|
this order, the two come up out of Tom-all-Alone's into the broad
|
|
rays of the sunlight and the purer air.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLVII
|
|
|
|
Jo's Will
|
|
|
|
|
|
As Allan Woodcourt and Jo proceed along the streets where the high
|
|
church spires and the distances are so near and clear in the morning
|
|
light that the city itself seems renewed by rest, Allan revolves in
|
|
his mind how and where he shall bestow his companion. "It surely is a
|
|
strange fact," he considers, "that in the heart of a civilized world
|
|
this creature in human form should be more difficult to dispose of
|
|
than an unowned dog." But it is none the less a fact because of its
|
|
strangeness, and the difficulty remains.
|
|
|
|
At first he looks behind him often to assure himself that Jo is still
|
|
really following. But look where he will, he still beholds him close
|
|
to the opposite houses, making his way with his wary hand from brick
|
|
to brick and from door to door, and often, as he creeps along,
|
|
glancing over at him watchfully. Soon satisfied that the last thing
|
|
in his thoughts is to give him the slip, Allan goes on, considering
|
|
with a less divided attention what he shall do.
|
|
|
|
A breakfast-stall at a street-corner suggests the first thing to be
|
|
done. He stops there, looks round, and beckons Jo. Jo crosses and
|
|
comes halting and shuffling up, slowly scooping the knuckles of his
|
|
right hand round and round in the hollowed palm of his left, kneading
|
|
dirt with a natural pestle and mortar. What is a dainty repast to Jo
|
|
is then set before him, and he begins to gulp the coffee and to gnaw
|
|
the bread and butter, looking anxiously about him in all directions
|
|
as he eats and drinks, like a scared animal.
|
|
|
|
But he is so sick and miserable that even hunger has abandoned him.
|
|
"I thought I was amost a-starvin, sir," says Jo, soon putting down
|
|
his food, "but I don't know nothink--not even that. I don't care for
|
|
eating wittles nor yet for drinking on 'em." And Jo stands shivering
|
|
and looking at the breakfast wonderingly.
|
|
|
|
Allan Woodcourt lays his hand upon his pulse and on his chest. "Draw
|
|
breath, Jo!" "It draws," says Jo, "as heavy as a cart." He might add,
|
|
"And rattles like it," but he only mutters, "I'm a-moving on, sir."
|
|
|
|
Allan looks about for an apothecary's shop. There is none at hand,
|
|
but a tavern does as well or better. He obtains a little measure of
|
|
wine and gives the lad a portion of it very carefully. He begins to
|
|
revive almost as soon as it passes his lips. "We may repeat that
|
|
dose, Jo," observes Allan after watching him with his attentive face.
|
|
"So! Now we will take five minutes' rest, and then go on again."
|
|
|
|
Leaving the boy sitting on the bench of the breakfast-stall, with his
|
|
back against an iron railing, Allan Woodcourt paces up and down in
|
|
the early sunshine, casting an occasional look towards him without
|
|
appearing to watch him. It requires no discernment to perceive that
|
|
he is warmed and refreshed. If a face so shaded can brighten, his
|
|
face brightens somewhat; and by little and little he eats the slice
|
|
of bread he had so hopelessly laid down. Observant of these signs of
|
|
improvement, Allan engages him in conversation and elicits to his no
|
|
small wonder the adventure of the lady in the veil, with all its
|
|
consequences. Jo slowly munches as he slowly tells it. When he has
|
|
finished his story and his bread, they go on again.
|
|
|
|
Intending to refer his difficulty in finding a temporary place of
|
|
refuge for the boy to his old patient, zealous little Miss Flite,
|
|
Allan leads the way to the court where he and Jo first foregathered.
|
|
But all is changed at the rag and bottle shop; Miss Flite no longer
|
|
lodges there; it is shut up; and a hard-featured female, much
|
|
obscured by dust, whose age is a problem, but who is indeed no other
|
|
than the interesting Judy, is tart and spare in her replies. These
|
|
sufficing, however, to inform the visitor that Miss Flite and her
|
|
birds are domiciled with a Mrs. Blinder, in Bell Yard, he repairs to
|
|
that neighbouring place, where Miss Flite (who rises early that she
|
|
may be punctual at the divan of justice held by her excellent friend
|
|
the Chancellor) comes running downstairs with tears of welcome and
|
|
with open arms.
|
|
|
|
"My dear physician!" cries Miss Flite. "My meritorious,
|
|
distinguished, honourable officer!" She uses some odd expressions,
|
|
but is as cordial and full of heart as sanity itself can be--more so
|
|
than it often is. Allan, very patient with her, waits until she has
|
|
no more raptures to express, then points out Jo, trembling in a
|
|
doorway, and tells her how he comes there.
|
|
|
|
"Where can I lodge him hereabouts for the present? Now, you have a
|
|
fund of knowledge and good sense and can advise me."
|
|
|
|
Miss Flite, mighty proud of the compliment, sets herself to consider;
|
|
but it is long before a bright thought occurs to her. Mrs. Blinder is
|
|
entirely let, and she herself occupies poor Gridley's room.
|
|
"Gridley!" exclaims Miss Flite, clapping her hands after a twentieth
|
|
repetition of this remark. "Gridley! To be sure! Of course! My dear
|
|
physician! General George will help us out."
|
|
|
|
It is hopeless to ask for any information about General George, and
|
|
would be, though Miss Flite had not already run upstairs to put on
|
|
her pinched bonnet and her poor little shawl and to arm herself with
|
|
her reticule of documents. But as she informs her physician in her
|
|
disjointed manner on coming down in full array that General George,
|
|
whom she often calls upon, knows her dear Fitz Jarndyce and takes a
|
|
great interest in all connected with her, Allan is induced to think
|
|
that they may be in the right way. So he tells Jo, for his
|
|
encouragement, that this walking about will soon be over now; and
|
|
they repair to the general's. Fortunately it is not far.
|
|
|
|
From the exterior of George's Shooting Gallery, and the long entry,
|
|
and the bare perspective beyond it, Allan Woodcourt augurs well. He
|
|
also descries promise in the figure of Mr. George himself, striding
|
|
towards them in his morning exercise with his pipe in his mouth, no
|
|
stock on, and his muscular arms, developed by broadsword and
|
|
dumbbell, weightily asserting themselves through his light
|
|
shirt-sleeves.
|
|
|
|
"Your servant, sir," says Mr. George with a military salute.
|
|
Good-humouredly smiling all over his broad forehead up into his crisp
|
|
hair, he then defers to Miss Flite, as, with great stateliness, and
|
|
at some length, she performs the courtly ceremony of presentation. He
|
|
winds it up with another "Your servant, sir!" and another salute.
|
|
|
|
"Excuse me, sir. A sailor, I believe?" says Mr. George.
|
|
|
|
"I am proud to find I have the air of one," returns Allan; "but I am
|
|
only a sea-going doctor."
|
|
|
|
"Indeed, sir! I should have thought you was a regular blue-jacket
|
|
myself."
|
|
|
|
Allan hopes Mr. George will forgive his intrusion the more readily on
|
|
that account, and particularly that he will not lay aside his pipe,
|
|
which, in his politeness, he has testified some intention of doing.
|
|
"You are very good, sir," returns the trooper. "As I know by
|
|
experience that it's not disagreeable to Miss Flite, and since it's
|
|
equally agreeable to yourself--" and finishes the sentence by putting
|
|
it between his lips again. Allan proceeds to tell him all he knows
|
|
about Jo, unto which the trooper listens with a grave face.
|
|
|
|
"And that's the lad, sir, is it?" he inquires, looking along the
|
|
entry to where Jo stands staring up at the great letters on the
|
|
whitewashed front, which have no meaning in his eyes.
|
|
|
|
"That's he," says Allan. "And, Mr. George, I am in this difficulty
|
|
about him. I am unwilling to place him in a hospital, even if I could
|
|
procure him immediate admission, because I foresee that he would not
|
|
stay there many hours if he could be so much as got there. The same
|
|
objection applies to a workhouse, supposing I had the patience to be
|
|
evaded and shirked, and handed about from post to pillar in trying to
|
|
get him into one, which is a system that I don't take kindly to."
|
|
|
|
"No man does, sir," returns Mr. George.
|
|
|
|
"I am convinced that he would not remain in either place, because he
|
|
is possessed by an extraordinary terror of this person who ordered
|
|
him to keep out of the way; in his ignorance, he believes this person
|
|
to be everywhere, and cognizant of everything."
|
|
|
|
"I ask your pardon, sir," says Mr. George. "But you have not
|
|
mentioned that party's name. Is it a secret, sir?"
|
|
|
|
"The boy makes it one. But his name is Bucket."
|
|
|
|
"Bucket the detective, sir?"
|
|
|
|
"The same man."
|
|
|
|
"The man is known to me, sir," returns the trooper after blowing out
|
|
a cloud of smoke and squaring his chest, "and the boy is so far
|
|
correct that he undoubtedly is a--rum customer." Mr. George smokes
|
|
with a profound meaning after this and surveys Miss Flite in silence.
|
|
|
|
"Now, I wish Mr. Jarndyce and Miss Summerson at least to know that
|
|
this Jo, who tells so strange a story, has reappeared, and to have it
|
|
in their power to speak with him if they should desire to do so.
|
|
Therefore I want to get him, for the present moment, into any poor
|
|
lodging kept by decent people where he would be admitted. Decent
|
|
people and Jo, Mr. George," says Allan, following the direction of
|
|
the trooper's eyes along the entry, "have not been much acquainted,
|
|
as you see. Hence the difficulty. Do you happen to know any one in
|
|
this neighbourhood who would receive him for a while on my paying for
|
|
him beforehand?"
|
|
|
|
As he puts the question, he becomes aware of a dirty-faced little man
|
|
standing at the trooper's elbow and looking up, with an oddly twisted
|
|
figure and countenance, into the trooper's face. After a few more
|
|
puffs at his pipe, the trooper looks down askant at the little man,
|
|
and the little man winks up at the trooper.
|
|
|
|
"Well, sir," says Mr. George, "I can assure you that I would
|
|
willingly be knocked on the head at any time if it would be at all
|
|
agreeable to Miss Summerson, and consequently I esteem it a privilege
|
|
to do that young lady any service, however small. We are naturally in
|
|
the vagabond way here, sir, both myself and Phil. You see what the
|
|
place is. You are welcome to a quiet corner of it for the boy if the
|
|
same would meet your views. No charge made, except for rations. We
|
|
are not in a flourishing state of circumstances here, sir. We are
|
|
liable to be tumbled out neck and crop at a moment's notice. However,
|
|
sir, such as the place is, and so long as it lasts, here it is at
|
|
your service."
|
|
|
|
With a comprehensive wave of his pipe, Mr. George places the whole
|
|
building at his visitor's disposal.
|
|
|
|
"I take it for granted, sir," he adds, "you being one of the medical
|
|
staff, that there is no present infection about this unfortunate
|
|
subject?"
|
|
|
|
Allan is quite sure of it.
|
|
|
|
"Because, sir," says Mr. George, shaking his head sorrowfully, "we
|
|
have had enough of that."
|
|
|
|
His tone is no less sorrowfully echoed by his new acquaintance.
|
|
"Still I am bound to tell you," observes Allan after repeating his
|
|
former assurance, "that the boy is deplorably low and reduced and
|
|
that he may be--I do not say that he is--too far gone to recover."
|
|
|
|
"Do you consider him in present danger, sir?" inquires the trooper.
|
|
|
|
"Yes, I fear so."
|
|
|
|
"Then, sir," returns the trooper in a decisive manner, "it appears to
|
|
me--being naturally in the vagabond way myself--that the sooner he
|
|
comes out of the street, the better. You, Phil! Bring him in!"
|
|
|
|
Mr. Squod tacks out, all on one side, to execute the word of command;
|
|
and the trooper, having smoked his pipe, lays it by. Jo is brought
|
|
in. He is not one of Mrs. Pardiggle's Tockahoopo Indians; he is not
|
|
one of Mrs. Jellyby's lambs, being wholly unconnected with
|
|
Borrioboola-Gha; he is not softened by distance and unfamiliarity; he
|
|
is not a genuine foreign-grown savage; he is the ordinary home-made
|
|
article. Dirty, ugly, disagreeable to all the senses, in body a
|
|
common creature of the common streets, only in soul a heathen. Homely
|
|
filth begrimes him, homely parasites devour him, homely sores are in
|
|
him, homely rags are on him; native ignorance, the growth of English
|
|
soil and climate, sinks his immortal nature lower than the beasts
|
|
that perish. Stand forth, Jo, in uncompromising colours! From the
|
|
sole of thy foot to the crown of thy head, there is nothing
|
|
interesting about thee.
|
|
|
|
He shuffles slowly into Mr. George's gallery and stands huddled
|
|
together in a bundle, looking all about the floor. He seems to know
|
|
that they have an inclination to shrink from him, partly for what he
|
|
is and partly for what he has caused. He, too, shrinks from them. He
|
|
is not of the same order of things, not of the same place in
|
|
creation. He is of no order and no place, neither of the beasts nor
|
|
of humanity.
|
|
|
|
"Look here, Jo!" says Allan. "This is Mr. George."
|
|
|
|
Jo searches the floor for some time longer, then looks up for a
|
|
moment, and then down again.
|
|
|
|
"He is a kind friend to you, for he is going to give you lodging room
|
|
here."
|
|
|
|
Jo makes a scoop with one hand, which is supposed to be a bow. After
|
|
a little more consideration and some backing and changing of the foot
|
|
on which he rests, he mutters that he is "wery thankful."
|
|
|
|
"You are quite safe here. All you have to do at present is to be
|
|
obedient and to get strong. And mind you tell us the truth here,
|
|
whatever you do, Jo."
|
|
|
|
"Wishermaydie if I don't, sir," says Jo, reverting to his favourite
|
|
declaration. "I never done nothink yit, but wot you knows on, to get
|
|
myself into no trouble. I never was in no other trouble at all, sir,
|
|
'sept not knowin' nothink and starwation."
|
|
|
|
"I believe it, now attend to Mr. George. I see he is going to speak
|
|
to you."
|
|
|
|
"My intention merely was, sir," observes Mr. George, amazingly broad
|
|
and upright, "to point out to him where he can lie down and get a
|
|
thorough good dose of sleep. Now, look here." As the trooper speaks,
|
|
he conducts them to the other end of the gallery and opens one of the
|
|
little cabins. "There you are, you see! Here is a mattress, and here
|
|
you may rest, on good behaviour, as long as Mr., I ask your pardon,
|
|
sir"--he refers apologetically to the card Allan has given him--"Mr.
|
|
Woodcourt pleases. Don't you be alarmed if you hear shots; they'll be
|
|
aimed at the target, and not you. Now, there's another thing I would
|
|
recommend, sir," says the trooper, turning to his visitor. "Phil,
|
|
come here!"
|
|
|
|
Phil bears down upon them according to his usual tactics. "Here is a
|
|
man, sir, who was found, when a baby, in the gutter. Consequently, it
|
|
is to be expected that he takes a natural interest in this poor
|
|
creature. You do, don't you, Phil?"
|
|
|
|
"Certainly and surely I do, guv'ner," is Phil's reply.
|
|
|
|
"Now I was thinking, sir," says Mr. George in a martial sort of
|
|
confidence, as if he were giving his opinion in a council of war at a
|
|
drum-head, "that if this man was to take him to a bath and was to lay
|
|
out a few shillings in getting him one or two coarse articles--"
|
|
|
|
"Mr. George, my considerate friend," returns Allan, taking out his
|
|
purse, "it is the very favour I would have asked."
|
|
|
|
Phil Squod and Jo are sent out immediately on this work of
|
|
improvement. Miss Flite, quite enraptured by her success, makes the
|
|
best of her way to court, having great fears that otherwise her
|
|
friend the Chancellor may be uneasy about her or may give the
|
|
judgment she has so long expected in her absence, and observing
|
|
"which you know, my dear physician, and general, after so many years,
|
|
would be too absurdly unfortunate!" Allan takes the opportunity of
|
|
going out to procure some restorative medicines, and obtaining them
|
|
near at hand, soon returns to find the trooper walking up and down
|
|
the gallery, and to fall into step and walk with him.
|
|
|
|
"I take it, sir," says Mr. George, "that you know Miss Summerson
|
|
pretty well?"
|
|
|
|
Yes, it appears.
|
|
|
|
"Not related to her, sir?"
|
|
|
|
No, it appears.
|
|
|
|
"Excuse the apparent curiosity," says Mr. George. "It seemed to me
|
|
probable that you might take more than a common interest in this poor
|
|
creature because Miss Summerson had taken that unfortunate interest
|
|
in him. 'Tis MY case, sir, I assure you."
|
|
|
|
"And mine, Mr. George."
|
|
|
|
The trooper looks sideways at Allan's sunburnt cheek and bright dark
|
|
eye, rapidly measures his height and build, and seems to approve of
|
|
him.
|
|
|
|
"Since you have been out, sir, I have been thinking that I
|
|
unquestionably know the rooms in Lincoln's Inn Fields, where Bucket
|
|
took the lad, according to his account. Though he is not acquainted
|
|
with the name, I can help you to it. It's Tulkinghorn. That's what it
|
|
is."
|
|
|
|
Allan looks at him inquiringly, repeating the name.
|
|
|
|
"Tulkinghorn. That's the name, sir. I know the man, and know him to
|
|
have been in communication with Bucket before, respecting a deceased
|
|
person who had given him offence. I know the man, sir. To my sorrow."
|
|
|
|
Allan naturally asks what kind of man he is.
|
|
|
|
"What kind of man! Do you mean to look at?"
|
|
|
|
"I think I know that much of him. I mean to deal with. Generally,
|
|
what kind of man?"
|
|
|
|
"Why, then I'll tell you, sir," returns the trooper, stopping short
|
|
and folding his arms on his square chest so angrily that his face
|
|
fires and flushes all over; "he is a confoundedly bad kind of man. He
|
|
is a slow-torturing kind of man. He is no more like flesh and blood
|
|
than a rusty old carbine is. He is a kind of man--by George!--that
|
|
has caused me more restlessness, and more uneasiness, and more
|
|
dissatisfaction with myself than all other men put together. That's
|
|
the kind of man Mr. Tulkinghorn is!"
|
|
|
|
"I am sorry," says Allan, "to have touched so sore a place."
|
|
|
|
"Sore?" The trooper plants his legs wider apart, wets the palm of his
|
|
broad right hand, and lays it on the imaginary moustache. "It's no
|
|
fault of yours, sir; but you shall judge. He has got a power over me.
|
|
He is the man I spoke of just now as being able to tumble me out of
|
|
this place neck and crop. He keeps me on a constant see-saw. He won't
|
|
hold off, and he won't come on. If I have a payment to make him, or
|
|
time to ask him for, or anything to go to him about, he don't see me,
|
|
don't hear me--passes me on to Melchisedech's in Clifford's Inn,
|
|
Melchisedech's in Clifford's Inn passes me back again to him--he
|
|
keeps me prowling and dangling about him as if I was made of the same
|
|
stone as himself. Why, I spend half my life now, pretty well,
|
|
loitering and dodging about his door. What does he care? Nothing.
|
|
Just as much as the rusty old carbine I have compared him to. He
|
|
chafes and goads me till--Bah! Nonsense! I am forgetting myself. Mr.
|
|
Woodcourt," the trooper resumes his march, "all I say is, he is an
|
|
old man; but I am glad I shall never have the chance of setting spurs
|
|
to my horse and riding at him in a fair field. For if I had that
|
|
chance, in one of the humours he drives me into--he'd go down, sir!"
|
|
|
|
Mr. George has been so excited that he finds it necessary to wipe his
|
|
forehead on his shirt-sleeve. Even while he whistles his impetuosity
|
|
away with the national anthem, some involuntary shakings of his head
|
|
and heavings of his chest still linger behind, not to mention an
|
|
occasional hasty adjustment with both hands of his open shirt-collar,
|
|
as if it were scarcely open enough to prevent his being troubled by a
|
|
choking sensation. In short, Allan Woodcourt has not much doubt about
|
|
the going down of Mr. Tulkinghorn on the field referred to.
|
|
|
|
Jo and his conductor presently return, and Jo is assisted to his
|
|
mattress by the careful Phil, to whom, after due administration of
|
|
medicine by his own hands, Allan confides all needful means and
|
|
instructions. The morning is by this time getting on apace. He
|
|
repairs to his lodgings to dress and breakfast, and then, without
|
|
seeking rest, goes away to Mr. Jarndyce to communicate his discovery.
|
|
|
|
With him Mr. Jarndyce returns alone, confidentially telling him that
|
|
there are reasons for keeping this matter very quiet indeed and
|
|
showing a serious interest in it. To Mr. Jarndyce, Jo repeats in
|
|
substance what he said in the morning, without any material
|
|
variation. Only that cart of his is heavier to draw, and draws with a
|
|
hollower sound.
|
|
|
|
"Let me lay here quiet and not be chivied no more," falters Jo, "and
|
|
be so kind any person as is a-passin nigh where I used fur to sleep,
|
|
as jist to say to Mr. Sangsby that Jo, wot he known once, is a-moving
|
|
on right forards with his duty, and I'll be wery thankful. I'd be
|
|
more thankful than I am aready if it wos any ways possible for an
|
|
unfortnet to be it."
|
|
|
|
He makes so many of these references to the law-stationer in the
|
|
course of a day or two that Allan, after conferring with Mr.
|
|
Jarndyce, good-naturedly resolves to call in Cook's Court, the
|
|
rather, as the cart seems to be breaking down.
|
|
|
|
To Cook's Court, therefore, he repairs. Mr. Snagsby is behind his
|
|
counter in his grey coat and sleeves, inspecting an indenture of
|
|
several skins which has just come in from the engrosser's, an immense
|
|
desert of law-hand and parchment, with here and there a resting-place
|
|
of a few large letters to break the awful monotony and save the
|
|
traveller from despair. Mr Snagsby puts up at one of these inky wells
|
|
and greets the stranger with his cough of general preparation for
|
|
business.
|
|
|
|
"You don't remember me, Mr. Snagsby?"
|
|
|
|
The stationer's heart begins to thump heavily, for his old
|
|
apprehensions have never abated. It is as much as he can do to
|
|
answer, "No, sir, I can't say I do. I should have considered--not to
|
|
put too fine a point upon it--that I never saw you before, sir."
|
|
|
|
"Twice before," says Allan Woodcourt. "Once at a poor bedside, and
|
|
once--"
|
|
|
|
"It's come at last!" thinks the afflicted stationer, as recollection
|
|
breaks upon him. "It's got to a head now and is going to burst!" But
|
|
he has sufficient presence of mind to conduct his visitor into the
|
|
little counting-house and to shut the door.
|
|
|
|
"Are you a married man, sir?"
|
|
|
|
"No, I am not."
|
|
|
|
"Would you make the attempt, though single," says Mr. Snagsby in a
|
|
melancholy whisper, "to speak as low as you can? For my little woman
|
|
is a-listening somewheres, or I'll forfeit the business and five
|
|
hundred pound!"
|
|
|
|
In deep dejection Mr. Snagsby sits down on his stool, with his back
|
|
against his desk, protesting, "I never had a secret of my own, sir. I
|
|
can't charge my memory with ever having once attempted to deceive my
|
|
little woman on my own account since she named the day. I wouldn't
|
|
have done it, sir. Not to put too fine a point upon it, I couldn't
|
|
have done it, I dursn't have done it. Whereas, and nevertheless, I
|
|
find myself wrapped round with secrecy and mystery, till my life is a
|
|
burden to me."
|
|
|
|
His visitor professes his regret to hear it and asks him does he
|
|
remember Jo. Mr. Snagsby answers with a suppressed groan, oh, don't
|
|
he!
|
|
|
|
"You couldn't name an individual human being--except myself--that my
|
|
little woman is more set and determined against than Jo," says Mr.
|
|
Snagsby.
|
|
|
|
Allan asks why.
|
|
|
|
"Why?" repeats Mr. Snagsby, in his desperation clutching at the clump
|
|
of hair at the back of his bald head. "How should I know why? But you
|
|
are a single person, sir, and may you long be spared to ask a married
|
|
person such a question!"
|
|
|
|
With this beneficent wish, Mr. Snagsby coughs a cough of dismal
|
|
resignation and submits himself to hear what the visitor has to
|
|
communicate.
|
|
|
|
"There again!" says Mr. Snagsby, who, between the earnestness of his
|
|
feelings and the suppressed tones of his voice is discoloured in the
|
|
face. "At it again, in a new direction! A certain person charges me,
|
|
in the solemnest way, not to talk of Jo to any one, even my little
|
|
woman. Then comes another certain person, in the person of yourself,
|
|
and charges me, in an equally solemn way, not to mention Jo to that
|
|
other certain person above all other persons. Why, this is a private
|
|
asylum! Why, not to put too fine a point upon it, this is Bedlam,
|
|
sir!" says Mr. Snagsby.
|
|
|
|
But it is better than he expected after all, being no explosion of
|
|
the mine below him or deepening of the pit into which he has fallen.
|
|
And being tender-hearted and affected by the account he hears of Jo's
|
|
condition, he readily engages to "look round" as early in the evening
|
|
as he can manage it quietly. He looks round very quietly when the
|
|
evening comes, but it may turn out that Mrs. Snagsby is as quiet a
|
|
manager as he.
|
|
|
|
Jo is very glad to see his old friend and says, when they are left
|
|
alone, that he takes it uncommon kind as Mr. Sangsby should come so
|
|
far out of his way on accounts of sich as him. Mr. Snagsby, touched
|
|
by the spectacle before him, immediately lays upon the table half a
|
|
crown, that magic balsam of his for all kinds of wounds.
|
|
|
|
"And how do you find yourself, my poor lad?" inquires the stationer
|
|
with his cough of sympathy.
|
|
|
|
"I am in luck, Mr. Sangsby, I am," returns Jo, "and don't want for
|
|
nothink. I'm more cumfbler nor you can't think. Mr. Sangsby! I'm wery
|
|
sorry that I done it, but I didn't go fur to do it, sir."
|
|
|
|
The stationer softly lays down another half-crown and asks him what
|
|
it is that he is sorry for having done.
|
|
|
|
"Mr. Sangsby," says Jo, "I went and giv a illness to the lady as wos
|
|
and yit as warn't the t'other lady, and none of 'em never says
|
|
nothink to me for having done it, on accounts of their being ser good
|
|
and my having been s'unfortnet. The lady come herself and see me
|
|
yesday, and she ses, 'Ah, Jo!' she ses. 'We thought we'd lost you,
|
|
Jo!' she ses. And she sits down a-smilin so quiet, and don't pass a
|
|
word nor yit a look upon me for having done it, she don't, and I
|
|
turns agin the wall, I doos, Mr. Sangsby. And Mr. Jarnders, I see him
|
|
a-forced to turn away his own self. And Mr. Woodcot, he come fur to
|
|
giv me somethink fur to ease me, wot he's allus a-doin' on day and
|
|
night, and wen he come a-bending over me and a-speakin up so bold, I
|
|
see his tears a-fallin, Mr. Sangsby."
|
|
|
|
The softened stationer deposits another half-crown on the table.
|
|
Nothing less than a repetition of that infallible remedy will relieve
|
|
his feelings.
|
|
|
|
"Wot I was a-thinkin on, Mr. Sangsby," proceeds Jo, "wos, as you wos
|
|
able to write wery large, p'raps?"
|
|
|
|
"Yes, Jo, please God," returns the stationer.
|
|
|
|
"Uncommon precious large, p'raps?" says Jo with eagerness.
|
|
|
|
"Yes, my poor boy."
|
|
|
|
Jo laughs with pleasure. "Wot I wos a-thinking on then, Mr. Sangsby,
|
|
wos, that when I wos moved on as fur as ever I could go and couldn't
|
|
be moved no furder, whether you might be so good p'raps as to write
|
|
out, wery large so that any one could see it anywheres, as that I wos
|
|
wery truly hearty sorry that I done it and that I never went fur to
|
|
do it, and that though I didn't know nothink at all, I knowd as Mr.
|
|
Woodcot once cried over it and wos allus grieved over it, and that I
|
|
hoped as he'd be able to forgive me in his mind. If the writin could
|
|
be made to say it wery large, he might."
|
|
|
|
"It shall say it, Jo. Very large."
|
|
|
|
Jo laughs again. "Thankee, Mr. Sangsby. It's wery kind of you, sir,
|
|
and it makes me more cumfbler nor I was afore."
|
|
|
|
The meek little stationer, with a broken and unfinished cough, slips
|
|
down his fourth half-crown--he has never been so close to a case
|
|
requiring so many--and is fain to depart. And Jo and he, upon this
|
|
little earth, shall meet no more. No more.
|
|
|
|
For the cart so hard to draw is near its journey's end and drags over
|
|
stony ground. All round the clock it labours up the broken steps,
|
|
shattered and worn. Not many times can the sun rise and behold it
|
|
still upon its weary road.
|
|
|
|
Phil Squod, with his smoky gunpowder visage, at once acts as nurse
|
|
and works as armourer at his little table in a corner, often looking
|
|
round and saying with a nod of his green-baize cap and an encouraging
|
|
elevation of his one eyebrow, "Hold up, my boy! Hold up!" There, too,
|
|
is Mr. Jarndyce many a time, and Allan Woodcourt almost always, both
|
|
thinking, much, how strangely fate has entangled this rough outcast
|
|
in the web of very different lives. There, too, the trooper is a
|
|
frequent visitor, filling the doorway with his athletic figure and,
|
|
from his superfluity of life and strength, seeming to shed down
|
|
temporary vigour upon Jo, who never fails to speak more robustly in
|
|
answer to his cheerful words.
|
|
|
|
Jo is in a sleep or in a stupor to-day, and Allan Woodcourt, newly
|
|
arrived, stands by him, looking down upon his wasted form. After a
|
|
while he softly seats himself upon the bedside with his face towards
|
|
him--just as he sat in the law-writer's room--and touches his chest
|
|
and heart. The cart had very nearly given up, but labours on a little
|
|
more.
|
|
|
|
The trooper stands in the doorway, still and silent. Phil has stopped
|
|
in a low clinking noise, with his little hammer in his hand. Mr.
|
|
Woodcourt looks round with that grave professional interest and
|
|
attention on his face, and glancing significantly at the trooper,
|
|
signs to Phil to carry his table out. When the little hammer is next
|
|
used, there will be a speck of rust upon it.
|
|
|
|
"Well, Jo! What is the matter? Don't be frightened."
|
|
|
|
"I thought," says Jo, who has started and is looking round, "I
|
|
thought I was in Tom-all-Alone's agin. Ain't there nobody here but
|
|
you, Mr. Woodcot?"
|
|
|
|
"Nobody."
|
|
|
|
"And I ain't took back to Tom-all-Alone's. Am I, sir?"
|
|
|
|
"No." Jo closes his eyes, muttering, "I'm wery thankful."
|
|
|
|
After watching him closely a little while, Allan puts his mouth very
|
|
near his ear and says to him in a low, distinct voice, "Jo! Did you
|
|
ever know a prayer?"
|
|
|
|
"Never knowd nothink, sir."
|
|
|
|
"Not so much as one short prayer?"
|
|
|
|
"No, sir. Nothink at all. Mr. Chadbands he wos a-prayin wunst at Mr.
|
|
Sangsby's and I heerd him, but he sounded as if he wos a-speakin to
|
|
hisself, and not to me. He prayed a lot, but I couldn't make out
|
|
nothink on it. Different times there was other genlmen come down
|
|
Tom-all-Alone's a-prayin, but they all mostly sed as the t'other
|
|
'wuns prayed wrong, and all mostly sounded to be a-talking to
|
|
theirselves, or a-passing blame on the t'others, and not a-talkin to
|
|
us. WE never knowd nothink. I never knowd what it wos all about."
|
|
|
|
It takes him a long time to say this, and few but an experienced and
|
|
attentive listener could hear, or, hearing, understand him. After a
|
|
short relapse into sleep or stupor, he makes, of a sudden, a strong
|
|
effort to get out of bed.
|
|
|
|
"Stay, Jo! What now?"
|
|
|
|
"It's time for me to go to that there berryin ground, sir," he
|
|
returns with a wild look.
|
|
|
|
"Lie down, and tell me. What burying ground, Jo?"
|
|
|
|
"Where they laid him as wos wery good to me, wery good to me indeed,
|
|
he wos. It's time fur me to go down to that there berryin ground,
|
|
sir, and ask to be put along with him. I wants to go there and be
|
|
berried. He used fur to say to me, 'I am as poor as you to-day, Jo,'
|
|
he ses. I wants to tell him that I am as poor as him now and have
|
|
come there to be laid along with him."
|
|
|
|
"By and by, Jo. By and by."
|
|
|
|
"Ah! P'raps they wouldn't do it if I wos to go myself. But will you
|
|
promise to have me took there, sir, and laid along with him?"
|
|
|
|
"I will, indeed."
|
|
|
|
"Thankee, sir. Thankee, sir. They'll have to get the key of the gate
|
|
afore they can take me in, for it's allus locked. And there's a step
|
|
there, as I used for to clean with my broom. It's turned wery dark,
|
|
sir. Is there any light a-comin?"
|
|
|
|
"It is coming fast, Jo."
|
|
|
|
Fast. The cart is shaken all to pieces, and the rugged road is very
|
|
near its end.
|
|
|
|
"Jo, my poor fellow!"
|
|
|
|
"I hear you, sir, in the dark, but I'm a-gropin--a-gropin--let me
|
|
catch hold of your hand."
|
|
|
|
"Jo, can you say what I say?"
|
|
|
|
"I'll say anythink as you say, sir, for I knows it's good."
|
|
|
|
"Our Father."
|
|
|
|
"Our Father! Yes, that's wery good, sir."
|
|
|
|
"Which art in heaven."
|
|
|
|
"Art in heaven--is the light a-comin, sir?"
|
|
|
|
"It is close at hand. Hallowed be thy name!"
|
|
|
|
"Hallowed be--thy--"
|
|
|
|
The light is come upon the dark benighted way. Dead!
|
|
|
|
Dead, your Majesty. Dead, my lords and gentlemen. Dead, right
|
|
reverends and wrong reverends of every order. Dead, men and women,
|
|
born with heavenly compassion in your hearts. And dying thus around
|
|
us every day.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLVIII
|
|
|
|
Closing In
|
|
|
|
|
|
The place in Lincolnshire has shut its many eyes again, and the house
|
|
in town is awake. In Lincolnshire the Dedlocks of the past doze in
|
|
their picture-frames, and the low wind murmurs through the long
|
|
drawing-room as if they were breathing pretty regularly. In town the
|
|
Dedlocks of the present rattle in their fire-eyed carriages through
|
|
the darkness of the night, and the Dedlock Mercuries, with ashes (or
|
|
hair-powder) on their heads, symptomatic of their great humility,
|
|
loll away the drowsy mornings in the little windows of the hall. The
|
|
fashionable world--tremendous orb, nearly five miles round--is in
|
|
full swing, and the solar system works respectfully at its appointed
|
|
distances.
|
|
|
|
Where the throng is thickest, where the lights are brightest, where
|
|
all the senses are ministered to with the greatest delicacy and
|
|
refinement, Lady Dedlock is. From the shining heights she has scaled
|
|
and taken, she is never absent. Though the belief she of old reposed
|
|
in herself as one able to reserve whatsoever she would under
|
|
her mantle of pride is beaten down, though she has no assurance
|
|
that what she is to those around her she will remain another day,
|
|
it is not in her nature when envious eyes are looking on to
|
|
yield or to droop. They say of her that she has lately grown
|
|
more handsome and more haughty. The debilitated cousin says of
|
|
her that she's beauty nough--tsetup shopofwomen--but rather
|
|
larming kind--remindingmanfact--inconvenient woman--who WILL
|
|
getoutofbedandbawthstahlishment--Shakespeare.
|
|
|
|
Mr. Tulkinghorn says nothing, looks nothing. Now, as heretofore, he
|
|
is to be found in doorways of rooms, with his limp white cravat
|
|
loosely twisted into its old-fashioned tie, receiving patronage from
|
|
the peerage and making no sign. Of all men he is still the last who
|
|
might be supposed to have any influence upon my Lady. Of all women
|
|
she is still the last who might be supposed to have any dread of him.
|
|
|
|
One thing has been much on her mind since their late interview in his
|
|
turret-room at Chesney Wold. She is now decided, and prepared to
|
|
throw it off.
|
|
|
|
It is morning in the great world, afternoon according to the little
|
|
sun. The Mercuries, exhausted by looking out of window, are reposing
|
|
in the hall and hang their heavy heads, the gorgeous creatures, like
|
|
overblown sunflowers. Like them, too, they seem to run to a deal of
|
|
seed in their tags and trimmings. Sir Leicester, in the library, has
|
|
fallen asleep for the good of the country over the report of a
|
|
Parliamentary committee. My Lady sits in the room in which she gave
|
|
audience to the young man of the name of Guppy. Rosa is with her and
|
|
has been writing for her and reading to her. Rosa is now at work upon
|
|
embroidery or some such pretty thing, and as she bends her head over
|
|
it, my Lady watches her in silence. Not for the first time to-day.
|
|
|
|
"Rosa."
|
|
|
|
The pretty village face looks brightly up. Then, seeing how serious
|
|
my Lady is, looks puzzled and surprised.
|
|
|
|
"See to the door. Is it shut?"
|
|
|
|
Yes. She goes to it and returns, and looks yet more surprised.
|
|
|
|
"I am about to place confidence in you, child, for I know I may trust
|
|
your attachment, if not your judgment. In what I am going to do, I
|
|
will not disguise myself to you at least. But I confide in you. Say
|
|
nothing to any one of what passes between us."
|
|
|
|
The timid little beauty promises in all earnestness to be
|
|
trustworthy.
|
|
|
|
"Do you know," Lady Dedlock asks her, signing to her to bring her
|
|
chair nearer, "do you know, Rosa, that I am different to you from
|
|
what I am to any one?"
|
|
|
|
"Yes, my Lady. Much kinder. But then I often think I know you as you
|
|
really are."
|
|
|
|
"You often think you know me as I really am? Poor child, poor child!"
|
|
|
|
She says it with a kind of scorn--though not of Rosa--and sits
|
|
brooding, looking dreamily at her.
|
|
|
|
"Do you think, Rosa, you are any relief or comfort to me? Do you
|
|
suppose your being young and natural, and fond of me and grateful to
|
|
me, makes it any pleasure to me to have you near me?"
|
|
|
|
"I don't know, my Lady; I can scarcely hope so. But with all my
|
|
heart, I wish it was so."
|
|
|
|
"It is so, little one."
|
|
|
|
The pretty face is checked in its flush of pleasure by the dark
|
|
expression on the handsome face before it. It looks timidly for an
|
|
explanation.
|
|
|
|
"And if I were to say to-day, 'Go! Leave me!' I should say what would
|
|
give me great pain and disquiet, child, and what would leave me very
|
|
solitary."
|
|
|
|
"My Lady! Have I offended you?"
|
|
|
|
"In nothing. Come here."
|
|
|
|
Rosa bends down on the footstool at my Lady's feet. My Lady, with
|
|
that motherly touch of the famous ironmaster night, lays her hand
|
|
upon her dark hair and gently keeps it there.
|
|
|
|
"I told you, Rosa, that I wished you to be happy and that I would
|
|
make you so if I could make anybody happy on this earth. I cannot.
|
|
There are reasons now known to me, reasons in which you have no part,
|
|
rendering it far better for you that you should not remain here. You
|
|
must not remain here. I have determined that you shall not. I have
|
|
written to the father of your lover, and he will be here to-day. All
|
|
this I have done for your sake."
|
|
|
|
The weeping girl covers her hand with kisses and says what shall she
|
|
do, what shall she do, when they are separated! Her mistress kisses
|
|
her on the cheek and makes no other answer.
|
|
|
|
"Now, be happy, child, under better circumstances. Be beloved and
|
|
happy!"
|
|
|
|
"Ah, my Lady, I have sometimes thought--forgive my being so
|
|
free--that YOU are not happy."
|
|
|
|
"I!"
|
|
|
|
"Will you be more so when you have sent me away? Pray, pray, think
|
|
again. Let me stay a little while!"
|
|
|
|
"I have said, my child, that what I do, I do for your sake, not my
|
|
own. It is done. What I am towards you, Rosa, is what I am now--not
|
|
what I shall be a little while hence. Remember this, and keep my
|
|
confidence. Do so much for my sake, and thus all ends between us!"
|
|
|
|
She detaches herself from her simple-hearted companion and leaves the
|
|
room. Late in the afternoon, when she next appears upon the
|
|
staircase, she is in her haughtiest and coldest state. As indifferent
|
|
as if all passion, feeling, and interest had been worn out in the
|
|
earlier ages of the world and had perished from its surface with its
|
|
other departed monsters.
|
|
|
|
Mercury has announced Mr. Rouncewell, which is the cause of her
|
|
appearance. Mr. Rouncewell is not in the library, but she repairs to
|
|
the library. Sir Leicester is there, and she wishes to speak to him
|
|
first.
|
|
|
|
"Sir Leicester, I am desirous--but you are engaged."
|
|
|
|
Oh, dear no! Not at all. Only Mr. Tulkinghorn.
|
|
|
|
Always at hand. Haunting every place. No relief or security from him
|
|
for a moment.
|
|
|
|
"I beg your pardon, Lady Dedlock. Will you allow me to retire?"
|
|
|
|
With a look that plainly says, "You know you have the power to remain
|
|
if you will," she tells him it is not necessary and moves towards a
|
|
chair. Mr. Tulkinghorn brings it a little forward for her with his
|
|
clumsy bow and retires into a window opposite. Interposed between her
|
|
and the fading light of day in the now quiet street, his shadow falls
|
|
upon her, and he darkens all before her. Even so does he darken her
|
|
life.
|
|
|
|
It is a dull street under the best conditions, where the two long
|
|
rows of houses stare at each other with that severity that
|
|
half-a-dozen of its greatest mansions seem to have been slowly stared
|
|
into stone rather than originally built in that material. It is a
|
|
street of such dismal grandeur, so determined not to condescend to
|
|
liveliness, that the doors and windows hold a gloomy state of their
|
|
own in black paint and dust, and the echoing mews behind have a dry
|
|
and massive appearance, as if they were reserved to stable the stone
|
|
chargers of noble statues. Complicated garnish of iron-work entwines
|
|
itself over the flights of steps in this awful street, and from these
|
|
petrified bowers, extinguishers for obsolete flambeaux gasp at the
|
|
upstart gas. Here and there a weak little iron hoop, through which
|
|
bold boys aspire to throw their friends' caps (its only present use),
|
|
retains its place among the rusty foliage, sacred to the memory of
|
|
departed oil. Nay, even oil itself, yet lingering at long intervals
|
|
in a little absurd glass pot, with a knob in the bottom like an
|
|
oyster, blinks and sulks at newer lights every night, like its high
|
|
and dry master in the House of Lords.
|
|
|
|
Therefore there is not much that Lady Dedlock, seated in her chair,
|
|
could wish to see through the window in which Mr. Tulkinghorn stands.
|
|
And yet--and yet--she sends a look in that direction as if it were
|
|
her heart's desire to have that figure moved out of the way.
|
|
|
|
Sir Leicester begs his Lady's pardon. She was about to say?
|
|
|
|
"Only that Mr. Rouncewell is here (he has called by my appointment)
|
|
and that we had better make an end of the question of that girl. I am
|
|
tired to death of the matter."
|
|
|
|
"What can I do--to--assist?" demands Sir Leicester in some
|
|
considerable doubt.
|
|
|
|
"Let us see him here and have done with it. Will you tell them to
|
|
send him up?"
|
|
|
|
"Mr. Tulkinghorn, be so good as to ring. Thank you. Request," says
|
|
Sir Leicester to Mercury, not immediately remembering the business
|
|
term, "request the iron gentleman to walk this way."
|
|
|
|
Mercury departs in search of the iron gentleman, finds, and produces
|
|
him. Sir Leicester receives that ferruginous person graciously.
|
|
|
|
"I hope you are well, Mr. Rouncewell. Be seated. (My solicitor, Mr.
|
|
Tulkinghorn.) My Lady was desirous, Mr. Rouncewell," Sir Leicester
|
|
skilfully transfers him with a solemn wave of his hand, "was desirous
|
|
to speak with you. Hem!"
|
|
|
|
"I shall be very happy," returns the iron gentleman, "to give my best
|
|
attention to anything Lady Dedlock does me the honour to say."
|
|
|
|
As he turns towards her, he finds that the impression she makes upon
|
|
him is less agreeable than on the former occasion. A distant
|
|
supercilious air makes a cold atmosphere about her, and there is
|
|
nothing in her bearing, as there was before, to encourage openness.
|
|
|
|
"Pray, sir," says Lady Dedlock listlessly, "may I be allowed to
|
|
inquire whether anything has passed between you and your son
|
|
respecting your son's fancy?"
|
|
|
|
It is almost too troublesome to her languid eyes to bestow a look
|
|
upon him as she asks this question.
|
|
|
|
"If my memory serves me, Lady Dedlock, I said, when I had the
|
|
pleasure of seeing you before, that I should seriously advise my son
|
|
to conquer that--fancy." The ironmaster repeats her expression with a
|
|
little emphasis.
|
|
|
|
"And did you?"
|
|
|
|
"Oh! Of course I did."
|
|
|
|
Sir Leicester gives a nod, approving and confirmatory. Very proper.
|
|
The iron gentleman, having said that he would do it, was bound to do
|
|
it. No difference in this respect between the base metals and the
|
|
precious. Highly proper.
|
|
|
|
"And pray has he done so?"
|
|
|
|
"Really, Lady Dedlock, I cannot make you a definite reply. I fear
|
|
not. Probably not yet. In our condition of life, we sometimes couple
|
|
an intention with our--our fancies which renders them not altogether
|
|
easy to throw off. I think it is rather our way to be in earnest."
|
|
|
|
Sir Leicester has a misgiving that there may be a hidden Wat Tylerish
|
|
meaning in this expression, and fumes a little. Mr. Rouncewell is
|
|
perfectly good-humoured and polite, but within such limits, evidently
|
|
adapts his tone to his reception.
|
|
|
|
"Because," proceeds my Lady, "I have been thinking of the subject,
|
|
which is tiresome to me."
|
|
|
|
"I am very sorry, I am sure."
|
|
|
|
"And also of what Sir Leicester said upon it, in which I quite
|
|
concur"--Sir Leicester flattered--"and if you cannot give us the
|
|
assurance that this fancy is at an end, I have come to the conclusion
|
|
that the girl had better leave me."
|
|
|
|
"I can give no such assurance, Lady Dedlock. Nothing of the kind."
|
|
|
|
"Then she had better go."
|
|
|
|
"Excuse me, my Lady," Sir Leicester considerately interposes, "but
|
|
perhaps this may be doing an injury to the young woman which she has
|
|
not merited. Here is a young woman," says Sir Leicester,
|
|
magnificently laying out the matter with his right hand like a
|
|
service of plate, "whose good fortune it is to have attracted the
|
|
notice and favour of an eminent lady and to live, under the
|
|
protection of that eminent lady, surrounded by the various advantages
|
|
which such a position confers, and which are unquestionably very
|
|
great--I believe unquestionably very great, sir--for a young woman in
|
|
that station of life. The question then arises, should that young
|
|
woman be deprived of these many advantages and that good fortune
|
|
simply because she has"--Sir Leicester, with an apologetic but
|
|
dignified inclination of his head towards the ironmaster, winds up
|
|
his sentence--"has attracted the notice of Mr Rouncewell's son? Now,
|
|
has she deserved this punishment? Is this just towards her? Is this
|
|
our previous understanding?"
|
|
|
|
"I beg your pardon," interposes Mr. Rouncewell's son's father. "Sir
|
|
Leicester, will you allow me? I think I may shorten the subject. Pray
|
|
dismiss that from your consideration. If you remember anything so
|
|
unimportant--which is not to be expected--you would recollect that my
|
|
first thought in the affair was directly opposed to her remaining
|
|
here."
|
|
|
|
Dismiss the Dedlock patronage from consideration? Oh! Sir Leicester
|
|
is bound to believe a pair of ears that have been handed down to him
|
|
through such a family, or he really might have mistrusted their
|
|
report of the iron gentleman's observations.
|
|
|
|
"It is not necessary," observes my Lady in her coldest manner before
|
|
he can do anything but breathe amazedly, "to enter into these matters
|
|
on either side. The girl is a very good girl; I have nothing whatever
|
|
to say against her, but she is so far insensible to her many
|
|
advantages and her good fortune that she is in love--or supposes she
|
|
is, poor little fool--and unable to appreciate them."
|
|
|
|
Sir Leicester begs to observe that wholly alters the case. He might
|
|
have been sure that my Lady had the best grounds and reasons in
|
|
support of her view. He entirely agrees with my Lady. The young woman
|
|
had better go.
|
|
|
|
"As Sir Leicester observed, Mr. Rouncewell, on the last occasion when
|
|
we were fatigued by this business," Lady Dedlock languidly proceeds,
|
|
"we cannot make conditions with you. Without conditions, and under
|
|
present circumstances, the girl is quite misplaced here and had
|
|
better go. I have told her so. Would you wish to have her sent back
|
|
to the village, or would you like to take her with you, or what would
|
|
you prefer?"
|
|
|
|
"Lady Dedlock, if I may speak plainly--"
|
|
|
|
"By all means."
|
|
|
|
"--I should prefer the course which will the soonest relieve you of
|
|
the incumbrance and remove her from her present position."
|
|
|
|
"And to speak as plainly," she returns with the same studied
|
|
carelessness, "so should I. Do I understand that you will take her
|
|
with you?"
|
|
|
|
The iron gentleman makes an iron bow.
|
|
|
|
"Sir Leicester, will you ring?" Mr. Tulkinghorn steps forward from
|
|
his window and pulls the bell. "I had forgotten you. Thank you." He
|
|
makes his usual bow and goes quietly back again. Mercury,
|
|
swift-responsive, appears, receives instructions whom to produce,
|
|
skims away, produces the aforesaid, and departs.
|
|
|
|
Rosa has been crying and is yet in distress. On her coming in, the
|
|
ironmaster leaves his chair, takes her arm in his, and remains with
|
|
her near the door ready to depart.
|
|
|
|
"You are taken charge of, you see," says my Lady in her weary manner,
|
|
"and are going away well protected. I have mentioned that you are a
|
|
very good girl, and you have nothing to cry for."
|
|
|
|
"She seems after all," observes Mr. Tulkinghorn, loitering a little
|
|
forward with his hands behind him, "as if she were crying at going
|
|
away."
|
|
|
|
"Why, she is not well-bred, you see," returns Mr. Rouncewell with
|
|
some quickness in his manner, as if he were glad to have the lawyer
|
|
to retort upon, "and she is an inexperienced little thing and knows
|
|
no better. If she had remained here, sir, she would have improved, no
|
|
doubt."
|
|
|
|
"No doubt," is Mr. Tulkinghorn's composed reply.
|
|
|
|
Rosa sobs out that she is very sorry to leave my Lady, and that she
|
|
was happy at Chesney Wold, and has been happy with my Lady, and that
|
|
she thanks my Lady over and over again. "Out, you silly little puss!"
|
|
says the ironmaster, checking her in a low voice, though not angrily.
|
|
"Have a spirit, if you're fond of Watt!" My Lady merely waves her off
|
|
with indifference, saying, "There, there, child! You are a good girl.
|
|
Go away!" Sir Leicester has magnificently disengaged himself from the
|
|
subject and retired into the sanctuary of his blue coat. Mr.
|
|
Tulkinghorn, an indistinct form against the dark street now dotted
|
|
with lamps, looms in my Lady's view, bigger and blacker than before.
|
|
|
|
"Sir Leicester and Lady Dedlock," says Mr. Rouncewell after a pause
|
|
of a few moments, "I beg to take my leave, with an apology for having
|
|
again troubled you, though not of my own act, on this tiresome
|
|
subject. I can very well understand, I assure you, how tiresome so
|
|
small a matter must have become to Lady Dedlock. If I am doubtful of
|
|
my dealing with it, it is only because I did not at first quietly
|
|
exert my influence to take my young friend here away without
|
|
troubling you at all. But it appeared to me--I dare say magnifying
|
|
the importance of the thing--that it was respectful to explain to you
|
|
how the matter stood and candid to consult your wishes and
|
|
convenience. I hope you will excuse my want of acquaintance with the
|
|
polite world."
|
|
|
|
Sir Leicester considers himself evoked out of the sanctuary by these
|
|
remarks. "Mr. Rouncewell," he returns, "do not mention it.
|
|
Justifications are unnecessary, I hope, on either side."
|
|
|
|
"I am glad to hear it, Sir Leicester; and if I may, by way of a last
|
|
word, revert to what I said before of my mother's long connexion with
|
|
the family and the worth it bespeaks on both sides, I would point out
|
|
this little instance here on my arm who shows herself so affectionate
|
|
and faithful in parting and in whom my mother, I dare say, has done
|
|
something to awaken such feelings--though of course Lady Dedlock, by
|
|
her heartfelt interest and her genial condescension, has done much
|
|
more."
|
|
|
|
If he mean this ironically, it may be truer than he thinks. He points
|
|
it, however, by no deviation from his straightforward manner of
|
|
speech, though in saying it he turns towards that part of the dim
|
|
room where my Lady sits. Sir Leicester stands to return his parting
|
|
salutation, Mr. Tulkinghorn again rings, Mercury takes another
|
|
flight, and Mr. Rouncewell and Rosa leave the house.
|
|
|
|
Then lights are brought in, discovering Mr. Tulkinghorn still
|
|
standing in his window with his hands behind him and my Lady still
|
|
sitting with his figure before her, closing up her view of the night
|
|
as well as of the day. She is very pale. Mr. Tulkinghorn, observing
|
|
it as she rises to retire, thinks, "Well she may be! The power of
|
|
this woman is astonishing. She has been acting a part the whole
|
|
time." But he can act a part too--his one unchanging character--and
|
|
as he holds the door open for this woman, fifty pairs of eyes, each
|
|
fifty times sharper than Sir Leicester's pair, should find no flaw in
|
|
him.
|
|
|
|
Lady Dedlock dines alone in her own room to-day. Sir Leicester is
|
|
whipped in to the rescue of the Doodle Party and the discomfiture of
|
|
the Coodle Faction. Lady Dedlock asks on sitting down to dinner,
|
|
still deadly pale (and quite an illustration of the debilitated
|
|
cousin's text), whether he is gone out? Yes. Whether Mr. Tulkinghorn
|
|
is gone yet? No. Presently she asks again, is he gone YET? No. What
|
|
is he doing? Mercury thinks he is writing letters in the library.
|
|
Would my Lady wish to see him? Anything but that.
|
|
|
|
But he wishes to see my Lady. Within a few more minutes he is
|
|
reported as sending his respects, and could my Lady please to receive
|
|
him for a word or two after her dinner? My Lady will receive him now.
|
|
He comes now, apologizing for intruding, even by her permission,
|
|
while she is at table. When they are alone, my Lady waves her hand to
|
|
dispense with such mockeries.
|
|
|
|
"What do you want, sir?"
|
|
|
|
"Why, Lady Dedlock," says the lawyer, taking a chair at a little
|
|
distance from her and slowly rubbing his rusty legs up and down, up
|
|
and down, up and down, "I am rather surprised by the course you have
|
|
taken."
|
|
|
|
"Indeed?"
|
|
|
|
"Yes, decidedly. I was not prepared for it. I consider it a departure
|
|
from our agreement and your promise. It puts us in a new position,
|
|
Lady Dedlock. I feel myself under the necessity of saying that I
|
|
don't approve of it."
|
|
|
|
He stops in his rubbing and looks at her, with his hands on his
|
|
knees. Imperturbable and unchangeable as he is, there is still an
|
|
indefinable freedom in his manner which is new and which does not
|
|
escape this woman's observation.
|
|
|
|
"I do not quite understand you."
|
|
|
|
"Oh, yes you do, I think. I think you do. Come, come, Lady Dedlock,
|
|
we must not fence and parry now. You know you like this girl."
|
|
|
|
"Well, sir?"
|
|
|
|
"And you know--and I know--that you have not sent her away for the
|
|
reasons you have assigned, but for the purpose of separating her as
|
|
much as possible from--excuse my mentioning it as a matter of
|
|
business--any reproach and exposure that impend over yourself."
|
|
|
|
"Well, sir?"
|
|
|
|
"Well, Lady Dedlock," returns the lawyer, crossing his legs and
|
|
nursing the uppermost knee. "I object to that. I consider that a
|
|
dangerous proceeding. I know it to be unnecessary and calculated to
|
|
awaken speculation, doubt, rumour, I don't know what, in the house.
|
|
Besides, it is a violation of our agreement. You were to be exactly
|
|
what you were before. Whereas, it must be evident to yourself, as it
|
|
is to me, that you have been this evening very different from what
|
|
you were before. Why, bless my soul, Lady Dedlock, transparently so!"
|
|
|
|
"If, sir," she begins, "in my knowledge of my secret--" But he
|
|
interrupts her.
|
|
|
|
"Now, Lady Dedlock, this is a matter of business, and in a matter of
|
|
business the ground cannot be kept too clear. It is no longer your
|
|
secret. Excuse me. That is just the mistake. It is my secret, in
|
|
trust for Sir Leicester and the family. If it were your secret, Lady
|
|
Dedlock, we should not be here holding this conversation."
|
|
|
|
"That is very true. If in my knowledge of THE secret I do what I can
|
|
to spare an innocent girl (especially, remembering your own reference
|
|
to her when you told my story to the assembled guests at Chesney
|
|
Wold) from the taint of my impending shame, I act upon a resolution I
|
|
have taken. Nothing in the world, and no one in the world, could
|
|
shake it or could move me." This she says with great deliberation and
|
|
distinctness and with no more outward passion than himself. As for
|
|
him, he methodically discusses his matter of business as if she were
|
|
any insensible instrument used in business.
|
|
|
|
"Really? Then you see, Lady Dedlock," he returns, "you are not to be
|
|
trusted. You have put the case in a perfectly plain way, and
|
|
according to the literal fact; and that being the case, you are not
|
|
to be trusted."
|
|
|
|
"Perhaps you may remember that I expressed some anxiety on this same
|
|
point when we spoke at night at Chesney Wold?"
|
|
|
|
"Yes," says Mr. Tulkinghorn, coolly getting up and standing on the
|
|
hearth. "Yes. I recollect, Lady Dedlock, that you certainly referred
|
|
to the girl, but that was before we came to our arrangement, and both
|
|
the letter and the spirit of our arrangement altogether precluded any
|
|
action on your part founded upon my discovery. There can be no doubt
|
|
about that. As to sparing the girl, of what importance or value is
|
|
she? Spare! Lady Dedlock, here is a family name compromised. One
|
|
might have supposed that the course was straight on--over everything,
|
|
neither to the right nor to the left, regardless of all
|
|
considerations in the way, sparing nothing, treading everything under
|
|
foot."
|
|
|
|
She has been looking at the table. She lifts up her eyes and looks at
|
|
him. There is a stern expression on her face and a part of her lower
|
|
lip is compressed under her teeth. "This woman understands me," Mr.
|
|
Tulkinghorn thinks as she lets her glance fall again. "SHE cannot be
|
|
spared. Why should she spare others?"
|
|
|
|
For a little while they are silent. Lady Dedlock has eaten no dinner,
|
|
but has twice or thrice poured out water with a steady hand and drunk
|
|
it. She rises from table, takes a lounging-chair, and reclines in it,
|
|
shading her face. There is nothing in her manner to express weakness
|
|
or excite compassion. It is thoughtful, gloomy, concentrated. "This
|
|
woman," thinks Mr. Tulkinghorn, standing on the hearth, again a dark
|
|
object closing up her view, "is a study."
|
|
|
|
He studies her at his leisure, not speaking for a time. She too
|
|
studies something at her leisure. She is not the first to speak,
|
|
appearing indeed so unlikely to be so, though he stood there until
|
|
midnight, that even he is driven upon breaking silence.
|
|
|
|
"Lady Dedlock, the most disagreeable part of this business interview
|
|
remains, but it is business. Our agreement is broken. A lady of your
|
|
sense and strength of character will be prepared for my now declaring
|
|
it void and taking my own course."
|
|
|
|
"I am quite prepared."
|
|
|
|
Mr. Tulkinghorn inclines his head. "That is all I have to trouble you
|
|
with, Lady Dedlock."
|
|
|
|
She stops him as he is moving out of the room by asking, "This is the
|
|
notice I was to receive? I wish not to misapprehend you."
|
|
|
|
"Not exactly the notice you were to receive, Lady Dedlock, because
|
|
the contemplated notice supposed the agreement to have been observed.
|
|
But virtually the same, virtually the same. The difference is merely
|
|
in a lawyer's mind."
|
|
|
|
"You intend to give me no other notice?"
|
|
|
|
"You are right. No."
|
|
|
|
"Do you contemplate undeceiving Sir Leicester to-night?"
|
|
|
|
"A home question!" says Mr. Tulkinghorn with a slight smile and
|
|
cautiously shaking his head at the shaded face. "No, not to-night."
|
|
|
|
"To-morrow?"
|
|
|
|
"All things considered, I had better decline answering that question,
|
|
Lady Dedlock. If I were to say I don't know when, exactly, you would
|
|
not believe me, and it would answer no purpose. It may be to-morrow.
|
|
I would rather say no more. You are prepared, and I hold out no
|
|
expectations which circumstances might fail to justify. I wish you
|
|
good evening."
|
|
|
|
She removes her hand, turns her pale face towards him as he walks
|
|
silently to the door, and stops him once again as he is about to open
|
|
it.
|
|
|
|
"Do you intend to remain in the house any time? I heard you were
|
|
writing in the library. Are you going to return there?"
|
|
|
|
"Only for my hat. I am going home."
|
|
|
|
She bows her eyes rather than her head, the movement is so slight and
|
|
curious, and he withdraws. Clear of the room he looks at his watch
|
|
but is inclined to doubt it by a minute or thereabouts. There is a
|
|
splendid clock upon the staircase, famous, as splendid clocks not
|
|
often are, for its accuracy. "And what do YOU say," Mr. Tulkinghorn
|
|
inquires, referring to it. "What do you say?"
|
|
|
|
If it said now, "Don't go home!" What a famous clock, hereafter, if
|
|
it said to-night of all the nights that it has counted off, to this
|
|
old man of all the young and old men who have ever stood before it,
|
|
"Don't go home!" With its sharp clear bell it strikes three quarters
|
|
after seven and ticks on again. "Why, you are worse than I thought
|
|
you," says Mr. Tulkinghorn, muttering reproof to his watch. "Two
|
|
minutes wrong? At this rate you won't last my time." What a watch to
|
|
return good for evil if it ticked in answer, "Don't go home!"
|
|
|
|
He passes out into the streets and walks on, with his hands behind
|
|
him, under the shadow of the lofty houses, many of whose mysteries,
|
|
difficulties, mortgages, delicate affairs of all kinds, are treasured
|
|
up within his old black satin waistcoat. He is in the confidence of
|
|
the very bricks and mortar. The high chimney-stacks telegraph family
|
|
secrets to him. Yet there is not a voice in a mile of them to
|
|
whisper, "Don't go home!"
|
|
|
|
Through the stir and motion of the commoner streets; through the roar
|
|
and jar of many vehicles, many feet, many voices; with the blazing
|
|
shop-lights lighting him on, the west wind blowing him on, and the
|
|
crowd pressing him on, he is pitilessly urged upon his way, and
|
|
nothing meets him murmuring, "Don't go home!" Arrived at last in his
|
|
dull room to light his candles, and look round and up, and see the
|
|
Roman pointing from the ceiling, there is no new significance in the
|
|
Roman's hand to-night or in the flutter of the attendant groups to
|
|
give him the late warning, "Don't come here!"
|
|
|
|
It is a moonlight night, but the moon, being past the full, is only
|
|
now rising over the great wilderness of London. The stars are shining
|
|
as they shone above the turret-leads at Chesney Wold. This woman, as
|
|
he has of late been so accustomed to call her, looks out upon them.
|
|
Her soul is turbulent within her; she is sick at heart and restless.
|
|
The large rooms are too cramped and close. She cannot endure their
|
|
restraint and will walk alone in a neighbouring garden.
|
|
|
|
Too capricious and imperious in all she does to be the cause of much
|
|
surprise in those about her as to anything she does, this woman,
|
|
loosely muffled, goes out into the moonlight. Mercury attends with
|
|
the key. Having opened the garden-gate, he delivers the key into his
|
|
Lady's hands at her request and is bidden to go back. She will walk
|
|
there some time to ease her aching head. She may be an hour, she may
|
|
be more. She needs no further escort. The gate shuts upon its spring
|
|
with a clash, and he leaves her passing on into the dark shade of
|
|
some trees.
|
|
|
|
A fine night, and a bright large moon, and multitudes of stars. Mr.
|
|
Tulkinghorn, in repairing to his cellar and in opening and shutting
|
|
those resounding doors, has to cross a little prison-like yard. He
|
|
looks up casually, thinking what a fine night, what a bright large
|
|
moon, what multitudes of stars! A quiet night, too.
|
|
|
|
A very quiet night. When the moon shines very brilliantly, a solitude
|
|
and stillness seem to proceed from her that influence even crowded
|
|
places full of life. Not only is it a still night on dusty high roads
|
|
and on hill-summits, whence a wide expanse of country may be seen in
|
|
repose, quieter and quieter as it spreads away into a fringe of trees
|
|
against the sky with the grey ghost of a bloom upon them; not only is
|
|
it a still night in gardens and in woods, and on the river where the
|
|
water-meadows are fresh and green, and the stream sparkles on among
|
|
pleasant islands, murmuring weirs, and whispering rushes; not only
|
|
does the stillness attend it as it flows where houses cluster thick,
|
|
where many bridges are reflected in it, where wharves and shipping
|
|
make it black and awful, where it winds from these disfigurements
|
|
through marshes whose grim beacons stand like skeletons washed
|
|
ashore, where it expands through the bolder region of rising grounds,
|
|
rich in cornfield wind-mill and steeple, and where it mingles with
|
|
the ever-heaving sea; not only is it a still night on the deep, and
|
|
on the shore where the watcher stands to see the ship with her spread
|
|
wings cross the path of light that appears to be presented to only
|
|
him; but even on this stranger's wilderness of London there is some
|
|
rest. Its steeples and towers and its one great dome grow more
|
|
ethereal; its smoky house-tops lose their grossness in the pale
|
|
effulgence; the noises that arise from the streets are fewer and are
|
|
softened, and the footsteps on the pavements pass more tranquilly
|
|
away. In these fields of Mr. Tulkinghorn's inhabiting, where the
|
|
shepherds play on Chancery pipes that have no stop, and keep their
|
|
sheep in the fold by hook and by crook until they have shorn them
|
|
exceeding close, every noise is merged, this moonlight night, into a
|
|
distant ringing hum, as if the city were a vast glass, vibrating.
|
|
|
|
What's that? Who fired a gun or pistol? Where was it?
|
|
|
|
The few foot-passengers start, stop, and stare about them. Some
|
|
windows and doors are opened, and people come out to look. It was a
|
|
loud report and echoed and rattled heavily. It shook one house, or so
|
|
a man says who was passing. It has aroused all the dogs in the
|
|
neighbourhood, who bark vehemently. Terrified cats scamper across the
|
|
road. While the dogs are yet barking and howling--there is one dog
|
|
howling like a demon--the church-clocks, as if they were startled
|
|
too, begin to strike. The hum from the streets, likewise, seems to
|
|
swell into a shout. But it is soon over. Before the last clock begins
|
|
to strike ten, there is a lull. When it has ceased, the fine night,
|
|
the bright large moon, and multitudes of stars, are left at peace
|
|
again.
|
|
|
|
Has Mr. Tulkinghorn been disturbed? His windows are dark and quiet,
|
|
and his door is shut. It must be something unusual indeed to bring
|
|
him out of his shell. Nothing is heard of him, nothing is seen of
|
|
him. What power of cannon might it take to shake that rusty old man
|
|
out of his immovable composure?
|
|
|
|
For many years the persistent Roman has been pointing, with no
|
|
particular meaning, from that ceiling. It is not likely that he has
|
|
any new meaning in him to-night. Once pointing, always pointing--like
|
|
any Roman, or even Briton, with a single idea. There he is, no doubt,
|
|
in his impossible attitude, pointing, unavailingly, all night long.
|
|
Moonlight, darkness, dawn, sunrise, day. There he is still, eagerly
|
|
pointing, and no one minds him.
|
|
|
|
But a little after the coming of the day come people to clean the
|
|
rooms. And either the Roman has some new meaning in him, not
|
|
expressed before, or the foremost of them goes wild, for looking up
|
|
at his outstretched hand and looking down at what is below it, that
|
|
person shrieks and flies. The others, looking in as the first one
|
|
looked, shriek and fly too, and there is an alarm in the street.
|
|
|
|
What does it mean? No light is admitted into the darkened chamber,
|
|
and people unaccustomed to it enter, and treading softly but heavily,
|
|
carry a weight into the bedroom and lay it down. There is whispering
|
|
and wondering all day, strict search of every corner, careful tracing
|
|
of steps, and careful noting of the disposition of every article of
|
|
furniture. All eyes look up at the Roman, and all voices murmur, "If
|
|
he could only tell what he saw!"
|
|
|
|
He is pointing at a table with a bottle (nearly full of wine) and a
|
|
glass upon it and two candles that were blown out suddenly soon after
|
|
being lighted. He is pointing at an empty chair and at a stain upon
|
|
the ground before it that might be almost covered with a hand. These
|
|
objects lie directly within his range. An excited imagination might
|
|
suppose that there was something in them so terrific as to drive the
|
|
rest of the composition, not only the attendant big-legged boys, but
|
|
the clouds and flowers and pillars too--in short, the very body and
|
|
soul of Allegory, and all the brains it has--stark mad. It happens
|
|
surely that every one who comes into the darkened room and looks at
|
|
these things looks up at the Roman and that he is invested in all
|
|
eyes with mystery and awe, as if he were a paralysed dumb witness.
|
|
|
|
So it shall happen surely, through many years to come, that ghostly
|
|
stories shall be told of the stain upon the floor, so easy to be
|
|
covered, so hard to be got out, and that the Roman, pointing from the
|
|
ceiling shall point, so long as dust and damp and spiders spare him,
|
|
with far greater significance than he ever had in Mr. Tulkinghorn's
|
|
time, and with a deadly meaning. For Mr. Tulkinghorn's time is over
|
|
for evermore, and the Roman pointed at the murderous hand uplifted
|
|
against his life, and pointed helplessly at him, from night to
|
|
morning, lying face downward on the floor, shot through the heart.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLIX
|
|
|
|
Dutiful Friendship
|
|
|
|
|
|
A great annual occasion has come round in the establishment of Mr.
|
|
Matthew Bagnet, otherwise Lignum Vitae, ex-artilleryman and present
|
|
bassoon-player. An occasion of feasting and festival. The celebration
|
|
of a birthday in the family.
|
|
|
|
It is not Mr. Bagnet's birthday. Mr. Bagnet merely distinguishes that
|
|
epoch in the musical instrument business by kissing the children with
|
|
an extra smack before breakfast, smoking an additional pipe after
|
|
dinner, and wondering towards evening what his poor old mother is
|
|
thinking about it--a subject of infinite speculation, and rendered so
|
|
by his mother having departed this life twenty years. Some men rarely
|
|
revert to their father, but seem, in the bank-books of their
|
|
remembrance, to have transferred all the stock of filial affection
|
|
into their mother's name. Mr. Bagnet is one of these. Perhaps his
|
|
exalted appreciation of the merits of the old girl causes him usually
|
|
to make the noun-substantive "goodness" of the feminine gender.
