4086 lines
192 KiB
Plaintext
Executable File
4086 lines
192 KiB
Plaintext
Executable File
The Project Gutenberg EBook of The Battle of Life, by Charles Dickens
|
||
|
||
This eBook is for the use of anyone anywhere at no cost and with
|
||
almost no restrictions whatsoever. You may copy it, give it away or
|
||
re-use it under the terms of the Project Gutenberg License included
|
||
with this eBook or online at www.gutenberg.org
|
||
|
||
|
||
Title: The Battle of Life
|
||
A Love Story
|
||
|
||
Author: Charles Dickens
|
||
|
||
Release Date: September 10, 2012 [EBook #40723]
|
||
|
||
Language: English
|
||
|
||
|
||
*** START OF THIS PROJECT GUTENBERG EBOOK THE BATTLE OF LIFE ***
|
||
|
||
|
||
|
||
|
||
Produced by Chris Curnow, eagkw and the Online Distributed
|
||
Proofreading Team at http://www.pgdp.net (This file was
|
||
produced from images generously made available by The
|
||
Internet Archive)
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
THE BATTLE OF LIFE.
|
||
|
||
A LOVE STORY.
|
||
|
||
|
||
|
||
|
||
[Illustration]
|
||
|
||
|
||
|
||
|
||
[Illustration: THE BATTLE OF LIFE
|
||
A LOVE STORY]
|
||
|
||
|
||
|
||
|
||
THE
|
||
BATTLE OF LIFE.
|
||
A Love Story.
|
||
|
||
BY
|
||
CHARLES DICKENS.
|
||
|
||
London:
|
||
BRADBURY & EVANS, WHITEFRIARS.
|
||
MDCCCXLVI.
|
||
|
||
|
||
|
||
|
||
LONDON:
|
||
BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
|
||
|
||
|
||
|
||
|
||
THIS
|
||
Christmas Book
|
||
IS CORDIALLY INSCRIBED TO MY ENGLISH FRIENDS
|
||
IN SWITZERLAND
|
||
|
||
|
||
|
||
|
||
ILLUSTRATIONS.
|
||
|
||
|
||
_Title._ _Artist._ _Engraver._
|
||
|
||
FRONTISPIECE D. MACLISE, R.A. _Thompson._
|
||
|
||
TITLE D. MACLISE, R.A. _Thompson._
|
||
|
||
PART THE FIRST R. DOYLE. _Dalziel._
|
||
|
||
WAR C. STANFIELD, R.A. _Williams._
|
||
|
||
PEACE C. STANFIELD, R.A. _Williams._
|
||
|
||
THE PARTING BREAKFAST J. LEECH. _Dalziel._
|
||
|
||
PART THE SECOND R. DOYLE. _Green._
|
||
|
||
SNITCHEY AND CRAGGS J. LEECH. _Dalziel._
|
||
|
||
THE SECRET INTERVIEW D. MACLISE, R.A. _Williams._
|
||
|
||
THE NIGHT OF THE RETURN J. LEECH. _Dalziel._
|
||
|
||
PART THE THIRD R. DOYLE. _Dalziel._
|
||
|
||
THE NUTMEG GRATER C. STANFIELD, R.A. _Williams._
|
||
|
||
THE SISTERS D. MACLISE, R.A. _Williams._
|
||
|
||
|
||
|
||
|
||
THE BATTLE OF LIFE.
|
||
|
||
A Love Story.
|
||
|
||
PART THE FIRST.
|
||
|
||
|
||
|
||
|
||
[Illustration]
|
||
|
||
PART THE FIRST
|
||
|
||
|
||
[Illustration]
|
||
|
||
Once upon a time, it matters little when, and in stalwart England, it
|
||
matters little where, a fierce battle was fought. It was fought upon a
|
||
long summer day when the waving grass was green. Many a wild flower
|
||
formed by the Almighty Hand to be a perfumed goblet for the dew, felt
|
||
its enamelled cup fill high with blood that day, and shrinking dropped.
|
||
Many an insect deriving its delicate color from harmless leaves and
|
||
herbs, was stained anew that day by dying men, and marked its frightened
|
||
way with an unnatural track. The painted butterfly took blood into the
|
||
air upon the edges of its wings. The stream ran red. The trodden ground
|
||
became a quagmire, whence, from sullen pools collected in the prints of
|
||
human feet and horses' hoofs, the one prevailing hue still lowered and
|
||
glimmered at the sun.
|
||
|
||
[Illustration]
|
||
|
||
Heaven keep us from a knowledge of the sights the moon beheld
|
||
upon that field, when, coming up above the black line of distant
|
||
rising-ground, softened and blurred at the edge by trees, she rose
|
||
into the sky and looked upon the plain, strewn with upturned faces
|
||
that had once at mothers' breasts sought mothers' eyes, or slumbered
|
||
happily. Heaven keep us from a knowledge of the secrets whispered
|
||
afterwards upon the tainted wind that blew across the scene of that
|
||
day's work and that night's death and suffering! Many a lonely moon
|
||
was bright upon the battle-ground, and many a star kept mournful watch
|
||
upon it, and many a wind from every quarter of the earth blew over it,
|
||
before the traces of the fight were worn away.
|
||
|
||
They lurked and lingered for a long time, but survived in little things,
|
||
for Nature, far above the evil passions of men, soon recovered Her
|
||
serenity, and smiled upon the guilty battle-ground as she had done
|
||
before, when it was innocent. The larks sang high above it, the swallows
|
||
skimmed and dipped and flitted to and fro, the shadows of the flying
|
||
clouds pursued each other swiftly, over grass and corn and turnip-field
|
||
and wood, and over roof and church-spire in the nestling town among
|
||
the trees, away into the bright distance on the borders of the sky
|
||
and earth, where the red sunsets faded. Crops were sown, and grew up,
|
||
and were gathered in; the stream that had been crimsoned, turned a
|
||
watermill; men whistled at the plough; gleaners and haymakers were seen
|
||
in quiet groups at work; sheep and oxen pastured; boys whooped and
|
||
called, in fields, to scare away the birds; smoke rose from cottage
|
||
chimneys; sabbath bells rang peacefully; old people lived and died; the
|
||
timid creatures of the field, and simple flowers of the bush and garden,
|
||
grew and withered in their destined terms: and all upon the fierce and
|
||
bloody battle-ground, where thousands upon thousands had been killed in
|
||
the great fight.
|
||
|
||
But there were deep green patches in the growing corn at first, that
|
||
people looked at awfully. Year after year they re-appeared; and it was
|
||
known that underneath those fertile spots, heaps of men and horses lay
|
||
buried, indiscriminately, enriching the ground. The husbandmen who
|
||
ploughed those places, shrunk from the great worms abounding there; and
|
||
the sheaves they yielded, were, for many a long year, called the Battle
|
||
Sheaves, and set apart; and no one ever knew a Battle Sheaf to be among
|
||
the last load at a Harvest Home. For a long time, every furrow that was
|
||
turned, revealed some fragments of the fight. For a long time, there
|
||
were wounded trees upon the battle-ground; and scraps of hacked and
|
||
broken fence and wall, where deadly struggles had been made; and
|
||
trampled parts where not a leaf or blade would grow. For a long time,
|
||
no village-girl would dress her hair or bosom with the sweetest flower
|
||
from that field of death: and after many a year had come and gone, the
|
||
berries growing there, were still believed to leave too deep a stain
|
||
upon the hand that plucked them.
|
||
|
||
[Illustration]
|
||
|
||
The Seasons in their course, however, though they passed as lightly as
|
||
the summer clouds themselves, obliterated, in the lapse of time, even
|
||
these remains of the old conflict; and wore away such legendary traces
|
||
of it as the neighbouring people carried in their minds, until they
|
||
dwindled into old wives' tales, dimly remembered round the winter fire,
|
||
and waning every year. Where the wild flowers and berries had so long
|
||
remained upon the stem untouched, gardens arose, and houses were built,
|
||
and children played at battles on the turf. The wounded trees had long
|
||
ago made Christmas logs, and blazed and roared away. The deep green
|
||
patches were no greener now than the memory of those who lay in dust
|
||
below. The ploughshare still turned up from time to time some rusty bits
|
||
of metal, but it was hard to say what use they had ever served, and
|
||
those who found them wondered and disputed. An old dinted corslet,
|
||
and a helmet, had been hanging in the church so long, that the same
|
||
weak half-blind old man who tried in vain to make them out above the
|
||
whitewashed arch, had marvelled at them as a baby. If the host slain
|
||
upon the field, could have been for a moment reanimated in the forms in
|
||
which they fell, each upon the spot that was the bed of his untimely
|
||
death, gashed and ghastly soldiers would have stared in, hundreds deep,
|
||
at household door and window; and would have risen on the hearths
|
||
of quiet homes; and would have been the garnered store of barns and
|
||
granaries; and would have started up between the cradled infant and its
|
||
nurse; and would have floated with the stream, and whirled round on the
|
||
mill, and crowded the orchard, and burdened the meadow, and piled the
|
||
rickyard high with dying men. So altered was the battle-ground, where
|
||
thousands upon thousands had been killed in the great fight.
|
||
|
||
Nowhere more altered, perhaps, about a hundred years ago, than in one
|
||
little orchard attached to an old stone house with a honeysuckle porch:
|
||
where, on a bright autumn morning, there were sounds of music and
|
||
laughter, and where two girls danced merrily together on the grass,
|
||
while some half-dozen peasant women standing on ladders, gathering the
|
||
apples from the trees, stopped in their work to look down, and share
|
||
their enjoyment. It was a pleasant, lively, natural scene; a beautiful
|
||
day, a retired spot; and the two girls, quite unconstrained and
|
||
careless, danced in the very freedom and gaiety of their hearts.
|
||
|
||
If there were no such thing as display in the world, my private opinion
|
||
is, and I hope you agree with me, that we might get on a great deal
|
||
better than we do, and might be infinitely more agreeable company than
|
||
we are. It was charming to see how these girls danced. They had no
|
||
spectators but the apple-pickers on the ladders. They were very glad to
|
||
please them, but they danced to please themselves (or at least you would
|
||
have supposed so); and you could no more help admiring, than they could
|
||
help dancing. How they did dance!
|
||
|
||
Not like opera dancers. Not at all. And not like Madame Anybody's
|
||
finished pupils. Not the least. It was not quadrille dancing, nor minuet
|
||
dancing, nor even country-dance dancing. It was neither in the old
|
||
style, nor the new style, nor the French style, nor the English style;
|
||
though it may have been, by accident, a trifle in the Spanish style,
|
||
which is a free and joyous one, I am told, deriving a delightful air of
|
||
off-hand inspiration, from the chirping little castanets. As they danced
|
||
among the orchard trees, and down the groves of stems and back again,
|
||
and twirled each other lightly round and round, the influence of their
|
||
airy motion seemed to spread and spread, in the sun-lighted scene, like
|
||
an expanding circle in the water. Their streaming hair and fluttering
|
||
skirts, the elastic grass beneath their feet, the boughs that rustled in
|
||
the morning air--the flashing leaves, their speckled shadows on the soft
|
||
green ground--the balmy wind that swept along the landscape, glad to
|
||
turn the distant windmill, cheerily--everything between the two girls,
|
||
and the man and team at plough upon the ridge of land, where they showed
|
||
against the sky as if they were the last things in the world--seemed
|
||
dancing too.
|
||
|
||
At last the younger of the dancing sisters, out of breath, and laughing
|
||
gaily, threw herself upon a bench to rest. The other leaned against
|
||
a tree hard by. The music, a wandering harp and fiddle, left off
|
||
with a flourish, as if it boasted of its freshness; though, the truth
|
||
is, it had gone at such a pace, and worked itself to such a pitch of
|
||
competition with the dancing, that it never could have held on half a
|
||
minute longer. The apple-pickers on the ladders raised a hum and murmur
|
||
of applause, and then, in keeping with the sound, bestirred themselves
|
||
to work again, like bees.
|
||
|
||
The more actively, perhaps, because an elderly gentleman, who was
|
||
no other than Doctor Jeddler himself--it was Doctor Jeddler's house
|
||
and orchard, you should know, and these were Doctor Jeddler's
|
||
daughters--came bustling out to see what was the matter, and who the
|
||
deuce played music on his property, before breakfast. For he was a great
|
||
philosopher, Doctor Jeddler, and not very musical.
|
||
|
||
"Music and dancing _to-day_!" said the Doctor, stopping short, and
|
||
speaking to himself, "I thought they dreaded to-day. But it's a world of
|
||
contradictions. Why, Grace; why, Marion!" he added, aloud, "is the world
|
||
more mad than usual this morning?"
|
||
|
||
"Make some allowance for it, father, if it be," replied his younger
|
||
daughter, Marion, going close to him, and looking into his face, "for
|
||
it's somebody's birth-day."
|
||
|
||
"Somebody's birth-day, Puss," replied the Doctor. "Don't you know it's
|
||
always somebody's birth-day? Did you never hear how many new performers
|
||
enter on this--ha! ha! ha!--it's impossible to speak gravely of it--on
|
||
this preposterous and ridiculous business called Life, every minute?"
|
||
|
||
"No, father!"
|
||
|
||
"No, not you, of course; you're a woman--almost," said the Doctor. "By
|
||
the bye," and he looked into the pretty face, still close to his, "I
|
||
suppose it's _your_ birth-day."
|
||
|
||
"No! Do you really, father?" cried his pet daughter, pursing up her red
|
||
lips to be kissed.
|
||
|
||
"There! Take my love with it," said the Doctor, imprinting his upon
|
||
them; "and many happy returns of the--the idea!--of the day. The notion
|
||
of wishing happy returns in such a farce as this," said the Doctor to
|
||
himself, "is good! Ha! ha! ha!"
|
||
|
||
Doctor Jeddler was, as I have said, a great philosopher; and the heart
|
||
and mystery of his philosophy was, to look upon the world as a gigantic
|
||
practical joke: as something too absurd to be considered seriously, by
|
||
any rational man. His system of belief had been, in the beginning, part
|
||
and parcel of the battle-ground on which he lived; as you shall
|
||
presently understand.
|
||
|
||
"Well! But how did you get the music?" asked the Doctor.
|
||
"Poultry-stealers, of course. Where did the minstrels come from?"
|
||
|
||
"Alfred sent the music," said his daughter Grace, adjusting a few
|
||
simple flowers in her sister's hair, with which, in her admiration of
|
||
that youthful beauty, she had herself adorned it half-an-hour before,
|
||
and which the dancing had disarranged.
|
||
|
||
"Oh! Alfred sent the music, did he?" returned the Doctor.
|
||
|
||
"Yes. He met it coming out of the town as he was entering early. The
|
||
men are travelling on foot, and rested there last night; and as it was
|
||
Marion's birth-day, and he thought it would please her, he sent them on,
|
||
with a pencilled note to me, saying that if I thought so too, they had
|
||
come to serenade her."
|
||
|
||
"Ay, ay," said the Doctor, carelessly, "he always takes your opinion."
|
||
|
||
"And my opinion being favorable," said Grace, good-humouredly; and
|
||
pausing for a moment to admire the pretty head she decorated, with her
|
||
own thrown back; "and Marion being in high spirits, and beginning to
|
||
dance, I joined her: and so we danced to Alfred's music till we were out
|
||
of breath. And we thought the music all the gayer for being sent by
|
||
Alfred. Didn't we, dear Marion?"
|
||
|
||
"Oh, I don't know, Grace. How you teaze me about Alfred."
|
||
|
||
"Teaze you by mentioning your lover!" said her sister.
|
||
|
||
"I am sure I don't much care to have him mentioned," said the wilful
|
||
beauty, stripping the petals from some flowers she held, and scattering
|
||
them on the ground. "I am almost tired of hearing of him; and as to his
|
||
being my lover"----
|
||
|
||
"Hush! Don't speak lightly of a true heart, which is all your own,
|
||
Marion," cried her sister, "even in jest. There is not a truer heart
|
||
than Alfred's in the world!"
|
||
|
||
"No--no," said Marion, raising her eyebrows with a pleasant air of
|
||
careless consideration, "perhaps not. But I don't know that there's any
|
||
great merit in that. I--I don't want him to be so very true. I never
|
||
asked him. If he expects that I----. But, dear Grace, why need we talk
|
||
of him at all, just now!"
|
||
|
||
It was agreeable to see the graceful figures of the blooming sisters,
|
||
twined together, lingering among the trees, conversing thus, with
|
||
earnestness opposed to lightness, yet with love responding tenderly to
|
||
love. And it was very curious indeed to see the younger sister's eyes
|
||
suffused with tears; and something fervently and deeply felt, breaking
|
||
through the wilfulness of what she said, and striving with it painfully.
|
||
|
||
The difference between them, in respect of age, could not exceed four
|
||
years at most: but Grace, as often happens in such cases, when no mother
|
||
watches over both (the Doctor's wife was dead), seemed, in her gentle
|
||
care of her young sister, and in the steadiness of her devotion to her,
|
||
older than she was; and more removed, in course of nature, from all
|
||
competition with her, or participation, otherwise than through her
|
||
sympathy and true affection, in her wayward fancies, than their ages
|
||
seemed to warrant. Great character of mother, that, even in this shadow,
|
||
and faint reflection of it, purifies the heart, and raises the exalted
|
||
nature nearer to the angels!
|
||
|
||
The Doctor's reflections, as he looked after them, and heard the purport
|
||
of their discourse, were limited, at first, to certain merry meditations
|
||
on the folly of all loves and likings, and the idle imposition
|
||
practised on themselves by young people, who believed, for a moment,
|
||
that there could be anything serious in such bubbles, and were always
|
||
undeceived--always!
|
||
|
||
But the home-adorning, self-denying qualities of Grace, and her sweet
|
||
temper, so gentle and retiring, yet including so much constancy and
|
||
bravery of spirit, seemed all expressed to him in the contrast between
|
||
her quiet household figure and that of his younger and more beautiful
|
||
child; and he was sorry for her sake--sorry for them both--that life
|
||
should be such a very ridiculous business as it was.
|
||
|
||
The Doctor never dreamed of inquiring whether his children, or either of
|
||
them, helped in any way to make the scheme a serious one. But then he
|
||
was a Philosopher.
|
||
|
||
A kind and generous man by nature, he had stumbled, by chance, over that
|
||
common Philosopher's stone (much more easily discovered than the object
|
||
of the alchemist's researches), which sometimes trips up kind and
|
||
generous men, and has the fatal property of turning gold to dross, and
|
||
every precious thing to poor account.
|
||
|
||
"Britain!" cried the Doctor. "Britain! Halloa!"
|
||
|
||
A small man, with an uncommonly sour and discontented face, emerged from
|
||
the house, and returned to this call the unceremonious acknowledgment of
|
||
"Now then!"
|
||
|
||
"Where's the breakfast table?" said the Doctor.
|
||
|
||
"In the house," returned Britain.
|
||
|
||
"Are you going to spread it out here, as you were told last night?"
|
||
said the Doctor. "Don't you know that there are gentlemen coming? That
|
||
there's business to be done this morning, before the coach comes by?
|
||
That this is a very particular occasion?"
|
||
|
||
"I couldn't do anything, Doctor Jeddler, till the women had done getting
|
||
in the apples, could I?" said Britain, his voice rising with his
|
||
reasoning, so that it was very loud at last.
|
||
|
||
"Well, have they done now?" returned the Doctor, looking at his watch,
|
||
and clapping his hands. "Come! make haste! where's Clemency?"
|
||
|
||
"Here am I, Mister," said a voice from one of the ladders, which a pair
|
||
of clumsy feet descended briskly. "It's all done now. Clear away, gals.
|
||
Everything shall be ready for you in half a minute, Mister."
|
||
|
||
With that she began to bustle about most vigorously; presenting, as she
|
||
did so, an appearance sufficiently peculiar to justify a word of
|
||
introduction.
|
||
|
||
She was about thirty years old; and had a sufficiently plump and
|
||
cheerful face, though it was twisted up into an odd expression of
|
||
tightness that made it comical. But the extraordinary homeliness of her
|
||
gait and manner, would have superseded any face in the world. To say
|
||
that she had two left legs, and somebody else's arms; and that all four
|
||
limbs seemed to be out of joint, and to start from perfectly wrong
|
||
places when they were set in motion; is to offer the mildest outline of
|
||
the reality. To say that she was perfectly content and satisfied with
|
||
these arrangements, and regarded them as being no business of hers, and
|
||
took her arms and legs as they came, and allowed them to dispose of
|
||
themselves just as it happened, is to render faint justice to her
|
||
equanimity. Her dress was a prodigious pair of self-willed shoes, that
|
||
never wanted to go where her feet went; blue stockings; a printed gown
|
||
of many colours, and the most hideous pattern procurable for money; and
|
||
a white apron. She always wore short sleeves, and always had, by some
|
||
accident, grazed elbows, in which she took so lively an interest that
|
||
she was continually trying to turn them round and get impossible views
|
||
of them. In general, a little cap perched somewhere on her head; though
|
||
it was rarely to be met with in the place usually occupied in other
|
||
subjects, by that article of dress; but from head to foot she was
|
||
scrupulously clean, and maintained a kind of dislocated tidiness. Indeed
|
||
her laudable anxiety to be tidy and compact in her own conscience as
|
||
well as in the public eye, gave rise to one of her most startling
|
||
evolutions, which was to grasp herself sometimes by a sort of wooden
|
||
handle (part of her clothing, and familiarly called a busk), and wrestle
|
||
as it were with her garments, until they fell into a symmetrical
|
||
arrangement.
|
||
|
||
Such, in outward form and garb, was Clemency Newcome; who was supposed
|
||
to have unconsciously originated a corruption of her own christian
|
||
name, from Clementina (but nobody knew, for the deaf old mother, a very
|
||
phenomenon of age, whom she had supported almost from a child, was dead,
|
||
and she had no other relation); who now busied herself in preparing the
|
||
table; and who stood, at intervals, with her bare red arms crossed,
|
||
rubbing her grazed elbows with opposite hands, and staring at it very
|
||
composedly, until she suddenly remembered something else it wanted, and
|
||
jogged off to fetch it.
|
||
|
||
"Here are them two lawyers a-coming, Mister!" said Clemency, in a tone
|
||
of no very great good-will.
|
||
|
||
"Aha!" cried the Doctor, advancing to the gate to meet them. "Good
|
||
morning, good morning! Grace, my dear! Marion! Here are Messrs. Snitchey
|
||
and Craggs. Where's Alfred?"
|
||
|
||
"He'll be back directly, father, no doubt," said Grace. "He had so much
|
||
to do this morning in his preparations for departure, that he was up and
|
||
out by daybreak. Good morning, gentlemen."
|
||
|
||
"Ladies!" said Mr. Snitchey, "For Self and Craggs," who bowed, "good
|
||
morning. Miss," to Marion, "I kiss your hand." Which he did. "And I wish
|
||
you"--which he might or might not, for he didn't look, at first sight,
|
||
like a gentleman troubled with many warm outpourings of soul, in behalf
|
||
of other people, "a hundred happy returns of this auspicious day."
|
||
|
||
"Ha ha ha!" laughed the Doctor thoughtfully, with his hands in his
|
||
pockets. "The great farce in a hundred acts!"
|
||
|
||
"You wouldn't, I am sure," said Mr. Snitchey, standing a small
|
||
professional blue bag against one leg of the table, "cut the great
|
||
farce short for this actress, at all events, Doctor Jeddler."
|
||
|
||
"No," returned the Doctor. "God forbid! May she live to laugh at it, as
|
||
long as she _can_ laugh, and then say, with the French wit, 'The farce
|
||
is ended; draw the curtain.'"
|
||
|
||
"The French wit," said Mr. Snitchey, peeping sharply into his blue bag,
|
||
"was wrong, Doctor Jeddler; and your philosophy is altogether wrong,
|
||
depend upon it, as I have often told you. Nothing serious in life! What
|
||
do you call law?"
|
||
|
||
"A joke," replied the Doctor.
|
||
|
||
"Did you ever go to law?" asked Mr. Snitchey, looking out of the blue
|
||
bag.
|
||
|
||
"Never," returned the Doctor.
|
||
|
||
"If you ever do," said Mr. Snitchey, "perhaps you'll alter that
|
||
opinion."
|
||
|
||
Craggs, who seemed to be represented by Snitchey, and to be conscious
|
||
of little or no separate existence or personal individuality, offered a
|
||
remark of his own in this place. It involved the only idea of which he
|
||
did not stand seised and possessed in equal moieties with Snitchey; but
|
||
he had some partners in it among the wise men of the world.
|
||
|
||
"It's made a great deal too easy," said Mr. Craggs.
|
||
|
||
"Law is?" asked the Doctor.
|
||
|
||
"Yes," said Mr. Craggs, "everything is. Everything appears to me to be
|
||
made too easy, now-a-days. It's the vice of these times. If the world is
|
||
a joke (I am not prepared to say it isn't), it ought to be made a very
|
||
difficult joke to crack. It ought to be as hard a struggle, Sir, as
|
||
possible. That's the intention. But it's being made far too easy. We are
|
||
oiling the gates of life. They ought to be rusty. We shall have them
|
||
beginning to turn, soon, with a smooth sound. Whereas they ought to
|
||
grate upon their hinges, Sir."
|
||
|
||
Mr. Craggs seemed positively to grate upon his own hinges, as he
|
||
delivered this opinion; to which he communicated immense effect--being
|
||
a cold, hard, dry man, dressed in grey and white, like a flint; with
|
||
small twinkles in his eyes, as if something struck sparks out of them.