|
|
|
|
It is not the birthday of one of the three children. Those occasions
|
|
are kept with some marks of distinction, but they rarely overleap the
|
|
bounds of happy returns and a pudding. On young Woolwich's last
|
|
birthday, Mr. Bagnet certainly did, after observing on his growth and
|
|
general advancement, proceed, in a moment of profound reflection on
|
|
the changes wrought by time, to examine him in the catechism,
|
|
accomplishing with extreme accuracy the questions number one and two,
|
|
"What is your name?" and "Who gave you that name?" but there failing
|
|
in the exact precision of his memory and substituting for number
|
|
three the question "And how do you like that name?" which he
|
|
propounded with a sense of its importance, in itself so edifying and
|
|
improving as to give it quite an orthodox air. This, however, was a
|
|
speciality on that particular birthday, and not a general solemnity.
|
|
|
|
It is the old girl's birthday, and that is the greatest holiday and
|
|
reddest-letter day in Mr. Bagnet's calendar. The auspicious event is
|
|
always commemorated according to certain forms settled and prescribed
|
|
by Mr. Bagnet some years since. Mr. Bagnet, being deeply convinced
|
|
that to have a pair of fowls for dinner is to attain the highest
|
|
pitch of imperial luxury, invariably goes forth himself very early in
|
|
the morning of this day to buy a pair; he is, as invariably, taken in
|
|
by the vendor and installed in the possession of the oldest
|
|
inhabitants of any coop in Europe. Returning with these triumphs of
|
|
toughness tied up in a clean blue and white cotton handkerchief
|
|
(essential to the arrangements), he in a casual manner invites Mrs.
|
|
Bagnet to declare at breakfast what she would like for dinner. Mrs.
|
|
Bagnet, by a coincidence never known to fail, replying fowls, Mr.
|
|
Bagnet instantly produces his bundle from a place of concealment
|
|
amidst general amazement and rejoicing. He further requires that the
|
|
old girl shall do nothing all day long but sit in her very best gown
|
|
and be served by himself and the young people. As he is not
|
|
illustrious for his cookery, this may be supposed to be a matter of
|
|
state rather than enjoyment on the old girl's part, but she keeps her
|
|
state with all imaginable cheerfulness.
|
|
|
|
On this present birthday, Mr. Bagnet has accomplished the usual
|
|
preliminaries. He has bought two specimens of poultry, which, if
|
|
there be any truth in adages, were certainly not caught with chaff,
|
|
to be prepared for the spit; he has amazed and rejoiced the family by
|
|
their unlooked-for production; he is himself directing the roasting
|
|
of the poultry; and Mrs. Bagnet, with her wholesome brown fingers
|
|
itching to prevent what she sees going wrong, sits in her gown of
|
|
ceremony, an honoured guest.
|
|
|
|
Quebec and Malta lay the cloth for dinner, while Woolwich, serving,
|
|
as beseems him, under his father, keeps the fowls revolving. To these
|
|
young scullions Mrs. Bagnet occasionally imparts a wink, or a shake
|
|
of the head, or a crooked face, as they made mistakes.
|
|
|
|
"At half after one." Says Mr. Bagnet. "To the minute. They'll be
|
|
done."
|
|
|
|
Mrs. Bagnet, with anguish, beholds one of them at a standstill before
|
|
the fire and beginning to burn.
|
|
|
|
"You shall have a dinner, old girl," says Mr. Bagnet. "Fit for a
|
|
queen."
|
|
|
|
Mrs. Bagnet shows her white teeth cheerfully, but to the perception
|
|
of her son, betrays so much uneasiness of spirit that he is impelled
|
|
by the dictates of affection to ask her, with his eyes, what is the
|
|
matter, thus standing, with his eyes wide open, more oblivious of the
|
|
fowls than before, and not affording the least hope of a return to
|
|
consciousness. Fortunately his elder sister perceives the cause of
|
|
the agitation in Mrs. Bagnet's breast and with an admonitory poke
|
|
recalls him. The stopped fowls going round again, Mrs. Bagnet closes
|
|
her eyes in the intensity of her relief.
|
|
|
|
"George will look us up," says Mr. Bagnet. "At half after four. To
|
|
the moment. How many years, old girl. Has George looked us up. This
|
|
afternoon?"
|
|
|
|
"Ah, Lignum, Lignum, as many as make an old woman of a young one, I
|
|
begin to think. Just about that, and no less," returns Mrs. Bagnet,
|
|
laughing and shaking her head.
|
|
|
|
"Old girl," says Mr. Bagnet, "never mind. You'd be as young as ever
|
|
you was. If you wasn't younger. Which you are. As everybody knows."
|
|
|
|
Quebec and Malta here exclaim, with clapping of hands, that Bluffy is
|
|
sure to bring mother something, and begin to speculate on what it
|
|
will be.
|
|
|
|
"Do you know, Lignum," says Mrs. Bagnet, casting a glance on the
|
|
table-cloth, and winking "salt!" at Malta with her right eye, and
|
|
shaking the pepper away from Quebec with her head, "I begin to think
|
|
George is in the roving way again.
|
|
|
|
"George," returns Mr. Bagnet, "will never desert. And leave his old
|
|
comrade. In the lurch. Don't be afraid of it."
|
|
|
|
"No, Lignum. No. I don't say he will. I don't think he will. But if
|
|
he could get over this money trouble of his, I believe he would be
|
|
off."
|
|
|
|
Mr. Bagnet asks why.
|
|
|
|
"Well," returns his wife, considering, "George seems to me to be
|
|
getting not a little impatient and restless. I don't say but what
|
|
he's as free as ever. Of course he must be free or he wouldn't be
|
|
George, but he smarts and seems put out."
|
|
|
|
"He's extra-drilled," says Mr. Bagnet. "By a lawyer. Who would put
|
|
the devil out."
|
|
|
|
"There's something in that," his wife assents; "but so it is,
|
|
Lignum."
|
|
|
|
Further conversation is prevented, for the time, by the necessity
|
|
under which Mr. Bagnet finds himself of directing the whole force of
|
|
his mind to the dinner, which is a little endangered by the dry
|
|
humour of the fowls in not yielding any gravy, and also by the made
|
|
gravy acquiring no flavour and turning out of a flaxen complexion.
|
|
With a similar perverseness, the potatoes crumble off forks in the
|
|
process of peeling, upheaving from their centres in every direction,
|
|
as if they were subject to earthquakes. The legs of the fowls, too,
|
|
are longer than could be desired, and extremely scaly. Overcoming
|
|
these disadvantages to the best of his ability, Mr. Bagnet at last
|
|
dishes and they sit down at table, Mrs. Bagnet occupying the guest's
|
|
place at his right hand.
|
|
|
|
It is well for the old girl that she has but one birthday in a year,
|
|
for two such indulgences in poultry might be injurious. Every kind of
|
|
finer tendon and ligament that is in the nature of poultry to possess
|
|
is developed in these specimens in the singular form of
|
|
guitar-strings. Their limbs appear to have struck roots into their
|
|
breasts and bodies, as aged trees strike roots into the earth. Their
|
|
legs are so hard as to encourage the idea that they must have devoted
|
|
the greater part of their long and arduous lives to pedestrian
|
|
exercises and the walking of matches. But Mr. Bagnet, unconscious of
|
|
these little defects, sets his heart on Mrs. Bagnet eating a most
|
|
severe quantity of the delicacies before her; and as that good old
|
|
girl would not cause him a moment's disappointment on any day, least
|
|
of all on such a day, for any consideration, she imperils her
|
|
digestion fearfully. How young Woolwich cleans the drum-sticks
|
|
without being of ostrich descent, his anxious mother is at a loss to
|
|
understand.
|
|
|
|
The old girl has another trial to undergo after the conclusion of the
|
|
repast in sitting in state to see the room cleared, the hearth swept,
|
|
and the dinner-service washed up and polished in the backyard. The
|
|
great delight and energy with which the two young ladies apply
|
|
themselves to these duties, turning up their skirts in imitation of
|
|
their mother and skating in and out on little scaffolds of pattens,
|
|
inspire the highest hopes for the future, but some anxiety for the
|
|
present. The same causes lead to confusion of tongues, a clattering
|
|
of crockery, a rattling of tin mugs, a whisking of brooms, and an
|
|
expenditure of water, all in excess, while the saturation of the
|
|
young ladies themselves is almost too moving a spectacle for Mrs.
|
|
Bagnet to look upon with the calmness proper to her position. At last
|
|
the various cleansing processes are triumphantly completed; Quebec
|
|
and Malta appear in fresh attire, smiling and dry; pipes, tobacco,
|
|
and something to drink are placed upon the table; and the old girl
|
|
enjoys the first peace of mind she ever knows on the day of this
|
|
delightful entertainment.
|
|
|
|
When Mr. Bagnet takes his usual seat, the hands of the clock are very
|
|
near to half-past four; as they mark it accurately, Mr. Bagnet
|
|
announces, "George! Military time."
|
|
|
|
It is George, and he has hearty congratulations for the old girl
|
|
(whom he kisses on the great occasion), and for the children, and for
|
|
Mr. Bagnet. "Happy returns to all!" says Mr. George.
|
|
|
|
"But, George, old man!" cries Mrs. Bagnet, looking at him curiously.
|
|
"What's come to you?"
|
|
|
|
"Come to me?"
|
|
|
|
"Ah! You are so white, George--for you--and look so shocked. Now
|
|
don't he, Lignum?"
|
|
|
|
"George," says Mr. Bagnet, "tell the old girl. What's the matter."
|
|
|
|
"I didn't know I looked white," says the trooper, passing his hand
|
|
over his brow, "and I didn't know I looked shocked, and I'm sorry I
|
|
do. But the truth is, that boy who was taken in at my place died
|
|
yesterday afternoon, and it has rather knocked me over."
|
|
|
|
"Poor creetur!" says Mrs. Bagnet with a mother's pity. "Is he gone?
|
|
Dear, dear!"
|
|
|
|
"I didn't mean to say anything about it, for it's not birthday talk,
|
|
but you have got it out of me, you see, before I sit down. I should
|
|
have roused up in a minute," says the trooper, making himself speak
|
|
more gaily, "but you're so quick, Mrs. Bagnet."
|
|
|
|
"You're right. The old girl," says Mr. Bagnet. "Is as quick. As
|
|
powder."
|
|
|
|
"And what's more, she's the subject of the day, and we'll stick to
|
|
her," cries Mr. George. "See here, I have brought a little brooch
|
|
along with me. It's a poor thing, you know, but it's a keepsake.
|
|
That's all the good it is, Mrs. Bagnet."
|
|
|
|
Mr. George produces his present, which is greeted with admiring
|
|
leapings and clappings by the young family, and with a species of
|
|
reverential admiration by Mr. Bagnet. "Old girl," says Mr. Bagnet.
|
|
"Tell him my opinion of it."
|
|
|
|
"Why, it's a wonder, George!" Mrs. Bagnet exclaims. "It's the
|
|
beautifullest thing that ever was seen!"
|
|
|
|
"Good!" says Mr. Bagnet. "My opinion."
|
|
|
|
"It's so pretty, George," cries Mrs. Bagnet, turning it on all sides
|
|
and holding it out at arm's length, "that it seems too choice for
|
|
me."
|
|
|
|
"Bad!" says Mr. Bagnet. "Not my opinion."
|
|
|
|
"But whatever it is, a hundred thousand thanks, old fellow," says
|
|
Mrs. Bagnet, her eyes sparkling with pleasure and her hand stretched
|
|
out to him; "and though I have been a crossgrained soldier's wife to
|
|
you sometimes, George, we are as strong friends, I am sure, in
|
|
reality, as ever can be. Now you shall fasten it on yourself, for
|
|
good luck, if you will, George."
|
|
|
|
The children close up to see it done, and Mr. Bagnet looks over young
|
|
Woolwich's head to see it done with an interest so maturely wooden,
|
|
yet pleasantly childish, that Mrs. Bagnet cannot help laughing in her
|
|
airy way and saying, "Oh, Lignum, Lignum, what a precious old chap
|
|
you are!" But the trooper fails to fasten the brooch. His hand
|
|
shakes, he is nervous, and it falls off. "Would any one believe
|
|
this?" says he, catching it as it drops and looking round. "I am so
|
|
out of sorts that I bungle at an easy job like this!"
|
|
|
|
Mrs. Bagnet concludes that for such a case there is no remedy like a
|
|
pipe, and fastening the brooch herself in a twinkling, causes the
|
|
trooper to be inducted into his usual snug place and the pipes to be
|
|
got into action. "If that don't bring you round, George," says she,
|
|
"just throw your eye across here at your present now and then, and
|
|
the two together MUST do it."
|
|
|
|
"You ought to do it of yourself," George answers; "I know that very
|
|
well, Mrs. Bagnet. I'll tell you how, one way and another, the blues
|
|
have got to be too many for me. Here was this poor lad. 'Twas dull
|
|
work to see him dying as he did, and not be able to help him."
|
|
|
|
"What do you mean, George? You did help him. You took him under your
|
|
roof."
|
|
|
|
"I helped him so far, but that's little. I mean, Mrs. Bagnet, there
|
|
he was, dying without ever having been taught much more than to know
|
|
his right hand from his left. And he was too far gone to be helped
|
|
out of that."
|
|
|
|
"Ah, poor creetur!" says Mrs. Bagnet.
|
|
|
|
"Then," says the trooper, not yet lighting his pipe, and passing his
|
|
heavy hand over his hair, "that brought up Gridley in a man's mind.
|
|
His was a bad case too, in a different way. Then the two got mixed up
|
|
in a man's mind with a flinty old rascal who had to do with both. And
|
|
to think of that rusty carbine, stock and barrel, standing up on end
|
|
in his corner, hard, indifferent, taking everything so evenly--it
|
|
made flesh and blood tingle, I do assure you."
|
|
|
|
"My advice to you," returns Mrs. Bagnet, "is to light your pipe and
|
|
tingle that way. It's wholesomer and comfortabler, and better for the
|
|
health altogether."
|
|
|
|
"You're right," says the trooper, "and I'll do it."
|
|
|
|
So he does it, though still with an indignant gravity that impresses
|
|
the young Bagnets, and even causes Mr. Bagnet to defer the ceremony
|
|
of drinking Mrs. Bagnet's health, always given by himself on these
|
|
occasions in a speech of exemplary terseness. But the young ladies
|
|
having composed what Mr. Bagnet is in the habit of calling "the
|
|
mixtur," and George's pipe being now in a glow, Mr. Bagnet considers
|
|
it his duty to proceed to the toast of the evening. He addresses the
|
|
assembled company in the following terms.
|
|
|
|
"George. Woolwich. Quebec. Malta. This is her birthday. Take a day's
|
|
march. And you won't find such another. Here's towards her!"
|
|
|
|
The toast having been drunk with enthusiasm, Mrs. Bagnet returns
|
|
thanks in a neat address of corresponding brevity. This model
|
|
composition is limited to the three words "And wishing yours!" which
|
|
the old girl follows up with a nod at everybody in succession and a
|
|
well-regulated swig of the mixture. This she again follows up, on the
|
|
present occasion, by the wholly unexpected exclamation, "Here's a
|
|
man!"
|
|
|
|
Here IS a man, much to the astonishment of the little company,
|
|
looking in at the parlour-door. He is a sharp-eyed man--a quick keen
|
|
man--and he takes in everybody's look at him, all at once,
|
|
individually and collectively, in a manner that stamps him a
|
|
remarkable man.
|
|
|
|
"George," says the man, nodding, "how do you find yourself?"
|
|
|
|
"Why, it's Bucket!" cries Mr. George.
|
|
|
|
"Yes," says the man, coming in and closing the door. "I was going
|
|
down the street here when I happened to stop and look in at the
|
|
musical instruments in the shop-window--a friend of mine is in want
|
|
of a second-hand wiolinceller of a good tone--and I saw a party
|
|
enjoying themselves, and I thought it was you in the corner; I
|
|
thought I couldn't be mistaken. How goes the world with you, George,
|
|
at the present moment? Pretty smooth? And with you, ma'am? And with
|
|
you, governor? And Lord," says Mr. Bucket, opening his arms, "here's
|
|
children too! You may do anything with me if you only show me
|
|
children. Give us a kiss, my pets. No occasion to inquire who YOUR
|
|
father and mother is. Never saw such a likeness in my life!"
|
|
|
|
Mr. Bucket, not unwelcome, has sat himself down next to Mr. George
|
|
and taken Quebec and Malta on his knees. "You pretty dears," says Mr.
|
|
Bucket, "give us another kiss; it's the only thing I'm greedy in.
|
|
Lord bless you, how healthy you look! And what may be the ages of
|
|
these two, ma'am? I should put 'em down at the figures of about eight
|
|
and ten."
|
|
|
|
"You're very near, sir," says Mrs. Bagnet.
|
|
|
|
"I generally am near," returns Mr. Bucket, "being so fond of
|
|
children. A friend of mine has had nineteen of 'em, ma'am, all by one
|
|
mother, and she's still as fresh and rosy as the morning. Not so much
|
|
so as yourself, but, upon my soul, she comes near you! And what do
|
|
you call these, my darling?" pursues Mr. Bucket, pinching Malta's
|
|
cheeks. "These are peaches, these are. Bless your heart! And what do
|
|
you think about father? Do you think father could recommend a
|
|
second-hand wiolinceller of a good tone for Mr. Bucket's friend, my
|
|
dear? My name's Bucket. Ain't that a funny name?"
|
|
|
|
These blandishments have entirely won the family heart. Mrs. Bagnet
|
|
forgets the day to the extent of filling a pipe and a glass for Mr.
|
|
Bucket and waiting upon him hospitably. She would be glad to receive
|
|
so pleasant a character under any circumstances, but she tells him
|
|
that as a friend of George's she is particularly glad to see him this
|
|
evening, for George has not been in his usual spirits.
|
|
|
|
"Not in his usual spirits?" exclaims Mr. Bucket. "Why, I never heard
|
|
of such a thing! What's the matter, George? You don't intend to tell
|
|
me you've been out of spirits. What should you be out of spirits for?
|
|
You haven't got anything on your mind, you know."
|
|
|
|
"Nothing particular," returns the trooper.
|
|
|
|
"I should think not," rejoins Mr. Bucket. "What could you have on
|
|
your mind, you know! And have these pets got anything on THEIR minds,
|
|
eh? Not they, but they'll be upon the minds of some of the young
|
|
fellows, some of these days, and make 'em precious low-spirited. I
|
|
ain't much of a prophet, but I can tell you that, ma'am."
|
|
|
|
Mrs. Bagnet, quite charmed, hopes Mr. Bucket has a family of his own.
|
|
|
|
"There, ma'am!" says Mr. Bucket. "Would you believe it? No, I
|
|
haven't. My wife and a lodger constitute my family. Mrs. Bucket is as
|
|
fond of children as myself and as wishful to have 'em, but no. So it
|
|
is. Worldly goods are divided unequally, and man must not repine.
|
|
What a very nice backyard, ma'am! Any way out of that yard, now?"
|
|
|
|
There is no way out of that yard.
|
|
|
|
"Ain't there really?" says Mr. Bucket. "I should have thought there
|
|
might have been. Well, I don't know as I ever saw a backyard that
|
|
took my fancy more. Would you allow me to look at it? Thank you. No,
|
|
I see there's no way out. But what a very good-proportioned yard it
|
|
is!"
|
|
|
|
Having cast his sharp eye all about it, Mr. Bucket returns to his
|
|
chair next his friend Mr. George and pats Mr. George affectionately
|
|
on the shoulder.
|
|
|
|
"How are your spirits now, George?"
|
|
|
|
"All right now," returns the trooper.
|
|
|
|
"That's your sort!" says Mr. Bucket. "Why should you ever have been
|
|
otherwise? A man of your fine figure and constitution has no right to
|
|
be out of spirits. That ain't a chest to be out of spirits, is it,
|
|
ma'am? And you haven't got anything on your mind, you know, George;
|
|
what could you have on your mind!"
|
|
|
|
Somewhat harping on this phrase, considering the extent and variety
|
|
of his conversational powers, Mr. Bucket twice or thrice repeats it
|
|
to the pipe he lights, and with a listening face that is particularly
|
|
his own. But the sun of his sociality soon recovers from this brief
|
|
eclipse and shines again.
|
|
|
|
"And this is brother, is it, my dears?" says Mr. Bucket, referring to
|
|
Quebec and Malta for information on the subject of young Woolwich.
|
|
"And a nice brother he is--half-brother I mean to say. For he's too
|
|
old to be your boy, ma'am."
|
|
|
|
"I can certify at all events that he is not anybody else's," returns
|
|
Mrs. Bagnet, laughing.
|
|
|
|
"Well, you do surprise me! Yet he's like you, there's no denying.
|
|
Lord, he's wonderfully like you! But about what you may call the
|
|
brow, you know, THERE his father comes out!" Mr. Bucket compares the
|
|
faces with one eye shut up, while Mr. Bagnet smokes in stolid
|
|
satisfaction.
|
|
|
|
This is an opportunity for Mrs. Bagnet to inform him that the boy is
|
|
George's godson.
|
|
|
|
"George's godson, is he?" rejoins Mr. Bucket with extreme cordiality.
|
|
"I must shake hands over again with George's godson. Godfather and
|
|
godson do credit to one another. And what do you intend to make of
|
|
him, ma'am? Does he show any turn for any musical instrument?"
|
|
|
|
Mr. Bagnet suddenly interposes, "Plays the fife. Beautiful."
|
|
|
|
"Would you believe it, governor," says Mr. Bucket, struck by the
|
|
coincidence, "that when I was a boy I played the fife myself? Not in
|
|
a scientific way, as I expect he does, but by ear. Lord bless you!
|
|
'British Grenadiers'--there's a tune to warm an Englishman up! COULD
|
|
you give us 'British Grenadiers,' my fine fellow?"
|
|
|
|
Nothing could be more acceptable to the little circle than this call
|
|
upon young Woolwich, who immediately fetches his fife and performs
|
|
the stirring melody, during which performance Mr. Bucket, much
|
|
enlivened, beats time and never fails to come in sharp with the
|
|
burden, "British Gra-a-anadeers!" In short, he shows so much musical
|
|
taste that Mr. Bagnet actually takes his pipe from his lips to
|
|
express his conviction that he is a singer. Mr. Bucket receives the
|
|
harmonious impeachment so modestly, confessing how that he did once
|
|
chaunt a little, for the expression of the feelings of his own bosom,
|
|
and with no presumptuous idea of entertaining his friends, that he is
|
|
asked to sing. Not to be behindhand in the sociality of the evening,
|
|
he complies and gives them "Believe Me, if All Those Endearing Young
|
|
Charms." This ballad, he informs Mrs. Bagnet, he considers to have
|
|
been his most powerful ally in moving the heart of Mrs. Bucket when a
|
|
maiden, and inducing her to approach the altar--Mr. Bucket's own
|
|
words are "to come up to the scratch."
|
|
|
|
This sparkling stranger is such a new and agreeable feature in the
|
|
evening that Mr. George, who testified no great emotions of pleasure
|
|
on his entrance, begins, in spite of himself, to be rather proud of
|
|
him. He is so friendly, is a man of so many resources, and so easy to
|
|
get on with, that it is something to have made him known there. Mr.
|
|
Bagnet becomes, after another pipe, so sensible of the value of his
|
|
acquaintance that he solicits the honour of his company on the old
|
|
girl's next birthday. If anything can more closely cement and
|
|
consolidate the esteem which Mr. Bucket has formed for the family, it
|
|
is the discovery of the nature of the occasion. He drinks to Mrs.
|
|
Bagnet with a warmth approaching to rapture, engages himself for that
|
|
day twelvemonth more than thankfully, makes a memorandum of the day
|
|
in a large black pocket-book with a girdle to it, and breathes a hope
|
|
that Mrs. Bucket and Mrs. Bagnet may before then become, in a manner,
|
|
sisters. As he says himself, what is public life without private
|
|
ties? He is in his humble way a public man, but it is not in that
|
|
sphere that he finds happiness. No, it must be sought within the
|
|
confines of domestic bliss.
|
|
|
|
It is natural, under these circumstances, that he, in his turn,
|
|
should remember the friend to whom he is indebted for so promising an
|
|
acquaintance. And he does. He keeps very close to him. Whatever the
|
|
subject of the conversation, he keeps a tender eye upon him. He waits
|
|
to walk home with him. He is interested in his very boots and
|
|
observes even them attentively as Mr. George sits smoking
|
|
cross-legged in the chimney-corner.
|
|
|
|
At length Mr. George rises to depart. At the same moment Mr. Bucket,
|
|
with the secret sympathy of friendship, also rises. He dotes upon the
|
|
children to the last and remembers the commission he has undertaken
|
|
for an absent friend.
|
|
|
|
"Respecting that second-hand wiolinceller, governor--could you
|
|
recommend me such a thing?"
|
|
|
|
"Scores," says Mr. Bagnet.
|
|
|
|
"I am obliged to you," returns Mr. Bucket, squeezing his hand.
|
|
"You're a friend in need. A good tone, mind you! My friend is a
|
|
regular dab at it. Ecod, he saws away at Mozart and Handel and the
|
|
rest of the big-wigs like a thorough workman. And you needn't," says
|
|
Mr. Bucket in a considerate and private voice, "you needn't commit
|
|
yourself to too low a figure, governor. I don't want to pay too large
|
|
a price for my friend, but I want you to have your proper percentage
|
|
and be remunerated for your loss of time. That is but fair. Every man
|
|
must live, and ought to it."
|
|
|
|
Mr. Bagnet shakes his head at the old girl to the effect that they
|
|
have found a jewel of price.
|
|
|
|
"Suppose I was to give you a look in, say, at half arter ten
|
|
to-morrow morning. Perhaps you could name the figures of a few
|
|
wiolincellers of a good tone?" says Mr. Bucket.
|
|
|
|
Nothing easier. Mr. and Mrs. Bagnet both engage to have the requisite
|
|
information ready and even hint to each other at the practicability
|
|
of having a small stock collected there for approval.
|
|
|
|
"Thank you," says Mr. Bucket, "thank you. Good night, ma'am. Good
|
|
night, governor. Good night, darlings. I am much obliged to you for
|
|
one of the pleasantest evenings I ever spent in my life."
|
|
|
|
They, on the contrary, are much obliged to him for the pleasure he
|
|
has given them in his company; and so they part with many expressions
|
|
of goodwill on both sides. "Now George, old boy," says Mr. Bucket,
|
|
taking his arm at the shop-door, "come along!" As they go down the
|
|
little street and the Bagnets pause for a minute looking after them,
|
|
Mrs. Bagnet remarks to the worthy Lignum that Mr. Bucket "almost
|
|
clings to George like, and seems to be really fond of him."
|
|
|
|
The neighbouring streets being narrow and ill-paved, it is a little
|
|
inconvenient to walk there two abreast and arm in arm. Mr. George
|
|
therefore soon proposes to walk singly. But Mr. Bucket, who cannot
|
|
make up his mind to relinquish his friendly hold, replies, "Wait half
|
|
a minute, George. I should wish to speak to you first." Immediately
|
|
afterwards, he twists him into a public-house and into a parlour,
|
|
where he confronts him and claps his own back against the door.
|
|
|
|
"Now, George," says Mr. Bucket, "duty is duty, and friendship is
|
|
friendship. I never want the two to clash if I can help it. I have
|
|
endeavoured to make things pleasant to-night, and I put it to you
|
|
whether I have done it or not. You must consider yourself in custody,
|
|
George."
|
|
|
|
"Custody? What for?" returns the trooper, thunderstruck.
|
|
|
|
"Now, George," says Mr. Bucket, urging a sensible view of the case
|
|
upon him with his fat forefinger, "duty, as you know very well, is
|
|
one thing, and conversation is another. It's my duty to inform you
|
|
that any observations you may make will be liable to be used against
|
|
you. Therefore, George, be careful what you say. You don't happen to
|
|
have heard of a murder?"
|
|
|
|
"Murder!"
|
|
|
|
"Now, George," says Mr. Bucket, keeping his forefinger in an
|
|
impressive state of action, "bear in mind what I've said to you. I
|
|
ask you nothing. You've been in low spirits this afternoon. I say,
|
|
you don't happen to have heard of a murder?"
|
|
|
|
"No. Where has there been a murder?"
|
|
|
|
"Now, George," says Mr. Bucket, "don't you go and commit yourself.
|
|
I'm a-going to tell you what I want you for. There has been a murder
|
|
in Lincoln's Inn Fields--gentleman of the name of Tulkinghorn. He was
|
|
shot last night. I want you for that."
|
|
|
|
The trooper sinks upon a seat behind him, and great drops start out
|
|
upon his forehead, and a deadly pallor overspreads his face.
|
|
|
|
"Bucket! It's not possible that Mr. Tulkinghorn has been killed and
|
|
that you suspect ME?"
|
|
|
|
"George," returns Mr. Bucket, keeping his forefinger going, "it is
|
|
certainly possible, because it's the case. This deed was done last
|
|
night at ten o'clock. Now, you know where you were last night at ten
|
|
o'clock, and you'll be able to prove it, no doubt."
|
|
|
|
"Last night! Last night?" repeats the trooper thoughtfully. Then it
|
|
flashes upon him. "Why, great heaven, I was there last night!"
|
|
|
|
"So I have understood, George," returns Mr. Bucket with great
|
|
deliberation. "So I have understood. Likewise you've been very often
|
|
there. You've been seen hanging about the place, and you've been
|
|
heard more than once in a wrangle with him, and it's possible--I
|
|
don't say it's certainly so, mind you, but it's possible--that he may
|
|
have been heard to call you a threatening, murdering, dangerous
|
|
fellow."
|
|
|
|
The trooper gasps as if he would admit it all if he could speak.
|
|
|
|
"Now, George," continues Mr. Bucket, putting his hat upon the table
|
|
with an air of business rather in the upholstery way than otherwise,
|
|
"my wish is, as it has been all the evening, to make things pleasant.
|
|
I tell you plainly there's a reward out, of a hundred guineas,
|
|
offered by Sir Leicester Dedlock, Baronet. You and me have always
|
|
been pleasant together; but I have got a duty to discharge; and if
|
|
that hundred guineas is to be made, it may as well be made by me as
|
|
any other man. On all of which accounts, I should hope it was clear
|
|
to you that I must have you, and that I'm damned if I don't have you.
|
|
Am I to call in any assistance, or is the trick done?"
|
|
|
|
Mr. George has recovered himself and stands up like a soldier.
|
|
"Come," he says; "I am ready."
|
|
|
|
"George," continues Mr. Bucket, "wait a bit!" With his upholsterer
|
|
manner, as if the trooper were a window to be fitted up, he takes
|
|
from his pocket a pair of handcuffs. "This is a serious charge,
|
|
George, and such is my duty."
|
|
|
|
The trooper flushes angrily and hesitates a moment, but holds out his
|
|
two hands, clasped together, and says, "There! Put them on!"
|
|
|
|
Mr. Bucket adjusts them in a moment. "How do you find them? Are they
|
|
comfortable? If not, say so, for I wish to make things as pleasant as
|
|
is consistent with my duty, and I've got another pair in my pocket."
|
|
This remark he offers like a most respectable tradesman anxious to
|
|
execute an order neatly and to the perfect satisfaction of his
|
|
customer. "They'll do as they are? Very well! Now, you see,
|
|
George"--he takes a cloak from a corner and begins adjusting it about
|
|
the trooper's neck--"I was mindful of your feelings when I come out,
|
|
and brought this on purpose. There! Who's the wiser?"
|
|
|
|
"Only I," returns the trooper, "but as I know it, do me one more good
|
|
turn and pull my hat over my eyes."
|
|
|
|
"Really, though! Do you mean it? Ain't it a pity? It looks so."
|
|
|
|
"I can't look chance men in the face with these things on," Mr.
|
|
George hurriedly replies. "Do, for God's sake, pull my hat forward."
|
|
|
|
So strongly entreated, Mr. Bucket complies, puts his own hat on, and
|
|
conducts his prize into the streets, the trooper marching on as
|
|
steadily as usual, though with his head less erect, and Mr. Bucket
|
|
steering him with his elbow over the crossings and up the turnings.
|
|
|
|
|
|
|
|
|
|
CHAPTER L
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
It happened that when I came home from Deal I found a note from Caddy
|
|
Jellyby (as we always continued to call her), informing me that her
|
|
health, which had been for some time very delicate, was worse and
|
|
that she would be more glad than she could tell me if I would go to
|
|
see her. It was a note of a few lines, written from the couch on
|
|
which she lay and enclosed to me in another from her husband, in
|
|
which he seconded her entreaty with much solicitude. Caddy was now
|
|
the mother, and I the godmother, of such a poor little baby--such a
|
|
tiny old-faced mite, with a countenance that seemed to be scarcely
|
|
anything but cap-border, and a little lean, long-fingered hand,
|
|
always clenched under its chin. It would lie in this attitude all
|
|
day, with its bright specks of eyes open, wondering (as I used to
|
|
imagine) how it came to be so small and weak. Whenever it was moved
|
|
it cried, but at all other times it was so patient that the sole
|
|
desire of its life appeared to be to lie quiet and think. It had
|
|
curious little dark veins in its face and curious little dark marks
|
|
under its eyes like faint remembrances of poor Caddy's inky days, and
|
|
altogether, to those who were not used to it, it was quite a piteous
|
|
little sight.
|
|
|
|
But it was enough for Caddy that SHE was used to it. The projects
|
|
with which she beguiled her illness, for little Esther's education,
|
|
and little Esther's marriage, and even for her own old age as the
|
|
grandmother of little Esther's little Esthers, was so prettily
|
|
expressive of devotion to this pride of her life that I should be
|
|
tempted to recall some of them but for the timely remembrance that I
|
|
am getting on irregularly as it is.
|
|
|
|
To return to the letter. Caddy had a superstition about me which had
|
|
been strengthening in her mind ever since that night long ago when
|
|
she had lain asleep with her head in my lap. She almost--I think I
|
|
must say quite--believed that I did her good whenever I was near her.
|
|
Now although this was such a fancy of the affectionate girl's that I
|
|
am almost ashamed to mention it, still it might have all the force of
|
|
a fact when she was really ill. Therefore I set off to Caddy, with my
|
|
guardian's consent, post-haste; and she and Prince made so much of me
|
|
that there never was anything like it.
|
|
|
|
Next day I went again to sit with her, and next day I went again. It
|
|
was a very easy journey, for I had only to rise a little earlier in
|
|
the morning, and keep my accounts, and attend to housekeeping matters
|
|
before leaving home.
|
|
|
|
But when I had made these three visits, my guardian said to me, on my
|
|
return at night, "Now, little woman, little woman, this will never
|
|
do. Constant dropping will wear away a stone, and constant coaching
|
|
will wear out a Dame Durden. We will go to London for a while and
|
|
take possession of our old lodgings."
|
|
|
|
"Not for me, dear guardian," said I, "for I never feel tired," which
|
|
was strictly true. I was only too happy to be in such request.
|
|
|
|
"For me then," returned my guardian, "or for Ada, or for both of us.
|
|
It is somebody's birthday to-morrow, I think."
|
|
|
|
"Truly I think it is," said I, kissing my darling, who would be
|
|
twenty-one to-morrow.
|
|
|
|
"Well," observed my guardian, half pleasantly, half seriously,
|
|
"that's a great occasion and will give my fair cousin some necessary
|
|
business to transact in assertion of her independence, and will make
|
|
London a more convenient place for all of us. So to London we will
|
|
go. That being settled, there is another thing--how have you left
|
|
Caddy?"
|
|
|
|
"Very unwell, guardian. I fear it will be some time before she
|
|
regains her health and strength."
|
|
|
|
"What do you call some time, now?" asked my guardian thoughtfully.
|
|
|
|
"Some weeks, I am afraid."
|
|
|
|
"Ah!" He began to walk about the room with his hands in his pockets,
|
|
showing that he had been thinking as much. "Now, what do you say
|
|
about her doctor? Is he a good doctor, my love?"
|
|
|
|
I felt obliged to confess that I knew nothing to the contrary but
|
|
that Prince and I had agreed only that evening that we would like his
|
|
opinion to be confirmed by some one.
|
|
|
|
"Well, you know," returned my guardian quickly, "there's Woodcourt."
|
|
|
|
I had not meant that, and was rather taken by surprise. For a moment
|
|
all that I had had in my mind in connexion with Mr. Woodcourt seemed
|
|
to come back and confuse me.
|
|
|
|
"You don't object to him, little woman?"
|
|
|
|
"Object to him, guardian? Oh no!"
|
|
|
|
"And you don't think the patient would object to him?"
|
|
|
|
So far from that, I had no doubt of her being prepared to have a
|
|
great reliance on him and to like him very much. I said that he was
|
|
no stranger to her personally, for she had seen him often in his kind
|
|
attendance on Miss Flite.
|
|
|
|
"Very good," said my guardian. "He has been here to-day, my dear, and
|
|
I will see him about it to-morrow."
|
|
|
|
I felt in this short conversation--though I did not know how, for she
|
|
was quiet, and we interchanged no look--that my dear girl well
|
|
remembered how merrily she had clasped me round the waist when no
|
|
other hands than Caddy's had brought me the little parting token.
|
|
This caused me to feel that I ought to tell her, and Caddy too, that
|
|
I was going to be the mistress of Bleak House and that if I avoided
|
|
that disclosure any longer I might become less worthy in my own eyes
|
|
of its master's love. Therefore, when we went upstairs and had waited
|
|
listening until the clock struck twelve in order that only I might be
|
|
the first to wish my darling all good wishes on her birthday and to
|
|
take her to my heart, I set before her, just as I had set before
|
|
myself, the goodness and honour of her cousin John and the happy life
|
|
that was in store for me. If ever my darling were fonder of me at
|
|
one time than another in all our intercourse, she was surely fondest
|
|
of me that night. And I was so rejoiced to know it and so comforted
|
|
by the sense of having done right in casting this last idle
|
|
reservation away that I was ten times happier than I had been before.
|
|
I had scarcely thought it a reservation a few hours ago, but now that
|
|
it was gone I felt as if I understood its nature better.
|
|
|
|
Next day we went to London. We found our old lodging vacant, and in
|
|
half an hour were quietly established there, as if we had never gone
|
|
away. Mr. Woodcourt dined with us to celebrate my darling's birthday,
|
|
and we were as pleasant as we could be with the great blank among us
|
|
that Richard's absence naturally made on such an occasion. After that
|
|
day I was for some weeks--eight or nine as I remember--very much with
|
|
Caddy, and thus it fell out that I saw less of Ada at this time than
|
|
any other since we had first come together, except the time of my own
|
|
illness. She often came to Caddy's, but our function there was to
|
|
amuse and cheer her, and we did not talk in our usual confidential
|
|
manner. Whenever I went home at night we were together, but Caddy's
|
|
rest was broken by pain, and I often remained to nurse her.
|
|
|
|
With her husband and her poor little mite of a baby to love and their
|
|
home to strive for, what a good creature Caddy was! So self-denying,
|
|
so uncomplaining, so anxious to get well on their account, so afraid
|
|
of giving trouble, and so thoughtful of the unassisted labours of her
|
|
husband and the comforts of old Mr. Turveydrop; I had never known the
|
|
best of her until now. And it seemed so curious that her pale face
|
|
and helpless figure should be lying there day after day where dancing
|
|
was the business of life, where the kit and the apprentices began
|
|
early every morning in the ball-room, and where the untidy little boy
|
|
waltzed by himself in the kitchen all the afternoon.
|
|
|
|
At Caddy's request I took the supreme direction of her apartment,
|
|
trimmed it up, and pushed her, couch and all, into a lighter and more
|
|
airy and more cheerful corner than she had yet occupied; then, every
|
|
day, when we were in our neatest array, I used to lay my small small
|
|
namesake in her arms and sit down to chat or work or read to her. It
|
|
was at one of the first of these quiet times that I told Caddy about
|
|
Bleak House.
|
|
|
|
We had other visitors besides Ada. First of all we had Prince, who in
|
|
his hurried intervals of teaching used to come softly in and sit
|
|
softly down, with a face of loving anxiety for Caddy and the very
|
|
little child. Whatever Caddy's condition really was, she never failed
|
|
to declare to Prince that she was all but well--which I, heaven
|
|
forgive me, never failed to confirm. This would put Prince in such
|
|
good spirits that he would sometimes take the kit from his pocket and
|
|
play a chord or two to astonish the baby, which I never knew it to do
|
|
in the least degree, for my tiny namesake never noticed it at all.
|
|
|
|
Then there was Mrs. Jellyby. She would come occasionally, with her
|
|
usual distraught manner, and sit calmly looking miles beyond her
|
|
grandchild as if her attention were absorbed by a young Borrioboolan
|
|
on its native shores. As bright-eyed as ever, as serene, and as
|
|
untidy, she would say, "Well, Caddy, child, and how do you do
|
|
to-day?" And then would sit amiably smiling and taking no notice of
|
|
the reply or would sweetly glide off into a calculation of the number
|
|
of letters she had lately received and answered or of the
|
|
coffee-bearing power of Borrioboola-Gha. This she would always do
|
|
with a serene contempt for our limited sphere of action, not to be
|
|
disguised.
|
|
|
|
Then there was old Mr. Turveydrop, who was from morning to night and
|
|
from night to morning the subject of innumerable precautions. If the
|
|
baby cried, it was nearly stifled lest the noise should make him
|
|
uncomfortable. If the fire wanted stirring in the night, it was
|
|
surreptitiously done lest his rest should be broken. If Caddy
|
|
required any little comfort that the house contained, she first
|
|
carefully discussed whether he was likely to require it too. In
|
|
return for this consideration he would come into the room once a day,
|
|
all but blessing it--showing a condescension, and a patronage, and a
|
|
grace of manner in dispensing the light of his high-shouldered
|
|
presence from which I might have supposed him (if I had not known
|
|
better) to have been the benefactor of Caddy's life.
|
|
|
|
"My Caroline," he would say, making the nearest approach that he
|
|
could to bending over her. "Tell me that you are better to-day."
|
|
|
|
"Oh, much better, thank you, Mr. Turveydrop," Caddy would reply.
|
|
|
|
"Delighted! Enchanted! And our dear Miss Summerson. She is not quite
|
|
prostrated by fatigue?" Here he would crease up his eyelids and kiss
|
|
his fingers to me, though I am happy to say he had ceased to be
|
|
particular in his attentions since I had been so altered.
|
|
|
|
"Not at all," I would assure him.
|
|
|
|
"Charming! We must take care of our dear Caroline, Miss Summerson. We
|
|
must spare nothing that will restore her. We must nourish her. My
|
|
dear Caroline"--he would turn to his daughter-in-law with infinite
|
|
generosity and protection--"want for nothing, my love. Frame a wish
|
|
and gratify it, my daughter. Everything this house contains,
|
|
everything my room contains, is at your service, my dear. Do not," he
|
|
would sometimes add in a burst of deportment, "even allow my simple
|
|
requirements to be considered if they should at any time interfere
|
|
with your own, my Caroline. Your necessities are greater than mine."
|
|
|
|
He had established such a long prescriptive right to this deportment
|
|
(his son's inheritance from his mother) that I several times knew
|
|
both Caddy and her husband to be melted to tears by these
|
|
affectionate self-sacrifices.
|
|
|
|
"Nay, my dears," he would remonstrate; and when I saw Caddy's thin
|
|
arm about his fat neck as he said it, I would be melted too, though
|
|
not by the same process. "Nay, nay! I have promised never to leave
|
|
ye. Be dutiful and affectionate towards me, and I ask no other
|
|
return. Now, bless ye! I am going to the Park."
|
|
|
|
He would take the air there presently and get an appetite for his
|
|
hotel dinner. I hope I do old Mr. Turveydrop no wrong, but I never
|
|
saw any better traits in him than these I faithfully record, except
|
|
that he certainly conceived a liking for Peepy and would take the
|
|
child out walking with great pomp, always on those occasions sending
|
|
him home before he went to dinner himself, and occasionally with a
|
|
halfpenny in his pocket. But even this disinterestedness was attended
|
|
with no inconsiderable cost, to my knowledge, for before Peepy was
|
|
sufficiently decorated to walk hand in hand with the professor of
|
|
deportment, he had to be newly dressed, at the expense of Caddy and
|
|
her husband, from top to toe.
|
|
|
|
Last of our visitors, there was Mr. Jellyby. Really when he used to
|
|
come in of an evening, and ask Caddy in his meek voice how she was,
|
|
and then sit down with his head against the wall, and make no attempt
|
|
to say anything more, I liked him very much. If he found me bustling
|
|
about doing any little thing, he sometimes half took his coat off, as
|
|
if with an intention of helping by a great exertion; but he never got
|
|
any further. His sole occupation was to sit with his head against the
|
|
wall, looking hard at the thoughtful baby; and I could not quite
|
|
divest my mind of a fancy that they understood one another.
|
|
|
|
I have not counted Mr. Woodcourt among our visitors because he was
|
|
now Caddy's regular attendant. She soon began to improve under his
|
|
care, but he was so gentle, so skilful, so unwearying in the pains he
|
|
took that it is not to be wondered at, I am sure. I saw a good deal
|
|
of Mr. Woodcourt during this time, though not so much as might be
|
|
supposed, for knowing Caddy to be safe in his hands, I often slipped
|
|
home at about the hours when he was expected. We frequently met,
|
|
notwithstanding. I was quite reconciled to myself now, but I still
|
|
felt glad to think that he was sorry for me, and he still WAS sorry
|
|
for me I believed. He helped Mr. Badger in his professional
|
|
engagements, which were numerous, and had as yet no settled projects
|
|
for the future.
|
|
|
|
It was when Caddy began to recover that I began to notice a change in
|
|
my dear girl. I cannot say how it first presented itself to me,
|
|
because I observed it in many slight particulars which were nothing
|
|
in themselves and only became something when they were pieced
|
|
together. But I made it out, by putting them together, that Ada was
|
|
not so frankly cheerful with me as she used to be. Her tenderness for
|
|
me was as loving and true as ever; I did not for a moment doubt that;
|
|
but there was a quiet sorrow about her which she did not confide to
|
|
me, and in which I traced some hidden regret.
|
|
|
|
Now, I could not understand this, and I was so anxious for the
|
|
happiness of my own pet that it caused me some uneasiness and set me
|
|
thinking often. At length, feeling sure that Ada suppressed this
|
|
something from me lest it should make me unhappy too, it came into my
|
|
head that she was a little grieved--for me--by what I had told her
|
|
about Bleak House.
|
|
|
|
How I persuaded myself that this was likely, I don't know. I had no
|
|
idea that there was any selfish reference in my doing so. I was not
|
|
grieved for myself: I was quite contented and quite happy. Still,
|
|
that Ada might be thinking--for me, though I had abandoned all such
|
|
thoughts--of what once was, but was now all changed, seemed so easy
|
|
to believe that I believed it.
|
|
|
|
What could I do to reassure my darling (I considered then) and show
|
|
her that I had no such feelings? Well! I could only be as brisk and
|
|
busy as possible, and that I had tried to be all along. However, as
|
|
Caddy's illness had certainly interfered, more or less, with my home
|
|
duties--though I had always been there in the morning to make my
|
|
guardian's breakfast, and he had a hundred times laughed and said
|
|
there must be two little women, for his little woman was never
|
|
missing--I resolved to be doubly diligent and gay. So I went about
|
|
the house humming all the tunes I knew, and I sat working and working
|
|
in a desperate manner, and I talked and talked, morning, noon, and
|
|
night.
|
|
|
|
And still there was the same shade between me and my darling.
|
|
|
|
"So, Dame Trot," observed my guardian, shutting up his book one night
|
|
when we were all three together, "so Woodcourt has restored Caddy
|
|
Jellyby to the full enjoyment of life again?"
|
|
|
|
"Yes," I said; "and to be repaid by such gratitude as hers is to be
|
|
made rich, guardian."
|
|
|
|
"I wish it was," he returned, "with all my heart."
|
|
|
|
So did I too, for that matter. I said so.
|
|
|
|
"Aye! We would make him as rich as a Jew if we knew how. Would we
|
|
not, little woman?"
|
|
|
|
I laughed as I worked and replied that I was not sure about that, for
|
|
it might spoil him, and he might not be so useful, and there might be
|
|
many who could ill spare him. As Miss Flite, and Caddy herself, and
|
|
many others.
|
|
|
|
"True," said my guardian. "I had forgotten that. But we would agree
|
|
to make him rich enough to live, I suppose? Rich enough to work with
|
|
tolerable peace of mind? Rich enough to have his own happy home and
|
|
his own household gods--and household goddess, too, perhaps?"
|
|
|
|
That was quite another thing, I said. We must all agree in that.
|
|
|
|
"To be sure," said my guardian. "All of us. I have a great regard for
|
|
Woodcourt, a high esteem for him; and I have been sounding him
|
|
delicately about his plans. It is difficult to offer aid to an
|
|
independent man with that just kind of pride which he possesses. And
|
|
yet I would be glad to do it if I might or if I knew how. He seems
|
|
half inclined for another voyage. But that appears like casting such
|
|
a man away."
|
|
|
|
"It might open a new world to him," said I.
|
|
|
|
"So it might, little woman," my guardian assented. "I doubt if he
|
|
expects much of the old world. Do you know I have fancied that he
|
|
sometimes feels some particular disappointment or misfortune
|
|
encountered in it. You never heard of anything of that sort?"
|
|
|
|
I shook my head.
|
|
|
|
"Humph," said my guardian. "I am mistaken, I dare say." As there was
|
|
a little pause here, which I thought, for my dear girl's
|
|
satisfaction, had better be filled up, I hummed an air as I worked
|
|
which was a favourite with my guardian.
|
|
|
|
"And do you think Mr. Woodcourt will make another voyage?" I asked
|
|
him when I had hummed it quietly all through.
|
|
|
|
"I don't quite know what to think, my dear, but I should say it was
|
|
likely at present that he will give a long trip to another country."
|
|
|
|
"I am sure he will take the best wishes of all our hearts with him
|
|
wherever he goes," said I; "and though they are not riches, he will
|
|
never be the poorer for them, guardian, at least."
|
|
|
|
"Never, little woman," he replied.
|
|
|
|
I was sitting in my usual place, which was now beside my guardian's
|
|
chair. That had not been my usual place before the letter, but it was
|
|
now. I looked up to Ada, who was sitting opposite, and I saw, as she
|
|
looked at me, that her eyes were filled with tears and that tears
|
|
were falling down her face. I felt that I had only to be placid and
|
|
merry once for all to undeceive my dear and set her loving heart at
|
|
rest. I really was so, and I had nothing to do but to be myself.
|
|
|
|
So I made my sweet girl lean upon my shoulder--how little thinking
|
|
what was heavy on her mind!--and I said she was not quite well, and
|
|
put my arm about her, and took her upstairs. When we were in our own
|
|
room, and when she might perhaps have told me what I was so
|
|
unprepared to hear, I gave her no encouragement to confide in me; I
|
|
never thought she stood in need of it.
|
|
|
|
"Oh, my dear good Esther," said Ada, "if I could only make up my mind
|
|
to speak to you and my cousin John when you are together!"
|
|
|
|
"Why, my love!" I remonstrated. "Ada, why should you not speak to
|
|
us!"
|
|
|
|
Ada only dropped her head and pressed me closer to her heart.
|
|
|
|
"You surely don't forget, my beauty," said I, smiling, "what quiet,
|
|
old-fashioned people we are and how I have settled down to be the
|
|
discreetest of dames? You don't forget how happily and peacefully my
|
|
life is all marked out for me, and by whom? I am certain that you
|
|
don't forget by what a noble character, Ada. That can never be."
|
|
|
|
"No, never, Esther."
|
|
|
|
"Why then, my dear," said I, "there can be nothing amiss--and why
|
|
should you not speak to us?"
|
|
|
|
"Nothing amiss, Esther?" returned Ada. "Oh, when I think of all these
|
|
years, and of his fatherly care and kindness, and of the old
|
|
relations among us, and of you, what shall I do, what shall I do!"
|
|
|
|
I looked at my child in some wonder, but I thought it better not to
|
|
answer otherwise than by cheering her, and so I turned off into many
|
|
little recollections of our life together and prevented her from
|
|
saying more. When she lay down to sleep, and not before, I returned
|
|
to my guardian to say good night, and then I came back to Ada and sat
|
|
near her for a little while.
|
|
|
|
She was asleep, and I thought as I looked at her that she was a
|
|
little changed. I had thought so more than once lately. I could not
|
|
decide, even looking at her while she was unconscious, how she was
|
|
changed, but something in the familiar beauty of her face looked
|
|
different to me. My guardian's old hopes of her and Richard arose
|
|
sorrowfully in my mind, and I said to myself, "She has been anxious
|
|
about him," and I wondered how that love would end.
|
|
|
|
When I had come home from Caddy's while she was ill, I had often
|
|
found Ada at work, and she had always put her work away, and I had
|
|
never known what it was. Some of it now lay in a drawer near her,
|
|
which was not quite closed. I did not open the drawer, but I still
|
|
rather wondered what the work could be, for it was evidently nothing
|
|
for herself.
|
|
|
|
And I noticed as I kissed my dear that she lay with one hand under
|
|
her pillow so that it was hidden.
|
|
|
|
How much less amiable I must have been than they thought me, how much
|
|
less amiable than I thought myself, to be so preoccupied with my own
|
|
cheerfulness and contentment as to think that it only rested with me
|
|
to put my dear girl right and set her mind at peace!
|
|
|
|
But I lay down, self-deceived, in that belief. And I awoke in it next
|
|
day to find that there was still the same shade between me and my
|
|
darling.
|
|
|
|
|
|
|
|
|
|
CHAPTER LI
|
|
|
|
Enlightened
|
|
|
|
|
|
When Mr. Woodcourt arrived in London, he went, that very same day, to
|
|
Mr. Vholes's in Symond's Inn. For he never once, from the moment when
|
|
I entreated him to be a friend to Richard, neglected or forgot his
|
|
promise. He had told me that he accepted the charge as a sacred
|
|
trust, and he was ever true to it in that spirit.
|
|
|
|
He found Mr. Vholes in his office and informed Mr. Vholes of his
|
|
agreement with Richard that he should call there to learn his
|
|
address.
|
|
|
|
"Just so, sir," said Mr. Vholes. "Mr. C.'s address is not a hundred
|
|
miles from here, sir, Mr. C.'s address is not a hundred miles from
|
|
here. Would you take a seat, sir?"
|
|
|
|
Mr. Woodcourt thanked Mr. Vholes, but he had no business with him
|
|
beyond what he had mentioned.
|
|
|
|
"Just so, sir. I believe, sir," said Mr. Vholes, still quietly
|
|
insisting on the seat by not giving the address, "that you have
|
|
influence with Mr. C. Indeed I am aware that you have."
|
|
|
|
"I was not aware of it myself," returned Mr. Woodcourt; "but I
|
|
suppose you know best."
|
|
|
|
"Sir," rejoined Mr. Vholes, self-contained as usual, voice and all,
|
|
"it is a part of my professional duty to know best. It is a part of
|
|
my professional duty to study and to understand a gentleman who
|
|
confides his interests to me. In my professional duty I shall not be
|
|
wanting, sir, if I know it. I may, with the best intentions, be
|
|
wanting in it without knowing it; but not if I know it, sir."
|
|
|
|
Mr. Woodcourt again mentioned the address.
|
|
|
|
"Give me leave, sir," said Mr. Vholes. "Bear with me for a moment.
|
|
Sir, Mr. C. is playing for a considerable stake, and cannot play
|
|
without--need I say what?"
|
|
|
|
"Money, I presume?"
|
|
|
|
"Sir," said Mr. Vholes, "to be honest with you (honesty being my
|
|
golden rule, whether I gain by it or lose, and I find that I
|
|
generally lose), money is the word. Now, sir, upon the chances of Mr.
|
|
C.'s game I express to you no opinion, NO opinion. It might be highly
|
|
impolitic in Mr. C., after playing so long and so high, to leave off;
|
|
it might be the reverse; I say nothing. No, sir," said Mr. Vholes,
|
|
bringing his hand flat down upon his desk in a positive manner,
|
|
"nothing."
|
|
|
|
"You seem to forget," returned Mr. Woodcourt, "that I ask you to say
|
|
nothing and have no interest in anything you say."
|
|
|
|
"Pardon me, sir!" retorted Mr. Vholes. "You do yourself an injustice.
|
|
No, sir! Pardon me! You shall not--shall not in my office, if I know
|
|
it--do yourself an injustice. You are interested in anything, and in
|
|
everything, that relates to your friend. I know human nature much
|
|
better, sir, than to admit for an instant that a gentleman of your
|
|
appearance is not interested in whatever concerns his friend."
|
|
|
|
"Well," replied Mr. Woodcourt, "that may be. I am particularly
|
|
interested in his address."
|
|
|
|
"The number, sir," said Mr. Vholes parenthetically, "I believe I have
|
|
already mentioned. If Mr. C. is to continue to play for this
|
|
considerable stake, sir, he must have funds. Understand me! There are
|
|
funds in hand at present. I ask for nothing; there are funds in hand.
|
|
But for the onward play, more funds must be provided, unless Mr. C.
|
|
is to throw away what he has already ventured, which is wholly and
|
|
solely a point for his consideration. This, sir, I take the
|
|
opportunity of stating openly to you as the friend of Mr. C. Without
|
|
funds I shall always be happy to appear and act for Mr. C. to the
|
|
extent of all such costs as are safe to be allowed out of the estate,
|
|
not beyond that. I could not go beyond that, sir, without wronging
|
|
some one. I must either wrong my three dear girls or my venerable
|
|
father, who is entirely dependent on me, in the Vale of Taunton; or
|
|
some one. Whereas, sir, my resolution is (call it weakness or folly
|
|
if you please) to wrong no one."
|
|
|
|
Mr. Woodcourt rather sternly rejoined that he was glad to hear it.
|
|
|
|
"I wish, sir," said Mr. Vholes, "to leave a good name behind me.
|
|
Therefore I take every opportunity of openly stating to a friend of
|
|
Mr. C. how Mr. C. is situated. As to myself, sir, the labourer is
|
|
worthy of his hire. If I undertake to put my shoulder to the wheel, I
|
|
do it, and I earn what I get. I am here for that purpose. My name is
|
|
painted on the door outside, with that object."
|
|
|
|
"And Mr. Carstone's address, Mr. Vholes?"
|
|
|
|
"Sir," returned Mr. Vholes, "as I believe I have already mentioned,
|
|
it is next door. On the second story you will find Mr. C.'s
|
|
apartments. Mr. C. desires to be near his professional adviser, and I
|
|
am far from objecting, for I court inquiry."
|
|
|
|
Upon this Mr. Woodcourt wished Mr. Vholes good day and went in search
|
|
of Richard, the change in whose appearance he began to understand now
|
|
but too well.
|
|
|
|
He found him in a dull room, fadedly furnished, much as I had found
|
|
him in his barrack-room but a little while before, except that he was
|
|
not writing but was sitting with a book before him, from which his
|
|
eyes and thoughts were far astray. As the door chanced to be standing
|
|
open, Mr. Woodcourt was in his presence for some moments without
|
|
being perceived, and he told me that he never could forget the
|
|
haggardness of his face and the dejection of his manner before he was
|
|
aroused from his dream.
|
|
|
|
"Woodcourt, my dear fellow," cried Richard, starting up with extended
|
|
hands, "you come upon my vision like a ghost."
|
|
|
|
"A friendly one," he replied, "and only waiting, as they say ghosts
|
|
do, to be addressed. How does the mortal world go?" They were seated
|
|
now, near together.
|
|
|
|
"Badly enough, and slowly enough," said Richard, "speaking at least
|
|
for my part of it."
|
|
|
|
"What part is that?"
|
|
|
|
"The Chancery part."
|
|
|
|
"I never heard," returned Mr. Woodcourt, shaking his head, "of its
|
|
going well yet."
|
|
|
|
"Nor I," said Richard moodily. "Who ever did?" He brightened again in
|
|
a moment and said with his natural openness, "Woodcourt, I should be
|
|
sorry to be misunderstood by you, even if I gained by it in your
|
|
estimation. You must know that I have done no good this long time. I
|
|
have not intended to do much harm, but I seem to have been capable of
|
|
nothing else. It may be that I should have done better by keeping out
|
|
of the net into which my destiny has worked me, but I think not,
|
|
though I dare say you will soon hear, if you have not already heard,
|
|
a very different opinion. To make short of a long story, I am afraid
|
|
I have wanted an object; but I have an object now--or it has me--and
|
|
it is too late to discuss it. Take me as I am, and make the best of
|
|
me."
|
|
|
|
"A bargain," said Mr. Woodcourt. "Do as much by me in return."
|
|
|
|
"Oh! You," returned Richard, "you can pursue your art for its own
|
|
sake, and can put your hand upon the plough and never turn, and can
|
|
strike a purpose out of anything. You and I are very different
|
|
creatures."
|
|
|
|
He spoke regretfully and lapsed for a moment into his weary
|
|
condition.
|
|
|
|
"Well, well!" he cried, shaking it off. "Everything has an end. We
|
|
shall see! So you will take me as I am, and make the best of me?"
|
|
|
|
"Aye! Indeed I will." They shook hands upon it laughingly, but in
|
|
deep earnestness. I can answer for one of them with my heart of
|
|
hearts.
|
|
|
|
"You come as a godsend," said Richard, "for I have seen nobody here
|
|
yet but Vholes. Woodcourt, there is one subject I should like to
|
|
mention, for once and for all, in the beginning of our treaty. You
|
|
can hardly make the best of me if I don't. You know, I dare say, that
|
|
I have an attachment to my cousin Ada?"
|
|
|
|
Mr. Woodcourt replied that I had hinted as much to him. "Now pray,"
|
|
returned Richard, "don't think me a heap of selfishness. Don't
|
|
suppose that I am splitting my head and half breaking my heart over
|
|
this miserable Chancery suit for my own rights and interests alone.
|
|
Ada's are bound up with mine; they can't be separated; Vholes works
|
|
for both of us. Do think of that!"
|
|
|
|
He was so very solicitous on this head that Mr. Woodcourt gave him
|
|
the strongest assurances that he did him no injustice.
|
|
|
|
"You see," said Richard, with something pathetic in his manner of
|
|
lingering on the point, though it was off-hand and unstudied, "to an
|
|
upright fellow like you, bringing a friendly face like yours here, I
|
|
cannot bear the thought of appearing selfish and mean. I want to see
|
|
Ada righted, Woodcourt, as well as myself; I want to do my utmost to
|
|
right her, as well as myself; I venture what I can scrape together to
|
|
extricate her, as well as myself. Do, I beseech you, think of that!"
|
|
|
|
Afterwards, when Mr. Woodcourt came to reflect on what had passed, he
|
|
was so very much impressed by the strength of Richard's anxiety on
|
|
this point that in telling me generally of his first visit to
|
|
Symond's Inn he particularly dwelt upon it. It revived a fear I had
|
|
had before that my dear girl's little property would be absorbed by
|
|
Mr. Vholes and that Richard's justification to himself would be
|
|
sincerely this. It was just as I began to take care of Caddy that the
|
|
interview took place, and I now return to the time when Caddy had
|
|
recovered and the shade was still between me and my darling.
|
|
|
|
I proposed to Ada that morning that we should go and see Richard. It
|
|
a little surprised me to find that she hesitated and was not so
|
|
radiantly willing as I had expected.
|
|
|
|
"My dear," said I, "you have not had any difference with Richard
|
|
since I have been so much away?"
|
|
|
|
"No, Esther."
|
|
|
|
"Not heard of him, perhaps?" said I.
|
|
|
|
"Yes, I have heard of him," said Ada.
|
|
|
|
Such tears in her eyes, and such love in her face. I could not make
|
|
my darling out. Should I go to Richard's by myself? I said. No, Ada
|
|
thought I had better not go by myself. Would she go with me? Yes, Ada
|
|
thought she had better go with me. Should we go now? Yes, let us go
|
|
now. Well, I could not understand my darling, with the tears in her
|
|
eyes and the love in her face!
|
|
|
|
We were soon equipped and went out. It was a sombre day, and drops of
|
|
chill rain fell at intervals. It was one of those colourless days
|
|
when everything looks heavy and harsh. The houses frowned at us, the
|
|
dust rose at us, the smoke swooped at us, nothing made any compromise
|
|
about itself or wore a softened aspect. I fancied my beautiful girl
|
|
quite out of place in the rugged streets, and I thought there were
|
|
more funerals passing along the dismal pavements than I had ever seen
|
|
before.
|
|
|
|
We had first to find out Symond's Inn. We were going to inquire in a
|
|
shop when Ada said she thought it was near Chancery Lane. "We are not
|
|
likely to be far out, my love, if we go in that direction," said I.
|
|
So to Chancery Lane we went, and there, sure enough, we saw it
|
|
written up. Symond's Inn.
|
|
|
|
We had next to find out the number. "Or Mr. Vholes's office will do,"
|
|
I recollected, "for Mr. Vholes's office is next door." Upon which Ada
|
|
said, perhaps that was Mr. Vholes's office in the corner there. And
|
|
it really was.
|
|
|
|
Then came the question, which of the two next doors? I was going for
|
|
the one, and my darling was going for the other; and my darling was
|
|
right again. So up we went to the second story, when we came to
|
|
Richard's name in great white letters on a hearse-like panel.
|
|
|
|
I should have knocked, but Ada said perhaps we had better turn the
|
|
handle and go in. Thus we came to Richard, poring over a table
|
|
covered with dusty bundles of papers which seemed to me like dusty
|
|
mirrors reflecting his own mind. Wherever I looked I saw the ominous
|
|
words that ran in it repeated. Jarndyce and Jarndyce.
|
|
|
|
He received us very affectionately, and we sat down. "If you had come
|
|
a little earlier," he said, "you would have found Woodcourt here.
|
|
There never was such a good fellow as Woodcourt is. He finds time to
|
|
look in between-whiles, when anybody else with half his work to do
|
|
would be thinking about not being able to come. And he is so cheery,
|
|
so fresh, so sensible, so earnest, so--everything that I am not, that
|
|
the place brightens whenever he comes, and darkens whenever he goes
|
|
again."
|
|
|
|
"God bless him," I thought, "for his truth to me!"
|
|
|
|
"He is not so sanguine, Ada," continued Richard, casting his dejected
|
|
look over the bundles of papers, "as Vholes and I are usually, but he
|
|
is only an outsider and is not in the mysteries. We have gone into
|
|
them, and he has not. He can't be expected to know much of such a
|
|
labyrinth."
|
|
|
|
As his look wandered over the papers again and he passed his two
|
|
hands over his head, I noticed how sunken and how large his eyes
|
|
appeared, how dry his lips were, and how his finger-nails were all
|
|
bitten away.
|
|
|
|
"Is this a healthy place to live in, Richard, do you think?" said I.
|
|
|
|
"Why, my dear Minerva," answered Richard with his old gay laugh, "it
|
|
is neither a rural nor a cheerful place; and when the sun shines
|
|
here, you may lay a pretty heavy wager that it is shining brightly in
|
|
an open spot. But it's well enough for the time. It's near the
|
|
offices and near Vholes."
|
|
|
|
"Perhaps," I hinted, "a change from both--"
|
|
|
|
"Might do me good?" said Richard, forcing a laugh as he finished the
|
|
sentence. "I shouldn't wonder! But it can only come in one way
|
|
now--in one of two ways, I should rather say. Either the suit must be
|
|
ended, Esther, or the suitor. But it shall be the suit, my dear girl,
|
|
the suit, my dear girl!"
|
|
|
|
These latter words were addressed to Ada, who was sitting nearest to
|
|
him. Her face being turned away from me and towards him, I could not
|
|
see it.
|
|
|
|
"We are doing very well," pursued Richard. "Vholes will tell you so.
|
|
We are really spinning along. Ask Vholes. We are giving them no rest.
|
|
Vholes knows all their windings and turnings, and we are upon them
|
|
everywhere. We have astonished them already. We shall rouse up that
|
|
nest of sleepers, mark my words!"
|
|
|
|
His hopefulness had long been more painful to me than his
|
|
despondency; it was so unlike hopefulness, had something so fierce in
|
|
its determination to be it, was so hungry and eager, and yet so
|
|
conscious of being forced and unsustainable that it had long touched
|
|
me to the heart. But the commentary upon it now indelibly written in
|
|
his handsome face made it far more distressing than it used to be. I
|
|
say indelibly, for I felt persuaded that if the fatal cause could
|
|
have been for ever terminated, according to his brightest visions, in
|
|
that same hour, the traces of the premature anxiety, self-reproach,
|
|
and disappointment it had occasioned him would have remained upon his
|
|
features to the hour of his death.
|
|
|
|
"The sight of our dear little woman," said Richard, Ada still
|
|
remaining silent and quiet, "is so natural to me, and her
|
|
compassionate face is so like the face of old days--"
|
|
|
|
Ah! No, no. I smiled and shook my head.
|
|
|
|
"--So exactly like the face of old days," said Richard in his cordial
|
|
voice, and taking my hand with the brotherly regard which nothing
|
|
ever changed, "that I can't make pretences with her. I fluctuate a
|
|
little; that's the truth. Sometimes I hope, my dear, and sometimes
|
|
I--don't quite despair, but nearly. I get," said Richard,
|
|
relinquishing my hand gently and walking across the room, "so tired!"
|
|
|
|
He took a few turns up and down and sunk upon the sofa. "I get," he
|
|
repeated gloomily, "so tired. It is such weary, weary work!"
|
|
|
|
He was leaning on his arm saying these words in a meditative voice
|
|
and looking at the ground when my darling rose, put off her bonnet,
|
|
kneeled down beside him with her golden hair falling like sunlight on
|
|
his head, clasped her two arms round his neck, and turned her face to
|
|
me. Oh, what a loving and devoted face I saw!
|
|
|
|
"Esther, dear," she said very quietly, "I am not going home again."
|
|
|
|
A light shone in upon me all at once.
|
|
|
|
"Never any more. I am going to stay with my dear husband. We have
|
|
been married above two months. Go home without me, my own Esther; I
|
|
shall never go home any more!" With those words my darling drew his
|
|
head down on her breast and held it there. And if ever in my life I
|
|
saw a love that nothing but death could change, I saw it then before
|
|
me.
|
|
|
|
"Speak to Esther, my dearest," said Richard, breaking the silence
|
|
presently. "Tell her how it was."
|
|
|
|
I met her before she could come to me and folded her in my arms. We
|
|
neither of us spoke, but with her cheek against my own I wanted to
|
|
hear nothing. "My pet," said I. "My love. My poor, poor girl!" I
|
|
pitied her so much. I was very fond of Richard, but the impulse that
|
|
I had upon me was to pity her so much.
|
|
|
|
"Esther, will you forgive me? Will my cousin John forgive me?"
|
|
|
|
"My dear," said I, "to doubt it for a moment is to do him a great
|
|
wrong. And as to me!" Why, as to me, what had I to forgive!
|
|
|
|
I dried my sobbing darling's eyes and sat beside her on the sofa, and
|
|
Richard sat on my other side; and while I was reminded of that so
|
|
different night when they had first taken me into their confidence
|
|
and had gone on in their own wild happy way, they told me between
|
|
them how it was.
|
|
|
|
"All I had was Richard's," Ada said; "and Richard would not take it,
|
|
Esther, and what could I do but be his wife when I loved him dearly!"
|
|
|
|
"And you were so fully and so kindly occupied, excellent Dame
|
|
Durden," said Richard, "that how could we speak to you at such a
|
|
time! And besides, it was not a long-considered step. We went out one
|
|
morning and were married."
|
|
|
|
"And when it was done, Esther," said my darling, "I was always
|
|
thinking how to tell you and what to do for the best. And sometimes I
|
|
thought you ought to know it directly, and sometimes I thought you
|
|
ought not to know it and keep it from my cousin John; and I could not
|
|
tell what to do, and I fretted very much."
|
|
|
|
How selfish I must have been not to have thought of this before! I
|
|
don't know what I said now. I was so sorry, and yet I was so fond of
|
|
them and so glad that they were fond of me; I pitied them so much,
|
|
and yet I felt a kind of pride in their loving one another. I never
|
|
had experienced such painful and pleasurable emotion at one time, and
|
|
in my own heart I did not know which predominated. But I was not
|
|
there to darken their way; I did not do that.
|
|
|
|
When I was less foolish and more composed, my darling took her
|
|
wedding-ring from her bosom, and kissed it, and put it on. Then I
|
|
remembered last night and told Richard that ever since her marriage
|
|
she had worn it at night when there was no one to see. Then Ada
|
|
blushingly asked me how did I know that, my dear. Then I told Ada how
|
|
I had seen her hand concealed under her pillow and had little thought
|
|
why, my dear. Then they began telling me how it was all over again,
|
|
and I began to be sorry and glad again, and foolish again, and to
|
|
hide my plain old face as much as I could lest I should put them out
|
|
of heart.
|
|
|
|
Thus the time went on until it became necessary for me to think of
|
|
returning. When that time arrived it was the worst of all, for then
|
|
my darling completely broke down. She clung round my neck, calling me
|
|
by every dear name she could think of and saying what should she do
|
|
without me! Nor was Richard much better; and as for me, I should have
|
|
been the worst of the three if I had not severely said to myself,
|
|
"Now Esther, if you do, I'll never speak to you again!"
|
|
|
|
"Why, I declare," said I, "I never saw such a wife. I don't think she
|
|
loves her husband at all. Here, Richard, take my child, for goodness'
|
|
sake." But I held her tight all the while, and could have wept over
|
|
her I don't know how long.
|
|
|
|
"I give this dear young couple notice," said I, "that I am only going
|
|
away to come back to-morrow and that I shall be always coming
|
|
backwards and forwards until Symond's Inn is tired of the sight of
|
|
me. So I shall not say good-bye, Richard. For what would be the use
|
|
of that, you know, when I am coming back so soon!"
|
|
|
|
I had given my darling to him now, and I meant to go; but I lingered
|
|
for one more look of the precious face which it seemed to rive my
|
|
heart to turn from.
|
|
|
|
So I said (in a merry, bustling manner) that unless they gave me some
|
|
encouragement to come back, I was not sure that I could take that
|
|
liberty, upon which my dear girl looked up, faintly smiling through
|
|
her tears, and I folded her lovely face between my hands, and gave it
|
|
one last kiss, and laughed, and ran away.
|
|
|
|
And when I got downstairs, oh, how I cried! It almost seemed to me
|
|
that I had lost my Ada for ever. I was so lonely and so blank without
|
|
her, and it was so desolate to be going home with no hope of seeing
|
|
her there, that I could get no comfort for a little while as I walked
|
|
up and down in a dim corner sobbing and crying.
|
|
|
|
I came to myself by and by, after a little scolding, and took a coach
|
|
home. The poor boy whom I had found at St. Albans had reappeared a
|
|
short time before and was lying at the point of death; indeed, was
|
|
then dead, though I did not know it. My guardian had gone out to
|
|
inquire about him and did not return to dinner. Being quite alone, I
|
|
cried a little again, though on the whole I don't think I behaved so
|
|
very, very ill.
|
|
|
|
It was only natural that I should not be quite accustomed to the loss
|
|
of my darling yet. Three or four hours were not a long time after
|
|
years. But my mind dwelt so much upon the uncongenial scene in which
|
|
I had left her, and I pictured it as such an overshadowed
|
|
stony-hearted one, and I so longed to be near her and taking some
|
|
sort of care of her, that I determined to go back in the evening only
|
|
to look up at her windows.
|
|
|
|
It was foolish, I dare say, but it did not then seem at all so to me,
|
|
and it does not seem quite so even now. I took Charley into my
|
|
confidence, and we went out at dusk. It was dark when we came to the
|
|
new strange home of my dear girl, and there was a light behind the
|
|
yellow blinds. We walked past cautiously three or four times, looking
|
|
up, and narrowly missed encountering Mr. Vholes, who came out of his
|
|
office while we were there and turned his head to look up too before
|
|
going home. The sight of his lank black figure and the lonesome air
|
|
of that nook in the dark were favourable to the state of my mind. I
|
|
thought of the youth and love and beauty of my dear girl, shut up in
|
|
such an ill-assorted refuge, almost as if it were a cruel place.
|
|
|
|
It was very solitary and very dull, and I did not doubt that I might
|
|
safely steal upstairs. I left Charley below and went up with a light
|
|
foot, not distressed by any glare from the feeble oil lanterns on the
|
|
way. I listened for a few moments, and in the musty rotting silence
|
|
of the house believed that I could hear the murmur of their young
|
|
voices. I put my lips to the hearse-like panel of the door as a kiss
|
|
for my dear and came quietly down again, thinking that one of these
|
|
days I would confess to the visit.
|
|
|
|
And it really did me good, for though nobody but Charley and I knew
|
|
anything about it, I somehow felt as if it had diminished the
|
|
separation between Ada and me and had brought us together again for
|
|
those moments. I went back, not quite accustomed yet to the change,
|
|
but all the better for that hovering about my darling.
|
|
|
|
My guardian had come home and was standing thoughtfully by the dark
|
|
window. When I went in, his face cleared and he came to his seat, but
|
|
he caught the light upon my face as I took mine.
|
|
|
|
"Little woman," said he, "You have been crying."
|
|
|
|
"Why, yes, guardian," said I, "I am afraid I have been, a little. Ada
|
|
has been in such distress, and is so very sorry, guardian."
|
|
|
|
I put my arm on the back of his chair, and I saw in his glance that
|
|
my words and my look at her empty place had prepared him.
|
|
|
|
"Is she married, my dear?"
|
|
|
|
I told him all about it and how her first entreaties had referred to
|
|
his forgiveness.
|
|
|
|
"She has no need of it," said he. "Heaven bless her and her husband!"
|
|
But just as my first impulse had been to pity her, so was his. "Poor
|
|
girl, poor girl! Poor Rick! Poor Ada!"
|
|
|
|
Neither of us spoke after that, until he said with a sigh, "Well,
|
|
well, my dear! Bleak House is thinning fast."
|
|
|
|
"But its mistress remains, guardian." Though I was timid about saying
|
|
it, I ventured because of the sorrowful tone in which he had spoken.
|
|
"She will do all she can to make it happy," said I.
|
|
|
|
"She will succeed, my love!"
|
|
|
|
The letter had made no difference between us except that the seat by
|
|
his side had come to be mine; it made none now. He turned his old
|
|
bright fatherly look upon me, laid his hand on my hand in his old
|
|
way, and said again, "She will succeed, my dear. Nevertheless, Bleak
|
|
House is thinning fast, O little woman!"
|
|
|
|
I was sorry presently that this was all we said about that. I was
|
|
rather disappointed. I feared I might not quite have been all I had
|
|
meant to be since the letter and the answer.
|
|
|
|
|
|
|
|
|
|
CHAPTER LII
|
|
|
|
Obstinacy
|
|
|
|
|
|
But one other day had intervened when, early in the morning as we
|
|
were going to breakfast, Mr. Woodcourt came in haste with the
|
|
astounding news that a terrible murder had been committed for which
|
|
Mr. George had been apprehended and was in custody. When he told us
|
|
that a large reward was offered by Sir Leicester Dedlock for the
|
|
murderer's apprehension, I did not in my first consternation
|
|
understand why; but a few more words explained to me that the
|
|
murdered person was Sir Leicester's lawyer, and immediately my
|
|
mother's dread of him rushed into my remembrance.
|
|
|
|
This unforeseen and violent removal of one whom she had long watched
|
|
and distrusted and who had long watched and distrusted her, one for
|
|
whom she could have had few intervals of kindness, always dreading in
|
|
him a dangerous and secret enemy, appeared so awful that my first
|
|
thoughts were of her. How appalling to hear of such a death and be
|
|
able to feel no pity! How dreadful to remember, perhaps, that she had
|
|
sometimes even wished the old man away who was so swiftly hurried out
|
|
of life!
|
|
|
|
Such crowding reflections, increasing the distress and fear I always
|
|
felt when the name was mentioned, made me so agitated that I could
|
|
scarcely hold my place at the table. I was quite unable to follow the
|
|
conversation until I had had a little time to recover. But when I
|
|
came to myself and saw how shocked my guardian was and found that
|
|
they were earnestly speaking of the suspected man and recalling every
|
|
favourable impression we had formed of him out of the good we had
|
|
known of him, my interest and my fears were so strongly aroused in
|
|
his behalf that I was quite set up again.
|
|
|
|
"Guardian, you don't think it possible that he is justly accused?"
|
|
|
|
"My dear, I CAN'T think so. This man whom we have seen so
|
|
open-hearted and compassionate, who with the might of a giant has the
|
|
gentleness of a child, who looks as brave a fellow as ever lived and
|
|
is so simple and quiet with it, this man justly accused of such a
|
|
crime? I can't believe it. It's not that I don't or I won't. I
|
|
can't!"
|
|
|
|
"And I can't," said Mr. Woodcourt. "Still, whatever we believe or
|
|
know of him, we had better not forget that some appearances are
|
|
against him. He bore an animosity towards the deceased gentleman. He
|
|
has openly mentioned it in many places. He is said to have expressed
|
|
himself violently towards him, and he certainly did about him, to my
|
|
knowledge. He admits that he was alone on the scene of the murder
|
|
within a few minutes of its commission. I sincerely believe him to be
|
|
as innocent of any participation in it as I am, but these are all
|
|
reasons for suspicion falling upon him."
|
|
|
|
"True," said my guardian. And he added, turning to me, "It would be
|
|
doing him a very bad service, my dear, to shut our eyes to the truth
|
|
in any of these respects."
|
|
|
|
I felt, of course, that we must admit, not only to ourselves but to
|
|
others, the full force of the circumstances against him. Yet I knew
|
|
withal (I could not help saying) that their weight would not induce
|
|
us to desert him in his need.
|
|
|
|
"Heaven forbid!" returned my guardian. "We will stand by him, as he
|
|
himself stood by the two poor creatures who are gone." He meant Mr.
|
|
Gridley and the boy, to both of whom Mr. George had given shelter.
|
|
|
|
Mr. Woodcourt then told us that the trooper's man had been with him
|
|
before day, after wandering about the streets all night like a
|
|
distracted creature. That one of the trooper's first anxieties was
|
|
that we should not suppose him guilty. That he had charged his
|
|
messenger to represent his perfect innocence with every solemn
|
|
assurance he could send us. That Mr. Woodcourt had only quieted the
|
|
man by undertaking to come to our house very early in the morning
|
|
with these representations. He added that he was now upon his way to
|
|
see the prisoner himself.
|
|
|
|
My guardian said directly he would go too. Now, besides that I liked
|
|
the retired soldier very much and that he liked me, I had that secret
|
|
interest in what had happened which was only known to my guardian. I
|
|
felt as if it came close and near to me. It seemed to become
|
|
personally important to myself that the truth should be discovered
|
|
and that no innocent people should be suspected, for suspicion, once
|
|
run wild, might run wilder.
|
|
|
|
In a word, I felt as if it were my duty and obligation to go with
|
|
them. My guardian did not seek to dissuade me, and I went.
|
|
|
|
It was a large prison with many courts and passages so like one
|
|
another and so uniformly paved that I seemed to gain a new
|
|
comprehension, as I passed along, of the fondness that solitary
|
|
prisoners, shut up among the same staring walls from year to year,
|
|
have had--as I have read--for a weed or a stray blade of grass. In an
|
|
arched room by himself, like a cellar upstairs, with walls so
|
|
glaringly white that they made the massive iron window-bars and
|
|
iron-bound door even more profoundly black than they were, we found
|
|
the trooper standing in a corner. He had been sitting on a bench
|
|
there and had risen when he heard the locks and bolts turn.
|
|
|
|
When he saw us, he came forward a step with his usual heavy tread,
|
|
and there stopped and made a slight bow. But as I still advanced,
|
|
putting out my hand to him, he understood us in a moment.
|
|
|
|
"This is a load off my mind, I do assure you, miss and gentlemen,"
|
|
said he, saluting us with great heartiness and drawing a long breath.
|
|
"And now I don't so much care how it ends."
|
|
|
|
He scarcely seemed to be the prisoner. What with his coolness and his
|
|
soldierly bearing, he looked far more like the prison guard.
|
|
|
|
"This is even a rougher place than my gallery to receive a lady in,"
|
|
said Mr. George, "but I know Miss Summerson will make the best of
|
|
it." As he handed me to the bench on which he had been sitting, I sat
|
|
down, which seemed to give him great satisfaction.
|
|
|
|
"I thank you, miss," said he.
|
|
|
|
"Now, George," observed my guardian, "as we require no new assurances
|
|
on your part, so I believe we need give you none on ours."
|
|
|
|
"Not at all, sir. I thank you with all my heart. If I was not
|
|
innocent of this crime, I couldn't look at you and keep my secret to
|
|
myself under the condescension of the present visit. I feel the
|
|
present visit very much. I am not one of the eloquent sort, but I
|
|
feel it, Miss Summerson and gentlemen, deeply."
|
|
|
|
He laid his hand for a moment on his broad chest and bent his head to
|
|
us. Although he squared himself again directly, he expressed a great
|
|
amount of natural emotion by these simple means.
|
|
|
|
"First," said my guardian, "can we do anything for your personal
|
|
comfort, George?"
|
|
|
|
"For which, sir?" he inquired, clearing his throat.
|
|
|
|
"For your personal comfort. Is there anything you want that would
|
|
lessen the hardship of this confinement?"
|
|
|
|
"Well, sir," replied George, after a little cogitation, "I am equally
|
|
obliged to you, but tobacco being against the rules, I can't say that
|
|
there is."
|
|
|
|
"You will think of many little things perhaps, by and by. Whenever
|
|
you do, George, let us know."
|
|
|
|
"Thank you, sir. Howsoever," observed Mr. George with one of his
|
|
sunburnt smiles, "a man who has been knocking about the world in a
|
|
vagabond kind of a way as long as I have gets on well enough in a
|
|
place like the present, so far as that goes."
|
|
|
|
"Next, as to your case," observed my guardian.
|
|
|
|
"Exactly so, sir," returned Mr. George, folding his arms upon his
|
|
breast with perfect self-possession and a little curiosity.
|
|
|
|
"How does it stand now?"
|
|
|
|
"Why, sir, it is under remand at present. Bucket gives me to
|
|
understand that he will probably apply for a series of remands from
|
|
time to time until the case is more complete. How it is to be made
|
|
more complete I don't myself see, but I dare say Bucket will manage
|
|
it somehow."
|
|
|
|
"Why, heaven save us, man," exclaimed my guardian, surprised into his
|
|
old oddity and vehemence, "you talk of yourself as if you were
|
|
somebody else!"
|
|
|
|
"No offence, sir," said Mr. George. "I am very sensible of your
|
|
kindness. But I don't see how an innocent man is to make up his mind
|
|
to this kind of thing without knocking his head against the walls
|
|
unless he takes it in that point of view.
|
|
|
|
"That is true enough to a certain extent," returned my guardian,
|
|
softened. "But my good fellow, even an innocent man must take
|
|
ordinary precautions to defend himself."
|
|
|
|
"Certainly, sir. And I have done so. I have stated to the
|
|
magistrates, 'Gentlemen, I am as innocent of this charge as
|
|
yourselves; what has been stated against me in the way of facts is
|
|
perfectly true; I know no more about it.' I intend to continue
|
|
stating that, sir. What more can I do? It's the truth."
|
|
|
|
"But the mere truth won't do," rejoined my guardian.
|
|
|
|
"Won't it indeed, sir? Rather a bad look-out for me!" Mr. George
|
|
good-humouredly observed.
|
|
|
|
"You must have a lawyer," pursued my guardian. "We must engage a good
|
|
one for you."
|
|
|
|
"I ask your pardon, sir," said Mr. George with a step backward. "I am
|
|
equally obliged. But I must decidedly beg to be excused from anything
|
|
of that sort."
|
|
|
|
"You won't have a lawyer?"
|
|
|
|
"No, sir." Mr. George shook his head in the most emphatic manner. "I
|
|
thank you all the same, sir, but--no lawyer!"
|
|
|
|
"Why not?"
|
|
|
|
"I don't take kindly to the breed," said Mr. George. "Gridley didn't.
|
|
And--if you'll excuse my saying so much--I should hardly have thought
|
|
you did yourself, sir."
|
|
|
|
"That's equity," my guardian explained, a little at a loss; "that's
|
|
equity, George."
|
|
|
|
"Is it, indeed, sir?" returned the trooper in his off-hand manner. "I
|
|
am not acquainted with those shades of names myself, but in a general
|
|
way I object to the breed."
|
|
|
|
Unfolding his arms and changing his position, he stood with one
|
|
massive hand upon the table and the other on his hip, as complete a
|
|
picture of a man who was not to be moved from a fixed purpose as ever
|
|
I saw. It was in vain that we all three talked to him and endeavoured
|
|
to persuade him; he listened with that gentleness which went so well
|
|
with his bluff bearing, but was evidently no more shaken by our
|
|
representations that his place of confinement was.
|
|
|
|
"Pray think, once more, Mr. George," said I. "Have you no wish in
|
|
reference to your case?"
|
|
|
|
"I certainly could wish it to be tried, miss," he returned, "by
|
|
court-martial; but that is out of the question, as I am well aware.
|
|
If you will be so good as to favour me with your attention for a
|
|
couple of minutes, miss, not more, I'll endeavour to explain myself
|
|
as clearly as I can."
|
|
|
|
He looked at us all three in turn, shook his head a little as if he
|
|
were adjusting it in the stock and collar of a tight uniform, and
|
|
after a moment's reflection went on.
|
|
|
|
"You see, miss, I have been handcuffed and taken into custody and
|
|
brought here. I am a marked and disgraced man, and here I am. My
|
|
shooting gallery is rummaged, high and low, by Bucket; such property
|
|
as I have--'tis small--is turned this way and that till it don't know
|
|
itself; and (as aforesaid) here I am! I don't particular complain of
|
|
that. Though I am in these present quarters through no immediately
|
|
preceding fault of mine, I can very well understand that if I hadn't
|
|
gone into the vagabond way in my youth, this wouldn't have happened.
|
|
It HAS happened. Then comes the question how to meet it."
|
|
|
|
He rubbed his swarthy forehead for a moment with a good-humoured look
|
|
and said apologetically, "I am such a short-winded talker that I must
|
|
think a bit." Having thought a bit, he looked up again and resumed.
|
|
|
|
"How to meet it. Now, the unfortunate deceased was himself a lawyer
|
|
and had a pretty tight hold of me. I don't wish to rake up his ashes,
|
|
but he had, what I should call if he was living, a devil of a tight
|
|
hold of me. I don't like his trade the better for that. If I had kept
|
|
clear of his trade, I should have kept outside this place. But that's
|
|
not what I mean. Now, suppose I had killed him. Suppose I really had
|
|
discharged into his body any one of those pistols recently fired off
|
|
that Bucket has found at my place, and dear me, might have found
|
|
there any day since it has been my place. What should I have done as
|
|
soon as I was hard and fast here? Got a lawyer."
|
|
|
|
He stopped on hearing some one at the locks and bolts and did not
|
|
resume until the door had been opened and was shut again. For what
|
|
purpose opened, I will mention presently.
|
|
|
|
"I should have got a lawyer, and he would have said (as I have often
|
|
read in the newspapers), 'My client says nothing, my client reserves
|
|
his defence': my client this, that, and t'other. Well, 'tis not the
|
|
custom of that breed to go straight, according to my opinion, or to
|
|
think that other men do. Say I am innocent and I get a lawyer. He
|
|
would be as likely to believe me guilty as not; perhaps more. What
|
|
would he do, whether or not? Act as if I was--shut my mouth up, tell
|
|
me not to commit myself, keep circumstances back, chop the evidence
|
|
small, quibble, and get me off perhaps! But, Miss Summerson, do I
|
|
care for getting off in that way; or would I rather be hanged in my
|
|
own way--if you'll excuse my mentioning anything so disagreeable to a
|
|
lady?"
|
|
|
|
He had warmed into his subject now, and was under no further
|
|
necessity to wait a bit.
|
|
|
|
"I would rather be hanged in my own way. And I mean to be! I don't
|
|
intend to say," looking round upon us with his powerful arms akimbo
|
|
and his dark eyebrows raised, "that I am more partial to being hanged
|
|
than another man. What I say is, I must come off clear and full or
|
|
not at all. Therefore, when I hear stated against me what is true, I
|
|
say it's true; and when they tell me, 'whatever you say will be
|
|
used,' I tell them I don't mind that; I mean it to be used. If they
|
|
can't make me innocent out of the whole truth, they are not likely to
|
|
do it out of anything less, or anything else. And if they are, it's
|
|
worth nothing to me."
|
|
|
|
Taking a pace or two over the stone floor, he came back to the table
|
|
and finished what he had to say.
|
|
|
|
"I thank you, miss and gentlemen both, many times for your attention,
|
|
and many times more for your interest. That's the plain state of the
|
|
matter as it points itself out to a mere trooper with a blunt
|
|
broadsword kind of a mind. I have never done well in life beyond my
|
|
duty as a soldier, and if the worst comes after all, I shall reap
|
|
pretty much as I have sown. When I got over the first crash of being
|
|
seized as a murderer--it don't take a rover who has knocked about so
|
|
much as myself so very long to recover from a crash--I worked my way
|
|
round to what you find me now. As such I shall remain. No relations
|
|
will be disgraced by me or made unhappy for me, and--and that's all
|
|
I've got to say."
|
|
|
|
The door had been opened to admit another soldier-looking man of less
|
|
prepossessing appearance at first sight and a weather-tanned,
|
|
bright-eyed wholesome woman with a basket, who, from her entrance,
|
|
had been exceedingly attentive to all Mr. George had said. Mr. George
|
|
had received them with a familiar nod and a friendly look, but
|
|
without any more particular greeting in the midst of his address. He
|
|
now shook them cordially by the hand and said, "Miss Summerson and
|
|
gentlemen, this is an old comrade of mine, Matthew Bagnet. And this
|
|
is his wife, Mrs. Bagnet."
|
|
|
|
Mr. Bagnet made us a stiff military bow, and Mrs. Bagnet dropped us a
|
|
curtsy.
|
|
|
|
"Real good friends of mine, they are," sald Mr. George. "It was at
|
|
their house I was taken."
|
|
|
|
"With a second-hand wiolinceller," Mr. Bagnet put in, twitching his
|
|
head angrily. "Of a good tone. For a friend. That money was no object
|
|
to."
|
|
|
|
"Mat," said Mr. George, "you have heard pretty well all I have been
|
|
saying to this lady and these two gentlemen. I know it meets your
|
|
approval?"
|
|
|
|
Mr. Bagnet, after considering, referred the point to his wife. "Old
|
|
girl," said he. "Tell him. Whether or not. It meets my approval."
|
|
|
|
"Why, George," exclaimed Mrs. Bagnet, who had been unpacking her
|
|
basket, in which there was a piece of cold pickled pork, a little tea
|
|
and sugar, and a brown loaf, "you ought to know it don't. You ought
|
|
to know it's enough to drive a person wild to hear you. You won't be
|
|
got off this way, and you won't be got off that way--what do you mean
|
|
by such picking and choosing? It's stuff and nonsense, George."
|
|
|
|
"Don't be severe upon me in my misfortunes, Mrs. Bagnet," said the
|
|
trooper lightly.
|
|
|
|
"Oh! Bother your misfortunes," cried Mrs. Bagnet, "if they don't make
|
|
you more reasonable than that comes to. I never was so ashamed in my
|
|
life to hear a man talk folly as I have been to hear you talk this
|
|
day to the present company. Lawyers? Why, what but too many cooks
|
|
should hinder you from having a dozen lawyers if the gentleman
|
|
recommended them to you."
|
|
|
|
"This is a very sensible woman," said my guardian. "I hope you will
|
|
persuade him, Mrs. Bagnet."
|
|
|
|
"Persuade him, sir?" she returned. "Lord bless you, no. You don't
|
|
know George. Now, there!" Mrs. Bagnet left her basket to point him
|
|
out with both her bare brown hands. "There he stands! As self-willed
|
|
and as determined a man, in the wrong way, as ever put a human
|
|
creature under heaven out of patience! You could as soon take up and
|
|
shoulder an eight and forty pounder by your own strength as turn that
|
|
man when he has got a thing into his head and fixed it there. Why,
|
|
don't I know him!" cried Mrs. Bagnet. "Don't I know you, George! You
|
|
don't mean to set up for a new character with ME after all these
|
|
years, I hope?"
|
|
|
|
Her friendly indignation had an exemplary effect upon her husband,
|
|
who shook his head at the trooper several times as a silent
|
|
recommendation to him to yield. Between whiles, Mrs. Bagnet looked at
|
|
me; and I understood from the play of her eyes that she wished me to
|
|
do something, though I did not comprehend what.
|
|
|
|
"But I have given up talking to you, old fellow, years and years,"
|
|
said Mrs. Bagnet as she blew a little dust off the pickled pork,
|
|
looking at me again; "and when ladies and gentlemen know you as well
|
|
as I do, they'll give up talking to you too. If you are not too
|
|
headstrong to accept of a bit of dinner, here it is."
|
|
|
|
"I accept it with many thanks," returned the trooper.
|
|
|
|
"Do you though, indeed?" said Mrs. Bagnet, continuing to grumble on
|
|
good-humouredly. "I'm sure I'm surprised at that. I wonder you don't
|
|
starve in your own way also. It would only be like you. Perhaps
|
|
you'll set your mind upon THAT next." Here she again looked at me,
|
|
and I now perceived from her glances at the door and at me, by turns,
|
|
that she wished us to retire and to await her following us outside
|
|
the prison. Communicating this by similar means to my guardian and
|
|
Mr. Woodcourt, I rose.
|
|
|
|
"We hope you will think better of it, Mr. George," said I, "and we
|
|
shall come to see you again, trusting to find you more reasonable."
|
|
|
|
"More grateful, Miss Summerson, you can't find me," he returned.
|
|
|
|
"But more persuadable we can, I hope," said I. "And let me entreat
|
|
you to consider that the clearing up of this mystery and the
|
|
discovery of the real perpetrator of this deed may be of the last
|
|
importance to others besides yourself."
|
|
|
|
He heard me respectfully but without much heeding these words, which
|
|
I spoke a little turned from him, already on my way to the door; he
|
|
was observing (this they afterwards told me) my height and figure,
|
|
which seemed to catch his attention all at once.
|
|
|
|
"'Tis curious," said he. "And yet I thought so at the time!"
|
|
|
|
My guardian asked him what he meant.
|
|
|
|
"Why, sir," he answered, "when my ill fortune took me to the dead
|
|
man's staircase on the night of his murder, I saw a shape so like
|
|
Miss Summerson's go by me in the dark that I had half a mind to speak
|
|
to it."
|
|
|
|
For an instant I felt such a shudder as I never felt before or since
|
|
and hope I shall never feel again.
|
|
|
|
"It came downstairs as I went up," said the trooper, "and crossed the
|
|
moonlighted window with a loose black mantle on; I noticed a deep
|
|
fringe to it. However, it has nothing to do with the present subject,
|
|
excepting that Miss Summerson looked so like it at the moment that it
|
|
came into my head."
|
|
|
|
I cannot separate and define the feelings that arose in me after
|
|
this; it is enough that the vague duty and obligation I had felt upon
|
|
me from the first of following the investigation was, without my
|
|
distinctly daring to ask myself any question, increased, and that I
|
|
was indignantly sure of there being no possibility of a reason for my
|
|
being afraid.
|
|
|
|
We three went out of the prison and walked up and down at some short
|
|
distance from the gate, which was in a retired place. We had not
|
|
waited long when Mr. and Mrs. Bagnet came out too and quickly joined
|
|
us.
|
|
|
|
There was a tear in each of Mrs. Bagnet's eyes, and her face was
|
|
flushed and hurried. "I didn't let George see what I thought about
|
|
it, you know, miss," was her first remark when she came up, "but he's
|
|
in a bad way, poor old fellow!"
|
|
|
|
"Not with care and prudence and good help," said my guardian.
|
|
|
|
"A gentleman like you ought to know best, sir," returned Mrs. Bagnet,
|
|
hurriedly drying her eyes on the hem of her grey cloak, "but I am
|
|
uneasy for him. He has been so careless and said so much that he
|
|
never meant. The gentlemen of the juries might not understand him as
|
|
Lignum and me do. And then such a number of circumstances have
|
|
happened bad for him, and such a number of people will be brought
|
|
forward to speak against him, and Bucket is so deep."
|
|
|
|
"With a second-hand wiolinceller. And said he played the fife. When a
|
|
boy," Mr. Bagnet added with great solemnity.
|
|
|
|
"Now, I tell you, miss," said Mrs. Bagnet; "and when I say miss, I
|
|
mean all! Just come into the corner of the wall and I'll tell you!"
|
|
|
|
Mrs. Bagnet hurried us into a more secluded place and was at first
|
|
too breathless to proceed, occasioning Mr. Bagnet to say, "Old girl!
|
|
Tell 'em!"
|
|
|
|
"Why, then, miss," the old girl proceeded, untying the strings of her
|
|
bonnet for more air, "you could as soon move Dover Castle as move
|
|
George on this point unless you had got a new power to move him with.
|
|
And I have got it!"
|
|
|
|
"You are a jewel of a woman," said my guardian. "Go on!"
|
|
|
|
"Now, I tell you, miss," she proceeded, clapping her hands in her
|
|
hurry and agitation a dozen times in every sentence, "that what he
|
|
says concerning no relations is all bosh. They don't know of him, but
|
|
he does know of them. He has said more to me at odd times than to
|
|
anybody else, and it warn't for nothing that he once spoke to my
|
|
Woolwich about whitening and wrinkling mothers' heads. For fifty
|
|
pounds he had seen his mother that day. She's alive and must be
|
|
brought here straight!"
|
|
|
|
Instantly Mrs. Bagnet put some pins into her mouth and began pinning
|
|
up her skirts all round a little higher than the level of her grey
|
|
cloak, which she accomplished with surpassing dispatch and dexterity.
|
|
|
|
"Lignum," said Mrs. Bagnet, "you take care of the children, old man,
|
|
and give me the umbrella! I'm away to Lincolnshire to bring that old
|
|
lady here."
|
|
|
|
"But, bless the woman," cried my guardian with his hand in his
|
|
pocket, "how is she going? What money has she got?"
|
|
|
|
Mrs. Bagnet made another application to her skirts and brought forth
|
|
a leathern purse in which she hastily counted over a few shillings
|
|
and which she then shut up with perfect satisfaction.
|
|
|
|
"Never you mind for me, miss. I'm a soldier's wife and accustomed to
|
|
travel my own way. Lignum, old boy," kissing him, "one for yourself,
|
|
three for the children. Now I'm away into Lincolnshire after George's
|
|
mother!"
|
|
|
|
And she actually set off while we three stood looking at one another
|
|
lost in amazement. She actually trudged away in her grey cloak at a
|
|
sturdy pace, and turned the corner, and was gone.
|
|
|
|
"Mr. Bagnet," said my guardian. "Do you mean to let her go in that
|
|
way?"
|
|
|
|
"Can't help it," he returned. "Made her way home once from another
|
|
quarter of the world. With the same grey cloak. And same umbrella.
|
|
Whatever the old girl says, do. Do it! Whenever the old girl says,
|
|
I'LL do it. She does it."
|
|
|
|
"Then she is as honest and genuine as she looks," rejoined my
|
|
guardian, "and it is impossible to say more for her."
|
|
|
|
"She's Colour-Sergeant of the Nonpareil battalion," said Mr. Bagnet,
|
|
looking at us over his shoulder as he went his way also. "And there's
|
|
not such another. But I never own to it before her. Discipline must
|
|
be maintained."
|
|
|
|
|
|
|
|
|
|
CHAPTER LIII
|
|
|
|
The Track
|
|
|
|
|
|
Mr. Bucket and his fat forefinger are much in consultation together
|
|
under existing circumstances. When Mr. Bucket has a matter of this
|
|
pressing interest under his consideration, the fat forefinger seems
|
|
to rise, to the dignity of a familiar demon. He puts it to his ears,
|
|
and it whispers information; he puts it to his lips, and it enjoins
|
|
him to secrecy; he rubs it over his nose, and it sharpens his scent;
|
|
he shakes it before a guilty man, and it charms him to his
|
|
destruction. The Augurs of the Detective Temple invariably predict
|
|
that when Mr. Bucket and that finger are in much conference, a
|
|
terrible avenger will be heard of before long.
|
|
|
|
Otherwise mildly studious in his observation of human nature, on the
|
|
whole a benignant philosopher not disposed to be severe upon the
|
|
follies of mankind, Mr. Bucket pervades a vast number of houses and
|
|
strolls about an infinity of streets, to outward appearance rather
|
|
languishing for want of an object. He is in the friendliest condition
|
|
towards his species and will drink with most of them. He is free with
|
|
his money, affable in his manners, innocent in his conversation--but
|
|
through the placid stream of his life there glides an under-current
|
|
of forefinger.
|
|
|
|
Time and place cannot bind Mr. Bucket. Like man in the abstract, he
|
|
is here to-day and gone to-morrow--but, very unlike man indeed, he is
|
|
here again the next day. This evening he will be casually looking
|
|
into the iron extinguishers at the door of Sir Leicester Dedlock's
|
|
house in town; and to-morrow morning he will be walking on the leads
|
|
at Chesney Wold, where erst the old man walked whose ghost is
|
|
propitiated with a hundred guineas. Drawers, desks, pockets, all
|
|
things belonging to him, Mr. Bucket examines. A few hours afterwards,
|
|
he and the Roman will be alone together comparing forefingers.
|
|
|
|
It is likely that these occupations are irreconcilable with home
|
|
enjoyment, but it is certain that Mr. Bucket at present does not go
|
|
home. Though in general he highly appreciates the society of Mrs.
|
|
Bucket--a lady of a natural detective genius, which if it had been
|
|
improved by professional exercise, might have done great things, but
|
|
which has paused at the level of a clever amateur--he holds himself
|
|
aloof from that dear solace. Mrs. Bucket is dependent on their lodger
|
|
(fortunately an amiable lady in whom she takes an interest) for
|
|
companionship and conversation.
|
|
|
|
A great crowd assembles in Lincoln's Inn Fields on the day of the
|
|
funeral. Sir Leicester Dedlock attends the ceremony in person;
|
|
strictly speaking, there are only three other human followers, that
|
|
is to say, Lord Doodle, William Buffy, and the debilitated cousin
|
|
(thrown in as a make-weight), but the amount of inconsolable
|
|
carriages is immense. The peerage contributes more four-wheeled
|
|
affliction than has ever been seen in that neighbourhood. Such is the
|
|
assemblage of armorial bearings on coach panels that the Herald's
|
|
College might be supposed to have lost its father and mother at a
|
|
blow. The Duke of Foodle sends a splendid pile of dust and ashes,
|
|
with silver wheel-boxes, patent axles, all the last improvements, and
|
|
three bereaved worms, six feet high, holding on behind, in a bunch of
|
|
woe. All the state coachmen in London seem plunged into mourning; and
|
|
if that dead old man of the rusty garb be not beyond a taste in
|
|
horseflesh (which appears impossible), it must be highly gratified
|
|
this day.
|
|
|
|
Quiet among the undertakers and the equipages and the calves of so
|
|
many legs all steeped in grief, Mr. Bucket sits concealed in one of
|
|
the inconsolable carriages and at his ease surveys the crowd through
|
|
the lattice blinds. He has a keen eye for a crowd--as for what
|
|
not?--and looking here and there, now from this side of the carriage,
|
|
now from the other, now up at the house windows, now along the
|
|
people's heads, nothing escapes him.
|
|
|
|
"And there you are, my partner, eh?" says Mr. Bucket to himself,
|
|
apostrophizing Mrs. Bucket, stationed, by his favour, on the steps of
|
|
the deceased's house. "And so you are. And so you are! And very well
|
|
indeed you are looking, Mrs. Bucket!"
|
|
|
|
The procession has not started yet, but is waiting for the cause of
|
|
its assemblage to be brought out. Mr. Bucket, in the foremost
|
|
emblazoned carriage, uses his two fat forefingers to hold the lattice
|
|
a hair's breadth open while he looks.
|
|
|
|
And it says a great deal for his attachment, as a husband, that he is
|
|
still occupied with Mrs. B. "There you are, my partner, eh?" he
|
|
murmuringly repeats. "And our lodger with you. I'm taking notice of
|
|
you, Mrs. Bucket; I hope you're all right in your health, my dear!"
|
|
|
|
Not another word does Mr. Bucket say, but sits with most attentive
|
|
eyes until the sacked depository of noble secrets is brought
|
|
down--Where are all those secrets now? Does he keep them yet? Did
|
|
they fly with him on that sudden journey?--and until the procession
|
|
moves, and Mr. Bucket's view is changed. After which he composes
|
|
himself for an easy ride and takes note of the fittings of the
|
|
carriage in case he should ever find such knowledge useful.
|
|
|
|
Contrast enough between Mr. Tulkinghorn shut up in his dark carriage
|
|
and Mr. Bucket shut up in HIS. Between the immeasurable track of
|
|
space beyond the little wound that has thrown the one into the fixed
|
|
sleep which jolts so heavily over the stones of the streets, and the
|
|
narrow track of blood which keeps the other in the watchful state
|
|
expressed in every hair of his head! But it is all one to both;
|
|
neither is troubled about that.
|
|
|
|
Mr. Bucket sits out the procession in his own easy manner and glides
|
|
from the carriage when the opportunity he has settled with himself
|
|
arrives. He makes for Sir Leicester Dedlock's, which is at present a
|
|
sort of home to him, where he comes and goes as he likes at all
|
|
hours, where he is always welcome and made much of, where he knows
|
|
the whole establishment, and walks in an atmosphere of mysterious
|
|
greatness.
|
|
|
|
No knocking or ringing for Mr. Bucket. He has caused himself to be
|
|
provided with a key and can pass in at his pleasure. As he is
|
|
crossing the hall, Mercury informs him, "Here's another letter for
|
|
you, Mr. Bucket, come by post," and gives it him.
|
|
|
|
"Another one, eh?" says Mr. Bucket.
|
|
|
|
If Mercury should chance to be possessed by any lingering curiosity
|
|
as to Mr. Bucket's letters, that wary person is not the man to
|
|
gratify it. Mr. Bucket looks at him as if his face were a vista of
|
|
some miles in length and he were leisurely contemplating the same.
|
|
|
|
"Do you happen to carry a box?" says Mr. Bucket.
|
|
|
|
Unfortunately Mercury is no snuff-taker.
|
|
|
|
"Could you fetch me a pinch from anywheres?" says Mr. Bucket.
|
|
"Thankee. It don't matter what it is; I'm not particular as to the
|
|
kind. Thankee!"
|
|
|
|
Having leisurely helped himself from a canister borrowed from
|
|
somebody downstairs for the purpose, and having made a considerable
|
|
show of tasting it, first with one side of his nose and then with the
|
|
other, Mr. Bucket, with much deliberation, pronounces it of the right
|
|
sort and goes on, letter in hand.
|
|
|
|
Now although Mr. Bucket walks upstairs to the little library within
|
|
the larger one with the face of a man who receives some scores of
|
|
letters every day, it happens that much correspondence is not
|
|
incidental to his life. He is no great scribe, rather handling his
|
|
pen like the pocket-staff he carries about with him always convenient
|
|
to his grasp, and discourages correspondence with himself in others
|
|
as being too artless and direct a way of doing delicate business.
|
|
Further, he often sees damaging letters produced in evidence and has
|
|
occasion to reflect that it was a green thing to write them. For
|
|
these reasons he has very little to do with letters, either as sender
|
|
or receiver. And yet he has received a round half-dozen within the
|
|
last twenty-four hours.
|
|
|
|
"And this," says Mr. Bucket, spreading it out on the table, "is in
|
|
the same hand, and consists of the same two words."
|
|
|
|
What two words?
|
|
|
|
He turns the key in the door, ungirdles his black pocket-book (book
|
|
of fate to many), lays another letter by it, and reads, boldly
|
|
written in each, "Lady Dedlock."
|
|
|
|
"Yes, yes," says Mr. Bucket. "But I could have made the money without
|
|
this anonymous information."
|
|
|
|
Having put the letters in his book of fate and girdled it up again,
|
|
he unlocks the door just in time to admit his dinner, which is
|
|
brought upon a goodly tray with a decanter of sherry. Mr. Bucket
|
|
frequently observes, in friendly circles where there is no restraint,
|
|
that he likes a toothful of your fine old brown East Inder sherry
|
|
better than anything you can offer him. Consequently he fills and
|
|
empties his glass with a smack of his lips and is proceeding with his
|
|
refreshment when an idea enters his mind.
|
|
|
|
Mr. Bucket softly opens the door of communication between that room
|
|
and the next and looks in. The library is deserted, and the fire is
|
|
sinking low. Mr. Bucket's eye, after taking a pigeon-flight round the
|
|
room, alights upon a table where letters are usually put as they
|
|
arrive. Several letters for Sir Leicester are upon it. Mr. Bucket
|
|
draws near and examines the directions. "No," he says, "there's none
|
|
in that hand. It's only me as is written to. I can break it to Sir
|
|
Leicester Dedlock, Baronet, to-morrow."
|
|
|
|
With that he returns to finish his dinner with a good appetite, and
|
|
after a light nap, is summoned into the drawing-room. Sir Leicester
|
|
has received him there these several evenings past to know whether he
|
|
has anything to report. The debilitated cousin (much exhausted by the
|
|
funeral) and Volumnia are in attendance.
|
|
|
|
Mr. Bucket makes three distinctly different bows to these three
|
|
people. A bow of homage to Sir Leicester, a bow of gallantry to
|
|
Volumnia, and a bow of recognition to the debilitated Cousin, to whom
|
|
it airily says, "You are a swell about town, and you know me, and I
|
|
know you." Having distributed these little specimens of his tact, Mr.
|
|
Bucket rubs his hands.
|
|
|
|
"Have you anything new to communicate, officer?" inquires Sir
|
|
Leicester. "Do you wish to hold any conversation with me in private?"
|
|
|
|
"Why--not to-night, Sir Leicester Dedlock, Baronet."
|
|
|
|
"Because my time," pursues Sir Leicester, "is wholly at your disposal
|
|
with a view to the vindication of the outraged majesty of the law."
|
|
|
|
Mr. Bucket coughs and glances at Volumnia, rouged and necklaced, as
|
|
though he would respectfully observe, "I do assure you, you're a
|
|
pretty creetur. I've seen hundreds worse looking at your time of
|
|
life, I have indeed."
|
|
|
|
The fair Volumnia, not quite unconscious perhaps of the humanizing
|
|
influence of her charms, pauses in the writing of cocked-hat notes
|
|
and meditatively adjusts the pearl necklace. Mr. Bucket prices that
|
|
decoration in his mind and thinks it as likely as not that Volumnia
|
|
is writing poetry.
|
|
|
|
"If I have not," pursues Sir Leicester, "in the most emphatic manner,
|
|
adjured you, officer, to exercise your utmost skill in this atrocious
|
|
case, I particularly desire to take the present opportunity of
|
|
rectifying any omission I may have made. Let no expense be a
|
|
consideration. I am prepared to defray all charges. You can incur
|
|
none in pursuit of the object you have undertaken that I shall
|
|
hesitate for a moment to bear."
|
|
|
|
Mr. Bucket made Sir Leicester's bow again as a response to this
|
|
liberality.
|
|
|
|
"My mind," Sir Leicester adds with a generous warmth, "has not, as
|
|
may be easily supposed, recovered its tone since the late diabolical
|
|
occurrence. It is not likely ever to recover its tone. But it is full
|
|
of indignation to-night after undergoing the ordeal of consigning to
|
|
the tomb the remains of a faithful, a zealous, a devoted adherent."
|
|
|
|
Sir Leicester's voice trembles and his grey hair stirs upon his head.
|
|
Tears are in his eyes; the best part of his nature is aroused.
|
|
|
|
"I declare," he says, "I solemnly declare that until this crime is
|
|
discovered and, in the course of justice, punished, I almost feel as
|
|
if there were a stain upon my name. A gentleman who has devoted a
|
|
large portion of his life to me, a gentleman who has devoted the last
|
|
day of his life to me, a gentleman who has constantly sat at my table
|
|
and slept under my roof, goes from my house to his own, and is struck
|
|
down within an hour of his leaving my house. I cannot say but that he
|
|
may have been followed from my house, watched at my house, even first
|
|
marked because of his association with my house--which may have
|
|
suggested his possessing greater wealth and being altogether of
|
|
greater importance than his own retiring demeanour would have
|
|
indicated. If I cannot with my means and influence and my position
|
|
bring all the perpetrators of such a crime to light, I fail in the
|
|
assertion of my respect for that gentleman's memory and of my
|
|
fidelity towards one who was ever faithful to me."
|
|
|
|
While he makes this protestation with great emotion and earnestness,
|
|
looking round the room as if he were addressing an assembly, Mr.
|
|
Bucket glances at him with an observant gravity in which there might
|
|
be, but for the audacity of the thought, a touch of compassion.
|
|
|
|
"The ceremony of to-day," continues Sir Leicester, "strikingly
|
|
illustrative of the respect in which my deceased friend"--he lays a
|
|
stress upon the word, for death levels all distinctions--"was held by
|
|
the flower of the land, has, I say, aggravated the shock I have
|
|
received from this most horrible and audacious crime. If it were my
|
|
brother who had committed it, I would not spare him."
|
|
|
|
Mr. Bucket looks very grave. Volumnia remarks of the deceased that he
|
|
was the trustiest and dearest person!
|
|
|
|
"You must feel it as a deprivation to you, miss," replies Mr. Bucket
|
|
soothingly, "no doubt. He was calculated to BE a deprivation, I'm
|
|
sure he was."
|
|
|
|
Volumnia gives Mr. Bucket to understand, in reply, that her sensitive
|
|
mind is fully made up never to get the better of it as long as she
|
|
lives, that her nerves are unstrung for ever, and that she has not
|
|
the least expectation of ever smiling again. Meanwhile she folds up a
|
|
cocked hat for that redoubtable old general at Bath, descriptive of
|
|
her melancholy condition.
|
|
|
|
"It gives a start to a delicate female," says Mr. Bucket
|
|
sympathetically, "but it'll wear off."
|
|
|
|
Volumnia wishes of all things to know what is doing? Whether they are
|
|
going to convict, or whatever it is, that dreadful soldier? Whether
|
|
he had any accomplices, or whatever the thing is called in the law?
|
|
And a great deal more to the like artless purpose.
|
|
|
|
"Why you see, miss," returns Mr. Bucket, bringing the finger into
|
|
persuasive action--and such is his natural gallantry that he had
|
|
almost said "my dear"--"it ain't easy to answer those questions at
|
|
the present moment. Not at the present moment. I've kept myself on
|
|
this case, Sir Leicester Dedlock, Baronet," whom Mr. Bucket takes
|
|
into the conversation in right of his importance, "morning, noon, and
|
|
night. But for a glass or two of sherry, I don't think I could have
|
|
had my mind so much upon the stretch as it has been. I COULD answer
|
|
your questions, miss, but duty forbids it. Sir Leicester Dedlock,
|
|
Baronet, will very soon be made acquainted with all that has been
|
|
traced. And I hope that he may find it"--Mr. Bucket again looks
|
|
grave--"to his satisfaction."
|
|
|
|
The debilitated cousin only hopes some fler'll be executed--zample.
|
|
Thinks more interest's wanted--get man hanged presentime--than get
|
|
man place ten thousand a year. Hasn't a doubt--zample--far better
|
|
hang wrong fler than no fler.
|
|
|
|
"YOU know life, you know, sir," says Mr. Bucket with a complimentary
|
|
twinkle of his eye and crook of his finger, "and you can confirm what
|
|
I've mentioned to this lady. YOU don't want to be told that from
|
|
information I have received I have gone to work. You're up to what a
|
|
lady can't be expected to be up to. Lord! Especially in your elevated
|
|
station of society, miss," says Mr. Bucket, quite reddening at
|
|
another narrow escape from "my dear."
|
|
|
|
"The officer, Volumnia," observes Sir Leicester, "is faithful to his
|
|
duty, and perfectly right."
|
|
|
|
Mr. Bucket murmurs, "Glad to have the honour of your approbation, Sir
|
|
Leicester Dedlock, Baronet."
|
|
|
|
"In fact, Volumnia," proceeds Sir Leicester, "it is not holding up a
|
|
good model for imitation to ask the officer any such questions as you
|
|
have put to him. He is the best judge of his own responsibility; he
|
|
acts upon his responsibility. And it does not become us, who assist
|
|
in making the laws, to impede or interfere with those who carry them
|
|
into execution. Or," says Sir Leicester somewhat sternly, for
|
|
Volumnia was going to cut in before he had rounded his sentence, "or
|
|
who vindicate their outraged majesty."
|
|
|
|
Volumnia with all humility explains that she had not merely the plea
|
|
of curiosity to urge (in common with the giddy youth of her sex in
|
|
general) but that she is perfectly dying with regret and interest for
|
|
the darling man whose loss they all deplore.
|
|
|
|
"Very well, Volumnia," returns Sir Leicester. "Then you cannot be too
|
|
discreet."
|
|
|
|
Mr. Bucket takes the opportunity of a pause to be heard again.
|
|
|
|
"Sir Leicester Dedlock, Baronet, I have no objections to telling this
|
|
lady, with your leave and among ourselves, that I look upon the case
|
|
as pretty well complete. It is a beautiful case--a beautiful
|
|
case--and what little is wanting to complete it, I expect to be able
|
|
to supply in a few hours."
|
|
|
|
"I am very glad indeed to hear it," says Sir Leicester. "Highly
|
|
creditable to you."
|
|
|
|
"Sir Leicester Dedlock, Baronet," returns Mr. Bucket very seriously,
|
|
"I hope it may at one and the same time do me credit and prove
|
|
satisfactory to all. When I depict it as a beautiful case, you see,
|
|
miss," Mr. Bucket goes on, glancing gravely at Sir Leicester, "I mean
|
|
from my point of view. As considered from other points of view, such
|
|
cases will always involve more or less unpleasantness. Very strange
|
|
things comes to our knowledge in families, miss; bless your heart,
|
|
what you would think to be phenomenons, quite."
|
|
|
|
Volumnia, with her innocent little scream, supposes so.
|
|
|
|
"Aye, and even in gen-teel families, in high families, in great
|
|
families," says Mr. Bucket, again gravely eyeing Sir Leicester aside.
|
|
"I have had the honour of being employed in high families before, and
|
|
you have no idea--come, I'll go so far as to say not even YOU have
|
|
any idea, sir," this to the debilitated cousin, "what games goes on!"
|
|
|
|
The cousin, who has been casting sofa-pillows on his head, in a
|
|
prostration of boredom yawns, "Vayli," being the used-up for "very
|
|
likely."
|
|
|
|
Sir Leicester, deeming it time to dismiss the officer, here
|
|
majestically interposes with the words, "Very good. Thank you!" and
|
|
also with a wave of his hand, implying not only that there is an end
|
|
of the discourse, but that if high families fall into low habits they
|
|
must take the consequences. "You will not forget, officer," he adds
|
|
with condescension, "that I am at your disposal when you please."
|
|
|
|
Mr. Bucket (still grave) inquires if to-morrow morning, now, would
|
|
suit, in case he should be as for'ard as he expects to be. Sir
|
|
Leicester replies, "All times are alike to me." Mr. Bucket makes his
|
|
three bows and is withdrawing when a forgotten point occurs to him.
|
|
|
|
"Might I ask, by the by," he says in a low voice, cautiously
|
|
returning, "who posted the reward-bill on the staircase."
|
|
|
|
"I ordered it to be put up there," replies Sir Leicester.
|
|
|
|
"Would it be considered a liberty, Sir Leicester Dedlock, Baronet, if
|
|
I was to ask you why?"
|
|
|
|
"Not at all. I chose it as a conspicuous part of the house. I think
|
|
it cannot be too prominently kept before the whole establishment. I
|
|
wish my people to be impressed with the enormity of the crime, the
|
|
determination to punish it, and the hopelessness of escape. At the
|
|
same time, officer, if you in your better knowledge of the subject
|
|
see any objection--"
|
|
|
|
Mr. Bucket sees none now; the bill having been put up, had better not
|
|
be taken down. Repeating his three bows he withdraws, closing the
|
|
door on Volumnia's little scream, which is a preliminary to her
|
|
remarking that that charmingly horrible person is a perfect Blue
|
|
Chamber.
|
|
|
|
In his fondness for society and his adaptability to all grades, Mr.
|
|
Bucket is presently standing before the hall-fire--bright and warm on
|
|
the early winter night--admiring Mercury.
|
|
|
|
"Why, you're six foot two, I suppose?" says Mr. Bucket.
|
|
|
|
"Three," says Mercury.
|
|
|
|
"Are you so much? But then, you see, you're broad in proportion and
|
|
don't look it. You're not one of the weak-legged ones, you ain't. Was
|
|
you ever modelled now?" Mr. Bucket asks, conveying the expression of
|
|
an artist into the turn of his eye and head.
|
|
|
|
Mercury never was modelled.
|
|
|
|
"Then you ought to be, you know," says Mr. Bucket; "and a friend of
|
|
mine that you'll hear of one day as a Royal Academy sculptor would
|
|
stand something handsome to make a drawing of your proportions for
|
|
the marble. My Lady's out, ain't she?"
|
|
|
|
"Out to dinner."
|
|
|
|
"Goes out pretty well every day, don't she?"
|
|
|
|
"Yes."
|
|
|
|
"Not to be wondered at!" says Mr. Bucket. "Such a fine woman as her,
|
|
so handsome and so graceful and so elegant, is like a fresh lemon on
|
|
a dinner-table, ornamental wherever she goes. Was your father in the
|
|
same way of life as yourself?"
|
|
|
|
Answer in the negative.
|
|
|
|
"Mine was," says Mr. Bucket. "My father was first a page, then a
|
|
footman, then a butler, then a steward, then an inn-keeper. Lived
|
|
universally respected, and died lamented. Said with his last breath
|
|
that he considered service the most honourable part of his career,
|
|
and so it was. I've a brother in service, AND a brother-in-law. My
|
|
Lady a good temper?"
|
|
|
|
Mercury replies, "As good as you can expect."
|
|
|
|
"Ah!" says Mr. Bucket. "A little spoilt? A little capricious? Lord!
|
|
What can you anticipate when they're so handsome as that? And we like
|
|
'em all the better for it, don't we?"
|
|
|
|
Mercury, with his hands in the pockets of his bright peach-blossom
|
|
small-clothes, stretches his symmetrical silk legs with the air of a
|
|
man of gallantry and can't deny it. Come the roll of wheels and a
|
|
violent ringing at the bell. "Talk of the angels," says Mr. Bucket.
|
|
"Here she is!"
|
|
|
|
The doors are thrown open, and she passes through the hall. Still
|
|
very pale, she is dressed in slight mourning and wears two beautiful
|
|
bracelets. Either their beauty or the beauty of her arms is
|
|
particularly attractive to Mr. Bucket. He looks at them with an eager
|
|
eye and rattles something in his pocket--halfpence perhaps.
|
|
|
|
Noticing him at his distance, she turns an inquiring look on the
|
|
other Mercury who has brought her home.
|
|
|
|
"Mr. Bucket, my Lady."
|
|
|
|
Mr. Bucket makes a leg and comes forward, passing his familiar demon
|
|
over the region of his mouth.
|
|
|
|
"Are you waiting to see Sir Leicester?"
|
|
|
|
"No, my Lady, I've seen him!"
|
|
|
|
"Have you anything to say to me?"
|
|
|
|
"Not just at present, my Lady."
|
|
|
|
"Have you made any new discoveries?"
|
|
|
|
"A few, my Lady."
|
|
|
|
This is merely in passing. She scarcely makes a stop, and sweeps
|
|
upstairs alone. Mr. Bucket, moving towards the staircase-foot,
|
|
watches her as she goes up the steps the old man came down to his
|
|
grave, past murderous groups of statuary repeated with their shadowy
|
|
weapons on the wall, past the printed bill, which she looks at going
|
|
by, out of view.
|
|
|
|
"She's a lovely woman, too, she really is," says Mr. Bucket, coming
|
|
back to Mercury. "Don't look quite healthy though."
|
|
|
|
Is not quite healthy, Mercury informs him. Suffers much from
|
|
headaches.
|
|
|
|
Really? That's a pity! Walking, Mr. Bucket would recommend for that.
|
|
Well, she tries walking, Mercury rejoins. Walks sometimes for two
|
|
hours when she has them bad. By night, too.
|
|
|
|
"Are you sure you're quite so much as six foot three?" asks Mr.
|
|
Bucket. "Begging your pardon for interrupting you a moment?"
|
|
|
|
Not a doubt about it.
|
|
|
|
"You're so well put together that I shouldn't have thought it. But
|
|
the household troops, though considered fine men, are built so
|
|
straggling. Walks by night, does she? When it's moonlight, though?"
|
|
|
|
Oh, yes. When it's moonlight! Of course. Oh, of course!
|
|
Conversational and acquiescent on both sides.
|
|
|
|
"I suppose you ain't in the habit of walking yourself?" says Mr.
|
|
Bucket. "Not much time for it, I should say?"
|
|
|
|
Besides which, Mercury don't like it. Prefers carriage exercise.
|
|
|
|
"To be sure," says Mr. Bucket. "That makes a difference. Now I think
|
|
of it," says Mr. Bucket, warming his hands and looking pleasantly at
|
|
the blaze, "she went out walking the very night of this business."
|
|
|
|
"To be sure she did! I let her into the garden over the way."
|
|
|
|
"And left her there. Certainly you did. I saw you doing it."
|
|
|
|
"I didn't see YOU," says Mercury.
|
|
|
|
"I was rather in a hurry," returns Mr. Bucket, "for I was going to
|
|
visit a aunt of mine that lives at Chelsea--next door but two to the
|
|
old original Bun House--ninety year old the old lady is, a single
|
|
woman, and got a little property. Yes, I chanced to be passing at the
|
|
time. Let's see. What time might it be? It wasn't ten."
|
|
|
|
"Half-past nine."
|
|
|
|
"You're right. So it was. And if I don't deceive myself, my Lady was
|
|
muffled in a loose black mantle, with a deep fringe to it?"
|
|
|
|
"Of course she was."
|
|
|
|
Of course she was. Mr. Bucket must return to a little work he has to
|
|
get on with upstairs, but he must shake hands with Mercury in
|
|
acknowledgment of his agreeable conversation, and will he--this is
|
|
all he asks--will he, when he has a leisure half-hour, think of
|
|
bestowing it on that Royal Academy sculptor, for the advantage of
|
|
both parties?
|
|
|
|
|
|
|
|
|
|
CHAPTER LIV
|
|
|
|
Springing a Mine
|
|
|
|
|
|
Refreshed by sleep, Mr. Bucket rises betimes in the morning and
|
|
prepares for a field-day. Smartened up by the aid of a clean shirt
|
|
and a wet hairbrush, with which instrument, on occasions of ceremony,
|
|
he lubricates such thin locks as remain to him after his life of
|
|
severe study, Mr. Bucket lays in a breakfast of two mutton chops as a
|
|
foundation to work upon, together with tea, eggs, toast, and
|
|
marmalade on a corresponding scale. Having much enjoyed these
|
|
strengthening matters and having held subtle conference with his
|
|
familiar demon, he confidently instructs Mercury "just to mention
|
|
quietly to Sir Leicester Dedlock, Baronet, that whenever he's ready
|
|
for me, I'm ready for him." A gracious message being returned that
|
|
Sir Leicester will expedite his dressing and join Mr. Bucket in the
|
|
library within ten minutes, Mr. Bucket repairs to that apartment and
|
|
stands before the fire with his finger on his chin, looking at the
|
|
blazing coals.
|
|
|
|
Thoughtful Mr. Bucket is, as a man may be with weighty work to do,
|
|
but composed, sure, confident. From the expression of his face he
|
|
might be a famous whist-player for a large stake--say a hundred
|
|
guineas certain--with the game in his hand, but with a high
|
|
reputation involved in his playing his hand out to the last card in a
|
|
masterly way. Not in the least anxious or disturbed is Mr. Bucket
|
|
when Sir Leicester appears, but he eyes the baronet aside as he comes
|
|
slowly to his easy-chair with that observant gravity of yesterday in
|
|
which there might have been yesterday, but for the audacity of the
|
|
idea, a touch of compassion.
|
|
|
|
"I am sorry to have kept you waiting, officer, but I am rather later
|
|
than my usual hour this morning. I am not well. The agitation and the
|
|
indignation from which I have recently suffered have been too much
|
|
for me. I am subject to--gout"--Sir Leicester was going to say
|
|
indisposition and would have said it to anybody else, but Mr. Bucket
|
|
palpably knows all about it--"and recent circumstances have brought
|
|
it on."
|
|
|
|
As he takes his seat with some difficulty and with an air of pain,
|
|
Mr. Bucket draws a little nearer, standing with one of his large
|
|
hands on the library-table.
|
|
|
|
"I am not aware, officer," Sir Leicester observes; raising his eyes
|
|
to his face, "whether you wish us to be alone, but that is entirely
|
|
as you please. If you do, well and good. If not, Miss Dedlock would
|
|
be interested--"
|
|
|
|
"Why, Sir Leicester Dedlock, Baronet," returns Mr. Bucket with his
|
|
head persuasively on one side and his forefinger pendant at one ear
|
|
like an earring, "we can't be too private just at present. You will
|
|
presently see that we can't be too private. A lady, under the
|
|
circumstances, and especially in Miss Dedlock's elevated station of
|
|
society, can't but be agreeable to me, but speaking without a view to
|
|
myself, I will take the liberty of assuring you that I know we can't
|
|
be too private."
|
|
|
|
"That is enough."
|
|
|
|
"So much so, Sir Leicester Dedlock, Baronet," Mr. Bucket resumes,
|
|
"that I was on the point of asking your permission to turn the key in
|
|
the door."
|
|
|
|
"By all means." Mr. Bucket skilfully and softly takes that
|
|
precaution, stooping on his knee for a moment from mere force of
|
|
habit so to adjust the key in the lock as that no one shall peep in
|
|
from the outerside.
|
|
|
|
"Sir Leicester Dedlock, Baronet, I mentioned yesterday evening that I
|
|
wanted but a very little to complete this case. I have now completed
|
|
it and collected proof against the person who did this crime."
|
|
|
|
"Against the soldier?"
|
|
|
|
"No, Sir Leicester Dedlock; not the soldier."
|
|
|
|
Sir Leicester looks astounded and inquires, "Is the man in custody?"
|
|
|
|
Mr. Bucket tells him, after a pause, "It was a woman."
|
|
|
|
Sir Leicester leans back in his chair, and breathlessly ejaculates,
|
|
"Good heaven!"
|
|
|
|
"Now, Sir Leicester Dedlock, Baronet," Mr. Bucket begins, standing
|
|
over him with one hand spread out on the library-table and the
|
|
forefinger of the other in impressive use, "it's my duty to prepare
|
|
you for a train of circumstances that may, and I go so far as to say
|
|
that will, give you a shock. But Sir Leicester Dedlock, Baronet, you
|
|
are a gentleman, and I know what a gentleman is and what a gentleman
|
|
is capable of. A gentleman can bear a shock when it must come, boldly
|
|
and steadily. A gentleman can make up his mind to stand up against
|
|
almost any blow. Why, take yourself, Sir Leicester Dedlock, Baronet.
|
|
If there's a blow to be inflicted on you, you naturally think of your
|
|
family. You ask yourself, how would all them ancestors of yours, away
|
|
to Julius Caesar--not to go beyond him at present--have borne that
|
|
blow; you remember scores of them that would have borne it well; and
|
|
you bear it well on their accounts, and to maintain the family
|
|
credit. That's the way you argue, and that's the way you act, Sir
|
|
Leicester Dedlock, Baronet."
|
|
|
|
Sir Leicester, leaning back in his chair and grasping the elbows,
|
|
sits looking at him with a stony face.
|
|
|
|
"Now, Sir Leicester Dedlock," proceeds Mr. Bucket, "thus preparing
|
|
you, let me beg of you not to trouble your mind for a moment as to
|
|
anything having come to MY knowledge. I know so much about so many
|
|
characters, high and low, that a piece of information more or less
|
|
don't signify a straw. I don't suppose there's a move on the board
|
|
that would surprise ME, and as to this or that move having taken
|
|
place, why my knowing it is no odds at all, any possible move
|
|
whatever (provided it's in a wrong direction) being a probable move
|
|
according to my experience. Therefore, what I say to you, Sir
|
|
Leicester Dedlock, Baronet, is, don't you go and let yourself be put
|
|
out of the way because of my knowing anything of your family
|
|
affairs."
|
|
|
|
"I thank you for your preparation," returns Sir Leicester after a
|
|
silence, without moving hand, foot, or feature, "which I hope is not
|
|
necessary; though I give it credit for being well intended. Be so
|
|
good as to go on. Also"--Sir Leicester seems to shrink in the shadow
|
|
of his figure--"also, to take a seat, if you have no objection."
|
|
|
|
None at all. Mr. Bucket brings a chair and diminishes his shadow.
|
|
"Now, Sir Leicester Dedlock, Baronet, with this short preface I come
|
|
to the point. Lady Dedlock--"
|
|
|
|
Sir Leicester raises himself in his seat and stares at him fiercely.
|
|
Mr. Bucket brings the finger into play as an emollient.
|
|
|
|
"Lady Dedlock, you see she's universally admired. That's what her
|
|
ladyship is; she's universally admired," says Mr. Bucket.
|
|
|
|
"I would greatly prefer, officer," Sir Leicester returns stiffly, "my
|
|
Lady's name being entirely omitted from this discussion."
|
|
|
|
"So would I, Sir Leicester Dedlock, Baronet, but--it's impossible."
|
|
|
|
"Impossible?"
|
|
|
|
Mr. Bucket shakes his relentless head.
|
|
|
|
"Sir Leicester Dedlock, Baronet, it's altogether impossible. What I
|
|
have got to say is about her ladyship. She is the pivot it all turns
|
|
on."
|
|
|
|
"Officer," retorts Sir Leicester with a fiery eye and a quivering
|
|
lip, "you know your duty. Do your duty, but be careful not to
|
|
overstep it. I would not suffer it. I would not endure it. You bring
|
|
my Lady's name into this communication upon your responsibility--upon
|
|
your responsibility. My Lady's name is not a name for common persons
|
|
to trifle with!"
|
|
|
|
"Sir Leicester Dedlock, Baronet, I say what I must say, and no more."
|
|
|
|
"I hope it may prove so. Very well. Go on. Go on, sir!" Glancing at
|
|
the angry eyes which now avoid him and at the angry figure trembling
|
|
from head to foot, yet striving to be still, Mr. Bucket feels his way
|
|
with his forefinger and in a low voice proceeds.
|
|
|
|
"Sir Leicester Dedlock, Baronet, it becomes my duty to tell you that
|
|
the deceased Mr. Tulkinghorn long entertained mistrusts and
|
|
suspicions of Lady Dedlock."
|
|
|
|
"If he had dared to breathe them to me, sir--which he never did--I
|
|
would have killed him myself!" exclaims Sir Leicester, striking his
|
|
hand upon the table. But in the very heat and fury of the act he
|
|
stops, fixed by the knowing eyes of Mr. Bucket, whose forefinger is
|
|
slowly going and who, with mingled confidence and patience, shakes
|
|
his head.
|
|
|
|
"Sir Leicester Dedlock, the deceased Mr. Tulkinghorn was deep and
|
|
close, and what he fully had in his mind in the very beginning I
|
|
can't quite take upon myself to say. But I know from his lips that he
|
|
long ago suspected Lady Dedlock of having discovered, through the
|
|
sight of some handwriting--in this very house, and when you yourself,
|
|
Sir Leicester Dedlock, were present--the existence, in great poverty,
|
|
of a certain person who had been her lover before you courted her and
|
|
who ought to have been her husband." Mr. Bucket stops and
|
|
deliberately repeats, "Ought to have been her husband, not a doubt
|
|
about it. I know from his lips that when that person soon afterwards
|
|
died, he suspected Lady Dedlock of visiting his wretched lodging and
|
|
his wretched grave, alone and in secret. I know from my own inquiries
|
|
and through my eyes and ears that Lady Dedlock did make such visit in
|
|
the dress of her own maid, for the deceased Mr. Tulkinghorn employed
|
|
me to reckon up her ladyship--if you'll excuse my making use of the
|
|
term we commonly employ--and I reckoned her up, so far, completely. I
|
|
confronted the maid in the chambers in Lincoln's Inn Fields with a
|
|
witness who had been Lady Dedlock's guide, and there couldn't be the
|
|
shadow of a doubt that she had worn the young woman's dress, unknown
|
|
to her. Sir Leicester Dedlock, Baronet, I did endeavour to pave the
|
|
way a little towards these unpleasant disclosures yesterday by saying
|
|
that very strange things happened even in high families sometimes.
|
|
All this, and more, has happened in your own family, and to and
|
|
through your own Lady. It's my belief that the deceased Mr.
|
|
Tulkinghorn followed up these inquiries to the hour of his death and
|
|
that he and Lady Dedlock even had bad blood between them upon the
|
|
matter that very night. Now, only you put that to Lady Dedlock, Sir
|
|
Leicester Dedlock, Baronet, and ask her ladyship whether, even after
|
|
he had left here, she didn't go down to his chambers with the
|
|
intention of saying something further to him, dressed in a loose
|
|
black mantle with a deep fringe to it."
|
|
|
|
Sir Leicester sits like a statue, gazing at the cruel finger that is
|
|
probing the life-blood of his heart.
|
|
|
|
"You put that to her ladyship, Sir Leicester Dedlock, Baronet, from
|
|
me, Inspector Bucket of the Detective. And if her ladyship makes any
|
|
difficulty about admitting of it, you tell her that it's no use, that
|
|
Inspector Bucket knows it and knows that she passed the soldier as
|
|
you called him (though he's not in the army now) and knows that she
|
|
knows she passed him on the staircase. Now, Sir Leicester Dedlock,
|
|
Baronet, why do I relate all this?"
|
|
|
|
Sir Leicester, who has covered his face with his hands, uttering a
|
|
single groan, requests him to pause for a moment. By and by he takes
|
|
his hands away, and so preserves his dignity and outward calmness,
|
|
though there is no more colour in his face than in his white hair,
|
|
that Mr. Bucket is a little awed by him. Something frozen and fixed
|
|
is upon his manner, over and above its usual shell of haughtiness,
|
|
and Mr. Bucket soon detects an unusual slowness in his speech, with
|
|
now and then a curious trouble in beginning, which occasions him to
|
|
utter inarticulate sounds. With such sounds he now breaks silence,
|
|
soon, however, controlling himself to say that he does not comprehend
|
|
why a gentleman so faithful and zealous as the late Mr. Tulkinghorn
|
|
should have communicated to him nothing of this painful, this
|
|
distressing, this unlooked-for, this overwhelming, this incredible
|
|
intelligence.
|
|
|
|
"Again, Sir Leicester Dedlock, Baronet," returns Mr. Bucket, "put it
|
|
to her ladyship to clear that up. Put it to her ladyship, if you
|
|
think it right, from Inspector Bucket of the Detective. You'll find,
|
|
or I'm much mistaken, that the deceased Mr. Tulkinghorn had the
|
|
intention of communicating the whole to you as soon as he considered
|
|
it ripe, and further, that he had given her ladyship so to
|
|
understand. Why, he might have been going to reveal it the very
|
|
morning when I examined the body! You don't know what I'm going to
|
|
say and do five minutes from this present time, Sir Leicester
|
|
Dedlock, Baronet; and supposing I was to be picked off now, you might
|
|
wonder why I hadn't done it, don't you see?"