|
||
The three natural kingdoms, indeed, had each a fanciful representative
|
||
among this brotherhood of disputants: for Snitchey was like a magpie or
|
||
a raven (only not so sleek), and the Doctor had a streaked face like a
|
||
winter-pippin, with here and there a dimple to express the peckings of
|
||
the birds, and a very little bit of pigtail behind, that stood for the
|
||
stalk.
|
||
|
||
As the active figure of a handsome young man, dressed for a journey,
|
||
and followed by a porter, bearing several packages and baskets,
|
||
entered the orchard at a brisk pace, and with an air of gaiety and
|
||
hope that accorded well with the morning,--these three drew together,
|
||
like the brothers of the sister Fates, or like the Graces most
|
||
effectually disguised, or like the three weird prophets on the heath,
|
||
and greeted him.
|
||
|
||
"Happy returns, Alf," said the Doctor, lightly.
|
||
|
||
"A hundred happy returns of this auspicious day, Mr. Heathfield," said
|
||
Snitchey, bowing low.
|
||
|
||
"Returns!" Craggs murmured in a deep voice, all alone.
|
||
|
||
"Why, what a battery!" exclaimed Alfred, stopping short, "and
|
||
one--two--three--all foreboders of no good, in the great sea before me.
|
||
I am glad you are not the first I have met this morning: I should have
|
||
taken it for a bad omen. But Grace was the first--sweet, pleasant
|
||
Grace--so I defy you all!"
|
||
|
||
"If you please, Mister, _I_ was the first you know," said Clemency
|
||
Newcome. "She was a walking out here, before sunrise, you remember. I
|
||
was in the house."
|
||
|
||
"That's true! Clemency was the first," said Alfred. "So I defy you with
|
||
Clemency."
|
||
|
||
"Ha, ha, ha!--for Self and Craggs," said Snitchey. "What a defiance!"
|
||
|
||
"Not so bad a one as it appears, may be," said Alfred, shaking hands
|
||
heartily with the Doctor, and also with Snitchey and Craggs, and then
|
||
looking round. "Where are the--Good Heavens!"
|
||
|
||
With a start, productive for the moment of a closer partnership between
|
||
Jonathan Snitchey and Thomas Craggs than the subsisting articles of
|
||
agreement in that wise contemplated, he hastily betook himself to where
|
||
the sisters stood together, and--however, I needn't more particularly
|
||
explain his manner of saluting Marion first, and Grace afterwards, than
|
||
by hinting that Mr. Craggs may possibly have considered it "too easy."
|
||
|
||
Perhaps to change the subject, Doctor Jeddler made a hasty move towards
|
||
the breakfast, and they all sat down at table. Grace presided; but so
|
||
discreetly stationed herself, as to cut off her sister and Alfred from
|
||
the rest of the company. Snitchey and Craggs sat at opposite corners,
|
||
with the blue bag between them for safety; and the Doctor took his usual
|
||
position, opposite to Grace. Clemency hovered galvanically about the
|
||
table, as waitress; and the melancholy Britain, at another and a smaller
|
||
board, acted as Grand Carver of a round of beef, and a ham.
|
||
|
||
"Meat?" said Britain, approaching Mr. Snitchey, with the carving knife
|
||
and fork in his hands, and throwing the question at him like a missile.
|
||
|
||
"Certainly," returned the lawyer.
|
||
|
||
"Do _you_ want any?" to Craggs.
|
||
|
||
"Lean, and well done," replied that gentleman.
|
||
|
||
[Illustration]
|
||
|
||
Having executed these orders, and moderately supplied the Doctor (he
|
||
seemed to know that nobody else wanted anything to eat), he lingered as
|
||
near the Firm as he decently could, watching, with an austere eye, their
|
||
disposition of the viands, and but once relaxing the severe expression
|
||
of his face. This was on the occasion of Mr. Craggs, whose teeth were
|
||
not of the best, partially choking, when he cried out with great
|
||
animation, "I thought he was gone!"
|
||
|
||
"Now Alfred," said the Doctor, "for a word or two of business, while we
|
||
are yet at breakfast."
|
||
|
||
"While we are yet at breakfast," said Snitchey and Craggs, who seemed to
|
||
have no present idea of leaving off.
|
||
|
||
Although Alfred had not been breakfasting, and seemed to have quite
|
||
enough business on his hands as it was, he respectfully answered:
|
||
|
||
"If you please, Sir."
|
||
|
||
"If anything could be serious," the Doctor began, "in such a--"
|
||
|
||
"Farce as this, Sir," hinted Alfred.
|
||
|
||
"In such a farce as this," observed the Doctor, "it might be this
|
||
recurrence, on the eve of separation, of a double birth-day, which is
|
||
connected with many associations pleasant to us four, and with the
|
||
recollection of a long and amicable intercourse. That's not to the
|
||
purpose."
|
||
|
||
"Ah! yes, yes, Doctor Jeddler," said the young man. "It is to the
|
||
purpose. Much to the purpose, as my heart bears witness this morning;
|
||
and as yours does too, I know, if you would let it speak. I leave your
|
||
house to-day; I cease to be your ward to-day; we part with tender
|
||
relations stretching far behind us, that never can be exactly renewed,
|
||
and with others dawning yet before us," he looked down at Marion beside
|
||
him, "fraught with such considerations as I must not trust myself to
|
||
speak of now. Come, come!" he added, rallying his spirits and the Doctor
|
||
at once, "there's a serious grain in this large foolish dust-heap,
|
||
Doctor. Let us allow to-day, that there is One."
|
||
|
||
"To-day!" cried the Doctor. "Hear him! Ha, ha, ha! Of all days in the
|
||
foolish year. Why on this day, the great battle was fought on this
|
||
ground. On this ground where we now sit, where I saw my two girls dance
|
||
this morning, where the fruit has just been gathered for our eating from
|
||
these trees, the roots of which are struck in Men, not earth,--so many
|
||
lives were lost, that within my recollection, generations afterwards, a
|
||
churchyard full of bones, and dust of bones, and chips of cloven skulls,
|
||
has been dug up from underneath our feet here. Yet not a hundred people
|
||
in that battle, knew for what they fought, or why; not a hundred of the
|
||
inconsiderate rejoicers in the victory, why they rejoiced. Not half a
|
||
hundred people were the better, for the gain or loss. Not half-a-dozen
|
||
men agree to this hour on the cause or merits; and nobody, in short,
|
||
ever knew anything distinct about it, but the mourners of the slain.
|
||
Serious, too!" said the Doctor, laughing. "Such a system!"
|
||
|
||
"But all this seems to me," said Alfred, "to be very serious."
|
||
|
||
"Serious!" cried the Doctor. "If you allowed such things to be serious,
|
||
you must go mad, or die, or climb up to the top of a mountain, and turn
|
||
hermit."
|
||
|
||
"Besides--so long ago," said Alfred.
|
||
|
||
"Long ago!" returned the Doctor. "Do you know what the world has been
|
||
doing, ever since? Do you know what else it has been doing? _I_ don't!"
|
||
|
||
"It has gone to law a little," observed Mr. Snitchey, stirring his tea.
|
||
|
||
"Although the way out has been always made too easy," said his partner.
|
||
|
||
"And you'll excuse my saying, Doctor," pursued Mr. Snitchey, "having
|
||
been already put a thousand times in possession of my opinion, in the
|
||
course of our discussions, that, in its having gone to law, and in its
|
||
legal system altogether, I do observe a serious side--now, really, a
|
||
something tangible, and with a purpose and intention in it--"
|
||
|
||
Clemency Newcome made an angular tumble against the table, occasioning
|
||
a sounding clatter among the cups and saucers.
|
||
|
||
"Heyday! what's the matter there?" exclaimed the Doctor.
|
||
|
||
"It's this evil-inclined blue bag," said Clemency, "always tripping up
|
||
somebody!"
|
||
|
||
"With a purpose and intention in it, I was saying," resumed Snitchey,
|
||
"that commands respect. Life a farce, Doctor Jeddler? With law in it?"
|
||
|
||
The Doctor laughed, and looked at Alfred.
|
||
|
||
"Granted, if you please, that war is foolish," said Snitchey. "There
|
||
we agree. For example. Here's a smiling country," pointing it out with
|
||
his fork, "once overrun by soldiers--trespassers every man of 'em--and
|
||
laid waste by fire and sword. He, he, he! The idea of any man exposing
|
||
himself, voluntarily, to fire and sword! Stupid, wasteful, positively
|
||
ridiculous; you laugh at your fellow-creatures, you know, when you
|
||
think of it! But take this smiling country as it stands. Think of the
|
||
laws appertaining to real property; to the bequest and devise of real
|
||
property; to the mortgage and redemption of real property; to leasehold,
|
||
freehold, and copyhold estate; think," said Mr. Snitchey, with such
|
||
great emotion that he actually smacked his lips, "of the complicated
|
||
laws relating to title and proof of title, with all the contradictory
|
||
precedents and numerous acts of parliament connected with them; think of
|
||
the infinite number of ingenious and interminable chancery suits, to
|
||
which this pleasant prospect may give rise;--and acknowledge, Doctor
|
||
Jeddler, that there is a green spot in the scheme about us! I believe,"
|
||
said Mr. Snitchey, looking at his partner, "that I speak for Self and
|
||
Craggs?"
|
||
|
||
Mr. Craggs having signified assent, Mr. Snitchey, somewhat freshened by
|
||
his recent eloquence, observed that he would take a little more beef,
|
||
and another cup of tea.
|
||
|
||
"I don't stand up for life in general," he added, rubbing his hands and
|
||
chuckling, "it's full of folly; full of something worse. Professions of
|
||
trust, and confidence, and unselfishness, and all that. Bah, bah, bah!
|
||
We see what they're worth. But you mustn't laugh at life; you've got a
|
||
game to play; a very serious game indeed! Everybody's playing against
|
||
you, you know; and you're playing against them. Oh! it's a very
|
||
interesting thing. There are deep moves upon the board. You must only
|
||
laugh, Doctor Jeddler, when you win; and then not much. He, he, he! And
|
||
then not much," repeated Snitchey, rolling his head and winking his eye;
|
||
as if he would have added, 'you may do this instead!'
|
||
|
||
"Well, Alfred!" cried the Doctor, "what do you say now?"
|
||
|
||
"I say, Sir," replied Alfred, "that the greatest favor you could do me,
|
||
and yourself too I am inclined to think, would be to try sometimes to
|
||
forget this battle-field, and others like it, in that broader
|
||
battle-field of Life, on which the sun looks every day."
|
||
|
||
"Really, I'm afraid that wouldn't soften his opinions, Mr. Alfred," said
|
||
Snitchey. "The combatants are very eager and very bitter in that same
|
||
battle of Life. There's a great deal of cutting and slashing, and firing
|
||
into people's heads from behind; terrible treading down, and trampling
|
||
on; it's rather a bad business."
|
||
|
||
"I believe, Mr. Snitchey," said Alfred, "there are quiet victories and
|
||
struggles, great sacrifices of self, and noble acts of heroism, in
|
||
it--even in many of its apparent lightnesses and contradictions--not the
|
||
less difficult to achieve, because they have no earthly chronicle or
|
||
audience; done every day in nooks and corners, and in little households,
|
||
and in men's and women's hearts--any one of which might reconcile the
|
||
sternest man to such a world, and fill him with belief and hope in it,
|
||
though two-fourths of its people were at war, and another fourth at law;
|
||
and that's a bold word."
|
||
|
||
Both the sisters listened keenly.
|
||
|
||
"Well, well!" said the Doctor, "I am too old to be converted, even by
|
||
my friend Snitchey here, or my good spinster sister, Martha Jeddler;
|
||
who had what she calls her domestic trials ages ago, and has led a
|
||
sympathising life with all sorts of people ever since; and who is so
|
||
much of your opinion (only she's less reasonable and more obstinate,
|
||
being a woman), that we can't agree, and seldom meet. I was born upon
|
||
this battle-field. I began, as a boy, to have my thoughts directed to
|
||
the real history of a battle-field. Sixty years have gone over my head;
|
||
and I have never seen the Christian world, including Heaven knows how
|
||
many loving mothers and good enough girls, like mine here, anything but
|
||
mad for a battle-field. The same contradictions prevail in everything.
|
||
One must either laugh or cry at such stupendous inconsistencies; and I
|
||
prefer to laugh."
|
||
|
||
Britain, who had been paying the profoundest and most melancholy
|
||
attention to each speaker in his turn, seemed suddenly to decide in
|
||
favor of the same preference, if a deep sepulchral sound that escaped
|
||
him might be construed into a demonstration of risibility. His face,
|
||
however, was so perfectly unaffected by it, both before and afterwards,
|
||
that although one or two of the breakfast party looked round as being
|
||
startled by a mysterious noise, nobody connected the offender with it.
|
||
|
||
Except his partner in attendance, Clemency Newcome; who, rousing him
|
||
with one of those favorite joints, her elbows, inquired, in a
|
||
reproachful whisper, what he laughed at.
|
||
|
||
"Not you!" said Britain.
|
||
|
||
"Who then?"
|
||
|
||
"Humanity," said Britain. "That's the joke."
|
||
|
||
"What between master and them lawyers, he's getting more and more
|
||
addle-headed every day!" cried Clemency, giving him a lunge with the
|
||
other elbow, as a mental stimulant. "Do you know where you are? Do you
|
||
want to get warning?"
|
||
|
||
"I don't know anything," said Britain, with a leaden eye and an
|
||
immovable visage. "I don't care for anything. I don't make out anything.
|
||
I don't believe anything. And I don't want anything."
|
||
|
||
Although this forlorn summary of his general condition, may have been
|
||
overcharged in an access of despondency, Benjamin Britain--sometimes
|
||
called Little Britain, to distinguish him from Great; as we might say
|
||
Young England, to express Old England with a difference--had defined his
|
||
real state more accurately than might be supposed. For serving as a sort
|
||
of man Miles, to the Doctor's Friar Bacon; and listening day after day
|
||
to innumerable orations addressed by the Doctor to various people, all
|
||
tending to shew that his very existence was at best a mistake and an
|
||
absurdity; this unfortunate servitor had fallen, by degrees, into such
|
||
an abyss of confused and contradictory suggestions from within and
|
||
without, that Truth at the bottom of her well, was on the level surface
|
||
as compared with Britain in the depths of his mystification. The only
|
||
point he clearly comprehended, was, that the new element usually brought
|
||
into these discussions by Snitchey and Craggs, never served to make them
|
||
clearer, and always seemed to give the Doctor a species of advantage and
|
||
confirmation. Therefore he looked upon the Firm as one of the proximate
|
||
causes of his state of mind, and held them in abhorrence accordingly.
|
||
|
||
"But this is not our business, Alfred," said the Doctor. "Ceasing to be
|
||
my ward (as you have said) to-day; and leaving us full to the brim of
|
||
such learning as the Grammar School down here was able to give you, and
|
||
your studies in London could add to that, and such practical knowledge
|
||
as a dull old country Doctor like myself could graft upon both; you are
|
||
away, now, into the world. The first term of probation appointed by your
|
||
poor father, being over, away you go now, your own master, to fulfil his
|
||
second desire: and long before your three years' tour among the foreign
|
||
schools of medicine is finished, you'll have forgotten us. Lord, you'll
|
||
forget us easily in six months!"
|
||
|
||
"If I do--But you know better; why should I speak to you!" said Alfred,
|
||
laughing.
|
||
|
||
"I don't know anything of the sort," returned the Doctor. "What do you
|
||
say, Marion?"
|
||
|
||
Marion, trifling with her teacup, seemed to say--but she didn't say
|
||
it--that he was welcome to forget them, if he could. Grace pressed the
|
||
blooming face against her cheek, and smiled.
|
||
|
||
"I haven't been, I hope, a very unjust steward in the execution of my
|
||
trust," pursued the Doctor; "but I am to be, at any rate, formally
|
||
discharged, and released, and what not, this morning; and here are our
|
||
good friends Snitchey and Craggs, with a bagful of papers, and accounts,
|
||
and documents, for the transfer of the balance of the trust fund to you
|
||
(I wish it was a more difficult one to dispose of, Alfred, but you must
|
||
get to be a great man and make it so), and other drolleries of that
|
||
sort, which are to be signed, sealed, and delivered."
|
||
|
||
"And duly witnessed, as by law required," said Snitchey, pushing away
|
||
his plate, and taking out the papers, which his partner proceeded to
|
||
spread upon the table; "and Self and Craggs having been co-trustees with
|
||
you, Doctor, in so far as the fund was concerned, we shall want your two
|
||
servants to attest the signatures--can you read, Mrs. Newcome?"
|
||
|
||
"I a'n't married, Mister," said Clemency.
|
||
|
||
"Oh, I beg your pardon. I should think not," chuckled Snitchey, casting
|
||
his eyes over her extraordinary figure. "You _can_ read?"
|
||
|
||
"A little," answered Clemency.
|
||
|
||
"The marriage service, night and morning, eh?" observed the lawyer,
|
||
jocosely.
|
||
|
||
"No," said Clemency. "Too hard. I only reads a thimble."
|
||
|
||
"Read a thimble!" echoed Snitchey. "What are you talking about, young
|
||
woman?"
|
||
|
||
Clemency nodded. "And a nutmeg-grater."
|
||
|
||
"Why, this is a lunatic! a subject for the Lord High Chancellor!" said
|
||
Snitchey, staring at her.
|
||
|
||
"If possessed of any property," stipulated Craggs.
|
||
|
||
Grace, however, interposing, explained that each of the articles in
|
||
question bore an engraved motto, and so formed the pocket library of
|
||
Clemency Newcome, who was not much given to the study of books.
|
||
|
||
"Oh, that's it, is it, Miss Grace!" said Snitchey. "Yes, yes. Ha, ha,
|
||
ha! I thought our friend was an idiot. She looks uncommonly like it," he
|
||
muttered, with a supercilious glance. "And what does the thimble say,
|
||
Mrs. Newcome?"
|
||
|
||
"I a'n't married, Mister," observed Clemency.
|
||
|
||
"Well, Newcome. Will that do?" said the lawyer. "What does the thimble
|
||
say, Newcome?"
|
||
|
||
How Clemency, before replying to this question, held one pocket open,
|
||
and looked down into its yawning depths for the thimble which wasn't
|
||
there,--and how she then held an opposite pocket open, and seeming to
|
||
descry it, like a pearl of great price, at the bottom, cleared away such
|
||
intervening obstacles as a handkerchief, an end of wax candle, a flushed
|
||
apple, an orange, a lucky penny, a cramp bone, a padlock, a pair of
|
||
scissors in a sheath, more expressively describable as promising young
|
||
shears, a handful or so of loose beads, several balls of cotton, a
|
||
needle-case, a cabinet collection of curl-papers, and a biscuit, all of
|
||
which articles she entrusted individually and severally to Britain to
|
||
hold,--is of no consequence. Nor how, in her determination to grasp this
|
||
pocket by the throat and keep it prisoner (for it had a tendency to
|
||
swing and twist itself round the nearest corner), she assumed, and
|
||
calmly maintained, an attitude apparently inconsistent with the
|
||
human anatomy and the laws of gravity. It is enough that at last she
|
||
triumphantly produced the thimble on her finger, and rattled the
|
||
nutmeg-grater; the literature of both those trinkets being obviously in
|
||
course of wearing out and wasting away, through excessive friction.
|
||
|
||
"That's the thimble, is it, young woman?" said Mr. Snitchey, diverting
|
||
himself at her expense. "And what does the thimble say?"
|
||
|
||
"It says," replied Clemency, reading slowly round it as if it were a
|
||
tower, "For-get and for-give."
|
||
|
||
Snitchey and Craggs laughed heartily. "So new!" said Snitchey. "So
|
||
easy!" said Craggs. "Such a knowledge of human nature in it," said
|
||
Snitchey. "So applicable to the affairs of life," said Craggs.
|
||
|
||
"And the nutmeg-grater?" inquired the head of the Firm.
|
||
|
||
"The grater says," returned Clemency, "Do as you--wold--be--done by."
|
||
|
||
"'Do, or you'll be done brown,' you mean," said Mr. Snitchey.
|
||
|
||
"I don't understand," retorted Clemency, shaking her head vaguely. "I
|
||
a'n't no lawyer."
|
||
|
||
"I am afraid that if she was, Doctor," said Mr. Snitchey, turning to
|
||
him suddenly, as if to anticipate any effect that might otherwise be
|
||
consequent on this retort, "she'd find it to be the golden rule of half
|
||
her clients. They are serious enough in that--whimsical as your world
|
||
is--and lay the blame on us afterwards. We, in our profession, are
|
||
little else than mirrors after all, Mr. Alfred; but we are generally
|
||
consulted by angry and quarrelsome people, who are not in their best
|
||
looks; and it's rather hard to quarrel with us if we reflect unpleasant
|
||
aspects. I think," said Mr. Snitchey, "that I speak for Self and
|
||
Craggs?"
|
||
|
||
"Decidedly," said Craggs.
|
||
|
||
"And so, if Mr. Britain will oblige us with a mouthful of ink," said Mr.
|
||
Snitchey, returning to the papers, "we'll sign, seal, and deliver as
|
||
soon as possible, or the coach will be coming past before we know where
|
||
we are."
|
||
|
||
If one might judge from his appearance, there was every probability of
|
||
the coach coming past before Mr. Britain knew where _he_ was; for he
|
||
stood in a state of abstraction, mentally balancing the Doctor against
|
||
the lawyers, and the lawyers against the Doctor, and their clients
|
||
against both; and engaged in feeble attempts to make the thimble and
|
||
nutmeg-grater (a new idea to him) square with anybody's system of
|
||
philosophy; and, in short, bewildering himself as much as ever his
|
||
great namesake has done with theories and schools. But Clemency, who
|
||
was his good Genius--though he had the meanest possible opinion of her
|
||
understanding, by reason of her seldom troubling herself with abstract
|
||
speculations, and being always at hand to do the right thing at the
|
||
right time--having produced the ink in a twinkling, tendered him the
|
||
further service of recalling him to himself by the application of her
|
||
elbows; with which gentle flappers she so jogged his memory, in a more
|
||
literal construction of that phrase than usual, that he soon became
|
||
quite fresh and brisk.
|
||
|
||
How he labored under an apprehension not uncommon to persons in his
|
||
degree, to whom the use of pen and ink is an event, that he couldn't
|
||
append his name to a document, not of his own writing, without
|
||
committing himself in some shadowy manner, or somehow signing away
|
||
vague and enormous sums of money; and how he approached the deeds under
|
||
protest, and by dint of the Doctor's coercion, and insisted on pausing
|
||
to look at them before writing (the cramped hand, to say nothing of the
|
||
phraseology, being so much Chinese to him), and also on turning them
|
||
round to see whether there was anything fraudulent, underneath; and how,
|
||
having signed his name, he became desolate as one who had parted with
|
||
his property and rights; I want the time to tell. Also, how the blue bag
|
||
containing his signature, afterwards had a mysterious interest for him,
|
||
and he couldn't leave it; also, how Clemency Newcome, in an ecstasy of
|
||
laughter at the idea of her own importance and dignity, brooded over the
|
||
whole table with her two elbows like a spread eagle, and reposed her
|
||
head upon her left arm as a preliminary to the formation of certain
|
||
cabalistic characters, which required a deal of ink, and imaginary
|
||
counterparts whereof she executed at the same time with her tongue.
|
||
Also how, having once tasted ink, she became thirsty in that regard, as
|
||
tigers are said to be after tasting another sort of fluid, and wanted to
|
||
sign everything, and put her name in all kinds of places. In brief, the
|
||
Doctor was discharged of his trust and all its responsibilities; and
|
||
Alfred, taking it on himself, was fairly started on the journey of life.
|
||
|
||
"Britain!" said the Doctor. "Run to the gate, and watch for the coach.
|
||
Time flies, Alfred!"
|
||
|
||
"Yes, Sir, yes," returned the young man, hurriedly. "Dear Grace! a
|
||
moment! Marion--so young and beautiful, so winning and so much admired,
|
||
dear to my heart as nothing else in life is--remember! I leave Marion to
|
||
you!"
|
||
|
||
"She has always been a sacred charge to me, Alfred. She is doubly so
|
||
now. I will be faithful to my trust, believe me."
|
||
|
||
"I do believe it, Grace. I know it well. Who could look upon your face,
|
||
and hear your earnest voice, and not know it! Ah, good Grace! If I had
|
||
your well-governed heart, and tranquil mind, how bravely I would leave
|
||
this place to-day!"
|
||
|
||
"Would you?" she answered, with a quiet smile.
|
||
|
||
"And yet, Grace--Sister, seems the natural word."
|
||
|
||
"Use it!" she said quickly, "I am glad to hear it, call me nothing
|
||
else."
|
||
|
||
"And yet, Sister, then," said Alfred, "Marion and I had better have your
|
||
true and stedfast qualities serving us here, and making us both happier
|
||
and better. I wouldn't carry them away, to sustain myself, if I could!"
|
||
|
||
"Coach upon the hill-top!" exclaimed Britain.
|
||
|
||
"Time flies, Alfred," said the Doctor.
|
||
|
||
Marion had stood apart, with her eyes fixed upon the ground; but this
|
||
warning being given, her young lover brought her tenderly to where her
|
||
sister stood, and gave her into her embrace.
|
||
|
||
"I have been telling Grace, dear Marion," he said, "that you are her
|
||
charge; my precious trust at parting. And when I come back and reclaim
|
||
you, dearest, and the bright prospect of our married life lies stretched
|
||
before us, it shall be one of our chief pleasures to consult how we can
|
||
make Grace happy; how we can anticipate her wishes; how we can show our
|
||
gratitude and love to her; how we can return her something of the debt
|
||
she will have heaped upon us."