|
|
|
|
True. Sir Leicester, avoiding, with some trouble those obtrusive
|
|
sounds, says, "True." At this juncture a considerable noise of voices
|
|
is heard in the hall. Mr. Bucket, after listening, goes to the
|
|
library-door, softly unlocks and opens it, and listens again. Then he
|
|
draws in his head and whispers hurriedly but composedly, "Sir
|
|
Leicester Dedlock, Baronet, this unfortunate family affair has taken
|
|
air, as I expected it might, the deceased Mr. Tulkinghorn being cut
|
|
down so sudden. The chance to hush it is to let in these people now
|
|
in a wrangle with your footmen. Would you mind sitting quiet--on the
|
|
family account--while I reckon 'em up? And would you just throw in a
|
|
nod when I seem to ask you for it?"
|
|
|
|
Sir Leicester indistinctly answers, "Officer. The best you can, the
|
|
best you can!" and Mr. Bucket, with a nod and a sagacious crook of
|
|
the forefinger, slips down into the hall, where the voices quickly
|
|
die away. He is not long in returning; a few paces ahead of Mercury
|
|
and a brother deity also powdered and in peach-blossomed smalls, who
|
|
bear between them a chair in which is an incapable old man. Another
|
|
man and two women come behind. Directing the pitching of the chair in
|
|
an affable and easy manner, Mr. Bucket dismisses the Mercuries and
|
|
locks the door again. Sir Leicester looks on at this invasion of the
|
|
sacred precincts with an icy stare.
|
|
|
|
"Now, perhaps you may know me, ladies and gentlemen," says Mr. Bucket
|
|
in a confidential voice. "I am Inspector Bucket of the Detective, I
|
|
am; and this," producing the tip of his convenient little staff from
|
|
his breast-pocket, "is my authority. Now, you wanted to see Sir
|
|
Leicester Dedlock, Baronet. Well! You do see him, and mind you, it
|
|
ain't every one as is admitted to that honour. Your name, old
|
|
gentleman, is Smallweed; that's what your name is; I know it well."
|
|
|
|
"Well, and you never heard any harm of it!" cries Mr. Smallweed in a
|
|
shrill loud voice.
|
|
|
|
"You don't happen to know why they killed the pig, do you?" retorts
|
|
Mr. Bucket with a steadfast look, but without loss of temper.
|
|
|
|
"No!"
|
|
|
|
"Why, they killed him," says Mr. Bucket, "on account of his having so
|
|
much cheek. Don't YOU get into the same position, because it isn't
|
|
worthy of you. You ain't in the habit of conversing with a deaf
|
|
person, are you?"
|
|
|
|
"Yes," snarls Mr. Smallweed, "my wife's deaf."
|
|
|
|
"That accounts for your pitching your voice so high. But as she ain't
|
|
here; just pitch it an octave or two lower, will you, and I'll not
|
|
only be obliged to you, but it'll do you more credit," says Mr.
|
|
Bucket. "This other gentleman is in the preaching line, I think?"
|
|
|
|
"Name of Chadband," Mr. Smallweed puts in, speaking henceforth in a
|
|
much lower key.
|
|
|
|
"Once had a friend and brother serjeant of the same name," says Mr.
|
|
Bucket, offering his hand, "and consequently feel a liking for it.
|
|
Mrs. Chadband, no doubt?"
|
|
|
|
"And Mrs. Snagsby," Mr. Smallweed introduces.
|
|
|
|
"Husband a law-stationer and a friend of my own," says Mr. Bucket.
|
|
"Love him like a brother! Now, what's up?"
|
|
|
|
"Do you mean what business have we come upon?" Mr. Smallweed asks, a
|
|
little dashed by the suddenness of this turn.
|
|
|
|
"Ah! You know what I mean. Let us hear what it's all about in
|
|
presence of Sir Leicester Dedlock, Baronet. Come."
|
|
|
|
Mr. Smallweed, beckoning Mr. Chadband, takes a moment's counsel with
|
|
him in a whisper. Mr. Chadband, expressing a considerable amount of
|
|
oil from the pores of his forehead and the palms of his hands, says
|
|
aloud, "Yes. You first!" and retires to his former place.
|
|
|
|
"I was the client and friend of Mr. Tulkinghorn," pipes Grandfather
|
|
Smallweed then; "I did business with him. I was useful to him, and he
|
|
was useful to me. Krook, dead and gone, was my brother-in-law. He was
|
|
own brother to a brimstone magpie--leastways Mrs. Smallweed. I come
|
|
into Krook's property. I examined all his papers and all his effects.
|
|
They was all dug out under my eyes. There was a bundle of letters
|
|
belonging to a dead and gone lodger as was hid away at the back of a
|
|
shelf in the side of Lady Jane's bed--his cat's bed. He hid all
|
|
manner of things away, everywheres. Mr. Tulkinghorn wanted 'em and
|
|
got 'em, but I looked 'em over first. I'm a man of business, and I
|
|
took a squint at 'em. They was letters from the lodger's sweetheart,
|
|
and she signed Honoria. Dear me, that's not a common name, Honoria,
|
|
is it? There's no lady in this house that signs Honoria is there? Oh,
|
|
no, I don't think so! Oh, no, I don't think so! And not in the same
|
|
hand, perhaps? Oh, no, I don't think so!"
|
|
|
|
Here Mr. Smallweed, seized with a fit of coughing in the midst of his
|
|
triumph, breaks off to ejaculate, "Oh, dear me! Oh, Lord! I'm shaken
|
|
all to pieces!"
|
|
|
|
"Now, when you're ready," says Mr. Bucket after awaiting his
|
|
recovery, "to come to anything that concerns Sir Leicester Dedlock,
|
|
Baronet, here the gentleman sits, you know."
|
|
|
|
"Haven't I come to it, Mr. Bucket?" cries Grandfather Smallweed.
|
|
"Isn't the gentleman concerned yet? Not with Captain Hawdon, and his
|
|
ever affectionate Honoria, and their child into the bargain? Come,
|
|
then, I want to know where those letters are. That concerns me, if it
|
|
don't concern Sir Leicester Dedlock. I will know where they are. I
|
|
won't have 'em disappear so quietly. I handed 'em over to my friend
|
|
and solicitor, Mr. Tulkinghorn, not to anybody else."
|
|
|
|
"Why, he paid you for them, you know, and handsome too," says Mr.
|
|
Bucket.
|
|
|
|
"I don't care for that. I want to know who's got 'em. And I tell you
|
|
what we want--what we all here want, Mr. Bucket. We want more
|
|
painstaking and search-making into this murder. We know where the
|
|
interest and the motive was, and you have not done enough. If George
|
|
the vagabond dragoon had any hand in it, he was only an accomplice,
|
|
and was set on. You know what I mean as well as any man."
|
|
|
|
"Now I tell you what," says Mr. Bucket, instantaneously altering his
|
|
manner, coming close to him, and communicating an extraordinary
|
|
fascination to the forefinger, "I am damned if I am a-going to have
|
|
my case spoilt, or interfered with, or anticipated by so much as half
|
|
a second of time by any human being in creation. YOU want more
|
|
painstaking and search-making! YOU do? Do you see this hand, and do
|
|
you think that I don't know the right time to stretch it out and put
|
|
it on the arm that fired that shot?"
|
|
|
|
Such is the dread power of the man, and so terribly evident it is
|
|
that he makes no idle boast, that Mr. Smallweed begins to apologize.
|
|
Mr. Bucket, dismissing his sudden anger, checks him.
|
|
|
|
"The advice I give you is, don't you trouble your head about the
|
|
murder. That's my affair. You keep half an eye on the newspapers, and
|
|
I shouldn't wonder if you was to read something about it before long,
|
|
if you look sharp. I know my business, and that's all I've got to say
|
|
to you on that subject. Now about those letters. You want to know
|
|
who's got 'em. I don't mind telling you. I have got 'em. Is that the
|
|
packet?"
|
|
|
|
Mr. Smallweed looks, with greedy eyes, at the little bundle Mr.
|
|
Bucket produces from a mysterious part of his coat, and identifies it
|
|
as the same.
|
|
|
|
"What have you got to say next?" asks Mr. Bucket. "Now, don't open
|
|
your mouth too wide, because you don't look handsome when you do it."
|
|
|
|
"I want five hundred pound."
|
|
|
|
"No, you don't; you mean fifty," says Mr. Bucket humorously.
|
|
|
|
It appears, however, that Mr. Smallweed means five hundred.
|
|
|
|
"That is, I am deputed by Sir Leicester Dedlock, Baronet, to consider
|
|
(without admitting or promising anything) this bit of business," says
|
|
Mr. Bucket--Sir Leicester mechanically bows his head--"and you ask me
|
|
to consider a proposal of five hundred pounds. Why, it's an
|
|
unreasonable proposal! Two fifty would be bad enough, but better than
|
|
that. Hadn't you better say two fifty?"
|
|
|
|
Mr. Smallweed is quite clear that he had better not.
|
|
|
|
"Then," says Mr. Bucket, "let's hear Mr. Chadband. Lord! Many a time
|
|
I've heard my old fellow-serjeant of that name; and a moderate man he
|
|
was in all respects, as ever I come across!"
|
|
|
|
Thus invited, Mr. Chadband steps forth, and after a little sleek
|
|
smiling and a little oil-grinding with the palms of his hands,
|
|
delivers himself as follows, "My friends, we are now--Rachael, my
|
|
wife, and I--in the mansions of the rich and great. Why are we now in
|
|
the mansions of the rich and great, my friends? Is it because we are
|
|
invited? Because we are bidden to feast with them, because we are
|
|
bidden to rejoice with them, because we are bidden to play the lute
|
|
with them, because we are bidden to dance with them? No. Then why are
|
|
we here, my friends? Air we in possession of a sinful secret, and do
|
|
we require corn, and wine, and oil, or what is much the same thing,
|
|
money, for the keeping thereof? Probably so, my friends."
|
|
|
|
"You're a man of business, you are," returns Mr. Bucket, very
|
|
attentive, "and consequently you're going on to mention what the
|
|
nature of your secret is. You are right. You couldn't do better."
|
|
|
|
"Let us then, my brother, in a spirit of love," says Mr. Chadband
|
|
with a cunning eye, "proceed unto it. Rachael, my wife, advance!"
|
|
|
|
Mrs. Chadband, more than ready, so advances as to jostle her husband
|
|
into the background and confronts Mr. Bucket with a hard, frowning
|
|
smile.
|
|
|
|
"Since you want to know what we know," says she, "I'll tell you. I
|
|
helped to bring up Miss Hawdon, her ladyship's daughter. I was in the
|
|
service of her ladyship's sister, who was very sensitive to the
|
|
disgrace her ladyship brought upon her, and gave out, even to her
|
|
ladyship, that the child was dead--she WAS very nearly so--when she
|
|
was born. But she's alive, and I know her." With these words, and a
|
|
laugh, and laying a bitter stress on the word "ladyship," Mrs.
|
|
Chadband folds her arms and looks implacably at Mr. Bucket.
|
|
|
|
"I suppose now," returns that officer, "YOU will be expecting a
|
|
twenty-pound note or a present of about that figure?"
|
|
|
|
Mrs. Chadband merely laughs and contemptuously tells him he can
|
|
"offer" twenty pence.
|
|
|
|
"My friend the law-stationer's good lady, over there," says Mr.
|
|
Bucket, luring Mrs. Snagsby forward with the finger. "What may YOUR
|
|
game be, ma'am?"
|
|
|
|
Mrs. Snagsby is at first prevented, by tears and lamentations, from
|
|
stating the nature of her game, but by degrees it confusedly comes to
|
|
light that she is a woman overwhelmed with injuries and wrongs, whom
|
|
Mr. Snagsby has habitually deceived, abandoned, and sought to keep in
|
|
darkness, and whose chief comfort, under her afflictions, has been
|
|
the sympathy of the late Mr. Tulkinghorn, who showed so much
|
|
commiseration for her on one occasion of his calling in Cook's Court
|
|
in the absence of her perjured husband that she has of late
|
|
habitually carried to him all her woes. Everybody it appears, the
|
|
present company excepted, has plotted against Mrs. Snagsby's peace.
|
|
There is Mr. Guppy, clerk to Kenge and Carboy, who was at first as
|
|
open as the sun at noon, but who suddenly shut up as close as
|
|
midnight, under the influence--no doubt--of Mr. Snagsby's suborning
|
|
and tampering. There is Mr. Weevle, friend of Mr. Guppy, who lived
|
|
mysteriously up a court, owing to the like coherent causes. There was
|
|
Krook, deceased; there was Nimrod, deceased; and there was Jo,
|
|
deceased; and they were "all in it." In what, Mrs. Snagsby does not
|
|
with particularity express, but she knows that Jo was Mr. Snagsby's
|
|
son, "as well as if a trumpet had spoken it," and she followed Mr.
|
|
Snagsby when he went on his last visit to the boy, and if he was not
|
|
his son why did he go? The one occupation of her life has been, for
|
|
some time back, to follow Mr. Snagsby to and fro, and up and down,
|
|
and to piece suspicious circumstances together--and every
|
|
circumstance that has happened has been most suspicious; and in this
|
|
way she has pursued her object of detecting and confounding her false
|
|
husband, night and day. Thus did it come to pass that she brought the
|
|
Chadbands and Mr. Tulkinghorn together, and conferred with Mr.
|
|
Tulkinghorn on the change in Mr. Guppy, and helped to turn up the
|
|
circumstances in which the present company are interested, casually,
|
|
by the wayside, being still and ever on the great high road that is
|
|
to terminate in Mr. Snagsby's full exposure and a matrimonial
|
|
separation. All this, Mrs. Snagsby, as an injured woman, and the
|
|
friend of Mrs. Chadband, and the follower of Mr. Chadband, and the
|
|
mourner of the late Mr. Tulkinghorn, is here to certify under the
|
|
seal of confidence, with every possible confusion and involvement
|
|
possible and impossible, having no pecuniary motive whatever, no
|
|
scheme or project but the one mentioned, and bringing here, and
|
|
taking everywhere, her own dense atmosphere of dust, arising from the
|
|
ceaseless working of her mill of jealousy.
|
|
|
|
While this exordium is in hand--and it takes some time--Mr. Bucket,
|
|
who has seen through the transparency of Mrs. Snagsby's vinegar at a
|
|
glance, confers with his familiar demon and bestows his shrewd
|
|
attention on the Chadbands and Mr. Smallweed. Sir Leicester Dedlock
|
|
remains immovable, with the same icy surface upon him, except that he
|
|
once or twice looks towards Mr. Bucket, as relying on that officer
|
|
alone of all mankind.
|
|
|
|
"Very good," says Mr. Bucket. "Now I understand you, you know, and
|
|
being deputed by Sir Leicester Dedlock, Baronet, to look into this
|
|
little matter," again Sir Leicester mechanically bows in confirmation
|
|
of the statement, "can give it my fair and full attention. Now I
|
|
won't allude to conspiring to extort money or anything of that sort,
|
|
because we are men and women of the world here, and our object is to
|
|
make things pleasant. But I tell you what I DO wonder at; I am
|
|
surprised that you should think of making a noise below in the hall.
|
|
It was so opposed to your interests. That's what I look at."
|
|
|
|
"We wanted to get in," pleads Mr. Smallweed.
|
|
|
|
"Why, of course you wanted to get in," Mr. Bucket asserts with
|
|
cheerfulness; "but for a old gentleman at your time of life--what I
|
|
call truly venerable, mind you!--with his wits sharpened, as I have
|
|
no doubt they are, by the loss of the use of his limbs, which
|
|
occasions all his animation to mount up into his head, not to
|
|
consider that if he don't keep such a business as the present as
|
|
close as possible it can't be worth a mag to him, is so curious! You
|
|
see your temper got the better of you; that's where you lost ground,"
|
|
says Mr. Bucket in an argumentative and friendly way.
|
|
|
|
"I only said I wouldn't go without one of the servants came up to Sir
|
|
Leicester Dedlock," returns Mr. Smallweed.
|
|
|
|
"That's it! That's where your temper got the better of you. Now, you
|
|
keep it under another time and you'll make money by it. Shall I ring
|
|
for them to carry you down?"
|
|
|
|
"When are we to hear more of this?" Mrs. Chadband sternly demands.
|
|
|
|
"Bless your heart for a true woman! Always curious, your delightful
|
|
sex is!" replies Mr. Bucket with gallantry. "I shall have the
|
|
pleasure of giving you a call to-morrow or next day--not forgetting
|
|
Mr. Smallweed and his proposal of two fifty."
|
|
|
|
"Five hundred!" exclaims Mr. Smallweed.
|
|
|
|
"All right! Nominally five hundred." Mr. Bucket has his hand on the
|
|
bell-rope. "SHALL I wish you good day for the present on the part of
|
|
myself and the gentleman of the house?" he asks in an insinuating
|
|
tone.
|
|
|
|
Nobody having the hardihood to object to his doing so, he does it,
|
|
and the party retire as they came up. Mr. Bucket follows them to the
|
|
door, and returning, says with an air of serious business, "Sir
|
|
Leicester Dedlock, Baronet, it's for you to consider whether or not
|
|
to buy this up. I should recommend, on the whole, it's being bought
|
|
up myself; and I think it may be bought pretty cheap. You see, that
|
|
little pickled cowcumber of a Mrs. Snagsby has been used by all sides
|
|
of the speculation and has done a deal more harm in bringing odds and
|
|
ends together than if she had meant it. Mr. Tulkinghorn, deceased, he
|
|
held all these horses in his hand and could have drove 'em his own
|
|
way, I haven't a doubt; but he was fetched off the box head-foremost,
|
|
and now they have got their legs over the traces, and are all
|
|
dragging and pulling their own ways. So it is, and such is life. The
|
|
cat's away, and the mice they play; the frost breaks up, and the
|
|
water runs. Now, with regard to the party to be apprehended."
|
|
|
|
Sir Leicester seems to wake, though his eyes have been wide open, and
|
|
he looks intently at Mr. Bucket as Mr. Bucket refers to his watch.
|
|
|
|
"The party to be apprehended is now in this house," proceeds Mr.
|
|
Bucket, putting up his watch with a steady hand and with rising
|
|
spirits, "and I'm about to take her into custody in your presence.
|
|
Sir Leicester Dedlock, Baronet, don't you say a word nor yet stir.
|
|
There'll be no noise and no disturbance at all. I'll come back in the
|
|
course of the evening, if agreeable to you, and endeavour to meet
|
|
your wishes respecting this unfortunate family matter and the
|
|
nobbiest way of keeping it quiet. Now, Sir Leicester Dedlock,
|
|
Baronet, don't you be nervous on account of the apprehension at
|
|
present coming off. You shall see the whole case clear, from first to
|
|
last."
|
|
|
|
Mr. Bucket rings, goes to the door, briefly whispers Mercury, shuts
|
|
the door, and stands behind it with his arms folded. After a suspense
|
|
of a minute or two the door slowly opens and a Frenchwoman enters.
|
|
Mademoiselle Hortense.
|
|
|
|
The moment she is in the room Mr. Bucket claps the door to and puts
|
|
his back against it. The suddenness of the noise occasions her to
|
|
turn, and then for the first time she sees Sir Leicester Dedlock in
|
|
his chair.
|
|
|
|
"I ask you pardon," she mutters hurriedly. "They tell me there was no
|
|
one here."
|
|
|
|
Her step towards the door brings her front to front with Mr. Bucket.
|
|
Suddenly a spasm shoots across her face and she turns deadly pale.
|
|
|
|
"This is my lodger, Sir Leicester Dedlock," says Mr. Bucket, nodding
|
|
at her. "This foreign young woman has been my lodger for some weeks
|
|
back."
|
|
|
|
"What do Sir Leicester care for that, you think, my angel?" returns
|
|
mademoiselle in a jocular strain.
|
|
|
|
"Why, my angel," returns Mr. Bucket, "we shall see."
|
|
|
|
Mademoiselle Hortense eyes him with a scowl upon her tight face,
|
|
which gradually changes into a smile of scorn, "You are very
|
|
mysterieuse. Are you drunk?"
|
|
|
|
"Tolerable sober, my angel," returns Mr. Bucket.
|
|
|
|
"I come from arriving at this so detestable house with your wife.
|
|
Your wife have left me since some minutes. They tell me downstairs
|
|
that your wife is here. I come here, and your wife is not here. What
|
|
is the intention of this fool's play, say then?" mademoiselle
|
|
demands, with her arms composedly crossed, but with something in her
|
|
dark cheek beating like a clock.
|
|
|
|
Mr. Bucket merely shakes the finger at her.
|
|
|
|
"Ah, my God, you are an unhappy idiot!" cries mademoiselle with a
|
|
toss of her head and a laugh. "Leave me to pass downstairs, great
|
|
pig." With a stamp of her foot and a menace.
|
|
|
|
"Now, mademoiselle," says Mr. Bucket in a cool determined way, "you
|
|
go and sit down upon that sofy."
|
|
|
|
"I will not sit down upon nothing," she replies with a shower of
|
|
nods.
|
|
|
|
"Now, mademoiselle," repeats Mr. Bucket, making no demonstration
|
|
except with the finger, "you sit down upon that sofy."
|
|
|
|
"Why?"
|
|
|
|
"Because I take you into custody on a charge of murder, and you don't
|
|
need to be told it. Now, I want to be polite to one of your sex and a
|
|
foreigner if I can. If I can't, I must be rough, and there's rougher
|
|
ones outside. What I am to be depends on you. So I recommend you, as
|
|
a friend, afore another half a blessed moment has passed over your
|
|
head, to go and sit down upon that sofy."
|
|
|
|
Mademoiselle complies, saying in a concentrated voice while that
|
|
something in her cheek beats fast and hard, "You are a devil."
|
|
|
|
"Now, you see," Mr. Bucket proceeds approvingly, "you're comfortable
|
|
and conducting yourself as I should expect a foreign young woman of
|
|
your sense to do. So I'll give you a piece of advice, and it's this,
|
|
don't you talk too much. You're not expected to say anything here,
|
|
and you can't keep too quiet a tongue in your head. In short, the
|
|
less you PARLAY, the better, you know." Mr. Bucket is very complacent
|
|
over this French explanation.
|
|
|
|
Mademoiselle, with that tigerish expansion of the mouth and her black
|
|
eyes darting fire upon him, sits upright on the sofa in a rigid
|
|
state, with her hands clenched--and her feet too, one might
|
|
suppose--muttering, "Oh, you Bucket, you are a devil!"
|
|
|
|
"Now, Sir Leicester Dedlock, Baronet," says Mr. Bucket, and from this
|
|
time forth the finger never rests, "this young woman, my lodger, was
|
|
her ladyship's maid at the time I have mentioned to you; and this
|
|
young woman, besides being extraordinary vehement and passionate
|
|
against her ladyship after being discharged--"
|
|
|
|
"Lie!" cries mademoiselle. "I discharge myself."
|
|
|
|
"Now, why don't you take my advice?" returns Mr. Bucket in an
|
|
impressive, almost in an imploring, tone. "I'm surprised at the
|
|
indiscreetness you commit. You'll say something that'll be used
|
|
against you, you know. You're sure to come to it. Never you mind what
|
|
I say till it's given in evidence. It is not addressed to you."
|
|
|
|
"Discharge, too," cries mademoiselle furiously, "by her ladyship! Eh,
|
|
my faith, a pretty ladyship! Why, I r-r-r-ruin my character by
|
|
remaining with a ladyship so infame!"
|
|
|
|
"Upon my soul I wonder at you!" Mr. Bucket remonstrates. "I thought
|
|
the French were a polite nation, I did, really. Yet to hear a female
|
|
going on like that before Sir Leicester Dedlock, Baronet!"
|
|
|
|
"He is a poor abused!" cries mademoiselle. "I spit upon his house,
|
|
upon his name, upon his imbecility," all of which she makes the
|
|
carpet represent. "Oh, that he is a great man! Oh, yes, superb! Oh,
|
|
heaven! Bah!"
|
|
|
|
"Well, Sir Leicester Dedlock," proceeds Mr. Bucket, "this intemperate
|
|
foreigner also angrily took it into her head that she had established
|
|
a claim upon Mr. Tulkinghorn, deceased, by attending on the occasion
|
|
I told you of at his chambers, though she was liberally paid for her
|
|
time and trouble."
|
|
|
|
"Lie!" cries mademoiselle. "I ref-use his money all togezzer."
|
|
|
|
"If you WILL PARLAY, you know," says Mr. Bucket parenthetically, "you
|
|
must take the consequences. Now, whether she became my lodger, Sir
|
|
Leicester Dedlock, with any deliberate intention then of doing this
|
|
deed and blinding me, I give no opinion on; but she lived in my house
|
|
in that capacity at the time that she was hovering about the chambers
|
|
of the deceased Mr. Tulkinghorn with a view to a wrangle, and
|
|
likewise persecuting and half frightening the life out of an
|
|
unfortunate stationer."
|
|
|
|
"Lie!" cries mademoiselle. "All lie!"
|
|
|
|
"The murder was committed, Sir Leicester Dedlock, Baronet, and you
|
|
know under what circumstances. Now, I beg of you to follow me close
|
|
with your attention for a minute or two. I was sent for, and the case
|
|
was entrusted to me. I examined the place, and the body, and the
|
|
papers, and everything. From information I received (from a clerk in
|
|
the same house) I took George into custody as having been seen
|
|
hanging about there on the night, and at very nigh the time of the
|
|
murder, also as having been overheard in high words with the deceased
|
|
on former occasions--even threatening him, as the witness made out.
|
|
If you ask me, Sir Leicester Dedlock, whether from the first I
|
|
believed George to be the murderer, I tell you candidly no, but he
|
|
might be, notwithstanding, and there was enough against him to make
|
|
it my duty to take him and get him kept under remand. Now, observe!"
|
|
|
|
As Mr. Bucket bends forward in some excitement--for him--and
|
|
inaugurates what he is going to say with one ghostly beat of his
|
|
forefinger in the air, Mademoiselle Hortense fixes her black eyes
|
|
upon him with a dark frown and sets her dry lips closely and firmly
|
|
together.
|
|
|
|
"I went home, Sir Leicester Dedlock, Baronet, at night and found this
|
|
young woman having supper with my wife, Mrs. Bucket. She had made a
|
|
mighty show of being fond of Mrs. Bucket from her first offering
|
|
herself as our lodger, but that night she made more than ever--in
|
|
fact, overdid it. Likewise she overdid her respect, and all that, for
|
|
the lamented memory of the deceased Mr. Tulkinghorn. By the living
|
|
Lord it flashed upon me, as I sat opposite to her at the table and
|
|
saw her with a knife in her hand, that she had done it!"
|
|
|
|
Mademoiselle is hardly audible in straining through her teeth and
|
|
lips the words, "You are a devil."
|
|
|
|
"Now where," pursues Mr. Bucket, "had she been on the night of the
|
|
murder? She had been to the theayter. (She really was there, I have
|
|
since found, both before the deed and after it.) I knew I had an
|
|
artful customer to deal with and that proof would be very difficult;
|
|
and I laid a trap for her--such a trap as I never laid yet, and such
|
|
a venture as I never made yet. I worked it out in my mind while I was
|
|
talking to her at supper. When I went upstairs to bed, our house
|
|
being small and this young woman's ears sharp, I stuffed the sheet
|
|
into Mrs. Bucket's mouth that she shouldn't say a word of surprise
|
|
and told her all about it. My dear, don't you give your mind to that
|
|
again, or I shall link your feet together at the ankles." Mr. Bucket,
|
|
breaking off, has made a noiseless descent upon mademoiselle and laid
|
|
his heavy hand upon her shoulder.
|
|
|
|
"What is the matter with you now?" she asks him.
|
|
|
|
"Don't you think any more," returns Mr. Bucket with admonitory
|
|
finger, "of throwing yourself out of window. That's what's the matter
|
|
with me. Come! Just take my arm. You needn't get up; I'll sit down by
|
|
you. Now take my arm, will you? I'm a married man, you know; you're
|
|
acquainted with my wife. Just take my arm."
|
|
|
|
Vainly endeavouring to moisten those dry lips, with a painful sound
|
|
she struggles with herself and complies.
|
|
|
|
"Now we're all right again. Sir Leicester Dedlock, Baronet, this case
|
|
could never have been the case it is but for Mrs. Bucket, who is a
|
|
woman in fifty thousand--in a hundred and fifty thousand! To throw
|
|
this young woman off her guard, I have never set foot in our house
|
|
since, though I've communicated with Mrs. Bucket in the baker's
|
|
loaves and in the milk as often as required. My whispered words to
|
|
Mrs. Bucket when she had the sheet in her mouth were, 'My dear, can
|
|
you throw her off continually with natural accounts of my suspicions
|
|
against George, and this, and that, and t'other? Can you do without
|
|
rest and keep watch upon her night and day? Can you undertake to say,
|
|
'She shall do nothing without my knowledge, she shall be my prisoner
|
|
without suspecting it, she shall no more escape from me than from
|
|
death, and her life shall be my life, and her soul my soul, till I
|
|
have got her, if she did this murder?' Mrs. Bucket says to me, as
|
|
well as she could speak on account of the sheet, 'Bucket, I can!' And
|
|
she has acted up to it glorious!"
|
|
|
|
"Lies!" mademoiselle interposes. "All lies, my friend!"
|
|
|
|
"Sir Leicester Dedlock, Baronet, how did my calculations come out
|
|
under these circumstances? When I calculated that this impetuous
|
|
young woman would overdo it in new directions, was I wrong or right?
|
|
I was right. What does she try to do? Don't let it give you a turn?
|
|
To throw the murder on her ladyship."
|
|
|
|
Sir Leicester rises from his chair and staggers down again.
|
|
|
|
"And she got encouragement in it from hearing that I was always here,
|
|
which was done a-purpose. Now, open that pocket-book of mine, Sir
|
|
Leicester Dedlock, if I may take the liberty of throwing it towards
|
|
you, and look at the letters sent to me, each with the two words
|
|
'Lady Dedlock' in it. Open the one directed to yourself, which I
|
|
stopped this very morning, and read the three words 'Lady Dedlock,
|
|
Murderess' in it. These letters have been falling about like a shower
|
|
of lady-birds. What do you say now to Mrs. Bucket, from her spy-place
|
|
having seen them all 'written by this young woman? What do you say to
|
|
Mrs. Bucket having, within this half-hour, secured the corresponding
|
|
ink and paper, fellow half-sheets and what not? What do you say to
|
|
Mrs. Bucket having watched the posting of 'em every one by this young
|
|
woman, Sir Leicester Dedlock, Baronet?" Mr. Bucket asks, triumphant
|
|
in his admiration of his lady's genius.
|
|
|
|
Two things are especially observable as Mr. Bucket proceeds to a
|
|
conclusion. First, that he seems imperceptibly to establish a
|
|
dreadful right of property in mademoiselle. Secondly, that the very
|
|
atmosphere she breathes seems to narrow and contract about her as if
|
|
a close net or a pall were being drawn nearer and yet nearer around
|
|
her breathless figure.
|
|
|
|
"There is no doubt that her ladyship was on the spot at the eventful
|
|
period," says Mr. Bucket, "and my foreign friend here saw her, I
|
|
believe, from the upper part of the staircase. Her ladyship and
|
|
George and my foreign friend were all pretty close on one another's
|
|
heels. But that don't signify any more, so I'll not go into it. I
|
|
found the wadding of the pistol with which the deceased Mr.
|
|
Tulkinghorn was shot. It was a bit of the printed description of your
|
|
house at Chesney Wold. Not much in that, you'll say, Sir Leicester
|
|
Dedlock, Baronet. No. But when my foreign friend here is so
|
|
thoroughly off her guard as to think it a safe time to tear up the
|
|
rest of that leaf, and when Mrs. Bucket puts the pieces together and
|
|
finds the wadding wanting, it begins to look like Queer Street."
|
|
|
|
"These are very long lies," mademoiselle interposes. "You prose great
|
|
deal. Is it that you have almost all finished, or are you speaking
|
|
always?"
|
|
|
|
"Sir Leicester Dedlock, Baronet," proceeds Mr. Bucket, who delights
|
|
in a full title and does violence to himself when he dispenses with
|
|
any fragment of it, "the last point in the case which I am now going
|
|
to mention shows the necessity of patience in our business, and never
|
|
doing a thing in a hurry. I watched this young woman yesterday
|
|
without her knowledge when she was looking at the funeral, in company
|
|
with my wife, who planned to take her there; and I had so much to
|
|
convict her, and I saw such an expression in her face, and my mind so
|
|
rose against her malice towards her ladyship, and the time was
|
|
altogether such a time for bringing down what you may call
|
|
retribution upon her, that if I had been a younger hand with less
|
|
experience, I should have taken her, certain. Equally, last night,
|
|
when her ladyship, as is so universally admired I am sure, come home
|
|
looking--why, Lord, a man might almost say like Venus rising from the
|
|
ocean--it was so unpleasant and inconsistent to think of her being
|
|
charged with a murder of which she was innocent that I felt quite to
|
|
want to put an end to the job. What should I have lost? Sir Leicester
|
|
Dedlock, Baronet, I should have lost the weapon. My prisoner here
|
|
proposed to Mrs. Bucket, after the departure of the funeral, that
|
|
they should go per bus a little ways into the country and take tea at
|
|
a very decent house of entertainment. Now, near that house of
|
|
entertainment there's a piece of water. At tea, my prisoner got up to
|
|
fetch her pocket handkercher from the bedroom where the bonnets was;
|
|
she was rather a long time gone and came back a little out of wind.
|
|
As soon as they came home this was reported to me by Mrs. Bucket,
|
|
along with her observations and suspicions. I had the piece of water
|
|
dragged by moonlight, in presence of a couple of our men, and the
|
|
pocket pistol was brought up before it had been there half-a-dozen
|
|
hours. Now, my dear, put your arm a little further through mine, and
|
|
hold it steady, and I shan't hurt you!"
|
|
|
|
In a trice Mr. Bucket snaps a handcuff on her wrist. "That's one,"
|
|
says Mr. Bucket. "Now the other, darling. Two, and all told!"
|
|
|
|
He rises; she rises too. "Where," she asks him, darkening her large
|
|
eyes until their drooping lids almost conceal them--and yet they
|
|
stare, "where is your false, your treacherous, and cursed wife?"
|
|
|
|
"She's gone forrard to the Police Office," returns Mr. Bucket.
|
|
"You'll see her there, my dear."
|
|
|
|
"I would like to kiss her!" exclaims Mademoiselle Hortense, panting
|
|
tigress-like.
|
|
|
|
"You'd bite her, I suspect," says Mr. Bucket.
|
|
|
|
"I would!" making her eyes very large. "I would love to tear her limb
|
|
from limb."
|
|
|
|
"Bless you, darling," says Mr. Bucket with the greatest composure,
|
|
"I'm fully prepared to hear that. Your sex have such a surprising
|
|
animosity against one another when you do differ. You don't mind me
|
|
half so much, do you?"
|
|
|
|
"No. Though you are a devil still."
|
|
|
|
"Angel and devil by turns, eh?" cries Mr. Bucket. "But I am in my
|
|
regular employment, you must consider. Let me put your shawl tidy.
|
|
I've been lady's maid to a good many before now. Anything wanting to
|
|
the bonnet? There's a cab at the door."
|
|
|
|
Mademoiselle Hortense, casting an indignant eye at the glass, shakes
|
|
herself perfectly neat in one shake and looks, to do her justice,
|
|
uncommonly genteel.
|
|
|
|
"Listen then, my angel," says she after several sarcastic nods. "You
|
|
are very spiritual. But can you restore him back to life?"
|
|
|
|
Mr. Bucket answers, "Not exactly."
|
|
|
|
"That is droll. Listen yet one time. You are very spiritual. Can you
|
|
make a honourable lady of her?"
|
|
|
|
"Don't be so malicious," says Mr. Bucket.
|
|
|
|
"Or a haughty gentleman of HIM?" cries mademoiselle, referring to Sir
|
|
Leicester with ineffable disdain. "Eh! Oh, then regard him! The poor
|
|
infant! Ha! Ha! Ha!"
|
|
|
|
"Come, come, why this is worse PARLAYING than the other," says Mr.
|
|
Bucket. "Come along!"
|
|
|
|
"You cannot do these things? Then you can do as you please with me.
|
|
It is but the death, it is all the same. Let us go, my angel. Adieu,
|
|
you old man, grey. I pity you, and I despise you!"
|
|
|
|
With these last words she snaps her teeth together as if her mouth
|
|
closed with a spring. It is impossible to describe how Mr. Bucket
|
|
gets her out, but he accomplishes that feat in a manner so peculiar
|
|
to himself, enfolding and pervading her like a cloud, and hovering
|
|
away with her as if he were a homely Jupiter and she the object of
|
|
his affections.
|
|
|
|
Sir Leicester, left alone, remains in the same attitude, as though he
|
|
were still listening and his attention were still occupied. At length
|
|
he gazes round the empty room, and finding it deserted, rises
|
|
unsteadily to his feet, pushes back his chair, and walks a few steps,
|
|
supporting himself by the table. Then he stops, and with more of
|
|
those inarticulate sounds, lifts up his eyes and seems to stare at
|
|
something.
|
|
|
|
Heaven knows what he sees. The green, green woods of Chesney Wold,
|
|
the noble house, the pictures of his forefathers, strangers defacing
|
|
them, officers of police coarsely handling his most precious
|
|
heirlooms, thousands of fingers pointing at him, thousands of faces
|
|
sneering at him. But if such shadows flit before him to his
|
|
bewilderment, there is one other shadow which he can name with
|
|
something like distinctness even yet and to which alone he addresses
|
|
his tearing of his white hair and his extended arms.
|
|
|
|
It is she in association with whom, saving that she has been for
|
|
years a main fibre of the root of his dignity and pride, he has never
|
|
had a selfish thought. It is she whom he has loved, admired,
|
|
honoured, and set up for the world to respect. It is she who, at the
|
|
core of all the constrained formalities and conventionalities of his
|
|
life, has been a stock of living tenderness and love, susceptible as
|
|
nothing else is of being struck with the agony he feels. He sees her,
|
|
almost to the exclusion of himself, and cannot bear to look upon her
|
|
cast down from the high place she has graced so well.
|
|
|
|
And even to the point of his sinking on the ground, oblivious of his
|
|
suffering, he can yet pronounce her name with something like
|
|
distinctness in the midst of those intrusive sounds, and in a tone of
|
|
mourning and compassion rather than reproach.
|
|
|
|
|
|
|
|
|
|
CHAPTER LV
|
|
|
|
Flight
|
|
|
|
|
|
Inspector Bucket of the Detective has not yet struck his great blow,
|
|
as just now chronicled, but is yet refreshing himself with sleep
|
|
preparatory to his field-day, when through the night and along the
|
|
freezing wintry roads a chaise and pair comes out of Lincolnshire,
|
|
making its way towards London.
|
|
|
|
Railroads shall soon traverse all this country, and with a rattle and
|
|
a glare the engine and train shall shoot like a meteor over the wide
|
|
night-landscape, turning the moon paler; but as yet such things are
|
|
non-existent in these parts, though not wholly unexpected.
|
|
Preparations are afoot, measurements are made, ground is staked out.
|
|
Bridges are begun, and their not yet united piers desolately look at
|
|
one another over roads and streams like brick and mortar couples with
|
|
an obstacle to their union; fragments of embankments are thrown up
|
|
and left as precipices with torrents of rusty carts and barrows
|
|
tumbling over them; tripods of tall poles appear on hilltops, where
|
|
there are rumours of tunnels; everything looks chaotic and abandoned
|
|
in full hopelessness. Along the freezing roads, and through the
|
|
night, the post-chaise makes its way without a railroad on its mind.
|
|
|
|
Mrs. Rouncewell, so many years housekeeper at Chesney Wold, sits
|
|
within the chaise; and by her side sits Mrs. Bagnet with her grey
|
|
cloak and umbrella. The old girl would prefer the bar in front, as
|
|
being exposed to the weather and a primitive sort of perch more in
|
|
accordance with her usual course of travelling, but Mrs. Rouncewell
|
|
is too thoughtful of her comfort to admit of her proposing it. The
|
|
old lady cannot make enough of the old girl. She sits, in her stately
|
|
manner, holding her hand, and regardless of its roughness, puts it
|
|
often to her lips. "You are a mother, my dear soul," says she many
|
|
times, "and you found out my George's mother!"
|
|
|
|
"Why, George," returns Mrs. Bagnet, "was always free with me, ma'am,
|
|
and when he said at our house to my Woolwich that of all the things
|
|
my Woolwich could have to think of when he grew to be a man, the
|
|
comfortablest would be that he had never brought a sorrowful line
|
|
into his mother's face or turned a hair of her head grey, then I felt
|
|
sure, from his way, that something fresh had brought his own mother
|
|
into his mind. I had often known him say to me, in past times, that
|
|
he had behaved bad to her."
|
|
|
|
"Never, my dear!" returns Mrs. Rouncewell, bursting into tears. "My
|
|
blessing on him, never! He was always fond of me, and loving to me,
|
|
was my George! But he had a bold spirit, and he ran a little wild and
|
|
went for a soldier. And I know he waited at first, in letting us know
|
|
about himself, till he should rise to be an officer; and when he
|
|
didn't rise, I know he considered himself beneath us, and wouldn't be
|
|
a disgrace to us. For he had a lion heart, had my George, always from
|
|
a baby!"
|
|
|
|
The old lady's hands stray about her as of yore, while she recalls,
|
|
all in a tremble, what a likely lad, what a fine lad, what a gay
|
|
good-humoured clever lad he was; how they all took to him down at
|
|
Chesney Wold; how Sir Leicester took to him when he was a young
|
|
gentleman; how the dogs took to him; how even the people who had been
|
|
angry with him forgave him the moment he was gone, poor boy. And now
|
|
to see him after all, and in a prison too! And the broad stomacher
|
|
heaves, and the quaint upright old-fashioned figure bends under its
|
|
load of affectionate distress.
|
|
|
|
Mrs. Bagnet, with the instinctive skill of a good warm heart, leaves
|
|
the old housekeeper to her emotions for a little while--not without
|
|
passing the back of her hand across her own motherly eyes--and
|
|
presently chirps up in her cheery manner, "So I says to George when I
|
|
goes to call him in to tea (he pretended to be smoking his pipe
|
|
outside), 'What ails you this afternoon, George, for gracious sake? I
|
|
have seen all sorts, and I have seen you pretty often in season and
|
|
out of season, abroad and at home, and I never see you so melancholy
|
|
penitent.' 'Why, Mrs. Bagnet,' says George, 'it's because I AM
|
|
melancholy and penitent both, this afternoon, that you see me so.'
|
|
'What have you done, old fellow?' I says. 'Why, Mrs. Bagnet,' says
|
|
George, shaking his head, 'what I have done has been done this many a
|
|
long year, and is best not tried to be undone now. If I ever get to
|
|
heaven it won't be for being a good son to a widowed mother; I say no
|
|
more.' Now, ma'am, when George says to me that it's best not tried to
|
|
be undone now, I have my thoughts as I have often had before, and I
|
|
draw it out of George how he comes to have such things on him that
|
|
afternoon. Then George tells me that he has seen by chance, at the
|
|
lawyer's office, a fine old lady that has brought his mother plain
|
|
before him, and he runs on about that old lady till he quite forgets
|
|
himself and paints her picture to me as she used to be, years upon
|
|
years back. So I says to George when he has done, who is this old
|
|
lady he has seen? And George tells me it's Mrs. Rouncewell,
|
|
housekeeper for more than half a century to the Dedlock family down
|
|
at Chesney Wold in Lincolnshire. George has frequently told me before
|
|
that he's a Lincolnshire man, and I says to my old Lignum that night,
|
|
'Lignum, that's his mother for five and for-ty pound!'"
|
|
|
|
All this Mrs. Bagnet now relates for the twentieth time at least
|
|
within the last four hours. Trilling it out like a kind of bird, with
|
|
a pretty high note, that it may be audible to the old lady above the
|
|
hum of the wheels.
|
|
|
|
"Bless you, and thank you," says Mrs. Rouncewell. "Bless you, and
|
|
thank you, my worthy soul!"
|
|
|
|
"Dear heart!" cries Mrs. Bagnet in the most natural manner. "No
|
|
thanks to me, I am sure. Thanks to yourself, ma'am, for being so
|
|
ready to pay 'em! And mind once more, ma'am, what you had best do
|
|
on finding George to be your own son is to make him--for your
|
|
sake--have every sort of help to put himself in the right and clear
|
|
himself of a charge of which he is as innocent as you or me. It won't
|
|
do to have truth and justice on his side; he must have law and
|
|
lawyers," exclaims the old girl, apparently persuaded that the latter
|
|
form a separate establishment and have dissolved partnership with
|
|
truth and justice for ever and a day.
|
|
|
|
"He shall have," says Mrs. Rouncewell, "all the help that can be got
|
|
for him in the world, my dear. I will spend all I have, and
|
|
thankfully, to procure it. Sir Leicester will do his best, the whole
|
|
family will do their best. I--I know something, my dear; and will
|
|
make my own appeal, as his mother parted from him all these years,
|
|
and finding him in a jail at last."
|
|
|
|
The extreme disquietude of the old housekeeper's manner in saying
|
|
this, her broken words, and her wringing of her hands make a powerful
|
|
impression on Mrs. Bagnet and would astonish her but that she refers
|
|
them all to her sorrow for her son's condition. And yet Mrs. Bagnet
|
|
wonders too why Mrs. Rouncewell should murmur so distractedly, "My
|
|
Lady, my Lady, my Lady!" over and over again.
|
|
|
|
The frosty night wears away, and the dawn breaks, and the post-chaise
|
|
comes rolling on through the early mist like the ghost of a chaise
|
|
departed. It has plenty of spectral company in ghosts of trees and
|
|
hedges, slowly vanishing and giving place to the realities of day.
|
|
London reached, the travellers alight, the old housekeeper in great
|
|
tribulation and confusion, Mrs. Bagnet quite fresh and collected--as
|
|
she would be if her next point, with no new equipage and outfit, were
|
|
the Cape of Good Hope, the Island of Ascension, Hong Kong, or any
|
|
other military station.
|
|
|
|
But when they set out for the prison where the trooper is
|
|
confined, the old lady has managed to draw about her, with her
|
|
lavender-coloured dress, much of the staid calmness which is its
|
|
usual accompaniment. A wonderfully grave, precise, and handsome piece
|
|
of old china she looks, though her heart beats fast and her stomacher
|
|
is ruffled more than even the remembrance of this wayward son has
|
|
ruffled it these many years.
|
|
|
|
Approaching the cell, they find the door opening and a warder in the
|
|
act of coming out. The old girl promptly makes a sign of entreaty to
|
|
him to say nothing; assenting with a nod, he suffers them to enter as
|
|
he shuts the door.
|
|
|
|
So George, who is writing at his table, supposing himself to be
|
|
alone, does not raise his eyes, but remains absorbed. The old
|
|
housekeeper looks at him, and those wandering hands of hers are quite
|
|
enough for Mrs. Bagnet's confirmation, even if she could see the
|
|
mother and the son together, knowing what she knows, and doubt their
|
|
relationship.
|
|
|
|
Not a rustle of the housekeeper's dress, not a gesture, not a word
|
|
betrays her. She stands looking at him as he writes on, all
|
|
unconscious, and only her fluttering hands give utterance to her
|
|
emotions. But they are very eloquent, very, very eloquent. Mrs.
|
|
Bagnet understands them. They speak of gratitude, of joy, of grief,
|
|
of hope; of inextinguishable affection, cherished with no return
|
|
since this stalwart man was a stripling; of a better son loved less,
|
|
and this son loved so fondly and so proudly; and they speak in such
|
|
touching language that Mrs. Bagnet's eyes brim up with tears and they
|
|
run glistening down her sun-brown face.
|
|
|
|
"George Rouncewell! Oh, my dear child, turn and look at me!"
|
|
|
|
The trooper starts up, clasps his mother round the neck, and falls
|
|
down on his knees before her. Whether in a late repentance, whether
|
|
in the first association that comes back upon him, he puts his hands
|
|
together as a child does when it says its prayers, and raising them
|
|
towards her breast, bows down his head, and cries.
|
|
|
|
"My George, my dearest son! Always my favourite, and my favourite
|
|
still, where have you been these cruel years and years? Grown such a
|
|
man too, grown such a fine strong man. Grown so like what I knew he
|
|
must be, if it pleased God he was alive!"
|
|
|
|
She can ask, and he can answer, nothing connected for a time. All
|
|
that time the old girl, turned away, leans one arm against the
|
|
whitened wall, leans her honest forehead upon it, wipes her eyes with
|
|
her serviceable grey cloak, and quite enjoys herself like the best of
|
|
old girls as she is.
|
|
|
|
"Mother," says the trooper when they are more composed, "forgive me
|
|
first of all, for I know my need of it."
|
|
|
|
Forgive him! She does it with all her heart and soul. She always has
|
|
done it. She tells him how she has had it written in her will, these
|
|
many years, that he was her beloved son George. She has never
|
|
believed any ill of him, never. If she had died without this
|
|
happiness--and she is an old woman now and can't look to live very
|
|
long--she would have blessed him with her last breath, if she had had
|
|
her senses, as her beloved son George.
|
|
|
|
"Mother, I have been an undutiful trouble to you, and I have my
|
|
reward; but of late years I have had a kind of glimmering of a
|
|
purpose in me too. When I left home I didn't care much, mother--I am
|
|
afraid not a great deal--for leaving; and went away and 'listed,
|
|
harum-scarum, making believe to think that I cared for nobody, no not
|
|
I, and that nobody cared for me."
|
|
|
|
The trooper has dried his eyes and put away his handkerchief, but
|
|
there is an extraordinary contrast between his habitual manner of
|
|
expressing himself and carrying himself and the softened tone in
|
|
which he speaks, interrupted occasionally by a half-stifled sob.
|
|
|
|
"So I wrote a line home, mother, as you too well know, to say I had
|
|
'listed under another name, and I went abroad. Abroad, at one time I
|
|
thought I would write home next year, when I might be better off; and
|
|
when that year was out, I thought I would write home next year, when
|
|
I might be better off; and when that year was out again, perhaps I
|
|
didn't think much about it. So on, from year to year, through a
|
|
service of ten years, till I began to get older, and to ask myself
|
|
why should I ever write."
|
|
|
|
"I don't find any fault, child--but not to ease my mind, George? Not
|
|
a word to your loving mother, who was growing older too?"
|
|
|
|
This almost overturns the trooper afresh, but he sets himself up with
|
|
a great, rough, sounding clearance of his throat.
|
|
|
|
"Heaven forgive me, mother, but I thought there would be small
|
|
consolation then in hearing anything about me. There were you,
|
|
respected and esteemed. There was my brother, as I read in chance
|
|
North Country papers now and then, rising to be prosperous and
|
|
famous. There was I a dragoon, roving, unsettled, not self-made like
|
|
him, but self-unmade--all my earlier advantages thrown away, all my
|
|
little learning unlearnt, nothing picked up but what unfitted me for
|
|
most things that I could think of. What business had I to make myself
|
|
known? After letting all that time go by me, what good could come of
|
|
it? The worst was past with you, mother. I knew by that time (being a
|
|
man) how you had mourned for me, and wept for me, and prayed for me;
|
|
and the pain was over, or was softened down, and I was better in your
|
|
mind as it was."
|
|
|
|
The old lady sorrowfully shakes her head, and taking one of his
|
|
powerful hands, lays it lovingly upon her shoulder.
|
|
|
|
"No, I don't say that it was so, mother, but that I made it out to be
|
|
so. I said just now, what good could come of it? Well, my dear
|
|
mother, some good might have come of it to myself--and there was the
|
|
meanness of it. You would have sought me out; you would have
|
|
purchased my discharge; you would have taken me down to Chesney Wold;
|
|
you would have brought me and my brother and my brother's family
|
|
together; you would all have considered anxiously how to do something
|
|
for me and set me up as a respectable civilian. But how could any of
|
|
you feel sure of me when I couldn't so much as feel sure of myself?
|
|
How could you help regarding as an incumbrance and a discredit to you
|
|
an idle dragooning chap who was an incumbrance and a discredit to
|
|
himself, excepting under discipline? How could I look my brother's
|
|
children in the face and pretend to set them an example--I, the
|
|
vagabond boy who had run away from home and been the grief and
|
|
unhappiness of my mother's life? 'No, George.' Such were my words,
|
|
mother, when I passed this in review before me: 'You have made your
|
|
bed. Now, lie upon it.'"
|
|
|
|
Mrs. Rouncewell, drawing up her stately form, shakes her head at the
|
|
old girl with a swelling pride upon her, as much as to say, "I told
|
|
you so!" The old girl relieves her feelings and testifies her
|
|
interest in the conversation by giving the trooper a great poke
|
|
between the shoulders with her umbrella; this action she afterwards
|
|
repeats, at intervals, in a species of affectionate lunacy, never
|
|
failing, after the administration of each of these remonstrances, to
|
|
resort to the whitened wall and the grey cloak again.
|
|
|
|
"This was the way I brought myself to think, mother, that my best
|
|
amends was to lie upon that bed I had made, and die upon it. And I
|
|
should have done it (though I have been to see you more than once
|
|
down at Chesney Wold, when you little thought of me) but for my old
|
|
comrade's wife here, who I find has been too many for me. But I thank
|
|
her for it. I thank you for it, Mrs. Bagnet, with all my heart and
|
|
might."
|
|
|
|
To which Mrs. Bagnet responds with two pokes.
|
|
|
|
And now the old lady impresses upon her son George, her own dear
|
|
recovered boy, her joy and pride, the light of her eyes, the happy
|
|
close of her life, and every fond name she can think of, that he must
|
|
be governed by the best advice obtainable by money and influence,
|
|
that he must yield up his case to the greatest lawyers that can be
|
|
got, that he must act in this serious plight as he shall be advised
|
|
to act and must not be self-willed, however right, but must promise
|
|
to think only of his poor old mother's anxiety and suffering until he
|
|
is released, or he will break her heart.
|
|
|
|
"Mother, 'tis little enough to consent to," returns the trooper,
|
|
stopping her with a kiss; "tell me what I shall do, and I'll make a
|
|
late beginning and do it. Mrs. Bagnet, you'll take care of my mother,
|
|
I know?"
|
|
|
|
A very hard poke from the old girl's umbrella.
|
|
|
|
"If you'll bring her acquainted with Mr. Jarndyce and Miss Summerson,
|
|
she will find them of her way of thinking, and they will give her the
|
|
best advice and assistance."
|
|
|
|
"And, George," says the old lady, "we must send with all haste for
|
|
your brother. He is a sensible sound man as they tell me--out in the
|
|
world beyond Chesney Wold, my dear, though I don't know much of it
|
|
myself--and will be of great service."
|
|
|
|
"Mother," returns the trooper, "is it too soon to ask a favour?"
|
|
|
|
"Surely not, my dear."
|
|
|
|
"Then grant me this one great favour. Don't let my brother know."
|
|
|
|
"Not know what, my dear?"
|
|
|
|
"Not know of me. In fact, mother, I can't bear it; I can't make up my
|
|
mind to it. He has proved himself so different from me and has done
|
|
so much to raise himself while I've been soldiering that I haven't
|
|
brass enough in my composition to see him in this place and under
|
|
this charge. How could a man like him be expected to have any
|
|
pleasure in such a discovery? It's impossible. No, keep my secret
|
|
from him, mother; do me a greater kindness than I deserve and keep my
|
|
secret from my brother, of all men."
|
|
|
|
"But not always, dear George?"
|
|
|
|
"Why, mother, perhaps not for good and all--though I may come to ask
|
|
that too--but keep it now, I do entreat you. If it's ever broke to
|
|
him that his rip of a brother has turned up, I could wish," says the
|
|
trooper, shaking his head very doubtfully, "to break it myself and be
|
|
governed as to advancing or retreating by the way in which he seems
|
|
to take it."
|
|
|
|
As he evidently has a rooted feeling on this point, and as the depth
|
|
of it is recognized in Mrs. Bagnet's face, his mother yields her
|
|
implicit assent to what he asks. For this he thanks her kindly.
|
|
|
|
"In all other respects, my dear mother, I'll be as tractable and
|
|
obedient as you can wish; on this one alone, I stand out. So now I am
|
|
ready even for the lawyers. I have been drawing up," he glances at
|
|
his writing on the table, "an exact account of what I knew of the
|
|
deceased and how I came to be involved in this unfortunate affair.
|
|
It's entered, plain and regular, like an orderly-book; not a word in
|
|
it but what's wanted for the facts. I did intend to read it, straight
|
|
on end, whensoever I was called upon to say anything in my defence. I
|
|
hope I may be let to do it still; but I have no longer a will of my
|
|
own in this case, and whatever is said or done, I give my promise not
|
|
to have any."
|
|
|
|
Matters being brought to this so far satisfactory pass, and time
|
|
being on the wane, Mrs. Bagnet proposes a departure. Again and again
|
|
the old lady hangs upon her son's neck, and again and again the
|
|
trooper holds her to his broad chest.
|
|
|
|
"Where are you going to take my mother, Mrs. Bagnet?"
|
|
|
|
"I am going to the town house, my dear, the family house. I have some
|
|
business there that must be looked to directly," Mrs. Rouncewell
|
|
answers.
|
|
|
|
"Will you see my mother safe there in a coach, Mrs. Bagnet? But of
|
|
course I know you will. Why should I ask it!"
|
|
|
|
Why indeed, Mrs. Bagnet expresses with the umbrella.
|
|
|
|
"Take her, my old friend, and take my gratitude along with you.
|
|
Kisses to Quebec and Malta, love to my godson, a hearty shake of the
|
|
hand to Lignum, and this for yourself, and I wish it was ten thousand
|
|
pound in gold, my dear!" So saying, the trooper puts his lips to the
|
|
old girl's tanned forehead, and the door shuts upon him in his cell.
|
|
|
|
No entreaties on the part of the good old housekeeper will induce
|
|
Mrs. Bagnet to retain the coach for her own conveyance home. Jumping
|
|
out cheerfully at the door of the Dedlock mansion and handing Mrs.
|
|
Rouncewell up the steps, the old girl shakes hands and trudges off,
|
|
arriving soon afterwards in the bosom of the Bagnet family and
|
|
falling to washing the greens as if nothing had happened.
|
|
|
|
My Lady is in that room in which she held her last conference with
|
|
the murdered man, and is sitting where she sat that night, and is
|
|
looking at the spot where he stood upon the hearth studying her so
|
|
leisurely, when a tap comes at the door. Who is it? Mrs. Rouncewell.
|
|
What has brought Mrs. Rouncewell to town so unexpectedly?
|
|
|
|
"Trouble, my Lady. Sad trouble. Oh, my Lady, may I beg a word with
|
|
you?"
|
|
|
|
What new occurrence is it that makes this tranquil old woman tremble
|
|
so? Far happier than her Lady, as her Lady has often thought, why
|
|
does she falter in this manner and look at her with such strange
|
|
mistrust?
|
|
|
|
"What is the matter? Sit down and take your breath."
|
|
|
|
"Oh, my Lady, my Lady. I have found my son--my youngest, who went
|
|
away for a soldier so long ago. And he is in prison."
|
|
|
|
"For debt?"
|
|
|
|
"Oh, no, my Lady; I would have paid any debt, and joyful."
|
|
|
|
"For what is he in prison then?"
|
|
|
|
"Charged with a murder, my Lady, of which he is as innocent as--as I
|
|
am. Accused of the murder of Mr. Tulkinghorn."
|
|
|
|
What does she mean by this look and this imploring gesture? Why does
|
|
she come so close? What is the letter that she holds?
|
|
|
|
"Lady Dedlock, my dear Lady, my good Lady, my kind Lady! You must
|
|
have a heart to feel for me, you must have a heart to forgive me. I
|
|
was in this family before you were born. I am devoted to it. But
|
|
think of my dear son wrongfully accused."
|
|
|
|
"I do not accuse him."
|
|
|
|
"No, my Lady, no. But others do, and he is in prison and in danger.
|
|
Oh, Lady Dedlock, if you can say but a word to help to clear him, say
|
|
it!"
|
|
|
|
What delusion can this be? What power does she suppose is in the
|
|
person she petitions to avert this unjust suspicion, if it be unjust?
|
|
Her Lady's handsome eyes regard her with astonishment, almost with
|
|
fear.
|
|
|
|
"My Lady, I came away last night from Chesney Wold to find my son in
|
|
my old age, and the step upon the Ghost's Walk was so constant and so
|
|
solemn that I never heard the like in all these years. Night after
|
|
night, as it has fallen dark, the sound has echoed through your
|
|
rooms, but last night it was awfullest. And as it fell dark last
|
|
night, my Lady, I got this letter."
|
|
|
|
"What letter is it?"
|
|
|
|
"Hush! Hush!" The housekeeper looks round and answers in a frightened
|
|
whisper, "My Lady, I have not breathed a word of it, I don't believe
|
|
what's written in it, I know it can't be true, I am sure and certain
|
|
that it is not true. But my son is in danger, and you must have a
|
|
heart to pity me. If you know of anything that is not known to
|
|
others, if you have any suspicion, if you have any clue at all, and
|
|
any reason for keeping it in your own breast, oh, my dear Lady, think
|
|
of me, and conquer that reason, and let it be known! This is the most
|
|
I consider possible. I know you are not a hard lady, but you go your
|
|
own way always without help, and you are not familiar with your
|
|
friends; and all who admire you--and all do--as a beautiful and
|
|
elegant lady, know you to be one far away from themselves who can't
|
|
be approached close. My Lady, you may have some proud or angry
|
|
reasons for disdaining to utter something that you know; if so, pray,
|
|
oh, pray, think of a faithful servant whose whole life has been
|
|
passed in this family which she dearly loves, and relent, and help to
|
|
clear my son! My Lady, my good Lady," the old housekeeper pleads with
|
|
genuine simplicity, "I am so humble in my place and you are by nature
|
|
so high and distant that you may not think what I feel for my child,
|
|
but I feel so much that I have come here to make so bold as to beg
|
|
and pray you not to be scornful of us if you can do us any right or
|
|
justice at this fearful time!"
|
|
|
|
Lady Dedlock raises her without one word, until she takes the letter
|
|
from her hand.
|
|
|
|
"Am I to read this?"
|
|
|
|
"When I am gone, my Lady, if you please, and then remembering the
|
|
most that I consider possible."
|
|
|
|
"I know of nothing I can do. I know of nothing I reserve that can
|
|
affect your son. I have never accused him."
|
|
|
|
"My Lady, you may pity him the more under a false accusation after
|
|
reading the letter."
|
|
|
|
The old housekeeper leaves her with the letter in her hand. In truth
|
|
she is not a hard lady naturally, and the time has been when the
|
|
sight of the venerable figure suing to her with such strong
|
|
earnestness would have moved her to great compassion. But so long
|
|
accustomed to suppress emotion and keep down reality, so long
|
|
schooled for her own purposes in that destructive school which shuts
|
|
up the natural feelings of the heart like flies in amber and spreads
|
|
one uniform and dreary gloss over the good and bad, the feeling and
|
|
the unfeeling, the sensible and the senseless, she had subdued even
|
|
her wonder until now.
|
|
|
|
She opens the letter. Spread out upon the paper is a printed account
|
|
of the discovery of the body as it lay face downward on the floor,
|
|
shot through the heart; and underneath is written her own name, with
|
|
the word "murderess" attached.
|
|
|
|
It falls out of her hand. How long it may have lain upon the ground
|
|
she knows not, but it lies where it fell when a servant stands before
|
|
her announcing the young man of the name of Guppy. The words have
|
|
probably been repeated several times, for they are ringing in her
|
|
head before she begins to understand them.
|
|
|
|
"Let him come in!"
|
|
|
|
He comes in. Holding the letter in her hand, which she has taken from
|
|
the floor, she tries to collect her thoughts. In the eyes of Mr.
|
|
Guppy she is the same Lady Dedlock, holding the same prepared, proud,
|
|
chilling state.
|
|
|
|
"Your ladyship may not be at first disposed to excuse this visit from
|
|
one who has never been welcome to your ladyship"--which he don't
|
|
complain of, for he is bound to confess that there never has been any
|
|
particular reason on the face of things why he should be--"but I hope
|
|
when I mention my motives to your ladyship you will not find fault
|
|
with me," says Mr. Guppy.
|
|
|
|
"Do so."
|
|
|
|
"Thank your ladyship. I ought first to explain to your ladyship," Mr.
|
|
Guppy sits on the edge of a chair and puts his hat on the carpet at
|
|
his feet, "that Miss Summerson, whose image, as I formerly mentioned
|
|
to your ladyship, was at one period of my life imprinted on my 'eart
|
|
until erased by circumstances over which I had no control,
|
|
communicated to me, after I had the pleasure of waiting on your
|
|
ladyship last, that she particularly wished me to take no steps
|
|
whatever in any manner at all relating to her. And Miss Summerson's
|
|
wishes being to me a law (except as connected with circumstances over
|
|
which I have no control), I consequently never expected to have the
|
|
distinguished honour of waiting on your ladyship again."
|
|
|
|
And yet he is here now, Lady Dedlock moodily reminds him.
|
|
|
|
"And yet I am here now," Mr. Guppy admits. "My object being to
|
|
communicate to your ladyship, under the seal of confidence, why I am
|
|
here."
|
|
|
|
He cannot do so, she tells him, too plainly or too briefly. "Nor can
|
|
I," Mr. Guppy returns with a sense of injury upon him, "too
|
|
particularly request your ladyship to take particular notice that
|
|
it's no personal affair of mine that brings me here. I have no
|
|
interested views of my own to serve in coming here. If it was not for
|
|
my promise to Miss Summerson and my keeping of it sacred--I, in point
|
|
of fact, shouldn't have darkened these doors again, but should have
|
|
seen 'em further first."
|
|
|
|
Mr. Guppy considers this a favourable moment for sticking up his hair
|
|
with both hands.
|
|
|
|
"Your ladyship will remember when I mention it that the last time I
|
|
was here I run against a party very eminent in our profession and
|
|
whose loss we all deplore. That party certainly did from that time
|
|
apply himself to cutting in against me in a way that I will call
|
|
sharp practice, and did make it, at every turn and point, extremely
|
|
difficult for me to be sure that I hadn't inadvertently led up to
|
|
something contrary to Miss Summerson's wishes. Self-praise is no
|
|
recommendation, but I may say for myself that I am not so bad a man
|
|
of business neither."
|
|
|
|
Lady Dedlock looks at him in stern inquiry. Mr. Guppy immediately
|
|
withdraws his eyes from her face and looks anywhere else.
|
|
|
|
"Indeed, it has been made so hard," he goes on, "to have any idea
|
|
what that party was up to in combination with others that until the
|
|
loss which we all deplore I was gravelled--an expression which your
|
|
ladyship, moving in the higher circles, will be so good as to
|
|
consider tantamount to knocked over. Small likewise--a name by which
|
|
I refer to another party, a friend of mine that your ladyship is not
|
|
acquainted with--got to be so close and double-faced that at times it
|
|
wasn't easy to keep one's hands off his 'ead. However, what with the
|
|
exertion of my humble abilities, and what with the help of a mutual
|
|
friend by the name of Mr. Tony Weevle (who is of a high aristocratic
|
|
turn and has your ladyship's portrait always hanging up in his room),
|
|
I have now reasons for an apprehension as to which I come to put your
|
|
ladyship upon your guard. First, will your ladyship allow me to ask
|
|
you whether you have had any strange visitors this morning? I don't
|
|
mean fashionable visitors, but such visitors, for instance, as Miss
|
|
Barbary's old servant, or as a person without the use of his lower
|
|
extremities, carried upstairs similarly to a guy?"
|
|
|
|
"No!"
|
|
|
|
"Then I assure your ladyship that such visitors have been here and
|
|
have been received here. Because I saw them at the door, and waited
|
|
at the corner of the square till they came out, and took half an
|
|
hour's turn afterwards to avoid them."
|
|
|
|
"What have I to do with that, or what have you? I do not understand
|
|
you. What do you mean?"
|
|
|
|
"Your ladyship, I come to put you on your guard. There may be no
|
|
occasion for it. Very well. Then I have only done my best to keep my
|
|
promise to Miss Summerson. I strongly suspect (from what Small has
|
|
dropped, and from what we have corkscrewed out of him) that those
|
|
letters I was to have brought to your ladyship were not destroyed
|
|
when I supposed they were. That if there was anything to be blown
|
|
upon, it IS blown upon. That the visitors I have alluded to have been
|
|
here this morning to make money of it. And that the money is made, or
|
|
making."
|
|
|
|
Mr. Guppy picks up his hat and rises.
|
|
|
|
"Your ladyship, you know best whether there's anything in what I say
|
|
or whether there's nothing. Something or nothing, I have acted up to
|
|
Miss Summerson's wishes in letting things alone and in undoing what I
|
|
had begun to do, as far as possible; that's sufficient for me. In
|
|
case I should be taking a liberty in putting your ladyship on your
|
|
guard when there's no necessity for it, you will endeavour, I should
|
|
hope, to outlive my presumption, and I shall endeavour to outlive
|
|
your disapprobation. I now take my farewell of your ladyship, and
|
|
assure you that there's no danger of your ever being waited on by me
|
|
again."
|
|
|
|
She scarcely acknowledges these parting words by any look, but when
|
|
he has been gone a little while, she rings her bell.
|
|
|
|
"Where is Sir Leicester?"
|
|
|
|
Mercury reports that he is at present shut up in the library alone.
|
|
|
|
"Has Sir Leicester had any visitors this morning?"
|
|
|
|
Several, on business. Mercury proceeds to a description of them,
|
|
which has been anticipated by Mr. Guppy. Enough; he may go.
|
|
|
|
So! All is broken down. Her name is in these many mouths, her husband
|
|
knows his wrongs, her shame will be published--may be spreading while
|
|
she thinks about it--and in addition to the thunderbolt so long
|
|
foreseen by her, so unforeseen by him, she is denounced by an
|
|
invisible accuser as the murderess of her enemy.
|
|
|
|
Her enemy he was, and she has often, often, often wished him dead.
|
|
Her enemy he is, even in his grave. This dreadful accusation comes
|
|
upon her like a new torment at his lifeless hand. And when she
|
|
recalls how she was secretly at his door that night, and how she may
|
|
be represented to have sent her favourite girl away so soon before
|
|
merely to release herself from observation, she shudders as if the
|
|
hangman's hands were at her neck.
|
|
|
|
She has thrown herself upon the floor and lies with her hair all
|
|
wildly scattered and her face buried in the cushions of a couch. She
|
|
rises up, hurries to and fro, flings herself down again, and rocks
|
|
and moans. The horror that is upon her is unutterable. If she really
|
|
were the murderess, it could hardly be, for the moment, more intense.
|
|
|
|
For as her murderous perspective, before the doing of the deed,
|
|
however subtle the precautions for its commission, would have been
|
|
closed up by a gigantic dilatation of the hateful figure, preventing
|
|
her from seeing any consequences beyond it; and as those consequences
|
|
would have rushed in, in an unimagined flood, the moment the figure
|
|
was laid low--which always happens when a murder is done; so, now she
|
|
sees that when he used to be on the watch before her, and she used to
|
|
think, "if some mortal stroke would but fall on this old man and take
|
|
him from my way!" it was but wishing that all he held against her in
|
|
his hand might be flung to the winds and chance-sown in many places.
|
|
So, too, with the wicked relief she has felt in his death. What was
|
|
his death but the key-stone of a gloomy arch removed, and now the
|
|
arch begins to fall in a thousand fragments, each crushing and
|
|
mangling piecemeal!
|
|
|
|
Thus, a terrible impression steals upon and overshadows her that from
|
|
this pursuer, living or dead--obdurate and imperturbable before her
|
|
in his well-remembered shape, or not more obdurate and imperturbable
|
|
in his coffin-bed--there is no escape but in death. Hunted, she
|
|
flies. The complication of her shame, her dread, remorse, and misery,
|
|
overwhelms her at its height; and even her strength of self-reliance
|
|
is overturned and whirled away like a leaf before a mighty wind.