|
||
|
||
The younger sister had one hand in his; the other rested on her sister's
|
||
neck. She looked into that sister's eyes, so calm, serene, and cheerful,
|
||
with a gaze in which affection, admiration, sorrow, wonder, almost
|
||
veneration, were blended. She looked into that sister's face, as if it
|
||
were the face of some bright angel. Calm, serene, and cheerful, it
|
||
looked back on her and on her lover.
|
||
|
||
"And when the time comes, as it must one day," said Alfred,--"I wonder
|
||
it has never come yet: but Grace knows best, for Grace is always
|
||
right,--when _she_ will want a friend to open her whole heart to, and
|
||
to be to her something of what she has been to us,--then, Marion, how
|
||
faithful we will prove, and what delight to us to know that she, our
|
||
dear good sister, loves and is loved again, as we would have her!"
|
||
|
||
Still the younger sister looked into her eyes, and turned not--even
|
||
towards him. And still those honest eyes looked back, so calm, serene,
|
||
and cheerful, on herself and on her lover.
|
||
|
||
"And when all that is past, and we are old, and living (as we
|
||
must!) together--close together; talking often of old times," said
|
||
Alfred--"these shall be our favorite times among them--this day most
|
||
of all; and telling each other what we thought and felt, and hoped and
|
||
feared, at parting; and how we couldn't bear to say good bye"----
|
||
|
||
"Coach coming through the wood," cried Britain.
|
||
|
||
"Yes! I am ready--and how we met again, so happily, in spite of all;
|
||
we'll make this day the happiest in all the year, and keep it as a
|
||
treble birth-day. Shall we, dear?"
|
||
|
||
"Yes!" interposed the elder sister, eagerly, and with a radiant smile.
|
||
"Yes! Alfred, don't linger. There's no time. Say good bye to Marion. And
|
||
Heaven be with you!"
|
||
|
||
He pressed the younger sister to his heart. Released from his embrace,
|
||
she again clung to her sister; and her eyes, with the same blended look,
|
||
again sought those so calm, serene, and cheerful.
|
||
|
||
"Farewell my boy!" said the Doctor. "To talk about any serious
|
||
correspondence or serious affections, and engagements, and so forth, in
|
||
such a--ha ha ha!--you know what I mean--why that, of course, would be
|
||
sheer nonsense. All I can say is, that if you and Marion should continue
|
||
in the same foolish minds, I shall not object to have you for a
|
||
son-in-law one of these days."
|
||
|
||
"Over the bridge!" cried Britain.
|
||
|
||
"Let it come!" said Alfred, wringing the Doctor's hand stoutly. "Think
|
||
of me sometimes, my old friend and guardian, as seriously as you can!
|
||
Adieu, Mr. Snitchey! Farewell, Mr. Craggs!"
|
||
|
||
"Coming down the road!" cried Britain.
|
||
|
||
"A kiss of Clemency Newcome for long acquaintance' sake--shake hands,
|
||
Britain--Marion, dearest heart, good bye! Sister Grace! remember!"
|
||
|
||
The quiet household figure, and the face so beautiful in its serenity,
|
||
were turned towards him in reply; but Marion's look and attitude
|
||
remained unchanged.
|
||
|
||
The coach was at the gate. There was a bustle with the luggage. The
|
||
coach drove away. Marion never moved.
|
||
|
||
"He waves his hat to you, my love," said Grace. "Your chosen husband,
|
||
darling. Look!"
|
||
|
||
The younger sister raised her head, and, for a moment, turned it. Then
|
||
turning back again, and fully meeting, for the first time, those calm
|
||
eyes, fell sobbing on her neck.
|
||
|
||
"Oh, Grace. God bless you! But I cannot bear to see it, Grace! It breaks
|
||
my heart."
|
||
|
||
|
||
|
||
|
||
PART THE SECOND.
|
||
|
||
|
||
|
||
|
||
[Illustration]
|
||
|
||
PART THE SECOND.
|
||
|
||
|
||
[Illustration]
|
||
|
||
SNITCHEY AND CRAGGS had a snug little office on the old Battle Ground,
|
||
where they drove a snug little business, and fought a great many small
|
||
pitched battles for a great many contending parties. Though it could
|
||
hardly be said of these conflicts that they were running fights--for in
|
||
truth they generally proceeded at a snail's pace--the part the Firm had
|
||
in them came so far within that general denomination, that now they took
|
||
a shot at this Plaintiff, and now aimed a chop at that Defendant, now
|
||
made a heavy charge at an estate in Chancery, and now had some light
|
||
skirmishing among an irregular body of small debtors, just as the
|
||
occasion served, and the enemy happened to present himself. The Gazette
|
||
was an important and profitable feature in some of their fields, as well
|
||
as in fields of greater renown; and in most of the Actions wherein they
|
||
shewed their generalship, it was afterwards observed by the combatants
|
||
that they had had great difficulty in making each other out, or in
|
||
knowing with any degree of distinctness what they were about, in
|
||
consequence of the vast amount of smoke by which they were surrounded.
|
||
|
||
The offices of Messrs. Snitchey and Craggs stood convenient with an open
|
||
door, down two smooth steps in the market-place: so that any angry
|
||
farmer inclining towards hot water, might tumble into it at once. Their
|
||
special council-chamber and hall of conference was an old back room up
|
||
stairs, with a low dark ceiling, which seemed to be knitting its brows
|
||
gloomily in the consideration of tangled points of law. It was furnished
|
||
with some high-backed leathern chairs, garnished with great goggle-eyed
|
||
brass nails, of which, every here and there, two or three had fallen
|
||
out; or had been picked out, perhaps, by the wandering thumbs and
|
||
forefingers of bewildered clients. There was a framed print of a great
|
||
judge in it, every curl in whose dreadful wig had made a man's hair
|
||
stand on end. Bales of papers filled the dusty closets, shelves, and
|
||
tables; and round the wainscoat there were tiers of boxes, padlocked and
|
||
fireproof, with people's names painted outside, which anxious visitors
|
||
felt themselves, by a cruel enchantment, obliged to spell backwards and
|
||
forwards, and to make anagrams of, while they sat, seeming to listen to
|
||
Snitchey and Craggs, without comprehending one word of what they said.
|
||
|
||
Snitchey and Craggs had each, in private life as in professional
|
||
existence, a partner of his own. Snitchey and Craggs were the best
|
||
friends in the world, and had a real confidence in one another; but
|
||
Mrs. Snitchey, by a dispensation not uncommon in the affairs of life,
|
||
was, on principle, suspicious of Mr. Craggs, and Mrs. Craggs was, on
|
||
principle, suspicious of Mr. Snitchey. "Your Snitcheys indeed," the
|
||
latter lady would observe, sometimes, to Mr. Craggs; using that
|
||
imaginative plural as if in disparagement of an objectionable pair of
|
||
pantaloons, or other articles not possessed of a singular number; "I
|
||
don't see what you want with your Snitcheys, for my part. You trust a
|
||
great deal too much to your Snitcheys, _I_ think, and I hope you may
|
||
never find my words come true." While Mrs. Snitchey would observe to Mr.
|
||
Snitchey, of Craggs, "that if ever he was led away by man he was led
|
||
away by that man; and that if ever she read a double purpose in a mortal
|
||
eye, she read that purpose in Craggs's eye." Notwithstanding this,
|
||
however, they were all very good friends in general: and Mrs. Snitchey
|
||
and Mrs. Craggs maintained a close bond of alliance against "the
|
||
office," which they both considered a Blue chamber, and common enemy,
|
||
full of dangerous (because unknown) machinations.
|
||
|
||
In this office, nevertheless, Snitchey and Craggs made honey for their
|
||
several hives. Here sometimes they would linger, of a fine evening, at
|
||
the window of their council-chamber, overlooking the old battle-ground,
|
||
and wonder (but that was generally at assize time, when much business
|
||
had made them sentimental) at the folly of mankind, who couldn't always
|
||
be at peace with one another, and go to law comfortably. Here days, and
|
||
weeks, and months, and years, passed over them; their calendar, the
|
||
gradually diminishing number of brass nails in the leathern chairs, and
|
||
the increasing bulk of papers on the tables. Here nearly three years'
|
||
flight had thinned the one and swelled the other, since the breakfast in
|
||
the orchard; when they sat together in consultation, at night.
|
||
|
||
[Illustration]
|
||
|
||
Not alone; but with a man of thirty, or about that time of life,
|
||
negligently dressed, and somewhat haggard in the face, but well-made,
|
||
well-attired, and well-looking, who sat in the arm-chair of state, with
|
||
one hand in his breast, and the other in his dishevelled hair, pondering
|
||
moodily. Messrs. Snitchey and Craggs sat opposite each other at a
|
||
neighbouring desk. One of the fire-proof boxes, unpadlocked and opened,
|
||
was upon it; a part of its contents lay strewn upon the table, and the
|
||
rest was then in course of passing through the hands of Mr. Snitchey,
|
||
who brought it to the candle, document by document, looked at every
|
||
paper singly, as he produced it, shook his head, and handed it to Mr.
|
||
Craggs, who looked it over also, shook his head, and laid it down.
|
||
Sometimes they would stop, and shaking their heads in concert, look
|
||
towards the abstracted client; and the name on the box being Michael
|
||
Warden, Esquire, we may conclude from these premises that the name and
|
||
the box were both his, and that the affairs of Michael Warden, Esquire,
|
||
were in a bad way.
|
||
|
||
"That's all," said Mr. Snitchey, turning up the last paper. "Really
|
||
there's no other resource. No other resource."
|
||
|
||
"All lost, spent, wasted, pawned, borrowed and sold, eh?" said the
|
||
client, looking up.
|
||
|
||
"All," returned Mr. Snitchey.
|
||
|
||
"Nothing else to be done, you say?"
|
||
|
||
"Nothing at all."
|
||
|
||
The client bit his nails, and pondered again.
|
||
|
||
"And I am not even personally safe in England? You hold to that; do
|
||
you?"
|
||
|
||
"In no part of the United Kingdom of Great Britain and Ireland," replied
|
||
Mr. Snitchey.
|
||
|
||
"A mere prodigal son with no father to go back to, no swine to keep, and
|
||
no husks to share with them? Eh?" pursued the client, rocking one leg
|
||
over the other, and searching the ground with his eyes.
|
||
|
||
Mr. Snitchey coughed, as if to deprecate the being supposed to
|
||
participate in any figurative illustration of a legal position. Mr.
|
||
Craggs, as if to express that it was a partnership view of the subject,
|
||
also coughed.
|
||
|
||
"Ruined at thirty!" said the client. "Humph!"
|
||
|
||
"Not ruined, Mr. Warden," returned Snitchey. "Not so bad as that. You
|
||
have done a good deal towards it, I must say, but you are not ruined.
|
||
A little nursing--"
|
||
|
||
"A little Devil," said the client.
|
||
|
||
"Mr. Craggs," said Snitchey, "will you oblige me with a pinch of snuff?
|
||
Thank you, Sir."
|
||
|
||
As the imperturbable lawyer applied it to his nose, with great apparent
|
||
relish and a perfect absorption of his attention in the proceeding, the
|
||
client gradually broke into a smile, and, looking up, said:
|
||
|
||
"You talk of nursing. How long nursing?"
|
||
|
||
"How long nursing?" repeated Snitchey, dusting the snuff from his
|
||
fingers, and making a slow calculation in his mind. "For your involved
|
||
estate, Sir? In good hands? S. and C.'s, say? Six or seven years."
|
||
|
||
"To starve for six or seven years!" said the client with a fretful
|
||
laugh, and an impatient change of his position.
|
||
|
||
"To starve for six or seven years, Mr. Warden," said Snitchey, "would be
|
||
very uncommon indeed. You might get another estate by shewing yourself,
|
||
the while. But we don't think you could do it--speaking for Self and
|
||
Craggs--and consequently don't advise it."
|
||
|
||
"What _do_ you advise?"
|
||
|
||
"Nursing, I say," repeated Snitchey. "Some few years of nursing by Self
|
||
and Craggs would bring it round. But to enable us to make terms, and
|
||
hold terms, and you to keep terms, you must go away, you must live
|
||
abroad. As to starvation, we could ensure you some hundreds a year to
|
||
starve upon, even in the beginning, I dare say, Mr. Warden."
|
||
|
||
"Hundreds," said the client. "And I have spent thousands!"
|
||
|
||
"That," retorted Mr. Snitchey, putting the papers slowly back into the
|
||
cast-iron box, "there is no doubt about. No doubt a--bout," he repeated
|
||
to himself, as he thoughtfully pursued his occupation.
|
||
|
||
The lawyer very likely knew his man; at any rate his dry, shrewd,
|
||
whimsical manner, had a favourable influence upon the client's moody
|
||
state, and disposed him to be more free and unreserved. Or perhaps the
|
||
client knew _his_ man; and had elicited such encouragement as he had
|
||
received, to render some purpose he was about to disclose the more
|
||
defensible in appearance. Gradually raising his head, he sat looking at
|
||
his immovable adviser with a smile, which presently broke into a laugh.
|
||
|
||
"After all," he said, "my iron-headed friend--"
|
||
|
||
Mr. Snitchey pointed out his partner. "Self and--excuse me--Craggs."
|
||
|
||
"I beg Mr. Craggs's pardon," said the client. "After all, my iron-headed
|
||
friends," he leaned forward in his chair, and dropped his voice a
|
||
little, "you don't know half my ruin yet."
|
||
|
||
Mr. Snitchey stopped and stared at him. Mr. Craggs also stared.
|
||
|
||
"I am not only deep in debt," said the client "but I am deep in--"
|
||
|
||
"Not in love!" cried Snitchey.
|
||
|
||
"Yes!" said the client, falling back in his chair, and surveying the
|
||
Firm with his hands in his pockets. "Deep in love."
|
||
|
||
"And not with an heiress, Sir?" said Snitchey.
|
||
|
||
"Not with an heiress."
|
||
|
||
"Nor a rich lady?"
|
||
|
||
"Nor a rich lady that I know of--except in beauty and merit."
|
||
|
||
"A single lady, I trust?" said Mr. Snitchey, with great expression.
|
||
|
||
"Certainly."
|
||
|
||
"It's not one of Doctor Jeddler's daughters?" said Snitchey, suddenly
|
||
squaring his elbows on his knees, and advancing his face at least a
|
||
yard.
|
||
|
||
"Yes!" returned the client.
|
||
|
||
"Not his younger daughter?" said Snitchey.
|
||
|
||
"Yes!" returned the client.
|
||
|
||
"Mr. Craggs," said Snitchey, much relieved, "will you oblige me with
|
||
another pinch of snuff? Thank you. I am happy to say it don't signify,
|
||
Mr. Warden; she's engaged, Sir, she's bespoke. My partner can
|
||
corroborate me. We know the fact."
|
||
|
||
"We know the fact," repeated Craggs.
|
||
|
||
"Why, so do I perhaps," returned the client quietly. "What of that? Are
|
||
you men of the world, and did you never hear of a woman changing her
|
||
mind?"
|
||
|
||
"There certainly have been actions for breach," said Mr. Snitchey,
|
||
"brought against both spinsters and widows, but in the majority of
|
||
cases--"
|
||
|
||
"Cases!" interposed the client, impatiently. "Don't talk to me of cases.
|
||
The general precedent is in a much larger volume than any of your law
|
||
books. Besides, do you think I have lived six weeks in the Doctor's
|
||
house for nothing?"
|
||
|
||
"I think, Sir," observed Mr. Snitchey, gravely addressing himself to his
|
||
partner, "that of all the scrapes Mr. Warden's horses have brought him
|
||
into at one time and another--and they have been pretty numerous, and
|
||
pretty expensive, as none know better than himself and you and I--the
|
||
worst scrape may turn out to be, if he talks in this way, his having
|
||
been ever left by one of them at the Doctor's garden wall, with three
|
||
broken ribs, a snapped collar-bone, and the Lord knows how many bruises.
|
||
We didn't think so much of it, at the time when we knew he was going on
|
||
well under the Doctor's hands and roof; but it looks bad now, Sir. Bad!
|
||
It looks very bad. Doctor Jeddler too--our client, Mr. Craggs."
|
||
|
||
"Mr. Alfred Heathfield too--a sort of client, Mr. Snitchey," said
|
||
Craggs.
|
||
|
||
"Mr. Michael Warden too, a kind of client," said the careless visitor,
|
||
"and no bad one either: having played the fool for ten or twelve years.
|
||
However Mr. Michael Warden has sown his wild oats now; there's their
|
||
crop, in that box; and means to repent and be wise. And in proof of it,
|
||
Mr. Michael Warden means, if he can, to marry Marion, the Doctor's
|
||
lovely daughter, and to carry her away with him."
|
||
|
||
"Really, Mr. Craggs," Snitchey began.
|
||
|
||
"Really Mr. Snitchey, and Mr. Craggs, partners both," said the client,
|
||
interrupting him; "you know your duty to your clients, and you know well
|
||
enough, I am sure, that it is no part of it to interfere in a mere love
|
||
affair, which I am obliged to confide to you. I am not going to carry
|
||
the young lady off, without her own consent. There's nothing illegal in
|
||
it. I never was Mr. Heathfield's bosom friend. I violate no confidence
|
||
of his. I love where he loves, and I mean to win where he would win, if
|
||
I can."
|
||
|
||
"He can't, Mr. Craggs," said Snitchey, evidently anxious and
|
||
discomfited. "He can't do it, Sir. She dotes on Mr. Alfred."
|
||
|
||
"Does she?" returned the client.
|
||
|
||
"Mr. Craggs, she dotes on him, Sir," persisted Snitchey.
|
||
|
||
"I didn't live six weeks, some few months ago, in the Doctor's house for
|
||
nothing; and I doubted that soon," observed the client. "She would have
|
||
doted on him, if her sister could have brought it about; but I watched
|
||
them. Marion avoided his name, avoided the subject: shrunk from the
|
||
least allusion to it, with evident distress."
|
||
|
||
"Why should she, Mr. Craggs, you know? Why should she, Sir?" inquired
|
||
Snitchey.
|
||
|
||
"I don't know why she should, though there are many likely reasons,"
|
||
said the client, smiling at the attention and perplexity expressed in
|
||
Mr. Snitchey's shining eye, and at his cautious way of carrying on the
|
||
conversation, and making himself informed upon the subject; "but I know
|
||
she does. She was very young when she made the engagement--if it may be
|
||
called one, I am not even sure of that--and has repented of it, perhaps.
|
||
Perhaps--it seems a foppish thing to say, but upon my soul I don't mean
|
||
it in that light--she may have fallen in love with me, as I have fallen
|
||
in love with her."
|
||
|
||
"He, he! Mr. Alfred, her old playfellow too, you remember, Mr. Craggs,"
|
||
said Snitchey, with a disconcerted laugh; "knew her almost from a baby!"
|
||
|
||
"Which makes it the more probable that she may be tired of his idea,"
|
||
calmly pursued the client, "and not indisposed to exchange it for the
|
||
newer one of another lover, who presents himself (or is presented
|
||
by his horse) under romantic circumstances; has the not unfavorable
|
||
reputation--with a country girl--of having lived thoughtlessly and
|
||
gaily, without doing much harm to anybody; and who, for his youth and
|
||
figure, and so forth--this may seem foppish again, but upon my soul I
|
||
don't mean it in that light--might perhaps pass muster in a crowd with
|
||
Mr. Alfred himself."
|
||
|
||
There was no gainsaying the last clause, certainly; and Mr. Snitchey,
|
||
glancing at him, thought so. There was something naturally graceful and
|
||
pleasant in the very carelessness of his air. It seemed to suggest, of
|
||
his comely face and well-knit figure, that they might be greatly better
|
||
if he chose: and that, once roused and made earnest (but he never had
|
||
been earnest yet), he could be full of fire and purpose. "A dangerous
|
||
sort of libertine," thought the shrewd lawyer, "to seem to catch the
|
||
spark he wants from a young lady's eyes."
|
||
|
||
"Now, observe, Snitchey," he continued, rising and taking him by the
|
||
button, "and Craggs," taking him by the button also, and placing one
|
||
partner on either side of him, so that neither might evade him. "I
|
||
don't ask you for any advice. You are right to keep quite aloof from
|
||
all parties in such a matter, which is not one in which grave men like
|
||
you could interfere, on any side. I am briefly going to review in
|
||
half-a-dozen words, my position and intention, and then I shall leave it
|
||
to you to do the best for me, in money matters, that you can: seeing,
|
||
that, if I run away with the Doctor's beautiful daughter (as I hope to
|
||
do, and to become another man under her bright influence), it will be,
|
||
for the moment, more chargeable than running away alone. But I shall
|
||
soon make all that up in an altered life."
|
||
|
||
"I think it will be better not to hear this, Mr. Craggs?" said Snitchey,
|
||
looking at him across the client.
|
||
|
||
"_I_ think not," said Craggs.--Both listening attentively.
|
||
|
||
"Well! You needn't hear it," replied their client. "I'll mention it,
|
||
however. I don't mean to ask the Doctor's consent, because he wouldn't
|
||
give it me. But I mean to do the Doctor no wrong or harm, because
|
||
(besides there being nothing serious in such trifles, as he says) I hope
|
||
to rescue his child, my Marion, from what I see--I _know_--she dreads,
|
||
and contemplates with misery: that is, the return of this old lover. If
|
||
anything in the world is true, it is true that she dreads his return.
|
||
Nobody is injured so far. I am so harried and worried here just now,
|
||
that I lead the life of a flying-fish; skulk about in the dark, am shut
|
||
out of my own house, and warned off my own grounds: but that house,
|
||
and those grounds, and many an acre besides, will come back to me one
|
||
day, as you know and say; and Marion will probably be richer--on your
|
||
showing, who are never sanguine--ten years hence as my wife, than as the
|
||
wife of Alfred Heathfield, whose return she dreads (remember that), and
|
||
in whom or in any man, my passion is not surpassed. Who is injured yet?
|
||
It is a fair case throughout. My right is as good as his, if she decide
|
||
in my favor; and I will try my right by her alone. You will like to know
|
||
no more after this, and I will tell you no more. Now you know my
|
||
purpose, and wants. When must I leave here?"
|
||
|
||
"In a week," said Snitchey. "Mr. Craggs?--"
|
||
|
||
"In something less, I should say," responded Craggs.
|
||
|
||
"In a month," said the client, after attentively watching the two faces.
|
||
"This day month. To-day is Thursday. Succeed or fail, on this day month
|
||
I go."
|
||
|
||
"It's too long a delay," said Snitchey; "much too long. But let it be
|
||
so. I thought he'd have stipulated for three," he murmured to himself.
|
||
"Are you going? Good night, Sir."
|
||
|
||
"Good night!" returned the client, shaking hands with the Firm. "You'll
|
||
live to see me making a good use of riches yet. Henceforth, the star of
|
||
my destiny is, Marion!"
|
||
|
||
"Take care of the stairs, Sir," replied Snitchey; "for she don't shine
|
||
there. Good night!"
|
||
|
||
"Good night!"
|
||
|
||
So they both stood at the stair-head with a pair of office-candles,
|
||
watching him down; and when he had gone away, stood looking at each
|
||
other.
|
||
|
||
"What do you think of all this, Mr. Craggs?" said Snitchey.
|
||
|
||
Mr. Craggs shook his head.
|
||
|
||
"It was our opinion, on the day when that release was executed, that
|
||
there was something curious in the parting of that pair, I recollect,"
|
||
said Snitchey.
|
||
|
||
"It was," said Mr. Craggs.
|
||
|
||
"Perhaps he deceives himself altogether," pursued Mr. Snitchey, locking
|
||
up the fireproof box, and putting it away; "or if he don't, a little
|
||
bit of fickleness and perfidy is not a miracle, Mr. Craggs. And yet I
|
||
thought that pretty face was very true. I thought," said Mr. Snitchey,
|
||
putting on his great coat, (for the weather was very cold), drawing on
|
||
his gloves, and snuffing out one candle, "that I had even seen her
|
||
character becoming stronger and more resolved of late. More like her
|
||
sister's."
|
||
|
||
"Mrs. Craggs was of the same opinion," returned Craggs.
|
||
|
||
"I'd really give a trifle to-night," observed Mr. Snitchey, who was
|
||
a good-natured man, "if I could believe that Mr. Warden was reckoning
|
||
without his host; but light-headed, capricious, and unballasted as he
|
||
is, he knows something of the world and its people (he ought to, for
|
||
he has bought what he does know, dear enough); and I can't quite think
|
||
that. We had better not interfere: we can do nothing, Mr. Craggs, but
|
||
keep quiet."
|
||
|
||
"Nothing," returned Craggs.
|
||
|
||
"Our friend the Doctor makes light of such things," said Mr. Snitchey,
|
||
shaking his head. "I hope he mayn't stand in need of his philosophy. Our
|
||
friend Alfred talks of the battle of life," he shook his head again, "I
|
||
hope he mayn't be cut down early in the day. Have you got your hat, Mr.
|
||
Craggs? I am going to put the other candle out."
|
||
|
||
Mr Craggs replying in the affirmative, Mr. Snitchey suited the action to
|
||
the word, and they groped their way out of the council-chamber: now as
|
||
dark as the subject, or the law in general.
|
||
|
||
* * * * *
|
||
|
||
My story passes to a quiet little study, where, on that same night, the
|
||
sisters and the hale old Doctor sat by a cheerful fire-side. Grace was
|
||
working at her needle. Marion read aloud from a book before her. The
|
||
Doctor, in his dressing-gown and slippers, with his feet spread out upon
|
||
the warm rug, leaned back in his easy chair, and listened to the book,
|
||
and looked upon his daughters.