|
|
|
|
She hurriedly addresses these lines to her husband, seals, and leaves
|
|
them on her table:
|
|
|
|
|
|
If I am sought for, or accused of, his murder, believe
|
|
that I am wholly innocent. Believe no other good of me,
|
|
for I am innocent of nothing else that you have heard,
|
|
or will hear, laid to my charge. He prepared me, on that
|
|
fatal night, for his disclosure of my guilt to you. After
|
|
he had left me, I went out on pretence of walking in the
|
|
garden where I sometimes walk, but really to follow him
|
|
and make one last petition that he would not protract the
|
|
dreadful suspense on which I have been racked by him, you
|
|
do not know how long, but would mercifully strike next
|
|
morning.
|
|
|
|
I found his house dark and silent. I rang twice at his
|
|
door, but there was no reply, and I came home.
|
|
|
|
I have no home left. I will encumber you no more. May
|
|
you, in your just resentment, be able to forget the
|
|
unworthy woman on whom you have wasted a most generous
|
|
devotion--who avoids you only with a deeper shame than
|
|
that with which she hurries from herself--and who writes
|
|
this last adieu.
|
|
|
|
|
|
She veils and dresses quickly, leaves all her jewels and her money,
|
|
listens, goes downstairs at a moment when the hall is empty, opens
|
|
and shuts the great door, flutters away in the shrill frosty wind.
|
|
|
|
|
|
|
|
|
|
CHAPTER LVI
|
|
|
|
Pursuit
|
|
|
|
|
|
Impassive, as behoves its high breeding, the Dedlock town house
|
|
stares at the other houses in the street of dismal grandeur and gives
|
|
no outward sign of anything going wrong within. Carriages rattle,
|
|
doors are battered at, the world exchanges calls; ancient charmers
|
|
with skeleton throats and peachy cheeks that have a rather ghastly
|
|
bloom upon them seen by daylight, when indeed these fascinating
|
|
creatures look like Death and the Lady fused together, dazzle the
|
|
eyes of men. Forth from the frigid mews come easily swinging
|
|
carriages guided by short-legged coachmen in flaxen wigs, deep sunk
|
|
into downy hammercloths, and up behind mount luscious Mercuries
|
|
bearing sticks of state and wearing cocked hats broadwise, a
|
|
spectacle for the angels.
|
|
|
|
The Dedlock town house changes not externally, and hours pass before
|
|
its exalted dullness is disturbed within. But Volumnia the fair,
|
|
being subject to the prevalent complaint of boredom and finding that
|
|
disorder attacking her spirits with some virulence, ventures at
|
|
length to repair to the library for change of scene. Her gentle
|
|
tapping at the door producing no response, she opens it and peeps in;
|
|
seeing no one there, takes possession.
|
|
|
|
The sprightly Dedlock is reputed, in that grass-grown city of the
|
|
ancients, Bath, to be stimulated by an urgent curiosity which impels
|
|
her on all convenient and inconvenient occasions to sidle about with
|
|
a golden glass at her eye, peering into objects of every description.
|
|
Certain it is that she avails herself of the present opportunity of
|
|
hovering over her kinsman's letters and papers like a bird, taking a
|
|
short peck at this document and a blink with her head on one side at
|
|
that document, and hopping about from table to table with her glass
|
|
at her eye in an inquisitive and restless manner. In the course of
|
|
these researches she stumbles over something, and turning her glass
|
|
in that direction, sees her kinsman lying on the ground like a felled
|
|
tree.
|
|
|
|
Volumnia's pet little scream acquires a considerable augmentation of
|
|
reality from this surprise, and the house is quickly in commotion.
|
|
Servants tear up and down stairs, bells are violently rung, doctors
|
|
are sent for, and Lady Dedlock is sought in all directions, but not
|
|
found. Nobody has seen or heard her since she last rang her bell. Her
|
|
letter to Sir Leicester is discovered on her table, but it is
|
|
doubtful yet whether he has not received another missive from another
|
|
world requiring to be personally answered, and all the living
|
|
languages, and all the dead, are as one to him.
|
|
|
|
They lay him down upon his bed, and chafe, and rub, and fan, and put
|
|
ice to his head, and try every means of restoration. Howbeit, the day
|
|
has ebbed away, and it is night in his room before his stertorous
|
|
breathing lulls or his fixed eyes show any consciousness of the
|
|
candle that is occasionally passed before them. But when this change
|
|
begins, it goes on; and by and by he nods or moves his eyes or even
|
|
his hand in token that he hears and comprehends.
|
|
|
|
He fell down, this morning, a handsome stately gentleman, somewhat
|
|
infirm, but of a fine presence, and with a well-filled face. He lies
|
|
upon his bed, an aged man with sunken cheeks, the decrepit shadow of
|
|
himself. His voice was rich and mellow and he had so long been
|
|
thoroughly persuaded of the weight and import to mankind of any word
|
|
he said that his words really had come to sound as if there were
|
|
something in them. But now he can only whisper, and what he whispers
|
|
sounds like what it is--mere jumble and jargon.
|
|
|
|
His favourite and faithful housekeeper stands at his bedside. It is
|
|
the first act he notices, and he clearly derives pleasure from it.
|
|
After vainly trying to make himself understood in speech, he makes
|
|
signs for a pencil. So inexpressively that they cannot at first
|
|
understand him; it is his old housekeeper who makes out what he wants
|
|
and brings in a slate.
|
|
|
|
After pausing for some time, he slowly scrawls upon it in a hand that
|
|
is not his, "Chesney Wold?"
|
|
|
|
No, she tells him; he is in London. He was taken ill in the library
|
|
this morning. Right thankful she is that she happened to come to
|
|
London and is able to attend upon him.
|
|
|
|
"It is not an illness of any serious consequence, Sir Leicester. You
|
|
will be much better to-morrow, Sir Leicester. All the gentlemen say
|
|
so." This, with the tears coursing down her fair old face.
|
|
|
|
After making a survey of the room and looking with particular
|
|
attention all round the bed where the doctors stand, he writes, "My
|
|
Lady."
|
|
|
|
"My Lady went out, Sir Leicester, before you were taken ill, and
|
|
don't know of your illness yet."
|
|
|
|
He points again, in great agitation, at the two words. They all try
|
|
to quiet him, but he points again with increased agitation. On their
|
|
looking at one another, not knowing what to say, he takes the slate
|
|
once more and writes "My Lady. For God's sake, where?" And makes an
|
|
imploring moan.
|
|
|
|
It is thought better that his old housekeeper should give him Lady
|
|
Dedlock's letter, the contents of which no one knows or can surmise.
|
|
She opens it for him and puts it out for his perusal. Having read it
|
|
twice by a great effort, he turns it down so that it shall not be
|
|
seen and lies moaning. He passes into a kind of relapse or into a
|
|
swoon, and it is an hour before he opens his eyes, reclining on his
|
|
faithful and attached old servant's arm. The doctors know that he is
|
|
best with her, and when not actively engaged about him, stand aloof.
|
|
|
|
The slate comes into requisition again, but the word he wants to
|
|
write he cannot remember. His anxiety, his eagerness, and affliction
|
|
at this pass are pitiable to behold. It seems as if he must go mad in
|
|
the necessity he feels for haste and the inability under which he
|
|
labours of expressing to do what or to fetch whom. He has written the
|
|
letter B, and there stopped. Of a sudden, in the height of his
|
|
misery, he puts Mr. before it. The old housekeeper suggests Bucket.
|
|
Thank heaven! That's his meaning.
|
|
|
|
Mr. Bucket is found to be downstairs, by appointment. Shall he come
|
|
up?
|
|
|
|
There is no possibility of misconstruing Sir Leicester's burning wish
|
|
to see him or the desire he signifies to have the room cleared of
|
|
every one but the housekeeper. It is speedily done, and Mr. Bucket
|
|
appears. Of all men upon earth, Sir Leicester seems fallen from his
|
|
high estate to place his sole trust and reliance upon this man.
|
|
|
|
"Sir Leicester Dedlock, Baronet, I'm sorry to see you like this. I
|
|
hope you'll cheer up. I'm sure you will, on account of the family
|
|
credit."
|
|
|
|
Sir Leicester puts her letter in his hands and looks intently in his
|
|
face while he reads it. A new intelligence comes into Mr. Bucket's
|
|
eye as he reads on; with one hook of his finger, while that eye is
|
|
still glancing over the words, he indicates, "Sir Leicester Dedlock,
|
|
Baronet, I understand you."
|
|
|
|
Sir Leicester writes upon the slate. "Full forgiveness. Find--" Mr.
|
|
Bucket stops his hand.
|
|
|
|
"Sir Leicester Dedlock, Baronet, I'll find her. But my search after
|
|
her must be begun out of hand. Not a minute must be lost."
|
|
|
|
With the quickness of thought, he follows Sir Leicester Dedlock's
|
|
look towards a little box upon a table.
|
|
|
|
"Bring it here, Sir Leicester Dedlock, Baronet? Certainly. Open it
|
|
with one of these here keys? Certainly. The littlest key? TO be sure.
|
|
Take the notes out? So I will. Count 'em? That's soon done. Twenty
|
|
and thirty's fifty, and twenty's seventy, and fifty's one twenty, and
|
|
forty's one sixty. Take 'em for expenses? That I'll do, and render an
|
|
account of course. Don't spare money? No I won't."
|
|
|
|
The velocity and certainty of Mr. Bucket's interpretation on all
|
|
these heads is little short of miraculous. Mrs. Rouncewell, who holds
|
|
the light, is giddy with the swiftness of his eyes and hands as he
|
|
starts up, furnished for his journey.
|
|
|
|
"You're George's mother, old lady; that's about what you are, I
|
|
believe?" says Mr. Bucket aside, with his hat already on and
|
|
buttoning his coat.
|
|
|
|
"Yes, sir, I am his distressed mother."
|
|
|
|
"So I thought, according to what he mentioned to me just now. Well,
|
|
then, I'll tell you something. You needn't be distressed no more.
|
|
Your son's all right. Now, don't you begin a-crying, because what
|
|
you've got to do is to take care of Sir Leicester Dedlock, Baronet,
|
|
and you won't do that by crying. As to your son, he's all right, I
|
|
tell you; and he sends his loving duty, and hoping you're the same.
|
|
He's discharged honourable; that's about what HE is; with no more
|
|
imputation on his character than there is on yours, and yours is a
|
|
tidy one, I'LL bet a pound. You may trust me, for I took your son. He
|
|
conducted himself in a game way, too, on that occasion; and he's a
|
|
fine-made man, and you're a fine-made old lady, and you're a mother
|
|
and son, the pair of you, as might be showed for models in a caravan.
|
|
Sir Leicester Dedlock, Baronet, what you've trusted to me I'll go
|
|
through with. Don't you be afraid of my turning out of my way, right
|
|
or left, or taking a sleep, or a wash, or a shave till I have found
|
|
what I go in search of. Say everything as is kind and forgiving on
|
|
your part? Sir Leicester Dedlock, Baronet, I will. And I wish you
|
|
better, and these family affairs smoothed over--as, Lord, many other
|
|
family affairs equally has been, and equally will be, to the end of
|
|
time."
|
|
|
|
With this peroration, Mr. Bucket, buttoned up, goes quietly out,
|
|
looking steadily before him as if he were already piercing the night
|
|
in quest of the fugitive.
|
|
|
|
His first step is to take himself to Lady Dedlock's rooms and look
|
|
all over them for any trifling indication that may help him. The
|
|
rooms are in darkness now; and to see Mr. Bucket with a wax-light in
|
|
his hand, holding it above his head and taking a sharp mental
|
|
inventory of the many delicate objects so curiously at variance with
|
|
himself, would be to see a sight--which nobody DOES see, as he is
|
|
particular to lock himself in.
|
|
|
|
"A spicy boudoir, this," says Mr. Bucket, who feels in a manner
|
|
furbished up in his French by the blow of the morning. "Must have
|
|
cost a sight of money. Rum articles to cut away from, these; she must
|
|
have been hard put to it!"
|
|
|
|
Opening and shutting table-drawers and looking into caskets and
|
|
jewel-cases, he sees the reflection of himself in various mirrors,
|
|
and moralizes thereon.
|
|
|
|
"One might suppose I was a-moving in the fashionable circles and
|
|
getting myself up for almac's," says Mr. Bucket. "I begin to think I
|
|
must be a swell in the Guards without knowing it."
|
|
|
|
Ever looking about, he has opened a dainty little chest in an inner
|
|
drawer. His great hand, turning over some gloves which it can
|
|
scarcely feel, they are so light and soft within it, comes upon a
|
|
white handkerchief.
|
|
|
|
"Hum! Let's have a look at YOU," says Mr. Bucket, putting down the
|
|
light. "What should YOU be kept by yourself for? What's YOUR motive?
|
|
Are you her ladyship's property, or somebody else's? You've got a
|
|
mark upon you somewheres or another, I suppose?"
|
|
|
|
He finds it as he speaks, "Esther Summerson."
|
|
|
|
"Oh!" says Mr. Bucket, pausing, with his finger at his ear. "Come,
|
|
I'll take YOU."
|
|
|
|
He completes his observations as quietly and carefully as he has
|
|
carried them on, leaves everything else precisely as he found it,
|
|
glides away after some five minutes in all, and passes into the
|
|
street. With a glance upward at the dimly lighted windows of Sir
|
|
Leicester's room, he sets off, full-swing, to the nearest
|
|
coach-stand, picks out the horse for his money, and directs to be
|
|
driven to the shooting gallery. Mr. Bucket does not claim to be a
|
|
scientific judge of horses, but he lays out a little money on the
|
|
principal events in that line, and generally sums up his knowledge of
|
|
the subject in the remark that when he sees a horse as can go, he
|
|
knows him.
|
|
|
|
His knowledge is not at fault in the present instance. Clattering
|
|
over the stones at a dangerous pace, yet thoughtfully bringing his
|
|
keen eyes to bear on every slinking creature whom he passes in the
|
|
midnight streets, and even on the lights in upper windows where
|
|
people are going or gone to bed, and on all the turnings that he
|
|
rattles by, and alike on the heavy sky, and on the earth where the
|
|
snow lies thin--for something may present itself to assist him,
|
|
anywhere--he dashes to his destination at such a speed that when he
|
|
stops the horse half smothers him in a cloud of steam.
|
|
|
|
"Unbear him half a moment to freshen him up, and I'll be back."
|
|
|
|
He runs up the long wooden entry and finds the trooper smoking his
|
|
pipe.
|
|
|
|
"I thought I should, George, after what you have gone through, my
|
|
lad. I haven't a word to spare. Now, honour! All to save a woman.
|
|
Miss Summerson that was here when Gridley died--that was the name, I
|
|
know--all right--where does she live?"
|
|
|
|
The trooper has just come from there and gives him the address, near
|
|
Oxford Street.
|
|
|
|
"You won't repent it, George. Good night!"
|
|
|
|
He is off again, with an impression of having seen Phil sitting by
|
|
the frosty fire staring at him open-mouthed, and gallops away again,
|
|
and gets out in a cloud of steam again.
|
|
|
|
Mr. Jarndyce, the only person up in the house, is just going to bed,
|
|
rises from his book on hearing the rapid ringing at the bell, and
|
|
comes down to the door in his dressing-gown.
|
|
|
|
"Don't be alarmed, sir." In a moment his visitor is confidential with
|
|
him in the hall, has shut the door, and stands with his hand upon the
|
|
lock. "I've had the pleasure of seeing you before. Inspector Bucket.
|
|
Look at that handkerchief, sir, Miss Esther Summerson's. Found it
|
|
myself put away in a drawer of Lady Dedlock's, quarter of an hour
|
|
ago. Not a moment to lose. Matter of life or death. You know Lady
|
|
Dedlock?"
|
|
|
|
"Yes."
|
|
|
|
"There has been a discovery there to-day. Family affairs have come
|
|
out. Sir Leicester Dedlock, Baronet, has had a fit--apoplexy or
|
|
paralysis--and couldn't be brought to, and precious time has been
|
|
lost. Lady Dedlock disappeared this afternoon and left a letter for
|
|
him that looks bad. Run your eye over it. Here it is!"
|
|
|
|
Mr. Jarndyce, having read it, asks him what he thinks.
|
|
|
|
"I don't know. It looks like suicide. Anyways, there's more and more
|
|
danger, every minute, of its drawing to that. I'd give a hundred
|
|
pound an hour to have got the start of the present time. Now, Mr.
|
|
Jarndyce, I am employed by Sir Leicester Dedlock, Baronet, to follow
|
|
her and find her, to save her and take her his forgiveness. I have
|
|
money and full power, but I want something else. I want Miss
|
|
Summerson."
|
|
|
|
Mr. Jarndyce in a troubled voice repeats, "Miss Summerson?"
|
|
|
|
"Now, Mr. Jarndyce"--Mr. Bucket has read his face with the greatest
|
|
attention all along--"I speak to you as a gentleman of a humane
|
|
heart, and under such pressing circumstances as don't often happen.
|
|
If ever delay was dangerous, it's dangerous now; and if ever you
|
|
couldn't afterwards forgive yourself for causing it, this is the
|
|
time. Eight or ten hours, worth, as I tell you, a hundred pound
|
|
apiece at least, have been lost since Lady Dedlock disappeared. I am
|
|
charged to find her. I am Inspector Bucket. Besides all the rest
|
|
that's heavy on her, she has upon her, as she believes, suspicion of
|
|
murder. If I follow her alone, she, being in ignorance of what Sir
|
|
Leicester Dedlock, Baronet, has communicated to me, may be driven to
|
|
desperation. But if I follow her in company with a young lady,
|
|
answering to the description of a young lady that she has a
|
|
tenderness for--I ask no question, and I say no more than that--she
|
|
will give me credit for being friendly. Let me come up with her and
|
|
be able to have the hold upon her of putting that young lady for'ard,
|
|
and I'll save her and prevail with her if she is alive. Let me come
|
|
up with her alone--a hard matter--and I'll do my best, but I don't
|
|
answer for what the best may be. Time flies; it's getting on for one
|
|
o'clock. When one strikes, there's another hour gone, and it's worth
|
|
a thousand pound now instead of a hundred."
|
|
|
|
This is all true, and the pressing nature of the case cannot be
|
|
questioned. Mr. Jarndyce begs him to remain there while he speaks to
|
|
Miss Summerson. Mr. Bucket says he will, but acting on his usual
|
|
principle, does no such thing, following upstairs instead and keeping
|
|
his man in sight. So he remains, dodging and lurking about in the
|
|
gloom of the staircase while they confer. In a very little time Mr.
|
|
Jarndyce comes down and tells him that Miss Summerson will join him
|
|
directly and place herself under his protection to accompany him
|
|
where he pleases. Mr. Bucket, satisfied, expresses high approval and
|
|
awaits her coming at the door.
|
|
|
|
There he mounts a high tower in his mind and looks out far and wide.
|
|
Many solitary figures he perceives creeping through the streets; many
|
|
solitary figures out on heaths, and roads, and lying under haystacks.
|
|
But the figure that he seeks is not among them. Other solitaries he
|
|
perceives, in nooks of bridges, looking over; and in shadowed places
|
|
down by the river's level; and a dark, dark, shapeless object
|
|
drifting with the tide, more solitary than all, clings with a
|
|
drowning hold on his attention.
|
|
|
|
Where is she? Living or dead, where is she? If, as he folds the
|
|
handkerchief and carefully puts it up, it were able with an enchanted
|
|
power to bring before him the place where she found it and the
|
|
night-landscape near the cottage where it covered the little child,
|
|
would he descry her there? On the waste where the brick-kilns are
|
|
burning with a pale blue flare, where the straw-roofs of the wretched
|
|
huts in which the bricks are made are being scattered by the wind,
|
|
where the clay and water are hard frozen and the mill in which the
|
|
gaunt blind horse goes round all day looks like an instrument of
|
|
human torture--traversing this deserted, blighted spot there is a
|
|
lonely figure with the sad world to itself, pelted by the snow and
|
|
driven by the wind, and cast out, it would seem, from all
|
|
companionship. It is the figure of a woman, too; but it is miserably
|
|
dressed, and no such clothes ever came through the hall and out at
|
|
the great door of the Dedlock mansion.
|
|
|
|
|
|
|
|
|
|
CHAPTER LVII
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
I had gone to bed and fallen asleep when my guardian knocked at the
|
|
door of my room and begged me to get up directly. On my hurrying to
|
|
speak to him and learn what had happened, he told me, after a word or
|
|
two of preparation, that there had been a discovery at Sir Leicester
|
|
Dedlock's. That my mother had fled, that a person was now at our door
|
|
who was empowered to convey to her the fullest assurances of
|
|
affectionate protection and forgiveness if he could possibly find
|
|
her, and that I was sought for to accompany him in the hope that my
|
|
entreaties might prevail upon her if his failed. Something to this
|
|
general purpose I made out, but I was thrown into such a tumult of
|
|
alarm, and hurry and distress, that in spite of every effort I could
|
|
make to subdue my agitation, I did not seem, to myself, fully to
|
|
recover my right mind until hours had passed.
|
|
|
|
But I dressed and wrapped up expeditiously without waking Charley or
|
|
any one and went down to Mr. Bucket, who was the person entrusted
|
|
with the secret. In taking me to him my guardian told me this, and
|
|
also explained how it was that he had come to think of me. Mr.
|
|
Bucket, in a low voice, by the light of my guardian's candle, read to
|
|
me in the hall a letter that my mother had left upon her table; and I
|
|
suppose within ten minutes of my having been aroused I was sitting
|
|
beside him, rolling swiftly through the streets.
|
|
|
|
His manner was very keen, and yet considerate when he explained to me
|
|
that a great deal might depend on my being able to answer, without
|
|
confusion, a few questions that he wished to ask me. These were,
|
|
chiefly, whether I had had much communication with my mother (to whom
|
|
he only referred as Lady Dedlock), when and where I had spoken with
|
|
her last, and how she had become possessed of my handkerchief. When I
|
|
had satisfied him on these points, he asked me particularly to
|
|
consider--taking time to think--whether within my knowledge there was
|
|
any one, no matter where, in whom she might be at all likely to
|
|
confide under circumstances of the last necessity. I could think of
|
|
no one but my guardian. But by and by I mentioned Mr. Boythorn. He
|
|
came into my mind as connected with his old chivalrous manner of
|
|
mentioning my mother's name and with what my guardian had informed me
|
|
of his engagement to her sister and his unconscious connexion with
|
|
her unhappy story.
|
|
|
|
My companion had stopped the driver while we held this conversation,
|
|
that we might the better hear each other. He now told him to go on
|
|
again and said to me, after considering within himself for a few
|
|
moments, that he had made up his mind how to proceed. He was quite
|
|
willing to tell me what his plan was, but I did not feel clear enough
|
|
to understand it.
|
|
|
|
We had not driven very far from our lodgings when we stopped in a
|
|
by-street at a public-looking place lighted up with gas. Mr. Bucket
|
|
took me in and sat me in an arm-chair by a bright fire. It was now
|
|
past one, as I saw by the clock against the wall. Two police
|
|
officers, looking in their perfectly neat uniform not at all like
|
|
people who were up all night, were quietly writing at a desk; and the
|
|
place seemed very quiet altogether, except for some beating and
|
|
calling out at distant doors underground, to which nobody paid any
|
|
attention.
|
|
|
|
A third man in uniform, whom Mr. Bucket called and to whom he
|
|
whispered his instructions, went out; and then the two others advised
|
|
together while one wrote from Mr. Bucket's subdued dictation. It was
|
|
a description of my mother that they were busy with, for Mr. Bucket
|
|
brought it to me when it was done and read it in a whisper. It was
|
|
very accurate indeed.
|
|
|
|
The second officer, who had attended to it closely, then copied it
|
|
out and called in another man in uniform (there were several in an
|
|
outer room), who took it up and went away with it. All this was done
|
|
with the greatest dispatch and without the waste of a moment; yet
|
|
nobody was at all hurried. As soon as the paper was sent out upon its
|
|
travels, the two officers resumed their former quiet work of writing
|
|
with neatness and care. Mr. Bucket thoughtfully came and warmed the
|
|
soles of his boots, first one and then the other, at the fire.
|
|
|
|
"Are you well wrapped up, Miss Summerson?" he asked me as his eyes
|
|
met mine. "It's a desperate sharp night for a young lady to be out
|
|
in."
|
|
|
|
I told him I cared for no weather and was warmly clothed.
|
|
|
|
"It may be a long job," he observed; "but so that it ends well, never
|
|
mind, miss."
|
|
|
|
"I pray to heaven it may end well!" said I.
|
|
|
|
He nodded comfortingly. "You see, whatever you do, don't you go and
|
|
fret yourself. You keep yourself cool and equal for anything that may
|
|
happen, and it'll be the better for you, the better for me, the
|
|
better for Lady Dedlock, and the better for Sir Leicester Dedlock,
|
|
Baronet."
|
|
|
|
He was really very kind and gentle, and as he stood before the fire
|
|
warming his boots and rubbing his face with his forefinger, I felt a
|
|
confidence in his sagacity which reassured me. It was not yet a
|
|
quarter to two when I heard horses' feet and wheels outside. "Now,
|
|
Miss Summerson," said he, "we are off, if you please!"
|
|
|
|
He gave me his arm, and the two officers courteously bowed me out,
|
|
and we found at the door a phaeton or barouche with a postilion and
|
|
post horses. Mr. Bucket handed me in and took his own seat on the
|
|
box. The man in uniform whom he had sent to fetch this equipage then
|
|
handed him up a dark lantern at his request, and when he had given a
|
|
few directions to the driver, we rattled away.
|
|
|
|
I was far from sure that I was not in a dream. We rattled with great
|
|
rapidity through such a labyrinth of streets that I soon lost all
|
|
idea where we were, except that we had crossed and re-crossed the
|
|
river, and still seemed to be traversing a low-lying, waterside,
|
|
dense neighbourhood of narrow thoroughfares chequered by docks and
|
|
basins, high piles of warehouses, swing-bridges, and masts of ships.
|
|
At length we stopped at the corner of a little slimy turning, which
|
|
the wind from the river, rushing up it, did not purify; and I saw my
|
|
companion, by the light of his lantern, in conference with several
|
|
men who looked like a mixture of police and sailors. Against the
|
|
mouldering wall by which they stood, there was a bill, on which I
|
|
could discern the words, "Found Drowned"; and this and an inscription
|
|
about drags possessed me with the awful suspicion shadowed forth in
|
|
our visit to that place.
|
|
|
|
I had no need to remind myself that I was not there by the indulgence
|
|
of any feeling of mine to increase the difficulties of the search, or
|
|
to lessen its hopes, or enhance its delays. I remained quiet, but
|
|
what I suffered in that dreadful spot I never can forget. And still
|
|
it was like the horror of a dream. A man yet dark and muddy, in long
|
|
swollen sodden boots and a hat like them, was called out of a boat
|
|
and whispered with Mr. Bucket, who went away with him down some
|
|
slippery steps--as if to look at something secret that he had to
|
|
show. They came back, wiping their hands upon their coats, after
|
|
turning over something wet; but thank God it was not what I feared!
|
|
|
|
After some further conference, Mr. Bucket (whom everybody seemed to
|
|
know and defer to) went in with the others at a door and left me in
|
|
the carriage, while the driver walked up and down by his horses to
|
|
warm himself. The tide was coming in, as I judged from the sound it
|
|
made, and I could hear it break at the end of the alley with a little
|
|
rush towards me. It never did so--and I thought it did so, hundreds
|
|
of times, in what can have been at the most a quarter of an hour, and
|
|
probably was less--but the thought shuddered through me that it would
|
|
cast my mother at the horses' feet.
|
|
|
|
Mr. Bucket came out again, exhorting the others to be vigilant,
|
|
darkened his lantern, and once more took his seat. "Don't you be
|
|
alarmed, Miss Summerson, on account of our coming down here," he
|
|
said, turning to me. "I only want to have everything in train and to
|
|
know that it is in train by looking after it myself. Get on, my lad!"
|
|
|
|
We appeared to retrace the way we had come. Not that I had taken note
|
|
of any particular objects in my perturbed state of mind, but judging
|
|
from the general character of the streets. We called at another
|
|
office or station for a minute and crossed the river again. During
|
|
the whole of this time, and during the whole search, my companion,
|
|
wrapped up on the box, never relaxed in his vigilance a single
|
|
moment; but when we crossed the bridge he seemed, if possible, to be
|
|
more on the alert than before. He stood up to look over the parapet,
|
|
he alighted and went back after a shadowy female figure that flitted
|
|
past us, and he gazed into the profound black pit of water with a
|
|
face that made my heart die within me. The river had a fearful look,
|
|
so overcast and secret, creeping away so fast between the low flat
|
|
lines of shore--so heavy with indistinct and awful shapes, both of
|
|
substance and shadow; so death-like and mysterious. I have seen it
|
|
many times since then, by sunlight and by moonlight, but never free
|
|
from the impressions of that journey. In my memory the lights upon
|
|
the bridge are always burning dim, the cutting wind is eddying round
|
|
the homeless woman whom we pass, the monotonous wheels are whirling
|
|
on, and the light of the carriage-lamps reflected back looks palely
|
|
in upon me--a face rising out of the dreaded water.
|
|
|
|
Clattering and clattering through the empty streets, we came at
|
|
length from the pavement on to dark smooth roads and began to leave
|
|
the houses behind us. After a while I recognized the familiar way to
|
|
Saint Albans. At Barnet fresh horses were ready for us, and we
|
|
changed and went on. It was very cold indeed, and the open country
|
|
was white with snow, though none was falling then.
|
|
|
|
"An old acquaintance of yours, this road, Miss Summerson," said Mr.
|
|
Bucket cheerfully.
|
|
|
|
"Yes," I returned. "Have you gathered any intelligence?"
|
|
|
|
"None that can be quite depended on as yet," he answered, "but it's
|
|
early times as yet."
|
|
|
|
He had gone into every late or early public-house where there
|
|
was a light (they were not a few at that time, the road being
|
|
then much frequented by drovers) and had got down to talk to the
|
|
turnpike-keepers. I had heard him ordering drink, and chinking money,
|
|
and making himself agreeable and merry everywhere; but whenever he
|
|
took his seat upon the box again, his face resumed its watchful
|
|
steady look, and he always said to the driver in the same business
|
|
tone, "Get on, my lad!"
|
|
|
|
With all these stoppages, it was between five and six o'clock and we
|
|
were yet a few miles short of Saint Albans when he came out of one of
|
|
these houses and handed me in a cup of tea.
|
|
|
|
"Drink it, Miss Summerson, it'll do you good. You're beginning to get
|
|
more yourself now, ain't you?"
|
|
|
|
I thanked him and said I hoped so.
|
|
|
|
"You was what you may call stunned at first," he returned; "and Lord,
|
|
no wonder! Don't speak loud, my dear. It's all right. She's on
|
|
ahead."
|
|
|
|
I don't know what joyful exclamation I made or was going to make, but
|
|
he put up his finger and I stopped myself.
|
|
|
|
"Passed through here on foot this evening about eight or nine. I
|
|
heard of her first at the archway toll, over at Highgate, but
|
|
couldn't make quite sure. Traced her all along, on and off. Picked
|
|
her up at one place, and dropped her at another; but she's before us
|
|
now, safe. Take hold of this cup and saucer, ostler. Now, if you
|
|
wasn't brought up to the butter trade, look out and see if you can
|
|
catch half a crown in your t'other hand. One, two, three, and there
|
|
you are! Now, my lad, try a gallop!"
|
|
|
|
We were soon in Saint Albans and alighted a little before day, when I
|
|
was just beginning to arrange and comprehend the occurrences of the
|
|
night and really to believe that they were not a dream. Leaving the
|
|
carriage at the posting-house and ordering fresh horses to be ready,
|
|
my companion gave me his arm, and we went towards home.
|
|
|
|
"As this is your regular abode, Miss Summerson, you see," he
|
|
observed, "I should like to know whether you've been asked for by any
|
|
stranger answering the description, or whether Mr. Jarndyce has. I
|
|
don't much expect it, but it might be."
|
|
|
|
As we ascended the hill, he looked about him with a sharp eye--the
|
|
day was now breaking--and reminded me that I had come down it one
|
|
night, as I had reason for remembering, with my little servant and
|
|
poor Jo, whom he called Toughey.
|
|
|
|
I wondered how he knew that.
|
|
|
|
"When you passed a man upon the road, just yonder, you know," said
|
|
Mr. Bucket.
|
|
|
|
Yes, I remembered that too, very well.
|
|
|
|
"That was me," said Mr. Bucket.
|
|
|
|
Seeing my surprise, he went on, "I drove down in a gig that afternoon
|
|
to look after that boy. You might have heard my wheels when you came
|
|
out to look after him yourself, for I was aware of you and your
|
|
little maid going up when I was walking the horse down. Making an
|
|
inquiry or two about him in the town, I soon heard what company he
|
|
was in and was coming among the brick-fields to look for him when I
|
|
observed you bringing him home here."
|
|
|
|
"Had he committed any crime?" I asked.
|
|
|
|
"None was charged against him," said Mr. Bucket, coolly lifting off
|
|
his hat, "but I suppose he wasn't over-particular. No. What I wanted
|
|
him for was in connexion with keeping this very matter of Lady
|
|
Dedlock quiet. He had been making his tongue more free than welcome
|
|
as to a small accidental service he had been paid for by the deceased
|
|
Mr. Tulkinghorn; and it wouldn't do, at any sort of price, to have
|
|
him playing those games. So having warned him out of London, I made
|
|
an afternoon of it to warn him to keep out of it now he WAS away, and
|
|
go farther from it, and maintain a bright look-out that I didn't
|
|
catch him coming back again."
|
|
|
|
"Poor creature!" said I.
|
|
|
|
"Poor enough," assented Mr. Bucket, "and trouble enough, and well
|
|
enough away from London, or anywhere else. I was regularly turned on
|
|
my back when I found him taken up by your establishment, I do assure
|
|
you."
|
|
|
|
I asked him why. "Why, my dear?" said Mr. Bucket. "Naturally there
|
|
was no end to his tongue then. He might as well have been born with a
|
|
yard and a half of it, and a remnant over."
|
|
|
|
Although I remember this conversation now, my head was in confusion
|
|
at the time, and my power of attention hardly did more than enable me
|
|
to understand that he entered into these particulars to divert me.
|
|
With the same kind intention, manifestly, he often spoke to me of
|
|
indifferent things, while his face was busy with the one object that
|
|
we had in view. He still pursued this subject as we turned in at the
|
|
garden-gate.
|
|
|
|
"Ah!" said Mr. Bucket. "Here we are, and a nice retired place it is.
|
|
Puts a man in mind of the country house in the Woodpecker-tapping,
|
|
that was known by the smoke which so gracefully curled. They're early
|
|
with the kitchen fire, and that denotes good servants. But what
|
|
you've always got to be careful of with servants is who comes to see
|
|
'em; you never know what they're up to if you don't know that. And
|
|
another thing, my dear. Whenever you find a young man behind the
|
|
kitchen-door, you give that young man in charge on suspicion of being
|
|
secreted in a dwelling-house with an unlawful purpose."
|
|
|
|
We were now in front of the house; he looked attentively and closely
|
|
at the gravel for footprints before he raised his eyes to the
|
|
windows.
|
|
|
|
"Do you generally put that elderly young gentleman in the same room
|
|
when he's on a visit here, Miss Summerson?" he inquired, glancing at
|
|
Mr. Skimpole's usual chamber.
|
|
|
|
"You know Mr. Skimpole!" said I.
|
|
|
|
"What do you call him again?" returned Mr. Bucket, bending down his
|
|
ear. "Skimpole, is it? I've often wondered what his name might be.
|
|
Skimpole. Not John, I should say, nor yet Jacob?"
|
|
|
|
"Harold," I told him.
|
|
|
|
"Harold. Yes. He's a queer bird is Harold," said Mr. Bucket, eyeing
|
|
me with great expression.
|
|
|
|
"He is a singular character," said I.
|
|
|
|
"No idea of money," observed Mr. Bucket. "He takes it, though!"
|
|
|
|
I involuntarily returned for answer that I perceived Mr. Bucket knew
|
|
him.
|
|
|
|
"Why, now I'll tell you, Miss Summerson," he replied. "Your mind will
|
|
be all the better for not running on one point too continually, and
|
|
I'll tell you for a change. It was him as pointed out to me where
|
|
Toughey was. I made up my mind that night to come to the door and ask
|
|
for Toughey, if that was all; but willing to try a move or so first,
|
|
if any such was on the board, I just pitched up a morsel of gravel at
|
|
that window where I saw a shadow. As soon as Harold opens it and I
|
|
have had a look at him, thinks I, you're the man for me. So I
|
|
smoothed him down a bit about not wanting to disturb the family after
|
|
they was gone to bed and about its being a thing to be regretted that
|
|
charitable young ladies should harbour vagrants; and then, when I
|
|
pretty well understood his ways, I said I should consider a fypunnote
|
|
well bestowed if I could relieve the premises of Toughey without
|
|
causing any noise or trouble. Then says he, lifting up his eyebrows
|
|
in the gayest way, 'It's no use mentioning a fypunnote to me, my
|
|
friend, because I'm a mere child in such matters and have no idea of
|
|
money.' Of course I understood what his taking it so easy meant; and
|
|
being now quite sure he was the man for me, I wrapped the note round
|
|
a little stone and threw it up to him. Well! He laughs and beams, and
|
|
looks as innocent as you like, and says, 'But I don't know the value
|
|
of these things. What am I to DO with this?' 'Spend it, sir,' says I.
|
|
'But I shall be taken in,' he says, 'they won't give me the right
|
|
change, I shall lose it, it's no use to me.' Lord, you never saw such
|
|
a face as he carried it with! Of course he told me where to find
|
|
Toughey, and I found him."
|
|
|
|
I regarded this as very treacherous on the part of Mr. Skimpole
|
|
towards my guardian and as passing the usual bounds of his childish
|
|
innocence.
|
|
|
|
"Bounds, my dear?" returned Mr. Bucket. "Bounds? Now, Miss Summerson,
|
|
I'll give you a piece of advice that your husband will find useful
|
|
when you are happily married and have got a family about you.
|
|
Whenever a person says to you that they are as innocent as can be in
|
|
all concerning money, look well after your own money, for they are
|
|
dead certain to collar it if they can. Whenever a person proclaims to
|
|
you 'In worldly matters I'm a child,' you consider that that person
|
|
is only a-crying off from being held accountable and that you have
|
|
got that person's number, and it's Number One. Now, I am not a
|
|
poetical man myself, except in a vocal way when it goes round a
|
|
company, but I'm a practical one, and that's my experience. So's this
|
|
rule. Fast and loose in one thing, fast and loose in everything. I
|
|
never knew it fail. No more will you. Nor no one. With which caution
|
|
to the unwary, my dear, I take the liberty of pulling this here bell,
|
|
and so go back to our business."
|
|
|
|
I believe it had not been for a moment out of his mind, any more than
|
|
it had been out of my mind, or out of his face. The whole household
|
|
were amazed to see me, without any notice, at that time in the
|
|
morning, and so accompanied; and their surprise was not diminished by
|
|
my inquiries. No one, however, had been there. It could not be
|
|
doubted that this was the truth.
|
|
|
|
"Then, Miss Summerson," said my companion, "we can't be too soon at
|
|
the cottage where those brickmakers are to be found. Most inquiries
|
|
there I leave to you, if you'll be so good as to make 'em. The
|
|
naturalest way is the best way, and the naturalest way is your own
|
|
way."
|
|
|
|
We set off again immediately. On arriving at the cottage, we found it
|
|
shut up and apparently deserted, but one of the neighbours who knew
|
|
me and who came out when I was trying to make some one hear informed
|
|
me that the two women and their husbands now lived together in
|
|
another house, made of loose rough bricks, which stood on the margin
|
|
of the piece of ground where the kilns were and where the long rows
|
|
of bricks were drying. We lost no time in repairing to this place,
|
|
which was within a few hundred yards; and as the door stood ajar, I
|
|
pushed it open.
|
|
|
|
There were only three of them sitting at breakfast, the child lying
|
|
asleep on a bed in the corner. It was Jenny, the mother of the dead
|
|
child, who was absent. The other woman rose on seeing me; and the
|
|
men, though they were, as usual, sulky and silent, each gave me a
|
|
morose nod of recognition. A look passed between them when Mr. Bucket
|
|
followed me in, and I was surprised to see that the woman evidently
|
|
knew him.
|
|
|
|
I had asked leave to enter of course. Liz (the only name by which I
|
|
knew her) rose to give me her own chair, but I sat down on a stool
|
|
near the fire, and Mr. Bucket took a corner of the bedstead. Now that
|
|
I had to speak and was among people with whom I was not familiar, I
|
|
became conscious of being hurried and giddy. It was very difficult to
|
|
begin, and I could not help bursting into tears.
|
|
|
|
"Liz," said I, "I have come a long way in the night and through the
|
|
snow to inquire after a lady--"
|
|
|
|
"Who has been here, you know," Mr. Bucket struck in, addressing the
|
|
whole group with a composed propitiatory face; "that's the lady the
|
|
young lady means. The lady that was here last night, you know."
|
|
|
|
"And who told YOU as there was anybody here?" inquired Jenny's
|
|
husband, who had made a surly stop in his eating to listen and now
|
|
measured him with his eye.
|
|
|
|
"A person of the name of Michael Jackson, with a blue welveteen
|
|
waistcoat with a double row of mother of pearl buttons," Mr. Bucket
|
|
immediately answered.
|
|
|
|
"He had as good mind his own business, whoever he is," growled the
|
|
man.
|
|
|
|
"He's out of employment, I believe," said Mr. Bucket apologetically
|
|
for Michael Jackson, "and so gets talking."
|
|
|
|
The woman had not resumed her chair, but stood faltering with her
|
|
hand upon its broken back, looking at me. I thought she would have
|
|
spoken to me privately if she had dared. She was still in this
|
|
attitude of uncertainty when her husband, who was eating with a lump
|
|
of bread and fat in one hand and his clasp-knife in the other, struck
|
|
the handle of his knife violently on the table and told her with an
|
|
oath to mind HER own business at any rate and sit down.
|
|
|
|
"I should like to have seen Jenny very much," said I, "for I am sure
|
|
she would have told me all she could about this lady, whom I am very
|
|
anxious indeed--you cannot think how anxious--to overtake. Will Jenny
|
|
be here soon? Where is she?"
|
|
|
|
The woman had a great desire to answer, but the man, with another
|
|
oath, openly kicked at her foot with his heavy boot. He left it to
|
|
Jenny's husband to say what he chose, and after a dogged silence the
|
|
latter turned his shaggy head towards me.
|
|
|
|
"I'm not partial to gentlefolks coming into my place, as you've heerd
|
|
me say afore now, I think, miss. I let their places be, and it's
|
|
curious they can't let my place be. There'd be a pretty shine made if
|
|
I was to go a-wisitin THEM, I think. Howsoever, I don't so much
|
|
complain of you as of some others, and I'm agreeable to make you a
|
|
civil answer, though I give notice that I'm not a-going to be drawed
|
|
like a badger. Will Jenny be here soon? No she won't. Where is she?
|
|
She's gone up to Lunnun."
|
|
|
|
"Did she go last night?" I asked.
|
|
|
|
"Did she go last night? Ah! She went last night," he answered with a
|
|
sulky jerk of his head.
|
|
|
|
"But was she here when the lady came? And what did the lady say to
|
|
her? And where is the lady gone? I beg and pray you to be so kind as
|
|
to tell me," said I, "for I am in great distress to know."
|
|
|
|
"If my master would let me speak, and not say a word of harm--" the
|
|
woman timidly began.
|
|
|
|
"Your master," said her husband, muttering an imprecation with slow
|
|
emphasis, "will break your neck if you meddle with wot don't concern
|
|
you."
|
|
|
|
After another silence, the husband of the absent woman, turning to me
|
|
again, answered me with his usual grumbling unwillingness.
|
|
|
|
"Wos Jenny here when the lady come? Yes, she wos here when the lady
|
|
come. Wot did the lady say to her? Well, I'll tell you wot the lady
|
|
said to her. She said, 'You remember me as come one time to talk to
|
|
you about the young lady as had been a-wisiting of you? You remember
|
|
me as give you somethink handsome for a handkercher wot she had
|
|
left?' Ah, she remembered. So we all did. Well, then, wos that young
|
|
lady up at the house now? No, she warn't up at the house now. Well,
|
|
then, lookee here. The lady was upon a journey all alone, strange as
|
|
we might think it, and could she rest herself where you're a setten
|
|
for a hour or so. Yes she could, and so she did. Then she went--it
|
|
might be at twenty minutes past eleven, and it might be at twenty
|
|
minutes past twelve; we ain't got no watches here to know the time
|
|
by, nor yet clocks. Where did she go? I don't know where she go'd.
|
|
She went one way, and Jenny went another; one went right to Lunnun,
|
|
and t'other went right from it. That's all about it. Ask this man. He
|
|
heerd it all, and see it all. He knows."
|
|
|
|
The other man repeated, "That's all about it."
|
|
|
|
"Was the lady crying?" I inquired.
|
|
|
|
"Devil a bit," returned the first man. "Her shoes was the worse, and
|
|
her clothes was the worse, but she warn't--not as I see."
|
|
|
|
The woman sat with her arms crossed and her eyes upon the ground. Her
|
|
husband had turned his seat a little so as to face her and kept his
|
|
hammer-like hand upon the table as if it were in readiness to execute
|
|
his threat if she disobeyed him.
|
|
|
|
"I hope you will not object to my asking your wife," said I, "how the
|
|
lady looked."
|
|
|
|
"Come, then!" he gruffly cried to her. "You hear what she says. Cut
|
|
it short and tell her."
|
|
|
|
"Bad," replied the woman. "Pale and exhausted. Very bad."
|
|
|
|
"Did she speak much?"
|
|
|
|
"Not much, but her voice was hoarse."
|
|
|
|
She answered, looking all the while at her husband for leave.
|
|
|
|
"Was she faint?" said I. "Did she eat or drink here?"
|
|
|
|
"Go on!" said the husband in answer to her look. "Tell her and cut it
|
|
short."
|
|
|
|
"She had a little water, miss, and Jenny fetched her some bread and
|
|
tea. But she hardly touched it."
|
|
|
|
"And when she went from here," I was proceeding, when Jenny's husband
|
|
impatiently took me up.
|
|
|
|
"When she went from here, she went right away nor'ard by the high
|
|
road. Ask on the road if you doubt me, and see if it warn't so. Now,
|
|
there's the end. That's all about it."
|
|
|
|
I glanced at my companion, and finding that he had already risen and
|
|
was ready to depart, thanked them for what they had told me, and took
|
|
my leave. The woman looked full at Mr. Bucket as he went out, and he
|
|
looked full at her.
|
|
|
|
"Now, Miss Summerson," he said to me as we walked quickly away.
|
|
"They've got her ladyship's watch among 'em. That's a positive fact."
|
|
|
|
"You saw it?" I exclaimed.
|
|
|
|
"Just as good as saw it," he returned. "Else why should he talk about
|
|
his 'twenty minutes past' and about his having no watch to tell the
|
|
time by? Twenty minutes! He don't usually cut his time so fine as
|
|
that. If he comes to half-hours, it's as much as HE does. Now, you
|
|
see, either her ladyship gave him that watch or he took it. I think
|
|
she gave it him. Now, what should she give it him for? What should
|
|
she give it him for?"
|
|
|
|
He repeated this question to himself several times as we hurried on,
|
|
appearing to balance between a variety of answers that arose in his
|
|
mind.
|
|
|
|
"If time could be spared," said Mr. Bucket, "which is the only thing
|
|
that can't be spared in this case, I might get it out of that woman;
|
|
but it's too doubtful a chance to trust to under present
|
|
circumstances. They are up to keeping a close eye upon her, and any
|
|
fool knows that a poor creetur like her, beaten and kicked and
|
|
scarred and bruised from head to foot, will stand by the husband that
|
|
ill uses her through thick and thin. There's something kept back.
|
|
It's a pity but what we had seen the other woman."
|
|
|
|
I regretted it exceedingly, for she was very grateful, and I felt
|
|
sure would have resisted no entreaty of mine.
|
|
|
|
"It's possible, Miss Summerson," said Mr. Bucket, pondering on it,
|
|
"that her ladyship sent her up to London with some word for you, and
|
|
it's possible that her husband got the watch to let her go. It don't
|
|
come out altogether so plain as to please me, but it's on the cards.
|
|
Now, I don't take kindly to laying out the money of Sir Leicester
|
|
Dedlock, Baronet, on these roughs, and I don't see my way to the
|
|
usefulness of it at present. No! So far our road, Miss Summerson, is
|
|
for'ard--straight ahead--and keeping everything quiet!"
|
|
|
|
We called at home once more that I might send a hasty note to my
|
|
guardian, and then we hurried back to where we had left the carriage.
|
|
The horses were brought out as soon as we were seen coming, and we
|
|
were on the road again in a few minutes.
|
|
|
|
It had set in snowing at daybreak, and it now snowed hard. The air
|
|
was so thick with the darkness of the day and the density of the fall
|
|
that we could see but a very little way in any direction. Although it
|
|
was extremely cold, the snow was but partially frozen, and it
|
|
churned--with a sound as if it were a beach of small shells--under
|
|
the hoofs of the horses into mire and water. They sometimes slipped
|
|
and floundered for a mile together, and we were obliged to come to a
|
|
standstill to rest them. One horse fell three times in this first
|
|
stage, and trembled so and was so shaken that the driver had to
|
|
dismount from his saddle and lead him at last.
|
|
|
|
I could eat nothing and could not sleep, and I grew so nervous under
|
|
those delays and the slow pace at which we travelled that I had an
|
|
unreasonable desire upon me to get out and walk. Yielding to my
|
|
companion's better sense, however, I remained where I was. All this
|
|
time, kept fresh by a certain enjoyment of the work in which he was
|
|
engaged, he was up and down at every house we came to, addressing
|
|
people whom he had never beheld before as old acquaintances, running
|
|
in to warm himself at every fire he saw, talking and drinking and
|
|
shaking hands at every bar and tap, friendly with every waggoner,
|
|
wheelwright, blacksmith, and toll-taker, yet never seeming to lose
|
|
time, and always mounting to the box again with his watchful, steady
|
|
face and his business-like "Get on, my lad!"
|
|
|
|
When we were changing horses the next time, he came from the
|
|
stable-yard, with the wet snow encrusted upon him and dropping off
|
|
him--plashing and crashing through it to his wet knees as he had been
|
|
doing frequently since we left Saint Albans--and spoke to me at the
|
|
carriage side.
|
|
|
|
"Keep up your spirits. It's certainly true that she came on here,
|
|
Miss Summerson. There's not a doubt of the dress by this time, and
|
|
the dress has been seen here."
|
|
|
|
"Still on foot?" said I.
|
|
|
|
"Still on foot. I think the gentleman you mentioned must be the point
|
|
she's aiming at, and yet I don't like his living down in her own part
|
|
of the country neither."
|
|
|
|
"I know so little," said I. "There may be some one else nearer here,
|
|
of whom I never heard."
|
|
|
|
"That's true. But whatever you do, don't you fall a-crying, my dear;
|
|
and don't you worry yourself no more than you can help. Get on, my
|
|
lad!"
|
|
|
|
The sleet fell all that day unceasingly, a thick mist came on early,
|
|
and it never rose or lightened for a moment. Such roads I had never
|
|
seen. I sometimes feared we had missed the way and got into the
|
|
ploughed grounds or the marshes. If I ever thought of the time I had
|
|
been out, it presented itself as an indefinite period of great
|
|
duration, and I seemed, in a strange way, never to have been free
|
|
from the anxiety under which I then laboured.
|
|
|
|
As we advanced, I began to feel misgivings that my companion lost
|
|
confidence. He was the same as before with all the roadside people,
|
|
but he looked graver when he sat by himself on the box. I saw his
|
|
finger uneasily going across and across his mouth during the whole of
|
|
one long weary stage. I overheard that he began to ask the drivers of
|
|
coaches and other vehicles coming towards us what passengers they had
|
|
seen in other coaches and vehicles that were in advance. Their
|
|
replies did not encourage him. He always gave me a reassuring beck of
|
|
his finger and lift of his eyelid as he got upon the box again, but
|
|
he seemed perplexed now when he said, "Get on, my lad!"
|
|
|
|
At last, when we were changing, he told me that he had lost the track
|
|
of the dress so long that he began to be surprised. It was nothing,
|
|
he said, to lose such a track for one while, and to take it up for
|
|
another while, and so on; but it had disappeared here in an
|
|
unaccountable manner, and we had not come upon it since. This
|
|
corroborated the apprehensions I had formed, when he began to look at
|
|
direction-posts, and to leave the carriage at cross roads for a
|
|
quarter of an hour at a time while he explored them. But I was not to
|
|
be down-hearted, he told me, for it was as likely as not that the
|
|
next stage might set us right again.
|
|
|
|
The next stage, however, ended as that one ended; we had no new clue.
|
|
There was a spacious inn here, solitary, but a comfortable
|
|
substantial building, and as we drove in under a large gateway before
|
|
I knew it, where a landlady and her pretty daughters came to the
|
|
carriage-door, entreating me to alight and refresh myself while the
|
|
horses were making ready, I thought it would be uncharitable to
|
|
refuse. They took me upstairs to a warm room and left me there.
|
|
|
|
It was at the corner of the house, I remember, looking two ways. On
|
|
one side to a stable-yard open to a by-road, where the ostlers were
|
|
unharnessing the splashed and tired horses from the muddy carriage,
|
|
and beyond that to the by-road itself, across which the sign was
|
|
heavily swinging; on the other side to a wood of dark pine-trees.
|
|
Their branches were encumbered with snow, and it silently dropped off
|
|
in wet heaps while I stood at the window. Night was setting in, and
|
|
its bleakness was enhanced by the contrast of the pictured fire
|
|
glowing and gleaming in the window-pane. As I looked among the stems
|
|
of the trees and followed the discoloured marks in the snow where the
|
|
thaw was sinking into it and undermining it, I thought of the
|
|
motherly face brightly set off by daughters that had just now
|
|
welcomed me and of MY mother lying down in such a wood to die.
|
|
|
|
I was frightened when I found them all about me, but I remembered
|
|
that before I fainted I tried very hard not to do it; and that was
|
|
some little comfort. They cushioned me up on a large sofa by the
|
|
fire, and then the comely landlady told me that I must travel no
|
|
further to-night, but must go to bed. But this put me into such a
|
|
tremble lest they should detain me there that she soon recalled her
|
|
words and compromised for a rest of half an hour.
|
|
|
|
A good endearing creature she was. She and her three fair girls, all
|
|
so busy about me. I was to take hot soup and broiled fowl, while Mr.
|
|
Bucket dried himself and dined elsewhere; but I could not do it when
|
|
a snug round table was presently spread by the fireside, though I was
|
|
very unwilling to disappoint them. However, I could take some toast
|
|
and some hot negus, and as I really enjoyed that refreshment, it made
|
|
some recompense.
|
|
|
|
Punctual to the time, at the half-hour's end the carriage came
|
|
rumbling under the gateway, and they took me down, warmed, refreshed,
|
|
comforted by kindness, and safe (I assured them) not to faint any
|
|
more. After I had got in and had taken a grateful leave of them all,
|
|
the youngest daughter--a blooming girl of nineteen, who was to be the
|
|
first married, they had told me--got upon the carriage step, reached
|
|
in, and kissed me. I have never seen her, from that hour, but I think
|
|
of her to this hour as my friend.
|
|
|
|
The transparent windows with the fire and light, looking so bright
|
|
and warm from the cold darkness out of doors, were soon gone, and
|
|
again we were crushing and churning the loose snow. We went on with
|
|
toil enough, but the dismal roads were not much worse than they had
|
|
been, and the stage was only nine miles. My companion smoking on the
|
|
box--I had thought at the last inn of begging him to do so when I saw
|
|
him standing at a great fire in a comfortable cloud of tobacco--was
|
|
as vigilant as ever and as quickly down and up again when we came to
|
|
any human abode or any human creature. He had lighted his little dark
|
|
lantern, which seemed to be a favourite with him, for we had lamps to
|
|
the carriage; and every now and then he turned it upon me to see that
|
|
I was doing well. There was a folding-window to the carriage-head,
|
|
but I never closed it, for it seemed like shutting out hope.
|
|
|
|
We came to the end of the stage, and still the lost trace was not
|
|
recovered. I looked at him anxiously when we stopped to change, but I
|
|
knew by his yet graver face as he stood watching the ostlers that he
|
|
had heard nothing. Almost in an instant afterwards, as I leaned back
|
|
in my seat, he looked in, with his lighted lantern in his hand, an
|
|
excited and quite different man.
|
|
|
|
"What is it?" said I, starting. "Is she here?"
|
|
|
|
"No, no. Don't deceive yourself, my dear. Nobody's here. But I've got
|
|
it!"
|
|
|
|
The crystallized snow was in his eyelashes, in his hair, lying in
|
|
ridges on his dress. He had to shake it from his face and get his
|
|
breath before he spoke to me.
|
|
|
|
"Now, Miss Summerson," said he, beating his finger on the apron,
|
|
"don't you be disappointed at what I'm a-going to do. You know me.
|
|
I'm Inspector Bucket, and you can trust me. We've come a long way;
|
|
never mind. Four horses out there for the next stage up! Quick!"
|
|
|
|
There was a commotion in the yard, and a man came running out of the
|
|
stables to know if he meant up or down.
|
|
|
|
"Up, I tell you! Up! Ain't it English? Up!"
|
|
|
|
"Up?" said I, astonished. "To London! Are we going back?"
|
|
|
|
"Miss Summerson," he answered, "back. Straight back as a die. You
|
|
know me. Don't be afraid. I'll follow the other, by G----"
|
|
|
|
"The other?" I repeated. "Who?"
|
|
|
|
"You called her Jenny, didn't you? I'll follow her. Bring those two
|
|
pair out here for a crown a man. Wake up, some of you!"
|
|
|
|
"You will not desert this lady we are in search of; you will not
|
|
abandon her on such a night and in such a state of mind as I know her
|
|
to be in!" said I, in an agony, and grasping his hand.
|
|
|
|
"You are right, my dear, I won't. But I'll follow the other. Look
|
|
alive here with them horses. Send a man for'ard in the saddle to the
|
|
next stage, and let him send another for'ard again, and order four
|
|
on, up, right through. My darling, don't you be afraid!"
|
|
|
|
These orders and the way in which he ran about the yard urging them
|
|
caused a general excitement that was scarcely less bewildering to me
|
|
than the sudden change. But in the height of the confusion, a mounted
|
|
man galloped away to order the relays, and our horses were put to
|
|
with great speed.
|
|
|
|
"My dear," said Mr. Bucket, jumping to his seat and looking in again,
|
|
"--you'll excuse me if I'm too familiar--don't you fret and worry
|
|
yourself no more than you can help. I say nothing else at present;
|
|
but you know me, my dear; now, don't you?"
|
|
|
|
I endeavoured to say that I knew he was far more capable than I of
|
|
deciding what we ought to do, but was he sure that this was right?
|
|
Could I not go forward by myself in search of--I grasped his hand
|
|
again in my distress and whispered it to him--of my own mother.
|
|
|
|
"My dear," he answered, "I know, I know, and would I put you wrong,
|
|
do you think? Inspector Bucket. Now you know me, don't you?"
|
|
|
|
What could I say but yes!
|
|
|
|
"Then you keep up as good a heart as you can, and you rely upon me
|
|
for standing by you, no less than by Sir Leicester Dedlock, Baronet.
|
|
Now, are you right there?"
|
|
|
|
"All right, sir!"
|
|
|
|
"Off she goes, then. And get on, my lads!"
|
|
|
|
We were again upon the melancholy road by which we had come, tearing
|
|
up the miry sleet and thawing snow as if they were torn up by a
|
|
waterwheel.
|
|
|
|
|
|
|
|
|
|
CHAPTER LVIII
|
|
|
|
A Wintry Day and Night
|
|
|
|
|
|
Still impassive, as behoves its breeding, the Dedlock town house
|
|
carries itself as usual towards the street of dismal grandeur. There
|
|
are powdered heads from time to time in the little windows of the
|
|
hall, looking out at the untaxed powder falling all day from the sky;
|
|
and in the same conservatory there is peach blossom turning itself
|
|
exotically to the great hall fire from the nipping weather out of
|
|
doors. It is given out that my Lady has gone down into Lincolnshire,
|
|
but is expected to return presently.
|
|
|
|
Rumour, busy overmuch, however, will not go down into Lincolnshire.
|
|
It persists in flitting and chattering about town. It knows that that
|
|
poor unfortunate man, Sir Leicester, has been sadly used. It hears,
|
|
my dear child, all sorts of shocking things. It makes the world of
|
|
five miles round quite merry. Not to know that there is something
|
|
wrong at the Dedlocks' is to augur yourself unknown. One of the
|
|
peachy-cheeked charmers with the skeleton throats is already apprised
|
|
of all the principal circumstances that will come out before the
|
|
Lords on Sir Leicester's application for a bill of divorce.
|
|
|
|
At Blaze and Sparkle's the jewellers and at Sheen and Gloss's the
|
|
mercers, it is and will be for several hours the topic of the age,
|
|
the feature of the century. The patronesses of those establishments,
|
|
albeit so loftily inscrutable, being as nicely weighed and measured
|
|
there as any other article of the stock-in-trade, are perfectly
|
|
understood in this new fashion by the rawest hand behind the counter.
|
|
"Our people, Mr. Jones," said Blaze and Sparkle to the hand in
|
|
question on engaging him, "our people, sir, are sheep--mere sheep.
|
|
Where two or three marked ones go, all the rest follow. Keep those
|
|
two or three in your eye, Mr. Jones, and you have the flock." So,
|
|
likewise, Sheen and Gloss to THEIR Jones, in reference to knowing
|
|
where to have the fashionable people and how to bring what they
|
|
(Sheen and Gloss) choose into fashion. On similar unerring
|
|
principles, Mr. Sladdery the librarian, and indeed the great farmer
|
|
of gorgeous sheep, admits this very day, "Why yes, sir, there
|
|
certainly ARE reports concerning Lady Dedlock, very current indeed
|
|
among my high connexion, sir. You see, my high connexion must talk
|
|
about something, sir; and it's only to get a subject into vogue with
|
|
one or two ladies I could name to make it go down with the whole.
|
|
Just what I should have done with those ladies, sir, in the case of
|
|
any novelty you had left to me to bring in, they have done of
|
|
themselves in this case through knowing Lady Dedlock and being
|
|
perhaps a little innocently jealous of her too, sir. You'll find,
|
|
sir, that this topic will be very popular among my high connexion. If
|
|
it had been a speculation, sir, it would have brought money. And when
|
|
I say so, you may trust to my being right, sir, for I have made it my
|
|
business to study my high connexion and to be able to wind it up like
|
|
a clock, sir."
|
|
|
|
Thus rumour thrives in the capital, and will not go down into
|
|
Lincolnshire. By half-past five, post meridian, Horse Guards' time,
|
|
it has even elicited a new remark from the Honourable Mr. Stables,
|
|
which bids fair to outshine the old one, on which he has so long
|
|
rested his colloquial reputation. This sparkling sally is to the
|
|
effect that although he always knew she was the best-groomed woman in
|
|
the stud, he had no idea she was a bolter. It is immensely received
|
|
in turf-circles.
|
|
|
|
At feasts and festivals also, in firmaments she has often graced, and
|
|
among constellations she outshone but yesterday, she is still the
|
|
prevalent subject. What is it? Who is it? When was it? Where was it?
|
|
How was it? She is discussed by her dear friends with all the
|
|
genteelest slang in vogue, with the last new word, the last new
|
|
manner, the last new drawl, and the perfection of polite
|
|
indifference. A remarkable feature of the theme is that it is found
|
|
to be so inspiring that several people come out upon it who never
|
|
came out before--positively say things! William Buffy carries one of
|
|
these smartnesses from the place where he dines down to the House,
|
|
where the Whip for his party hands it about with his snuff-box to
|
|
keep men together who want to be off, with such effect that the
|
|
Speaker (who has had it privately insinuated into his own ear under
|
|
the corner of his wig) cries, "Order at the bar!" three times without
|
|
making an impression.
|
|
|
|
And not the least amazing circumstance connected with her being
|
|
vaguely the town talk is that people hovering on the confines of Mr.
|
|
Sladdery's high connexion, people who know nothing and ever did know
|
|
nothing about her, think it essential to their reputation to pretend
|
|
that she is their topic too, and to retail her at second-hand with
|
|
the last new word and the last new manner, and the last new drawl,
|
|
and the last new polite indifference, and all the rest of it, all at
|
|
second-hand but considered equal to new in inferior systems and to
|
|
fainter stars. If there be any man of letters, art, or science among
|
|
these little dealers, how noble in him to support the feeble sisters
|
|
on such majestic crutches!
|
|
|
|
So goes the wintry day outside the Dedlock mansion. How within it?
|
|
|
|
Sir Leicester, lying in his bed, can speak a little, though with
|
|
difficulty and indistinctness. He is enjoined to silence and to rest,
|
|
and they have given him some opiate to lull his pain, for his old
|
|
enemy is very hard with him. He is never asleep, though sometimes he
|
|
seems to fall into a dull waking doze. He caused his bedstead to be
|
|
moved out nearer to the window when he heard it was such inclement
|
|
weather, and his head to be so adjusted that he could see the driving
|
|
snow and sleet. He watches it as it falls, throughout the whole
|
|
wintry day.
|
|
|
|
Upon the least noise in the house, which is kept hushed, his hand is
|
|
at the pencil. The old housekeeper, sitting by him, knows what he
|
|
would write and whispers, "No, he has not come back yet, Sir
|
|
Leicester. It was late last night when he went. He has been but a
|
|
little time gone yet."
|
|
|
|
He withdraws his hand and falls to looking at the sleet and snow
|
|
again until they seem, by being long looked at, to fall so thick and
|
|
fast that he is obliged to close his eyes for a minute on the giddy
|
|
whirl of white flakes and icy blots.
|
|
|
|
He began to look at them as soon as it was light. The day is not yet
|
|
far spent when he conceives it to be necessary that her rooms should
|
|
be prepared for her. It is very cold and wet. Let there be good
|
|
fires. Let them know that she is expected. Please see to it yourself.
|
|
He writes to this purpose on his slate, and Mrs. Rouncewell with a
|
|
heavy heart obeys.
|
|
|
|
"For I dread, George," the old lady says to her son, who waits below
|
|
to keep her company when she has a little leisure, "I dread, my dear,
|
|
that my Lady will never more set foot within these walls."
|
|
|
|
"That's a bad presentiment, mother."
|
|
|
|
"Nor yet within the walls of Chesney Wold, my dear."
|
|
|
|
"That's worse. But why, mother?"
|
|
|
|
"When I saw my Lady yesterday, George, she looked to me--and I may
|
|
say at me too--as if the step on the Ghost's Walk had almost walked
|
|
her down."
|
|
|
|
"Come, come! You alarm yourself with old-story fears, mother."
|
|
|
|
"No I don't, my dear. No I don't. It's going on for sixty year that I
|
|
have been in this family, and I never had any fears for it before.
|
|
But it's breaking up, my dear; the great old Dedlock family is
|
|
breaking up."
|
|
|
|
"I hope not, mother."
|
|
|
|
"I am thankful I have lived long enough to be with Sir Leicester in
|
|
this illness and trouble, for I know I am not too old nor too useless
|
|
to be a welcomer sight to him than anybody else in my place would be.
|
|
But the step on the Ghost's Walk will walk my Lady down, George; it
|
|
has been many a day behind her, and now it will pass her and go on."
|
|
|
|
"Well, mother dear, I say again, I hope not."
|
|
|
|
"Ah, so do I, George," the old lady returns, shaking her head and
|
|
parting her folded hands. "But if my fears come true, and he has to
|
|
know it, who will tell him!"
|
|
|
|
"Are these her rooms?"
|
|
|
|
"These are my Lady's rooms, just as she left them."
|
|
|
|
"Why, now," says the trooper, glancing round him and speaking in a
|
|
lower voice, "I begin to understand how you come to think as you do
|
|
think, mother. Rooms get an awful look about them when they are
|
|
fitted up, like these, for one person you are used to see in them,
|
|
and that person is away under any shadow, let alone being God knows
|
|
where."
|
|
|
|
He is not far out. As all partings foreshadow the great final one,
|
|
so, empty rooms, bereft of a familiar presence, mournfully whisper
|
|
what your room and what mine must one day be. My Lady's state has a
|
|
hollow look, thus gloomy and abandoned; and in the inner apartment,
|
|
where Mr. Bucket last night made his secret perquisition, the traces
|
|
of her dresses and her ornaments, even the mirrors accustomed to
|
|
reflect them when they were a portion of herself, have a desolate and
|
|
vacant air. Dark and cold as the wintry day is, it is darker and
|
|
colder in these deserted chambers than in many a hut that will barely
|
|
exclude the weather; and though the servants heap fires in the grates
|
|
and set the couches and the chairs within the warm glass screens that
|
|
let their ruddy light shoot through to the furthest corners, there is
|
|
a heavy cloud upon the rooms which no light will dispel.
|
|
|
|
The old housekeeper and her son remain until the preparations are
|
|
complete, and then she returns upstairs. Volumnia has taken Mrs.
|
|
Rouncewell's place in the meantime, though pearl necklaces and rouge
|
|
pots, however calculated to embellish Bath, are but indifferent
|
|
comforts to the invalid under present circumstances. Volumnia, not
|
|
being supposed to know (and indeed not knowing) what is the matter,
|
|
has found it a ticklish task to offer appropriate observations and
|
|
consequently has supplied their place with distracting smoothings of
|
|
the bed-linen, elaborate locomotion on tiptoe, vigilant peeping at
|
|
her kinsman's eyes, and one exasperating whisper to herself of, "He
|
|
is asleep." In disproof of which superfluous remark Sir Leicester has
|
|
indignantly written on the slate, "I am not."
|
|
|
|
Yielding, therefore, the chair at the bedside to the quaint old
|
|
housekeeper, Volumnia sits at a table a little removed,
|
|
sympathetically sighing. Sir Leicester watches the sleet and snow and
|
|
listens for the returning steps that he expects. In the ears of his
|
|
old servant, looking as if she had stepped out of an old
|
|
picture-frame to attend a summoned Dedlock to another world, the
|
|
silence is fraught with echoes of her own words, "Who will tell him!"
|
|
|
|
He has been under his valet's hands this morning to be made
|
|
presentable and is as well got up as the circumstances will allow. He
|
|
is propped with pillows, his grey hair is brushed in its usual
|
|
manner, his linen is arranged to a nicety, and he is wrapped in a
|
|
responsible dressing-gown. His eye-glass and his watch are ready to
|
|
his hand. It is necessary--less to his own dignity now perhaps than
|
|
for her sake--that he should be seen as little disturbed and as much
|
|
himself as may be. Women will talk, and Volumnia, though a Dedlock,
|
|
is no exceptional case. He keeps her here, there is little doubt, to
|
|
prevent her talking somewhere else. He is very ill, but he makes his
|
|
present stand against distress of mind and body most courageously.
|
|
|
|
The fair Volumnia, being one of those sprightly girls who cannot long
|
|
continue silent without imminent peril of seizure by the dragon
|
|
Boredom, soon indicates the approach of that monster with a series of
|
|
undisguisable yawns. Finding it impossible to suppress those yawns by
|
|
any other process than conversation, she compliments Mrs. Rouncewell
|
|
on her son, declaring that he positively is one of the finest figures
|
|
she ever saw and as soldierly a looking person, she should think, as
|
|
what's his name, her favourite Life Guardsman--the man she dotes on,
|
|
the dearest of creatures--who was killed at Waterloo.
|
|
|
|
Sir Leicester hears this tribute with so much surprise and stares
|
|
about him in such a confused way that Mrs. Rouncewell feels it
|
|
necessary to explain.
|
|
|
|
"Miss Dedlock don't speak of my eldest son, Sir Leicester, but my
|
|
youngest. I have found him. He has come home."
|
|
|
|
Sir Leicester breaks silence with a harsh cry. "George? Your son
|
|
George come home, Mrs. Rouncewell?"
|
|
|
|
The old housekeeper wipes her eyes. "Thank God. Yes, Sir Leicester."