|
||
|
||
They were very beautiful to look upon. Two better faces for a fireside,
|
||
never made a fireside bright and sacred. Something of the difference
|
||
between them had been softened down in three years' time; and enthroned
|
||
upon the clear brow of the younger sister, looking through her eyes,
|
||
and thrilling in her voice, was the same earnest nature that her own
|
||
motherless youth had ripened in the elder sister long ago. But she
|
||
still appeared at once the lovelier and weaker of the two; still seemed
|
||
to rest her head upon her sister's breast, and put her trust in her, and
|
||
look into her eyes for counsel and reliance. Those loving eyes, so calm,
|
||
serene, and cheerful, as of old.
|
||
|
||
"'And being in her own home,'" read Marion, from the book; "'her home
|
||
made exquisitely dear by these remembrances, she now began to know
|
||
that the great trial of her heart must soon come on, and could not be
|
||
delayed. Oh Home, our comforter and friend when others fall away, to
|
||
part with whom, at any step between the cradle and the grave--'"
|
||
|
||
"Marion, my love!" said Grace.
|
||
|
||
"Why, Puss!" exclaimed her father, "what's the matter?"
|
||
|
||
She put her hand upon the hand her sister stretched towards her, and
|
||
read on; her voice still faltering and trembling, though she made an
|
||
effort to command it when thus interrupted.
|
||
|
||
"'To part with whom, at any step between the cradle and the grave,
|
||
is always sorrowful. Oh Home, so true to us, so often slighted in
|
||
return, be lenient to them that turn away from thee, and do not haunt
|
||
their erring footsteps too reproachfully! Let no kind looks, no
|
||
well-remembered smiles, be seen upon thy phantom face. Let no ray of
|
||
affection, welcome, gentleness, forbearance, cordiality, shine from thy
|
||
white head. Let no old loving word or tone rise up in judgment against
|
||
thy deserter; but if thou canst look harshly and severely, do, in mercy
|
||
to the Penitent!'"
|
||
|
||
"Dear Marion, read no more to-night," said Grace--for she was weeping.
|
||
|
||
"I cannot," she replied, and closed the book. "The words seem all on
|
||
fire!"
|
||
|
||
The Doctor was amused at this; and laughed as he patted her on the head.
|
||
|
||
"What! overcome by a story-book!" said Doctor Jeddler. "Print and paper!
|
||
Well, well, it's all one. It's as rational to make a serious matter of
|
||
print and paper as of anything else. But dry your eyes, love, dry your
|
||
eyes. I dare say the heroine has got home again long ago, and made it up
|
||
all round--and if she hasn't, a real home is only four walls; and a
|
||
fictitious one, mere rags and ink. What's the matter now?"
|
||
|
||
"It's only me, Mister," said Clemency, putting in her head at the door.
|
||
|
||
"And what's the matter with _you_?" said the Doctor.
|
||
|
||
"Oh, bless you, nothing an't the matter with me," returned Clemency--and
|
||
truly too, to judge from her well-soaped face, in which there gleamed as
|
||
usual the very soul of good humour, which, ungainly as she was, made her
|
||
quite engaging. Abrasions on the elbows are not generally understood,
|
||
it is true, to range within that class of personal charms called
|
||
beauty-spots. But it is better, going through the world, to have the
|
||
arms chafed in that narrow passage, than the temper: and Clemency's was
|
||
sound and whole as any beauty's in the land.
|
||
|
||
"Nothing an't the matter with me," said Clemency, entering, "but--come a
|
||
little closer, Mister."
|
||
|
||
The Doctor, in some astonishment, complied with this invitation.
|
||
|
||
"You said I wasn't to give you one before them, you know," said
|
||
Clemency.
|
||
|
||
A novice in the family might have supposed, from her extraordinary
|
||
ogling as she said it, as well as from a singular rapture or ecstasy
|
||
which pervaded her elbows, as if she were embracing herself, that
|
||
'one,' in its most favorable interpretation, meant a chaste salute.
|
||
Indeed the Doctor himself seemed alarmed, for the moment; but quickly
|
||
regained his composure, as Clemency, having had recourse to both her
|
||
pockets--beginning with the right one, going away to the wrong one,
|
||
and afterwards coming back to the right one again--produced a letter
|
||
from the Post-office.
|
||
|
||
"Britain was riding by on a errand," she chuckled, handing it to the
|
||
Doctor, "and see the Mail come in, and waited for it. There's A. H. in
|
||
the corner. Mr. Alfred's on his journey home, I bet. We shall have a
|
||
wedding in the house--there was two spoons in my saucer this morning.
|
||
Oh Luck, how slow he opens it!"
|
||
|
||
All this she delivered, by way of soliloquy, gradually rising higher
|
||
and higher on tiptoe, in her impatience to hear the news, and making a
|
||
corkscrew of her apron, and a bottle of her mouth. At last, arriving at
|
||
a climax of suspense, and seeing the Doctor still engaged in the perusal
|
||
of the letter, she came down flat upon the soles of her feet again, and
|
||
cast her apron, as a veil, over her head, in a mute despair, and
|
||
inability to bear it any longer.
|
||
|
||
"Here! Girls!" cried the Doctor. "I can't help it: I never could keep a
|
||
secret in my life. There are not many secrets, indeed, worth being kept
|
||
in such a--well! never mind that. Alfred's coming home, my dears,
|
||
directly."
|
||
|
||
"Directly!" exclaimed Marion.
|
||
|
||
"What! The story-book is soon forgotten!" said the Doctor, pinching her
|
||
cheek. "I thought the news would dry those tears. Yes. 'Let it be a
|
||
surprise,' he says, here. But I can't let it be a surprise. He must have
|
||
a welcome."
|
||
|
||
"Directly!" repeated Marion.
|
||
|
||
"Why, perhaps not what your impatience calls 'directly,'" returned
|
||
the Doctor; "but pretty soon too. Let us see. Let us see. To-day is
|
||
Thursday, is it not? Then he promises to be here, this day month."
|
||
|
||
"This day month!" repeated Marion, softly.
|
||
|
||
"A gay day and a holiday for us," said the cheerful voice of her sister
|
||
Grace, kissing her in congratulation. "Long looked forward to, dearest,
|
||
and come at last."
|
||
|
||
She answered with a smile; a mournful smile, but full of sisterly
|
||
affection: and as she looked in her sister's face, and listened to the
|
||
quiet music of her voice, picturing the happiness of this return, her
|
||
own face glowed with hope and joy.
|
||
|
||
And with a something else: a something shining more and more through
|
||
all the rest of its expression: for which I have no name. It was not
|
||
exultation, triumph, proud enthusiasm. They are not so calmly shown. It
|
||
was not love and gratitude alone, though love and gratitude were part of
|
||
it. It emanated from no sordid thought, for sordid thoughts do not light
|
||
up the brow, and hover on the lips, and move the spirit, like a
|
||
fluttered light, until the sympathetic figure trembles.
|
||
|
||
Doctor Jeddler, in spite of his system of philosophy--which he was
|
||
continually contradicting and denying in practice, but more famous
|
||
philosophers have done that--could not help having as much interest in
|
||
the return of his old ward and pupil, as if it had been a serious event.
|
||
So he sat himself down in his easy chair again, stretched out his
|
||
slippered feet once more upon the rug, read the letter over and over a
|
||
great many times, and talked it over more times still.
|
||
|
||
"Ah! The day was," said the Doctor, looking at the fire, "when you and
|
||
he, Grace, used to trot about arm-in-arm, in his holiday time, like a
|
||
couple of walking dolls. You remember?"
|
||
|
||
"I remember," she answered, with her pleasant laugh, and plying her
|
||
needle busily.
|
||
|
||
"This day month, indeed!" mused the Doctor. "That hardly seems a
|
||
twelve-month ago. And where was my little Marion then!"
|
||
|
||
"Never far from her sister," said Marion, cheerily, "however little.
|
||
Grace was everything to me, even when she was a young child herself."
|
||
|
||
"True, Puss, true," returned the Doctor. "She was a staid little woman,
|
||
was Grace, and a wise housekeeper, and a busy, quiet, pleasant body;
|
||
bearing with our humours and anticipating our wishes, and always ready
|
||
to forget her own, even in those times. I never knew you positive or
|
||
obstinate, Grace, my darling, even then, on any subject but one."
|
||
|
||
"I am afraid I have changed sadly for the worse, since," laughed Grace,
|
||
still busy at her work. "What was that one, father?"
|
||
|
||
"Alfred, of course," said the Doctor. "Nothing would serve you but you
|
||
must be called Alfred's wife; so we called you Alfred's wife; and you
|
||
liked it better, I believe (odd as it seems now), than being called a
|
||
Duchess, if we could have made you one."
|
||
|
||
"Indeed!" said Grace, placidly.
|
||
|
||
"Why, don't you remember?" inquired the Doctor.
|
||
|
||
"I think I remember something of it," she returned, "but not much. It's
|
||
so long ago." And as she sat at work, she hummed the burden of an old
|
||
song, which the Doctor liked.
|
||
|
||
"Alfred will find a real wife soon," she said, breaking off; "and that
|
||
will be a happy time indeed for all of us. My three years' trust is
|
||
nearly at an end, Marion. It has been a very easy one. I shall tell
|
||
Alfred, when I give you back to him, that you have loved him dearly all
|
||
the time, and that he has never once needed my good services. May I tell
|
||
him so, love?"
|
||
|
||
"Tell him, dear Grace," replied Marion, "that there never was a trust
|
||
so generously, nobly, stedfastly discharged; and that I have loved
|
||
_you_, all the time, dearer and dearer every day; and oh! how dearly
|
||
now!"
|
||
|
||
"Nay," said her cheerful sister, returning her embrace, "I can scarcely
|
||
tell him that; we will leave my deserts to Alfred's imagination. It will
|
||
be liberal enough, dear Marion; like your own."
|
||
|
||
With that she resumed the work she had for a moment laid down, when her
|
||
sister spoke so fervently: and with it the old song the Doctor liked
|
||
to hear. And the Doctor, still reposing in his easy chair, with his
|
||
slippered feet stretched out before him on the rug, listened to the
|
||
tune, and beat time on his knee with Alfred's letter, and looked at his
|
||
two daughters, and thought that among the many trifles of the trifling
|
||
world, these trifles were agreeable enough.
|
||
|
||
Clemency Newcome in the mean time, having accomplished her mission and
|
||
lingered in the room until she had made herself a party to the news,
|
||
descended to the kitchen, where her coadjutor, Mr. Britain, was regaling
|
||
after supper, surrounded by such a plentiful collection of bright
|
||
pot-lids, well-scoured saucepans, burnished dinner-covers, gleaming
|
||
kettles, and other tokens of her industrious habits, arranged upon the
|
||
walls and shelves, that he sat as in the centre of a hall of mirrors.
|
||
The majority did not give forth very flattering portraits of him,
|
||
certainly; nor were they by any means unanimous in their reflections; as
|
||
some made him very long-faced, others very broad-faced, some tolerably
|
||
well-looking, others vastly ill-looking, according to their several
|
||
manners of reflecting: which were as various, in respect of one fact, as
|
||
those of so many kinds of men. But they all agreed that in the midst of
|
||
them sat, quite at his ease, an individual with a pipe in his mouth, and
|
||
a jug of beer at his elbow, who nodded condescendingly to Clemency, when
|
||
she stationed herself at the same table.
|
||
|
||
"Well, Clemmy," said Britain, "how are you by this time, and what's the
|
||
news?"
|
||
|
||
Clemency told him the news, which he received very graciously. A
|
||
gracious change had come over Benjamin from head to foot. He was much
|
||
broader, much redder, much more cheerful, and much jollier in all
|
||
respects. It seemed as if his face had been tied up in a knot before,
|
||
and was now untwisted and smoothed out.
|
||
|
||
"There'll be another job for Snitchey and Craggs, I suppose," he
|
||
observed, puffing slowly at his pipe. "More witnessing for you and me,
|
||
perhaps, Clemmy!"
|
||
|
||
"Lor!" replied his fair companion, with her favorite twist of her
|
||
favorite joints. "I wish it was me, Britain."
|
||
|
||
"Wish what was you?"
|
||
|
||
"A going to be married," said Clemency.
|
||
|
||
Benjamin took his pipe out of his mouth and laughed heartily. "Yes!
|
||
you're a likely subject for that!" he said. "Poor Clem!" Clemency for
|
||
her part laughed as heartily as he, and seemed as much amused by the
|
||
idea. "Yes," she assented, "I'm a likely subject for that; an't I?"
|
||
|
||
"_You_'ll never be married, you know," said Mr. Britain, resuming his
|
||
pipe.
|
||
|
||
"Don't you think I ever shall though?" said Clemency, in perfect good
|
||
faith.
|
||
|
||
Mr. Britain shook his head. "Not a chance of it!"
|
||
|
||
"Only think!" said Clemency. "Well!--I suppose you mean to, Britain,
|
||
one of these days; don't you?"
|
||
|
||
A question so abrupt, upon a subject so momentous, required
|
||
consideration. After blowing out a great cloud of smoke, and looking
|
||
at it with his head now on this side and now on that, as if it were
|
||
actually the question, and he were surveying it in various aspects,
|
||
Mr. Britain replied that he wasn't altogether clear about it,
|
||
but--ye-es--he thought he might come to that at last.
|
||
|
||
"I wish her joy, whoever she may be!" cried Clemency.
|
||
|
||
"Oh she'll have that," said Benjamin; "safe enough."
|
||
|
||
"But she wouldn't have led quite such a joyful life as she will lead,
|
||
and wouldn't have had quite such a sociable sort of husband as she will
|
||
have," said Clemency, spreading herself half over the table, and staring
|
||
retrospectively at the candle, "if it hadn't been for--not that I went
|
||
to do it, for it was accidental, I am sure--if it hadn't been for me;
|
||
now would she, Britain?"
|
||
|
||
"Certainly not," returned Mr. Britain, by this time in that high state
|
||
of appreciation of his pipe, when a man can open his mouth but a very
|
||
little way for speaking purposes; and sitting luxuriously immovable in
|
||
his chair, can afford to turn only his eyes towards a companion, and
|
||
that very passively and gravely. "Oh! I'm greatly beholden to you, you
|
||
know, Clem."
|
||
|
||
"Lor, how nice that is to think of!" said Clemency.
|
||
|
||
At the same time, bringing her thoughts as well as her sight to bear
|
||
upon the candle-grease, and becoming abruptly reminiscent of its healing
|
||
qualities as a balsam, she anointed her left elbow with a plentiful
|
||
application of that remedy.
|
||
|
||
"You see I've made a good many investigations of one sort and another in
|
||
my time," pursued Mr. Britain, with the profundity of a sage; "having
|
||
been always of an inquiring turn of mind; and I've read a good many
|
||
books about the general Rights of things and Wrongs of things, for I
|
||
went into the literary line myself, when I began life."
|
||
|
||
"Did you though!" cried the admiring Clemency.
|
||
|
||
"Yes," said Mr. Britain; "I was hid for the best part of two years
|
||
behind a bookstall, ready to fly out if anybody pocketed a volume; and
|
||
after that I was light porter to a stay and mantua maker, in which
|
||
capacity I was employed to carry about, in oilskin baskets, nothing but
|
||
deceptions--which soured my spirits and disturbed my confidence in human
|
||
nature; and after that, I heard a world of discussions in this house,
|
||
which soured my spirits fresh; and my opinion after all is, that, as a
|
||
safe and comfortable sweetener of the same, and as a pleasant guide
|
||
through life, there's nothing like a nutmeg-grater."
|
||
|
||
Clemency was about to offer a suggestion, but he stopped her by
|
||
anticipating it.
|
||
|
||
"Com-bined," he added gravely, "with a thimble."
|
||
|
||
"Do as you wold, you know, and cetrer, eh!" observed Clemency, folding
|
||
her arms comfortably in her delight at this avowal, and patting her
|
||
elbows. "Such a short cut, an't it?"
|
||
|
||
"I'm not sure," said Mr. Britain, "that it's what would be considered
|
||
good philosophy. I've my doubts about that: but it wears well, and saves
|
||
a quantity of snarling, which the genuine article don't always."
|
||
|
||
"See how you used to go on once, yourself, you know!" said Clemency.
|
||
|
||
"Ah!" said Mr. Britain. "But the most extraordinary thing, Clemmy, is
|
||
that I should live to be brought round, through you. That's the strange
|
||
part of it. Through you! Why, I suppose you haven't so much as half an
|
||
idea in your head."
|
||
|
||
Clemency, without taking the least offence, shook it, and laughed, and
|
||
hugged herself, and said, "No, she didn't suppose she had."
|
||
|
||
"I'm pretty sure of it," said Mr. Britain.
|
||
|
||
"Oh! I dare say you're right," said Clemency. "I don't pretend to none.
|
||
I don't want any."
|
||
|
||
Benjamin took his pipe from his lips, and laughed till the tears ran
|
||
down his face. "What a natural you are, Clemmy!" he said, shaking
|
||
his head, with an infinite relish of the joke, and wiping his eyes.
|
||
Clemency, without the smallest inclination to dispute it, did the like,
|
||
and laughed as heartily as he.
|
||
|
||
"But I can't help liking you," said Mr. Britain; "you're a regular good
|
||
creature in your way; so shake hands, Clem. Whatever happens, I'll
|
||
always take notice of you, and be a friend to you."
|
||
|
||
"Will you?" returned Clemency. "Well! that's very good of you."
|
||
|
||
"Yes, yes," said Mr. Britain, giving her his pipe to knock the ashes out
|
||
of; "I'll stand by you. Hark! That's a curious noise!"
|
||
|
||
"Noise!" repeated Clemency.
|
||
|
||
"A footstep outside. Somebody dropping from the wall, it sounded like,"
|
||
said Britain. "Are they all abed up-stairs?"
|
||
|
||
"Yes, all abed by this time," she replied.
|
||
|
||
"Didn't you hear anything?"
|
||
|
||
"No."
|
||
|
||
They both listened, but heard nothing.
|
||
|
||
"I tell you what," said Benjamin, taking down a lantern. "I'll have a
|
||
look round before I go to bed myself, for satisfaction's sake. Undo the
|
||
door while I light this, Clemmy."
|
||
|
||
Clemency complied briskly; but observed as she did so, that he would
|
||
only have his walk for his pains, that it was all his fancy, and so
|
||
forth. Mr. Britain said 'very likely;' but sallied out, nevertheless,
|
||
armed with the poker, and casting the light of the lantern far and near
|
||
in all directions.
|
||
|
||
"It's as quiet as a churchyard," said Clemency, looking after him; "and
|
||
almost as ghostly too!"
|
||
|
||
Glancing back into the kitchen, she cried fearfully, as a light figure
|
||
stole into her view, "What's that!"
|
||
|
||
"Hush!" said Marion, in an agitated whisper. "You have always loved me,
|
||
have you not!"
|
||
|
||
"Loved you, child! You may be sure I have."
|
||
|
||
"I am sure. And I may trust you, may I not? There is no one else just
|
||
now, in whom I _can_ trust."
|
||
|
||
"Yes," said Clemency, with all her heart.
|
||
|
||
"There is some one out there," pointing to the door, "whom I must see,
|
||
and speak with, to-night. Michael Warden, for God's sake retire! Not
|
||
now!"
|
||
|
||
Clemency started with surprise and trouble as, following the direction
|
||
of the speaker's eyes, she saw a dark figure standing in the doorway.
|
||
|
||
"In another moment you may be discovered," said Marion. "Not now! Wait,
|
||
if you can, in some concealment. I will come, presently."
|
||
|
||
He waved his hand to her, and was gone.
|
||
|
||
"Don't go to bed. Wait here for me!" said Marion, hurriedly. "I have
|
||
been seeking to speak to you for an hour past. Oh, be true to me!"
|
||
|
||
Eagerly seizing her bewildered hand, and pressing it with both her own
|
||
to her breast--an action more expressive, in its passion of entreaty,
|
||
than the most eloquent appeal in words,--Marion withdrew; as the light
|
||
of the returning lantern flashed into the room.
|
||
|
||
"All still and peaceable. Nobody there. Fancy, I suppose," said Mr.
|
||
Britain, as he locked and barred the door. "One of the effects of having
|
||
a lively imagination. Halloa! Why, what's the matter?"
|
||
|
||
Clemency, who could not conceal the effects of her surprise and concern,
|
||
was sitting in a chair: pale, and trembling from head to foot.
|
||
|
||
"Matter!" she repeated, chafing her hands and elbows, nervously, and
|
||
looking anywhere but at him. "That's good in you, Britain, that is!
|
||
After going and frightening one out of one's life with noises, and
|
||
lanterns, and I don't know what all. Matter! Oh, yes."
|
||
|
||
"If you're frightened out of your life by a lantern, Clemmy," said Mr.
|
||
Britain, composedly blowing it out and hanging it up again, "that
|
||
apparition's very soon got rid of. But you're as bold as brass in
|
||
general," he said, stopping to observe her; "and were, after the noise
|
||
and the lantern too. What have you taken into your head? Not an idea,
|
||
eh?"
|
||
|
||
But as Clemency bade him good night very much after her usual fashion,
|
||
and began to bustle about with a show of going to bed herself
|
||
immediately, Little Britain, after giving utterance to the original
|
||
remark that it was impossible to account for a woman's whims, bade her
|
||
good night in return, and taking up his candle strolled drowsily away to
|
||
bed.
|
||
|
||
When all was quiet, Marion returned.
|
||
|
||
"Open the door," she said; "and stand there close beside me, while I
|
||
speak to him, outside."
|
||
|
||
Timid as her manner was, it still evinced a resolute and settled
|
||
purpose, such as Clemency could not resist. She softly unbarred the
|
||
door: but before turning the key, looked round on the young creature
|
||
waiting to issue forth when she should open it.
|
||
|
||
The face was not averted or cast down, but looking full upon her, in
|
||
its pride of youth and beauty. Some simple sense of the slightness of
|
||
the barrier that interposed itself between the happy home and honoured
|
||
love of the fair girl, and what might be the desolation of that home,
|
||
and shipwreck of its dearest treasure, smote so keenly on the tender
|
||
heart of Clemency, and so filled it to overflowing with sorrow and
|
||
compassion, that, bursting into tears, she threw her arms round
|
||
Marion's neck.
|
||
|
||
"It's little that I know, my dear," cried Clemency, "very little; but I
|
||
know that this should not be. Think of what you do!"
|
||
|
||
"I have thought of it many times," said Marion, gently.
|
||
|
||
"Once more," urged Clemency. "Till to-morrow."
|
||
|
||
Marion shook her head.
|
||
|
||
"For Mr. Alfred's sake," said Clemency, with homely earnestness. "Him
|
||
that you used to love so dearly, once!"
|
||
|
||
She hid her face, upon the instant, in her hands, repeating "Once!" as
|
||
if it rent her heart.
|
||
|
||
"Let me go out," said Clemency, soothing her. "I'll tell him what you
|
||
like. Don't cross the door-step to-night. I'm sure no good will come of
|
||
it. Oh, it was an unhappy day when Mr. Warden was ever brought here!
|
||
Think of your good father, darling: of your sister."
|
||
|
||
"I have," said Marion, hastily raising her head. "You don't know what I
|
||
do. You don't know what I do. I _must_ speak to him. You are the best
|
||
and truest friend in all the world for what you have said to me, but I
|
||
must take this step. Will you go with me, Clemency," she kissed her on
|
||
her friendly face, "or shall I go alone?"
|
||
|
||
[Illustration]
|
||
|
||
Sorrowing and wondering, Clemency turned the key, and opened the door.
|
||
Into the dark and doubtful night that lay beyond the threshhold, Marion
|
||
passed quickly, holding by her hand.
|
||
|
||
In the dark night he joined her, and they spoke together earnestly and
|
||
long: and the hand that held so fast by Clemency's, now trembled, now
|
||
turned deadly cold, now clasped and closed on hers, in the strong
|
||
feeling of the speech it emphasized unconsciously. When they returned,
|
||
he followed to the door; and pausing there a moment, seized the other
|
||
hand, and pressed it to his lips. Then stealthily withdrew.
|
||
|
||
The door was barred and locked again, and once again she stood beneath
|
||
her father's roof. Not bowed down by the secret that she brought there,
|
||
though so young; but with that same expression on her face, for which I
|
||
had no name before, and shining through her tears.
|
||
|
||
Again she thanked and thanked her humble friend, and trusted to her, as
|
||
she said, with confidence, implicitly. Her chamber safely reached, she
|
||
fell upon her knees; and with her secret weighing on her heart, could
|
||
pray!
|
||
|
||
Could rise up from her prayers, so tranquil and serene, and bending over
|
||
her fond sister in her slumber, look upon her face and smile: though
|
||
sadly: murmuring as she kissed her forehead, how that Grace had been a
|
||
mother to her, ever, and she loved her as a child!
|
||
|
||
Could draw the passive arm about her neck when lying down to rest--it
|
||
seemed to cling there, of its own will, protectingly and tenderly even
|
||
in sleep--and breathe upon the parted lips, God bless her!
|
||
|
||
Could sink into a peaceful sleep, herself; but for one dream, in which
|
||
she cried out, in her innocent and touching voice, that she was quite
|
||
alone, and they had all forgotten her.
|
||
|
||
* * * * *
|
||
|
||
A month soon passes, even at its tardiest pace. The month appointed to
|
||
elapse between that night and the return, was quick of foot, and went
|
||
by, like a vapour.
|
||
|
||
The day arrived. A raging winter day, that shook the old house,
|
||
sometimes, as if it shivered in the blast. A day to make home doubly
|
||
home. To give the chimney corner new delights. To shed a ruddier glow
|
||
upon the faces gathered round the hearth; and draw each fireside group
|
||
into a closer and more social league, against the roaring elements
|
||
without. Such a wild winter day as best prepares the way for shut-out
|
||
night; for curtained rooms, and cheerful looks; for music, laughter,
|
||
dancing, light, and jovial entertainment!
|
||
|
||
All these the Doctor had in store to welcome Alfred back. They knew that
|
||
he could not arrive till night; and they would make the night air ring,
|
||
he said, as he approached. All his old friends should congregate about
|
||
him. He should not miss a face that he had known and liked. No! They
|
||
should every one be there!
|
||
|
||
So, guests were bidden, and musicians were engaged, and tables spread,
|
||
and floors prepared for active feet, and bountiful provision made, of
|
||
every hospitable kind. Because it was the Christmas season, and his eyes
|
||
were all unused to English holly, and its sturdy green, the dancing room
|
||
was garlanded and hung with it; and the red berries gleamed an English
|
||
welcome to him, peeping from among the leaves.
|
||
|
||
It was a busy day for all of them: a busier day for none of them than
|
||
Grace, who noiselessly presided everywhere, and was the cheerful mind of
|
||
all the preparations. Many a time that day (as well as many a time
|
||
within the fleeting month preceding it), did Clemency glance anxiously,
|
||
and almost fearfully, at Marion. She saw her paler, perhaps, than usual;
|
||
but there was a sweet composure on her face that made it lovelier than
|
||
ever.
|
||
|
||
At night when she was dressed, and wore upon her head a wreath that
|
||
Grace had proudly twined about it--its mimic flowers were Alfred's
|
||
favorites, as Grace remembered when she chose them--that old expression,
|
||
pensive, almost sorrowful, and yet so spiritual, high, and stirring, sat
|
||
again upon her brow, enhanced a hundred fold.
|
||
|
||
"The next wreath I adjust on this fair head, will be a marriage wreath,"
|
||
said Grace; "or I am no true prophet, dear."
|
||
|
||
Her sister smiled, and held her in her arms.
|
||
|
||
"A moment, Grace. Don't leave me yet. Are you sure that I want nothing
|
||
more?"
|
||
|
||
Her care was not for that. It was her sister's face she thought of, and
|
||
her eyes were fixed upon it, tenderly.
|
||
|
||
"My art," said Grace, "can go no farther, dear girl; nor your beauty. I
|
||
never saw you look so beautiful as now."
|
||
|
||
"I never was so happy," she returned.
|
||
|
||
"Aye, but there is greater happiness in store. In such another home, as
|
||
cheerful and as bright as this looks now," said Grace, "Alfred and his
|
||
young wife will soon be living."
|
||
|
||
She smiled again. "It is a happy home, Grace, in your fancy. I can see
|
||
it in your eyes. I know it _will_ be happy, dear. How glad I am to know
|
||
it."
|
||
|
||
"Well," cried the Doctor, bustling in. "Here we are, all ready for
|
||
Alfred, eh? He can't be here until pretty late--an hour or so before
|
||
midnight--so there'll be plenty of time for making merry before he
|
||
comes. He'll not find us with the ice unbroken. Pile up the fire here,
|
||
Britain! Let it shine upon the holly till it winks again. It's a world
|
||
of nonsense, Puss; true lovers and all the rest of it--all nonsense; but
|
||
we'll be nonsensical with the rest of 'em, and give our true lover a mad
|
||
welcome. Upon my word!" said the old Doctor, looking at his daughters
|
||
proudly, "I'm not clear to-night, among other absurdities, but that I'm
|
||
the father of two handsome girls."
|
||
|
||
"All that one of them has ever done, or may do--may do, dearest
|
||
father--to cause you pain or grief, forgive her," said Marion: "forgive
|
||
her now, when her heart is full. Say that you forgive her. That you will
|
||
forgive her. That she shall always share your love, and--," and the rest
|
||
was not said, for her face was hidden on the old man's shoulder.
|
||
|
||
"Tut, tut, tut," said the Doctor, gently. "Forgive! What have I to
|
||
forgive? Heyday, if our true lovers come back to flurry us like this,
|
||
we must hold 'em at a distance; we must send expresses out to stop 'em
|
||
short upon the road, and bring 'em on a mile or two a day, until we're
|
||
properly prepared to meet 'em. Kiss me, Puss. Forgive! Why, what a
|
||
silly child you are. If you had vexed and crossed me fifty times
|
||
a day, instead of not at all, I'd forgive you everything, but
|
||
such a supplication. Kiss me again, Puss. There! Prospective and
|
||
retrospective--a clear score between us. Pile up the fire here! Would
|
||
you freeze the people on this bleak December night! Let us be light,
|
||
and warm, and merry, or I'll not forgive some of you!"
|
||
|
||
So gaily the old Doctor carried it! And the fire was piled up, and the
|
||
lights were bright, and company arrived, and a murmuring of lively
|
||
tongues began, and already there was a pleasant air of cheerful
|
||
excitement stirring through all the house.
|
||
|
||
More and more company came flocking in. Bright eyes sparkled upon
|
||
Marion; smiling lips gave her joy of his return; sage mothers fanned
|
||
themselves, and hoped she mightn't be too youthful and inconstant for
|
||
the quiet round of home; impetuous fathers fell into disgrace, for too
|
||
much exaltation of her beauty; daughters envied her; sons envied him;
|
||
innumerable pairs of lovers profited by the occasion; all were
|
||
interested, animated, and expectant.
|
||
|
||
Mr. and Mrs. Craggs came arm in arm, but Mrs. Snitchey came alone. "Why,
|
||
what's become of _him_?" inquired the Doctor.
|
||
|
||
The feather of a Bird of Paradise in Mrs. Snitchey's turban, trembled as
|
||
if the bird of Paradise were alive again, when she said that doubtless
|
||
Mr. Craggs knew. _She_ was never told.
|
||
|
||
"That nasty office," said Mrs. Craggs.
|
||
|
||
"I wish it was burnt down," said Mrs. Snitchey.
|
||
|
||
"He's--he's--there's a little matter of business that keeps my partner
|
||
rather late," said Mr. Craggs, looking uneasily about him.
|
||
|
||
"Oh--h! Business. Don't tell me!" said Mrs. Snitchey.
|
||
|
||
"_We_ know what business means," said Mrs. Craggs.
|
||
|
||
But their not knowing what it meant, was perhaps the reason why Mrs.
|
||
Snitchey's Bird of Paradise feather quivered so portentously, and all
|
||
the pendant bits on Mrs. Craggs's ear-rings shook like little bells.
|
||
|
||
"I wonder _you_ could come away, Mr. Craggs," said his wife.
|
||
|
||
"Mr. Craggs is fortunate, I'm sure!" said Mrs. Snitchey.
|
||
|
||
"That office so engrosses 'em," said Mrs. Craggs.
|
||
|
||
"A person with an office has no business to be married at all," said
|
||
Mrs. Snitchey.
|
||
|
||
Then Mrs. Snitchey said, within herself, that that look of hers had
|
||
pierced to Craggs's soul, and he knew it: and Mrs. Craggs observed, to
|
||
Craggs, that 'his Snitcheys' were deceiving him behind his back, and he
|
||
would find it out when it was too late.
|
||
|
||
Still, Mr. Craggs, without much heeding these remarks, looked uneasily
|
||
about him until his eye rested on Grace, to whom he immediately
|
||
presented himself.
|
||
|
||
"Good evening, Ma'am," said Craggs. "You look charmingly.
|
||
Your--Miss--your sister, Miss Marion, is she----"
|
||
|
||
"Oh she's quite well, Mr. Craggs."
|
||
|
||
"Yes--I--is she here?" asked Craggs.
|
||
|
||
"Here! Don't you see her yonder? Going to dance?" said Grace.
|
||
|
||
Mr. Craggs put on his spectacles to see the better; looked at her
|
||
through them, for some time; coughed; and put them, with an air of
|
||
satisfaction, in their sheath again, and in his pocket.
|
||
|
||
Now the music struck up, and the dance commenced. The bright fire
|
||
crackled and sparkled, rose and fell, as though it joined the dance
|
||
itself, in right good fellowship. Sometimes it roared as if it would
|
||
make music too. Sometimes it flashed and beamed as if it were the eye of
|
||
the old room: it winked too, sometimes, like a knowing patriarch, upon
|
||
the youthful whisperers in corners. Sometimes it sported with the
|
||
holly-boughs; and, shining on the leaves by fits and starts, made them
|
||
look as if they were in the cold winter night again, and fluttering in
|
||
the wind. Sometimes its genial humour grew obstreperous, and passed all
|
||
bounds; and then it cast into the room, among the twinkling feet, with a
|
||
loud burst, a shower of harmless little sparks, and in its exultation
|
||
leaped and bounded, like a mad thing, up the broad old chimney.
|
||
|
||
Another dance was near its close, when Mr. Snitchey touched his partner,
|
||
who was looking on, upon the arm.
|
||
|
||
Mr. Craggs started, as if his familiar had been a spectre.
|
||
|
||
"Is he gone?" he asked.
|
||
|
||
"Hush! He has been with me," said Snitchey, "for three hours and more.
|
||
He went over everything. He looked into all our arrangements for him,
|
||
and was very particular indeed. He--Humph!"
|
||
|
||
The dance was finished. Marion passed close before him, as he spoke.
|
||
She did not observe him, or his partner; but looked over her shoulder
|
||
towards her sister in the distance, as she slowly made her way into the
|
||
crowd, and passed out of their view.
|
||
|
||
"You see! All safe and well," said Mr. Craggs. "He didn't recur to that
|
||
subject, I suppose?"
|
||
|
||
"Not a word."
|
||
|
||
"And is he really gone? Is he safe away?"
|
||
|
||
"He keeps to his word. He drops down the river with the tide in that
|
||
shell of a boat of his, and so goes out to sea on this dark night--a
|
||
dare-devil he is--before the wind. There's no such lonely road anywhere
|
||
else. That's one thing. The tide flows, he says, an hour before midnight
|
||
about this time. I'm glad it's over." Mr. Snitchey wiped his forehead,
|
||
which looked hot and anxious.
|
||
|
||
"What do you think," said Mr. Craggs, "about--"
|
||
|
||
"Hush!" replied his cautious partner, looking straight before him. "I
|
||
understand you. Don't mention names, and don't let us seem to be talking
|
||
secrets. I don't know what to think; and to tell you the truth, I don't
|
||
care now. It's a great relief. His self-love deceived him, I suppose.
|
||
Perhaps the young lady coquetted a little. The evidence would seem to
|
||
point that way. Alfred not arrived?"
|
||
|
||
"Not yet," said Mr. Craggs. "Expected every minute."
|
||
|
||
"Good." Mr. Snitchey wiped his forehead again. "It's a great relief. I
|
||
haven't been so nervous since we've been in partnership. I intend to
|
||
spend the evening now, Mr. Craggs."
|
||
|
||
Mrs. Craggs and Mrs. Snitchey joined them as he announced this
|
||
intention. The Bird of Paradise was in a state of extreme vibration; and
|
||
the little bells were ringing quite audibly.
|
||
|
||
"It has been the theme of general comment, Mr. Snitchey," said Mrs.
|
||
Snitchey. "I hope the office is satisfied."
|
||
|
||
"Satisfied with what, my dear?" asked Mr. Snitchey.
|
||
|
||
"With the exposure of a defenceless woman to ridicule and remark,"
|
||
returned his wife. "That is quite in the way of the office, _that_ is."
|
||
|
||
"I really, myself," said Mrs. Craggs, "have been so long accustomed to
|
||
connect the office with everything opposed to domesticity, that I am
|
||
glad to know it as the avowed enemy of my peace. There is something
|
||
honest in that, at all events."
|
||
|
||
"My dear," urged Mr. Craggs, "your good opinion is invaluable, but _I_
|
||
never avowed that the office was the enemy of your peace."
|
||
|
||
"No," said Mrs. Craggs, ringing a perfect peal upon the little bells.
|
||
"Not you, indeed. You wouldn't be worthy of the office, if you had the
|
||
candor to."
|
||
|
||
"As to my having been away to-night, my dear," said Mr. Snitchey, giving
|
||
her his arm, "the deprivation has been mine, I'm sure; but, as Mr.
|
||
Craggs knows--"
|
||
|
||
Mrs. Snitchey cut this reference very short by hitching her husband to
|
||
a distance, and asking him to look at that man. To do her the favor to
|
||
look at him.
|
||
|
||
"At which man, my dear?" said Mr. Snitchey.
|
||
|
||
"Your chosen companion; _I_'m no companion to you Mr. Snitchey."
|
||
|
||
"Yes, yes, you are, my dear," he interposed.
|
||
|
||
"No no, I'm not," said Mrs. Snitchey with a majestic smile. "I know my
|
||
station. Will you look at your chosen companion, Mr. Snitchey; at your
|
||
referee; at the keeper of your secrets; at the man you trust; at your
|
||
other self, in short."
|
||
|
||
The habitual association of Self with Craggs, occasioned Mr. Snitchey to
|
||
look in that direction.
|
||
|
||
"If you can look that man in the eye this night," said Mrs. Snitchey,
|
||
"and not know that you are deluded, practised upon: made the victim of
|
||
his arts, and bent down prostrate to his will, by some unaccountable
|
||
fascination which it is impossible to explain, and against which no
|
||
warning of mine is of the least avail: all I can say is--I pity you!"
|
||
|
||
At the very same moment Mrs. Craggs was oracular on the cross subject.
|
||
Was it possible she said, that Craggs could so blind himself to his
|
||
Snitcheys, as not to feel his true position. Did he mean to say that he
|
||
had seen his Snitcheys come into that room, and didn't plainly see that
|
||
there was reservation, cunning, treachery in the man? Would he tell
|
||
her that his very action, when he wiped his forehead and looked so
|
||
stealthily about him, didn't show that there was something weighing on
|
||
the conscience of his precious Snitcheys (if he had a conscience), that
|
||
wouldn't bear the light. Did anybody but his Snitcheys come to festive
|
||
entertainments like a burglar?--which, by the way, was hardly a clear
|
||
illustration of the case, as he had walked in very mildly at the door.
|
||
And would he still assert to her at noon-day (it being nearly midnight),
|
||
that his Snitcheys were to be justified through thick and thin, against
|
||
all facts, and reason, and experience?
|
||
|
||
Neither Snitchey nor Craggs openly attempted to stem the current which
|
||
had thus set in, but both were content to be carried gently along it,
|
||
until its force abated; which happened at about the same time as a
|
||
general movement for a country dance; when Mr. Snitchey proposed himself
|
||
as a partner to Mrs. Craggs, and Mr. Craggs gallantly offered himself to
|
||
Mrs. Snitchey; and after some such slight evasions as "why don't you ask
|
||
somebody else?" and "you'll be glad, I know, if I decline," and "I
|
||
wonder you can dance out of the office" (but this jocosely now), each
|
||
lady graciously accepted, and took her place.
|
||
|
||
It was an old custom among them, indeed, to do so, and to pair off, in
|
||
like manner, at dinners and suppers; for they were excellent friends,
|
||
and on a footing of easy familiarity. Perhaps the false Craggs and the
|
||
wicked Snitchey were a recognised fiction with the two wives, as Doe
|
||
and Roe, incessantly running up and down bailiwicks, were with the
|
||
two husbands: or perhaps the ladies had instituted, and taken upon
|
||
themselves, these two shares in the business, rather than be left out of
|
||
it altogether. But certain it is, that each wife went as gravely and
|
||
steadily to work in her vocation as her husband did in his: and would
|
||
have considered it almost impossible for the Firm to maintain a
|
||
successful and respectable existence, without her laudable exertions.
|
||
|
||
But now the Bird of Paradise was seen to flutter down the middle; and
|
||
the little bells began to bounce and jingle in poussette; and the
|
||
Doctor's rosy face spun round and round, like an expressive pegtop
|
||
highly varnished; and breathless Mr. Craggs began to doubt already,
|
||
whether country dancing had been made "too easy," like the rest of life;
|
||
and Mr. Snitchey, with his nimble cuts and capers, footed it for Self,
|
||
and Craggs, and half a dozen more.
|
||
|
||
Now, too, the fire took fresh courage, favored by the lively wind the
|
||
dance awakened, and burnt clear and high. It was the Genius of the room,
|
||
and present everywhere. It shone in people's eyes, it sparkled in the
|
||
jewels on the snowy necks of girls, it twinkled at their ears as if it
|
||
whispered to them slyly, it flashed about their waists, it flickered on
|
||
the ground and made it rosy for their feet, it bloomed upon the ceiling
|
||
that its glow might set off their bright faces, and it kindled up a
|
||
general illumination in Mrs. Craggs's little belfry.
|
||
|
||
Now, too, the lively air that fanned it, grew less gentle as the music
|
||
quickened and the dance proceeded with new spirit; and a breeze arose
|
||
that made the leaves and berries dance upon the wall, as they had often
|
||
done upon the trees; and rustled in the room as if an invisible company
|
||
of fairies, treading in the footsteps of the good substantial revellers,
|
||
were whirling after them. Now, too, no feature of the Doctor's face
|
||
could be distinguished as he spun and spun; and now there seemed a dozen
|
||
Birds of Paradise in fitful flight; and now there were a thousand little
|
||
bells at work; and now a fleet of flying skirts was ruffled by a little
|
||
tempest; when the music gave in, and the dance was over.
|
||
|
||
[Illustration]
|
||
|
||
Hot and breathless as the Doctor was, it only made him the more
|
||
impatient for Alfred's coming.
|
||
|
||
"Anything been seen, Britain? Anything been heard?"
|
||
|
||
"Too dark to see far, Sir. Too much noise inside the house to hear."
|
||
|
||
"That's right! The gayer welcome for him. How goes the time?"
|
||
|
||
"Just twelve, Sir. He can't be long, Sir."
|
||
|
||
"Stir up the fire, and throw another log upon it," said the Doctor. "Let
|
||
him see his welcome blazing out upon the night--good boy!--as he comes
|
||
along!"
|
||
|
||
He saw it--Yes! From the chaise he caught the light, as he turned the
|
||
corner by the old church. He knew the room from which it shone. He saw
|
||
the wintry branches of the old trees between the light and him. He knew
|
||
that one of those trees rustled musically in the summer time at the
|
||
window of Marion's chamber.
|
||
|
||
The tears were in his eyes. His heart throbbed so violently that he
|
||
could hardly bear his happiness. How often he had thought of this
|
||
time--pictured it under all circumstances--feared that it might never
|
||
come--yearned, and wearied for it--far away!
|
||
|
||
Again the light! Distinct and ruddy; kindled, he knew, to give him
|
||
welcome, and to speed him home. He beckoned with his hand, and waved his
|
||
hat, and cheered out, loud, as if the light were they, and they could
|
||
see and hear him, as he dashed towards them through the mud and mire,
|
||
triumphantly.
|
||
|
||
"Stop!" He knew the Doctor, and understood what he had done. He would
|
||
not let it be a surprise to them. But he could make it one, yet, by
|
||
going forward on foot. If the orchard gate were open, he could enter
|
||
there; if not, the wall was easily climbed, as he knew of old; and he
|
||
would be among them in an instant.
|
||
|
||
He dismounted from the chaise, and telling the driver--even that was not
|
||
easy in his agitation--to remain behind for a few minutes, and then to
|
||
follow slowly, ran on with exceeding swiftness, tried the gate, scaled
|
||
the wall, jumped down on the other side, and stood panting in the old
|
||
orchard.
|
||
|
||
There was a frosty rime upon the trees, which, in the faint light of
|
||
the clouded moon, hung upon the smaller branches like dead garlands.
|
||
Withered leaves crackled and snapped beneath his feet, as he crept
|
||
softly on towards the house. The desolation of a winter night sat
|
||
brooding on the earth, and in the sky. But the red light came cheerily
|
||
towards him from the windows: figures passed and repassed there: and the
|
||
hum and murmur of voices greeted his ear, sweetly.
|
||
|
||
Listening for hers: attempting, as he crept on, to detach it from the
|
||
rest, and half-believing that he heard it: he had nearly reached the
|
||
door, when it was abruptly opened, and a figure coming out encountered
|
||
his. It instantly recoiled with a half-suppressed cry.
|
||
|
||
"Clemency," he said, "don't you know me?"
|
||
|
||
"Don't come in," she answered, pushing him back. "Go away. Don't ask me
|
||
why. Don't come in."
|
||
|
||
"What is the matter?" he exclaimed.
|
||
|
||
"I don't know. I--I am afraid to think. Go back. Hark!"
|
||
|
||
There was a sudden tumult in the house. She put her hands upon her ears.
|
||
A wild scream, such as no hands could shut out, was heard; and
|
||
Grace--distraction in her looks and manner--rushed out at the door.
|
||
|
||
"Grace!" He caught her in his arms. "What is it! Is she dead!"
|
||
|
||
She disengaged herself, as if to recognise his face, and fell down at
|
||
his feet.
|
||
|
||
A crowd of figures came about them from the house. Among them was her
|
||
father, with a paper in his hand.
|
||
|
||
"What is it!" cried Alfred, grasping his hair with his hands, and
|
||
looking in an agony from face to face, as he bent upon his knee, beside
|
||
the insensible girl. "Will no one look at me? Will no one speak to me?
|
||
Does no one know me? Is there no voice among you all, to tell me what it
|
||
is!"
|
||
|
||
There was a murmur among them. "She is gone."
|
||
|
||
"Gone!" he echoed.
|
||
|
||
"Fled, my dear Alfred!" said the Doctor, in a broken voice, and with his
|
||
hands before his face. "Gone from her home and us. To-night! She writes
|
||
that she has made her innocent and blameless choice--entreats that we
|
||
will forgive her--prays that we will not forget her--and is gone."
|
||
|
||
"With whom? Where?"
|
||
|
||
He started up as if to follow in pursuit, but when they gave way to let
|
||
him pass, looked wildly round upon them, staggered back, and sunk down
|
||
in his former attitude, clasping one of Grace's cold hands in his own.
|
||
|
||
There was a hurried running to and fro, confusion, noise, disorder, and
|
||
no purpose. Some proceeded to disperse themselves about the roads, and
|
||
some took horse, and some got lights, and some conversed together,
|
||
urging that there was no trace or track to follow. Some approached him
|
||
kindly, with the view of offering consolation; some admonished him that
|
||
Grace must be removed into the house, and he prevented it. He never
|
||
heard them, and he never moved.
|
||
|
||
The snow fell fast and thick. He looked up for a moment in the air, and
|
||
thought that those white ashes strewn upon his hopes and misery, were
|
||
suited to them well. He looked round on the whitening ground, and
|
||
thought how Marion's foot-prints would be hushed and covered up, as soon
|
||
as made, and even that remembrance of her blotted out. But he never felt
|
||
the weather, and he never stirred.
|
||
|
||
|
||
|
||
|
||
PART THE THIRD.
|
||
|
||
|
||
|
||
|
||
[Illustration]
|
||
|
||
PART THE THIRD
|
||
|
||
|
||
[Illustration]
|
||
|
||
The world had grown six years older since that night of the return. It
|
||
was a warm autumn afternoon, and there had been heavy rain.
|
||
|
||
The sun burst suddenly from among the clouds: and the old battle-ground,
|
||
sparkling brilliantly and cheerfully at sight of it in one green place,
|
||
flashed a responsive welcome there, which spread along the country side
|
||
as if a joyful beacon had been lighted up, and answered from a thousand
|
||
stations.
|
||
|
||
How beautiful the landscape kindling in the light, and that luxuriant
|
||
influence passing on like a celestial presence, brightening everything!
|
||
The wood, a sombre mass before, revealed its varied tints of yellow,
|
||
green, brown, red; its different forms of trees, with raindrops
|
||
glittering on their leaves and twinkling as they fell. The verdant
|
||
meadow-land, bright and glowing, seemed as if it had been blind a minute
|
||
since, and now had found a sense of sight wherewith to look up at the
|
||
shining sky. Corn-fields, hedge-rows, fences, homesteads, the clustered
|
||
roofs, the steeple of the church, the stream, the watermill, all sprung
|
||
out of the gloomy darkness, smiling. Birds sang sweetly, flowers raised
|
||
their drooping heads, fresh scents arose from the invigorated ground;
|
||
the blue expanse above, extended and diffused itself; already the sun's
|
||
slanting rays pierced mortally the sullen bank of cloud that lingered
|
||
in its flight; and a rainbow, spirit of all the colors that adorned the
|
||
earth and sky, spanned the whole arch with its triumphant glory.
|
||
|
||
At such a time, one little roadside Inn, snugly sheltered behind a
|
||
great elm-tree with a rare seat for idlers encircling its capacious
|
||
bole, addressed a cheerful front towards the traveller, as a house of
|
||
entertainment ought, and tempted him with many mute but significant
|
||
assurances of a comfortable welcome. The ruddy sign-board perched up
|
||
in the tree, with its golden letters winking in the sun, ogled the
|
||
passer-by from among the green leaves, like a jolly face, and promised
|
||
good cheer. The horse-trough, full of clear fresh water, and the ground
|
||
below it, sprinkled with droppings of fragrant hay, made every horse
|
||
that passed prick up his ears. The crimson curtains in the lower rooms,
|
||
and the pure white hangings in the little bed-chambers above, beckoned,
|
||
Come in! with every breath of air. Upon the bright green shutters, there
|
||
were golden legends about beer and ale, and neat wines, and good beds;
|
||
and an affecting picture of a brown jug frothing over at the top. Upon
|
||
the window-sills were flowering plants in bright red pots, which made a
|
||
lively show against the white front of the house; and in the darkness of
|
||
the doorway there were streaks of light, which glanced off from the
|
||
surfaces of bottles and tankards.