|
|
|
|
Does this discovery of some one lost, this return of some one so long
|
|
gone, come upon him as a strong confirmation of his hopes? Does he
|
|
think, "Shall I not, with the aid I have, recall her safely after
|
|
this, there being fewer hours in her case than there are years in
|
|
his?"
|
|
|
|
It is of no use entreating him; he is determined to speak now, and he
|
|
does. In a thick crowd of sounds, but still intelligibly enough to be
|
|
understood.
|
|
|
|
"Why did you not tell me, Mrs. Rouncewell?"
|
|
|
|
"It happened only yesterday, Sir Leicester, and I doubted your being
|
|
well enough to be talked to of such things."
|
|
|
|
Besides, the giddy Volumnia now remembers with her little scream that
|
|
nobody was to have known of his being Mrs. Rouncewell's son and that
|
|
she was not to have told. But Mrs. Rouncewell protests, with warmth
|
|
enough to swell the stomacher, that of course she would have told Sir
|
|
Leicester as soon as he got better.
|
|
|
|
"Where is your son George, Mrs. Rouncewell?" asks Sir Leicester,
|
|
|
|
Mrs. Rouncewell, not a little alarmed by his disregard of the
|
|
doctor's injunctions, replies, in London.
|
|
|
|
"Where in London?"
|
|
|
|
Mrs. Rouncewell is constrained to admit that he is in the house.
|
|
|
|
"Bring him here to my room. Bring him directly."
|
|
|
|
The old lady can do nothing but go in search of him. Sir Leicester,
|
|
with such power of movement as he has, arranges himself a little to
|
|
receive him. When he has done so, he looks out again at the falling
|
|
sleet and snow and listens again for the returning steps. A quantity
|
|
of straw has been tumbled down in the street to deaden the noises
|
|
there, and she might be driven to the door perhaps without his
|
|
hearing wheels.
|
|
|
|
He is lying thus, apparently forgetful of his newer and minor
|
|
surprise, when the housekeeper returns, accompanied by her trooper
|
|
son. Mr. George approaches softly to the bedside, makes his bow,
|
|
squares his chest, and stands, with his face flushed, very heartily
|
|
ashamed of himself.
|
|
|
|
"Good heaven, and it is really George Rouncewell!" exclaims Sir
|
|
Leicester. "Do you remember me, George?"
|
|
|
|
The trooper needs to look at him and to separate this sound from that
|
|
sound before he knows what he has said, but doing this and being a
|
|
little helped by his mother, he replies, "I must have a very bad
|
|
memory, indeed, Sir Leicester, if I failed to remember you."
|
|
|
|
"When I look at you, George Rouncewell," Sir Leicester observes with
|
|
difficulty, "I see something of a boy at Chesney Wold--I remember
|
|
well--very well."
|
|
|
|
He looks at the trooper until tears come into his eyes, and then he
|
|
looks at the sleet and snow again.
|
|
|
|
"I ask your pardon, Sir Leicester," says the trooper, "but would you
|
|
accept of my arms to raise you up? You would lie easier, Sir
|
|
Leicester, if you would allow me to move you."
|
|
|
|
"If you please, George Rouncewell; if you will be so good."
|
|
|
|
The trooper takes him in his arms like a child, lightly raises him,
|
|
and turns him with his face more towards the window. "Thank you. You
|
|
have your mother's gentleness," returns Sir Leicester, "and your own
|
|
strength. Thank you."
|
|
|
|
He signs to him with his hand not to go away. George quietly remains
|
|
at the bedside, waiting to be spoken to.
|
|
|
|
"Why did you wish for secrecy?" It takes Sir Leicester some time to
|
|
ask this.
|
|
|
|
"Truly I am not much to boast of, Sir Leicester, and I--I should
|
|
still, Sir Leicester, if you was not so indisposed--which I hope you
|
|
will not be long--I should still hope for the favour of being allowed
|
|
to remain unknown in general. That involves explanations not very
|
|
hard to be guessed at, not very well timed here, and not very
|
|
creditable to myself. However opinions may differ on a variety of
|
|
subjects, I should think it would be universally agreed, Sir
|
|
Leicester, that I am not much to boast of."
|
|
|
|
"You have been a soldier," observes Sir Leicester, "and a faithful
|
|
one."
|
|
|
|
George makes his military bow. "As far as that goes, Sir Leicester, I
|
|
have done my duty under discipline, and it was the least I could do."
|
|
|
|
"You find me," says Sir Leicester, whose eyes are much attracted
|
|
towards him, "far from well, George Rouncewell."
|
|
|
|
"I am very sorry both to hear it and to see it, Sir Leicester."
|
|
|
|
"I am sure you are. No. In addition to my older malady, I have had a
|
|
sudden and bad attack. Something that deadens," making an endeavour
|
|
to pass one hand down one side, "and confuses," touching his lips.
|
|
|
|
George, with a look of assent and sympathy, makes another bow. The
|
|
different times when they were both young men (the trooper much the
|
|
younger of the two) and looked at one another down at Chesney Wold
|
|
arise before them both and soften both.
|
|
|
|
Sir Leicester, evidently with a great determination to say, in his
|
|
own manner, something that is on his mind before relapsing into
|
|
silence, tries to raise himself among his pillows a little more.
|
|
George, observant of the action, takes him in his arms again and
|
|
places him as he desires to be. "Thank you, George. You are another
|
|
self to me. You have often carried my spare gun at Chesney Wold,
|
|
George. You are familiar to me in these strange circumstances, very
|
|
familiar." He has put Sir Leicester's sounder arm over his shoulder
|
|
in lifting him up, and Sir Leicester is slow in drawing it away again
|
|
as he says these words.
|
|
|
|
"I was about to add," he presently goes on, "I was about to add,
|
|
respecting this attack, that it was unfortunately simultaneous with a
|
|
slight misunderstanding between my Lady and myself. I do not mean
|
|
that there was any difference between us (for there has been none),
|
|
but that there was a misunderstanding of certain circumstances
|
|
important only to ourselves, which deprives me, for a little while,
|
|
of my Lady's society. She has found it necessary to make a journey--I
|
|
trust will shortly return. Volumnia, do I make myself intelligible?
|
|
The words are not quite under my command in the manner of pronouncing
|
|
them."
|
|
|
|
Volumnia understands him perfectly, and in truth he delivers himself
|
|
with far greater plainness than could have been supposed possible a
|
|
minute ago. The effort by which he does so is written in the anxious
|
|
and labouring expression of his face. Nothing but the strength of his
|
|
purpose enables him to make it.
|
|
|
|
"Therefore, Volumnia, I desire to say in your presence--and in the
|
|
presence of my old retainer and friend, Mrs. Rouncewell, whose truth
|
|
and fidelity no one can question, and in the presence of her son
|
|
George, who comes back like a familiar recollection of my youth in
|
|
the home of my ancestors at Chesney Wold--in case I should relapse,
|
|
in case I should not recover, in case I should lose both my speech
|
|
and the power of writing, though I hope for better things--"
|
|
|
|
The old housekeeper weeping silently; Volumnia in the greatest
|
|
agitation, with the freshest bloom on her cheeks; the trooper with
|
|
his arms folded and his head a little bent, respectfully attentive.
|
|
|
|
"Therefore I desire to say, and to call you all to
|
|
witness--beginning, Volumnia, with yourself, most solemnly--that I am
|
|
on unaltered terms with Lady Dedlock. That I assert no cause whatever
|
|
of complaint against her. That I have ever had the strongest
|
|
affection for her, and that I retain it undiminished. Say this to
|
|
herself, and to every one. If you ever say less than this, you will
|
|
be guilty of deliberate falsehood to me."
|
|
|
|
Volumnia tremblingly protests that she will observe his injunctions
|
|
to the letter.
|
|
|
|
"My Lady is too high in position, too handsome, too accomplished, too
|
|
superior in most respects to the best of those by whom she is
|
|
surrounded, not to have her enemies and traducers, I dare say. Let it
|
|
be known to them, as I make it known to you, that being of sound
|
|
mind, memory, and understanding, I revoke no disposition I have made
|
|
in her favour. I abridge nothing I have ever bestowed upon her. I am
|
|
on unaltered terms with her, and I recall--having the full power to
|
|
do it if I were so disposed, as you see--no act I have done for her
|
|
advantage and happiness."
|
|
|
|
His formal array of words might have at any other time, as it has
|
|
often had, something ludicrous in it, but at this time it is serious
|
|
and affecting. His noble earnestness, his fidelity, his gallant
|
|
shielding of her, his generous conquest of his own wrong and his own
|
|
pride for her sake, are simply honourable, manly, and true. Nothing
|
|
less worthy can be seen through the lustre of such qualities in the
|
|
commonest mechanic, nothing less worthy can be seen in the best-born
|
|
gentleman. In such a light both aspire alike, both rise alike, both
|
|
children of the dust shine equally.
|
|
|
|
Overpowered by his exertions, he lays his head back on his pillows
|
|
and closes his eyes for not more than a minute, when he again resumes
|
|
his watching of the weather and his attention to the muffled sounds.
|
|
In the rendering of those little services, and in the manner of their
|
|
acceptance, the trooper has become installed as necessary to him.
|
|
Nothing has been said, but it is quite understood. He falls a step or
|
|
two backward to be out of sight and mounts guard a little behind his
|
|
mother's chair.
|
|
|
|
The day is now beginning to decline. The mist and the sleet into
|
|
which the snow has all resolved itself are darker, and the blaze
|
|
begins to tell more vividly upon the room walls and furniture. The
|
|
gloom augments; the bright gas springs up in the streets; and the
|
|
pertinacious oil lamps which yet hold their ground there, with their
|
|
source of life half frozen and half thawed, twinkle gaspingly like
|
|
fiery fish out of water--as they are. The world, which has been
|
|
rumbling over the straw and pulling at the bell, "to inquire," begins
|
|
to go home, begins to dress, to dine, to discuss its dear friend with
|
|
all the last new modes, as already mentioned.
|
|
|
|
Now does Sir Leicester become worse, restless, uneasy, and in great
|
|
pain. Volumnia, lighting a candle (with a predestined aptitude for
|
|
doing something objectionable), is bidden to put it out again, for it
|
|
is not yet dark enough. Yet it is very dark too, as dark as it will
|
|
be all night. By and by she tries again. No! Put it out. It is not
|
|
dark enough yet.
|
|
|
|
His old housekeeper is the first to understand that he is striving to
|
|
uphold the fiction with himself that it is not growing late.
|
|
|
|
"Dear Sir Leicester, my honoured master," she softly whispers, "I
|
|
must, for your own good, and my duty, take the freedom of begging and
|
|
praying that you will not lie here in the lone darkness watching and
|
|
waiting and dragging through the time. Let me draw the curtains, and
|
|
light the candles, and make things more comfortable about you. The
|
|
church-clocks will strike the hours just the same, Sir Leicester, and
|
|
the night will pass away just the same. My Lady will come back, just
|
|
the same."
|
|
|
|
"I know it, Mrs. Rouncewell, but I am weak--and she has been so long
|
|
gone."
|
|
|
|
"Not so very long, Sir Leicester. Not twenty-four hours yet."
|
|
|
|
"But that is a long time. Oh, it is a long time!"
|
|
|
|
He says it with a groan that wrings her heart.
|
|
|
|
She knows that this is not a period for bringing the rough light upon
|
|
him; she thinks his tears too sacred to be seen, even by her.
|
|
Therefore she sits in the darkness for a while without a word, then
|
|
gently begins to move about, now stirring the fire, now standing at
|
|
the dark window looking out. Finally he tells her, with recovered
|
|
self-command, "As you say, Mrs. Rouncewell, it is no worse for being
|
|
confessed. It is getting late, and they are not come. Light the
|
|
room!" When it is lighted and the weather shut out, it is only left
|
|
to him to listen.
|
|
|
|
But they find that however dejected and ill he is, he brightens when
|
|
a quiet pretence is made of looking at the fires in her rooms and
|
|
being sure that everything is ready to receive her. Poor pretence as
|
|
it is, these allusions to her being expected keep up hope within him.
|
|
|
|
Midnight comes, and with it the same blank. The carriages in the
|
|
streets are few, and other late sounds in that neighbourhood there
|
|
are none, unless a man so very nomadically drunk as to stray into the
|
|
frigid zone goes brawling and bellowing along the pavement. Upon this
|
|
wintry night it is so still that listening to the intense silence is
|
|
like looking at intense darkness. If any distant sound be audible in
|
|
this case, it departs through the gloom like a feeble light in that,
|
|
and all is heavier than before.
|
|
|
|
The corporation of servants are dismissed to bed (not unwilling to
|
|
go, for they were up all last night), and only Mrs. Rouncewell and
|
|
George keep watch in Sir Leicester's room. As the night lags tardily
|
|
on--or rather when it seems to stop altogether, at between two and
|
|
three o'clock--they find a restless craving on him to know more about
|
|
the weather, now he cannot see it. Hence George, patrolling regularly
|
|
every half-hour to the rooms so carefully looked after, extends his
|
|
march to the hall-door, looks about him, and brings back the best
|
|
report he can make of the worst of nights, the sleet still falling
|
|
and even the stone footways lying ankle-deep in icy sludge.
|
|
|
|
Volumnia, in her room up a retired landing on the staircase--the
|
|
second turning past the end of the carving and gilding, a cousinly
|
|
room containing a fearful abortion of a portrait of Sir Leicester
|
|
banished for its crimes, and commanding in the day a solemn yard
|
|
planted with dried-up shrubs like antediluvian specimens of black
|
|
tea--is a prey to horrors of many kinds. Not last nor least among
|
|
them, possibly, is a horror of what may befall her little income in
|
|
the event, as she expresses it, "of anything happening" to Sir
|
|
Leicester. Anything, in this sense, meaning one thing only; and that
|
|
the last thing that can happen to the consciousness of any baronet in
|
|
the known world.
|
|
|
|
An effect of these horrors is that Volumnia finds she cannot go to
|
|
bed in her own room or sit by the fire in her own room, but must come
|
|
forth with her fair head tied up in a profusion of shawl, and her
|
|
fair form enrobed in drapery, and parade the mansion like a ghost,
|
|
particularly haunting the rooms, warm and luxurious, prepared for one
|
|
who still does not return. Solitude under such circumstances being
|
|
not to be thought of, Volumnia is attended by her maid, who,
|
|
impressed from her own bed for that purpose, extremely cold, very
|
|
sleepy, and generally an injured maid as condemned by circumstances
|
|
to take office with a cousin, when she had resolved to be maid to
|
|
nothing less than ten thousand a year, has not a sweet expression of
|
|
countenance.
|
|
|
|
The periodical visits of the trooper to these rooms, however, in the
|
|
course of his patrolling is an assurance of protection and company
|
|
both to mistress and maid, which renders them very acceptable in the
|
|
small hours of the night. Whenever he is heard advancing, they both
|
|
make some little decorative preparation to receive him; at other
|
|
times they divide their watches into short scraps of oblivion and
|
|
dialogues not wholly free from acerbity, as to whether Miss Dedlock,
|
|
sitting with her feet upon the fender, was or was not falling into
|
|
the fire when rescued (to her great displeasure) by her guardian
|
|
genius the maid.
|
|
|
|
"How is Sir Leicester now, Mr. George?" inquires Volumnia, adjusting
|
|
her cowl over her head.
|
|
|
|
"Why, Sir Leicester is much the same, miss. He is very low and ill,
|
|
and he even wanders a little sometimes."
|
|
|
|
"Has he asked for me?" inquires Volumnia tenderly.
|
|
|
|
"Why, no, I can't say he has, miss. Not within my hearing, that is to
|
|
say."
|
|
|
|
"This is a truly sad time, Mr. George."
|
|
|
|
"It is indeed, miss. Hadn't you better go to bed?"
|
|
|
|
"You had a deal better go to bed, Miss Dedlock," quoth the maid
|
|
sharply.
|
|
|
|
But Volumnia answers No! No! She may be asked for, she may be wanted
|
|
at a moment's notice. She never should forgive herself "if anything
|
|
was to happen" and she was not on the spot. She declines to enter on
|
|
the question, mooted by the maid, how the spot comes to be there, and
|
|
not in her room (which is nearer to Sir Leicester's), but staunchly
|
|
declares that on the spot she will remain. Volumnia further makes a
|
|
merit of not having "closed an eye"--as if she had twenty or
|
|
thirty--though it is hard to reconcile this statement with her having
|
|
most indisputably opened two within five minutes.
|
|
|
|
But when it comes to four o'clock, and still the same blank,
|
|
Volumnia's constancy begins to fail her, or rather it begins to
|
|
strengthen, for she now considers that it is her duty to be ready for
|
|
the morrow, when much may be expected of her, that, in fact,
|
|
howsoever anxious to remain upon the spot, it may be required of her,
|
|
as an act of self-devotion, to desert the spot. So when the trooper
|
|
reappears with his, "Hadn't you better go to bed, miss?" and when the
|
|
maid protests, more sharply than before, "You had a deal better go to
|
|
bed, Miss Dedlock!" she meekly rises and says, "Do with me what you
|
|
think best!"
|
|
|
|
Mr. George undoubtedly thinks it best to escort her on his arm to the
|
|
door of her cousinly chamber, and the maid as undoubtedly thinks it
|
|
best to hustle her into bed with mighty little ceremony. Accordingly,
|
|
these steps are taken; and now the trooper, in his rounds, has the
|
|
house to himself.
|
|
|
|
There is no improvement in the weather. From the portico, from the
|
|
eaves, from the parapet, from every ledge and post and pillar, drips
|
|
the thawed snow. It has crept, as if for shelter, into the lintels of
|
|
the great door--under it, into the corners of the windows, into every
|
|
chink and crevice of retreat, and there wastes and dies. It is
|
|
falling still; upon the roof, upon the skylight, even through the
|
|
skylight, and drip, drip, drip, with the regularity of the Ghost's
|
|
Walk, on the stone floor below.
|
|
|
|
The trooper, his old recollections awakened by the solitary grandeur
|
|
of a great house--no novelty to him once at Chesney Wold--goes up the
|
|
stairs and through the chief rooms, holding up his light at arm's
|
|
length. Thinking of his varied fortunes within the last few weeks,
|
|
and of his rustic boyhood, and of the two periods of his life so
|
|
strangely brought together across the wide intermediate space;
|
|
thinking of the murdered man whose image is fresh in his mind;
|
|
thinking of the lady who has disappeared from these very rooms and
|
|
the tokens of whose recent presence are all here; thinking of the
|
|
master of the house upstairs and of the foreboding, "Who will tell
|
|
him!" he looks here and looks there, and reflects how he MIGHT see
|
|
something now, which it would tax his boldness to walk up to, lay his
|
|
hand upon, and prove to be a fancy. But it is all blank, blank as the
|
|
darkness above and below, while he goes up the great staircase again,
|
|
blank as the oppressive silence.
|
|
|
|
"All is still in readiness, George Rouncewell?"
|
|
|
|
"Quite orderly and right, Sir Leicester."
|
|
|
|
"No word of any kind?"
|
|
|
|
The trooper shakes his head.
|
|
|
|
"No letter that can possibly have been overlooked?"
|
|
|
|
But he knows there is no such hope as that and lays his head down
|
|
without looking for an answer.
|
|
|
|
Very familiar to him, as he said himself some hours ago, George
|
|
Rouncewell lifts him into easier positions through the long remainder
|
|
of the blank wintry night, and equally familiar with his unexpressed
|
|
wish, extinguishes the light and undraws the curtains at the first
|
|
late break of day. The day comes like a phantom. Cold, colourless,
|
|
and vague, it sends a warning streak before it of a deathlike hue, as
|
|
if it cried out, "Look what I am bringing you who watch there! Who
|
|
will tell him!"
|
|
|
|
|
|
|
|
|
|
CHAPTER LIX
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
It was three o'clock in the morning when the houses outside London
|
|
did at last begin to exclude the country and to close us in with
|
|
streets. We had made our way along roads in a far worse condition
|
|
than when we had traversed them by daylight, both the fall and the
|
|
thaw having lasted ever since; but the energy of my companion never
|
|
slackened. It had only been, as I thought, of less assistance than
|
|
the horses in getting us on, and it had often aided them. They had
|
|
stopped exhausted half-way up hills, they had been driven through
|
|
streams of turbulent water, they had slipped down and become
|
|
entangled with the harness; but he and his little lantern had been
|
|
always ready, and when the mishap was set right, I had never heard
|
|
any variation in his cool, "Get on, my lads!"
|
|
|
|
The steadiness and confidence with which he had directed our journey
|
|
back I could not account for. Never wavering, he never even stopped
|
|
to make an inquiry until we were within a few miles of London. A very
|
|
few words, here and there, were then enough for him; and thus we
|
|
came, at between three and four o'clock in the morning, into
|
|
Islington.
|
|
|
|
I will not dwell on the suspense and anxiety with which I reflected
|
|
all this time that we were leaving my mother farther and farther
|
|
behind every minute. I think I had some strong hope that he must be
|
|
right and could not fail to have a satisfactory object in following
|
|
this woman, but I tormented myself with questioning it and discussing
|
|
it during the whole journey. What was to ensue when we found her and
|
|
what could compensate us for this loss of time were questions also
|
|
that I could not possibly dismiss; my mind was quite tortured by long
|
|
dwelling on such reflections when we stopped.
|
|
|
|
We stopped in a high-street where there was a coach-stand. My
|
|
companion paid our two drivers, who were as completely covered with
|
|
splashes as if they had been dragged along the roads like the
|
|
carriage itself, and giving them some brief direction where to take
|
|
it, lifted me out of it and into a hackney-coach he had chosen from
|
|
the rest.
|
|
|
|
"Why, my dear!" he said as he did this. "How wet you are!"
|
|
|
|
I had not been conscious of it. But the melted snow had found its way
|
|
into the carriage, and I had got out two or three times when a fallen
|
|
horse was plunging and had to be got up, and the wet had penetrated
|
|
my dress. I assured him it was no matter, but the driver, who knew
|
|
him, would not be dissuaded by me from running down the street to his
|
|
stable, whence he brought an armful of clean dry straw. They shook it
|
|
out and strewed it well about me, and I found it warm and
|
|
comfortable.
|
|
|
|
"Now, my dear," said Mr. Bucket, with his head in at the window after
|
|
I was shut up. "We're a-going to mark this person down. It may take a
|
|
little time, but you don't mind that. You're pretty sure that I've
|
|
got a motive. Ain't you?"
|
|
|
|
I little thought what it was, little thought in how short a time I
|
|
should understand it better, but I assured him that I had confidence
|
|
in him.
|
|
|
|
"So you may have, my dear," he returned. "And I tell you what! If you
|
|
only repose half as much confidence in me as I repose in you after
|
|
what I've experienced of you, that'll do. Lord! You're no trouble at
|
|
all. I never see a young woman in any station of society--and I've
|
|
seen many elevated ones too--conduct herself like you have conducted
|
|
yourself since you was called out of your bed. You're a pattern, you
|
|
know, that's what you are," said Mr. Bucket warmly; "you're a
|
|
pattern."
|
|
|
|
I told him I was very glad, as indeed I was, to have been no
|
|
hindrance to him, and that I hoped I should be none now.
|
|
|
|
"My dear," he returned, "when a young lady is as mild as she's game,
|
|
and as game as she's mild, that's all I ask, and more than I expect.
|
|
She then becomes a queen, and that's about what you are yourself."
|
|
|
|
With these encouraging words--they really were encouraging to me
|
|
under those lonely and anxious circumstances--he got upon the box,
|
|
and we once more drove away. Where we drove I neither knew then nor
|
|
have ever known since, but we appeared to seek out the narrowest and
|
|
worst streets in London. Whenever I saw him directing the driver, I
|
|
was prepared for our descending into a deeper complication of such
|
|
streets, and we never failed to do so.
|
|
|
|
Sometimes we emerged upon a wider thoroughfare or came to a larger
|
|
building than the generality, well lighted. Then we stopped at
|
|
offices like those we had visited when we began our journey, and I
|
|
saw him in consultation with others. Sometimes he would get down by
|
|
an archway or at a street corner and mysteriously show the light of
|
|
his little lantern. This would attract similar lights from various
|
|
dark quarters, like so many insects, and a fresh consultation would
|
|
be held. By degrees we appeared to contract our search within
|
|
narrower and easier limits. Single police-officers on duty could now
|
|
tell Mr. Bucket what he wanted to know and point to him where to go.
|
|
At last we stopped for a rather long conversation between him and one
|
|
of these men, which I supposed to be satisfactory from his manner of
|
|
nodding from time to time. When it was finished he came to me looking
|
|
very busy and very attentive.
|
|
|
|
"Now, Miss Summerson," he said to me, "you won't be alarmed whatever
|
|
comes off, I know. It's not necessary for me to give you any further
|
|
caution than to tell you that we have marked this person down and
|
|
that you may be of use to me before I know it myself. I don't like to
|
|
ask such a thing, my dear, but would you walk a little way?"
|
|
|
|
Of course I got out directly and took his arm.
|
|
|
|
"It ain't so easy to keep your feet," said Mr. Bucket, "but take
|
|
time."
|
|
|
|
Although I looked about me confusedly and hurriedly as we crossed the
|
|
street, I thought I knew the place. "Are we in Holborn?" I asked him.
|
|
|
|
"Yes," said Mr. Bucket. "Do you know this turning?"
|
|
|
|
"It looks like Chancery Lane."
|
|
|
|
"And was christened so, my dear," said Mr. Bucket.
|
|
|
|
We turned down it, and as we went shuffling through the sleet, I
|
|
heard the clocks strike half-past five. We passed on in silence and
|
|
as quickly as we could with such a foot-hold, when some one coming
|
|
towards us on the narrow pavement, wrapped in a cloak, stopped and
|
|
stood aside to give me room. In the same moment I heard an
|
|
exclamation of wonder and my own name from Mr. Woodcourt. I knew his
|
|
voice very well.
|
|
|
|
It was so unexpected and so--I don't know what to call it, whether
|
|
pleasant or painful--to come upon it after my feverish wandering
|
|
journey, and in the midst of the night, that I could not keep back
|
|
the tears from my eyes. It was like hearing his voice in a strange
|
|
country.
|
|
|
|
"My dear Miss Summerson, that you should be out at this hour, and in
|
|
such weather!"
|
|
|
|
He had heard from my guardian of my having been called away on some
|
|
uncommon business and said so to dispense with any explanation. I
|
|
told him that we had but just left a coach and were going--but then I
|
|
was obliged to look at my companion.
|
|
|
|
"Why, you see, Mr. Woodcourt"--he had caught the name from me--"we
|
|
are a-going at present into the next street. Inspector Bucket."
|
|
|
|
Mr. Woodcourt, disregarding my remonstrances, had hurriedly taken off
|
|
his cloak and was putting it about me. "That's a good move, too,"
|
|
said Mr. Bucket, assisting, "a very good move."
|
|
|
|
"May I go with you?" said Mr. Woodcourt. I don't know whether to me
|
|
or to my companion.
|
|
|
|
"Why, Lord!" exclaimed Mr. Bucket, taking the answer on himself. "Of
|
|
course you may."
|
|
|
|
It was all said in a moment, and they took me between them, wrapped
|
|
in the cloak.
|
|
|
|
"I have just left Richard," said Mr. Woodcourt. "I have been sitting
|
|
with him since ten o'clock last night."
|
|
|
|
"Oh, dear me, he is ill!"
|
|
|
|
"No, no, believe me; not ill, but not quite well. He was depressed
|
|
and faint--you know he gets so worried and so worn sometimes--and Ada
|
|
sent to me of course; and when I came home I found her note and came
|
|
straight here. Well! Richard revived so much after a little while,
|
|
and Ada was so happy and so convinced of its being my doing, though
|
|
God knows I had little enough to do with it, that I remained with him
|
|
until he had been fast asleep some hours. As fast asleep as she is
|
|
now, I hope!"
|
|
|
|
His friendly and familiar way of speaking of them, his unaffected
|
|
devotion to them, the grateful confidence with which I knew he had
|
|
inspired my darling, and the comfort he was to her; could I separate
|
|
all this from his promise to me? How thankless I must have been if it
|
|
had not recalled the words he said to me when he was so moved by the
|
|
change in my appearance: "I will accept him as a trust, and it shall
|
|
be a sacred one!"
|
|
|
|
We now turned into another narrow street. "Mr. Woodcourt," said Mr.
|
|
Bucket, who had eyed him closely as we came along, "our business
|
|
takes us to a law-stationer's here, a certain Mr. Snagsby's. What,
|
|
you know him, do you?" He was so quick that he saw it in an instant.
|
|
|
|
"Yes, I know a little of him and have called upon him at this place."
|
|
|
|
"Indeed, sir?" said Mr. Bucket. "Then you will be so good as to let
|
|
me leave Miss Summerson with you for a moment while I go and have
|
|
half a word with him?"
|
|
|
|
The last police-officer with whom he had conferred was standing
|
|
silently behind us. I was not aware of it until he struck in on my
|
|
saying I heard some one crying.
|
|
|
|
"Don't be alarmed, miss," he returned. "It's Snagsby's servant."
|
|
|
|
"Why, you see," said Mr. Bucket, "the girl's subject to fits, and has
|
|
'em bad upon her to-night. A most contrary circumstance it is, for I
|
|
want certain information out of that girl, and she must be brought to
|
|
reason somehow."
|
|
|
|
"At all events, they wouldn't be up yet if it wasn't for her, Mr.
|
|
Bucket," said the other man. "She's been at it pretty well all night,
|
|
sir."
|
|
|
|
"Well, that's true," he returned. "My light's burnt out. Show yours a
|
|
moment."
|
|
|
|
All this passed in a whisper a door or two from the house in which I
|
|
could faintly hear crying and moaning. In the little round of light
|
|
produced for the purpose, Mr. Bucket went up to the door and knocked.
|
|
The door was opened after he had knocked twice, and he went in,
|
|
leaving us standing in the street.
|
|
|
|
"Miss Summerson," said Mr. Woodcourt, "if without obtruding myself on
|
|
your confidence I may remain near you, pray let me do so."
|
|
|
|
"You are truly kind," I answered. "I need wish to keep no secret of
|
|
my own from you; if I keep any, it is another's."
|
|
|
|
"I quite understand. Trust me, I will remain near you only so long as
|
|
I can fully respect it."
|
|
|
|
"I trust implicitly to you," I said. "I know and deeply feel how
|
|
sacredly you keep your promise."
|
|
|
|
After a short time the little round of light shone out again, and Mr.
|
|
Bucket advanced towards us in it with his earnest face. "Please to
|
|
come in, Miss Summerson," he said, "and sit down by the fire. Mr.
|
|
Woodcourt, from information I have received I understand you are a
|
|
medical man. Would you look to this girl and see if anything can be
|
|
done to bring her round. She has a letter somewhere that I
|
|
particularly want. It's not in her box, and I think it must be about
|
|
her; but she is so twisted and clenched up that she is difficult to
|
|
handle without hurting."
|
|
|
|
We all three went into the house together; although it was cold and
|
|
raw, it smelt close too from being up all night. In the passage
|
|
behind the door stood a scared, sorrowful-looking little man in a
|
|
grey coat who seemed to have a naturally polite manner and spoke
|
|
meekly.
|
|
|
|
"Downstairs, if you please, Mr. Bucket," said he. "The lady will
|
|
excuse the front kitchen; we use it as our workaday sitting-room. The
|
|
back is Guster's bedroom, and in it she's a-carrying on, poor thing,
|
|
to a frightful extent!"
|
|
|
|
We went downstairs, followed by Mr. Snagsby, as I soon found the
|
|
little man to be. In the front kitchen, sitting by the fire, was Mrs.
|
|
Snagsby, with very red eyes and a very severe expression of face.
|
|
|
|
"My little woman," said Mr. Snagsby, entering behind us, "to
|
|
wave--not to put too fine a point upon it, my dear--hostilities for
|
|
one single moment in the course of this prolonged night, here is
|
|
Inspector Bucket, Mr. Woodcourt, and a lady."
|
|
|
|
She looked very much astonished, as she had reason for doing, and
|
|
looked particularly hard at me.
|
|
|
|
"My little woman," said Mr. Snagsby, sitting down in the remotest
|
|
corner by the door, as if he were taking a liberty, "it is not
|
|
unlikely that you may inquire of me why Inspector Bucket, Mr.
|
|
Woodcourt, and a lady call upon us in Cook's Court, Cursitor Street,
|
|
at the present hour. I don't know. I have not the least idea. If I
|
|
was to be informed, I should despair of understanding, and I'd rather
|
|
not be told."
|
|
|
|
He appeared so miserable, sitting with his head upon his hand, and I
|
|
appeared so unwelcome, that I was going to offer an apology when Mr.
|
|
Bucket took the matter on himself.
|
|
|
|
"Now, Mr. Snagsby," said he, "the best thing you can do is to go
|
|
along with Mr. Woodcourt to look after your Guster--"
|
|
|
|
"My Guster, Mr. Bucket!" cried Mr. Snagsby. "Go on, sir, go on. I
|
|
shall be charged with that next."
|
|
|
|
"And to hold the candle," pursued Mr. Bucket without correcting
|
|
himself, "or hold her, or make yourself useful in any way you're
|
|
asked. Which there's not a man alive more ready to do, for you're a
|
|
man of urbanity and suavity, you know, and you've got the sort of
|
|
heart that can feel for another. Mr. Woodcourt, would you be so good
|
|
as see to her, and if you can get that letter from her, to let me
|
|
have it as soon as ever you can?"
|
|
|
|
As they went out, Mr. Bucket made me sit down in a corner by the fire
|
|
and take off my wet shoes, which he turned up to dry upon the fender,
|
|
talking all the time.
|
|
|
|
"Don't you be at all put out, miss, by the want of a hospitable look
|
|
from Mrs. Snagsby there, because she's under a mistake altogether.
|
|
She'll find that out sooner than will be agreeable to a lady of her
|
|
generally correct manner of forming her thoughts, because I'm a-going
|
|
to explain it to her." Here, standing on the hearth with his wet hat
|
|
and shawls in his hand, himself a pile of wet, he turned to Mrs.
|
|
Snagsby. "Now, the first thing that I say to you, as a married woman
|
|
possessing what you may call charms, you know--'Believe Me, if All
|
|
Those Endearing,' and cetrer--you're well acquainted with the song,
|
|
because it's in vain for you to tell me that you and good society are
|
|
strangers--charms--attractions, mind you, that ought to give you
|
|
confidence in yourself--is, that you've done it."
|
|
|
|
Mrs. Snagsby looked rather alarmed, relented a little and faltered,
|
|
what did Mr. Bucket mean.
|
|
|
|
"What does Mr. Bucket mean?" he repeated, and I saw by his face that
|
|
all the time he talked he was listening for the discovery of the
|
|
letter, to my own great agitation, for I knew then how important it
|
|
must be; "I'll tell you what he means, ma'am. Go and see Othello
|
|
acted. That's the tragedy for you."
|
|
|
|
Mrs. Snagsby consciously asked why.
|
|
|
|
"Why?" said Mr. Bucket. "Because you'll come to that if you don't
|
|
look out. Why, at the very moment while I speak, I know what your
|
|
mind's not wholly free from respecting this young lady. But shall I
|
|
tell you who this young lady is? Now, come, you're what I call an
|
|
intellectual woman--with your soul too large for your body, if you
|
|
come to that, and chafing it--and you know me, and you recollect
|
|
where you saw me last, and what was talked of in that circle. Don't
|
|
you? Yes! Very well. This young lady is that young lady."
|
|
|
|
Mrs. Snagsby appeared to understand the reference better than I did
|
|
at the time.
|
|
|
|
"And Toughey--him as you call Jo--was mixed up in the same business,
|
|
and no other; and the law-writer that you know of was mixed up in the
|
|
same business, and no other; and your husband, with no more knowledge
|
|
of it than your great grandfather, was mixed up (by Mr. Tulkinghorn,
|
|
deceased, his best customer) in the same business, and no other; and
|
|
the whole bileing of people was mixed up in the same business, and no
|
|
other. And yet a married woman, possessing your attractions, shuts
|
|
her eyes (and sparklers too), and goes and runs her delicate-formed
|
|
head against a wall. Why, I am ashamed of you! (I expected Mr.
|
|
Woodcourt might have got it by this time.)"
|
|
|
|
Mrs. Snagsby shook her head and put her handkerchief to her eyes.
|
|
|
|
"Is that all?" said Mr. Bucket excitedly. "No. See what happens.
|
|
Another person mixed up in that business and no other, a person in a
|
|
wretched state, comes here to-night and is seen a-speaking to your
|
|
maid-servant; and between her and your maid-servant there passes
|
|
a paper that I would give a hundred pound for, down. What do
|
|
you do? You hide and you watch 'em, and you pounce upon that
|
|
maid-servant--knowing what she's subject to and what a little thing
|
|
will bring 'em on--in that surprising manner and with that severity
|
|
that, by the Lord, she goes off and keeps off, when a life may be
|
|
hanging upon that girl's words!"
|
|
|
|
He so thoroughly meant what he said now that I involuntarily clasped
|
|
my hands and felt the room turning away from me. But it stopped. Mr.
|
|
Woodcourt came in, put a paper into his hand, and went away again.
|
|
|
|
"Now, Mrs. Snagsby, the only amends you can make," said Mr. Bucket,
|
|
rapidly glancing at it, "is to let me speak a word to this young lady
|
|
in private here. And if you know of any help that you can give to
|
|
that gentleman in the next kitchen there or can think of any one
|
|
thing that's likelier than another to bring the girl round, do your
|
|
swiftest and best!" In an instant she was gone, and he had shut the
|
|
door. "Now my dear, you're steady and quite sure of yourself?"
|
|
|
|
"Quite," said I.
|
|
|
|
"Whose writing is that?"
|
|
|
|
It was my mother's. A pencil-writing, on a crushed and torn piece of
|
|
paper, blotted with wet. Folded roughly like a letter, and directed
|
|
to me at my guardian's.
|
|
|
|
"You know the hand," he said, "and if you are firm enough to read it
|
|
to me, do! But be particular to a word."
|
|
|
|
It had been written in portions, at different times. I read what
|
|
follows:
|
|
|
|
|
|
I came to the cottage with two objects. First, to see the
|
|
dear one, if I could, once more--but only to see her--not
|
|
to speak to her or let her know that I was near. The other
|
|
object, to elude pursuit and to be lost. Do not blame the
|
|
mother for her share. The assistance that she rendered me,
|
|
she rendered on my strongest assurance that it was for the
|
|
dear one's good. You remember her dead child. The men's
|
|
consent I bought, but her help was freely given.
|
|
|
|
|
|
"'I came.' That was written," said my companion, "when she rested
|
|
there. It bears out what I made of it. I was right."
|
|
|
|
The next was written at another time:
|
|
|
|
|
|
I have wandered a long distance, and for many hours, and
|
|
I know that I must soon die. These streets! I have no
|
|
purpose but to die. When I left, I had a worse, but I am
|
|
saved from adding that guilt to the rest. Cold, wet, and
|
|
fatigue are sufficient causes for my being found dead, but
|
|
I shall die of others, though I suffer from these. It was
|
|
right that all that had sustained me should give way at
|
|
once and that I should die of terror and my conscience.
|
|
|
|
|
|
"Take courage," said Mr. Bucket. "There's only a few words more."
|
|
|
|
Those, too, were written at another time. To all appearance, almost
|
|
in the dark:
|
|
|
|
|
|
I have done all I could do to be lost. I shall be soon
|
|
forgotten so, and shall disgrace him least. I have nothing
|
|
about me by which I can be recognized. This paper I part
|
|
with now. The place where I shall lie down, if I can get
|
|
so far, has been often in my mind. Farewell. Forgive.
|
|
|
|
|
|
Mr. Bucket, supporting me with his arm, lowered me gently into my
|
|
chair. "Cheer up! Don't think me hard with you, my dear, but as soon
|
|
as ever you feel equal to it, get your shoes on and be ready."
|
|
|
|
I did as he required, but I was left there a long time, praying for
|
|
my unhappy mother. They were all occupied with the poor girl, and I
|
|
heard Mr. Woodcourt directing them and speaking to her often. At
|
|
length he came in with Mr. Bucket and said that as it was important
|
|
to address her gently, he thought it best that I should ask her for
|
|
whatever information we desired to obtain. There was no doubt that
|
|
she could now reply to questions if she were soothed and not alarmed.
|
|
The questions, Mr. Bucket said, were how she came by the letter, what
|
|
passed between her and the person who gave her the letter, and where
|
|
the person went. Holding my mind as steadily as I could to these
|
|
points, I went into the next room with them. Mr. Woodcourt would have
|
|
remained outside, but at my solicitation went in with us.
|
|
|
|
The poor girl was sitting on the floor where they had laid her down.
|
|
They stood around her, though at a little distance, that she might
|
|
have air. She was not pretty and looked weak and poor, but she had a
|
|
plaintive and a good face, though it was still a little wild. I
|
|
kneeled on the ground beside her and put her poor head upon my
|
|
shoulder, whereupon she drew her arm round my neck and burst into
|
|
tears.
|
|
|
|
"My poor girl," said I, laying my face against her forehead, for
|
|
indeed I was crying too, and trembling, "it seems cruel to trouble
|
|
you now, but more depends on our knowing something about this letter
|
|
than I could tell you in an hour."
|
|
|
|
She began piteously declaring that she didn't mean any harm, she
|
|
didn't mean any harm, Mrs. Snagsby!
|
|
|
|
"We are all sure of that," said I. "But pray tell me how you got it."
|
|
|
|
"Yes, dear lady, I will, and tell you true. I'll tell true, indeed,
|
|
Mrs. Snagsby."
|
|
|
|
"I am sure of that," said I. "And how was it?"
|
|
|
|
"I had been out on an errand, dear lady--long after it was
|
|
dark--quite late; and when I came home, I found a common-looking
|
|
person, all wet and muddy, looking up at our house. When she saw me
|
|
coming in at the door, she called me back and said did I live here.
|
|
And I said yes, and she said she knew only one or two places about
|
|
here, but had lost her way and couldn't find them. Oh, what shall I
|
|
do, what shall I do! They won't believe me! She didn't say any harm
|
|
to me, and I didn't say any harm to her, indeed, Mrs. Snagsby!"
|
|
|
|
It was necessary for her mistress to comfort her--which she did, I
|
|
must say, with a good deal of contrition--before she could be got
|
|
beyond this.
|
|
|
|
"She could not find those places," said I.
|
|
|
|
"No!" cried the girl, shaking her head. "No! Couldn't find them. And
|
|
she was so faint, and lame, and miserable, Oh so wretched, that if
|
|
you had seen her, Mr. Snagsby, you'd have given her half a crown, I
|
|
know!"
|
|
|
|
"Well, Guster, my girl," said he, at first not knowing what to say.
|
|
"I hope I should."
|
|
|
|
"And yet she was so well spoken," said the girl, looking at me with
|
|
wide open eyes, "that it made a person's heart bleed. And so she said
|
|
to me, did I know the way to the burying ground? And I asked her
|
|
which burying ground. And she said, the poor burying ground. And so I
|
|
told her I had been a poor child myself, and it was according to
|
|
parishes. But she said she meant a poor burying ground not very far
|
|
from here, where there was an archway, and a step, and an iron gate."
|
|
|
|
As I watched her face and soothed her to go on, I saw that Mr. Bucket
|
|
received this with a look which I could not separate from one of
|
|
alarm.
|
|
|
|
"Oh, dear, dear!" cried the girl, pressing her hair back with her
|
|
hands. "What shall I do, what shall I do! She meant the burying
|
|
ground where the man was buried that took the sleeping-stuff--that
|
|
you came home and told us of, Mr. Snagsby--that frightened me so,
|
|
Mrs. Snagsby. Oh, I am frightened again. Hold me!"
|
|
|
|
"You are so much better now," sald I. "Pray, pray tell me more."
|
|
|
|
"Yes I will, yes I will! But don't be angry with me, that's a dear
|
|
lady, because I have been so ill."
|
|
|
|
Angry with her, poor soul!
|
|
|
|
"There! Now I will, now I will. So she said, could I tell her how to
|
|
find it, and I said yes, and I told her; and she looked at me with
|
|
eyes like almost as if she was blind, and herself all waving back.
|
|
And so she took out the letter, and showed it me, and said if she was
|
|
to put that in the post-office, it would be rubbed out and not minded
|
|
and never sent; and would I take it from her, and send it, and the
|
|
messenger would be paid at the house. And so I said yes, if it was no
|
|
harm, and she said no--no harm. And so I took it from her, and she
|
|
said she had nothing to give me, and I said I was poor myself and
|
|
consequently wanted nothing. And so she said God bless you, and
|
|
went."
|
|
|
|
"And did she go--"
|
|
|
|
"Yes," cried the girl, anticipating the inquiry. "Yes! She went the
|
|
way I had shown her. Then I came in, and Mrs. Snagsby came behind me
|
|
from somewhere and laid hold of me, and I was frightened."
|
|
|
|
Mr. Woodcourt took her kindly from me. Mr. Bucket wrapped me up, and
|
|
immediately we were in the street. Mr. Woodcourt hesitated, but I
|
|
said, "Don't leave me now!" and Mr. Bucket added, "You'll be better
|
|
with us, we may want you; don't lose time!"
|
|
|
|
I have the most confused impressions of that walk. I recollect that
|
|
it was neither night nor day, that morning was dawning but the
|
|
street-lamps were not yet put out, that the sleet was still falling
|
|
and that all the ways were deep with it. I recollect a few chilled
|
|
people passing in the streets. I recollect the wet house-tops, the
|
|
clogged and bursting gutters and water-spouts, the mounds of
|
|
blackened ice and snow over which we passed, the narrowness of the
|
|
courts by which we went. At the same time I remember that the poor
|
|
girl seemed to be yet telling her story audibly and plainly in my
|
|
hearing, that I could feel her resting on my arm, that the stained
|
|
house-fronts put on human shapes and looked at me, that great
|
|
water-gates seemed to be opening and closing in my head or in the
|
|
air, and that the unreal things were more substantial than the real.
|
|
|
|
At last we stood under a dark and miserable covered way, where one
|
|
lamp was burning over an iron gate and where the morning faintly
|
|
struggled in. The gate was closed. Beyond it was a burial ground--a
|
|
dreadful spot in which the night was very slowly stirring, but where
|
|
I could dimly see heaps of dishonoured graves and stones, hemmed in
|
|
by filthy houses with a few dull lights in their windows and on whose
|
|
walls a thick humidity broke out like a disease. On the step at the
|
|
gate, drenched in the fearful wet of such a place, which oozed and
|
|
splashed down everywhere, I saw, with a cry of pity and horror, a
|
|
woman lying--Jenny, the mother of the dead child.
|
|
|
|
I ran forward, but they stopped me, and Mr. Woodcourt entreated me
|
|
with the greatest earnestness, even with tears, before I went up to
|
|
the figure to listen for an instant to what Mr. Bucket said. I did
|
|
so, as I thought. I did so, as I am sure.
|
|
|
|
"Miss Summerson, you'll understand me, if you think a moment. They
|
|
changed clothes at the cottage."
|
|
|
|
They changed clothes at the cottage. I could repeat the words in my
|
|
mind, and I knew what they meant of themselves, but I attached no
|
|
meaning to them in any other connexion.
|
|
|
|
"And one returned," said Mr. Bucket, "and one went on. And the one
|
|
that went on only went on a certain way agreed upon to deceive and
|
|
then turned across country and went home. Think a moment!"
|
|
|
|
I could repeat this in my mind too, but I had not the least idea what
|
|
it meant. I saw before me, lying on the step, the mother of the dead
|
|
child. She lay there with one arm creeping round a bar of the iron
|
|
gate and seeming to embrace it. She lay there, who had so lately
|
|
spoken to my mother. She lay there, a distressed, unsheltered,
|
|
senseless creature. She who had brought my mother's letter, who could
|
|
give me the only clue to where my mother was; she, who was to guide
|
|
us to rescue and save her whom we had sought so far, who had come to
|
|
this condition by some means connected with my mother that I could
|
|
not follow, and might be passing beyond our reach and help at that
|
|
moment; she lay there, and they stopped me! I saw but did not
|
|
comprehend the solemn and compassionate look in Mr. Woodcourt's face.
|
|
I saw but did not comprehend his touching the other on the breast to
|
|
keep him back. I saw him stand uncovered in the bitter air, with a
|
|
reverence for something. But my understanding for all this was gone.
|
|
|
|
I even heard it said between them, "Shall she go?"
|
|
|
|
"She had better go. Her hands should be the first to touch her. They
|
|
have a higher right than ours."
|
|
|
|
I passed on to the gate and stooped down. I lifted the heavy head,
|
|
put the long dank hair aside, and turned the face. And it was my
|
|
mother, cold and dead.
|
|
|
|
|
|
|
|
|
|
CHAPTER LX
|
|
|
|
Perspective
|
|
|
|
|
|
I proceed to other passages of my narrative. From the goodness of all
|
|
about me I derived such consolation as I can never think of unmoved.
|
|
I have already said so much of myself, and so much still remains,
|
|
that I will not dwell upon my sorrow. I had an illness, but it was
|
|
not a long one; and I would avoid even this mention of it if I could
|
|
quite keep down the recollection of their sympathy.
|
|
|
|
I proceed to other passages of my narrative.
|
|
|
|
During the time of my illness, we were still in London, where Mrs.
|
|
Woodcourt had come, on my guardian's invitation, to stay with us.
|
|
When my guardian thought me well and cheerful enough to talk with him
|
|
in our old way--though I could have done that sooner if he would have
|
|
believed me--I resumed my work and my chair beside his. He had
|
|
appointed the time himself, and we were alone.
|
|
|
|
"Dame Trot," said he, receiving me with a kiss, "welcome to the
|
|
growlery again, my dear. I have a scheme to develop, little woman. I
|
|
propose to remain here, perhaps for six months, perhaps for a longer
|
|
time--as it may be. Quite to settle here for a while, in short."
|
|
|
|
"And in the meanwhile leave Bleak House?" said I.
|
|
|
|
"Aye, my dear? Bleak House," he returned, "must learn to take care of
|
|
itself."
|
|
|
|
I thought his tone sounded sorrowful, but looking at him, I saw his
|
|
kind face lighted up by its pleasantest smile.
|
|
|
|
"Bleak House," he repeated--and his tone did NOT sound sorrowful, I
|
|
found--"must learn to take care of itself. It is a long way from Ada,
|
|
my dear, and Ada stands much in need of you."
|
|
|
|
"It's like you, guardian," said I, "to have been taking that into
|
|
consideration for a happy surprise to both of us."
|
|
|
|
"Not so disinterested either, my dear, if you mean to extol me for
|
|
that virtue, since if you were generally on the road, you could be
|
|
seldom with me. And besides, I wish to hear as much and as often of
|
|
Ada as I can in this condition of estrangement from poor Rick. Not of
|
|
her alone, but of him too, poor fellow."
|
|
|
|
"Have you seen Mr. Woodcourt, this morning, guardian?"
|
|
|
|
"I see Mr. Woodcourt every morning, Dame Durden."
|
|
|
|
"Does he still say the same of Richard?"
|
|
|
|
"Just the same. He knows of no direct bodily illness that he has; on
|
|
the contrary, he believes that he has none. Yet he is not easy about
|
|
him; who CAN be?"
|
|
|
|
My dear girl had been to see us lately every day, some times twice in
|
|
a day. But we had foreseen, all along, that this would only last
|
|
until I was quite myself. We knew full well that her fervent heart
|
|
was as full of affection and gratitude towards her cousin John as it
|
|
had ever been, and we acquitted Richard of laying any injunctions
|
|
upon her to stay away; but we knew on the other hand that she felt it
|
|
a part of her duty to him to be sparing of her visits at our house.
|
|
My guardian's delicacy had soon perceived this and had tried to
|
|
convey to her that he thought she was right.
|
|
|
|
"Dear, unfortunate, mistaken Richard," said I. "When will he awake
|
|
from his delusion!"
|
|
|
|
"He is not in the way to do so now, my dear," replied my guardian.
|
|
"The more he suffers, the more averse he will be to me, having made
|
|
me the principal representative of the great occasion of his
|
|
suffering."
|
|
|
|
I could not help adding, "So unreasonably!"
|
|
|
|
"Ah, Dame Trot, Dame Trot," returned my guardian, "what shall we find
|
|
reasonable in Jarndyce and Jarndyce! Unreason and injustice at the
|
|
top, unreason and injustice at the heart and at the bottom, unreason
|
|
and injustice from beginning to end--if it ever has an end--how
|
|
should poor Rick, always hovering near it, pluck reason out of it? He
|
|
no more gathers grapes from thorns or figs from thistles than older
|
|
men did in old times."
|
|
|
|
His gentleness and consideration for Richard whenever we spoke of him
|
|
touched me so that I was always silent on this subject very soon.
|
|
|
|
"I suppose the Lord Chancellor, and the Vice Chancellors, and the
|
|
whole Chancery battery of great guns would be infinitely astonished
|
|
by such unreason and injustice in one of their suitors," pursued my
|
|
guardian. "When those learned gentlemen begin to raise moss-roses
|
|
from the powder they sow in their wigs, I shall begin to be
|
|
astonished too!"
|
|
|
|
He checked himself in glancing towards the window to look where the
|
|
wind was and leaned on the back of my chair instead.
|
|
|
|
"Well, well, little woman! To go on, my dear. This rock we must leave
|
|
to time, chance, and hopeful circumstance. We must not shipwreck Ada
|
|
upon it. She cannot afford, and he cannot afford, the remotest chance
|
|
of another separation from a friend. Therefore I have particularly
|
|
begged of Woodcourt, and I now particularly beg of you, my dear, not
|
|
to move this subject with Rick. Let it rest. Next week, next month,
|
|
next year, sooner or later, he will see me with clearer eyes. I can
|
|
wait."
|
|
|
|
But I had already discussed it with him, I confessed; and so, I
|
|
thought, had Mr. Woodcourt.
|
|
|
|
"So he tells me," returned my guardian. "Very good. He has made his
|
|
protest, and Dame Durden has made hers, and there is nothing more to
|
|
be said about it. Now I come to Mrs. Woodcourt. How do you like her,
|
|
my dear?"
|
|
|
|
In answer to this question, which was oddly abrupt, I said I liked
|
|
her very much and thought she was more agreeable than she used to be.
|
|
|
|
"I think so too," said my guardian. "Less pedigree? Not so much of
|
|
Morgan ap--what's his name?"
|
|
|
|
That was what I meant, I acknowledged, though he was a very harmless
|
|
person, even when we had had more of him.
|
|
|
|
"Still, upon the whole, he is as well in his native mountains," said
|
|
my guardian. "I agree with you. Then, little woman, can I do better
|
|
for a time than retain Mrs. Woodcourt here?"
|
|
|
|
No. And yet--
|
|
|
|
My guardian looked at me, waiting for what I had to say.
|
|
|
|
I had nothing to say. At least I had nothing in my mind that I could
|
|
say. I had an undefined impression that it might have been better if
|
|
we had had some other inmate, but I could hardly have explained why
|
|
even to myself. Or, if to myself, certainly not to anybody else.
|
|
|
|
"You see," said my guardian, "our neighbourhood is in Woodcourt's
|
|
way, and he can come here to see her as often as he likes, which is
|
|
agreeable to them both; and she is familiar to us and fond of you."
|
|
|
|
Yes. That was undeniable. I had nothing to say against it. I could
|
|
not have suggested a better arrangement, but I was not quite easy in
|
|
my mind. Esther, Esther, why not? Esther, think!
|
|
|
|
"It is a very good plan indeed, dear guardian, and we could not do
|
|
better."
|
|
|
|
"Sure, little woman?"
|
|
|
|
Quite sure. I had had a moment's time to think, since I had urged
|
|
that duty on myself, and I was quite sure.
|
|
|
|
"Good," said my guardian. "It shall be done. Carried unanimously."
|
|
|
|
"Carried unanimously," I repeated, going on with my work.
|
|
|
|
It was a cover for his book-table that I happened to be ornamenting.
|
|
It had been laid by on the night preceding my sad journey and never
|
|
resumed. I showed it to him now, and he admired it highly. After I
|
|
had explained the pattern to him and all the great effects that were
|
|
to come out by and by, I thought I would go back to our last theme.
|
|
|
|
"You said, dear guardian, when we spoke of Mr. Woodcourt before Ada
|
|
left us, that you thought he would give a long trial to another
|
|
country. Have you been advising him since?"
|
|
|
|
"Yes, little woman, pretty often."
|
|
|
|
"Has he decided to do so?"
|
|
|
|
"I rather think not."
|
|
|
|
"Some other prospect has opened to him, perhaps?" said I.
|
|
|
|
"Why--yes--perhaps," returned my guardian, beginning his answer in a
|
|
very deliberate manner. "About half a year hence or so, there is a
|
|
medical attendant for the poor to be appointed at a certain place in
|
|
Yorkshire. It is a thriving place, pleasantly situated--streams and
|
|
streets, town and country, mill and moor--and seems to present an
|
|
opening for such a man. I mean a man whose hopes and aims may
|
|
sometimes lie (as most men's sometimes do, I dare say) above the
|
|
ordinary level, but to whom the ordinary level will be high enough
|
|
after all if it should prove to be a way of usefulness and good
|
|
service leading to no other. All generous spirits are ambitious, I
|
|
suppose, but the ambition that calmly trusts itself to such a road,
|
|
instead of spasmodically trying to fly over it, is of the kind I care
|
|
for. It is Woodcourt's kind."
|
|
|
|
"And will he get this appointment?" I asked.
|
|
|
|
"Why, little woman," returned my guardian, smiling, "not being an
|
|
oracle, I cannot confidently say, but I think so. His reputation
|
|
stands very high; there were people from that part of the country in
|
|
the shipwreck; and strange to say, I believe the best man has the
|
|
best chance. You must not suppose it to be a fine endowment. It is a
|
|
very, very commonplace affair, my dear, an appointment to a great
|
|
amount of work and a small amount of pay; but better things will
|
|
gather about it, it may be fairly hoped."
|
|
|
|
"The poor of that place will have reason to bless the choice if it
|
|
falls on Mr. Woodcourt, guardian."
|
|
|
|
"You are right, little woman; that I am sure they will."
|
|
|
|
We said no more about it, nor did he say a word about the future of
|
|
Bleak House. But it was the first time I had taken my seat at his
|
|
side in my mourning dress, and that accounted for it, I considered.
|
|
|
|
I now began to visit my dear girl every day in the dull dark corner
|
|
where she lived. The morning was my usual time, but whenever I found
|
|
I had an hour or so to spare, I put on my bonnet and bustled off to
|
|
Chancery Lane. They were both so glad to see me at all hours, and
|
|
used to brighten up so when they heard me opening the door and coming
|
|
in (being quite at home, I never knocked), that I had no fear of
|
|
becoming troublesome just yet.
|
|
|
|
On these occasions I frequently found Richard absent. At other times
|
|
he would be writing or reading papers in the cause at that table of
|
|
his, so covered with papers, which was never disturbed. Sometimes I
|
|
would come upon him lingering at the door of Mr. Vholes's office.
|
|
Sometimes I would meet him in the neighbourhood lounging about and
|
|
biting his nails. I often met him wandering in Lincoln's Inn, near
|
|
the place where I had first seen him, oh how different, how
|
|
different!
|
|
|
|
That the money Ada brought him was melting away with the candles I
|
|
used to see burning after dark in Mr. Vholes's office I knew very
|
|
well. It was not a large amount in the beginning, he had married in
|
|
debt, and I could not fail to understand, by this time, what was
|
|
meant by Mr. Vholes's shoulder being at the wheel--as I still heard
|
|
it was. My dear made the best of housekeepers and tried hard to save,
|
|
but I knew that they were getting poorer and poorer every day.
|
|
|
|
She shone in the miserable corner like a beautiful star. She adorned
|
|
and graced it so that it became another place. Paler than she had
|
|
been at home, and a little quieter than I had thought natural when
|
|
she was yet so cheerful and hopeful, her face was so unshadowed that
|
|
I half believed she was blinded by her love for Richard to his
|
|
ruinous career.
|
|
|
|
I went one day to dine with them while I was under this impression.
|
|
As I turned into Symond's Inn, I met little Miss Flite coming out.
|
|
She had been to make a stately call upon the wards in Jarndyce, as
|
|
she still called them, and had derived the highest gratification from
|
|
that ceremony. Ada had already told me that she called every Monday
|
|
at five o'clock, with one little extra white bow in her bonnet, which
|
|
never appeared there at any other time, and with her largest reticule
|
|
of documents on her arm.
|
|
|
|
"My dear!" she began. "So delighted! How do you do! So glad to see
|
|
you. And you are going to visit our interesting Jarndyce wards? TO be
|
|
sure! Our beauty is at home, my dear, and will be charmed to see
|
|
you."
|
|
|
|
"Then Richard is not come in yet?" said I. "I am glad of that, for I
|
|
was afraid of being a little late."
|
|
|
|
"No, he is not come in," returned Miss Flite. "He has had a long day
|
|
in court. I left him there with Vholes. You don't like Vholes, I
|
|
hope? DON'T like Vholes. Dan-gerous man!"
|
|
|
|
"I am afraid you see Richard oftener than ever now," said I.
|
|
|
|
"My dearest," returned Miss Flite, "daily and hourly. You know what I
|
|
told you of the attraction on the Chancellor's table? My dear, next
|
|
to myself he is the most constant suitor in court. He begins quite to
|
|
amuse our little party. Ve-ry friendly little party, are we not?"
|
|
|
|
It was miserable to hear this from her poor mad lips, though it was
|
|
no surprise.
|
|
|
|
"In short, my valued friend," pursued Miss Flite, advancing her lips
|
|
to my ear with an air of equal patronage and mystery, "I must tell
|
|
you a secret. I have made him my executor. Nominated, constituted,
|
|
and appointed him. In my will. Ye-es."
|
|
|
|
"Indeed?" said I.
|
|
|
|
"Ye-es," repeated Miss Flite in her most genteel accents, "my
|
|
executor, administrator, and assign. (Our Chancery phrases, my love.)
|
|
I have reflected that if I should wear out, he will be able to watch
|
|
that judgment. Being so very regular in his attendance."
|
|
|
|
It made me sigh to think of him.
|
|
|
|
"I did at one time mean," said Miss Flite, echoing the sigh, "to
|
|
nominate, constitute, and appoint poor Gridley. Also very regular, my
|
|
charming girl. I assure you, most exemplary! But he wore out, poor
|
|
man, so I have appointed his successor. Don't mention it. This is in
|
|
confidence."
|
|
|
|
She carefully opened her reticule a little way and showed me a folded
|
|
piece of paper inside as the appointment of which she spoke.
|
|
|
|
"Another secret, my dear. I have added to my collection of birds."
|
|
|
|
"Really, Miss Flite?" said I, knowing how it pleased her to have her
|
|
confidence received with an appearance of interest.
|
|
|
|
She nodded several times, and her face became overcast and gloomy.
|
|
"Two more. I call them the Wards in Jarndyce. They are caged up with
|
|
all the others. With Hope, Joy, Youth, Peace, Rest, Life, Dust,
|
|
Ashes, Waste, Want, Ruin, Despair, Madness, Death, Cunning, Folly,
|
|
Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon, and
|
|
Spinach!"
|
|
|
|
The poor soul kissed me with the most troubled look I had ever seen
|
|
in her and went her way. Her manner of running over the names of her
|
|
birds, as if she were afraid of hearing them even from her own lips,
|
|
quite chilled me.
|
|
|
|
This was not a cheering preparation for my visit, and I could have
|
|
dispensed with the company of Mr. Vholes, when Richard (who arrived
|
|
within a minute or two after me) brought him to share our dinner.
|
|
Although it was a very plain one, Ada and Richard were for some
|
|
minutes both out of the room together helping to get ready what we
|
|
were to eat and drink. Mr. Vholes took that opportunity of holding a
|
|
little conversation in a low voice with me. He came to the window
|
|
where I was sitting and began upon Symond's Inn.
|
|
|
|
"A dull place, Miss Summerson, for a life that is not an official
|
|
one," said Mr. Vholes, smearing the glass with his black glove to
|
|
make it clearer for me.
|
|
|
|
"There is not much to see here," said I.
|
|
|
|
"Nor to hear, miss," returned Mr. Vholes. "A little music does
|
|
occasionally stray in, but we are not musical in the law and soon
|
|
eject it. I hope Mr. Jarndyce is as well as his friends could wish
|
|
him?"
|
|
|
|
I thanked Mr. Vholes and said he was quite well.
|
|
|
|
"I have not the pleasure to be admitted among the number of his
|
|
friends myself," said Mr. Vholes, "and I am aware that the gentlemen
|
|
of our profession are sometimes regarded in such quarters with an
|
|
unfavourable eye. Our plain course, however, under good report and
|
|
evil report, and all kinds of prejudice (we are the victims of
|
|
prejudice), is to have everything openly carried on. How do you find
|
|
Mr. C. looking, Miss Summerson?"
|
|
|
|
"He looks very ill. Dreadfully anxious."
|
|
|
|
"Just so," said Mr. Vholes.
|
|
|
|
He stood behind me with his long black figure reaching nearly to the
|
|
ceiling of those low rooms, feeling the pimples on his face as if
|
|
they were ornaments and speaking inwardly and evenly as though there
|
|
were not a human passion or emotion in his nature.
|
|
|
|
"Mr. Woodcourt is in attendance upon Mr. C., I believe?" he resumed.
|
|
|
|
"Mr. Woodcourt is his disinterested friend," I answered.
|
|
|
|
"But I mean in professional attendance, medical attendance."
|
|
|
|
"That can do little for an unhappy mind," said I.
|
|
|
|
"Just so," said Mr. Vholes.
|
|
|
|
So slow, so eager, so bloodless and gaunt, I felt as if Richard were
|
|
wasting away beneath the eyes of this adviser and there were
|
|
something of the vampire in him.
|
|
|
|
"Miss Summerson," said Mr. Vholes, very slowly rubbing his gloved
|
|
hands, as if, to his cold sense of touch, they were much the same in
|
|
black kid or out of it, "this was an ill-advised marriage of Mr.
|
|
C.'s."
|
|
|
|
I begged he would excuse me from discussing it. They had been engaged
|
|
when they were both very young, I told him (a little indignantly) and
|
|
when the prospect before them was much fairer and brighter. When
|
|
Richard had not yielded himself to the unhappy influence which now
|
|
darkened his life.
|
|
|
|
"Just so," assented Mr. Vholes again. "Still, with a view to
|
|
everything being openly carried on, I will, with your permission,
|
|
Miss Summerson, observe to you that I consider this a very
|
|
ill-advised marriage indeed. I owe the opinion not only to Mr. C.'s
|
|
connexions, against whom I should naturally wish to protect myself,
|
|
but also to my own reputation--dear to myself as a professional man
|
|
aiming to keep respectable; dear to my three girls at home, for whom
|
|
I am striving to realize some little independence; dear, I will even
|
|
say, to my aged father, whom it is my privilege to support."
|
|
|
|
"It would become a very different marriage, a much happier and better
|
|
marriage, another marriage altogether, Mr. Vholes," said I, "if
|
|
Richard were persuaded to turn his back on the fatal pursuit in which
|
|
you are engaged with him."
|
|
|
|
Mr. Vholes, with a noiseless cough--or rather gasp--into one of his
|
|
black gloves, inclined his head as if he did not wholly dispute even
|
|
that.
|
|
|
|
"Miss Summerson," he said, "it may be so; and I freely admit that the
|
|
young lady who has taken Mr. C.'s name upon herself in so ill-advised
|
|
a manner--you will I am sure not quarrel with me for throwing out
|
|
that remark again, as a duty I owe to Mr. C.'s connexions--is a
|
|
highly genteel young lady. Business has prevented me from mixing much
|
|
with general society in any but a professional character; still I
|
|
trust I am competent to perceive that she is a highly genteel young
|
|
lady. As to beauty, I am not a judge of that myself, and I never did
|
|
give much attention to it from a boy, but I dare say the young lady
|
|
is equally eligible in that point of view. She is considered so (I
|
|
have heard) among the clerks in the Inn, and it is a point more in
|
|
their way than in mine. In reference to Mr. C.'s pursuit of his
|
|
interests--"
|
|
|
|
"Oh! His interests, Mr. Vholes!"
|
|
|
|
"Pardon me," returned Mr. Vholes, going on in exactly the same inward
|
|
and dispassionate manner. "Mr. C. takes certain interests under
|
|
certain wills disputed in the suit. It is a term we use. In reference
|
|
to Mr. C,'s pursuit of his interests, I mentioned to you, Miss
|
|
Summerson, the first time I had the pleasure of seeing you, in my
|
|
desire that everything should be openly carried on--I used those
|
|
words, for I happened afterwards to note them in my diary, which is
|
|
producible at any time--I mentioned to you that Mr. C. had laid down
|
|
the principle of watching his own interests, and that when a client
|
|
of mine laid down a principle which was not of an immoral (that is to
|
|
say, unlawful) nature, it devolved upon me to carry it out. I HAVE
|
|
carried it out; I do carry it out. But I will not smooth things over
|
|
to any connexion of Mr. C.'s on any account. As open as I was to Mr.
|
|
Jarndyce, I am to you. I regard it in the light of a professional
|
|
duty to be so, though it can be charged to no one. I openly say,
|
|
unpalatable as it may be, that I consider Mr. C.'s affairs in a very
|
|
bad way, that I consider Mr. C. himself in a very bad way, and that I
|
|
regard this as an exceedingly ill-advised marriage. Am I here, sir?
|
|
Yes, I thank you; I am here, Mr. C., and enjoying the pleasure of
|
|
some agreeable conversation with Miss Summerson, for which I have to
|
|
thank you very much, sir!"
|
|
|
|
He broke off thus in answer to Richard, who addressed him as he came
|
|
into the room. By this time I too well understood Mr. Vholes's
|
|
scrupulous way of saving himself and his respectability not to feel
|
|
that our worst fears did but keep pace with his client's progress.
|
|
|
|
We sat down to dinner, and I had an opportunity of observing Richard,
|
|
anxiously. I was not disturbed by Mr. Vholes (who took off his gloves
|
|
to dine), though he sat opposite to me at the small table, for I
|
|
doubt if, looking up at all, he once removed his eyes from his host's
|
|
face. I found Richard thin and languid, slovenly in his dress,
|
|
abstracted in his manner, forcing his spirits now and then, and at
|
|
other intervals relapsing into a dull thoughtfulness. About his large
|
|
bright eyes that used to be so merry there was a wanness and a
|
|
restlessness that changed them altogether. I cannot use the
|
|
expression that he looked old. There is a ruin of youth which is not
|
|
like age, and into such a ruin Richard's youth and youthful beauty
|
|
had all fallen away.
|
|
|
|
He ate little and seemed indifferent what it was, showed himself to
|
|
be much more impatient than he used to be, and was quick even with
|
|
Ada. I thought at first that his old light-hearted manner was all
|
|
gone, but it shone out of him sometimes as I had occasionally known
|
|
little momentary glimpses of my own old face to look out upon me from
|
|
the glass. His laugh had not quite left him either, but it was like
|
|
the echo of a joyful sound, and that is always sorrowful.
|
|
|
|
Yet he was as glad as ever, in his old affectionate way, to have me
|
|
there, and we talked of the old times pleasantly. These did not
|
|
appear to be interesting to Mr. Vholes, though he occasionally made a
|
|
gasp which I believe was his smile. He rose shortly after dinner and
|
|
said that with the permission of the ladies he would retire to his
|
|
office.
|
|
|
|
"Always devoted to business, Vholes!" cried Richard.
|
|
|
|
"Yes, Mr. C.," he returned, "the interests of clients are never to be
|
|
neglected, sir. They are paramount in the thoughts of a professional
|
|
man like myself, who wishes to preserve a good name among his
|
|
fellow-practitioners and society at large. My denying myself the
|
|
pleasure of the present agreeable conversation may not be wholly
|
|
irrespective of your own interests, Mr. C."
|
|
|
|
Richard expressed himself quite sure of that and lighted Mr. Vholes
|
|
out. On his return he told us, more than once, that Vholes was a good
|
|
fellow, a safe fellow, a man who did what he pretended to do, a very
|
|
good fellow indeed! He was so defiant about it that it struck me he
|
|
had begun to doubt Mr. Vholes.
|
|
|
|
Then he threw himself on the sofa, tired out; and Ada and I put
|
|
things to rights, for they had no other servant than the woman who
|
|
attended to the chambers. My dear girl had a cottage piano there and
|
|
quietly sat down to sing some of Richard's favourites, the lamp being
|
|
first removed into the next room, as he complained of its hurting his
|
|
eyes.
|
|
|
|
I sat between them, at my dear girl's side, and felt very melancholy
|
|
listening to her sweet voice. I think Richard did too; I think he
|
|
darkened the room for that reason. She had been singing some time,
|
|
rising between whiles to bend over him and speak to him, when Mr.
|
|
Woodcourt came in. Then he sat down by Richard and half playfully,
|
|
half earnestly, quite naturally and easily, found out how he felt and
|
|
where he had been all day. Presently he proposed to accompany him in
|
|
a short walk on one of the bridges, as it was a moonlight airy night;
|
|
and Richard readily consenting, they went out together.
|
|
|
|
They left my dear girl still sitting at the piano and me still
|
|
sitting beside her. When they were gone out, I drew my arm round her
|
|
waist. She put her left hand in mine (I was sitting on that side),
|
|
but kept her right upon the keys, going over and over them without
|
|
striking any note.
|
|
|
|
"Esther, my dearest," she said, breaking silence, "Richard is never
|
|
so well and I am never so easy about him as when he is with Allan
|
|
Woodcourt. We have to thank you for that."
|
|
|
|
I pointed out to my darling how this could scarcely be, because Mr.
|
|
Woodcourt had come to her cousin John's house and had known us all
|
|
there, and because he had always liked Richard, and Richard had
|
|
always liked him, and--and so forth.
|
|
|
|
"All true," said Ada, "but that he is such a devoted friend to us we
|
|
owe to you."
|
|
|
|
I thought it best to let my dear girl have her way and to say no more
|
|
about it. So I said as much. I said it lightly, because I felt her
|
|
trembling.
|
|
|
|
"Esther, my dearest, I want to be a good wife, a very, very good wife
|
|
indeed. You shall teach me."
|
|
|
|
I teach! I said no more, for I noticed the hand that was fluttering
|
|
over the keys, and I knew that it was not I who ought to speak, that
|
|
it was she who had something to say to me.
|
|
|
|
"When I married Richard I was not insensible to what was before him.
|
|
I had been perfectly happy for a long time with you, and I had never
|
|
known any trouble or anxiety, so loved and cared for, but I
|
|
understood the danger he was in, dear Esther."
|
|
|
|
"I know, I know, my darling."
|
|
|
|
"When we were married I had some little hope that I might be able to
|
|
convince him of his mistake, that he might come to regard it in a new
|
|
way as my husband and not pursue it all the more desperately for my
|
|
sake--as he does. But if I had not had that hope, I would have
|
|
married him just the same, Esther. Just the same!"
|
|
|
|
In the momentary firmness of the hand that was never still--a
|
|
firmness inspired by the utterance of these last words, and dying
|
|
away with them--I saw the confirmation of her earnest tones.
|
|
|
|
"You are not to think, my dearest Esther, that I fail to see what you
|
|
see and fear what you fear. No one can understand him better than I
|
|
do. The greatest wisdom that ever lived in the world could scarcely
|
|
know Richard better than my love does."
|
|
|
|
She spoke so modestly and softly and her trembling hand expressed
|
|
such agitation as it moved to and fro upon the silent notes! My dear,
|
|
dear girl!
|
|
|
|
"I see him at his worst every day. I watch him in his sleep. I know
|
|
every change of his face. But when I married Richard I was quite
|
|
determined, Esther, if heaven would help me, never to show him that I
|
|
grieved for what he did and so to make him more unhappy. I want him,
|
|
when he comes home, to find no trouble in my face. I want him, when
|
|
he looks at me, to see what he loved in me. I married him to do this,
|
|
and this supports me."
|
|
|
|
I felt her trembling more. I waited for what was yet to come, and I
|
|
now thought I began to know what it was.
|
|
|
|
"And something else supports me, Esther."
|
|
|
|
She stopped a minute. Stopped speaking only; her hand was still in
|
|
motion.
|
|
|
|
"I look forward a little while, and I don't know what great aid may
|
|
come to me. When Richard turns his eyes upon me then, there may be
|
|
something lying on my breast more eloquent than I have been, with
|
|
greater power than mine to show him his true course and win him
|
|
back."
|
|
|
|
Her hand stopped now. She clasped me in her arms, and I clasped her
|
|
in mine.
|
|
|
|
"If that little creature should fail too, Esther, I still look
|
|
forward. I look forward a long while, through years and years, and
|
|
think that then, when I am growing old, or when I am dead perhaps, a
|
|
beautiful woman, his daughter, happily married, may be proud of him
|
|
and a blessing to him. Or that a generous brave man, as handsome as
|
|
he used to be, as hopeful, and far more happy, may walk in the
|
|
sunshine with him, honouring his grey head and saying to himself, 'I
|
|
thank God this is my father! Ruined by a fatal inheritance, and
|
|
restored through me!'"
|
|
|
|
Oh, my sweet girl, what a heart was that which beat so fast against
|
|
me!
|
|
|
|
"These hopes uphold me, my dear Esther, and I know they will. Though
|
|
sometimes even they depart from me before a dread that arises when I
|
|
look at Richard."
|
|
|
|
I tried to cheer my darling, and asked her what it was. Sobbing and
|
|
weeping, she replied, "That he may not live to see his child."
|
|
|
|
|
|
|
|
|
|
CHAPTER LXI
|
|
|
|
A Discovery
|
|
|
|
|
|
The days when I frequented that miserable corner which my dear girl
|
|
brightened can never fade in my remembrance. I never see it, and I
|
|
never wish to see it now; I have been there only once since, but in
|
|
my memory there is a mournful glory shining on the place which will
|
|
shine for ever.
|
|
|
|
Not a day passed without my going there, of course. At first I found
|
|
Mr. Skimpole there, on two or three occasions, idly playing the piano
|
|
and talking in his usual vivacious strain. Now, besides my very much
|
|
mistrusting the probability of his being there without making Richard
|
|
poorer, I felt as if there were something in his careless gaiety too
|
|
inconsistent with what I knew of the depths of Ada's life. I clearly
|
|
perceived, too, that Ada shared my feelings. I therefore resolved,
|
|
after much thinking of it, to make a private visit to Mr. Skimpole
|
|
and try delicately to explain myself. My dear girl was the great
|
|
consideration that made me bold.
|
|
|
|
I set off one morning, accompanied by Charley, for Somers Town. As I
|
|
approached the house, I was strongly inclined to turn back, for I
|
|
felt what a desperate attempt it was to make an impression on Mr.
|
|
Skimpole and how extremely likely it was that he would signally
|
|
defeat me. However, I thought that being there, I would go through
|
|
with it. I knocked with a trembling hand at Mr. Skimpole's
|
|
door--literally with a hand, for the knocker was gone--and after a
|
|
long parley gained admission from an Irishwoman, who was in the area
|
|
when I knocked, breaking up the lid of a water-butt with a poker to
|
|
light the fire with.
|
|
|
|
Mr. Skimpole, lying on the sofa in his room, playing the flute a
|
|
little, was enchanted to see me. Now, who should receive me, he
|
|
asked. Who would I prefer for mistress of the ceremonies? Would I
|
|
have his Comedy daughter, his Beauty daughter, or his Sentiment
|
|
daughter? Or would I have all the daughters at once in a perfect
|
|
nosegay?
|
|
|
|
I replied, half defeated already, that I wished to speak to himself
|
|
only if he would give me leave.
|
|
|
|
"My dear Miss Summerson, most joyfully! Of course," he said, bringing
|
|
his chair nearer mine and breaking into his fascinating smile, "of
|
|
course it's not business. Then it's pleasure!"
|
|
|
|
I said it certainly was not business that I came upon, but it was not
|
|
quite a pleasant matter.
|
|
|
|
"Then, my dear Miss Summerson," said he with the frankest gaiety,
|
|
"don't allude to it. Why should you allude to anything that is NOT a
|
|
pleasant matter? I never do. And you are a much pleasanter creature,
|
|
in every point of view, than I. You are perfectly pleasant; I am
|
|
imperfectly pleasant; then, if I never allude to an unpleasant
|
|
matter, how much less should you! So that's disposed of, and we will
|
|
talk of something else."
|
|
|
|
Although I was embarrassed, I took courage to intimate that I still
|
|
wished to pursue the subject.
|
|
|
|
"I should think it a mistake," said Mr. Skimpole with his airy laugh,
|
|
"if I thought Miss Summerson capable of making one. But I don't!"
|
|
|
|
"Mr. Skimpole," said I, raising my eyes to his, "I have so often
|
|
heard you say that you are unacquainted with the common affairs of
|
|
life--"
|
|
|
|
"Meaning our three banking-house friends, L, S, and who's the junior
|
|
partner? D?" said Mr. Skimpole, brightly. "Not an idea of them!"
|
|
|
|
"--That perhaps," I went on, "you will excuse my boldness on that
|
|
account. I think you ought most seriously to know that Richard is
|
|
poorer than he was."
|
|
|
|
"Dear me!" said Mr. Skimpole. "So am I, they tell me."
|
|
|
|
"And in very embarrassed circumstances."
|
|
|
|
"Parallel case, exactly!" said Mr. Skimpole with a delighted
|
|
countenance.
|
|
|
|
"This at present naturally causes Ada much secret anxiety, and as I
|
|
think she is less anxious when no claims are made upon her by
|
|
visitors, and as Richard has one uneasiness always heavy on his mind,
|
|
it has occurred to me to take the liberty of saying that--if you
|
|
would--not--"
|
|
|
|
I was coming to the point with great difficulty when he took me by
|
|
both hands and with a radiant face and in the liveliest way
|
|
anticipated it.
|
|
|
|
"Not go there? Certainly not, my dear Miss Summerson, most assuredly
|
|
not. Why SHOULD I go there? When I go anywhere, I go for pleasure. I
|
|
don't go anywhere for pain, because I was made for pleasure. Pain
|
|
comes to ME when it wants me. Now, I have had very little pleasure at
|
|
our dear Richard's lately, and your practical sagacity demonstrates
|
|
why. Our young friends, losing the youthful poetry which was once so
|
|
captivating in them, begin to think, 'This is a man who wants
|
|
pounds.' So I am; I always want pounds; not for myself, but because
|
|
tradespeople always want them of me. Next, our young friends begin to
|
|
think, becoming mercenary, 'This is the man who HAD pounds, who
|
|
borrowed them,' which I did. I always borrow pounds. So our young
|
|
friends, reduced to prose (which is much to be regretted), degenerate
|
|
in their power of imparting pleasure to me. Why should I go to see
|
|
them, therefore? Absurd!"
|
|
|
|
Through the beaming smile with which he regarded me as he reasoned
|
|
thus, there now broke forth a look of disinterested benevolence quite
|
|
astonishing.
|
|
|
|
"Besides," he said, pursuing his argument in his tone of
|
|
light-hearted conviction, "if I don't go anywhere for pain--which
|
|
would be a perversion of the intention of my being, and a monstrous
|
|
thing to do--why should I go anywhere to be the cause of pain? If I
|
|
went to see our young friends in their present ill-regulated state of
|
|
mind, I should give them pain. The associations with me would be
|
|
disagreeable. They might say, 'This is the man who had pounds and who
|
|
can't pay pounds,' which I can't, of course; nothing could be more
|
|
out of the question! Then kindness requires that I shouldn't go near
|
|
them--and I won't."
|
|
|
|
He finished by genially kissing my hand and thanking me. Nothing but
|
|
Miss Summerson's fine tact, he said, would have found this out for
|
|
him.
|
|
|
|
I was much disconcerted, but I reflected that if the main point were
|
|
gained, it mattered little how strangely he perverted everything
|
|
leading to it. I had determined to mention something else, however,
|
|
and I thought I was not to be put off in that.
|
|
|
|
"Mr. Skimpole," said I, "I must take the liberty of saying before I
|
|
conclude my visit that I was much surprised to learn, on the best
|
|
authority, some little time ago, that you knew with whom that poor
|
|
boy left Bleak House and that you accepted a present on that
|
|
occasion. I have not mentioned it to my guardian, for I fear it would
|
|
hurt him unnecessarily; but I may say to you that I was much
|
|
surprised."
|
|
|
|
"No? Really surprised, my dear Miss Summerson?" he returned
|
|
inquiringly, raising his pleasant eyebrows.
|
|
|
|
"Greatly surprised."
|
|
|
|
He thought about it for a little while with a highly agreeable and
|
|
whimsical expression of face, then quite gave it up and said in his
|
|
most engaging manner, "You know what a child I am. Why surprised?"
|
|
|
|
I was reluctant to enter minutely into that question, but as he
|
|
begged I would, for he was really curious to know, I gave him to
|
|
understand in the gentlest words I could use that his conduct seemed
|
|
to involve a disregard of several moral obligations. He was much
|
|
amused and interested when he heard this and said, "No, really?" with
|
|
ingenuous simplicity.
|
|
|
|
"You know I don't intend to be responsible. I never could do it.
|
|
Responsibility is a thing that has always been above me--or below
|
|
me," said Mr. Skimpole. "I don't even know which; but as I understand
|
|
the way in which my dear Miss Summerson (always remarkable for her
|
|
practical good sense and clearness) puts this case, I should imagine
|
|
it was chiefly a question of money, do you know?"
|
|
|
|
I incautiously gave a qualified assent to this.
|
|
|
|
"Ah! Then you see," said Mr. Skimpole, shaking his head, "I am
|
|
hopeless of understanding it."
|
|
|
|
I suggested, as I rose to go, that it was not right to betray my
|
|
guardian's confidence for a bribe.
|
|
|
|
"My dear Miss Summerson," he returned with a candid hilarity that was
|
|
all his own, "I can't be bribed."
|
|
|
|
"Not by Mr. Bucket?" said I.
|
|
|
|
"No," said he. "Not by anybody. I don't attach any value to money. I
|
|
don't care about it, I don't know about it, I don't want it, I don't
|
|
keep it--it goes away from me directly. How can I be bribed?"
|
|
|
|
I showed that I was of a different opinion, though I had not the
|
|
capacity for arguing the question.
|
|
|
|
"On the contrary," said Mr. Skimpole, "I am exactly the man to be
|
|
placed in a superior position in such a case as that. I am above the
|
|
rest of mankind in such a case as that. I can act with philosophy in
|
|
such a case as that. I am not warped by prejudices, as an Italian
|
|
baby is by bandages. I am as free as the air. I feel myself as far
|
|
above suspicion as Caesar's wife."
|
|
|
|
Anything to equal the lightness of his manner and the playful
|
|
impartiality with which he seemed to convince himself, as he tossed
|
|
the matter about like a ball of feathers, was surely never seen in
|
|
anybody else!
|
|
|
|
"Observe the case, my dear Miss Summerson. Here is a boy received
|
|
into the house and put to bed in a state that I strongly object to.
|
|
The boy being in bed, a man arrives--like the house that Jack built.
|
|
Here is the man who demands the boy who is received into the house
|
|
and put to bed in a state that I strongly object to. Here is a
|
|
bank-note produced by the man who demands the boy who is received
|
|
into the house and put to bed in a state that I strongly object to.
|
|
Here is the Skimpole who accepts the bank-note produced by the man
|
|
who demands the boy who is received into the house and put to bed in
|
|
a state that I strongly object to. Those are the facts. Very well.
|
|
Should the Skimpole have refused the note? WHY should the Skimpole
|
|
have refused the note? Skimpole protests to Bucket, 'What's this for?
|
|
I don't understand it, it is of no use to me, take it away.' Bucket
|
|
still entreats Skimpole to accept it. Are there reasons why Skimpole,
|
|
not being warped by prejudices, should accept it? Yes. Skimpole
|
|
perceives them. What are they? Skimpole reasons with himself, this is
|
|
a tamed lynx, an active police-officer, an intelligent man, a person
|
|
of a peculiarly directed energy and great subtlety both of conception
|
|
and execution, who discovers our friends and enemies for us when they
|
|
run away, recovers our property for us when we are robbed, avenges us
|
|
comfortably when we are murdered. This active police-officer and
|
|
intelligent man has acquired, in the exercise of his art, a strong
|
|
faith in money; he finds it very useful to him, and he makes it very
|
|
useful to society. Shall I shake that faith in Bucket because I want
|
|
it myself; shall I deliberately blunt one of Bucket's weapons; shall
|
|
I positively paralyse Bucket in his next detective operation? And
|
|
again. If it is blameable in Skimpole to take the note, it is
|
|
blameable in Bucket to offer the note--much more blameable in Bucket,
|
|
because he is the knowing man. Now, Skimpole wishes to think well of
|
|
Bucket; Skimpole deems it essential, in its little place, to the
|
|
general cohesion of things, that he SHOULD think well of Bucket. The
|
|
state expressly asks him to trust to Bucket. And he does. And that's
|
|
all he does!"
|
|
|
|
I had nothing to offer in reply to this exposition and therefore took
|
|
my leave. Mr. Skimpole, however, who was in excellent spirits, would
|
|
not hear of my returning home attended only by "Little Coavinses,"
|
|
and accompanied me himself. He entertained me on the way with a
|
|
variety of delightful conversation and assured me, at parting, that
|
|
he should never forget the fine tact with which I had found that out
|
|
for him about our young friends.
|
|
|
|
As it so happened that I never saw Mr. Skimpole again, I may at once
|
|
finish what I know of his history. A coolness arose between him and
|
|
my guardian, based principally on the foregoing grounds and on his
|
|
having heartlessly disregarded my guardian's entreaties (as we
|
|
afterwards learned from Ada) in reference to Richard. His being
|
|
heavily in my guardian's debt had nothing to do with their
|
|
separation. He died some five years afterwards and left a diary
|
|
behind him, with letters and other materials towards his life, which
|
|
was published and which showed him to have been the victim of a
|
|
combination on the part of mankind against an amiable child. It was
|
|
considered very pleasant reading, but I never read more of it myself
|
|
than the sentence on which I chanced to light on opening the book. It
|
|
was this: "Jarndyce, in common with most other men I have known, is
|
|
the incarnation of selfishness."
|
|
|
|
And now I come to a part of my story touching myself very nearly
|
|
indeed, and for which I was quite unprepared when the circumstance
|
|
occurred. Whatever little lingerings may have now and then revived in
|
|
my mind associated with my poor old face had only revived as
|
|
belonging to a part of my life that was gone--gone like my infancy or
|
|
my childhood. I have suppressed none of my many weaknesses on that
|
|
subject, but have written them as faithfully as my memory has
|
|
recalled them. And I hope to do, and mean to do, the same down to the
|
|
last words of these pages, which I see now not so very far before me.
|
|
|
|
The months were gliding away, and my dear girl, sustained by the
|
|
hopes she had confided in me, was the same beautiful star in the
|
|
miserable corner. Richard, more worn and haggard, haunted the court
|
|
day after day, listlessly sat there the whole day long when he knew
|
|
there was no remote chance of the suit being mentioned, and became
|
|
one of the stock sights of the place. I wonder whether any of the
|
|
gentlemen remembered him as he was when he first went there.
|
|
|
|
So completely was he absorbed in his fixed idea that he used to avow
|
|
in his cheerful moments that he should never have breathed the fresh
|
|
air now "but for Woodcourt." It was only Mr. Woodcourt who could
|
|
occasionally divert his attention for a few hours at a time and rouse
|
|
him, even when he sunk into a lethargy of mind and body that alarmed
|
|
us greatly, and the returns of which became more frequent as the
|
|
months went on. My dear girl was right in saying that he only pursued
|
|
his errors the more desperately for her sake. I have no doubt that
|
|
his desire to retrieve what he had lost was rendered the more intense
|
|
by his grief for his young wife, and became like the madness of a
|
|
gamester.
|
|
|
|
I was there, as I have mentioned, at all hours. When I was there at
|
|
night, I generally went home with Charley in a coach; sometimes my
|
|
guardian would meet me in the neighbourhood, and we would walk home
|
|
together. One evening he had arranged to meet me at eight o'clock. I
|
|
could not leave, as I usually did, quite punctually at the time, for
|
|
I was working for my dear girl and had a few stitches more to do to
|
|
finish what I was about; but it was within a few minutes of the hour
|
|
when I bundled up my little work-basket, gave my darling my last kiss
|
|
for the night, and hurried downstairs. Mr. Woodcourt went with me, as
|
|
it was dusk.
|
|
|
|
When we came to the usual place of meeting--it was close by, and Mr.
|
|
Woodcourt had often accompanied me before--my guardian was not there.
|
|
We waited half an hour, walking up and down, but there were no signs
|
|
of him. We agreed that he was either prevented from coming or that he
|
|
had come and gone away, and Mr. Woodcourt proposed to walk home with
|
|
me.
|
|
|
|
It was the first walk we had ever taken together, except that very
|
|
short one to the usual place of meeting. We spoke of Richard and Ada
|
|
the whole way. I did not thank him in words for what he had done--my
|
|
appreciation of it had risen above all words then--but I hoped he
|
|
might not be without some understanding of what I felt so strongly.
|
|
|
|
Arriving at home and going upstairs, we found that my guardian was
|
|
out and that Mrs. Woodcourt was out too. We were in the very same
|
|
room into which I had brought my blushing girl when her youthful
|
|
lover, now her so altered husband, was the choice of her young heart,
|
|
the very same room from which my guardian and I had watched them
|
|
going away through the sunlight in the fresh bloom of their hope and
|
|
promise.
|
|
|
|
We were standing by the opened window looking down into the street
|
|
when Mr. Woodcourt spoke to me. I learned in a moment that he loved
|
|
me. I learned in a moment that my scarred face was all unchanged to
|
|
him. I learned in a moment that what I had thought was pity and
|
|
compassion was devoted, generous, faithful love. Oh, too late to know
|
|
it now, too late, too late. That was the first ungrateful thought I
|
|
had. Too late.
|
|
|
|
"When I returned," he told me, "when I came back, no richer than when
|
|
I went away, and found you newly risen from a sick bed, yet so
|
|
inspired by sweet consideration for others and so free from a selfish
|
|
thought--"
|
|
|
|
"Oh, Mr. Woodcourt, forbear, forbear!" I entreated him. "I do not
|
|
deserve your high praise. I had many selfish thoughts at that time,
|
|
many!"
|
|
|
|
"Heaven knows, beloved of my life," said he, "that my praise is not a
|
|
lover's praise, but the truth. You do not know what all around you
|
|
see in Esther Summerson, how many hearts she touches and awakens,
|
|
what sacred admiration and what love she wins."
|
|
|
|
"Oh, Mr. Woodcourt," cried I, "it is a great thing to win love, it is
|
|
a great thing to win love! I am proud of it, and honoured by it; and
|
|
the hearing of it causes me to shed these tears of mingled joy and
|
|
sorrow--joy that I have won it, sorrow that I have not deserved it
|
|
better; but I am not free to think of yours."
|
|
|
|
I said it with a stronger heart, for when he praised me thus and when
|
|
I heard his voice thrill with his belief that what he said was true,
|
|
I aspired to be more worthy of it. It was not too late for that.
|
|
Although I closed this unforeseen page in my life to-night, I could
|
|
be worthier of it all through my life. And it was a comfort to me,
|
|
and an impulse to me, and I felt a dignity rise up within me that was
|
|
derived from him when I thought so.
|
|
|
|
He broke the silence.
|
|
|
|
"I should poorly show the trust that I have in the dear one who will
|
|
evermore be as dear to me as now"--and the deep earnestness with
|
|
which he said it at once strengthened me and made me weep--"if, after
|
|
her assurance that she is not free to think of my love, I urged it.
|
|
Dear Esther, let me only tell you that the fond idea of you which I
|
|
took abroad was exalted to the heavens when I came home. I have
|
|
always hoped, in the first hour when I seemed to stand in any ray of
|
|
good fortune, to tell you this. I have always feared that I should
|
|
tell it you in vain. My hopes and fears are both fulfilled to-night.
|
|
I distress you. I have said enough."
|
|
|
|
Something seemed to pass into my place that was like the angel he
|
|
thought me, and I felt so sorrowful for the loss he had sustained! I
|
|
wished to help him in his trouble, as I had wished to do when he
|
|
showed that first commiseration for me.
|
|
|
|
"Dear Mr. Woodcourt," said I, "before we part to-night, something is
|
|
left for me to say. I never could say it as I wish--I never
|
|
shall--but--"
|
|
|
|
I had to think again of being more deserving of his love and his
|
|
affliction before I could go on.
|
|
|
|
"--I am deeply sensible of your generosity, and I shall treasure its
|
|
remembrance to my dying hour. I know full well how changed I am, I
|
|
know you are not unacquainted with my history, and I know what a
|
|
noble love that is which is so faithful. What you have said to me
|
|
could have affected me so much from no other lips, for there are none
|
|
that could give it such a value to me. It shall not be lost. It shall
|
|
make me better."
|
|
|
|
He covered his eyes with his hand and turned away his head. How could
|
|
I ever be worthy of those tears?
|
|
|
|
"If, in the unchanged intercourse we shall have together--in tending
|
|
Richard and Ada, and I hope in many happier scenes of life--you ever
|
|
find anything in me which you can honestly think is better than it
|
|
used to be, believe that it will have sprung up from to-night and
|
|
that I shall owe it to you. And never believe, dear dear Mr.
|
|
Woodcourt, never believe that I forget this night or that while my
|
|
heart beats it can be insensible to the pride and joy of having been
|
|
beloved by you."
|
|
|
|
He took my hand and kissed it. He was like himself again, and I felt
|
|
still more encouraged.
|
|
|
|
"I am induced by what you said just now," said I, "to hope that you
|
|
have succeeded in your endeavour."
|
|
|
|
"I have," he answered. "With such help from Mr. Jarndyce as you who
|
|
know him so well can imagine him to have rendered me, I have
|
|
succeeded."
|
|
|
|
"Heaven bless him for it," said I, giving him my hand; "and heaven
|
|
bless you in all you do!"
|
|
|
|
"I shall do it better for the wish," he answered; "it will make me
|
|
enter on these new duties as on another sacred trust from you."
|
|
|
|
"Ah! Richard!" I exclaimed involuntarily, "What will he do when you
|
|
are gone!"
|
|
|
|
"I am not required to go yet; I would not desert him, dear Miss
|
|
Summerson, even if I were."
|
|
|
|
One other thing I felt it needful to touch upon before he left me. I
|
|
knew that I should not be worthier of the love I could not take if I
|
|
reserved it.
|
|
|
|
"Mr. Woodcourt," said I, "you will be glad to know from my lips
|
|
before I say good night that in the future, which is clear and bright
|
|
before me, I am most happy, most fortunate, have nothing to regret or
|
|
desire."
|
|
|
|
It was indeed a glad hearing to him, he replied.
|
|
|
|
"From my childhood I have been," said I, "the object of the untiring
|
|
goodness of the best of human beings, to whom I am so bound by every
|
|
tie of attachment, gratitude, and love, that nothing I could do in
|
|
the compass of a life could express the feelings of a single day."
|
|
|
|
"I share those feelings," he returned. "You speak of Mr. Jarndyce."
|
|
|
|
"You know his virtues well," said I, "but few can know the greatness
|
|
of his character as I know it. All its highest and best qualities
|
|
have been revealed to me in nothing more brightly than in the shaping
|
|
out of that future in which I am so happy. And if your highest homage
|
|
and respect had not been his already--which I know they are--they
|
|
would have been his, I think, on this assurance and in the feeling it
|
|
would have awakened in you towards him for my sake."
|
|
|
|
He fervently replied that indeed indeed they would have been. I gave
|
|
him my hand again.
|
|
|
|
"Good night," I said, "Good-bye."
|
|
|
|
"The first until we meet to-morrow, the second as a farewell to this
|
|
theme between us for ever."
|
|
|
|
"Yes."
|
|
|
|
"Good night; good-bye."
|
|
|
|
He left me, and I stood at the dark window watching the street. His
|
|
love, in all its constancy and generosity, had come so suddenly upon
|
|
me that he had not left me a minute when my fortitude gave way again
|
|
and the street was blotted out by my rushing tears.
|
|
|
|
But they were not tears of regret and sorrow. No. He had called me
|
|
the beloved of his life and had said I would be evermore as dear to
|
|
him as I was then, and I felt as if my heart would not hold the
|
|
triumph of having heard those words. My first wild thought had died
|
|
away. It was not too late to hear them, for it was not too late to be
|
|
animated by them to be good, true, grateful, and contented. How easy
|
|
my path, how much easier than his!
|
|
|
|
|
|
|
|
|
|
CHAPTER LXII
|
|
|
|
Another Discovery
|
|
|
|
|
|
I had not the courage to see any one that night. I had not even the
|
|
courage to see myself, for I was afraid that my tears might a little
|
|
reproach me. I went up to my room in the dark, and prayed in the
|
|
dark, and lay down in the dark to sleep. I had no need of any light
|
|
to read my guardian's letter by, for I knew it by heart. I took it
|
|
from the place where I kept it, and repeated its contents by its own
|
|
clear light of integrity and love, and went to sleep with it on my
|
|
pillow.
|
|
|
|
I was up very early in the morning and called Charley to come for a
|
|
walk. We bought flowers for the breakfast-table, and came back and
|
|
arranged them, and were as busy as possible. We were so early that I
|
|
had a good time still for Charley's lesson before breakfast; Charley
|
|
(who was not in the least improved in the old defective article of
|
|
grammar) came through it with great applause; and we were altogether
|
|
very notable. When my guardian appeared he said, "Why, little woman,
|
|
you look fresher than your flowers!" And Mrs. Woodcourt repeated and
|
|
translated a passage from the Mewlinnwillinwodd expressive of my
|
|
being like a mountain with the sun upon it.
|
|
|
|
This was all so pleasant that I hope it made me still more like the
|
|
mountain than I had been before. After breakfast I waited my
|
|
opportunity and peeped about a little until I saw my guardian in his
|
|
own room--the room of last night--by himself. Then I made an excuse
|
|
to go in with my housekeeping keys, shutting the door after me.
|
|
|
|
"Well, Dame Durden?" said my guardian; the post had brought him
|
|
several letters, and he was writing. "You want money?"
|
|
|
|
"No, indeed, I have plenty in hand."
|
|
|
|
"There never was such a Dame Durden," said my guardian, "for making
|
|
money last."
|
|
|
|
He had laid down his pen and leaned back in his chair looking at me.
|
|
I have often spoken of his bright face, but I thought I had never
|
|
seen it look so bright and good. There was a high happiness upon it
|
|
which made me think, "He has been doing some great kindness this
|
|
morning."
|
|
|
|
"There never was," said my guardian, musing as he smiled upon me,
|
|
"such a Dame Durden for making money last."
|
|
|
|
He had never yet altered his old manner. I loved it and him so much
|
|
that when I now went up to him and took my usual chair, which was
|
|
always put at his side--for sometimes I read to him, and sometimes I
|
|
talked to him, and sometimes I silently worked by him--I hardly liked
|
|
to disturb it by laying my hand on his breast. But I found I did not
|
|
disturb it at all.
|
|
|
|
"Dear guardian," said I, "I want to speak to you. Have I been remiss
|
|
in anything?"
|
|
|
|
"Remiss in anything, my dear!"
|
|
|
|
"Have I not been what I have meant to be since--I brought the answer
|
|
to your letter, guardian?"
|
|
|
|
"You have been everything I could desire, my love."
|
|
|
|
"I am very glad indeed to hear that," I returned. "You know, you said
|
|
to me, was this the mistress of Bleak House. And I said, yes."
|
|
|
|
"Yes," said my guardian, nodding his head. He had put his arm about
|
|
me as if there were something to protect me from and looked in my
|
|
face, smiling.
|
|
|
|
"Since then," said I, "we have never spoken on the subject except
|
|
once."
|
|
|
|
"And then I said Bleak House was thinning fast; and so it was, my
|
|
dear."
|
|
|
|
"And I said," I timidly reminded him, "but its mistress remained."
|
|
|
|
He still held me in the same protecting manner and with the same
|
|
bright goodness in his face.
|
|
|
|
"Dear guardian," said I, "I know how you have felt all that has
|
|
happened, and how considerate you have been. As so much time has
|
|
passed, and as you spoke only this morning of my being so well again,
|
|
perhaps you expect me to renew the subject. Perhaps I ought to do so.
|
|
I will be the mistress of Bleak House when you please."
|
|
|
|
"See," he returned gaily, "what a sympathy there must be between us!
|
|
I have had nothing else, poor Rick excepted--it's a large
|
|
exception--in my mind. When you came in, I was full of it. When shall
|
|
we give Bleak House its mistress, little woman?"
|
|
|
|
"When you please."
|
|
|
|
"Next month?"
|
|
|
|
"Next month, dear guardian."
|
|
|
|
"The day on which I take the happiest and best step of my life--the
|
|
day on which I shall be a man more exulting and more enviable than
|
|
any other man in the world--the day on which I give Bleak House its
|
|
little mistress--shall be next month then," said my guardian.
|
|
|
|
I put my arms round his neck and kissed him just as I had done on the
|
|
day when I brought my answer.
|
|
|
|
A servant came to the door to announce Mr. Bucket, which was quite
|
|
unnecessary, for Mr. Bucket was already looking in over the servant's
|
|
shoulder. "Mr. Jarndyce and Miss Summerson," said he, rather out of
|
|
breath, "with all apologies for intruding, WILL you allow me to order
|
|
up a person that's on the stairs and that objects to being left there
|
|
in case of becoming the subject of observations in his absence? Thank
|
|
you. Be so good as chair that there member in this direction, will
|
|
you?" said Mr. Bucket, beckoning over the banisters.
|
|
|
|
This singular request produced an old man in a black skull-cap,
|
|
unable to walk, who was carried up by a couple of bearers and
|
|
deposited in the room near the door. Mr. Bucket immediately got rid
|
|
of the bearers, mysteriously shut the door, and bolted it.
|
|
|
|
"Now you see, Mr. Jarndyce," he then began, putting down his hat and
|
|
opening his subject with a flourish of his well-remembered finger,
|
|
"you know me, and Miss Summerson knows me. This gentleman likewise
|
|
knows me, and his name is Smallweed. The discounting line is his line
|
|
principally, and he's what you may call a dealer in bills. That's
|
|
about what YOU are, you know, ain't you?" said Mr. Bucket, stopping a
|
|
little to address the gentleman in question, who was exceedingly
|
|
suspicious of him.
|
|
|
|
He seemed about to dispute this designation of himself when he was
|
|
seized with a violent fit of coughing.
|
|
|
|
"Now, moral, you know!" said Mr. Bucket, improving the accident.
|
|
"Don't you contradict when there ain't no occasion, and you won't be
|
|
took in that way. Now, Mr. Jarndyce, I address myself to you. I've
|
|
been negotiating with this gentleman on behalf of Sir Leicester
|
|
Dedlock, Baronet, and one way and another I've been in and out and
|
|
about his premises a deal. His premises are the premises formerly
|
|
occupied by Krook, marine store dealer--a relation of this
|
|
gentleman's that you saw in his lifetime if I don't mistake?"
|
|
|
|
My guardian replied, "Yes."
|
|
|
|
"Well! You are to understand," said Mr. Bucket, "that this gentleman
|
|
he come into Krook's property, and a good deal of magpie property
|
|
there was. Vast lots of waste-paper among the rest. Lord bless you,
|
|
of no use to nobody!"
|
|
|
|
The cunning of Mr. Bucket's eye and the masterly manner in which he
|
|
contrived, without a look or a word against which his watchful
|
|
auditor could protest, to let us know that he stated the case
|
|
according to previous agreement and could say much more of Mr.
|
|
Smallweed if he thought it advisable, deprived us of any merit in
|
|
quite understanding him. His difficulty was increased by Mr.
|
|
Smallweed's being deaf as well as suspicious and watching his face
|
|
with the closest attention.
|
|
|
|
"Among them odd heaps of old papers, this gentleman, when he comes
|
|
into the property, naturally begins to rummage, don't you see?" said
|
|
Mr. Bucket.
|
|
|
|
"To which? Say that again," cried Mr. Smallweed in a shrill, sharp
|
|
voice.
|
|
|
|
"To rummage," repeated Mr. Bucket. "Being a prudent man and
|
|
accustomed to take care of your own affairs, you begin to rummage
|
|
among the papers as you have come into; don't you?"
|
|
|
|
"Of course I do," cried Mr. Smallweed.
|
|
|
|
"Of course you do," said Mr. Bucket conversationally, "and much to
|
|
blame you would be if you didn't. And so you chance to find, you
|
|
know," Mr. Bucket went on, stooping over him with an air of cheerful
|
|
raillery which Mr. Smallweed by no means reciprocated, "and so you
|
|
chance to find, you know, a paper with the signature of Jarndyce to
|
|
it. Don't you?"
|
|
|
|
Mr. Smallweed glanced with a troubled eye at us and grudgingly nodded
|
|
assent.
|
|
|
|
"And coming to look at that paper at your full leisure and
|
|
convenience--all in good time, for you're not curious to read it, and
|
|
why should you be?--what do you find it to be but a will, you see.
|
|
That's the drollery of it," said Mr. Bucket with the same lively air
|
|
of recalling a joke for the enjoyment of Mr. Smallweed, who still had
|
|
the same crest-fallen appearance of not enjoying it at all; "what do
|
|
you find it to be but a will?"
|
|
|
|
"I don't know that it's good as a will or as anything else," snarled
|
|
Mr. Smallweed.
|
|
|
|
Mr. Bucket eyed the old man for a moment--he had slipped and shrunk
|
|
down in his chair into a mere bundle--as if he were much disposed to
|
|
pounce upon him; nevertheless, he continued to bend over him with the
|
|
same agreeable air, keeping the corner of one of his eyes upon us.
|
|
|
|
"Notwithstanding which," said Mr. Bucket, "you get a little doubtful
|
|
and uncomfortable in your mind about it, having a very tender mind of
|
|
your own."
|
|
|
|
"Eh? What do you say I have got of my own?" asked Mr. Smallweed with
|
|
his hand to his ear.
|
|
|
|
"A very tender mind."
|
|
|
|
"Ho! Well, go on," said Mr. Smallweed.
|
|
|
|
"And as you've heard a good deal mentioned regarding a celebrated
|
|
Chancery will case of the same name, and as you know what a card
|
|
Krook was for buying all manner of old pieces of furniter, and books,
|
|
and papers, and what not, and never liking to part with 'em, and
|
|
always a-going to teach himself to read, you begin to think--and you
|
|
never was more correct in your born days--'Ecod, if I don't look
|
|
about me, I may get into trouble regarding this will.'"
|
|
|
|
"Now, mind how you put it, Bucket," cried the old man anxiously with
|
|
his hand at his ear. "Speak up; none of your brimstone tricks. Pick
|
|
me up; I want to hear better. Oh, Lord, I am shaken to bits!"
|
|
|
|
Mr. Bucket had certainly picked him up at a dart. However, as soon as
|
|
he could be heard through Mr. Smallweed's coughing and his vicious
|
|
ejaculations of "Oh, my bones! Oh, dear! I've no breath in my body!
|
|
I'm worse than the chattering, clattering, brimstone pig at home!"
|
|
Mr. Bucket proceeded in the same convivial manner as before.
|
|
|
|
"So, as I happen to be in the habit of coming about your premises,
|
|
you take me into your confidence, don't you?"
|
|
|
|
I think it would be impossible to make an admission with more ill
|
|
will and a worse grace than Mr. Smallweed displayed when he admitted
|
|
this, rendering it perfectly evident that Mr. Bucket was the very
|
|
last person he would have thought of taking into his confidence if he
|
|
could by any possibility have kept him out of it.
|
|
|
|
"And I go into the business with you--very pleasant we are over it;
|
|
and I confirm you in your well-founded fears that you will get
|
|
yourself into a most precious line if you don't come out with that
|
|
there will," said Mr. Bucket emphatically; "and accordingly you
|
|
arrange with me that it shall be delivered up to this present Mr.
|
|
Jarndyce, on no conditions. If it should prove to be valuable, you
|
|
trusting yourself to him for your reward; that's about where it is,
|
|
ain't it?"
|
|
|
|
"That's what was agreed," Mr. Smallweed assented with the same bad
|
|
grace.
|
|
|
|
"In consequence of which," said Mr. Bucket, dismissing his agreeable
|
|
manner all at once and becoming strictly business-like, "you've got
|
|
that will upon your person at the present time, and the only thing
|
|
that remains for you to do is just to out with it!"
|
|
|
|
Having given us one glance out of the watching corner of his eye, and
|
|
having given his nose one triumphant rub with his forefinger, Mr.
|
|
Bucket stood with his eyes fastened on his confidential friend and
|
|
his hand stretched forth ready to take the paper and present it to my
|
|
guardian. It was not produced without much reluctance and many
|
|
declarations on the part of Mr. Smallweed that he was a poor
|
|
industrious man and that he left it to Mr. Jarndyce's honour not to
|
|
let him lose by his honesty. Little by little he very slowly took
|
|
from a breast-pocket a stained, discoloured paper which was much
|
|
singed upon the outside and a little burnt at the edges, as if it had
|
|
long ago been thrown upon a fire and hastily snatched off again. Mr.
|
|
Bucket lost no time in transferring this paper, with the dexterity of
|
|
a conjuror, from Mr. Smallweed to Mr. Jarndyce. As he gave it to my
|
|
guardian, he whispered behind his fingers, "Hadn't settled how to
|
|
make their market of it. Quarrelled and hinted about it. I laid out
|
|
twenty pound upon it. First the avaricious grandchildren split upon
|
|
him on account of their objections to his living so unreasonably
|
|
long, and then they split on one another. Lord! There ain't one of
|
|
the family that wouldn't sell the other for a pound or two, except
|
|
the old lady--and she's only out of it because she's too weak in her
|
|
mind to drive a bargain."
|
|
|
|
"Mr Bucket," said my guardian aloud, "whatever the worth of this
|
|
paper may be to any one, my obligations are great to you; and if it
|
|
be of any worth, I hold myself bound to see Mr. Smallweed remunerated
|
|
accordingly."
|
|
|
|
"Not according to your merits, you know," said Mr. Bucket in friendly
|
|
explanation to Mr. Smallweed. "Don't you be afraid of that. According
|
|
to its value."
|
|
|
|
"That is what I mean," said my guardian. "You may observe, Mr.
|
|
Bucket, that I abstain from examining this paper myself. The plain
|
|
truth is, I have forsworn and abjured the whole business these many
|
|
years, and my soul is sick of it. But Miss Summerson and I will
|
|
immediately place the paper in the hands of my solicitor in the
|
|
cause, and its existence shall be made known without delay to all
|
|
other parties interested."
|
|
|
|
"Mr. Jarndyce can't say fairer than that, you understand," observed
|
|
Mr. Bucket to his fellow-visitor. "And it being now made clear to you
|
|
that nobody's a-going to be wronged--which must be a great relief to
|
|
YOUR mind--we may proceed with the ceremony of chairing you home
|
|
again."
|
|
|
|
He unbolted the door, called in the bearers, wished us good morning,
|
|
and with a look full of meaning and a crook of his finger at parting
|
|
went his way.
|
|
|
|
We went our way too, which was to Lincoln's Inn, as quickly as
|
|
possible. Mr. Kenge was disengaged, and we found him at his table in
|
|
his dusty room with the inexpressive-looking books and the piles of
|
|
papers. Chairs having been placed for us by Mr. Guppy, Mr. Kenge
|
|
expressed the surprise and gratification he felt at the unusual sight
|
|
of Mr. Jarndyce in his office. He turned over his double eye-glass as
|
|
he spoke and was more Conversation Kenge than ever.
|
|
|
|
"I hope," said Mr. Kenge, "that the genial influence of Miss
|
|
Summerson," he bowed to me, "may have induced Mr. Jarndyce," he bowed
|
|
to him, "to forego some little of his animosity towards a cause and
|
|
towards a court which are--shall I say, which take their place in the
|
|
stately vista of the pillars of our profession?"
|
|
|
|
"I am inclined to think," returned my guardian, "that Miss Summerson
|
|
has seen too much of the effects of the court and the cause to exert
|
|
any influence in their favour. Nevertheless, they are a part of the
|
|
occasion of my being here. Mr. Kenge, before I lay this paper on your
|
|
desk and have done with it, let me tell you how it has come into my
|
|
hands."
|
|
|
|
He did so shortly and distinctly.
|
|
|
|
"It could not, sir," said Mr. Kenge, "have been stated more plainly
|
|
and to the purpose if it had been a case at law."
|
|
|
|
"Did you ever know English law, or equity either, plain and to the
|
|
purpose?" said my guardian.
|
|
|
|
"Oh, fie!" said Mr. Kenge.
|
|
|
|
At first he had not seemed to attach much importance to the paper,
|
|
but when he saw it he appeared more interested, and when he had
|
|
opened and read a little of it through his eye-glass, he became
|
|
amazed. "Mr. Jarndyce," he said, looking off it, "you have perused
|
|
this?"
|
|
|
|
"Not I!" returned my guardian.
|
|
|
|
"But, my dear sir," said Mr. Kenge, "it is a will of later date than
|
|
any in the suit. It appears to be all in the testator's handwriting.
|
|
It is duly executed and attested. And even if intended to be
|
|
cancelled, as might possibly be supposed to be denoted by these marks
|
|
of fire, it is NOT cancelled. Here it is, a perfect instrument!"
|
|
|
|
"Well!" said my guardian. "What is that to me?"
|
|
|
|
"Mr. Guppy!" cried Mr. Kenge, raising his voice. "I beg your pardon,
|
|
Mr. Jarndyce."
|
|
|
|
"Sir."
|
|
|
|
"Mr. Vholes of Symond's Inn. My compliments. Jarndyce and Jarndyce.
|
|
Glad to speak with him."
|
|
|
|
Mr. Guppy disappeared.
|
|
|
|
"You ask me what is this to you, Mr. Jarndyce. If you had perused
|
|
this document, you would have seen that it reduces your interest
|
|
considerably, though still leaving it a very handsome one, still
|
|
leaving it a very handsome one," said Mr. Kenge, waving his hand
|
|
persuasively and blandly. "You would further have seen that the
|
|
interests of Mr. Richard Carstone and of Miss Ada Clare, now Mrs.
|
|
Richard Carstone, are very materially advanced by it."
|
|
|
|
"Kenge," said my guardian, "if all the flourishing wealth that the
|
|
suit brought into this vile court of Chancery could fall to my two
|
|
young cousins, I should be well contented. But do you ask ME to
|
|
believe that any good is to come of Jarndyce and Jarndyce?"
|
|
|
|
"Oh, really, Mr. Jarndyce! Prejudice, prejudice. My dear sir, this is
|
|
a very great country, a very great country. Its system of equity is a
|
|
very great system, a very great system. Really, really!"
|
|
|
|
My guardian said no more, and Mr. Vholes arrived. He was modestly
|
|
impressed by Mr. Kenge's professional eminence.
|
|
|
|
"How do you do, Mr. Vholes? Will you be so good as to take a chair
|
|
here by me and look over this paper?"
|
|
|
|
Mr. Vholes did as he was asked and seemed to read it every word. He
|
|
was not excited by it, but he was not excited by anything. When he
|
|
had well examined it, he retired with Mr. Kenge into a window, and
|
|
shading his mouth with his black glove, spoke to him at some length.
|
|
I was not surprised to observe Mr. Kenge inclined to dispute what
|
|
he said before he had said much, for I knew that no two people ever
|
|
did agree about anything in Jarndyce and Jarndyce. But he seemed
|
|
to get the better of Mr. Kenge too in a conversation that sounded
|
|
as if it were almost composed of the words "Receiver-General,"
|
|
"Accountant-General," "report," "estate," and "costs." When they had
|
|
finished, they came back to Mr. Kenge's table and spoke aloud.
|
|
|
|
"Well! But this is a very remarkable document, Mr. Vholes," said Mr.
|
|
Kenge.
|
|
|
|
Mr. Vholes said, "Very much so."
|
|
|
|
"And a very important document, Mr. Vholes," said Mr. Kenge.
|
|
|
|
Again Mr. Vholes said, "Very much so."
|
|
|
|
"And as you say, Mr. Vholes, when the cause is in the paper next
|
|
term, this document will be an unexpected and interesting feature in
|
|
it," said Mr. Kenge, looking loftily at my guardian.
|
|
|
|
Mr. Vholes was gratified, as a smaller practitioner striving to keep
|
|
respectable, to be confirmed in any opinion of his own by such an
|
|
authority.
|
|
|
|
"And when," asked my guardian, rising after a pause, during which Mr.
|
|
Kenge had rattled his money and Mr. Vholes had picked his pimples,
|
|
"when is next term?"
|
|
|
|
"Next term, Mr. Jarndyce, will be next month," said Mr. Kenge. "Of
|
|
course we shall at once proceed to do what is necessary with this
|
|
document and to collect the necessary evidence concerning it; and of
|
|
course you will receive our usual notification of the cause being in
|
|
the paper."
|
|
|
|
"To which I shall pay, of course, my usual attention."
|
|
|
|
"Still bent, my dear sir," said Mr. Kenge, showing us through the
|
|
outer office to the door, "still bent, even with your enlarged mind,
|
|
on echoing a popular prejudice? We are a prosperous community, Mr.
|
|
Jarndyce, a very prosperous community. We are a great country, Mr.
|
|
Jarndyce, we are a very great country. This is a great system, Mr.
|
|
Jarndyce, and would you wish a great country to have a little system?
|
|
Now, really, really!"
|
|
|
|
He said this at the stair-head, gently moving his right hand as if it
|
|
were a silver trowel with which to spread the cement of his words on
|
|
the structure of the system and consolidate it for a thousand ages.
|
|
|
|
|
|
|
|
|
|
CHAPTER LXIII
|
|
|
|
Steel and Iron
|
|
|
|
|
|
George's Shooting Gallery is to let, and the stock is sold off, and
|
|
George himself is at Chesney Wold attending on Sir Leicester in his
|
|
rides and riding very near his bridle-rein because of the uncertain
|
|
hand with which he guides his horse. But not to-day is George so
|
|
occupied. He is journeying to-day into the iron country farther north
|
|
to look about him.
|
|
|
|
As he comes into the iron country farther north, such fresh green
|
|
woods as those of Chesney Wold are left behind; and coal pits and
|
|
ashes, high chimneys and red bricks, blighted verdure, scorching
|
|
fires, and a heavy never-lightening cloud of smoke become the
|
|
features of the scenery. Among such objects rides the trooper,
|
|
looking about him and always looking for something he has come to
|
|
find.
|
|
|
|
At last, on the black canal bridge of a busy town, with a clang of
|
|
iron in it, and more fires and more smoke than he has seen yet, the
|
|
trooper, swart with the dust of the coal roads, checks his horse and
|
|
asks a workman does he know the name of Rouncewell thereabouts.
|
|
|
|
"Why, master," quoth the workman, "do I know my own name?"
|
|
|
|
"'Tis so well known here, is it, comrade?" asks the trooper.
|
|
|
|
"Rouncewell's? Ah! You're right."
|
|
|
|
"And where might it be now?" asks the trooper with a glance before
|
|
him.
|
|
|
|
"The bank, the factory, or the house?" the workman wants to know.
|
|
|
|
"Hum! Rouncewell's is so great apparently," mutters the trooper,
|
|
stroking his chin, "that I have as good as half a mind to go back
|
|
again. Why, I don't know which I want. Should I find Mr. Rouncewell
|
|
at the factory, do you think?"
|
|
|
|
"Tain't easy to say where you'd find him--at this time of the day you
|
|
might find either him or his son there, if he's in town; but his
|
|
contracts take him away."
|
|
|
|
And which is the factory? Why, he sees those chimneys--the tallest
|
|
ones! Yes, he sees THEM. Well! Let him keep his eye on those
|
|
chimneys, going on as straight as ever he can, and presently he'll
|
|
see 'em down a turning on the left, shut in by a great brick wall
|
|
which forms one side of the street. That's Rouncewell's.
|
|
|
|
The trooper thanks his informant and rides slowly on, looking about
|
|
him. He does not turn back, but puts up his horse (and is much
|
|
disposed to groom him too) at a public-house where some of
|
|
Rouncewell's hands are dining, as the ostler tells him. Some of
|
|
Rouncewell's hands have just knocked off for dinner-time and seem to
|
|
be invading the whole town. They are very sinewy and strong, are
|
|
Rouncewell's hands--a little sooty too.
|
|
|
|
He comes to a gateway in the brick wall, looks in, and sees a great
|
|
perplexity of iron lying about in every stage and in a vast variety
|
|
of shapes--in bars, in wedges, in sheets; in tanks, in boilers, in
|
|
axles, in wheels, in cogs, in cranks, in rails; twisted and wrenched
|
|
into eccentric and perverse forms as separate parts of machinery;
|
|
mountains of it broken up, and rusty in its age; distant furnaces of
|
|
it glowing and bubbling in its youth; bright fireworks of it
|
|
showering about under the blows of the steam-hammer; red-hot iron,
|
|
white-hot iron, cold-black iron; an iron taste, an iron smell, and a
|
|
Babel of iron sounds.
|
|
|
|
"This is a place to make a man's head ache too!" says the trooper,
|
|
looking about him for a counting-house. "Who comes here? This is very
|
|
like me before I was set up. This ought to be my nephew, if
|
|
likenesses run in families. Your servant, sir."
|
|
|
|
"Yours, sir. Are you looking for any one?"
|
|
|
|
"Excuse me. Young Mr. Rouncewell, I believe?"
|
|
|
|
"Yes."
|
|
|
|
"I was looking for your father, sir. I wish to have a word with him."
|
|
|
|
The young man, telling him he is fortunate in his choice of a time,
|
|
for his father is there, leads the way to the office where he is to
|
|
be found. "Very like me before I was set up--devilish like me!"
|
|
thinks the trooper as he follows. They come to a building in the yard
|
|
with an office on an upper floor. At sight of the gentleman in the
|
|
office, Mr. George turns very red.
|
|
|
|
"What name shall I say to my father?" asks the young man.
|
|
|
|
George, full of the idea of iron, in desperation answers "Steel," and
|
|
is so presented. He is left alone with the gentleman in the office,
|
|
who sits at a table with account-books before him and some sheets of
|
|
paper blotted with hosts of figures and drawings of cunning shapes.
|
|
It is a bare office, with bare windows, looking on the iron view
|
|
below. Tumbled together on the table are some pieces of iron,
|
|
purposely broken to be tested at various periods of their service, in
|
|
various capacities. There is iron-dust on everything; and the smoke
|
|
is seen through the windows rolling heavily out of the tall chimneys
|
|
to mingle with the smoke from a vaporous Babylon of other chimneys.
|
|
|
|
"I am at your service, Mr. Steel," says the gentleman when his
|
|
visitor has taken a rusty chair.
|
|
|
|
"Well, Mr. Rouncewell," George replies, leaning forward with his left
|
|
arm on his knee and his hat in his hand, and very chary of meeting
|
|
his brother's eye, "I am not without my expectations that in the
|
|
present visit I may prove to be more free than welcome. I have served
|
|
as a dragoon in my day, and a comrade of mine that I was once rather
|
|
partial to was, if I don't deceive myself, a brother of yours. I
|
|
believe you had a brother who gave his family some trouble, and ran
|
|
away, and never did any good but in keeping away?"
|
|
|
|
"Are you quite sure," returns the ironmaster in an altered voice,
|
|
"that your name is Steel?"
|
|
|
|
The trooper falters and looks at him. His brother starts up, calls
|
|
him by his name, and grasps him by both hands.
|
|
|
|
"You are too quick for me!" cries the trooper with the tears
|
|
springing out of his eyes. "How do you do, my dear old fellow? I
|
|
never could have thought you would have been half so glad to see me
|
|
as all this. How do you do, my dear old fellow, how do you do!"
|
|
|
|
They shake hands and embrace each other over and over again, the
|
|
trooper still coupling his "How do you do, my dear old fellow!" with
|
|
his protestation that he never thought his brother would have been
|
|
half so glad to see him as all this!
|
|
|
|
"So far from it," he declares at the end of a full account of what
|
|
has preceded his arrival there, "I had very little idea of making
|
|
myself known. I thought if you took by any means forgivingly to my
|
|
name I might gradually get myself up to the point of writing a
|
|
letter. But I should not have been surprised, brother, if you had
|
|
considered it anything but welcome news to hear of me."
|
|
|
|
"We will show you at home what kind of news we think it, George,"
|
|
returns his brother. "This is a great day at home, and you could not
|
|
have arrived, you bronzed old soldier, on a better. I make an
|
|
agreement with my son Watt to-day that on this day twelvemonth he
|
|
shall marry as pretty and as good a girl as you have seen in all your
|
|
travels. She goes to Germany to-morrow with one of your nieces for a
|
|
little polishing up in her education. We make a feast of the event,
|
|
and you will be made the hero of it."
|
|
|
|
Mr. George is so entirely overcome at first by this prospect that he
|
|
resists the proposed honour with great earnestness. Being overborne,
|
|
however, by his brother and his nephew--concerning whom he renews his
|
|
protestations that he never could have thought they would have been
|
|
half so glad to see him--he is taken home to an elegant house in all
|
|
the arrangements of which there is to be observed a pleasant mixture
|
|
of the originally simple habits of the father and mother with such as
|
|
are suited to their altered station and the higher fortunes of their
|
|
children. Here Mr. George is much dismayed by the graces and
|
|
accomplishments of his nieces that are and by the beauty of Rosa, his
|
|
niece that is to be, and by the affectionate salutations of these
|
|
young ladies, which he receives in a sort of dream. He is sorely
|
|
taken aback, too, by the dutiful behaviour of his nephew and has a
|
|
woeful consciousness upon him of being a scapegrace. However, there
|
|
is great rejoicing and a very hearty company and infinite enjoyment,
|
|
and Mr. George comes bluff and martial through it all, and his pledge
|
|
to be present at the marriage and give away the bride is received
|
|
with universal favour. A whirling head has Mr. George that night when
|
|
he lies down in the state-bed of his brother's house to think of all
|
|
these things and to see the images of his nieces (awful all the
|
|
evening in their floating muslins) waltzing, after the German manner,
|
|
over his counterpane.
|
|
|
|
The brothers are closeted next morning in the ironmaster's room,
|
|
where the elder is proceeding, in his clear sensible way, to show how
|
|
he thinks he may best dispose of George in his business, when George
|
|
squeezes his hand and stops him.
|
|
|
|
"Brother, I thank you a million times for your more than brotherly
|
|
welcome, and a million times more to that for your more than
|
|
brotherly intentions. But my plans are made. Before I say a word as
|
|
to them, I wish to consult you upon one family point. How," says the
|
|
trooper, folding his arms and looking with indomitable firmness at
|
|
his brother, "how is my mother to be got to scratch me?"
|
|
|
|
"I am not sure that I understand you, George," replies the
|
|
ironmaster.
|
|
|
|
"I say, brother, how is my mother to be got to scratch me? She must
|
|
be got to do it somehow."
|
|
|
|
"Scratch you out of her will, I think you mean?"
|
|
|
|
"Of course I do. In short," says the trooper, folding his arms more
|
|
resolutely yet, "I mean--TO--scratch me!"
|
|
|
|
"My dear George," returns his brother, "is it so indispensable that
|
|
you should undergo that process?"
|
|
|
|
"Quite! Absolutely! I couldn't be guilty of the meanness of coming
|
|
back without it. I should never be safe not to be off again. I have
|
|
not sneaked home to rob your children, if not yourself, brother, of
|
|
your rights. I, who forfeited mine long ago! If I am to remain and
|
|
hold up my head, I must be scratched. Come. You are a man of
|
|
celebrated penetration and intelligence, and you can tell me how it's
|
|
to be brought about."
|
|
|
|
"I can tell you, George," replies the ironmaster deliberately, "how
|
|
it is not to be brought about, which I hope may answer the purpose as
|
|
well. Look at our mother, think of her, recall her emotion when she
|
|
recovered you. Do you believe there is a consideration in the world
|
|
that would induce her to take such a step against her favourite son?
|
|
Do you believe there is any chance of her consent, to balance against
|
|
the outrage it would be to her (loving dear old lady!) to propose it?
|
|
If you do, you are wrong. No, George! You must make up your mind to
|
|
remain UNscratched, I think." There is an amused smile on the
|
|
ironmaster's face as he watches his brother, who is pondering, deeply
|
|
disappointed. "I think you may manage almost as well as if the thing
|
|
were done, though."
|
|
|
|
"How, brother?"
|
|
|
|
"Being bent upon it, you can dispose by will of anything you have the
|
|
misfortune to inherit in any way you like, you know."
|
|
|
|
"That's true!" says the trooper, pondering again. Then he wistfully
|
|
asks, with his hand on his brother's, "Would you mind mentioning
|
|
that, brother, to your wife and family?"
|
|
|
|
"Not at all."
|
|
|
|
"Thank you. You wouldn't object to say, perhaps, that although an
|
|
undoubted vagabond, I am a vagabond of the harum-scarum order, and
|
|
not of the mean sort?"
|
|
|
|
The ironmaster, repressing his amused smile, assents.
|
|
|
|
"Thank you. Thank you. It's a weight off my mind," says the trooper
|
|
with a heave of his chest as he unfolds his arms and puts a hand on
|
|
each leg, "though I had set my heart on being scratched, too!"
|
|
|
|
The brothers are very like each other, sitting face to face; but a
|
|
certain massive simplicity and absence of usage in the ways of the
|
|
world is all on the trooper's side.
|
|
|
|
"Well," he proceeds, throwing off his disappointment, "next and last,
|
|
those plans of mine. You have been so brotherly as to propose to me
|
|
to fall in here and take my place among the products of your
|
|
perseverance and sense. I thank you heartily. It's more than
|
|
brotherly, as I said before, and I thank you heartily for it,"
|
|
shaking him a long time by the hand. "But the truth is, brother, I am
|
|
a--I am a kind of a weed, and it's too late to plant me in a regular
|
|
garden."
|
|
|
|
"My dear George," returns the elder, concentrating his strong steady
|
|
brow upon him and smiling confidently, "leave that to me, and let me
|
|
try."
|
|
|
|
George shakes his head. "You could do it, I have not a doubt, if
|
|
anybody could; but it's not to be done. Not to be done, sir! Whereas
|
|
it so falls out, on the other hand, that I am able to be of some
|
|
trifle of use to Sir Leicester Dedlock since his illness--brought on
|
|
by family sorrows--and that he would rather have that help from our
|
|
mother's son than from anybody else."
|
|
|
|
"Well, my dear George," returns the other with a very slight shade
|
|
upon his open face, "if you prefer to serve in Sir Leicester
|
|
Dedlock's household brigade--"
|
|
|
|
"There it is, brother," cries the trooper, checking him, with his
|
|
hand upon his knee again; "there it is! You don't take kindly to that
|
|
idea; I don't mind it. You are not used to being officered; I am.
|
|
Everything about you is in perfect order and discipline; everything
|
|
about me requires to be kept so. We are not accustomed to carry
|
|
things with the same hand or to look at 'em from the same point. I
|
|
don't say much about my garrison manners because I found myself
|
|
pretty well at my ease last night, and they wouldn't be noticed here,
|
|
I dare say, once and away. But I shall get on best at Chesney Wold,
|
|
where there's more room for a weed than there is here; and the dear
|
|
old lady will be made happy besides. Therefore I accept of Sir
|
|
Leicester Dedlock's proposals. When I come over next year to give
|
|
away the bride, or whenever I come, I shall have the sense to keep
|
|
the household brigade in ambuscade and not to manoeuvre it on your
|
|
ground. I thank you heartily again and am proud to think of the
|
|
Rouncewells as they'll be founded by you."
|
|
|
|
"You know yourself, George," says the elder brother, returning the
|
|
grip of his hand, "and perhaps you know me better than I know myself.
|
|
Take your way. So that we don't quite lose one another again, take
|
|
your way."
|
|
|
|
"No fear of that!" returns the trooper. "Now, before I turn my
|
|
horse's head homewards, brother, I will ask you--if you'll be so
|
|
good--to look over a letter for me. I brought it with me to send from
|
|
these parts, as Chesney Wold might be a painful name just now to the
|
|
person it's written to. I am not much accustomed to correspondence
|
|
myself, and I am particular respecting this present letter because I
|
|
want it to be both straightforward and delicate."
|
|
|
|
Herewith he hands a letter, closely written in somewhat pale ink but
|
|
in a neat round hand, to the ironmaster, who reads as follows:
|
|
|
|
|
|
Miss Esther Summerson,
|
|
|
|
A communication having been made to me by Inspector Bucket
|
|
of a letter to myself being found among the papers of a
|
|
certain person, I take the liberty to make known to you
|
|
that it was but a few lines of instruction from abroad,
|
|
when, where, and how to deliver an enclosed letter to a
|
|
young and beautiful lady, then unmarried, in England. I
|
|
duly observed the same.
|
|
|
|
I further take the liberty to make known to you that it
|
|
was got from me as a proof of handwriting only and that
|
|
otherwise I would not have given it up, as appearing to
|
|
be the most harmless in my possession, without being
|
|
previously shot through the heart.
|
|
|
|
I further take the liberty to mention that if I could have
|
|
supposed a certain unfortunate gentleman to have been in
|
|
existence, I never could and never would have rested until
|
|
I had discovered his retreat and shared my last farthing
|
|
with him, as my duty and my inclination would have equally
|
|
been. But he was (officially) reported drowned, and
|
|
assuredly went over the side of a transport-ship at night
|
|
in an Irish harbour within a few hours of her arrival from
|
|
the West Indies, as I have myself heard both from officers
|
|
and men on board, and know to have been (officially)
|
|
confirmed.
|
|
|
|
I further take the liberty to state that in my humble
|
|
quality as one of the rank and file, I am, and shall ever
|
|
continue to be, your thoroughly devoted and admiring
|
|
servant and that I esteem the qualities you possess above
|
|
all others far beyond the limits of the present dispatch.
|
|
|
|
I have the honour to be,
|
|
|
|
GEORGE
|
|
|
|
|
|
"A little formal," observes the elder brother, refolding it with a
|
|
puzzled face.
|
|
|
|
"But nothing that might not be sent to a pattern young lady?" asks
|
|
the younger.
|
|
|
|
"Nothing at all."
|
|
|
|
Therefore it is sealed and deposited for posting among the iron
|
|
correspondence of the day. This done, Mr. George takes a hearty
|
|
farewell of the family party and prepares to saddle and mount. His
|
|
brother, however, unwilling to part with him so soon, proposes to
|
|
ride with him in a light open carriage to the place where he will
|
|
bait for the night, and there remain with him until morning, a
|
|
servant riding for so much of the journey on the thoroughbred old
|
|
grey from Chesney Wold. The offer, being gladly accepted, is followed
|
|
by a pleasant ride, a pleasant dinner, and a pleasant breakfast, all
|
|
in brotherly communion. Then they once more shake hands long and
|
|
heartily and part, the ironmaster turning his face to the smoke and
|
|
fires, and the trooper to the green country. Early in the afternoon
|
|
the subdued sound of his heavy military trot is heard on the turf in
|
|
the avenue as he rides on with imaginary clank and jingle of
|
|
accoutrements under the old elm-trees.
|
|
|
|
|
|
|
|
|
|
CHAPTER LXIV
|
|
|
|
Esther's Narrative
|
|
|
|
|
|
Soon after I had that conversation with my guardian, he put a sealed
|
|
paper in my hand one morning and said, "This is for next month, my
|
|
dear." I found in it two hundred pounds.
|
|
|
|
I now began very quietly to make such preparations as I thought were
|
|
necessary. Regulating my purchases by my guardian's taste, which I
|
|
knew very well of course, I arranged my wardrobe to please him and
|
|
hoped I should be highly successful. I did it all so quietly because
|
|
I was not quite free from my old apprehension that Ada would be
|
|
rather sorry and because my guardian was so quiet himself. I had no
|
|
doubt that under all the circumstances we should be married in the
|
|
most private and simple manner. Perhaps I should only have to say to
|
|
Ada, "Would you like to come and see me married to-morrow, my pet?"
|
|
Perhaps our wedding might even be as unpretending as her own, and I
|
|
might not find it necessary to say anything about it until it was
|
|
over. I thought that if I were to choose, I would like this best.
|
|
|
|
The only exception I made was Mrs. Woodcourt. I told her that I was
|
|
going to be married to my guardian and that we had been engaged some
|
|
time. She highly approved. She could never do enough for me and was
|
|
remarkably softened now in comparison with what she had been when we
|
|
first knew her. There was no trouble she would not have taken to have
|
|
been of use to me, but I need hardly say that I only allowed her to
|
|
take as little as gratified her kindness without tasking it.
|
|
|
|
Of course this was not a time to neglect my guardian, and of course
|
|
it was not a time for neglecting my darling. So I had plenty of
|
|
occupation, which I was glad of; and as to Charley, she was
|
|
absolutely not to be seen for needlework. To surround herself with
|
|
great heaps of it--baskets full and tables full--and do a little, and
|
|
spend a great deal of time in staring with her round eyes at what
|
|
there was to do, and persuade herself that she was going to do it,
|
|
were Charley's great dignities and delights.
|
|
|
|
Meanwhile, I must say, I could not agree with my guardian on the
|
|
subject of the will, and I had some sanguine hopes of Jarndyce and
|
|
Jarndyce. Which of us was right will soon appear, but I certainly did
|
|
encourage expectations. In Richard, the discovery gave occasion for a
|
|
burst of business and agitation that buoyed him up for a little time,
|
|
but he had lost the elasticity even of hope now and seemed to me to
|
|
retain only its feverish anxieties. From something my guardian said
|
|
one day when we were talking about this, I understood that my
|
|
marriage would not take place until after the term-time we had been
|
|
told to look forward to; and I thought the more, for that, how
|
|
rejoiced I should be if I could be married when Richard and Ada were
|
|
a little more prosperous.
|
|
|
|
The term was very near indeed when my guardian was called out of town
|
|
and went down into Yorkshire on Mr. Woodcourt's business. He had told
|
|
me beforehand that his presence there would be necessary. I had just
|
|
come in one night from my dear girl's and was sitting in the midst of
|
|
all my new clothes, looking at them all around me and thinking, when
|
|
a letter from my guardian was brought to me. It asked me to join him
|
|
in the country and mentioned by what stage-coach my place was taken
|
|
and at what time in the morning I should have to leave town. It added
|
|
in a postscript that I would not be many hours from Ada.
|
|
|
|
I expected few things less than a journey at that time, but I was
|
|
ready for it in half an hour and set off as appointed early next
|
|
morning. I travelled all day, wondering all day what I could be
|
|
wanted for at such a distance; now I thought it might be for this
|
|
purpose, and now I thought it might be for that purpose, but I was
|
|
never, never, never near the truth.
|
|
|
|
It was night when I came to my journey's end and found my guardian
|
|
waiting for me. This was a great relief, for towards evening I had
|
|
begun to fear (the more so as his letter was a very short one) that
|
|
he might be ill. However, there he was, as well as it was possible to
|
|
be; and when I saw his genial face again at its brightest and best, I
|
|
said to myself, he has been doing some other great kindness. Not that
|
|
it required much penetration to say that, because I knew that his
|
|
being there at all was an act of kindness.
|
|
|
|
Supper was ready at the hotel, and when we were alone at table he
|
|
said, "Full of curiosity, no doubt, little woman, to know why I have
|
|
brought you here?"
|
|
|
|
"Well, guardian," said I, "without thinking myself a Fatima or you a
|
|
Blue Beard, I am a little curious about it."