|
||
|
||
On the door-step, appeared a proper figure of a landlord, too; for
|
||
though he was a short man, he was round and broad; and stood with his
|
||
hands in his pockets, and his legs just wide enough apart to express a
|
||
mind at rest upon the subject of the cellar, and an easy confidence--too
|
||
calm and virtuous to become a swagger--in the general resources of the
|
||
Inn. The superabundant moisture, trickling from everything after the
|
||
late rain, set him off well. Nothing near him was thirsty. Certain
|
||
top-heavy dahlias, looking over the palings of his neat well-ordered
|
||
garden, had swilled as much as they could carry--perhaps a trifle
|
||
more--and may have been the worse for liquor; but the sweetbriar, roses,
|
||
wall-flowers, the plants at the windows, and the leaves on the old tree,
|
||
were in the beaming state of moderate company that had taken no more
|
||
than was wholesome for them, and had served to develope their best
|
||
qualities. Sprinkling dewy drops about them on the ground, they seemed
|
||
profuse of innocent and sparkling mirth, that did good where it lighted,
|
||
softening neglected corners which the steady rain could seldom reach,
|
||
and hurting nothing.
|
||
|
||
[Illustration]
|
||
|
||
This village Inn had assumed, on being established, an uncommon sign. It
|
||
was called The Nutmeg Grater. And underneath that household word, was
|
||
inscribed, up in the tree, on the same flaming board, and in the like
|
||
golden characters, By Benjamin Britain.
|
||
|
||
At a second glance, and on a more minute examination of his face, you
|
||
might have known that it was no other than Benjamin Britain himself who
|
||
stood in the doorway--reasonably changed by time, but for the better; a
|
||
very comfortable host indeed.
|
||
|
||
"Mrs. B.," said Mr. Britain, looking down the road, "is rather late.
|
||
It's tea time."
|
||
|
||
As there was no Mrs. Britain coming, he strolled leisurely out into the
|
||
road and looked up at the house, very much to his satisfaction. "It's
|
||
just the sort of house," said Benjamin, "I should wish to stop at, if I
|
||
didn't keep it."
|
||
|
||
Then he strolled towards the garden paling, and took a look at the
|
||
dahlias. They looked over at him, with a helpless, drowsy hanging of
|
||
their heads: which bobbed again, as the heavy drops of wet dripped off
|
||
them.
|
||
|
||
"You must be looked after," said Benjamin. "Memorandum, not to forget
|
||
to tell her so. She's a long time coming!"
|
||
|
||
Mr. Britain's better half seemed to be by so very much his better half,
|
||
that his own moiety of himself was utterly cast away and helpless
|
||
without her.
|
||
|
||
"She hadn't much to do, I think," said Ben. "There were a few little
|
||
matters of business after market, but not many. Oh! here we are at
|
||
last!"
|
||
|
||
A chaise-cart, driven by a boy, came clattering along the road: and
|
||
seated in it, in a chair, with a large well-saturated umbrella spread
|
||
out to dry behind her, was the plump figure of a matronly woman, with
|
||
her bare arms folded across a basket which she carried on her knee,
|
||
several other baskets and parcels lying crowded about her, and a certain
|
||
bright good-nature in her face and contented awkwardness in her manner,
|
||
as she jogged to and fro with the motion of her carriage, which smacked
|
||
of old times, even in the distance. Upon her nearer approach, this
|
||
relish of bygone days was not diminished; and when the cart stopped
|
||
at the Nutmeg Grater door, a pair of shoes, alighting from it,
|
||
slipped nimbly through Mr. Britain's open arms, and came down with a
|
||
substantial weight upon the pathway, which shoes could hardly have
|
||
belonged to any one but Clemency Newcome.
|
||
|
||
In fact they did belong to her, and she stood in them, and a rosy
|
||
comfortable-looking soul she was: with as much soap on her glossy face
|
||
as in times of yore, but with whole elbows now, that had grown quite
|
||
dimpled in her improved condition.
|
||
|
||
"You're late, Clemmy!" said Mr. Britain.
|
||
|
||
"Why, you see, Ben, I've had a deal to do!" she replied, looking busily
|
||
after the safe removal into the house of all the packages and baskets;
|
||
"eight, nine, ten--where's eleven? Oh! my baskets, eleven! It's all
|
||
right. Put the horse up, Harry, and if he coughs again give him a warm
|
||
mash to-night. Eight, nine, ten. Why, where's eleven? Oh I forgot, it's
|
||
all right. How's the children, Ben?"
|
||
|
||
"Hearty, Clemmy, hearty."
|
||
|
||
"Bless their precious faces!" said Mrs. Britain, unbonneting her own
|
||
round countenance (for she and her husband were by this time in the
|
||
bar), and smoothing her hair with her open hands. "Give us a kiss, old
|
||
man."
|
||
|
||
Mr. Britain promptly complied.
|
||
|
||
"I think," said Mrs. Britain, applying herself to her pockets and
|
||
drawing forth an immense bulk of thin books and crumpled papers,
|
||
a very kennel of dogs' ears: "I've done everything. Bills all
|
||
settled--turnips sold--brewer's account looked into and paid--'bacco
|
||
pipes ordered--seventeen pound four paid into the Bank--Doctor
|
||
Heathfield's charge for little Clem--you'll guess what that is--Doctor
|
||
Heathfield won't take nothing again, Ben."
|
||
|
||
"I thought he wouldn't," returned Britain.
|
||
|
||
"No. He says whatever family you was to have, Ben, he'd never put you to
|
||
the cost of a halfpenny. Not if you was to have twenty."
|
||
|
||
Mr. Britain's face assumed a serious expression, and he looked hard at
|
||
the wall.
|
||
|
||
"A'nt it kind of him?" said Clemency.
|
||
|
||
"Very," returned Mr. Britain. "It's the sort of kindness that I wouldn't
|
||
presume upon, on any account."
|
||
|
||
"No," retorted Clemency. "Of course not. Then there's the pony--he
|
||
fetched eight pound two; and that a'nt bad, is it?"
|
||
|
||
"It's very good," said Ben.
|
||
|
||
"I'm glad you're pleased!" exclaimed his wife. "I thought you would be;
|
||
and I think that's all, and so no more at present from yours and cetrer,
|
||
C. Britain. Ha ha ha! There! Take all the papers, and lock 'em. Oh! Wait
|
||
a minute. Here's a printed bill to stick on the wall. Wet from the
|
||
printer's. How nice it smells!"
|
||
|
||
"What's this?" said Ben, looking over the document.
|
||
|
||
"I don't know," replied his wife. "I haven't read a word of it."
|
||
|
||
"'To be sold by Auction,'" read the host of the Nutmeg Grater, "'unless
|
||
previously disposed of by private contract.'"
|
||
|
||
"They always put that," said Clemency.
|
||
|
||
"Yes, but they don't always put this," he returned. "Look here,
|
||
'Mansion' &c.--'offices,' &c., 'shrubberies,' &c., 'ring fence,'
|
||
&c. 'Messrs. Snitchey and Craggs,' &c. 'ornamental portion of the
|
||
unencumbered freehold property of Michael Warden, Esquire, intending to
|
||
continue to reside abroad'!"
|
||
|
||
"Intending to continue to reside abroad!" repeated Clemency.
|
||
|
||
"Here it is," said Mr. Britain. "Look!"
|
||
|
||
"And it was only this very day that I heard it whispered at the old
|
||
house, that better and plainer news had been half promised of her,
|
||
soon!" said Clemency, shaking her head sorrowfully, and patting her
|
||
elbows as if the recollection of old times unconsciously awakened her
|
||
old habits. "Dear, dear, dear! There'll be heavy hearts, Ben, yonder."
|
||
|
||
Mr. Britain heaved a sigh, and shook his head, and said he couldn't make
|
||
it out: he had left off trying long ago. With that remark, he applied
|
||
himself to putting up the bill just inside the bar window: and Clemency,
|
||
after meditating in silence for a few moments, roused herself, cleared
|
||
her thoughtful brow, and bustled off to look after the children.
|
||
|
||
Though the host of the Nutmeg Grater had a lively regard for his
|
||
good-wife, it was of the old patronising kind; and she amused him
|
||
mightily. Nothing would have astonished him so much, as to have known
|
||
for certain from any third party, that it was she who managed the whole
|
||
house, and made him, by her plain straightforward thrift, good-humour,
|
||
honesty, and industry, a thriving man. So easy it is, in any degree of
|
||
life, (as the world very often finds it,) to take those cheerful natures
|
||
that never assert their merit, at their own modest valuation; and to
|
||
conceive a flippant liking of people for their outward oddities and
|
||
eccentricities, whose innate worth, if we would look so far, might make
|
||
us blush in the comparison!
|
||
|
||
It was comfortable to Mr. Britain, to think of his own condescension in
|
||
having married Clemency. She was a perpetual testimony to him of the
|
||
goodness of his heart, and the kindness of his disposition; and he felt
|
||
that her being an excellent wife was an illustration of the old precept
|
||
that virtue is its own reward.
|
||
|
||
He had finished wafering up the bill, and had locked the vouchers for
|
||
her day's proceedings in the cupboard--chuckling all the time, over her
|
||
capacity for business--when, returning with the news that the two Master
|
||
Britains were playing in the coach-house, under the superintendence of
|
||
one Betsey, and that little Clem was sleeping "like a picture," she sat
|
||
down to tea, which had awaited her arrival, on a little table. It was a
|
||
very neat little bar, with the usual display of bottles and glasses; a
|
||
sedate clock, right to the minute (it was half-past five); everything
|
||
in its place, and everything furbished and polished up to the very
|
||
utmost.
|
||
|
||
"It's the first time I've sat down quietly to-day, I declare," said Mrs.
|
||
Britain, taking a long breath, as if she had sat down for the night; but
|
||
getting up again immediately to hand her husband his tea, and cut him
|
||
his bread-and-butter; "how that bill does set me thinking of old times!"
|
||
|
||
"Ah!" said Mr. Britain, handling his saucer like an oyster, and
|
||
disposing of its contents on the same principle.
|
||
|
||
"That same Mr. Michael Warden," said Clemency, shaking her head at the
|
||
notice of sale, "lost me my old place."
|
||
|
||
"And got you your husband," said Mr. Britain.
|
||
|
||
"Well! So he did," retorted Clemency, "and many thanks to him."
|
||
|
||
"Man's the creature of habit," said Mr. Britain, surveying her, over his
|
||
saucer. "I had somehow got used to you, Clem; and I found I shouldn't be
|
||
able to get on without you. So we went and got made man and wife. Ha,
|
||
ha! We! Who'd have thought it!"
|
||
|
||
"Who indeed!" cried Clemency. "It was very good of you, Ben."
|
||
|
||
"No, no, no," replied Mr. Britain, with an air of self-denial. "Nothing
|
||
worth mentioning."
|
||
|
||
"Oh yes it was, Ben," said his wife, with great simplicity; "I'm sure I
|
||
think so; and am very much obliged to you. Ah!" looking again at the
|
||
bill; "when she was known to be gone, and out of reach, dear girl, I
|
||
couldn't help telling--for her sake quite as much as theirs--what I
|
||
knew, could I?"
|
||
|
||
"You told it, any how," observed her husband.
|
||
|
||
"And Doctor Jeddler," pursued Clemency, putting down her tea-cup, and
|
||
looking thoughtfully at the bill, "in his grief and passion, turned me
|
||
out of house and home! I never have been so glad of anything in all my
|
||
life, as that I didn't say an angry word to him, and hadn't an angry
|
||
feeling towards him, even then; for he repented that truly, afterwards.
|
||
How often he has sat in this room, and told me over and over again, he
|
||
was sorry for it!--the last time, only yesterday, when you were out. How
|
||
often he has sat in this room, and talked to me, hour after hour, about
|
||
one thing and another, in which he made believe to be interested!--but
|
||
only for the sake of the days that are gone away, and because he knows
|
||
she used to like me, Ben!"
|
||
|
||
"Why, how did you ever come to catch a glimpse of that, Clem?" asked her
|
||
husband: astonished that she should have a distinct perception of a
|
||
truth which had only dimly suggested itself to his inquiring mind.
|
||
|
||
"I don't know I'm sure," said Clemency, blowing her tea, to cool it.
|
||
"Bless you, I couldn't tell you if you was to offer me a reward of a
|
||
hundred pound."
|
||
|
||
He might have pursued this metaphysical subject but for her catching a
|
||
glimpse of a substantial fact behind him, in the shape of a gentleman
|
||
attired in mourning, and cloaked and booted like a rider on horseback,
|
||
who stood at the bar-door. He seemed attentive to their conversation,
|
||
and not at all impatient to interrupt it.
|
||
|
||
Clemency hastily rose at this sight. Mr. Britain also rose and saluted
|
||
the guest. "Will you please to walk up stairs, Sir. There's a very nice
|
||
room up stairs, Sir."
|
||
|
||
"Thank you," said the stranger, looking earnestly at Mr. Britain's wife.
|
||
"May I come in here?"
|
||
|
||
"Oh, surely, if you like, Sir," returned Clemency, admitting him. "What
|
||
would you please to want, Sir?"
|
||
|
||
The bill had caught his eye, and he was reading it.
|
||
|
||
"Excellent property that, Sir," observed Mr. Britain.
|
||
|
||
He made no answer; but turning round, when he had finished reading,
|
||
looked at Clemency with the same observant curiosity as before. "You
|
||
were asking me," he said, still looking at her--
|
||
|
||
"What you would please to take, Sir," answered Clemency, stealing a
|
||
glance at him in return.
|
||
|
||
"If you will let me have a draught of ale," he said, moving to a table
|
||
by the window, "and will let me have it here, without being any
|
||
interruption to your meal, I shall be much obliged to you."
|
||
|
||
He sat down as he spoke, without any further parley, and looked out at
|
||
the prospect. He was an easy well-knit figure of a man in the prime of
|
||
life. His face, much browned by the sun, was shaded by a quantity of
|
||
dark hair; and he wore a moustache. His beer being set before him, he
|
||
filled out a glass, and drank, good-humouredly, to the house; adding, as
|
||
he put the tumbler down again:
|
||
|
||
"It's a new house, is it not?"
|
||
|
||
"Not particularly new, Sir," replied Mr. Britain.
|
||
|
||
"Between five and six years old," said Clemency: speaking very
|
||
distinctly.
|
||
|
||
"I think I heard you mention Doctor Jeddler's name, as I came in,"
|
||
inquired the stranger. "That bill reminds me of him; for I happen to
|
||
know something of that story, by hearsay, and through certain connexions
|
||
of mine.--Is the old man living?"
|
||
|
||
"Yes, he's living, Sir," said Clemency.
|
||
|
||
"Much changed?"
|
||
|
||
"Since when, Sir?" returned Clemency, with remarkable emphasis and
|
||
expression.
|
||
|
||
"Since his daughter--went away."
|
||
|
||
"Yes! he's greatly changed since then," said Clemency. "He's grey and
|
||
old, and hasn't the same way with him at all; but I think he's happy
|
||
now. He has taken on with his sister since then, and goes to see her
|
||
very often. That did him good, directly. At first, he was sadly broken
|
||
down; and it was enough to make one's heart bleed, to see him wandering
|
||
about, railing at the world; but a great change for the better came over
|
||
him after a year or two, and then he began to like to talk about his
|
||
lost daughter, and to praise her, ay and the world too! and was never
|
||
tired of saying, with the tears in his poor eyes, how beautiful and good
|
||
she was. He had forgiven her then. That was about the same time as Miss
|
||
Grace's marriage. Britain, you remember?"
|
||
|
||
Mr. Britain remembered very well.
|
||
|
||
"The sister _is_ married then," returned the stranger. He paused for
|
||
some time before he asked, "To whom?"
|
||
|
||
Clemency narrowly escaped oversetting the tea-board, in her emotion at
|
||
this question.
|
||
|
||
"Did _you_ never hear?" she said.
|
||
|
||
"I should like to hear," he replied, as he filled his glass again, and
|
||
raised it to his lips.
|
||
|
||
"Ah! It would be a long story, if it was properly told," said Clemency,
|
||
resting her chin on the palm of her left hand, and supporting that elbow
|
||
on her right hand, as she shook her head, and looked back through the
|
||
intervening years, as if she were looking at a fire. "It would be a long
|
||
story, I am sure."
|
||
|
||
"But told as a short one," suggested the stranger.
|
||
|
||
"Told as a short one," repeated Clemency in the same thoughtful tone,
|
||
and without any apparent reference to him, or consciousness of having
|
||
auditors, "what would there be to tell? That they grieved together, and
|
||
remembered her together, like a person dead; that they were so tender of
|
||
her, never would reproach her, called her back to one another as she
|
||
used to be, and found excuses for her? Every one knows that. I'm sure
|
||
_I_ do. No one better," added Clemency, wiping her eyes with her hand.
|
||
|
||
"And so," suggested the stranger.
|
||
|
||
"And so," said Clemency, taking him up mechanically, and without any
|
||
change in her attitude or manner, "they at last were married. They were
|
||
married on her birth-day--it comes round again to-morrow--very quiet,
|
||
very humble like, but very happy. Mr. Alfred said, one night when they
|
||
were walking in the orchard, 'Grace, shall our wedding-day be Marion's
|
||
birth-day?' And it was."
|
||
|
||
"And they have lived happily together?" said the stranger.
|
||
|
||
"Ay," said Clemency. "No two people ever more so. They have had no
|
||
sorrow but this."
|
||
|
||
She raised her head as with a sudden attention to the circumstances
|
||
under which she was recalling these events, and looked quickly at the
|
||
stranger. Seeing that his face was turned towards the window, and that
|
||
he seemed intent upon the prospect, she made some eager signs to her
|
||
husband, and pointed to the bill, and moved her mouth as if she were
|
||
repeating with great energy, one word or phrase to him over and over
|
||
again. As she uttered no sound, and as her dumb motions like most of her
|
||
gestures were of a very extraordinary kind, this unintelligible conduct
|
||
reduced Mr. Britain to the confines of despair. He stared at the table,
|
||
at the stranger, at the spoons, at his wife--followed her pantomime with
|
||
looks of deep amazement and perplexity--asked in the same language, was
|
||
it property in danger, was it he in danger, was it she--answered her
|
||
signals with other signals expressive of the deepest distress and
|
||
confusion--followed the motions of her lips--guessed half aloud "milk
|
||
and water," "monthly warning," "mice and walnuts"--and couldn't approach
|
||
her meaning.
|
||
|
||
Clemency gave it up at last, as a hopeless attempt; and moving her chair
|
||
by very slow degrees a little nearer to the stranger, sat with her eyes
|
||
apparently cast down but glancing sharply at him now and then, waiting
|
||
until he should ask some other question. She had not to wait long; for
|
||
he said, presently,
|
||
|
||
"And what is the after history of the young lady who went away? They
|
||
know it, I suppose?"
|
||
|
||
Clemency shook her head. "I've heard," she said, "that Doctor Jeddler is
|
||
thought to know more of it than he tells. Miss Grace has had letters
|
||
from her sister, saying that she was well and happy, and made much
|
||
happier by her being married to Mr. Alfred: and has written letters
|
||
back. But there's a mystery about her life and fortunes, altogether,
|
||
which nothing has cleared up to this hour, and which--"
|
||
|
||
She faltered here, and stopped.
|
||
|
||
"And which--" repeated the stranger.
|
||
|
||
"Which only one other person, I believe, could explain," said Clemency,
|
||
drawing her breath quickly.
|
||
|
||
"Who may that be?" asked the stranger.
|
||
|
||
"Mr. Michael Warden!" answered Clemency, almost in a shriek: at once
|
||
conveying to her husband what she would have had him understand before,
|
||
and letting Michael Warden know that he was recognised.
|
||
|
||
"You remember me, Sir," said Clemency, trembling with emotion; "I saw
|
||
just now you did! You remember me, that night in the garden. I was with
|
||
her!"
|
||
|
||
"Yes. You were," he said.
|
||
|
||
"Yes, Sir," returned Clemency. "Yes, to be sure. This is my husband, if
|
||
you please. Ben, my dear Ben, run to Miss Grace--run to Mr. Alfred--run
|
||
somewhere, Ben! Bring somebody here, directly!"
|
||
|
||
"Stay!" said Michael Warden, quietly interposing himself between the
|
||
door and Britain. "What would you do?"
|
||
|
||
"Let them know that you are here, Sir," answered Clemency, clapping her
|
||
hands in sheer agitation. "Let them know that they may hear of her, from
|
||
your own lips; let them know that she is not quite lost to them, but
|
||
that she will come home again yet, to bless her father and her loving
|
||
sister--even her old servant, even me," she struck herself upon the
|
||
breast with both hands, "with a sight of her sweet face. Run, Ben,
|
||
run!" And still she pressed him on towards the door, and still Mr.
|
||
Warden stood before it, with his hand stretched out, not angrily, but
|
||
sorrowfully.
|
||
|
||
"Or perhaps," said Clemency, running past her husband, and catching in
|
||
her emotion at Mr. Warden's cloak, "perhaps she's here now; perhaps
|
||
she's close by. I think from your manner she is. Let me see her, Sir, if
|
||
you please. I waited on her when she was a little child. I saw her grow
|
||
to be the pride of all this place. I knew her when she was Mr. Alfred's
|
||
promised wife. I tried to warn her when you tempted her away. I know
|
||
what her old home was when she was like the soul of it, and how it
|
||
changed when she was gone and lost. Let me speak to her, if you please!"
|
||
|
||
He gazed at her with compassion, not unmixed with wonder: but he made no
|
||
gesture of assent.
|
||
|
||
"I don't think she _can_ know," pursued Clemency, "how truly they
|
||
forgive her; how they love her; what joy it would be to them, to see her
|
||
once more. She may be timorous of going home. Perhaps if she sees me, it
|
||
may give her new heart. Only tell me truly, Mr. Warden, is she with
|
||
you?"
|
||
|
||
"She is not," he answered, shaking his head.
|
||
|
||
This answer, and his manner, and his black dress, and his coming back so
|
||
quietly, and his announced intention of continuing to live abroad,
|
||
explained it all. Marion was dead.
|
||
|
||
He didn't contradict her; yes, she was dead! Clemency sat down, hid her
|
||
face upon the table, and cried.
|
||
|
||
At that moment, a grey-headed old gentleman came running in quite out of
|
||
breath, and panting so much that his voice was scarcely to be recognised
|
||
as the voice of Mr. Snitchey.
|
||
|
||
"Good Heaven, Mr. Warden!" said the lawyer, taking him aside, "what wind
|
||
has blown----" He was so blown himself, that he couldn't get on any
|
||
further until after a pause, when he added, feebly, "you here?"
|
||
|
||
"An ill wind, I am afraid," he answered. "If you could have heard what
|
||
has just passed--how I have been besought and entreated to perform
|
||
impossibilities--what confusion and affliction I carry with me!"
|
||
|
||
"I can guess it all. But why did you ever come here, my good Sir?"
|
||
retorted Snitchey.
|
||
|
||
"Come! How should I know who kept the house? When I sent my servant on
|
||
to you, I strolled in here because the place was new to me; and I had a
|
||
natural curiosity in everything new and old, in these old scenes; and it
|
||
was outside the town. I wanted to communicate with you first, before
|
||
appearing there. I wanted to know what people would say to me. I see by
|
||
your manner that you can tell me. If it were not for your confounded
|
||
caution, I should have been possessed of everything long ago."
|
||
|
||
"Our caution!" returned the lawyer. "Speaking for Self and
|
||
Craggs--deceased," here Mr. Snitchey, glancing at his hat-band,
|
||
shook his head, "how can you reasonably blame us, Mr. Warden? It was
|
||
understood between us that the subject was never to be renewed, and
|
||
that it wasn't a subject on which grave and sober men like us (I made
|
||
a note of your observations at the time) could interfere? Our caution
|
||
too! when Mr. Craggs, Sir, went down to his respected grave in the
|
||
full belief----"
|
||
|
||
"I had given a solemn promise of silence until I should return, whenever
|
||
that might be," interrupted Mr. Warden; "and I have kept it."
|
||
|
||
"Well, Sir, and I repeat it," returned Mr. Snitchey, "we were bound to
|
||
silence too. We were bound to silence in our duty towards ourselves, and
|
||
in our duty towards a variety of clients, you among them, who were as
|
||
close as wax. It was not our place to make inquiries of you on such a
|
||
delicate subject. I had my suspicions, Sir; but it is not six months
|
||
since I have known the truth, and been assured that you lost her."
|
||
|
||
"By whom?" inquired his client.
|
||
|
||
"By Doctor Jeddler himself, Sir, who at last reposed that confidence in
|
||
me voluntarily. He, and only he, has known the whole truth, years and
|
||
years."
|
||
|
||
"And you know it?" said his client.
|
||
|
||
"I do, Sir!" replied Snitchey; "and I have also reason to know that it
|
||
will be broken to her sister to-morrow evening. They have given her
|
||
that promise. In the meantime, perhaps you'll give me the honor of your
|
||
company at my house; being unexpected at your own. But, not to run the
|
||
chance of any more such difficulties as you have had here, in case you
|
||
should be recognised--though you're a good deal changed--I think I might
|
||
have passed you myself, Mr. Warden--we had better dine here, and walk
|
||
on in the evening. It's a very good place to dine at, Mr. Warden: your
|
||
own property, by the bye. Self and Craggs (deceased) took a chop here
|
||
sometimes, and had it very comfortably served. Mr. Craggs, Sir," said
|
||
Snitchey, shutting his eyes tight for an instant, and opening them
|
||
again, "was struck off the roll of life too soon."