|
|
|
|
"Then to ensure your night's rest, my love," he returned gaily, "I
|
|
won't wait until to-morrow to tell you. I have very much wished to
|
|
express to Woodcourt, somehow, my sense of his humanity to poor
|
|
unfortunate Jo, his inestimable services to my young cousins, and his
|
|
value to us all. When it was decided that he should settle here, it
|
|
came into my head that I might ask his acceptance of some
|
|
unpretending and suitable little place to lay his own head in. I
|
|
therefore caused such a place to be looked out for, and such a place
|
|
was found on very easy terms, and I have been touching it up for him
|
|
and making it habitable. However, when I walked over it the day
|
|
before yesterday and it was reported ready, I found that I was not
|
|
housekeeper enough to know whether things were all as they ought to
|
|
be. So I sent off for the best little housekeeper that could possibly
|
|
be got to come and give me her advice and opinion. And here she is,"
|
|
said my guardian, "laughing and crying both together!"
|
|
|
|
Because he was so dear, so good, so admirable. I tried to tell him
|
|
what I thought of him, but I could not articulate a word.
|
|
|
|
"Tut, tut!" said my guardian. "You make too much of it, little woman.
|
|
Why, how you sob, Dame Durden, how you sob!"
|
|
|
|
"It is with exquisite pleasure, guardian--with a heart full of
|
|
thanks."
|
|
|
|
"Well, well," said he. "I am delighted that you approve. I thought
|
|
you would. I meant it as a pleasant surprise for the little mistress
|
|
of Bleak House."
|
|
|
|
I kissed him and dried my eyes. "I know now!" said I. "I have seen
|
|
this in your face a long while."
|
|
|
|
"No; have you really, my dear?" said he. "What a Dame Durden it is to
|
|
read a face!"
|
|
|
|
He was so quaintly cheerful that I could not long be otherwise, and
|
|
was almost ashamed of having been otherwise at all. When I went to
|
|
bed, I cried. I am bound to confess that I cried; but I hope it was
|
|
with pleasure, though I am not quite sure it was with pleasure. I
|
|
repeated every word of the letter twice over.
|
|
|
|
A most beautiful summer morning succeeded, and after breakfast we
|
|
went out arm in arm to see the house of which I was to give my mighty
|
|
housekeeping opinion. We entered a flower-garden by a gate in a side
|
|
wall, of which he had the key, and the first thing I saw was that the
|
|
beds and flowers were all laid out according to the manner of my beds
|
|
and flowers at home.
|
|
|
|
"You see, my dear," observed my guardian, standing still with a
|
|
delighted face to watch my looks, "knowing there could be no better
|
|
plan, I borrowed yours."
|
|
|
|
We went on by a pretty little orchard, where the cherries were
|
|
nestling among the green leaves and the shadows of the apple-trees
|
|
were sporting on the grass, to the house itself--a cottage, quite a
|
|
rustic cottage of doll's rooms; but such a lovely place, so tranquil
|
|
and so beautiful, with such a rich and smiling country spread around
|
|
it; with water sparkling away into the distance, here all overhung
|
|
with summer-growth, there turning a humming mill; at its nearest
|
|
point glancing through a meadow by the cheerful town, where
|
|
cricket-players were assembling in bright groups and a flag was
|
|
flying from a white tent that rippled in the sweet west wind. And
|
|
still, as we went through the pretty rooms, out at the little rustic
|
|
verandah doors, and underneath the tiny wooden colonnades garlanded
|
|
with woodbine, jasmine, and honey-suckle, I saw in the papering on
|
|
the walls, in the colours of the furniture, in the arrangement of all
|
|
the pretty objects, MY little tastes and fancies, MY little methods
|
|
and inventions which they used to laugh at while they praised them,
|
|
my odd ways everywhere.
|
|
|
|
I could not say enough in admiration of what was all so beautiful,
|
|
but one secret doubt arose in my mind when I saw this, I thought, oh,
|
|
would he be the happier for it! Would it not have been better for his
|
|
peace that I should not have been so brought before him? Because
|
|
although I was not what he thought me, still he loved me very dearly,
|
|
and it might remind him mournfully of what be believed he had lost. I
|
|
did not wish him to forget me--perhaps he might not have done so,
|
|
without these aids to his memory--but my way was easier than his, and
|
|
I could have reconciled myself even to that so that he had been the
|
|
happier for it.
|
|
|
|
"And now, little woman," said my guardian, whom I had never seen so
|
|
proud and joyful as in showing me these things and watching my
|
|
appreciation of them, "now, last of all, for the name of this house."
|
|
|
|
"What is it called, dear guardian?"
|
|
|
|
"My child," said he, "come and see,"
|
|
|
|
He took me to the porch, which he had hitherto avoided, and said,
|
|
pausing before we went out, "My dear child, don't you guess the
|
|
name?"
|
|
|
|
"No!" said I.
|
|
|
|
We went out of the porch and he showed me written over it, Bleak
|
|
House.
|
|
|
|
He led me to a seat among the leaves close by, and sitting down
|
|
beside me and taking my hand in his, spoke to me thus, "My darling
|
|
girl, in what there has been between us, I have, I hope, been really
|
|
solicitous for your happiness. When I wrote you the letter to which
|
|
you brought the answer," smiling as he referred to it, "I had my own
|
|
too much in view; but I had yours too. Whether, under different
|
|
circumstances, I might ever have renewed the old dream I sometimes
|
|
dreamed when you were very young, of making you my wife one day, I
|
|
need not ask myself. I did renew it, and I wrote my letter, and you
|
|
brought your answer. You are following what I say, my child?"
|
|
|
|
I was cold, and I trembled violently, but not a word he uttered was
|
|
lost. As I sat looking fixedly at him and the sun's rays descended,
|
|
softly shining through the leaves upon his bare head, I felt as if
|
|
the brightness on him must be like the brightness of the angels.
|
|
|
|
"Hear me, my love, but do not speak. It is for me to speak now. When
|
|
it was that I began to doubt whether what I had done would really
|
|
make you happy is no matter. Woodcourt came home, and I soon had no
|
|
doubt at all."
|
|
|
|
I clasped him round the neck and hung my head upon his breast and
|
|
wept. "Lie lightly, confidently here, my child," said he, pressing me
|
|
gently to him. "I am your guardian and your father now. Rest
|
|
confidently here."
|
|
|
|
Soothingly, like the gentle rustling of the leaves; and genially,
|
|
like the ripening weather; and radiantly and beneficently, like the
|
|
sunshine, he went on.
|
|
|
|
"Understand me, my dear girl. I had no doubt of your being contented
|
|
and happy with me, being so dutiful and so devoted; but I saw with
|
|
whom you would be happier. That I penetrated his secret when Dame
|
|
Durden was blind to it is no wonder, for I knew the good that could
|
|
never change in her better far than she did. Well! I have long been
|
|
in Allan Woodcourt's confidence, although he was not, until
|
|
yesterday, a few hours before you came here, in mine. But I would not
|
|
have my Esther's bright example lost; I would not have a jot of my
|
|
dear girl's virtues unobserved and unhonoured; I would not have her
|
|
admitted on sufferance into the line of Morgan ap-Kerrig, no, not for
|
|
the weight in gold of all the mountains in Wales!"
|
|
|
|
He stopped to kiss me on the forehead, and I sobbed and wept afresh.
|
|
For I felt as if I could not bear the painful delight of his praise.
|
|
|
|
"Hush, little woman! Don't cry; this is to be a day of joy. I have
|
|
looked forward to it," he said exultingly, "for months on months! A
|
|
few words more, Dame Trot, and I have said my say. Determined not to
|
|
throw away one atom of my Esther's worth, I took Mrs. Woodcourt into
|
|
a separate confidence. 'Now, madam,' said I, 'I clearly perceive--and
|
|
indeed I know, to boot--that your son loves my ward. I am further
|
|
very sure that my ward loves your son, but will sacrifice her love to
|
|
a sense of duty and affection, and will sacrifice it so completely,
|
|
so entirely, so religiously, that you should never suspect it though
|
|
you watched her night and day.' Then I told her all our
|
|
story--ours--yours and mine. 'Now, madam,' said I, 'come you, knowing
|
|
this, and live with us. Come you, and see my child from hour to hour;
|
|
set what you see against her pedigree, which is this, and this'--for
|
|
I scorned to mince it--'and tell me what is the true legitimacy when
|
|
you shall have quite made up your mind on that subject.' Why, honour
|
|
to her old Welsh blood, my dear," cried my guardian with enthusiasm,
|
|
"I believe the heart it animates beats no less warmly, no less
|
|
admiringly, no less lovingly, towards Dame Durden than my own!"
|
|
|
|
He tenderly raised my head, and as I clung to him, kissed me in his
|
|
old fatherly way again and again. What a light, now, on the
|
|
protecting manner I had thought about!
|
|
|
|
"One more last word. When Allan Woodcourt spoke to you, my dear, he
|
|
spoke with my knowledge and consent--but I gave him no encouragement,
|
|
not I, for these surprises were my great reward, and I was too
|
|
miserly to part with a scrap of it. He was to come and tell me all
|
|
that passed, and he did. I have no more to say. My dearest, Allan
|
|
Woodcourt stood beside your father when he lay dead--stood beside
|
|
your mother. This is Bleak House. This day I give this house its
|
|
little mistress; and before God, it is the brightest day in all my
|
|
life!"
|
|
|
|
He rose and raised me with him. We were no longer alone. My
|
|
husband--I have called him by that name full seven happy years
|
|
now--stood at my side.
|
|
|
|
"Allan," said my guardian, "take from me a willing gift, the best
|
|
wife that ever man had. What more can I say for you than that I know
|
|
you deserve her! Take with her the little home she brings you. You
|
|
know what she will make it, Allan; you know what she has made its
|
|
namesake. Let me share its felicity sometimes, and what do I
|
|
sacrifice? Nothing, nothing."
|
|
|
|
He kissed me once again, and now the tears were in his eyes as he
|
|
said more softly, "Esther, my dearest, after so many years, there is
|
|
a kind of parting in this too. I know that my mistake has caused you
|
|
some distress. Forgive your old guardian, in restoring him to his old
|
|
place in your affections; and blot it out of your memory. Allan, take
|
|
my dear."
|
|
|
|
He moved away from under the green roof of leaves, and stopping in
|
|
the sunlight outside and turning cheerfully towards us, said, "I
|
|
shall be found about here somewhere. It's a west wind, little woman,
|
|
due west! Let no one thank me any more, for I am going to revert to
|
|
my bachelor habits, and if anybody disregards this warning, I'll run
|
|
away and never come back!"
|
|
|
|
What happiness was ours that day, what joy, what rest, what hope,
|
|
what gratitude, what bliss! We were to be married before the month
|
|
was out, but when we were to come and take possession of our own
|
|
house was to depend on Richard and Ada.
|
|
|
|
We all three went home together next day. As soon as we arrived in
|
|
town, Allan went straight to see Richard and to carry our joyful news
|
|
to him and my darling. Late as it was, I meant to go to her for a few
|
|
minutes before lying down to sleep, but I went home with my guardian
|
|
first to make his tea for him and to occupy the old chair by his
|
|
side, for I did not like to think of its being empty so soon.
|
|
|
|
When we came home we found that a young man had called three times in
|
|
the course of that one day to see me and that having been told on the
|
|
occasion of his third call that I was not expected to return before
|
|
ten o'clock at night, he had left word that he would call about then.
|
|
He had left his card three times. Mr. Guppy.
|
|
|
|
As I naturally speculated on the object of these visits, and as I
|
|
always associated something ludicrous with the visitor, it fell out
|
|
that in laughing about Mr. Guppy I told my guardian of his old
|
|
proposal and his subsequent retraction. "After that," said my
|
|
guardian, "we will certainly receive this hero." So instructions were
|
|
given that Mr. Guppy should be shown in when he came again, and they
|
|
were scarcely given when he did come again.
|
|
|
|
He was embarrassed when he found my guardian with me, but recovered
|
|
himself and said, "How de do, sir?"
|
|
|
|
"How do you do, sir?" returned my guardian.
|
|
|
|
"Thank you, sir, I am tolerable," returned Mr. Guppy. "Will you allow
|
|
me to introduce my mother, Mrs. Guppy of the Old Street Road, and my
|
|
particular friend, Mr. Weevle. That is to say, my friend has gone by
|
|
the name of Weevle, but his name is really and truly Jobling."
|
|
|
|
My guardian begged them to be seated, and they all sat down.
|
|
|
|
"Tony," said Mr. Guppy to his friend after an awkward silence. "Will
|
|
you open the case?"
|
|
|
|
"Do it yourself," returned the friend rather tartly.
|
|
|
|
"Well, Mr. Jarndyce, sir," Mr. Guppy, after a moment's consideration,
|
|
began, to the great diversion of his mother, which she displayed by
|
|
nudging Mr. Jobling with her elbow and winking at me in a most
|
|
remarkable manner, "I had an idea that I should see Miss Summerson by
|
|
herself and was not quite prepared for your esteemed presence. But
|
|
Miss Summerson has mentioned to you, perhaps, that something has
|
|
passed between us on former occasions?"
|
|
|
|
"Miss Summerson," returned my guardian, smiling, "has made a
|
|
communication to that effect to me."
|
|
|
|
"That," said Mr. Guppy, "makes matters easier. Sir, I have come out
|
|
of my articles at Kenge and Carboy's, and I believe with satisfaction
|
|
to all parties. I am now admitted (after undergoing an examination
|
|
that's enough to badger a man blue, touching a pack of nonsense that
|
|
he don't want to know) on the roll of attorneys and have taken out my
|
|
certificate, if it would be any satisfaction to you to see it."
|
|
|
|
"Thank you, Mr. Guppy," returned my guardian. "I am quite willing--I
|
|
believe I use a legal phrase--to admit the certificate."
|
|
|
|
Mr. Guppy therefore desisted from taking something out of his pocket
|
|
and proceeded without it.
|
|
|
|
"I have no capital myself, but my mother has a little property which
|
|
takes the form of an annuity"--here Mr. Guppy's mother rolled her
|
|
head as if she never could sufficiently enjoy the observation, and
|
|
put her handkerchief to her mouth, and again winked at me--"and a few
|
|
pounds for expenses out of pocket in conducting business will never
|
|
be wanting, free of interest, which is an advantage, you know," said
|
|
Mr. Guppy feelingly.
|
|
|
|
"Certainly an advantage," returned my guardian.
|
|
|
|
"I HAVE some connexion," pursued Mr. Guppy, "and it lays in the
|
|
direction of Walcot Square, Lambeth. I have therefore taken a 'ouse
|
|
in that locality, which, in the opinion of my friends, is a hollow
|
|
bargain (taxes ridiculous, and use of fixtures included in the rent),
|
|
and intend setting up professionally for myself there forthwith."
|
|
|
|
Here Mr. Guppy's mother fell into an extraordinary passion of rolling
|
|
her head and smiling waggishly at anybody who would look at her.
|
|
|
|
"It's a six-roomer, exclusive of kitchens," said Mr. Guppy, "and in
|
|
the opinion of my friends, a commodious tenement. When I mention my
|
|
friends, I refer principally to my friend Jobling, who I believe has
|
|
known me," Mr. Guppy looked at him with a sentimental air, "from
|
|
boyhood's hour."
|
|
|
|
Mr. Jobling confirmed this with a sliding movement of his legs.
|
|
|
|
"My friend Jobling will render me his assistance in the capacity of
|
|
clerk and will live in the 'ouse," said Mr. Guppy. "My mother will
|
|
likewise live in the 'ouse when her present quarter in the Old Street
|
|
Road shall have ceased and expired; and consequently there will be no
|
|
want of society. My friend Jobling is naturally aristocratic by
|
|
taste, and besides being acquainted with the movements of the upper
|
|
circles, fully backs me in the intentions I am now developing."
|
|
|
|
Mr. Jobling said "Certainly" and withdrew a little from the elbow of
|
|
Mr Guppy's mother.
|
|
|
|
"Now, I have no occasion to mention to you, sir, you being in the
|
|
confidence of Miss Summerson," said Mr. Guppy, "(mother, I wish you'd
|
|
be so good as to keep still), that Miss Summerson's image was
|
|
formerly imprinted on my 'eart and that I made her a proposal of
|
|
marriage."
|
|
|
|
"That I have heard," returned my guardian.
|
|
|
|
"Circumstances," pursued Mr. Guppy, "over which I had no control, but
|
|
quite the contrary, weakened the impression of that image for a time.
|
|
At which time Miss Summerson's conduct was highly genteel; I may even
|
|
add, magnanimous."
|
|
|
|
My guardian patted me on the shoulder and seemed much amused.
|
|
|
|
"Now, sir," said Mr. Guppy, "I have got into that state of mind
|
|
myself that I wish for a reciprocity of magnanimous behaviour. I wish
|
|
to prove to Miss Summerson that I can rise to a heighth of which
|
|
perhaps she hardly thought me capable. I find that the image which I
|
|
did suppose had been eradicated from my 'eart is NOT eradicated. Its
|
|
influence over me is still tremenjous, and yielding to it, I am
|
|
willing to overlook the circumstances over which none of us have had
|
|
any control and to renew those proposals to Miss Summerson which I
|
|
had the honour to make at a former period. I beg to lay the 'ouse in
|
|
Walcot Square, the business, and myself before Miss Summerson for her
|
|
acceptance."
|
|
|
|
"Very magnanimous indeed, sir," observed my guardian.
|
|
|
|
"Well, sir," replied Mr. Guppy with candour, "my wish is to BE
|
|
magnanimous. I do not consider that in making this offer to Miss
|
|
Summerson I am by any means throwing myself away; neither is that the
|
|
opinion of my friends. Still, there are circumstances which I submit
|
|
may be taken into account as a set off against any little drawbacks
|
|
of mine, and so a fair and equitable balance arrived at."
|
|
|
|
"I take upon myself, sir," said my guardian, laughing as he rang the
|
|
bell, "to reply to your proposals on behalf of Miss Summerson. She is
|
|
very sensible of your handsome intentions, and wishes you good
|
|
evening, and wishes you well."
|
|
|
|
"Oh!" said Mr. Guppy with a blank look. "Is that tantamount, sir, to
|
|
acceptance, or rejection, or consideration?"
|
|
|
|
"To decided rejection, if you please," returned my guardian.
|
|
|
|
Mr. Guppy looked incredulously at his friend, and at his mother, who
|
|
suddenly turned very angry, and at the floor, and at the ceiling.
|
|
|
|
"Indeed?" said he. "Then, Jobling, if you was the friend you
|
|
represent yourself, I should think you might hand my mother out of
|
|
the gangway instead of allowing her to remain where she ain't
|
|
wanted."
|
|
|
|
But Mrs. Guppy positively refused to come out of the gangway. She
|
|
wouldn't hear of it. "Why, get along with you," said she to my
|
|
guardian, "what do you mean? Ain't my son good enough for you? You
|
|
ought to be ashamed of yourself. Get out with you!"
|
|
|
|
"My good lady," returned my guardian, "it is hardly reasonable to ask
|
|
me to get out of my own room."
|
|
|
|
"I don't care for that," said Mrs. Guppy. "Get out with you. If we
|
|
ain't good enough for you, go and procure somebody that is good
|
|
enough. Go along and find 'em."
|
|
|
|
I was quite unprepared for the rapid manner in which Mrs. Guppy's
|
|
power of jocularity merged into a power of taking the profoundest
|
|
offence.
|
|
|
|
"Go along and find somebody that's good enough for you," repeated
|
|
Mrs. Guppy. "Get out!" Nothing seemed to astonish Mr. Guppy's mother
|
|
so much and to make her so very indignant as our not getting out.
|
|
"Why don't you get out?" said Mrs. Guppy. "What are you stopping here
|
|
for?"
|
|
|
|
"Mother," interposed her son, always getting before her and pushing
|
|
her back with one shoulder as she sidled at my guardian, "WILL you
|
|
hold your tongue?"
|
|
|
|
"No, William," she returned, "I won't! Not unless he gets out, I
|
|
won't!"
|
|
|
|
However, Mr. Guppy and Mr. Jobling together closed on Mr. Guppy's
|
|
mother (who began to be quite abusive) and took her, very much
|
|
against her will, downstairs, her voice rising a stair higher every
|
|
time her figure got a stair lower, and insisting that we should
|
|
immediately go and find somebody who was good enough for us, and
|
|
above all things that we should get out.
|
|
|
|
|
|
|
|
|
|
CHAPTER LXV
|
|
|
|
Beginning the World
|
|
|
|
|
|
The term had commenced, and my guardian found an intimation from Mr.
|
|
Kenge that the cause would come on in two days. As I had sufficient
|
|
hopes of the will to be in a flutter about it, Allan and I agreed to
|
|
go down to the court that morning. Richard was extremely agitated and
|
|
was so weak and low, though his illness was still of the mind, that
|
|
my dear girl indeed had sore occasion to be supported. But she looked
|
|
forward--a very little way now--to the help that was to come to her,
|
|
and never drooped.
|
|
|
|
It was at Westminster that the cause was to come on. It had come on
|
|
there, I dare say, a hundred times before, but I could not divest
|
|
myself of an idea that it MIGHT lead to some result now. We left home
|
|
directly after breakfast to be at Westminster Hall in good time and
|
|
walked down there through the lively streets--so happily and
|
|
strangely it seemed!--together.
|
|
|
|
As we were going along, planning what we should do for Richard and
|
|
Ada, I heard somebody calling "Esther! My dear Esther! Esther!" And
|
|
there was Caddy Jellyby, with her head out of the window of a little
|
|
carriage which she hired now to go about in to her pupils (she had so
|
|
many), as if she wanted to embrace me at a hundred yards' distance. I
|
|
had written her a note to tell her of all that my guardian had done,
|
|
but had not had a moment to go and see her. Of course we turned back,
|
|
and the affectionate girl was in that state of rapture, and was so
|
|
overjoyed to talk about the night when she brought me the flowers,
|
|
and was so determined to squeeze my face (bonnet and all) between her
|
|
hands, and go on in a wild manner altogether, calling me all kinds of
|
|
precious names, and telling Allan I had done I don't know what for
|
|
her, that I was just obliged to get into the little carriage and calm
|
|
her down by letting her say and do exactly what she liked. Allan,
|
|
standing at the window, was as pleased as Caddy; and I was as pleased
|
|
as either of them; and I wonder that I got away as I did, rather than
|
|
that I came off laughing, and red, and anything but tidy, and looking
|
|
after Caddy, who looked after us out of the coach-window as long as
|
|
she could see us.
|
|
|
|
This made us some quarter of an hour late, and when we came to
|
|
Westminster Hall we found that the day's business was begun. Worse
|
|
than that, we found such an unusual crowd in the Court of Chancery
|
|
that it was full to the door, and we could neither see nor hear what
|
|
was passing within. It appeared to be something droll, for
|
|
occasionally there was a laugh and a cry of "Silence!" It appeared to
|
|
be something interesting, for every one was pushing and striving to
|
|
get nearer. It appeared to be something that made the professional
|
|
gentlemen very merry, for there were several young counsellors in
|
|
wigs and whiskers on the outside of the crowd, and when one of them
|
|
told the others about it, they put their hands in their pockets, and
|
|
quite doubled themselves up with laughter, and went stamping about
|
|
the pavement of the Hall.
|
|
|
|
We asked a gentleman by us if he knew what cause was on. He told us
|
|
Jarndyce and Jarndyce. We asked him if he knew what was doing in it.
|
|
He said really, no he did not, nobody ever did, but as well as he
|
|
could make out, it was over. Over for the day? we asked him. No, he
|
|
said, over for good.
|
|
|
|
Over for good!
|
|
|
|
When we heard this unaccountable answer, we looked at one another
|
|
quite lost in amazement. Could it be possible that the will had set
|
|
things right at last and that Richard and Ada were going to be rich?
|
|
It seemed too good to be true. Alas it was!
|
|
|
|
Our suspense was short, for a break-up soon took place in the crowd,
|
|
and the people came streaming out looking flushed and hot and
|
|
bringing a quantity of bad air with them. Still they were all
|
|
exceedingly amused and were more like people coming out from a farce
|
|
or a juggler than from a court of justice. We stood aside, watching
|
|
for any countenance we knew, and presently great bundles of paper
|
|
began to be carried out--bundles in bags, bundles too large to be got
|
|
into any bags, immense masses of papers of all shapes and no shapes,
|
|
which the bearers staggered under, and threw down for the time being,
|
|
anyhow, on the Hall pavement, while they went back to bring out more.
|
|
Even these clerks were laughing. We glanced at the papers, and seeing
|
|
Jarndyce and Jarndyce everywhere, asked an official-looking person
|
|
who was standing in the midst of them whether the cause was over.
|
|
Yes, he said, it was all up with it at last, and burst out laughing
|
|
too.
|
|
|
|
At this juncture we perceived Mr. Kenge coming out of court with an
|
|
affable dignity upon him, listening to Mr. Vholes, who was
|
|
deferential and carried his own bag. Mr. Vholes was the first to see
|
|
us. "Here is Miss Summerson, sir," he said. "And Mr. Woodcourt."
|
|
|
|
"Oh, indeed! Yes. Truly!" said Mr. Kenge, raising his hat to me with
|
|
polished politeness. "How do you do? Glad to see you. Mr. Jarndyce is
|
|
not here?"
|
|
|
|
No. He never came there, I reminded him.
|
|
|
|
"Really," returned Mr. Kenge, "it is as well that he is NOT here
|
|
to-day, for his--shall I say, in my good friend's absence, his
|
|
indomitable singularity of opinion?--might have been strengthened,
|
|
perhaps; not reasonably, but might have been strengthened."
|
|
|
|
"Pray what has been done to-day?" asked Allan.
|
|
|
|
"I beg your pardon?" said Mr. Kenge with excessive urbanity.
|
|
|
|
"What has been done to-day?"
|
|
|
|
"What has been done," repeated Mr. Kenge. "Quite so. Yes. Why, not
|
|
much has been done; not much. We have been checked--brought up
|
|
suddenly, I would say--upon the--shall I term it threshold?"
|
|
|
|
"Is this will considered a genuine document, sir?" said Allan. "Will
|
|
you tell us that?"
|
|
|
|
"Most certainly, if I could," said Mr. Kenge; "but we have not gone
|
|
into that, we have not gone into that."
|
|
|
|
"We have not gone into that," repeated Mr. Vholes as if his low
|
|
inward voice were an echo.
|
|
|
|
"You are to reflect, Mr. Woodcourt," observed Mr. Kenge, using his
|
|
silver trowel persuasively and smoothingly, "that this has been a
|
|
great cause, that this has been a protracted cause, that this has
|
|
been a complex cause. Jarndyce and Jarndyce has been termed, not
|
|
inaptly, a monument of Chancery practice."
|
|
|
|
"And patience has sat upon it a long time," said Allan.
|
|
|
|
"Very well indeed, sir," returned Mr. Kenge with a certain
|
|
condescending laugh he had. "Very well! You are further to reflect,
|
|
Mr. Woodcourt," becoming dignified almost to severity, "that on the
|
|
numerous difficulties, contingencies, masterly fictions, and forms of
|
|
procedure in this great cause, there has been expended study,
|
|
ability, eloquence, knowledge, intellect, Mr. Woodcourt, high
|
|
intellect. For many years, the--a--I would say the flower of the bar,
|
|
and the--a--I would presume to add, the matured autumnal fruits of
|
|
the woolsack--have been lavished upon Jarndyce and Jarndyce. If the
|
|
public have the benefit, and if the country have the adornment, of
|
|
this great grasp, it must be paid for in money or money's worth,
|
|
sir."
|
|
|
|
"Mr. Kenge," said Allan, appearing enlightened all in a moment.
|
|
"Excuse me, our time presses. Do I understand that the whole estate
|
|
is found to have been absorbed in costs?"
|
|
|
|
"Hem! I believe so," returned Mr. Kenge. "Mr. Vholes, what do YOU
|
|
say?"
|
|
|
|
"I believe so," said Mr. Vholes.
|
|
|
|
"And that thus the suit lapses and melts away?"
|
|
|
|
"Probably," returned Mr. Kenge. "Mr. Vholes?"
|
|
|
|
"Probably," said Mr. Vholes.
|
|
|
|
"My dearest life," whispered Allan, "this will break Richard's
|
|
heart!"
|
|
|
|
There was such a shock of apprehension in his face, and he knew
|
|
Richard so perfectly, and I too had seen so much of his gradual
|
|
decay, that what my dear girl had said to me in the fullness of her
|
|
foreboding love sounded like a knell in my ears.
|
|
|
|
"In case you should be wanting Mr. C., sir," said Mr. Vholes, coming
|
|
after us, "you'll find him in court. I left him there resting himself
|
|
a little. Good day, sir; good day, Miss Summerson." As he gave me
|
|
that slowly devouring look of his, while twisting up the strings of
|
|
his bag before he hastened with it after Mr. Kenge, the benignant
|
|
shadow of whose conversational presence he seemed afraid to leave, he
|
|
gave one gasp as if he had swallowed the last morsel of his client,
|
|
and his black buttoned-up unwholesome figure glided away to the low
|
|
door at the end of the Hall.
|
|
|
|
"My dear love," said Allan, "leave to me, for a little while, the
|
|
charge you gave me. Go home with this intelligence and come to Ada's
|
|
by and by!"
|
|
|
|
I would not let him take me to a coach, but entreated him to go to
|
|
Richard without a moment's delay and leave me to do as he wished.
|
|
Hurrying home, I found my guardian and told him gradually with what
|
|
news I had returned. "Little woman," said he, quite unmoved for
|
|
himself, "to have done with the suit on any terms is a greater
|
|
blessing than I had looked for. But my poor young cousins!"
|
|
|
|
We talked about them all the morning and discussed what it was
|
|
possible to do. In the afternoon my guardian walked with me to
|
|
Symond's Inn and left me at the door. I went upstairs. When my
|
|
darling heard my footsteps, she came out into the small passage and
|
|
threw her arms round my neck, but she composed herself directly and
|
|
said that Richard had asked for me several times. Allan had found him
|
|
sitting in the corner of the court, she told me, like a stone figure.
|
|
On being roused, he had broken away and made as if he would have
|
|
spoken in a fierce voice to the judge. He was stopped by his mouth
|
|
being full of blood, and Allan had brought him home.
|
|
|
|
He was lying on a sofa with his eyes closed when I went in. There
|
|
were restoratives on the table; the room was made as airy as
|
|
possible, and was darkened, and was very orderly and quiet. Allan
|
|
stood behind him watching him gravely. His face appeared to me to be
|
|
quite destitute of colour, and now that I saw him without his seeing
|
|
me, I fully saw, for the first time, how worn away he was. But he
|
|
looked handsomer than I had seen him look for many a day.
|
|
|
|
I sat down by his side in silence. Opening his eyes by and by, he
|
|
said in a weak voice, but with his old smile, "Dame Durden, kiss me,
|
|
my dear!"
|
|
|
|
It was a great comfort and surprise to me to find him in his low
|
|
state cheerful and looking forward. He was happier, he said, in our
|
|
intended marriage than he could find words to tell me. My husband had
|
|
been a guardian angel to him and Ada, and he blessed us both and
|
|
wished us all the joy that life could yield us. I almost felt as if
|
|
my own heart would have broken when I saw him take my husband's hand
|
|
and hold it to his breast.
|
|
|
|
We spoke of the future as much as possible, and he said several times
|
|
that he must be present at our marriage if he could stand upon his
|
|
feet. Ada would contrive to take him, somehow, he said. "Yes, surely,
|
|
dearest Richard!" But as my darling answered him thus hopefully, so
|
|
serene and beautiful, with the help that was to come to her so
|
|
near--I knew--I knew!
|
|
|
|
It was not good for him to talk too much, and when he was silent, we
|
|
were silent too. Sitting beside him, I made a pretence of working for
|
|
my dear, as he had always been used to joke about my being busy. Ada
|
|
leaned upon his pillow, holding his head upon her arm. He dozed
|
|
often, and whenever he awoke without seeing him, said first of all,
|
|
"Where is Woodcourt?"
|
|
|
|
Evening had come on when I lifted up my eyes and saw my guardian
|
|
standing in the little hall. "Who is that, Dame Durden?" Richard
|
|
asked me. The door was behind him, but he had observed in my face
|
|
that some one was there.
|
|
|
|
I looked to Allan for advice, and as he nodded "Yes," bent over
|
|
Richard and told him. My guardian saw what passed, came softly by me
|
|
in a moment, and laid his hand on Richard's. "Oh, sir," said Richard,
|
|
"you are a good man, you are a good man!" and burst into tears for
|
|
the first time.
|
|
|
|
My guardian, the picture of a good man, sat down in my place, keeping
|
|
his hand on Richard's.
|
|
|
|
"My dear Rick," said he, "the clouds have cleared away, and it is
|
|
bright now. We can see now. We were all bewildered, Rick, more or
|
|
less. What matters! And how are you, my dear boy?"
|
|
|
|
"I am very weak, sir, but I hope I shall be stronger. I have to begin
|
|
the world."
|
|
|
|
"Aye, truly; well said!" cried my guardian.
|
|
|
|
"I will not begin it in the old way now," said Richard with a sad
|
|
smile. "I have learned a lesson now, sir. It was a hard one, but you
|
|
shall be assured, indeed, that I have learned it."
|
|
|
|
"Well, well," said my guardian, comforting him; "well, well, well,
|
|
dear boy!"
|
|
|
|
"I was thinking, sir," resumed Richard, "that there is nothing on
|
|
earth I should so much like to see as their house--Dame Durden's and
|
|
Woodcourt's house. If I could be removed there when I begin to
|
|
recover my strength, I feel as if I should get well there sooner than
|
|
anywhere."
|
|
|
|
"Why, so have I been thinking too, Rick," said my guardian, "and our
|
|
little woman likewise; she and I have been talking of it this very
|
|
day. I dare say her husband won't object. What do you think?"
|
|
|
|
Richard smiled and lifted up his arm to touch him as he stood behind
|
|
the head of the couch.
|
|
|
|
"I say nothing of Ada," said Richard, "but I think of her, and have
|
|
thought of her very much. Look at her! See her here, sir, bending
|
|
over this pillow when she has so much need to rest upon it herself,
|
|
my dear love, my poor girl!"
|
|
|
|
He clasped her in his arms, and none of us spoke. He gradually
|
|
released her, and she looked upon us, and looked up to heaven, and
|
|
moved her lips.
|
|
|
|
"When I get down to Bleak House," said Richard, "I shall have much to
|
|
tell you, sir, and you will have much to show me. You will go, won't
|
|
you?"
|
|
|
|
"Undoubtedly, dear Rick."
|
|
|
|
"Thank you; like you, like you," said Richard. "But it's all like
|
|
you. They have been telling me how you planned it and how you
|
|
remembered all Esther's familiar tastes and ways. It will be like
|
|
coming to the old Bleak House again."
|
|
|
|
"And you will come there too, I hope, Rick. I am a solitary man now,
|
|
you know, and it will be a charity to come to me. A charity to come
|
|
to me, my love!" he repeated to Ada as he gently passed his hand over
|
|
her golden hair and put a lock of it to his lips. (I think he vowed
|
|
within himself to cherish her if she were left alone.)
|
|
|
|
"It was a troubled dream?" said Richard, clasping both my guardian's
|
|
hands eagerly.
|
|
|
|
"Nothing more, Rick; nothing more."
|
|
|
|
"And you, being a good man, can pass it as such, and forgive and pity
|
|
the dreamer, and be lenient and encouraging when he wakes?"
|
|
|
|
"Indeed I can. What am I but another dreamer, Rick?"
|
|
|
|
"I will begin the world!" said Richard with a light in his eyes.
|
|
|
|
My husband drew a little nearer towards Ada, and I saw him solemnly
|
|
lift up his hand to warn my guardian.
|
|
|
|
"When shall I go from this place to that pleasant country where the
|
|
old times are, where I shall have strength to tell what Ada has been
|
|
to me, where I shall be able to recall my many faults and
|
|
blindnesses, where I shall prepare myself to be a guide to my unborn
|
|
child?" said Richard. "When shall I go?"
|
|
|
|
"Dear Rick, when you are strong enough," returned my guardian.
|
|
|
|
"Ada, my darling!"
|
|
|
|
He sought to raise himself a little. Allan raised him so that she
|
|
could hold him on her bosom, which was what he wanted.
|
|
|
|
"I have done you many wrongs, my own. I have fallen like a poor stray
|
|
shadow on your way, I have married you to poverty and trouble, I have
|
|
scattered your means to the winds. You will forgive me all this, my
|
|
Ada, before I begin the world?"
|
|
|
|
A smile irradiated his face as she bent to kiss him. He slowly laid
|
|
his face down upon her bosom, drew his arms closer round her neck,
|
|
and with one parting sob began the world. Not this world, oh, not
|
|
this! The world that sets this right.
|
|
|
|
When all was still, at a late hour, poor crazed Miss Flite came
|
|
weeping to me and told me she had given her birds their liberty.
|
|
|
|
|
|
|
|
|
|
CHAPTER LXVI
|
|
|
|
Down in Lincolnshire
|
|
|
|
|
|
There is a hush upon Chesney Wold in these altered days, as there is
|
|
upon a portion of the family history. The story goes that Sir
|
|
Leicester paid some who could have spoken out to hold their peace;
|
|
but it is a lame story, feebly whispering and creeping about, and any
|
|
brighter spark of life it shows soon dies away. It is known for
|
|
certain that the handsome Lady Dedlock lies in the mausoleum in the
|
|
park, where the trees arch darkly overhead, and the owl is heard at
|
|
night making the woods ring; but whence she was brought home to be
|
|
laid among the echoes of that solitary place, or how she died, is all
|
|
mystery. Some of her old friends, principally to be found among the
|
|
peachy-cheeked charmers with the skeleton throats, did once
|
|
occasionally say, as they toyed in a ghastly manner with large
|
|
fans--like charmers reduced to flirting with grim death, after losing
|
|
all their other beaux--did once occasionally say, when the world
|
|
assembled together, that they wondered the ashes of the Dedlocks,
|
|
entombed in the mausoleum, never rose against the profanation of her
|
|
company. But the dead-and-gone Dedlocks take it very calmly and have
|
|
never been known to object.
|
|
|
|
Up from among the fern in the hollow, and winding by the bridle-road
|
|
among the trees, comes sometimes to this lonely spot the sound of
|
|
horses' hoofs. Then may be seen Sir Leicester--invalided, bent, and
|
|
almost blind, but of worthy presence yet--riding with a stalwart man
|
|
beside him, constant to his bridle-rein. When they come to a certain
|
|
spot before the mausoleum-door, Sir Leicester's accustomed horse
|
|
stops of his own accord, and Sir Leicester, pulling off his hat, is
|
|
still for a few moments before they ride away.
|
|
|
|
War rages yet with the audacious Boythorn, though at uncertain
|
|
intervals, and now hotly, and now coolly, flickering like an unsteady
|
|
fire. The truth is said to be that when Sir Leicester came down to
|
|
Lincolnshire for good, Mr. Boythorn showed a manifest desire to
|
|
abandon his right of way and do whatever Sir Leicester would, which
|
|
Sir Leicester, conceiving to be a condescension to his illness or
|
|
misfortune, took in such high dudgeon, and was so magnificently
|
|
aggrieved by, that Mr. Boythorn found himself under the necessity of
|
|
committing a flagrant trespass to restore his neighbour to himself.
|
|
Similarly, Mr. Boythorn continues to post tremendous placards on the
|
|
disputed thoroughfare and (with his bird upon his head) to hold forth
|
|
vehemently against Sir Leicester in the sanctuary of his own home;
|
|
similarly, also, he defies him as of old in the little church by
|
|
testifying a bland unconsciousness of his existence. But it is
|
|
whispered that when he is most ferocious towards his old foe, he is
|
|
really most considerate, and that Sir Leicester, in the dignity of
|
|
being implacable, little supposes how much he is humoured. As little
|
|
does he think how near together he and his antagonist have suffered
|
|
in the fortunes of two sisters, and his antagonist, who knows it now,
|
|
is not the man to tell him. So the quarrel goes on to the
|
|
satisfaction of both.
|
|
|
|
In one of the lodges of the park--that lodge within sight of the
|
|
house where, once upon a time, when the waters were out down in
|
|
Lincolnshire, my Lady used to see the keeper's child--the stalwart
|
|
man, the trooper formerly, is housed. Some relics of his old calling
|
|
hang upon the walls, and these it is the chosen recreation of a
|
|
little lame man about the stable-yard to keep gleaming bright. A busy
|
|
little man he always is, in the polishing at harness-house doors, of
|
|
stirrup-irons, bits, curb-chains, harness bosses, anything in the way
|
|
of a stable-yard that will take a polish, leading a life of friction.
|
|
A shaggy little damaged man, withal, not unlike an old dog of some
|
|
mongrel breed, who has been considerably knocked about. He answers to
|
|
the name of Phil.
|
|
|
|
A goodly sight it is to see the grand old housekeeper (harder of
|
|
hearing now) going to church on the arm of her son and to
|
|
observe--which few do, for the house is scant of company in these
|
|
times--the relations of both towards Sir Leicester, and his towards
|
|
them. They have visitors in the high summer weather, when a grey
|
|
cloak and umbrella, unknown to Chesney Wold at other periods, are
|
|
seen among the leaves; when two young ladies are occasionally found
|
|
gambolling in sequestered saw-pits and such nooks of the park; and
|
|
when the smoke of two pipes wreathes away into the fragrant evening
|
|
air from the trooper's door. Then is a fife heard trolling within the
|
|
lodge on the inspiring topic of the "British Grenadiers"; and as the
|
|
evening closes in, a gruff inflexible voice is heard to say, while
|
|
two men pace together up and down, "But I never own to it before the
|
|
old girl. Discipline must be maintained."
|
|
|
|
The greater part of the house is shut up, and it is a show-house no
|
|
longer; yet Sir Leicester holds his shrunken state in the long
|
|
drawing-room for all that, and reposes in his old place before my
|
|
Lady's picture. Closed in by night with broad screens, and illumined
|
|
only in that part, the light of the drawing-room seems gradually
|
|
contracting and dwindling until it shall be no more. A little more,
|
|
in truth, and it will be all extinguished for Sir Leicester; and the
|
|
damp door in the mausoleum which shuts so tight, and looks so
|
|
obdurate, will have opened and received him.
|
|
|
|
Volumnia, growing with the flight of time pinker as to the red in her
|
|
face, and yellower as to the white, reads to Sir Leicester in the
|
|
long evenings and is driven to various artifices to conceal her
|
|
yawns, of which the chief and most efficacious is the insertion of
|
|
the pearl necklace between her rosy lips. Long-winded treatises on
|
|
the Buffy and Boodle question, showing how Buffy is immaculate and
|
|
Boodle villainous, and how the country is lost by being all Boodle
|
|
and no Buffy, or saved by being all Buffy and no Boodle (it must be
|
|
one of the two, and cannot be anything else), are the staple of her
|
|
reading. Sir Leicester is not particular what it is and does not
|
|
appear to follow it very closely, further than that he always comes
|
|
broad awake the moment Volumnia ventures to leave off, and sonorously
|
|
repeating her last words, begs with some displeasure to know if she
|
|
finds herself fatigued. However, Volumnia, in the course of her
|
|
bird-like hopping about and pecking at papers, has alighted on a
|
|
memorandum concerning herself in the event of "anything happening" to
|
|
her kinsman, which is handsome compensation for an extensive course
|
|
of reading and holds even the dragon Boredom at bay.
|
|
|
|
The cousins generally are rather shy of Chesney Wold in its dullness,
|
|
but take to it a little in the shooting season, when guns are heard
|
|
in the plantations, and a few scattered beaters and keepers wait at
|
|
the old places of appointment for low-spirited twos and threes of
|
|
cousins. The debilitated cousin, more debilitated by the dreariness
|
|
of the place, gets into a fearful state of depression, groaning under
|
|
penitential sofa-pillows in his gunless hours and protesting that
|
|
such fernal old jail's--nough t'sew fler up--frever.
|
|
|
|
The only great occasions for Volumnia in this changed aspect of the
|
|
place in Lincolnshire are those occasions, rare and widely separated,
|
|
when something is to be done for the county or the country in the way
|
|
of gracing a public ball. Then, indeed, does the tuckered sylph come
|
|
out in fairy form and proceed with joy under cousinly escort to the
|
|
exhausted old assembly-room, fourteen heavy miles off, which, during
|
|
three hundred and sixty-four days and nights of every ordinary year,
|
|
is a kind of antipodean lumber-room full of old chairs and tables
|
|
upside down. Then, indeed, does she captivate all hearts by her
|
|
condescension, by her girlish vivacity, and by her skipping about as
|
|
in the days when the hideous old general with the mouth too full of
|
|
teeth had not cut one of them at two guineas each. Then does she
|
|
twirl and twine, a pastoral nymph of good family, through the mazes
|
|
of the dance. Then do the swains appear with tea, with lemonade, with
|
|
sandwiches, with homage. Then is she kind and cruel, stately and
|
|
unassuming, various, beautifully wilful. Then is there a singular
|
|
kind of parallel between her and the little glass chandeliers of
|
|
another age embellishing that assembly-room, which, with their meagre
|
|
stems, their spare little drops, their disappointing knobs where no
|
|
drops are, their bare little stalks from which knobs and drops have
|
|
both departed, and their little feeble prismatic twinkling, all seem
|
|
Volumnias.
|
|
|
|
For the rest, Lincolnshire life to Volumnia is a vast blank of
|
|
overgrown house looking out upon trees, sighing, wringing their
|
|
hands, bowing their heads, and casting their tears upon the
|
|
window-panes in monotonous depressions. A labyrinth of grandeur, less
|
|
the property of an old family of human beings and their ghostly
|
|
likenesses than of an old family of echoings and thunderings which
|
|
start out of their hundred graves at every sound and go resounding
|
|
through the building. A waste of unused passages and staircases in
|
|
which to drop a comb upon a bedroom floor at night is to send a
|
|
stealthy footfall on an errand through the house. A place where few
|
|
people care to go about alone, where a maid screams if an ash drops
|
|
from the fire, takes to crying at all times and seasons, becomes the
|
|
victim of a low disorder of the spirits, and gives warning and
|
|
departs.
|
|
|
|
Thus Chesney Wold. With so much of itself abandoned to darkness and
|
|
vacancy; with so little change under the summer shining or the wintry
|
|
lowering; so sombre and motionless always--no flag flying now by day,
|
|
no rows of lights sparkling by night; with no family to come and go,
|
|
no visitors to be the souls of pale cold shapes of rooms, no stir of
|
|
life about it--passion and pride, even to the stranger's eye, have
|
|
died away from the place in Lincolnshire and yielded it to dull
|
|
repose.
|
|
|
|
|
|
|
|
|
|
CHAPTER LXVII
|
|
|
|
The Close of Esther's Narrative
|
|
|
|
|
|
Full seven happy years I have been the mistress of Bleak House. The
|
|
few words that I have to add to what I have written are soon penned;
|
|
then I and the unknown friend to whom I write will part for ever. Not
|
|
without much dear remembrance on my side. Not without some, I hope,
|
|
on his or hers.
|
|
|
|
They gave my darling into my arms, and through many weeks I never
|
|
left her. The little child who was to have done so much was born
|
|
before the turf was planted on its father's grave. It was a boy; and
|
|
I, my husband, and my guardian gave him his father's name.
|
|
|
|
The help that my dear counted on did come to her, though it came, in
|
|
the eternal wisdom, for another purpose. Though to bless and restore
|
|
his mother, not his father, was the errand of this baby, its power
|
|
was mighty to do it. When I saw the strength of the weak little hand
|
|
and how its touch could heal my darling's heart and raised hope
|
|
within her, I felt a new sense of the goodness and the tenderness of
|
|
God.
|
|
|
|
They throve, and by degrees I saw my dear girl pass into my country
|
|
garden and walk there with her infant in her arms. I was married
|
|
then. I was the happiest of the happy.
|
|
|
|
It was at this time that my guardian joined us and asked Ada when she
|
|
would come home.
|
|
|
|
"Both houses are your home, my dear," said he, "but the older Bleak
|
|
House claims priority. When you and my boy are strong enough to do
|
|
it, come and take possession of your home."
|
|
|
|
Ada called him "her dearest cousin, John." But he said, no, it must
|
|
be guardian now. He was her guardian henceforth, and the boy's; and
|
|
he had an old association with the name. So she called him guardian,
|
|
and has called him guardian ever since. The children know him by no
|
|
other name. I say the children; I have two little daughters.
|
|
|
|
It is difficult to believe that Charley (round-eyed still, and not at
|
|
all grammatical) is married to a miller in our neighbourhood; yet so
|
|
it is; and even now, looking up from my desk as I write early in the
|
|
morning at my summer window, I see the very mill beginning to go
|
|
round. I hope the miller will not spoil Charley; but he is very fond
|
|
of her, and Charley is rather vain of such a match, for he is well to
|
|
do and was in great request. So far as my small maid is concerned, I
|
|
might suppose time to have stood for seven years as still as the mill
|
|
did half an hour ago, since little Emma, Charley's sister, is exactly
|
|
what Charley used to be. As to Tom, Charley's brother, I am really
|
|
afraid to say what he did at school in ciphering, but I think it was
|
|
decimals. He is apprenticed to the miller, whatever it was, and is a
|
|
good bashful fellow, always falling in love with somebody and being
|
|
ashamed of it.
|
|
|
|
Caddy Jellyby passed her very last holidays with us and was a dearer
|
|
creature than ever, perpetually dancing in and out of the house with
|
|
the children as if she had never given a dancing-lesson in her life.
|
|
Caddy keeps her own little carriage now instead of hiring one, and
|
|
lives full two miles further westward than Newman Street. She works
|
|
very hard, her husband (an excellent one) being lame and able to do
|
|
very little. Still, she is more than contented and does all she has
|
|
to do with all her heart. Mr. Jellyby spends his evenings at her new
|
|
house with his head against the wall as he used to do in her old one.
|
|
I have heard that Mrs. Jellyby was understood to suffer great
|
|
mortification from her daughter's ignoble marriage and pursuits, but
|
|
I hope she got over it in time. She has been disappointed in
|
|
Borrioboola-Gha, which turned out a failure in consequence of the
|
|
king of Borrioboola wanting to sell everybody--who survived the
|
|
climate--for rum, but she has taken up with the rights of women to
|
|
sit in Parliament, and Caddy tells me it is a mission involving more
|
|
correspondence than the old one. I had almost forgotten Caddy's poor
|
|
little girl. She is not such a mite now, but she is deaf and dumb. I
|
|
believe there never was a better mother than Caddy, who learns, in
|
|
her scanty intervals of leisure, innumerable deaf and dumb arts to
|
|
soften the affliction of her child.
|
|
|
|
As if I were never to have done with Caddy, I am reminded here of
|
|
Peepy and old Mr. Turveydrop. Peepy is in the Custom House, and doing
|
|
extremely well. Old Mr. Turveydrop, very apoplectic, still exhibits
|
|
his deportment about town, still enjoys himself in the old manner, is
|
|
still believed in in the old way. He is constant in his patronage of
|
|
Peepy and is understood to have bequeathed him a favourite French
|
|
clock in his dressing-room--which is not his property.
|
|
|
|
With the first money we saved at home, we added to our pretty house
|
|
by throwing out a little growlery expressly for my guardian, which we
|
|
inaugurated with great splendour the next time he came down to see
|
|
us. I try to write all this lightly, because my heart is full in
|
|
drawing to an end, but when I write of him, my tears will have their
|
|
way.
|
|
|
|
I never look at him but I hear our poor dear Richard calling him a
|
|
good man. To Ada and her pretty boy, he is the fondest father; to me
|
|
he is what he has ever been, and what name can I give to that? He is
|
|
my husband's best and dearest friend, he is our children's darling,
|
|
he is the object of our deepest love and veneration. Yet while I feel
|
|
towards him as if he were a superior being, I am so familiar with him
|
|
and so easy with him that I almost wonder at myself. I have never
|
|
lost my old names, nor has he lost his; nor do I ever, when he is
|
|
with us, sit in any other place than in my old chair at his side,
|
|
Dame Trot, Dame Durden, Little Woman--all just the same as ever; and
|
|
I answer, "Yes, dear guardian!" just the same.
|
|
|
|
I have never known the wind to be in the east for a single moment
|
|
since the day when he took me to the porch to read the name. I
|
|
remarked to him once that the wind seemed never in the east now, and
|
|
he said, no, truly; it had finally departed from that quarter on that
|
|
very day.
|
|
|
|
I think my darling girl is more beautiful than ever. The sorrow that
|
|
has been in her face--for it is not there now--seems to have purified
|
|
even its innocent expression and to have given it a diviner quality.
|
|
Sometimes when I raise my eyes and see her in the black dress that
|
|
she still wears, teaching my Richard, I feel--it is difficult to
|
|
express--as if it were so good to know that she remembers her dear
|
|
Esther in her prayers.
|
|
|
|
I call him my Richard! But he says that he has two mamas, and I am
|
|
one.
|
|
|
|
We are not rich in the bank, but we have always prospered, and we
|
|
have quite enough. I never walk out with my husband but I hear the
|
|
people bless him. I never go into a house of any degree but I hear
|
|
his praises or see them in grateful eyes. I never lie down at night
|
|
but I know that in the course of that day he has alleviated pain and
|
|
soothed some fellow-creature in the time of need. I know that from
|
|
the beds of those who were past recovery, thanks have often, often
|
|
gone up, in the last hour, for his patient ministration. Is not this
|
|
to be rich?
|
|
|
|
The people even praise me as the doctor's wife. The people even like
|
|
me as I go about, and make so much of me that I am quite abashed. I
|
|
owe it all to him, my love, my pride! They like me for his sake, as I
|
|
do everything I do in life for his sake.
|
|
|
|
A night or two ago, after bustling about preparing for my darling and
|
|
my guardian and little Richard, who are coming to-morrow, I was
|
|
sitting out in the porch of all places, that dearly memorable porch,
|
|
when Allan came home. So he said, "My precious little woman, what are
|
|
you doing here?" And I said, "The moon is shining so brightly, Allan,
|
|
and the night is so delicious, that I have been sitting here
|
|
thinking."
|
|
|
|
"What have you been thinking about, my dear?" said Allan then.
|
|
|
|
"How curious you are!" said I. "I am almost ashamed to tell you, but
|
|
I will. I have been thinking about my old looks--such as they were."
|
|
|
|
"And what have you been thinking about THEM, my busy bee?" said
|
|
Allan.
|
|
|
|
"I have been thinking that I thought it was impossible that you COULD
|
|
have loved me any better, even if I had retained them."
|
|
|
|
"'Such as they were'?" said Allan, laughing.
|
|
|
|
"Such as they were, of course."
|
|
|
|
"My dear Dame Durden," said Allan, drawing my arm through his, "do
|
|
you ever look in the glass?"
|
|
|
|
"You know I do; you see me do it."
|
|
|
|
"And don't you know that you are prettier than you ever were?"
|
|
|
|
"I did not know that; I am not certain that I know it now. But I know
|
|
that my dearest little pets are very pretty, and that my darling is
|
|
very beautiful, and that my husband is very handsome, and that my
|
|
guardian has the brightest and most benevolent face that ever was
|
|
seen, and that they can very well do without much beauty in me--even
|
|
supposing--."
|
|
|
|
|
|
|
|
***END OF THE PROJECT GUTENBERG EBOOK BLEAK HOUSE***
|
|
|
|
|
|
******* This file should be named 1023.txt or 1023.zip *******
|
|
|
|
|
|
This and all associated files of various formats will be found in:
|
|
http://www.gutenberg.org/dirs/1/0/2/1023
|
|
|
|
|
|
|
|
Updated editions will replace the previous one--the old editions
|
|
will be renamed.
|
|
|
|
Creating the works from public domain print editions means that no
|
|
one owns a United States copyright in these works, so the Foundation
|
|
(and you!) can copy and distribute it in the United States without
|
|
permission and without paying copyright royalties. Special rules,
|
|
set forth in the General Terms of Use part of this license, apply to
|
|
copying and distributing Project Gutenberg-tm electronic works to
|
|
protect the PROJECT GUTENBERG-tm concept and trademark. Project
|
|
Gutenberg is a registered trademark, and may not be used if you
|
|
charge for the eBooks, unless you receive specific permission. If you
|
|
do not charge anything for copies of this eBook, complying with the
|
|
rules is very easy. You may use this eBook for nearly any purpose
|
|
such as creation of derivative works, reports, performances and
|
|
research. They may be modified and printed and given away--you may do
|
|
practically ANYTHING with public domain eBooks. Redistribution is
|
|
subject to the trademark license, especially commercial
|
|
redistribution.
|
|
|
|
|
|
|
|
*** START: FULL LICENSE ***
|
|
|
|
THE FULL PROJECT GUTENBERG LICENSE
|
|
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
|
|
|
|
To protect the Project Gutenberg-tm mission of promoting the free
|
|
distribution of electronic works, by using or distributing this work
|
|
(or any other work associated in any way with the phrase "Project
|
|
Gutenberg"), you agree to comply with all the terms of the Full Project
|
|
Gutenberg-tm License (available with this file or online at
|
|
http://www.gutenberg.org/license).
|
|
|
|
|
|
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
|
|
electronic works
|
|
|
|
1.A. By reading or using any part of this Project Gutenberg-tm
|
|
electronic work, you indicate that you have read, understand, agree to
|
|
and accept all the terms of this license and intellectual property
|
|
(trademark/copyright) agreement. If you do not agree to abide by all
|
|
the terms of this agreement, you must cease using and return or destroy
|
|
all copies of Project Gutenberg-tm electronic works in your possession.
|
|
If you paid a fee for obtaining a copy of or access to a Project
|
|
Gutenberg-tm electronic work and you do not agree to be bound by the
|
|
terms of this agreement, you may obtain a refund from the person or
|
|
entity to whom you paid the fee as set forth in paragraph 1.E.8.
|
|
|
|
1.B. "Project Gutenberg" is a registered trademark. It may only be
|
|
used on or associated in any way with an electronic work by people who
|
|
agree to be bound by the terms of this agreement. There are a few
|
|
things that you can do with most Project Gutenberg-tm electronic works
|
|
even without complying with the full terms of this agreement. See
|
|
paragraph 1.C below. There are a lot of things you can do with Project
|
|
Gutenberg-tm electronic works if you follow the terms of this agreement
|
|
and help preserve free future access to Project Gutenberg-tm electronic
|
|
works. See paragraph 1.E below.
|
|
|
|
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
|
|
or PGLAF), owns a compilation copyright in the collection of Project
|
|
Gutenberg-tm electronic works. Nearly all the individual works in the
|
|
collection are in the public domain in the United States. If an
|
|
individual work is in the public domain in the United States and you are
|
|
located in the United States, we do not claim a right to prevent you from
|
|
copying, distributing, performing, displaying or creating derivative
|
|
works based on the work as long as all references to Project Gutenberg
|
|
are removed. Of course, we hope that you will support the Project
|
|
Gutenberg-tm mission of promoting free access to electronic works by
|
|
freely sharing Project Gutenberg-tm works in compliance with the terms of
|
|
this agreement for keeping the Project Gutenberg-tm name associated with
|
|
the work. You can easily comply with the terms of this agreement by
|
|
keeping this work in the same format with its attached full Project
|
|
Gutenberg-tm License when you share it without charge with others.
|
|
|
|
1.D. The copyright laws of the place where you are located also govern
|
|
what you can do with this work. Copyright laws in most countries are in
|
|
a constant state of change. If you are outside the United States, check
|
|
the laws of your country in addition to the terms of this agreement
|
|
before downloading, copying, displaying, performing, distributing or
|
|
creating derivative works based on this work or any other Project
|
|
Gutenberg-tm work. The Foundation makes no representations concerning
|
|
the copyright status of any work in any country outside the United
|
|
States.
|
|
|
|
1.E. Unless you have removed all references to Project Gutenberg:
|
|
|
|
1.E.1. The following sentence, with active links to, or other immediate
|
|
access to, the full Project Gutenberg-tm License must appear prominently
|
|
whenever any copy of a Project Gutenberg-tm work (any work on which the
|
|
phrase "Project Gutenberg" appears, or with which the phrase "Project
|
|
Gutenberg" is associated) is accessed, displayed, performed, viewed,
|
|
copied or distributed:
|
|
|
|
This eBook is for the use of anyone anywhere at no cost and with
|
|
almost no restrictions whatsoever. You may copy it, give it away or
|
|
re-use it under the terms of the Project Gutenberg License included
|
|
with this eBook or online at www.gutenberg.org
|
|
|
|
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
|
|
from the public domain (does not contain a notice indicating that it is
|
|
posted with permission of the copyright holder), the work can be copied
|
|
and distributed to anyone in the United States without paying any fees
|
|
or charges. If you are redistributing or providing access to a work
|
|
with the phrase "Project Gutenberg" associated with or appearing on the
|
|
work, you must comply either with the requirements of paragraphs 1.E.1
|
|
through 1.E.7 or obtain permission for the use of the work and the
|
|
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
|
|
1.E.9.
|
|
|
|
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
|
|
with the permission of the copyright holder, your use and distribution
|
|
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
|
|
terms imposed by the copyright holder. Additional terms will be linked
|
|
to the Project Gutenberg-tm License for all works posted with the
|
|
permission of the copyright holder found at the beginning of this work.
|
|
|
|
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
|
|
License terms from this work, or any files containing a part of this
|
|
work or any other work associated with Project Gutenberg-tm.
|
|
|
|
1.E.5. Do not copy, display, perform, distribute or redistribute this
|
|
electronic work, or any part of this electronic work, without
|
|
prominently displaying the sentence set forth in paragraph 1.E.1 with
|
|
active links or immediate access to the full terms of the Project
|
|
Gutenberg-tm License.
|
|
|
|
1.E.6. You may convert to and distribute this work in any binary,
|
|
compressed, marked up, nonproprietary or proprietary form, including any
|
|
word processing or hypertext form. However, if you provide access to or
|
|
distribute copies of a Project Gutenberg-tm work in a format other than
|
|
"Plain Vanilla ASCII" or other format used in the official version
|
|
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
|
|
you must, at no additional cost, fee or expense to the user, provide a
|
|
copy, a means of exporting a copy, or a means of obtaining a copy upon
|
|
request, of the work in its original "Plain Vanilla ASCII" or other
|
|
form. Any alternate format must include the full Project Gutenberg-tm
|
|
License as specified in paragraph 1.E.1.
|
|
|
|
1.E.7. Do not charge a fee for access to, viewing, displaying,
|
|
performing, copying or distributing any Project Gutenberg-tm works
|
|
unless you comply with paragraph 1.E.8 or 1.E.9.
|
|
|
|
1.E.8. You may charge a reasonable fee for copies of or providing
|
|
access to or distributing Project Gutenberg-tm electronic works provided
|
|
that
|
|
|
|
- You pay a royalty fee of 20% of the gross profits you derive from
|
|
the use of Project Gutenberg-tm works calculated using the method
|
|
you already use to calculate your applicable taxes. The fee is
|
|
owed to the owner of the Project Gutenberg-tm trademark, but he
|
|
has agreed to donate royalties under this paragraph to the
|
|
Project Gutenberg Literary Archive Foundation. Royalty payments
|
|
must be paid within 60 days following each date on which you
|
|
prepare (or are legally required to prepare) your periodic tax
|
|
returns. Royalty payments should be clearly marked as such and
|
|
sent to the Project Gutenberg Literary Archive Foundation at the
|
|
address specified in Section 4, "Information about donations to
|
|
the Project Gutenberg Literary Archive Foundation."
|
|
|
|
- You provide a full refund of any money paid by a user who notifies
|
|
you in writing (or by e-mail) within 30 days of receipt that s/he
|
|
does not agree to the terms of the full Project Gutenberg-tm
|
|
License. You must require such a user to return or
|
|
destroy all copies of the works possessed in a physical medium
|
|
and discontinue all use of and all access to other copies of
|
|
Project Gutenberg-tm works.
|
|
|
|
- You provide, in accordance with paragraph 1.F.3, a full refund of any
|
|
money paid for a work or a replacement copy, if a defect in the
|
|
electronic work is discovered and reported to you within 90 days
|
|
of receipt of the work.
|
|
|
|
- You comply with all other terms of this agreement for free
|
|
distribution of Project Gutenberg-tm works.
|
|
|
|
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
|
|
electronic work or group of works on different terms than are set
|
|
forth in this agreement, you must obtain permission in writing from
|
|
both the Project Gutenberg Literary Archive Foundation and Michael
|
|
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
|
|
Foundation as set forth in Section 3 below.
|
|
|
|
1.F.
|
|
|
|
1.F.1. Project Gutenberg volunteers and employees expend considerable
|
|
effort to identify, do copyright research on, transcribe and proofread
|
|
public domain works in creating the Project Gutenberg-tm
|
|
collection. Despite these efforts, Project Gutenberg-tm electronic
|
|
works, and the medium on which they may be stored, may contain
|
|
"Defects," such as, but not limited to, incomplete, inaccurate or
|
|
corrupt data, transcription errors, a copyright or other intellectual
|
|
property infringement, a defective or damaged disk or other medium, a
|
|
computer virus, or computer codes that damage or cannot be read by
|
|
your equipment.
|
|
|
|
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
|
|
of Replacement or Refund" described in paragraph 1.F.3, the Project
|
|
Gutenberg Literary Archive Foundation, the owner of the Project
|
|
Gutenberg-tm trademark, and any other party distributing a Project
|
|
Gutenberg-tm electronic work under this agreement, disclaim all
|
|
liability to you for damages, costs and expenses, including legal
|
|
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
|
|
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
|
|
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
|
|
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
|
|
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
|
|
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
|
|
DAMAGE.
|
|
|
|
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
|
|
defect in this electronic work within 90 days of receiving it, you can
|
|
receive a refund of the money (if any) you paid for it by sending a
|
|
written explanation to the person you received the work from. If you
|
|
received the work on a physical medium, you must return the medium with
|
|
your written explanation. The person or entity that provided you with
|
|
the defective work may elect to provide a replacement copy in lieu of a
|
|
refund. If you received the work electronically, the person or entity
|
|
providing it to you may choose to give you a second opportunity to
|
|
receive the work electronically in lieu of a refund. If the second copy
|
|
is also defective, you may demand a refund in writing without further
|
|
opportunities to fix the problem.
|
|
|
|
1.F.4. Except for the limited right of replacement or refund set forth
|
|
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
|
|
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
|
|
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
|
|
|
|
1.F.5. Some states do not allow disclaimers of certain implied
|
|
warranties or the exclusion or limitation of certain types of damages.
|
|
If any disclaimer or limitation set forth in this agreement violates the
|
|
law of the state applicable to this agreement, the agreement shall be
|
|
interpreted to make the maximum disclaimer or limitation permitted by
|
|
the applicable state law. The invalidity or unenforceability of any
|
|
provision of this agreement shall not void the remaining provisions.
|
|
|
|
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
|
|
trademark owner, any agent or employee of the Foundation, anyone
|
|
providing copies of Project Gutenberg-tm electronic works in accordance
|
|
with this agreement, and any volunteers associated with the production,
|
|
promotion and distribution of Project Gutenberg-tm electronic works,
|
|
harmless from all liability, costs and expenses, including legal fees,
|
|
that arise directly or indirectly from any of the following which you do
|
|
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
|
|
work, (b) alteration, modification, or additions or deletions to any
|
|
Project Gutenberg-tm work, and (c) any Defect you cause.
|
|
|
|
|
|
Section 2. Information about the Mission of Project Gutenberg-tm
|
|
|
|
Project Gutenberg-tm is synonymous with the free distribution of
|
|
electronic works in formats readable by the widest variety of computers
|
|
including obsolete, old, middle-aged and new computers. It exists
|
|
because of the efforts of hundreds of volunteers and donations from
|
|
people in all walks of life.
|
|
|
|
Volunteers and financial support to provide volunteers with the
|
|
assistance they need are critical to reaching Project Gutenberg-tm's
|
|
goals and ensuring that the Project Gutenberg-tm collection will
|
|
remain freely available for generations to come. In 2001, the Project
|
|
Gutenberg Literary Archive Foundation was created to provide a secure
|
|
and permanent future for Project Gutenberg-tm and future generations.
|
|
To learn more about the Project Gutenberg Literary Archive Foundation
|
|
and how your efforts and donations can help, see Sections 3 and 4
|
|
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
|
|
|
|
|
|
Section 3. Information about the Project Gutenberg Literary Archive
|
|
Foundation
|
|
|
|
The Project Gutenberg Literary Archive Foundation is a non profit
|
|
501(c)(3) educational corporation organized under the laws of the
|
|
state of Mississippi and granted tax exempt status by the Internal
|
|
Revenue Service. The Foundation's EIN or federal tax identification
|
|
number is 64-6221541. Contributions to the Project Gutenberg
|
|
Literary Archive Foundation are tax deductible to the full extent
|
|
permitted by U.S. federal laws and your state's laws.
|
|
|
|
The Foundation's principal office is located at 4557 Melan Dr. S.
|
|
Fairbanks, AK, 99712., but its volunteers and employees are scattered
|
|
throughout numerous locations. Its business office is located at
|
|
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
|
|
business@pglaf.org. Email contact links and up to date contact
|
|
information can be found at the Foundation's web site and official
|
|
page at http://www.gutenberg.org/about/contact
|
|
|
|
For additional contact information:
|
|
Dr. Gregory B. Newby
|
|
Chief Executive and Director
|
|
gbnewby@pglaf.org
|
|
|
|
Section 4. Information about Donations to the Project Gutenberg
|
|
Literary Archive Foundation
|
|
|
|
Project Gutenberg-tm depends upon and cannot survive without wide
|
|
spread public support and donations to carry out its mission of
|
|
increasing the number of public domain and licensed works that can be
|
|
freely distributed in machine readable form accessible by the widest
|
|
array of equipment including outdated equipment. Many small donations
|
|
($1 to $5,000) are particularly important to maintaining tax exempt
|
|
status with the IRS.
|
|
|
|
The Foundation is committed to complying with the laws regulating
|
|
charities and charitable donations in all 50 states of the United
|
|
States. Compliance requirements are not uniform and it takes a
|
|
considerable effort, much paperwork and many fees to meet and keep up
|
|
with these requirements. We do not solicit donations in locations
|
|
where we have not received written confirmation of compliance. To
|
|
SEND DONATIONS or determine the status of compliance for any
|
|
particular state visit http://www.gutenberg.org/fundraising/donate
|
|
|
|
While we cannot and do not solicit contributions from states where we
|
|
have not met the solicitation requirements, we know of no prohibition
|
|
against accepting unsolicited donations from donors in such states who
|
|
approach us with offers to donate.
|
|
|
|
International donations are gratefully accepted, but we cannot make
|
|
any statements concerning tax treatment of donations received from
|
|
outside the United States. U.S. laws alone swamp our small staff.
|
|
|
|
Please check the Project Gutenberg Web pages for current donation
|
|
methods and addresses. Donations are accepted in a number of other
|
|
ways including checks, online payments and credit card donations.
|
|
To donate, please visit:
|
|
http://www.gutenberg.org/fundraising/donate
|
|
|
|
|
|
Section 5. General Information About Project Gutenberg-tm electronic
|
|
works.
|
|
|
|
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
|
|
concept of a library of electronic works that could be freely shared
|
|
with anyone. For thirty years, he produced and distributed Project
|
|
Gutenberg-tm eBooks with only a loose network of volunteer support.
|
|
|
|
Project Gutenberg-tm eBooks are often created from several printed
|
|
editions, all of which are confirmed as Public Domain in the U.S.
|
|
unless a copyright notice is included. Thus, we do not necessarily
|
|
keep eBooks in compliance with any particular paper edition.
|
|
|
|
Most people start at our Web site which has the main PG search facility:
|
|
|
|
http://www.gutenberg.org
|
|
|
|
This Web site includes information about Project Gutenberg-tm,
|
|
including how to make donations to the Project Gutenberg Literary
|
|
Archive Foundation, how to help produce our new eBooks, and how to
|
|
subscribe to our email newsletter to hear about new eBooks.
|