|
||
|
||
"Heaven forgive me for not condoling with you," returned Michael Warden,
|
||
passing his hand across his forehead, "but I'm like a man in a dream at
|
||
present. I seem to want my wits. Mr. Craggs--yes--I am very sorry we
|
||
have lost Mr. Craggs." But he looked at Clemency as he said it, and
|
||
seemed to sympathise with Ben, consoling her.
|
||
|
||
"Mr. Craggs, Sir," observed Snitchey, "didn't find life, I regret to
|
||
say, as easy to have and to hold as his theory made it out, or he would
|
||
have been among us now. It's a great loss to me. He was my right arm, my
|
||
right leg, my right ear, my right eye, was Mr. Craggs. I am paralytic
|
||
without him. He bequeathed his share of the business to Mrs. Craggs, her
|
||
executors, administrators, and assigns. His name remains in the Firm
|
||
to this hour. I try, in a childish sort of a way, to make believe,
|
||
sometimes, that he's alive. You may observe that I speak for Self and
|
||
Craggs--deceased Sir--deceased," said the tender-hearted attorney,
|
||
waving his pocket-handkerchief.
|
||
|
||
Michael Warden, who had still been observant of Clemency, turned to Mr.
|
||
Snitchey, when he ceased to speak, and whispered in his ear.
|
||
|
||
"Ah, poor thing!" said Snitchey, shaking his head. "Yes. She was always
|
||
very faithful to Marion. She was always very fond of her. Pretty Marion!
|
||
Poor Marion! Cheer up, Mistress--you _are_ married now, you know,
|
||
Clemency."
|
||
|
||
Clemency only sighed, and shook her head.
|
||
|
||
"Well, well! Wait 'till to-morrow," said the lawyer, kindly.
|
||
|
||
"To-morrow can't bring back the dead to life, Mister," said Clemency,
|
||
sobbing.
|
||
|
||
"No. It can't do that, or it would bring back Mr. Craggs, deceased,"
|
||
returned the lawyer. "But it may bring some soothing circumstances; it
|
||
may bring some comfort. Wait 'till to-morrow!"
|
||
|
||
So Clemency, shaking his proffered hand, said that she would; and
|
||
Britain, who had been terribly cast down at sight of his despondent
|
||
wife (which was like the business hanging its head), said that was
|
||
right; and Mr. Snitchey and Michael Warden went up stairs; and there
|
||
they were soon engaged in a conversation so cautiously conducted, that
|
||
no murmur of it was audible above the clatter of plates and dishes, the
|
||
hissing of the frying-pan, the bubbling of saucepans, the low monotonous
|
||
waltzing of the Jack--with a dreadful click every now and then as
|
||
if it had met with some mortal accident to its head, in a fit of
|
||
giddiness--and all the other preparations in the kitchen, for their
|
||
dinner.
|
||
|
||
* * * * *
|
||
|
||
To-morrow was a bright and peaceful day; and nowhere were the autumn
|
||
tints more beautifully seen, than from the quiet orchard of the Doctor's
|
||
house. The snows of many winter nights had melted from that ground, the
|
||
withered leaves of many summer times had rustled there, since she had
|
||
fled. The honey-suckle porch was green again, the trees cast bountiful
|
||
and changing shadows on the grass, the landscape was as tranquil and
|
||
serene as it had ever been; but where was she!
|
||
|
||
Not there. Not there. She would have been a stranger sight in her old
|
||
home now, even than that home had been at first, without her. But a lady
|
||
sat in the familiar place, from whose heart she had never passed away;
|
||
in whose true memory she lived, unchanging, youthful, radiant with all
|
||
promise and all hope; in whose affection--and it was a mother's now:
|
||
there was a cherished little daughter playing by her side--she had no
|
||
rival, no successor; upon whose gentle lips her name was trembling then.
|
||
|
||
The spirit of the lost girl looked out of those eyes. Those eyes of
|
||
Grace, her sister, sitting with her husband in the orchard, on their
|
||
wedding-day, and his and Marion's birth-day.
|
||
|
||
He had not become a great man; he had not grown rich; he had not
|
||
forgotten the scenes and friends of his youth: he had not fulfilled any
|
||
one of the Doctor's old predictions. But in his useful, patient, unknown
|
||
visiting of poor men's homes; and in his watching of sick beds; and
|
||
in his daily knowledge of the gentleness and goodness flowering the
|
||
bye-paths of the world, not to be trodden down beneath the heavy foot of
|
||
poverty, but springing up, elastic, in its track, and making its way
|
||
beautiful; he had better learned and proved, in each succeeding year,
|
||
the truth of his old faith. The manner of his life, though quiet and
|
||
remote, had shown him how often men still entertained angels, unawares,
|
||
as in the olden time; and how the most unlikely forms--even some that
|
||
were mean and ugly to the view, and poorly clad--became irradiated by
|
||
the couch of sorrow, want, and pain, and changed to ministering spirits
|
||
with a glory round their heads.
|
||
|
||
He lived to better purpose on the altered battle-ground perhaps, than if
|
||
he had contended restlessly in more ambitious lists; and he was happy
|
||
with his wife, dear Grace.
|
||
|
||
And Marion. Had _he_ forgotten her?
|
||
|
||
"The time has flown, dear Grace," he said, "since then;" they had been
|
||
talking of that night; "and yet it seems a long long while ago. We count
|
||
by changes and events within us. Not by years."
|
||
|
||
"Yet we have years to count by, too, since Marion was with us," returned
|
||
Grace. "Six times, dear husband, counting to-night as one, we have sat
|
||
here on her birth-day, and spoken together of that happy return, so
|
||
eagerly expected and so long deferred. Ah when will it be! When will it
|
||
be!"
|
||
|
||
Her husband attentively observed her, as the tears collected in her
|
||
eyes; and drawing nearer, said:
|
||
|
||
"But Marion told you, in that farewell letter which she left for you
|
||
upon your table, love, and which you read so often, that years must pass
|
||
away before it _could_ be. Did she not?"
|
||
|
||
She took a letter from her breast, and kissed it, and said "Yes."
|
||
|
||
"That through those intervening years, however happy she might be, she
|
||
would look forward to the time when you would meet again, and all would
|
||
be made clear: and prayed you, trustfully and hopefully to do the same.
|
||
The letter runs so, does it not, my dear?"
|
||
|
||
"Yes, Alfred."
|
||
|
||
"And every other letter she has written since?"
|
||
|
||
"Except the last--some months ago--in which she spoke of you, and what
|
||
you then knew, and what I was to learn to-night."
|
||
|
||
He looked towards the sun, then fast declining, and said that the
|
||
appointed time was sunset.
|
||
|
||
"Alfred!" said Grace, laying her hand upon his shoulder earnestly,
|
||
"there is something in this letter--this old letter, which you say I
|
||
read so often--that I have never told you. But to-night, dear husband,
|
||
with that sunset drawing near, and all our life seeming to soften and
|
||
become hushed with the departing day, I cannot keep it secret."
|
||
|
||
"What is it, love?"
|
||
|
||
"When Marion went away, she wrote me, here, that you had once left her a
|
||
sacred trust to me, and that now she left you, Alfred, such a trust in
|
||
my hands: praying and beseeching me, as I loved her, and as I loved you,
|
||
not to reject the affection she believed (she knew, she said) you would
|
||
transfer to me when the new wound was healed, but to encourage and
|
||
return it."
|
||
|
||
"--And make me a proud, and happy man again, Grace. Did she say so?"
|
||
|
||
"She meant, to make myself so blest and honored in your love," was his
|
||
wife's answer, as he held her in his arms.
|
||
|
||
"Hear me, my dear!" he said.--"No. Hear me so!"--and as he spoke, he
|
||
gently laid the head she had raised, again upon his shoulder. "I know
|
||
why I have never heard this passage in the letter, until now. I know why
|
||
no trace of it ever shewed itself in any word or look of yours at that
|
||
time. I know why Grace, although so true a friend to me, was hard to win
|
||
to be my wife. And knowing it, my own! I know the priceless value of the
|
||
heart I gird within my arms, and thank GOD for the rich possession!"
|
||
|
||
She wept, but not for sorrow, as he pressed her to his heart. After a
|
||
brief space, he looked down at the child, who was sitting at their feet,
|
||
playing with a little basket of flowers, and bade her look how golden
|
||
and how red the sun was.
|
||
|
||
"Alfred," said Grace, raising her head quickly at these words. "The sun
|
||
is going down. You have not forgotten what I am to know before it sets."
|
||
|
||
"You are to know the truth of Marion's history, my love," he answered.
|
||
|
||
"All the truth," she said, imploringly. "Nothing veiled from me, any
|
||
more. That was the promise. Was it not?"
|
||
|
||
"It was," he answered.
|
||
|
||
"Before the sun went down on Marion's birth-day. And you see it, Alfred?
|
||
It is sinking fast."
|
||
|
||
He put his arm about her waist; and, looking steadily into her eyes,
|
||
rejoined,
|
||
|
||
"That truth is not reserved so long for me to tell, dear Grace. It is to
|
||
come from other lips."
|
||
|
||
"From other lips!" she faintly echoed.
|
||
|
||
"Yes. I know your constant heart, I know how brave you are, I know that
|
||
to you a word of preparation is enough. You have said, truly, that the
|
||
time is come. It is. Tell me that you have present fortitude to bear a
|
||
trial--a surprise--a shock: and the messenger is waiting at the gate."
|
||
|
||
"What messenger?" she said. "And what intelligence does he bring?"
|
||
|
||
"I am pledged," he answered her, preserving his steady look, "to say no
|
||
more. Do you think you understand me?"
|
||
|
||
"I am afraid to think," she said.
|
||
|
||
There was that emotion in his face, despite its steady gaze, which
|
||
frightened her. Again she hid her own face on his shoulder, trembling,
|
||
and entreated him to pause--a moment.
|
||
|
||
"Courage, my wife! When you have firmness to receive the messenger, the
|
||
messenger is waiting at the gate. The sun is setting on Marion's
|
||
birth-day. Courage, courage, Grace!"
|
||
|
||
She raised her head, and, looking at him, told him she was ready. As she
|
||
stood, and looked upon him going away, her face was so like Marion's as
|
||
it had been in her later days at home, that it was wonderful to see. He
|
||
took the child with him. She called her back--she bore the lost girl's
|
||
name--and pressed her to her bosom. The little creature, being released
|
||
again, sped after him, and Grace was left alone.
|
||
|
||
She knew not what she dreaded, or what hoped; but remained there,
|
||
motionless, looking at the porch by which they had disappeared.
|
||
|
||
Ah! what was that, emerging from its shadow; standing on its threshold!
|
||
that figure, with its white garments rustling in the evening air; its
|
||
head laid down upon her father's breast, and pressed against it to his
|
||
loving heart! Oh, God! was it a vision that came bursting from the old
|
||
man's arms, and with a cry, and with a waving of its hands, and with a
|
||
wild precipitation of itself upon her in its boundless love, sank down
|
||
in her embrace!
|
||
|
||
"Oh, Marion, Marion! Oh, my sister! Oh, my heart's dear love! Oh, joy
|
||
and happiness unutterable, so to meet again!"
|
||
|
||
It was no dream, no phantom conjured up by hope and fear, but Marion,
|
||
sweet Marion! So beautiful, so happy, so unalloyed by care and trial, so
|
||
elevated and exalted in her loveliness, that as the setting sun shone
|
||
brightly on her upturned face, she might have been a spirit visiting the
|
||
earth upon some healing mission.
|
||
|
||
Clinging to her sister, who had dropped upon a seat, and bent down over
|
||
her: and smiling through her tears, and kneeling close before her, with
|
||
both arms twining round her, and never turning for an instant from her
|
||
face: and with the glory of the setting sun upon her brow, and with the
|
||
soft tranquillity of evening gathering around them: Marion at length
|
||
broke silence; her voice, so calm, low, clear, and pleasant, well-tuned
|
||
to the time.
|
||
|
||
"When this was my dear home, Grace, as it will be now, again--"
|
||
|
||
"Stay, my sweet love! A moment! Oh Marion, to hear you speak again."
|
||
|
||
She could not bear the voice she loved so well, at first.
|
||
|
||
"When this was my dear home, Grace, as it will be now, again, I loved
|
||
him from my soul. I loved him most devotedly. I would have died for him,
|
||
though I was so young. I never slighted his affection in my secret
|
||
breast, for one brief instant. It was far beyond all price to me.
|
||
Although it is so long ago, and past and gone, and everything is wholly
|
||
changed, I could not bear to think that you, who love so well, should
|
||
think I did not truly love him once. I never loved him better, Grace,
|
||
than when he left this very scene upon this very day. I never loved him
|
||
better, dear one, than I did that night when _I_ left here."
|
||
|
||
Her sister, bending over her, could only look into her face, and hold
|
||
her fast.
|
||
|
||
"But he had gained, unconsciously," said Marion, with a gentle smile,
|
||
"another heart, before I knew that I had one to give him. That
|
||
heart--yours, my sister--was so yielded up, in all its other tenderness,
|
||
to me; was so devoted, and so noble; that it plucked its love away,
|
||
and kept its secret from all eyes but mine--Ah! what other eyes were
|
||
quickened by such tenderness and gratitude!--and was content to
|
||
sacrifice itself to me. But I knew something of its depths. I knew the
|
||
struggle it had made. I knew its high, inestimable worth to him, and his
|
||
appreciation of it, let him love me as he would. I knew the debt I owed
|
||
it. I had its great example every day before me. What you had done for
|
||
me, I knew that I could do, Grace, if I would, for you. I never laid my
|
||
head down on my pillow, but I prayed with tears to do it. I never laid
|
||
my head down on my pillow, but I thought of Alfred's own words, on the
|
||
day of his departure, and how truly he had said (for I knew that, by
|
||
you) that there were victories gained every day, in struggling hearts,
|
||
to which these fields of battle were as nothing. Thinking more and more
|
||
upon the great endurance cheerfully sustained, and never known or cared
|
||
for, that there must be every day and hour, in that great strife of
|
||
which he spoke, my trial seemed to grow light and easy: and He who knows
|
||
our hearts, my dearest, at this moment, and who knows there is no drop
|
||
of bitterness or grief--of anything but unmixed happiness--in mine,
|
||
enabled me to make the resolution that I never would be Alfred's wife.
|
||
That he should be my brother, and your husband, if the course I took
|
||
could bring that happy end to pass; but that I never would (Grace, I
|
||
then loved him dearly, dearly!) be his wife!"
|
||
|
||
"Oh, Marion! oh, Marion!"
|
||
|
||
"I had tried to seem indifferent to him;" and she pressed her sister's
|
||
face against her own; "but that was hard, and you were always his true
|
||
advocate. I had tried to tell you of my resolution, but you would never
|
||
hear me; you would never understand me. The time was drawing near for
|
||
his return. I felt that I must act, before the daily intercourse between
|
||
us was renewed. I knew that one great pang, undergone at that time,
|
||
would save a lengthened agony to all of us. I knew that if I went away
|
||
then, that end must follow which _has_ followed, and which has made us
|
||
both so happy, Grace! I wrote to good Aunt Martha, for a refuge in her
|
||
house: I did not then tell her all, but something of my story, and she
|
||
freely promised it. While I was contesting that step with myself, and
|
||
with my love of you, and home, Mr. Warden, brought here by an accident,
|
||
became, for some time, our companion."
|
||
|
||
"I have sometimes feared of late years, that this might have been,"
|
||
exclaimed her sister, and her countenance was ashy-pale. "You never
|
||
loved him--and you married him in your self-sacrifice to me!"
|
||
|
||
"He was then," said Marion, drawing her sister closer to her, "on the
|
||
eve of going secretly away for a long time. He wrote to me, after
|
||
leaving here; told me what his condition and prospects really were; and
|
||
offered me his hand. He told me he had seen I was not happy in the
|
||
prospect of Alfred's return. I believe he thought my heart had no part
|
||
in that contract; perhaps thought I might have loved him once, and did
|
||
not then; perhaps thought that when I tried to seem indifferent, I tried
|
||
to hide indifference--I cannot tell. But I wished that you should feel
|
||
me wholly lost to Alfred--hopeless to him--dead. Do you understand me,
|
||
love?"
|
||
|
||
Her sister looked into her face, attentively. She seemed in doubt.
|
||
|
||
"I saw Mr. Warden, and confided in his honor; charged him with my
|
||
secret, on the eve of his and my departure. He kept it. Do you
|
||
understand me, dear?"
|
||
|
||
Grace looked confusedly upon her. She scarcely seemed to hear.
|
||
|
||
"My love, my sister!" said Marion, "recall your thoughts a moment:
|
||
listen to me. Do not look so strangely on me. There are countries,
|
||
dearest, where those who would abjure a misplaced passion, or would
|
||
strive against some cherished feeling of their hearts and conquer it,
|
||
retire into a hopeless solitude, and close the world against themselves
|
||
and worldly loves and hopes for ever. When women do so, they assume that
|
||
name which is so dear to you and me, and call each other Sisters. But
|
||
there may be sisters, Grace, who, in the broad world out of doors, and
|
||
underneath its free sky, and in its crowded places and among its busy
|
||
life, and trying to assist and cheer it and to do some good,--learn the
|
||
same lesson; and, with hearts still fresh and young, and open to all
|
||
happiness and means of happiness, can say the battle is long past, the
|
||
victory long won. And such a one am I! You understand me now?"
|
||
|
||
Still she looked fixedly upon her, and made no reply.
|
||
|
||
"Oh Grace, dear Grace," said Marion, clinging yet more tenderly and
|
||
fondly to that breast from which she had been so long exiled, "if you
|
||
were not a happy wife and mother--if I had no little namesake here--if
|
||
Alfred, my kind brother, were not your own fond husband--from whence
|
||
could I derive the ecstasy I feel to-night! But as I left here, so I
|
||
have returned. My heart has known no other love, my hand has never been
|
||
bestowed apart from it, I am still your maiden sister: unmarried,
|
||
unbetrothed: your own old loving Marion, in whose affection you exist
|
||
alone, and have no partner, Grace!"
|
||
|
||
She understood her now. Her face relaxed; sobs came to her relief; and
|
||
falling on her neck, she wept and wept, and fondled her as if she were a
|
||
child again.
|
||
|
||
When they were more composed, they found that the Doctor, and his sister
|
||
good Aunt Martha, were standing near at hand, with Alfred.
|
||
|
||
"This is a weary day for me," said good Aunt Martha, smiling through her
|
||
tears, as she embraced her nieces; "for I lose my dear companion in
|
||
making you all happy; and what can you give me in return for my Marion?"
|
||
|
||
"A converted brother," said the Doctor.
|
||
|
||
"That's something, to be sure," retorted Aunt Martha, "in such a farce
|
||
as--"
|
||
|
||
"No, pray don't," said the Doctor, penitently.
|
||
|
||
"Well, I won't," replied Aunt Martha. "But I consider myself ill-used. I
|
||
don't know what's to become of me without my Marion, after we have lived
|
||
together half-a-dozen years."
|
||
|
||
"You must come and live here, I suppose," replied the Doctor. "We
|
||
sha'n't quarrel now, Martha."
|
||
|
||
"Or get married, Aunt," said Alfred.
|
||
|
||
"Indeed," returned the old lady, "I think it might be a good speculation
|
||
if I were to set my cap at Michael Warden, who, I hear, is come home
|
||
much the better for his absence, in all respects. But as I knew him when
|
||
he was a boy, and I was not a very young woman then, perhaps he mightn't
|
||
respond. So I'll make up my mind to go and live with Marion, when she
|
||
marries, and until then (it will not be very long, I dare say) to live
|
||
alone. What do _you_ say, Brother?"
|
||
|
||
"I've a great mind to say it's a ridiculous world altogether, and
|
||
there's nothing serious in it," observed the poor old Doctor.
|
||
|
||
"You might take twenty affidavits of it if you chose, Anthony," said his
|
||
sister; "but nobody would believe you with such eyes as those."
|
||
|
||
"It's a world full of hearts," said the Doctor; hugging his younger
|
||
daughter, and bending across her to hug Grace--for he couldn't separate
|
||
the sisters; "and a serious world, with all its folly--even with mine,
|
||
which was enough to have swamped the whole globe; and a world on which
|
||
the sun never rises, but it looks upon a thousand bloodless battles that
|
||
are some set-off against the miseries and wickedness of Battle-Fields;
|
||
and a world we need be careful how we libel, Heaven forgive us, for it
|
||
is a world of sacred mysteries, and its Creator only knows what lies
|
||
beneath the surface of His lightest image!"
|
||
|
||
You would not be the better pleased with my rude pen, if it dissected
|
||
and laid open to your view the transports of this family, long severed
|
||
and now reunited. Therefore, I will not follow the poor Doctor through
|
||
his humbled recollection of the sorrow he had had, when Marion was lost
|
||
to him; nor will I tell how serious he had found that world to be, in
|
||
which some love deep-anchored, is the portion of all human creatures;
|
||
nor how such a trifle as the absence of one little unit in the great
|
||
absurd account, had stricken him to the ground. Nor how, in compassion
|
||
for his distress, his sister had, long ago, revealed the truth to him,
|
||
by slow degrees; and brought him to the knowledge of the heart of his
|
||
self-banished daughter, and to that daughter's side.
|
||
|
||
Nor how Alfred Heathfield had been told the truth, too, in the course of
|
||
that then current year; and Marion had seen him, and had promised him,
|
||
as her brother, that on her birth-day, in the evening, Grace should know
|
||
it from her lips at last.
|
||
|
||
"I beg your pardon, Doctor," said Mr. Snitchey, looking into the
|
||
orchard, "but have I liberty to come in?"
|
||
|
||
Without waiting for permission, he came straight to Marion, and kissed
|
||
her hand, quite joyfully.
|
||
|
||
"If Mr. Craggs had been alive, my dear Miss Marion," said Mr. Snitchey,
|
||
"he would have had great interest in this occasion. It might have
|
||
suggested to him, Mr. Alfred, that our life is not too easy, perhaps;
|
||
that, taken altogether, it will bear any little smoothing we can give
|
||
it; but Mr. Craggs was a man who could endure to be convinced, Sir. He
|
||
was always open to conviction. If he were open to conviction now,
|
||
I--this is weakness. Mrs. Snitchey, my dear,"--at his summons that lady
|
||
appeared from behind the door, "you are among old friends."
|
||
|
||
Mrs. Snitchey having delivered her congratulations, took her husband
|
||
aside.
|
||
|
||
"One moment, Mr. Snitchey," said that lady. "It is not in my nature to
|
||
rake up the ashes of the departed."
|
||
|
||
"No my dear," returned her husband.
|
||
|
||
"Mr. Craggs is--"
|
||
|
||
"Yes, my dear, he is deceased," said Mr. Snitchey.
|
||
|
||
"But I ask you if you recollect," pursued his wife, "that evening of
|
||
the ball. I only ask you that. If you do; and if your memory has not
|
||
entirely failed you, Mr. Snitchey; and if you are not absolutely in your
|
||
dotage; I ask you to connect this time with that--to remember how I
|
||
begged and prayed you, on my knees--"
|
||
|
||
"Upon your knees, my dear?" said Mr. Snitchey.
|
||
|
||
"Yes," said Mrs. Snitchey, confidently, "and you know it--to beware of
|
||
that man--to observe his eye--and now to tell me whether I was right,
|
||
and whether at that moment he knew secrets which he didn't choose to
|
||
tell."
|
||
|
||
"Mrs. Snitchey," returned her husband, in her ear, "Madam. Did you ever
|
||
observe anything in _my_ eye?"
|
||
|
||
"No," said Mrs. Snitchey, sharply. "Don't flatter yourself."
|
||
|
||
"Because, Ma'am, that night," he continued, twitching her by the sleeve,
|
||
"it happens that we both knew secrets which we didn't choose to tell,
|
||
and both knew just the same, professionally. And so the less you say
|
||
about such things the better, Mrs. Snitchey; and take this as a warning
|
||
to have wiser and more charitable eyes another time. Miss Marion, I
|
||
brought a friend of yours along with me. Here! Mistress."
|
||
|
||
Poor Clemency, with her apron to her eyes, came slowly in, escorted by
|
||
her husband; the latter doleful with the presentiment, that if she
|
||
abandoned herself to grief, the Nutmeg Grater was done for.
|
||
|
||
"Now, Mistress," said the lawyer, checking Marion as she ran towards
|
||
her, and interposing himself between them, "what's the matter with
|
||
_you_?"
|
||
|
||
"The matter!" cried poor Clemency.
|
||
|
||
When, looking up in wonder, and in indignant remonstrance, and in the
|
||
added emotion of a great roar from Mr. Britain, and seeing that sweet
|
||
face so well-remembered close before her, she stared, sobbed, laughed,
|
||
cried, screamed, embraced her, held her fast, released her, fell on Mr.
|
||
Snitchey and embraced him (much to Mrs. Snitchey's indignation), fell on
|
||
the Doctor and embraced him, fell on Mr. Britain and embraced him, and
|
||
concluded by embracing herself, throwing her apron over her head, and
|
||
going into hysterics behind it.
|
||
|
||
A stranger had come into the orchard, after Mr. Snitchey, and had
|
||
remained apart, near the gate, without being observed by any of the
|
||
group; for they had little spare attention to bestow, and that had been
|
||
monopolised by the ecstasies of Clemency. He did not appear to wish to
|
||
be observed, but stood alone, with downcast eyes; and there was an air
|
||
of dejection about him (though he was a gentleman of a gallant
|
||
appearance) which the general happiness rendered more remarkable.
|
||
|
||
None but the quick eyes of Aunt Martha, however, remarked him at all;
|
||
but almost as soon as she espied him, she was in conversation with him.
|
||
Presently, going to where Marion stood with Grace and her little
|
||
namesake, she whispered something in Marion's ear, at which she started,
|
||
and appeared surprised; but soon recovering from her confusion, she
|
||
timidly approached the stranger, in Aunt Martha's company, and engaged
|
||
in conversation with him too.
|
||
|
||
"Mr. Britain," said the lawyer, putting his hand in his pocket, and
|
||
bringing out a legal-looking document, while this was going on, "I
|
||
congratulate you. You are now the whole and sole proprietor of that
|
||
freehold tenement, at present occupied and held by yourself as a
|
||
licensed tavern, or house of public entertainment, and commonly called
|
||
or known by the sign of the Nutmeg Grater. Your wife lost one house,
|
||
through my client Mr. Michael Warden; and now gains another. I shall
|
||
have the pleasure of canvassing you for the county, one of these fine
|
||
mornings."
|
||
|
||
"Would it make any difference in the vote if the sign was altered, Sir?"
|
||
asked Britain.
|
||
|
||
"Not in the least," replied the lawyer.
|
||
|
||
"Then," said Mr. Britain, handing him back the conveyance, "just clap in
|
||
the words, 'and Thimble,' will you be so good; and I'll have the two
|
||
mottoes painted up in the parlour, instead of my wife's portrait."
|
||
|
||
[Illustration]
|
||
|
||
"And let me," said a voice behind them; it was the stranger's--Michael
|
||
Warden's; "let me claim the benefit of those inscriptions. Mr.
|
||
Heathfield and Dr. Jeddler, I might have deeply wronged you both. That
|
||
I did not, is no virtue of my own. I will not say that I am six years
|
||
wiser than I was, or better. But I have known, at any rate, that term
|
||
of selfreproach. I can urge no reason why you should deal gently
|
||
with me. I abused the hospitality of this house; and learnt my own
|
||
demerits, with a shame I never have forgotten, yet with some profit
|
||
too I would fain hope, from one," he glanced at Marion, "to whom I
|
||
made my humble supplication for forgiveness, when I knew her merit and
|
||
my deep unworthiness. In a few days I shall quit this place for ever.
|
||
I entreat your pardon. Do as you would be done by! Forget, and forgive!"
|
||
|
||
TIME--from whom I had the latter portion of this story, and with whom I
|
||
have the pleasure of a personal acquaintance of some five and thirty
|
||
years' duration--informed me, leaning easily upon his scythe, that
|
||
Michael Warden never went away again, and never sold his house, but
|
||
opened it afresh, maintained a golden mean of hospitality, and had a
|
||
wife, the pride and honor of that country-side, whose name was Marion.
|
||
But as I have observed that Time confuses facts occasionally, I hardly
|
||
know what weight to give to his authority.
|
||
|
||
|
||
THE END.
|
||
|
||
|
||
|
||
|
||
LONDON:
|
||
BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
|
||
|
||
|
||
|
||
|
||
NEW WORK BY BOZ.
|
||
|
||
|
||
_Now publishing in Monthly Parts, price 1s. each_,
|
||
|
||
DEALINGS WITH THE FIRM
|
||
OF
|
||
DOMBEY AND SON,
|
||
|
||
Wholesale, retail, and for Exportation.
|
||
|
||
BY CHARLES DICKENS.
|
||
|
||
WITH ILLUSTRATIONS BY HABLOT K. BROWNE.
|
||
|
||
|
||
Now ready, in One handsome Volume, 8vo, elegantly bound in
|
||
cloth, price 11_s._
|
||
|
||
OLIVER TWIST.
|
||
|
||
BY
|
||
|
||
CHARLES DICKENS.
|
||
|
||
WITH ILLUSTRATIONS BY GEORGE CRUIKSHANK,
|
||
|
||
AND THE
|
||
|
||
_Latest Corrections and Alterations of the Author_.
|
||
|
||
|
||
|
||
|
||
Mr Dickens's Works.
|
||
|
||
|
||
MARTIN CHUZZLEWIT. With Forty Illustrations by "PHIZ." In one
|
||
volume, price 21_s._ cloth boards.
|
||
|
||
AMERICAN NOTES. FOR GENERAL CIRCULATION. _Fourth Edition._ In two
|
||
volumes, post 8vo, price 21_s._ cloth.
|
||
|
||
BARNABY RUDGE; A TALE OF THE RIOTS OF 'EIGHTY. With Seventy Eight
|
||
Illustrations by G. CATTERMOLE and H. K. BROWNE. In one volume,
|
||
price 13_s._ cloth.
|
||
|
||
THE OLD CURIOSITY SHOP. With Seventy Five Illustrations by G.
|
||
CATTERMOLE and H. K. BROWNE. In one volume, price 13_s._ cloth.
|
||
|
||
SKETCHES BY "BOZ." _A New Edition_, with Forty Illustrations by
|
||
GEORGE CRUIKSHANK. In one volume, 8vo, price 21_s._ cloth.
|
||
|
||
THE PICKWICK PAPERS. With Forty Three Illustrations by "PHIZ." In
|
||
one volume, 8vo, price 21_s._ cloth.
|
||
|
||
NICHOLAS NICKLEBY. With Forty Illustrations by "PHIZ." In one
|
||
volume, 8vo, price 21_s._ cloth.
|
||
|
||
PICTURES FROM ITALY.--With Vignette Illustrations. Contents:--Paris
|
||
to Chalons.--Lyons, the Rhone, and the Goblin of Avignon.--Avignon
|
||
to Genoa.--Genoa and its Neighbourhood.--Parma, Modena, and
|
||
Bologna.--Ferrara.--Verona, Mantua, Milan, and the Simplon.--Rome,
|
||
Naples, and Florence. _Second Edition._ In Foolscap 8vo, price
|
||
6_s._
|
||
|
||
A CHRISTMAS CAROL. IN PROSE. BEING A GHOST STORY OF CHRISTMAS. With
|
||
Four Coloured Etchings, and Woodcuts, by LEECH. _Tenth Edition._
|
||
In Foolscap 8vo, price 5_s._
|
||
|
||
THE CHIMES. A GOBLIN STORY OF SOME BELLS THAT RANG AN OLD YEAR OUT
|
||
AND A NEW YEAR IN. The Illustrations by DANIEL MACLISE, R.A.;
|
||
CLARKSON STANFIELD, R.A.; JOHN LEECH; and RICHARD DOYLE. _Twelfth
|
||
Edition._ In Foolscap 8vo, price 5_s._
|
||
|
||
THE CRICKET ON THE HEARTH. A FAIRY TALE OF HOME. The Illustrations
|
||
by DANIEL MACLISE, R.A.; CLARKSON STANFIELD, R.A.; EDWIN LANDSEER,
|
||
R.A.; JOHN LEECH; and RICHARD DOYLE. _Twenty-second Edition._
|
||
Price 5_s._
|
||
|
||
PORTRAIT OF MR. DICKENS. Engraved by FINDEN, from a Painting by
|
||
DANIEL MACLISE, R.A. Price--in quarto, plain paper, 1_s._; folio,
|
||
India paper, 2_s._
|
||
|
||
|
||
|
||
|
||
Transcriber's Note
|
||
|
||
|
||
In this text-version italics have been surrounded with _underscores_ and
|
||
small capitals have been changed to all capitals.
|
||
|
||
The following corrections have been made, on page
|
||
|
||
25 "Heathfeld" changed to "Heathfield" (Mr. Heathfield," said
|
||
Snitchey)
|
||
65 " added (said the client, "but I am)
|
||
88 " added (you know, Clem.")
|
||
118 , changed to . (Go away. Don't ask)
|
||
131 " added (on any account.")
|
||
131 and 132 "Tim" changed to "Ben", (Doctor Heathfield won't take
|
||
nothing again, Ben."), (whatever family you was to have, Ben)
|
||
and ("What's this?" said Ben)
|
||
143 "faultered" changed to "faltered" (She faultered here, and
|
||
stopped.)
|
||
157 " added (It is sinking fast.")
|
||
164 "recal" changed to "recall" (said Marion, "recall your thoughts).
|
||
|
||
Otherwise the original has been preserved, including inconsistent
|
||
spelling and hyphenation.
|
||
|
||
|
||
|
||
|
||
|
||
End of the Project Gutenberg EBook of The Battle of Life, by Charles Dickens
|
||
|
||
*** END OF THIS PROJECT GUTENBERG EBOOK THE BATTLE OF LIFE ***
|
||
|
||
***** This file should be named 40723-8.txt or 40723-8.zip *****
|
||
This and all associated files of various formats will be found in:
|
||
http://www.gutenberg.org/4/0/7/2/40723/
|
||
|
||
Produced by Chris Curnow, eagkw and the Online Distributed
|
||
Proofreading Team at http://www.pgdp.net (This file was
|
||
produced from images generously made available by The
|
||
Internet Archive)
|
||
|
||
|
||
Updated editions will replace the previous one--the old editions
|
||
will be renamed.
|
||
|
||
Creating the works from public domain print editions means that no
|
||
one owns a United States copyright in these works, so the Foundation
|
||
(and you!) can copy and distribute it in the United States without
|
||
permission and without paying copyright royalties. Special rules,
|
||
set forth in the General Terms of Use part of this license, apply to
|
||
copying and distributing Project Gutenberg-tm electronic works to
|
||
protect the PROJECT GUTENBERG-tm concept and trademark. Project
|
||
Gutenberg is a registered trademark, and may not be used if you
|
||
charge for the eBooks, unless you receive specific permission. If you
|
||
do not charge anything for copies of this eBook, complying with the
|
||
rules is very easy. You may use this eBook for nearly any purpose
|
||
such as creation of derivative works, reports, performances and
|
||
research. They may be modified and printed and given away--you may do
|
||
practically ANYTHING with public domain eBooks. Redistribution is
|
||
subject to the trademark license, especially commercial
|
||
redistribution.
|
||
|
||
|
||
|
||
*** START: FULL LICENSE ***
|
||
|
||
THE FULL PROJECT GUTENBERG LICENSE
|
||
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
|
||
|
||
To protect the Project Gutenberg-tm mission of promoting the free
|
||
distribution of electronic works, by using or distributing this work
|
||
(or any other work associated in any way with the phrase "Project
|
||
Gutenberg"), you agree to comply with all the terms of the Full Project
|
||
Gutenberg-tm License available with this file or online at
|
||
www.gutenberg.org/license.
|
||
|
||
|
||
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
|
||
electronic works
|
||
|
||
1.A. By reading or using any part of this Project Gutenberg-tm
|
||
electronic work, you indicate that you have read, understand, agree to
|
||
and accept all the terms of this license and intellectual property
|
||
(trademark/copyright) agreement. If you do not agree to abide by all
|
||
the terms of this agreement, you must cease using and return or destroy
|
||
all copies of Project Gutenberg-tm electronic works in your possession.
|
||
If you paid a fee for obtaining a copy of or access to a Project
|
||
Gutenberg-tm electronic work and you do not agree to be bound by the
|
||
terms of this agreement, you may obtain a refund from the person or
|
||
entity to whom you paid the fee as set forth in paragraph 1.E.8.
|
||
|
||
1.B. "Project Gutenberg" is a registered trademark. It may only be
|
||
used on or associated in any way with an electronic work by people who
|
||
agree to be bound by the terms of this agreement. There are a few
|
||
things that you can do with most Project Gutenberg-tm electronic works
|
||
even without complying with the full terms of this agreement. See
|
||
paragraph 1.C below. There are a lot of things you can do with Project
|
||
Gutenberg-tm electronic works if you follow the terms of this agreement
|
||
and help preserve free future access to Project Gutenberg-tm electronic
|
||
works. See paragraph 1.E below.
|
||
|
||
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
|
||
or PGLAF), owns a compilation copyright in the collection of Project
|
||
Gutenberg-tm electronic works. Nearly all the individual works in the
|
||
collection are in the public domain in the United States. If an
|
||
individual work is in the public domain in the United States and you are
|
||
located in the United States, we do not claim a right to prevent you from
|
||
copying, distributing, performing, displaying or creating derivative
|
||
works based on the work as long as all references to Project Gutenberg
|
||
are removed. Of course, we hope that you will support the Project
|
||
Gutenberg-tm mission of promoting free access to electronic works by
|
||
freely sharing Project Gutenberg-tm works in compliance with the terms of
|
||
this agreement for keeping the Project Gutenberg-tm name associated with
|
||
the work. You can easily comply with the terms of this agreement by
|
||
keeping this work in the same format with its attached full Project
|
||
Gutenberg-tm License when you share it without charge with others.
|
||
|
||
1.D. The copyright laws of the place where you are located also govern
|
||
what you can do with this work. Copyright laws in most countries are in
|
||
a constant state of change. If you are outside the United States, check
|
||
the laws of your country in addition to the terms of this agreement
|
||
before downloading, copying, displaying, performing, distributing or
|
||
creating derivative works based on this work or any other Project
|
||
Gutenberg-tm work. The Foundation makes no representations concerning
|
||
the copyright status of any work in any country outside the United
|
||
States.
|
||
|
||
1.E. Unless you have removed all references to Project Gutenberg:
|
||
|
||
1.E.1. The following sentence, with active links to, or other immediate
|
||
access to, the full Project Gutenberg-tm License must appear prominently
|
||
whenever any copy of a Project Gutenberg-tm work (any work on which the
|
||
phrase "Project Gutenberg" appears, or with which the phrase "Project
|
||
Gutenberg" is associated) is accessed, displayed, performed, viewed,
|
||
copied or distributed:
|
||
|
||
This eBook is for the use of anyone anywhere at no cost and with
|
||
almost no restrictions whatsoever. You may copy it, give it away or
|
||
re-use it under the terms of the Project Gutenberg License included
|
||
with this eBook or online at www.gutenberg.org
|
||
|
||
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
|
||
from the public domain (does not contain a notice indicating that it is
|
||
posted with permission of the copyright holder), the work can be copied
|
||
and distributed to anyone in the United States without paying any fees
|
||
or charges. If you are redistributing or providing access to a work
|
||
with the phrase "Project Gutenberg" associated with or appearing on the
|
||
work, you must comply either with the requirements of paragraphs 1.E.1
|
||
through 1.E.7 or obtain permission for the use of the work and the
|
||
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
|
||
1.E.9.
|
||
|
||
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
|
||
with the permission of the copyright holder, your use and distribution
|
||
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
|
||
terms imposed by the copyright holder. Additional terms will be linked
|
||
to the Project Gutenberg-tm License for all works posted with the
|
||
permission of the copyright holder found at the beginning of this work.
|
||
|
||
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
|
||
License terms from this work, or any files containing a part of this
|
||
work or any other work associated with Project Gutenberg-tm.
|
||
|
||
1.E.5. Do not copy, display, perform, distribute or redistribute this
|
||
electronic work, or any part of this electronic work, without
|
||
prominently displaying the sentence set forth in paragraph 1.E.1 with
|
||
active links or immediate access to the full terms of the Project
|
||
Gutenberg-tm License.
|
||
|
||
1.E.6. You may convert to and distribute this work in any binary,
|
||
compressed, marked up, nonproprietary or proprietary form, including any
|
||
word processing or hypertext form. However, if you provide access to or
|
||
distribute copies of a Project Gutenberg-tm work in a format other than
|
||
"Plain Vanilla ASCII" or other format used in the official version
|
||
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
|
||
you must, at no additional cost, fee or expense to the user, provide a
|
||
copy, a means of exporting a copy, or a means of obtaining a copy upon
|
||
request, of the work in its original "Plain Vanilla ASCII" or other
|
||
form. Any alternate format must include the full Project Gutenberg-tm
|
||
License as specified in paragraph 1.E.1.
|
||
|
||
1.E.7. Do not charge a fee for access to, viewing, displaying,
|
||
performing, copying or distributing any Project Gutenberg-tm works
|
||
unless you comply with paragraph 1.E.8 or 1.E.9.
|
||
|
||
1.E.8. You may charge a reasonable fee for copies of or providing
|
||
access to or distributing Project Gutenberg-tm electronic works provided
|
||
that
|
||
|
||
- You pay a royalty fee of 20% of the gross profits you derive from
|
||
the use of Project Gutenberg-tm works calculated using the method
|
||
you already use to calculate your applicable taxes. The fee is
|
||
owed to the owner of the Project Gutenberg-tm trademark, but he
|
||
has agreed to donate royalties under this paragraph to the
|
||
Project Gutenberg Literary Archive Foundation. Royalty payments
|
||
must be paid within 60 days following each date on which you
|
||
prepare (or are legally required to prepare) your periodic tax
|
||
returns. Royalty payments should be clearly marked as such and
|
||
sent to the Project Gutenberg Literary Archive Foundation at the
|
||
address specified in Section 4, "Information about donations to
|
||
the Project Gutenberg Literary Archive Foundation."
|
||
|
||
- You provide a full refund of any money paid by a user who notifies
|
||
you in writing (or by e-mail) within 30 days of receipt that s/he
|
||
does not agree to the terms of the full Project Gutenberg-tm
|
||
License. You must require such a user to return or
|
||
destroy all copies of the works possessed in a physical medium
|
||
and discontinue all use of and all access to other copies of
|
||
Project Gutenberg-tm works.
|
||
|
||
- You provide, in accordance with paragraph 1.F.3, a full refund of any
|
||
money paid for a work or a replacement copy, if a defect in the
|
||
electronic work is discovered and reported to you within 90 days
|
||
of receipt of the work.
|
||
|
||
- You comply with all other terms of this agreement for free
|
||
distribution of Project Gutenberg-tm works.
|
||
|
||
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
|
||
electronic work or group of works on different terms than are set
|
||
forth in this agreement, you must obtain permission in writing from
|
||
both the Project Gutenberg Literary Archive Foundation and Michael
|
||
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
|
||
Foundation as set forth in Section 3 below.
|
||
|
||
1.F.
|
||
|
||
1.F.1. Project Gutenberg volunteers and employees expend considerable
|
||
effort to identify, do copyright research on, transcribe and proofread
|
||
public domain works in creating the Project Gutenberg-tm
|
||
collection. Despite these efforts, Project Gutenberg-tm electronic
|
||
works, and the medium on which they may be stored, may contain
|
||
"Defects," such as, but not limited to, incomplete, inaccurate or
|
||
corrupt data, transcription errors, a copyright or other intellectual
|
||
property infringement, a defective or damaged disk or other medium, a
|
||
computer virus, or computer codes that damage or cannot be read by
|
||
your equipment.
|
||
|
||
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
|
||
of Replacement or Refund" described in paragraph 1.F.3, the Project
|
||
Gutenberg Literary Archive Foundation, the owner of the Project
|
||
Gutenberg-tm trademark, and any other party distributing a Project
|
||
Gutenberg-tm electronic work under this agreement, disclaim all
|
||
liability to you for damages, costs and expenses, including legal
|
||
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
|
||
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
|
||
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
|
||
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
|
||
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
|
||
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
|
||
DAMAGE.
|
||
|
||
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
|
||
defect in this electronic work within 90 days of receiving it, you can
|
||
receive a refund of the money (if any) you paid for it by sending a
|
||
written explanation to the person you received the work from. If you
|
||
received the work on a physical medium, you must return the medium with
|
||
your written explanation. The person or entity that provided you with
|
||
the defective work may elect to provide a replacement copy in lieu of a
|
||
refund. If you received the work electronically, the person or entity
|
||
providing it to you may choose to give you a second opportunity to
|
||
receive the work electronically in lieu of a refund. If the second copy
|
||
is also defective, you may demand a refund in writing without further
|
||
opportunities to fix the problem.
|
||
|
||
1.F.4. Except for the limited right of replacement or refund set forth
|
||
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
|
||
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
|
||
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
|
||
|
||
1.F.5. Some states do not allow disclaimers of certain implied
|
||
warranties or the exclusion or limitation of certain types of damages.
|
||
If any disclaimer or limitation set forth in this agreement violates the
|
||
law of the state applicable to this agreement, the agreement shall be
|
||
interpreted to make the maximum disclaimer or limitation permitted by
|
||
the applicable state law. The invalidity or unenforceability of any
|
||
provision of this agreement shall not void the remaining provisions.
|
||
|
||
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
|
||
trademark owner, any agent or employee of the Foundation, anyone
|
||
providing copies of Project Gutenberg-tm electronic works in accordance
|
||
with this agreement, and any volunteers associated with the production,
|
||
promotion and distribution of Project Gutenberg-tm electronic works,
|
||
harmless from all liability, costs and expenses, including legal fees,
|
||
that arise directly or indirectly from any of the following which you do
|
||
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
|
||
work, (b) alteration, modification, or additions or deletions to any
|
||
Project Gutenberg-tm work, and (c) any Defect you cause.
|
||
|
||
|
||
Section 2. Information about the Mission of Project Gutenberg-tm
|
||
|
||
Project Gutenberg-tm is synonymous with the free distribution of
|
||
electronic works in formats readable by the widest variety of computers
|
||
including obsolete, old, middle-aged and new computers. It exists
|
||
because of the efforts of hundreds of volunteers and donations from
|
||
people in all walks of life.
|
||
|
||
Volunteers and financial support to provide volunteers with the
|
||
assistance they need are critical to reaching Project Gutenberg-tm's
|
||
goals and ensuring that the Project Gutenberg-tm collection will
|
||
remain freely available for generations to come. In 2001, the Project
|
||
Gutenberg Literary Archive Foundation was created to provide a secure
|
||
and permanent future for Project Gutenberg-tm and future generations.
|
||
To learn more about the Project Gutenberg Literary Archive Foundation
|
||
and how your efforts and donations can help, see Sections 3 and 4
|
||
and the Foundation information page at www.gutenberg.org
|
||
|
||
|
||
Section 3. Information about the Project Gutenberg Literary Archive
|
||
Foundation
|
||
|
||
The Project Gutenberg Literary Archive Foundation is a non profit
|
||
501(c)(3) educational corporation organized under the laws of the
|
||
state of Mississippi and granted tax exempt status by the Internal
|
||
Revenue Service. The Foundation's EIN or federal tax identification
|
||
number is 64-6221541. Contributions to the Project Gutenberg
|
||
Literary Archive Foundation are tax deductible to the full extent
|
||
permitted by U.S. federal laws and your state's laws.
|
||
|
||
The Foundation's principal office is located at 4557 Melan Dr. S.
|
||
Fairbanks, AK, 99712., but its volunteers and employees are scattered
|
||
throughout numerous locations. Its business office is located at 809
|
||
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
|
||
contact links and up to date contact information can be found at the
|
||
Foundation's web site and official page at www.gutenberg.org/contact
|
||
|
||
For additional contact information:
|
||
Dr. Gregory B. Newby
|
||
Chief Executive and Director
|
||
gbnewby@pglaf.org
|
||
|
||
Section 4. Information about Donations to the Project Gutenberg
|
||
Literary Archive Foundation
|
||
|
||
Project Gutenberg-tm depends upon and cannot survive without wide
|
||
spread public support and donations to carry out its mission of
|
||
increasing the number of public domain and licensed works that can be
|
||
freely distributed in machine readable form accessible by the widest
|
||
array of equipment including outdated equipment. Many small donations
|
||
($1 to $5,000) are particularly important to maintaining tax exempt
|
||
status with the IRS.
|
||
|
||
The Foundation is committed to complying with the laws regulating
|
||
charities and charitable donations in all 50 states of the United
|
||
States. Compliance requirements are not uniform and it takes a
|
||
considerable effort, much paperwork and many fees to meet and keep up
|
||
with these requirements. We do not solicit donations in locations
|
||
where we have not received written confirmation of compliance. To
|
||
SEND DONATIONS or determine the status of compliance for any
|
||
particular state visit www.gutenberg.org/donate
|
||
|
||
While we cannot and do not solicit contributions from states where we
|
||
have not met the solicitation requirements, we know of no prohibition
|
||
against accepting unsolicited donations from donors in such states who
|
||
approach us with offers to donate.
|
||
|
||
International donations are gratefully accepted, but we cannot make
|
||
any statements concerning tax treatment of donations received from
|
||
outside the United States. U.S. laws alone swamp our small staff.
|
||
|
||
Please check the Project Gutenberg Web pages for current donation
|
||
methods and addresses. Donations are accepted in a number of other
|
||
ways including checks, online payments and credit card donations.
|
||
To donate, please visit: www.gutenberg.org/donate
|
||
|
||
|
||
Section 5. General Information About Project Gutenberg-tm electronic
|
||
works.
|
||
|
||
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
|
||
concept of a library of electronic works that could be freely shared
|
||
with anyone. For forty years, he produced and distributed Project
|
||
Gutenberg-tm eBooks with only a loose network of volunteer support.
|
||
|
||
Project Gutenberg-tm eBooks are often created from several printed
|
||
editions, all of which are confirmed as Public Domain in the U.S.
|
||
unless a copyright notice is included. Thus, we do not necessarily
|
||
keep eBooks in compliance with any particular paper edition.
|
||
|
||
Most people start at our Web site which has the main PG search facility:
|
||
|
||
www.gutenberg.org
|
||
|
||
This Web site includes information about Project Gutenberg-tm,
|
||
including how to make donations to the Project Gutenberg Literary
|
||
Archive Foundation, how to help produce our new eBooks, and how to
|
||
subscribe to our email newsletter to hear about new eBooks.
|